Blog Tour and Review: “Secret Identity”

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Book: “Secret Identity” by Alex Segura

Publishing Info: Flatiron Books, March 2022

Where Did I Get this Book: I received an eARC from the publisher via NetGalley as part of this Blog Tour.

Where Can You Get this Book: WorldCat | Amazon | IndieBound |

Book Description: From Anthony Award-winning writer Alex Segura comes Secret Identity, a rollicking literary mystery set in the world of comic books.

It’s 1975 and the comic book industry is struggling, but Carmen Valdez doesn’t care. She’s an assistant at Triumph Comics, which doesn’t have the creative zeal of Marvel nor the buttoned-up efficiency of DC, but it doesn’t matter. Carmen is tantalizingly close to fulfilling her dream of writing a superhero book.

That dream is nearly a reality when one of the Triumph writers enlists her help to create a new character, which they call “The Lethal Lynx,” Triumph’s first female hero. But her colleague is acting strangely and asking to keep her involvement a secret. And then he’s found dead, with all of their scripts turned into the publisher without her name. Carmen is desperate to piece together what happened to him, to hang on to her piece of the Lynx, which turns out to be a runaway hit. But that’s complicated by a surprise visitor from her home in Miami, a tenacious cop who is piecing everything together too quickly for Carmen, and the tangled web of secrets and resentments among the passionate eccentrics who write comics for a living.

Alex Segura uses his expertise as a comics creator as well as his unabashed love of noir fiction to create a truly one-of-a-kind novel–hard-edged and bright-eyed, gritty and dangerous, and utterly absorbing.

Review: Thank you so much to Maris Tasaka of Macmillan for sending me an eARC of this book via NetGalley and for including our blog on the Blog Tour of this book!

My enjoyment of comic books and therein graphic novels was solidly influenced by my mother, who was an avid DC fan as a child. During a childhood trip to visit my grandparents in Iowa, my mother managed to find a huge box of her old comics, and I had a grand old time reading through them and familiarizing myself with Superman, The Flash, Green Lantern, and Batman (I feel like this was her favorite title; SO MANY BATMAN COMICS). I definitely spent some time thinking about this as I read “Secret Identity”, a new literary mystery from Alex Segura, that has its main thrust and story in the comics industry during the 1970s (about ten years after my Mom was reading the various heroes of DC), and starring a young woman named Carmen who loves comics and is working with them, though not at the capacity she’d like. Because misogyny and racism, of course! That alone is compelling as hell, but when you add some ghost writing, an unstable ex, and a murder to boot? That’s even more tantalizing.

“Secret Identity” is fast paced, suspenseful, and it sends the reader back to 1970s New York City with ease. As I was reading I felt deeply immersed in the time and place, able to picture everything that was being described. The setting makes for a great mystery, given that 1970s New York City was gritty and grim in many ways, and Segura gives us a solid whodunnit with a fantastic detective at the forefront. I really loved Carmen as our protagonist, as she is determined and ambitious, as well as very relatable and likable while trying to balance her gender, ethnicity, and sexuality in a very patriarchal vocation and society. I was righteously indignant for her given the fact that she is a Latin woman working in a boys club industry during a time of changing gender dynamics, and her experiences very much reflect that. Be it being dismissed by her boss, being seen as a secretary and not much more, being hit on by men and having to fend them off while hiding the fact she’s into women, or being excluded from her coworkers, even in inadvertent ways, Carmen has to deal with a lot of shit. And she does it because she loves comics, she lives and breathes comics, and that makes her tolerate it all…. Until a coworker named Harvey approaches her for creative help on a new character they call The Lynx, a female superhero that subverts the norms. Carmen is the force behind the best parts of her, but Harvey takes the full credit because of course he does. Carmen’s anger about this is kind of short lived, however, as before she can confront him he is murdered. And the reason for that may be because of the Lynx. Combining this violation of her creative property with a murder mystery makes for a very complicated journey for Carmen, as while she has to frame it as wanting to find justice for her friend, there is the deeper component of wanting to reclaim her character, but also being in danger BECAUSE of the character. The mystery is very well crafted, and Segura lays out the clues and has a number of well placed red herrings to boot.

And this entire story is a true Valentine to superhero comics and the way they can sweep a reader up and influence them, while being realistic about what the comics industry was like during the time period. Carmen is not only a great noir-esque amateur detective, but I loved how Segura made her love and passion for comics so evident and believable, and how honest he is about the highs and lows of the comics industry. Carmen’s enthusiasm and knowledge is really fun on the page, and we even get to see some of the pages of the comics of The Lynx as the story goes on and when the themes are relevant (given that Segura is also a comics writer, these moments were extra awesome and felt really authentic). And while this takes place in the 1970s, my guess is that some of the issues are timeless, and Segura takes on mediocre writers who get promotions based on sex and race, misogyny, idea theft, and other toxic realities of being a woman and POC in the comics industry. It adds another layer to the mystery, given that Harvey was more than happy to steal the credit from Carmen and figured that there wouldn’t be anything she could do about it. It all comes together nicely and in a way that adds to the plot and makes it all the more complex and interesting.

I definitely enjoyed “Secret Identity”, and already have a wide swath of people in mind as to who I would recommend it to (my Mom, for instance)! The buzz around this book is absolutely spot on. Anyone into superhero comics from the era, or just comics in general, should pick it up!

Rating 9: A solid mystery, a love letter to comics, and a stirring character study, “Secret Identity” is a must read for comics fans and mystery fans alike!

Reader’s Advisory:

“Secret Identity” is included on the Goodreads lists “Books for Geeky Girls”, and “About Comics”.

Other Stops on the Blog Tour:

Jessicamap Reviews (March 10)

Serena’s Review: “A Far Wilder Magic”

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Book: “A Far Wilder Magic” by Allison Saft

Publishing Info: Wednesday Books, March 2022

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: When Margaret Welty spots the legendary hala, the last living mythical creature, she knows the Halfmoon Hunt will soon follow. Whoever is able to kill the hala will earn fame and riches, and unlock an ancient magical secret. If Margaret wins the hunt, it may finally bring her mother home. While Margaret is the best sharpshooter in town, only teams of two can register, and she needs an alchemist.

Weston Winters isn’t an alchemist–yet. Fired from every apprenticeship he’s landed, his last chance hinges on Master Welty taking him in. But when Wes arrives at Welty Manor, he finds only Margaret and her bloodhound Trouble. Margaret begrudgingly allows him to stay, but on one condition: he must join the hunt with her.

Although they make an unlikely team, Wes is in awe of the girl who has endured alone on the outskirts of a town that doesn’t want her, in this creaking house of ghosts and sorrow. And even though Wes disrupts every aspect of her life, Margaret is drawn to him. He, too, knows what it’s like to be an outsider. As the hunt looms closer and tensions rise, Margaret and Wes uncover dark magic that could be the key to winning the hunt – if they survive that long.

Review: My dad was a hunter, so I always grew up knowing what hunting season we were in by the various dead animals that we’d fine hanging in the shed. Deer, turkeys, even a coyote once or twice (usually when one was bothering my neighboring aunt and uncle’s chickens). And yet, I’ve still been the person who balled through “Fly Away Home” and can’t even think about multiple scenes in “The Fox and the Hound.” All of this to say, a fantasy novel focused on a hunt for a magical fox elicits some very conflicting feelings. But the high praise for the sweet romance was enough to sway this on onto my TBR pile.

Margaret Welty never knows when her mother will return. She understands, her mother is a famous alchemist and has a life-long mission that all but consumes her. Still, alone in a house that is falling down around her, Margaret’s life is full of chores and loneliness. That is until Wes shows up at her door hoping to become an apprentice with Margaret’s mother. Neither seem likely to get what they most want, but in Wes, Margaret sees a way forward for them both. If they kill the hala, the last magical creature in the world, the reward will likely draw Margaret’s mother home, gaining Margaret her family and Wes his teacher. But as the hunt draws nearer, Wes and Margaret begin to question what it is they really want.

So for all of my melodramatic concerns about the fox hunting in this story, when I actually got to the end of it and found myself reflecting on the story, that aspect had very little to do with it. For one thing, I really liked the mythology around the magical hala in the first place. The book explores how one mystical, barely understood creature (creatures, previous to them being exterminated) fit into a wide host of different religions. It was a great way of exploring how a religion or faith’s core beliefs or origin story can really shape the way that those who adhere to that faith move through the world. The different things they prioritize, the different things they condemn, all stemming off of a shared magical set of creatures, even though these different religions interpret and understand them differently. It was a really interesting exploration of religion that I hadn’t expected to find in a YA fantasy story.

Beyond that, however, this book had a huge focus on family and family dynamics. The biggest chunk is devoted to Margaret and the unhealthy and, really, abusive home life that has made up much of her childhood. What I liked so much about this exploration was that it didn’t outright demonize Margaret’s mother. The book explores how events in life can draw on darkness within us all, and it really comes down to the individual whether that darkness consumes them or not. But that everyone could potentially have that trigger in life that could send them down a dark spiral, making the support systems and sympathy we have to those around us all the more important. Even covering these aspects of it, the book doesn’t shy away from pointing out the harsh truths and responsibility that Margaret’s mother has for what she has inflected on her daughter.

Beyond that, the book looks at the conflicted feelings that would arise in a young woman who is beginning to open her eyes to the damage their parent has created, even while still feeling a strong sense of love and loyalty to that unhealthy parent and parental relationship. The book doesn’t sugar coat any of this, avoiding having Margaret come to some big “ah ha!” moment that immediately frees her of the guilty (however misplaced) that would come in challenging a parent in this corrosive dynamic.

Weston’s story is much more straight forward, but it, too, explores family dynamics and the balance between responsibility towards the care of one’s family and the important of following one’s dreams. The story also touches on some of the more complicated aspects of sibling relationships, and how two people who love each other so much can still be incredibly challenged to fully understand the other person’s choices and perspective on life.

I also really enjoyed the romance of this story. It was a slow-burn romance, just as I like. And, with all of these other major themes and fantasy elements, I felt like the balance of romance to story was perfect. Their relationship built up in what felt like a natural way, with various starts and stops along the way. Wes, in particular, had an interesting arch in the romance. He originally shows up as this rather flirtatious, unserious charmer whose social ease has allowed him to quickly form connections with people. But because of this, he struggles to recognize more serious feelings when they show up. Margaret’s story as someone who has learned to have low expectations of those she loves is perhaps a bit more common to see, but equally well done.

I really liked this book. I think it managed to tackle some big themes while keeping up a fast pace, introducing a new magical world, and drawing out a sweet slow-burn romance. Very well done and I recommend it to most all YA fantasy readers! All the better for it being a stand-alone book.

Rating 9: A story that explores the deep trauma of a parent/child relationship gone wrong while also maintaining its sense of wonder and beauty in a new fantasy world.

Reader’s Advisory:

“A Far Wilder Magic” is on these Goodreads lists: YA Fantasy Standalone Books and Fantasy Frenemies.

Kate’s Review: “Locke & Key (Vol. 6): Alpha & Omega”

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Book: “Locke & Key (Vol. 6): Alpha & Omega” by Joe Hill and Gabriel Rodríguez (Ill.)

Publishing Info: IDW Publishing, January 2014

Where Did I Get This Book: I own it.

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: The shadows have never been darker and the end has never been closer. Turn the key and open the last door; it’s time to say goodbye.

The final arc of New York Times bestselling Locke & Key comes to a thunderous and compelling conclusion.

Review: I feel like my re-read of “Locke & Key” went by in a flash. It could be because my re-read of “Sandman” was a few volumes longer, but I think that it’s also the fact that Joe Hill has created something that has depth, complexity, and some great horror and fantasy moments that is well packaged and easily digestible. I found myself kind of dreading the end, as I knew that it was going to pack an emotional wallop, but once I picked up “Alpha and Omega”, I basically devoured it in a sitting, taking breaks only to weep into my hands because of said wallop.

I don’t even know where to begin as I review the end of this series. Hill has built up to this moment, and you know that there are going to be a lot of casualties and a lot of collateral damage as Dodge makes his final moves into trying to open the Black Door, but when it centers around graduation night and a high school party in the caves, the stakes are raised to the highest point that the series has seen. It’s up to Tyler and Kinsey to try and stop Dodge, though they have no idea that Dodge has inhabited Bode’s body. So when Dodge does start wreaking havoc, all through the body of a child, it’s just heart-rendering to see. Especially since all the chaos that unfolds involves teenagers, and therefore other children. No one ever said that Hill was sunshine and rainbows, but I had forgotten just how goddamn bleak this last arc is as the horrors unleash and demons do their best to overtake Lovecraft, and perhaps the world at large. It’s a great reveal, it all comes together and makes sense in terms of what we’ve seen so far, and it is a fantastic climactic story arc for this series with awesome horror moments and full fledged mythology. And a whole lot of death, a lot of it coming for characters we have come to care for.

But there are also a lot of wonderful bits of hope throughout this tale. We’ve followed the Locke children (as well as their mother and uncle to lesser degrees), and now we get to see them come to the end of their journey and to live up to the potential of who they are meant to be, as Lockes and as people in general. Tyler and Kinsey have come so far as characters, and through the highs and lows of both I came to just fall in love with them both all over again, just like I did the first time I read it. They are teenagers with a lot of pain in their hearts, and they are messy and damaged, but they are also, ultimately, great people who love their family, even as the family has gone through something terrible and hasn’t figured out how to come through the other side just yet. Hill writes them both as incredibly human, and as such sometimes they just made me want to throttle them, and other times I want to hug them and never let them go. By the time we got to the end of their journeys, Tyler’s in particular, I was a weepy mess.

There are a couple things that don’t work. One is how Hill writes Jordan’s, Tyler’s girlfriend’s, final storyline. I feel like we never really got to fully explore Jordan as a character, as she was relegated to ‘bad girl with a heart of gold who pushes those who care for her away’. We’ve seen it before. She’s more there to give Tyler the ability to learn and grow, and I felt like she deserved more than that. There is also one big moment (no spoilers here) that didn’t really get the explanation I think that it needed, but ultimately these things are minor within the grand scheme of what does end up working. Because so much works.

And one more shout out to Gabriel Rodríguez. His artwork is so fantastic, and there are a lot of moments in this book that have emotional beats that fully rely on the visuals as opposed to what is being said.

Though full disclosure, these days any emotional content with mothers and daughters is going to set me off. (source: IDW Publishing)

“Locke & Key: Alpha and Omega” is a near perfect ending to a fantastic series. I am so glad that I decided to revisit it, as I feel like I got even more out of it this time than I did on my initial read. I imagine I will revisit the Locke Family in the future, as they and the story they have is a wondrous dark fantasy horror creation with so much heart.

And given that there is a crossover story with “Sandman”….. we may be seeing both worlds from some comic re-reads in the near future…

Rating 9: A practically perfect ending that made me weep, “Locke & Key (Vol. 6): Alpha & Omega” brings it all to the finish with emotion, horror, and hope.

Reader’s Advisory:

“Locke & Key (Vol. 6): Alpha & Omega” is included on the Goodreads lists “Best Coming of Age Horror Novels”, and “Graphic Novels That Are Quality”.

Previously Reviewed:

Serena’s Review: “The First Girl Child”

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Book: “The First Girl Child” by Amy Harmon

Publishing Info: 47North, August 2019

Where Did I Get this Book: from the library!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Bayr of Saylok, bastard son of a powerful and jealous chieftain, is haunted by the curse once leveled by his dying mother. Bartered, abandoned, and rarely loved, she plagued the land with her words: From this day forward, there will be no daughters in Saylok.

Raised among the Keepers at Temple Hill, Bayr is gifted with inhuman strength. But he’s also blessed with an all-too-human heart that beats with one purpose: to protect Alba, the first girl child born in nearly two decades and the salvation for a country at risk.

Now the fate of Saylok lies with Alba and Bayr, whose bond grows deeper with every whisper of coming chaos. Charged with battling the enemies of their people, both within and without, Bayr is fueled further by the love of a girl who has defied the scourge of Saylok.

What Bayr and Alba don’t know is that they each threaten the king, a greedy man who built his throne on lies, murder, and betrayal. There is only one way to defend their land from the corruption that has overtaken it. By breaking the curse, they could defeat the king…but they could also destroy themselves.

Review: February was a fantastic reading month for me. Just hit after hit, loving them all! I think there was only one or two where I was maybe middling on, but the rest were all 4-5 stars from me! This is especially impressive since many of these reads were from authors who were new to me and were books that I had only heard about briefly here and there. That includes this one, a book that I haphazardly added to my TBR list after spotting it on a few fantasy booklists. But, yet again, we have another great one!

“The world is not kind to women.” So says many of the women living their lives out in Saylok, a land of powerful warriors and mysterious druids. So, too, said Bayr’s mother when, after birthing Bayr, nearly alone and friendless, she curses the land to produce no more girl children. Thus the world Bayr grows up in is one of growing desperation as no girls are born year after year and a cruel king leads the land into an uncertain future. That is, until the birth of Alba. Bayr and Alba form an early connection as children, but the hope that came with her birth quickly fades as the years continue without any other girls. As they come to age, powerful forces, both magical and political, become to come to a head and only Bary and Alba can see a future for their land.

Just like “A River Enchanted,” I think this book description is a bit misleading. Yes, Bayr and Alba’s story is central to the book, but they are only two of the main characters. And honestly, they might be the lesser two. We first meet Dagmar, a druid and the brother of Bayr’s mother. It is he who witnesses the curse in the making and takes Bayr under his wing to watch him grow. We also meet Ghost, a woman who has been forcibly taken to this land as Saylok’s men become desperate for the wives who can no longer be found among their own people. Different for both her strange washed-out coloring as well as her foreign upbringing, Ghost makes her way in the shadows of existence before also meeting up with Dagmar.

It is through these two’s tale that we really dive into some of the important themes of the book such as parenthood, devotion, and faith. Both are tested in all of these things throughout the book and handle the various challenges thrown at them in unique ways. Their stories are full of tragedy, but highlight the power of the individual when they put others before themselves and remain steadfast to what they know to be true.

This is definitely a slower book. The story takes place over twenty years or so. As such, you can see why Dagmar and Ghost’s stories are so prevalent. Bayr and Alba are growing up through much of it. But I will give credit to the author for this: I rarely enjoy stories that heavily feature children, and Bayr and Alba are both that through much of the book (Alba’s even a baby during a decent chunk of it), and yet I thoroughly enjoyed the slow exploration of their lives and how they are each shaped by each other and the events going on around them. All of these smaller moments are important as the book builds up to the larger decisions they each must make later in the book.

Again, given this format of the book, the romance of the story was greatly reduced from what I expected going in. That said, while the book wasn’t what I thought it was when I began it, it turned out to probably be a better read because of this change. Instead, the book has a much grander focus, not only on the themes I mentioned earlier, but also on women and feminism. In many ways, this is a fairly traditional fantasy world. Men hold all the power: on the battlefield, on the throne, and in the halls of magic. Fantasy readers will all immediately be familiar with this setting. But the author doesn’t simply go and flip the table on this. Instead, she takes a much more subtle and nuanced route in pointing out the limitations and dangers of women’s lives. She also explores the unique strengths and power that each woman holds as well. By the end, some of these power dynamics have indeed changed, but they did so in a manner that was both believable and satisfyingly

Rating 9: Perfectly executed tragedy reveals the true beauty of the power of love of all kinds.

Reader’s Advisory:

“The First Girl Child” can be found on these Goodreads lists: Amazing Books that are Barely Known and Best Stand-Alone Fantasy Book.

Serena’s Review: “The Girl Who Fell Beneath the Sea”

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Book: “The Girl Who Fell Beneath the Sea” by Axie Oh

Publishing Info: Feiwel & Friends, March 2022

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Deadly storms have ravaged Mina’s homeland for generations. Floods sweep away entire villages, while bloody wars are waged over the few remaining resources. Her people believe the Sea God, once their protector, now curses them with death and despair. In an attempt to appease him, each year a beautiful maiden is thrown into the sea to serve as the Sea God’s bride, in the hopes that one day the “true bride” will be chosen and end the suffering.

Many believe that Shim Cheong, the most beautiful girl in the village—and the beloved of Mina’s older brother Joon—may be the legendary true bride. But on the night Cheong is to be sacrificed, Joon follows Cheong out to sea, even knowing that to interfere is a death sentence. To save her brother, Mina throws herself into the water in Cheong’s stead.

Swept away to the Spirit Realm, a magical city of lesser gods and mythical beasts, Mina seeks out the Sea God, only to find him caught in an enchanted sleep. With the help of a mysterious young man named Shin—as well as a motley crew of demons, gods and spirits—Mina sets out to wake the Sea God and bring an end to the killer storms once and for all.

But she doesn’t have much time: A human cannot live long in the land of the spirits. And there are those who would do anything to keep the Sea God from waking…

Review: You all know what I’m going to say at this point. Yes. Again. The beautiful cover has sucked me in! But I’ve also really enjoyed many of the Asian fairytales I’ve read, be they coming from Chinese, Japanese, or other Eastern cultures. This one is Korean, and I was excited to see what Axie Oh had to offer!

Mina is not a chosen bride, one of the young women chosen each year to be sacrificed to the sea in the hope that their sacrifice will calm the Sea God who torments the land with violent storms each year. No, Mina is not this girl. But her brother’s true love is, and in a desperate attempt to save her brother from pain, Mina throws herself into the sea in place of the true bride. Now, wandering in the Spirit Realm, Mina is determined to solve the mystery surrounding the reserved and closed-in Sea God. She is aided by a young man, Shin, who has spent the last century protecting the Sea God from the other ambitious gods who seek to dethrone him during this time of turmoil. Can Mina unwind this puzzle before her soul is lost forever?

This book has been praised with many comparisons to “Spirited Away.” And while I only enjoyed that movie so much, I know that fanatic fans will take this comparison as a true boon for this book. And I do see the comparisons. Here, too, we have a young woman thrust into a mysterious and dangerous land of spirits where forces are moving beyond her control. The world-building in this book was so good. The Spirit Realm felt vibrant and alive (even though it was filled with the spirits of the dead and gods). You could feel the life teaming in the busy market places, the dangerous river of souls, and the various pavilions of gods. And with each god comes a new challenge for Mina, a young woman who is way out of her depth. I loved the magical elements that we explored alongside of her, the various political maneuverings of the gods, the fantastical elements that flew the air and water, and the color spirts who guided her along her way.

The writing was also excellent. The story simply flows, there’s no other way to say it. Things are constantly happening, but the pace never felt frenetic or frantic. Instead, it was perfectly pitched to slow down and land the emotional hits that come with Mina’s interactions with the Sea God and other gods (the goddess of women and children was a particularly crushing moment). But there was also tons of action, with battles between gods vying for the Sea God’s throne and the dangers of an ever-rising river of the dead.

Mina was a fantastic guide through all of this. She starts off as strong as you can get, sacrificing herself to spare her brother the pain of losing his love. And once she discovers the confusion and mysteries that surround the Sea God, she quickly determines to do her best to still end his curse, even if she knows that she is not the true bride. Her persistence, faith, and hope in the face of despair made her incredibly compelling. There were many moments where you could see the temptation to simply give up and take the good things that she could find for herself in this land. But that is not the way of a girl who has already sacrificed her own life for others. Instead, she pushes through adversity all the way to the end, even past the point where others would caution her to accept the state of things.

I also really liked the relationship that was built up between Mina and Shin. It’s a slow-build romance, and their relationship never felt rushed. Part of this is due to the wise decision not to rely on the romantic relationship to carry the entire story. Instead, Mina’s connection to the Sea God and three special spirits who help her on her way (as well as two of Shin’s friends) all help to flesh out the cast into a satisfying collection of various relationships and emotional draws.

I can’t say enough good things about this book! This review is already way longer than usually I write, and that’s because every time I finish a paragraph I think of another aspect of the story that I want to praise! Fantasy fans should definitely give this one a shop! Especially if you’re a fan of Asian fairytales like “Spirited Away.”

Rating 9: Lush, mystical, and full of life in all of its beauties and sorrows.

Reader’s Advisory:

“The Girl Who Fell Beneath the Sea” is on these Goodreads lists: Korean Fantasy Books and Books that inspired or are similar to Miyazaki films.

Serena’s Review: “A River Enchanted”

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Book: “A River Enchanted” by Rebecca Ross

Publishing Info: HarperVoyager, February 2022

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Jack Tamerlaine hasn’t stepped foot on Cadence in ten long years, content to study music at the mainland university. But when young girls start disappearing from the isle, Jack is summoned home to help find them. Enchantments run deep on the magical Isle of Cadence: gossip is carried by the wind, plaid shawls can be as strong as armour, and the smallest cut of a knife can instill fathomless fear. The capricious spirits that live there find mirth in the lives of the humans who call the land home, but that mischief turns to malevolence as girls begin to go missing.

Adaira, heiress of the east, knows the spirits only answer to a bard’s music, enticing them to return the missing girls. But there’s only one bard capable of drawing the spirits forth by song: her childhood enemy Jack Tamerlaine.

He hasn’t stepped foot on Cadence in ten long years, content to study music at the mainland university, but as Jack and Adaira reluctantly work together it becomes apparent the trouble with the spirits is far more sinister than first thought and an older, darker secret lurks beneath the surface, threatening to undo them all.

Review: There’s another cover for this book listed on Goodreads, as well, so I’m not sure exactly which one will be used when the book comes out (I suspect one cover is the U.S. cover and the other U.K.?) But I preferred this one, so that’s what we have here! The colors are lovely and the flowers speak to an important part of the story itself. It wasn’t the cover I saw when I requested an ARC, however, so what really drew me in was the description itself which made it sound like the kind of fantasy novel that Juliet Marillier would write. And that’s all I needed!

It is a dark and stormy night and Jack Tamerlaine is returning to his island home, a land riddled with magic and mystery. After spending his last years learning music, he never planned on returning. That is, not until he received a summons from his childhood rival and the heir to the land, Adaira. Once home, he discovers a mystery of young girls going missing. But it’s unclear whether magical forces are at work or whether it’s the war-like people who occupy the other half of the island who are behind the disappearances. Adaira’s hopes, however, expand beyond simply recovering the missing girls; she hopes to finally bring together both sides of the island, something that hasn’t been attempted for years after the last try went so badly wrong that it struck at the core of magic itself.

I really loved this book. Right from the very first moment, it starts off with the type of lyrical, atmospheric writing that I love to see in fantasy fiction. There’s something about this style that lends the story a fairytale-like feeling, even if the tale itself is completely original and not drawing from any well-known folktales. Ross’s language was able to fully ground the story in a mystical land where words that are spoken can travel on the wind to ears far away, where powerful beings can be summoned with the right strums of a harp’s strings, and where legends as old as time still live and can be stumbled upon if you take a wrong turn while wandering off the roads.

For all of this excellent world-building, the author was equally good at centering the story around several different characters who had very different arcs and challenges throughout the story. The book description misrepresents the characters at the heart of this story. We do, of course, spend a good amount of time with Jack and Adaira. Jack’s story is one of homecoming, full of memories of people who now, essentially, no longer exist being so changed now after the passage of time. He must learn to reconcile the emotions and views of the child he was when he left with what he sees now: flawed people all trying to do the best they can. Adaira’s story is bit more simple; she’s introduced as a beloved and competent leader of her land and, for 99% of the book, that’s what she remains. There are several twists towards the end that give her story more heft, in hindsight. But I was also fully satisfied with her more straight-forward arc on its own as well. However, while Jack and Adaira are central characters, and their slow-burn romance and attempts to solve the mystery of the missing girls drives much of the story, there are two other characters who also get a decent amount of page time.

Sidra and Torin are two “older” characters, probably in the mid-thirties or so? Together they have raised Torin’s daughter whose mother died shortly after her birth. Through these two, the story dives into some deeper topics involving duty, loss of faith, and the commitments that we have to one another that can lead to love, even if they didn’t start as such. These two other characters were both a surprise but also the firmer foundation upon which the rest of the story worked. While I enjoyed Jack and Adaira, their story was more straightforward and, to some extent, predictable. But through Sidra and Torin, we are able to explore an aspect of love much less often touched upon: the kind that develops slowly, over years, and, like faith itself, relies as much on our decision to love and to believe as anything else.

I strongly recommend this book to fans of fantasy fiction, especially those who enjoy literary fantasy or fairytale fantasies. It’s also a refreshing example of adult fantasy fiction and how you can incorporate the “new love” romance that is typically found in YA fantasy while also touching on themes more often found in adult stories.

Rating 9: Lyrical and atmospheric, this story touches on love of all kinds and delves into all the beauty and pain that can be found there.

Reader’s Advisory:

“A River Enchanted” isn’t on any Goodreads lists yet, but it should be on “Music in Fantasy.”

Kate’s Review: “Locke & Key (Vol. 5): Clockworks”

Book: “Locke & Key (Vol. 5): Clockworks” by Joe Hill and Gabriel Rodríguez (Ill.)

Publishing Info: IDW Publishing, 2013

Where Did I Get This Book: I own it.

Book Description: Tyler and Kinsey Locke have no idea that their now-deceased nemesis, Lucas “Dodge” Caravaggio, has taken over the body of their younger brother, Bode. With unrestricted access to Keyhouse, Dodge’s ruthless quest to find the Omega Key and open the Black Door is almost complete. But Tyler and Kinsey have a dangerous key of their own — one that can unlock all the secrets of Keyhouse by opening a gateway to the past. The time has come for the Lockes to face their own legacy and the darkness behind the Black Door. Because if they don’t learn from their family history, they may be doomed to repeat it, and time is running out!

Colonel Adam Crais’s minutemen are literally trapped between a rock and a hard place; in the first days of the Revolutionary War, they find themselves hiding beneath 120 feet of New England stone, with a full regiment of redcoats waiting for them in the daylight… and a door into hell in the cavern below. The black door is open, and it’s up to a 16-year-old smith named Ben Locke to find a way to close it. The biggest mysteries of the Locke & Key series are resolved as Clockworks opens, not with a bang, but with the thunderous crash of English cannons.

Review: As we know I’ve really been enjoying this re-read of Joe Hill’s dark fantasy horror series “Locke and Key”, though I’ve been saying the whole time ‘I don’t remember when and how a lot of this is all going to come together’. The exposition has been building and building and it’s been getting close to the end of the series and there are still a lot of questions to be answered. I remembered really loving the series overall, but I think that the first time I read this I was like ‘okay, I have two books left and few answers, is this going to pay off?’. Because it has to pay off.

And my God, does it pay off. Everything comes together so perfectly and with such thoughtfulness and intricacy that I was just blown away, even though it is my second time reading this book. Joe Hill’s storytelling prowess is at its best in this volume.

There are two major reveals in this story right when things have started to get dire for the Lockes (even if they don’t realize how dire). Given that Kinsey killed Dodge, and Dodge (or whatever it is) moved its consciousness into Bode’s body without them knowing it, the race is on for the Lockes to discover the truth before Bode/Dodge can find the Omega Key. The first reveal that we see we jump into right away, which is the origin of the keys, Keyhouse, the demon, and how the Lockes are connected to it. And we go all the way back to the Revolutionary War, in which we meet a young locksmith named Ben Locke, who discovers that hidden Minutemen have opened a door deep in a cave that has let an evil out that they are trying to put back and contain. The first time I read this I remember thinking that it went on a little long, but this time I thought that this origin story of the Black Door and the keys was pitch perfect. I loved the setting, I loved the connection to the Locke Family (and the backstory for the Lockes, who were victims of Red Coat tyranny), and I loved how Hill sprang this all on us but still managed to make it feel in depth and well explored. He lays his magical system out bare, and it falls into place with ease.

Our second big reveal is we finally, FINALLY, get to see how Rendell Locke and his friends ran afoul Dodge, as well as explanations as to how back in the day Dodge Caravaggio became the Dodge that we know now, how Ellie Whedon became so broken, and how Erin Voss lost her memories and her consciousness, and how ALL of it relates to the keys. And it’s done in a way that doesn’t feel super exposition-y, as we get another key reveal that allows for Tyler and Kinsey to go back in time to see everything happen, and to get a new perspective on their late father. While I do think that we didn’t get enough exploration of all of Rendell’s friends (specifically his girlfriend Kim; I appreciated that Hill tried to make her complicated, but she just came off as cruel and privileged more than anything else), the backstory itself is so fantastic, so heart wrenching, and so SCARY as a bunch of kids who have been bestowed a monumental responsibility of guarding keys get too complacent… and all hell breaks loose. Good God is this an emotional story arc, as we know how things turned out for a few of our characters, but we didn’t know how they got to that point. Hill makes it so complex, satisfying, and devastating, and it adds compounded grief as two kids who lost their father in a terrible act of violence have to see his biggest mistake that ruined lives as it unfolds. Goddammit, it hurts, and it’s beautiful.

And the artwork continues to be great. I can’t praise Gabriel Rodríguez enough, and he has this way of creating the most grotesque and disturbing images as well as the most tender and joyous.

This image specifically took my breath away. (source)

This penultimate volume is fantastic. We will finish up this re-read with the next and last volume, “Omega”. I’m not sure I’m ready to be emotionally destroyed by it, but it’s time regardless.

Rating 9: Fantastic pay off for all the build up before it, “Locke & Key: Clockworks” is the strongest in the series so far.

Reader’s Advisory:

“Locke & Key (Vol. 5): Clockworks” is included on the Goodreads lists “Best Horror Comics/Graphic Novels!”, and “Best Coming-of-Age Horror Novels”!

Find “Locke & Key (Vol. 5): Clockworks” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Previously Reviewed:

Kate’s Review: “Road of Bones”

Book: “Road of Bones” by Christopher Golden

Publishing Info: St. Martin’s Press, January 2022

Where Did I Get This Book: I received an eARC from NetGalley.

Book Description: A stunning supernatural thriller set in Siberia, where a film crew is covering an elusive ghost story about the Kolyma Highway, a road built on top of the bones of prisoners of Stalin’s gulag.

Kolyma Highway, otherwise known as the Road of Bones, is a 1200 mile stretch of Siberian road where winter temperatures can drop as low as sixty degrees below zero. Under Stalin, at least eighty Soviet gulags were built along the route to supply the USSR with a readily available workforce, and over time hundreds of thousands of prisoners died in the midst of their labors. Their bodies were buried where they fell, plowed under the permafrost, underneath the road.

Felix Teigland, or “Teig,” is a documentary producer, and when he learns about the Road of Bones, he realizes he’s stumbled upon untapped potential. Accompanied by his camera operator, Teig hires a local Yakut guide to take them to Oymyakon, the coldest settlement on Earth. Teig is fascinated by the culture along the Road of Bones, and encounters strange characters on the way to the Oymyakon, but when the team arrives, they find the village mysteriously abandoned apart from a mysterious 9-year-old girl. Then, chaos ensues.

A malignant, animistic shaman and the forest spirits he commands pursues them as they flee the abandoned town and barrel across miles of deserted permafrost. As the chase continues along this road paved with the suffering of angry ghosts, what form will the echoes of their anguish take? Teig and the others will have to find the answers if they want to survive the Road of Bones.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

So many horror subgenres, so little time. I have always had a hit or miss relationship with folk horror, but I’m always up to try out books that catch my eye or get a lot of hype. So I was drawn to “Road of Bones” by Christopher Golden for a couple of reasons. The first was that I’ve been meaning to check out Golden for awhile, but haven’t done it yet. The second was that “Road of Bones” kept popping up on my various timelines with a lot of praise. So folk horror or not, I was down to jump all the way in. And the fact that it takes place in the cold wilderness of Siberia was just an added bonus, since I was reading it over some frigid winter days and nights here in Minnesota.

As cold as Siberia? Probably not. But it was recently -21 without windchill here, so…. (source)

“Road of Bones” does the ingenious thing of taking a real life horror and using it as the context and setting for a horror story steeped in folklore, history, and supernatural creepiness. The action of our tale takes place along the Kolyma Highway, a federal road that was built by and upon the bones of gulag prisoners during Stalin’s rule. It is estimated that perhaps at least half a million people died during construction, their bodies just paved over by permafrost and infrastructure. So, good lord that’s horrifying on its own, but Golden manages to take the location and make it all the more creepy and upsetting vis a vis Russian folklore. Our main characters are Teig and Prentiss, two filmmakers who have been friends forever and who are chasing one last dream (mostly Teig’s) of trying to create a ghost hunting show. Teig has his own reasons for wanting to chase ghosts that he doesn’t necessarily believe in outside of monetary ones, and Prentiss is there because he loves his friend, even if he’s exasperated by him. Their dynamic is a familiar one, but Golden makes you care about them as people and as friends. As they drive through the ice cold and desolate wilds of Siberia on a lonely highway, they find themselves suddenly in supernatural danger, and by the time we get to that point we care enough about them that anything that comes next is going to be high tension and high stakes. The other characters we meet have similar roles to play, from their brash local guide Kaskil to a stranded driver named Nari, and once they reach the small village they hope to rest in, it’s clear that things have gone very wrong. I liked all of our characters, so they were more than just fodder for angry spirits by the time shit started to get real.

But it’s the horror elements that really sold me on this book. I initially assumed that the supernatural element would be a traditional ‘angry ghosts’ kind of story, given that the Kolyma Highway has such a dark and violent history, but instead we go full folk horror with it, and hoo boy is it effective. From an abandoned village to shadows in the distant treelines to shamanism and forest spirits, “Road of Bones” runs a gamut of creepy elements that make for some really, REALLY scary moments. The isolation of a deadly tundra is scary enough on its own, and Golden makes that threat just one of many others that is always there to compound the other issues at hand. Golden taps into folklore and involves forest spirits, potential demonic possession, transformative body horror, and the fear of the missing and unknown. The descriptions of the abandoned village, of many sets of footprints wandering through the snow and into the woods, actively gave me shivers as I was reading (definitely had another ‘oh Jesus CHRIST’ muttering moment during one moment in particular), and let me tell you, the things that Teig, Prentiss, and the others encounter freaked me out, and a lot of that is based in folk horror tropes and imagery. Golden made it work for me, and how. The horrors of nature and the things that dwell within it combine super well with the location and terrible history that resides there.

“Road of Bones” is scary and highly enjoyable. I’m so glad that this was the Christopher Golden book that served as my first experience with his writing, as I really, really liked it.

Rating 9: A scary folk horror tale perfect for a cold winter’s night.

Reader’s Advisory:

“Road of Bones” is included on the Goodreads lists “Books of Horror FB Group”, and “Most Anticipated 2022 Thriller Books”.

Find “Road of Bones” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Kate’s Review: “Reprieve”

Book: “Reprieve” by James Han Mattson

Publishing Info: William Morrow, October 2021

Where Did I Get This Book: I own it.

Book Description: A chilling and blisteringly relevant literary novel of social horror centered around a brutal killing that takes place in a full-contact haunted escape room—a provocative exploration of capitalism, hate politics, racial fetishism, and our obsession with fear as entertainment.

On April 27, 1997, four contestants make it to the final cell of the Quigley House, a full-contact haunted escape room in Lincoln, Nebraska, made famous for its monstrosities, booby-traps, and ghoulishly costumed actors. If the group can endure these horrors without shouting the safe word, “reprieve,” they’ll win a substantial cash prize—a startling feat accomplished only by one other group in the house’s long history. But before they can complete the challenge, a man breaks into the cell and kills one of the contestants.

Those who were present on that fateful night lend their points of view: Kendra Brown, a teenager who’s been uprooted from her childhood home after the sudden loss of her father; Leonard Grandton, a desperate and impressionable hotel manager caught in a series of toxic entanglements; and Jaidee Charoensuk, a gay international student who came to the United States in a besotted search for his former English teacher. As each character’s journey unfurls and overlaps, deceit and misunderstandings fueled by obsession and prejudice are revealed, forcing all to reckon with the ways in which their beliefs and actions contributed to a horrifying catastrophe.

An astonishingly soulful exploration of complicity and masquerade, Reprieve combines the psychological tension of classic horror with searing social criticism to present an unsettling portrait of this tangled American life.

Review: You all know what a big fan I am of Halloween, and while for various reasons I haven’t done this in a long time I also really enjoy doing haunted hayrides, and living in Minnesota it’s not hard to drive outside the city limits to find such shenanigans. But I’m not as big into walk through haunted houses, and am certainly NOT into any ‘extreme’ haunted houses. Locally we had something called The Soap Factory, which made you sign a waiver before you went through, but they closed a couple years ago. The most infamous ‘extreme’ haunt, however is almost assuredly McKamey Manor, a combined haunted house escape room puzzle experience that is notorious in the haunt industry. Yes, you sign a waiver, and you may be subjected to physical and psychological torture for hours on end all in the name of thrills. There is no question in my mind that “Reprieve” by James Han Mattson is partially inspired by McKamey Manor, and that made an already enjoyable reading experience that much better. This book seems to be polarizing. I’m firmly on the ‘love’ team.

“Reprieve” is a deeply layered and multidimensional horror story that comes to life through literary structure. The guts of the tale involve a slowly revealed violent incident at Quigley House, a hardcore escape room/haunted house that offers players serious money if they can solve the puzzles in all the ‘cells’ while actors inflict psychological terror upon them. What exactly happened is slowly revealed through court room transcripts, flashbacks through character perspectives, and the straight narrative of the timeline of what happened in each cell up until the moment in question. I liked the slow build up and the combined story telling techniques, and how all of them combined to make a building tension of dread while also getting to know each character and what role they play. I’m sure that it’s the literary structure that threw readers for a loop, as I can definitely say that the creative choices made here are probably not for everyone. Which is totally okay. I, however, really liked it. I’m not the kind of person who thinks that horror needs to be elevated or classed up by any stretch of the imagination, but “Reprieve” does this without feeling pretentious or disingenuous. The scares are knowing what is coming (even if only in part), seeing it all unfold, and seeing the way that the REAL horror is in the bad behavior of villainous people, unwitting or not.

This is also a really well done commentary on capitalism, the weaponization of entertainment, and race in America. Many of the characters are POC, some are LGBTQIA+, and many of them feel lost, isolated, or Othered. Kendra is a new resident of this small Nebraska community and one of the few Black people (outside of her family) and finds herself working at Quigley House. The ‘we’re family here’ mentality definitely pulls her in deeper when she feels isolated in other ways. Contestant Jaidee is an international student from Thailand who is also gay, and feels scrutiny from his college peers because of both of these facts. And then there are the characters of Leonard, a hotel worker who feels inadequate in his personal life, and John, who owns Quigley House. Their friendship is a toxic concoction that encapsulates misogyny, xenophobia, and aggression, and sets off the first domino that leads to tragedy. Mattson knows what he’s doing with these characters, and while they easily could have felt like two dimensional villains, we get into their minds a bit, and it makes them fascinating, and all the more upsetting.

Boy did I enjoy “Reprieve”. It’s one of the more unique horror novels I’ve read lately, and it finds the horrors in both an extreme haunted house, and the darker side of American cultural consciousness.

Rating 9: A stunning literary horror thriller, “Reprieve” is mesmerizing, blistering, and deeply sad.

Reader’s Advisory:

“Reprieve” is included on the Goodreads lists “Deliciously Chilling Horror”, and “If You Like ‘Squid Game’, You Should Read…”.

Find “Reprieve” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Book Club Review: “Eleanor Oliphant is Completely Fine”

We are part of a group of librarian friends who have had an ongoing book club running for the last several years. Each “season” (we’re nerds) we pick a theme and each of us chooses a book within that theme for us all to read. Our current theme is “Award Winners”, in which we each picked a book that has won an award of some kind.

For this blog, we will post a joint review of each book we read for book club. We’ll also post the next book coming up in book club. So feel free to read along with us or use our book selections and questions in your own book club!

Book: “Eleanor Oliphant is Completely Fine” by Gail Honeyman

Publishing Info: Pamela Dorman Books / Viking, May 2017

Where Did We Get this Book: An audiobook from the library; print book from the library.

Award: Costa Book Award

Book Description: No one’s ever told Eleanor that life should be better than fine

Meet Eleanor Oliphant: she struggles with appropriate social skills and tends to say exactly what she’s thinking. Nothing is missing in her carefully timetabled life of avoiding unnecessary human contact, where weekends are punctuated by frozen pizza, vodka, and phone chats with Mummy.

But everything changes when Eleanor meets Raymond, the bumbling and deeply unhygienic IT guy from her office. When she and Raymond together save Sammy, an elderly gentleman who has fallen, the three rescue one another from the lives of isolation that they had been living. Ultimately, it is Raymond’s big heart that will help Eleanor find the way to repair her own profoundly damaged one. If she does, she’ll learn that she, too, is capable of finding friendship—and even love—after all.

Kate’s Thoughts

I am the type to try and spread my literary interests across multiple genres, and because of this I usually find myself reading buzzworthy or hyped books from contemporary and literary fields. But somehow, I missed “Eleanor Oliphant Is Completely Fine”. I mean, I’d seen it around, of course, as it came out right at the tail end of my permanent hours library job where I did a lot of request processing and shelving. But I never really looked into it. So thanks to Serena for picking it for book club, as it landed on my book pile after not being at the forefront of my mind!

And I can see why this was hyped and buzzy, honestly. “Eleanor Oliphant Is Completely Fine” surprised me a bit, as I expected one thing and got something that didn’t line up with those expectations. I thought that Gail Honeyman did a really good job of balancing a lot of things: an unreliable and kind of unlikable narrator (until you get to know her better), a humorous tone, and some really dark themes involving trauma and PTSD. But like I said, with a humorous tone! I think that it may have been a hard task for some authors, but Honeyman had me feeling just utter sadness for Eleanor, but then chuckling to myself about one thing or another, and it wasn’t ever in a discordant way, or a way that felt like the seriousness of the issues at heart was being undercut. Also, I loved Raymond, Eleanor’s first real friend. He is sweet and patient but not a pushover, and I thought he was just a delight (and kind of a fun swap of the usual way this kind of story works: it’s rare that a woman is allowed to be the surly and kind of unlikable protagonist while the man is the warm and caring one who helps the other grow. I liked the reversal). While it didn’t have any moments that totally wowed me or spoke to me overall, I enjoyed my time reading it.

Another thanks to Serena for picking “Eleanor Oliphant Is Completely Fine” for book club! I thought that it was completely fine and a little bit more.

Serena’s Thoughts:

I must pass the thanks on, as it was my mom who raved about this book to the point that I selected it for book club. Unlike Kate, I rarely read outside of the three main genres I enjoy (mostly because I can’t keep up with books I want in even those genres, let alone more!), so this book was completely out of my wheelhouse. But in the end, my mom was completely right, and I really enjoyed this read!

I read the audiobook, and, if it’s available, I highly recommend checking that version of the book out. The narrator has a Scottish accent that does wonders to really bring Eleanor to life and ground the book in its setting. And as Eleanor is such a unique character, the narrator’s voice helped humanize some of her more odd antics and perspectives.

Like Kate mentioned, one of the most impressive things about this book was the balance the author was able to strike between humorous moments (think “Bridget Jones’s Diary”) and some really tough, grim topics. I was not at all prepared for how dark this book really got at times. But that said, when I closed the story, it left a hopeful, fun aftertaste, even more surprising considering some of these topics. I also really liked the exploration of mental health and therapy. Most books that deal with therapy have it happen off-page or don’t really go into how it really works for the character. Here, we get a very good look at an excellent therapeutic setting and outcome.

The book was also peopled with excellent characters. Eleanor herself is unlike any character I’ve ever read, and she makes a few friends along the way who stand out as well. I was also pleased that the story didn’t take a few of the more predictable turns, and on top of that, there are a number of fairly major surprises (or less surprising for some, our book club was a bit half/half on who predicted what).

Kate’s Rating 7: A nice story that balances a tragic foundation with humor and heart.

Serena’s Rating 9: I really liked this book! It was surprising in many ways and addressed some important topics without being overwhelmed with a grim tone.

Book Club Questions

  1. What did you make of Eleanor in the beginning of the book? How (or did) your opinion of her change as the story went along?
  2. This book tackles some dark subjects. How do you think it handled these?
  3. What did you make of Eleanor’s relationship with Raymond? Where do you think it will go in the future?
  4. There are some surprises towards the final third of the story? Were you able to predict any of them? What clues were given early on that pointed to these outcomes?
  5. Many people around Eleanor shaped her journey through this book. Which ones stood out to you and why?

Reader’s Advisory:

“Eleanor Oliphant is Completely Fine” is on these Goodreads lists: 2017 Librarian Recommended Books and Best Up Lit (uplifting reads).

Find “Eleanor Oliphant is Completely Fine” at the library using WorldCat or at a local independent bookstore using IndieBound!

Next Book Club Book: “Take A Hint, Dani Brown” by Talia Hibbert