Book: “Glorious Wrestling Alliance: Ultimate Championship Edition” by Josh Hicks
Publishing Info: Graphic Universe (Tm), October 2021
Where Did I Get This Book: I received an eARC via NetGalley from the author.
Book Description: Step into the ring at Glorious Wrestling Alliance, the universe’s least-professional wrestling company. The Great Carp, an amphibious wonder, is feeling the weight of his championship. Miranda Fury has donned a mask to smash wrestling’s glass ceiling. And Gravy Train is desperate for a new gimmick, but it’s hard when you’re shaped like a giant gravy boat.
Collected in colossal full color for the first time, Josh Hicks’s cult-hit comic covers identity, anxiety, and leg drops. In this hilarious love letter to the surreal theater of pro wrestling, the insecure grapplers of GWA lock up, throw things, throw each other, and occasionally curl up into little balls.
Review: Thank you to Josh Hicks and NetGalley for providing me with an eARC of this novel!
I’ve been with my husband since we were in high school, and I distinctly remember his bedroom being adorned with pro-wrestling posters. Just recently his mother cleaned some of his stuff out of storage at her house, and one of the items was a framed poster of The Rock that is now sitting in our mudroom, waiting to be placed somewhere in our home. I didn’t get into pro wrestling until recently, when a now closed (DAMN YOU COVID) bar in Minneapolis had a Mexican food and pro-wrestling theme. We would go there for drinks, and watch old school matches, and now I appreciate it for the entertainment that it is. So when author Josh Hicks reached out asking if I would be interested in reading his graphic novel “Glorious Wrestling Alliance: Ultimate Championship Edition”, I absolutely jumped at the chance!
“Glorious Wrestling Alliance” follows the wrestlers of the Glorious Wrestling Alliance, a quirky and a little bit of a hot mess in some ways wrestling organization. They are popular and well loved, but their CEO, Ricky Lovett Junior, has the company teetering. On top of that their reigning champion, Great Carp (a being with a fish head for a head and a human body), is suffering from anxiety, one of their bigger heels Death Machine is more interested in poetry than wrestling as of late, a frontman named Gravy Train wants to switch up his character in spite of the fact he is literally shaped like a gravy boat, and Miranda Fury wants to be taken seriously, when the women’s division is sidelined. We have our various moments of focus on each of these characters, and their storylines range from the funny, to the poignant, to the inspirational. You can’t help but root for all of them in their personal missions and goals, and seeing some rise while others start a free fall feels both VERY wrestling, but also very typical of stories about fame. There are definitely absurdist elements to this story (see above: a fish head guy and a man shaped like a gravy boat), but there are also relatable and familiar themes that shine through the absurd. My favorite was definitely Miranda’s arc, as she dons a mask and an androgynous look so that she can wrestle with the guys and be taken seriously. I felt that Hicks captured the frustration of being a woman in an industry that still has a lot of misogyny intertwined with it, and I liked seeing her persevere and kick butt, a lot of the time with humorous results.
Along with this, as a novice pro-wrestling fan who doesn’t see much of it outside of the annual Royal Rumble, Wrestlemania, and the occasional Smackdown here and there, there were a number of cute Easter eggs that I spotted here and there on the pages. From similarities to trajectories that some wrestlers took post-wrestling (a budding writing career? That feels like Mick Foley to me!) to a one off character who is saying Ric Flair’s trademark ‘woo!’, I liked seeing the little references here and there to broader wrestling lore. And I have to imagine that there was a LOT there that a more knowledgable fan would be able to pick up on with ease. Maybe I should make my husband read this, I’m sure he’d spot a lot.
And finally, the artwork feels a lot like quirky cartoons a la “Steven Universe” or something that you may see from Noelle Stephenson, and it worked well for the tone and tongue in cheek attitude that this story has. And the character designs for some of the wrestlers and their mental states are really, really cute. I especially liked the moments where you would see an HP bar for the character depending on what was happening to them in the moment.
The guffaw I let out at this entire panel…. (Source: Graphic Universe)
I thought that “Glorious Wrestling Alliance: Ultimate Edition” was a hoot!! It makes me want to dig up some old hilarious wrestling clips and watch to my heart’s content. There is so much love for the art form on these pages, it’s delightful.
Rating 8: A fun, funny, and sometimes poignant story about pro wrestling and some quirky people who have devoted their lives to it, for better or worse.
Reader’s Advisory:
“Glorious Wrestling Alliance: Ultimate Championship Edition” isn’t on any Goodreads lists at the moment, but I think that it would fit in on “Wrasslin'”.
Book Description: After Séverin’s seeming betrayal, the crew is fractured. Armed with only a handful of hints, Enrique, Laila, Hypnos and Zofia must find their way through the snarled, haunted waterways of Venice, Italy to locate Séverin.
Meanwhile, Séverin must balance the deranged whims of the Patriarch of the Fallen House and discover the location of a temple beneath a plague island where the Divine Lyre can be played and all that he desires will come to pass.
With only ten days until Laila expires, the crew will face plague pits and deadly masquerades, unearthly songs and the shining steps of a temple whose powers might offer divinity itself…but at a price they may not be willing to pay.
Review: So far, my enjoyment of this series has been very on again, off again. My general likes and dislikes have remained consistent throughout the first two books. But as one of the “likes” is the characterization of the, arguably, two main characters, I’ve stuck around. I’m very much a character-driven reader, so if you’ve tackled that portion well, there’s a good chance you’ll hook me. That said, this author’s style of writing has never been my favorite. But I made it through the first two, so I was excited enough to see how it would all wrap up!
The race is on, with the Divine Lyre, a seemingly all-powerful magical device, within sight at last. But the group of friends is broken and distrusting. To many, Severin seems to have revealed himself as a betrayer and cold-hearted being to his core. But as they follow a few scattered clues, the group begins to wonder if all is not as it seems there. For her part, Laila can’t reconcile a Severin who would abandon his friends (and her) so easily with the man she’s grown to love. But her time, too, is limited as the clock that rules her life ticks down. For them all, the end is coming. What will it bring?
This was a pleasant surprise. The first book had been enjoyable enough, but I really struggled with the second one. So there were really only two options here. But luckily, it went the good route and ended on a strong note. Strong enough, even, for me to feel pretty good about reading the entire series, even with its low points.
Much of my enjoyment, again, came down to the character arcs. The middle book had felt like a lot of treading water and forced angst for our group, with emotional conflicts coming left and right that felt neither earned or natural. But here, with the end in sight, it was clear the author felt more comfortable again with these characters and their paths, while not devoid of twists and turns, felt stable and satisfying across the board.
Obviously, I’m mostly here for Severin and Laila, and I really, really loved what we got from them. It was incredibly cathartic to read some of the later scenes between them after the roller coaster ride that had been the first two books. That said, I was incredibly pleased to see their story take a few turns that took me completely by surprise. The ending, in particular, was very unexpected, full of bittersweet but cathartic notes.
I still struggled with some of the writing, with certain scenes and descriptions not painting a clear, crisp image. Chokshi’s style is now well-established, so I wasn’t surprised to see this. But it is probably the biggest reason why her books will likely never be huge hits for me. Too much emphasis is put on pretty sounding turns of phrase even if the words themselves fail to convey much of anything, sometimes even making things murkier and more difficult to follow.
Fans of this series will likely be completely satisfied with this book. Chokshi delivers on everything that she’s set up for the first two books. There is action aplenty and enough twists and turns to keep readers on the edge of their seats. The romance finally pays off in a big way, as well. I was pleased to end on this high note.
Rating 8: A definite improvement on the second book, including a strong, surprising ending for our beloved characters.
Book: “Certain Dark Things” by Silvia Moreno-Garcia
Publishing Info: Tor Nightfire, September 2021
Where Did We Get This Book: Received an eARC from NetGalley;
Book Description: From the New York Times bestselling author of Mexican Gothic comes a pulse-pounding neo-noir that reimagines vampire lore.
Welcome to Mexico City, an oasis in a sea of vampires. Domingo, a lonely garbage-collecting street kid, is just trying to survive its heavily policed streets when a jaded vampire on the run swoops into his life. Atl, the descendant of Aztec blood drinkers, is smart, beautiful, and dangerous. Domingo is mesmerized.
Atl needs to quickly escape the city, far from the rival narco-vampire clan relentlessly pursuing her. Her plan doesn’t include Domingo, but little by little, Atl finds herself warming up to the scrappy young man and his undeniable charm. As the trail of corpses stretches behind her, local cops and crime bosses both start closing in.
Vampires, humans, cops, and criminals collide in the dark streets of Mexico City. Do Atl and Domingo even stand a chance of making it out alive? Or will the city devour them all?
Kate’s Thoughts
Thank you to NetGalley for providing me with an eARC of this novel!
As someone who loves, but is VERY picky about, vampire mythology, I was very interested in seeing what Silvia Moreno-Garcia would do with a vampire story. She has consistently impressed me within multiple genres, and I figured that even if I didn’t care for her take on vampirism, I would at least find something to enjoy about “Certain Dark Things”. But good news! I not only liked the story as a whole, I also really liked her take on vampirism!
I greatly enjoyed our vampire protagonist Atl, a Tlāhuihpochtl vampire whose ancestors trace back to the Aztecs, and whose family is in a vampire gang war with the Necros, Central European transplant vampires who have been infesting Mexico for awhile. As Atl flees into Mexico City (where vampires are not allowed), she meets Domingo, a young man who is a bit aimless… until he meets Atl. Moreno-Garcia does a great job of bringing these two together and bringing in various vampire mythologies of vampires and servants to make their relationship both easy to like, but also a little hard to swallow. Which is almost certainly intentional, and completely appropriate in a vampire romance if we are being quite honest. I liked Domingo fine for his can do attitude, but it was Atl, with her hard exterior and suppressed pain for her lost family (and in turn violent motivations) that really sucked me in. I also LOVED how Moreno-Garcia brought colonialism into a vampire story, as the Tlāhuihpochtl are the now waning vampires that were in Mexico initially, and have been clashing with the Central European Necros, who came into Mexico and started throwing their weight around. Boy do I love social commentary in my horror, and this is how you execute it properly. And to make things even better, there is an entire encyclopedia of vampire factions within this universe at the end of the book!
“Certain Dark Things” was very fun vampire fiction! Silvia Moreno-Garcia continues her streak of genre jumping.
Serena’s Thoughts
I, too, really liked this book! I’m continuously impressed by how effortlessly (seemingly) Moreno-Garcia jumps from genre to genre, and this book is yet another example of it. Though, to be fair, this is a re-release of this book. Back when it was originally published, many publishers were cautious that “Twilight” had ruined vampire books for a good long time. But slowly and surely, this book gained a sort of cult following, strong enough to, years later, revive the book entirely (though I’m sure Moreno-Garcia’s spate of very successful recent releases has also played a part). Reading the book now, it’s hard to imagine how any publisher could ever equate this to “Twilight.”
Like Kate mentioned, in some ways, yes, this is a vampire romance. But when the romance in question is so highly questionable, with moving dynamics dependence and power inequalities, there’s no way it can be compared to the saccharine mess that was Edward and Bella. Atl and Domingo are each such incredibly complex characters, and their respective backgrounds are so rich (her recent loss of her powerful, native family to a encroaching gang of foreign vampires, and his perilous life on the streets as a trash collector). All of this plays into the slowly-built friendship and romance they develop.
It’s also incredibly dark and bloody. People die. Like, a lot of people. There are the nameless victims that one expects to find in true vampire stories, but there is also a larger cast of POV characters, each with their own compelling arcs, and their endings are also not guaranteed. I really enjoyed the action sequences and horror aspects of this story. It was just tense enough to keep me on the edge of my seat, but also too much for my non-horror-reading self.
This was another win by this author. At this point, she’s pretty much on my auto-read radar and nearing my auto-buy cateogry!
Kate’s Rating 8: A fresh take on vampire mythology with Mexican folklore as a guide, “Certain Dark Things” is a fun dark fantasy thrill ride!
Serena’s Rating 8: An excellent entry into vampire lore bringing with it an entire host of different vampires with the added bonus of the Mexican setting and history.
Book Description:Bard and fighter Liobhan is always ready for a challenge. So when news arrives at Swan Island that the prince of Dalriada has gone missing after an assault by both masked men and the sinister Crow Folk, she’s eager to act.
While Liobhan and her fellow Swan Island warriors seek answers to the prince’s disappearance, the bard Brocc, Liobhan’s brother, finds himself in dire trouble. His attempts to communicate with the Crow Folk have led him down a perilous path. When Liobhan and her comrades are sent to the rescue, it becomes clear the two missions are connected–and a great mystery unfolds.
What brought the Crow Folk to Erin? And who seeks to use them in an unscrupulous bid for power? As Liobhan and Brocc investigate, it will take all their strength and will to continue pursuing the truth. With the safety of their loved ones in the balance, the risks they must take may cost them everything.
Review: This was another of my highly anticipated reads for this fall. Overall, I haven’t loved this trilogy as much as I did the “Blackthorn and Grim” trilogy that preceded it. But that’s kind of been my experience with Marillier’s work recently. I tend to really like one trilogy and then be less thrilled with the next. For example, I didn’t love the “Shadowfall” trilogy that came before “Blackthorn and Grim” as much as I did that one, either. So, on and off it goes! That said, I’ve always enjoyed Marillier’s work in general (I’m doing an entire series of reviews of all of her books, for heaven’s sake!), so I was excited to see how she concluded this trilogy.
About a year has passed since the events of the last book, and everyone is more or less where we left them. Liobhan is training a new recruit to become a Swan Island warrior, balancing her relationship with Dau who is now located on the mainland from the island. The two’s untraditional arrangement is only allowed due to this distance and the fact that they are not allowed to go out on missions together. But when a prince of the realm goes missing, and Dau is sent out to locate him, Liobhan finds this distance challenging. All the more so when they begin to suspect the involvement of the Fae, an area of expertise much more for Liobhan than Dau. Brocc, for his part, is living in the Fae realm with his young daughter and Fae wife. But his secret work with the Crow Folk draws tensions in this small family, and soon enough Brocc finds himself walking a lonely path.
I really liked this conclusion. There were a few things about it that really stood out. For one, Brocc’s story became more compelling. He was the character I struggled to connect to the most in the previous books, but here, his storyline becomes much more important. I was also relieved to see the direction the story went with his relationship with Eirne, his Fae wife. In my review of the second book, I was fairly scathing towards this relationship, and I was relieved to find here that that dislike on my part was justified and clearly part of Marillier’s overall plan.
The Crow Folk have played a big role in the series so far, but it’s also been very unclear what they are and why they do what they do. Brocc has slowly uncovered pieces of their story up to this point, but here he really dove into it. There was some really interesting magic and backstory involved, and I really liked the direction it went.
We also saw the return of my beloved Blackthorn and Grim. Naturally, the two play only very small roles, but I’ll take any crumbs I can get as far as those two go! It was fun to see some familiar locations and to get a closer look at what their lives look like now, so many years after the end of their trilogy. The one downside here was the fact that it did only remind me how much I preferred these two to these main three characters. Blackthorn, especially, was an excellent character and far out shown Liobhan, Dau, and Brocc.
I was also pleased with Dau’s story. There were some loose ends that seemed a bit strange in the second book but were solidly tied up here. There were a few instances in Dau’s story that felt a bit to contrived, with people and clues showing up right when they needed to, but I still enjoyed his arc and the resolutions of his ongoing family drama.
Liobhan probably fell the most into the background, which did make me rather sad. Her story was still good, but this was definitely more the Brocc/Dau show. Luckily, I think she’s the strongest character of the three, so her storyline was best able to take a hit in the plot department and still be compelling based solely on her characterization. I thought that the romance between her and Dau was done pretty well, though I do wish these two hadn’t be separated for quite so much of the story.
Everything else was kind of what we’ve come to expect from Marillier: very atmospheric writing, a strong reliance on stories with stories and folklore, and a solid, heartfelt conclusion. If you’re a fan of this trilogy and Marillier’s work, I’m sure you’ll enjoy this one.
Rating 8: Overall, this wasn’t my favorite set of books by Marillier, but this was a strong conclusion to the hole and I enjoyed it quite a bit.
Reader’s Advisory:
“A Song of Flight” is a new book, so it isn’t on many Goodreads lists. Funnily enough, it’s on this one: Julie, Julie, Julie.
Publishing Info: Henry Holt and Co., September 2021
Where Did I Get this Book: Edelweiss+
Book Description: Following the destruction of the City of Mercy, an ancient god has been resurrected and sealed inside Beru’s body. Both are at the mercy of the Prophet Pallas, who wields the god’s powers to subjugate the Six Prophetic Cities. But every day, the god grows stronger, threatening to break free and sow untold destruction.
Meanwhile, far away from Pallas Athos, Anton learns to harness his full powers as a Prophet. Armed with the truth about how the original Prophets killed the god, Anton leads Jude, Hassan, and Ephyra on a desperate quest to the edge of the world. With time running out, the group’s tenuous alliance is beset by mounting danger, tumultuous romance, and most of all by a secret that Anton is hiding: a way to destroy the god at the price of an unbearable sacrifice. But the cost of keeping that secret might be their lives—and the lives of everyone in the Six Prophetic Cities.
Review: This has been a hugely popular series over the last year or so. While I didn’t actively dislike either of the books, I also could never quite figure out what the big deal was. Mostly, my inability to strongly connect to the characters is what held me back, an extremely subjective experience if there ever was one. But I did enjoy the second book more than the first, so I was happy enough to go into this, the final book in the trilogy.
Things are coming to a head. With a powerful god contained within her, Beru’s future is tenuous and fraught with danger, as she and the god can be wielded to terrible effect. For their part, the others are on a quest of their own, eager to find a way to hold their fraying world together. Anton, alone, knows what this same hard-fought success might cost them. But trials await in every form, both the physical challenges set before them and the emotional bonds that build, fray, and tighten between them all.
So, very like the second book, I did end up enjoying this book more than the first. I think most of it comes down to the characters I found myself most drawn to in the first book. For me, Hassan’s story was always fairly dull, and I didn’t connect very strongly to his storyline or character. So the first book, which featured him heavily, worked less well for me. But in these last two, he largely drifted into the background. Perhaps even more so in this book than in the second.
For the second part, there were characters who were barely introduced in the first book that I found in reading the second, and now the third, were a few of my favorites. Beru, for one, had very few chapters in that first book, but she’s always been a favorite of mine, so I enjoyed these last two books more for seeing more from her. Here, her story very much comes to the front. Containing a powerful god will do that for a character arc! I found her entire storyline over the three books to be very satisfying, and the resolution to her story was appropriately profound.
I also liked the romances that developed. Jude and Anton have been fairly precious since they were first hinted at as a pair in the end of the first book. But I admit, I’ve been more invested in the enemies-to-lover romance that develops between Ephyra and Illya. As Illya is only really introduced in book two and quickly joined Ephyra as one of my favorite characters, it only goes to show that these last two books had more of what I was looking for. I liked how both of these characters truly operate in shades of grey (sometimes outright black!). Many authors talk a decent game about writing morally grey characters or anti-heroes, but then when it comes down to it, any/all bad stuff is either off page or completely justified (like self defense, etc.) I appreciated that true darkness that was explored in both of these characters.
Overall, the trilogy definitely ended on a higher note than it started, and I’m glad I stuck it through until the end. Fans of the trilogy will surely be pleased, and if anyone’s been lukewarm on it so far, I still think this is a satisfying conclusion.
Rating 8: A trilogy that got better as it went along, I was happy to finish this one off on a high note.
Where Did I Get this Book: audiobook from the library!
Book Description: Iolanthe Seabourne is the greatest elemental mage of her generation—or so she’s been told. The one prophesied for years to be the savior of The Realm. It is her duty and destiny to face and defeat the Bane, the most powerful tyrant and mage the world has ever known. This would be a suicide task for anyone, let alone a reluctant sixteen-year-old girl with no training.
Guided by his mother’s visions and committed to avenging his family, Prince Titus has sworn to protect Iolanthe even as he prepares her for their battle with the Bane. But he makes the terrifying mistake of falling in love with the girl who should have been only a means to an end. Now, with the servants of the tyrant closing in, Titus must choose between his mission—and her life.
Review: Honestly, it’s shocking that I haven’t gotten to this trilogy sooner. So far, I’ve loved everything I’ve ever read from Sherry Thomas. Her “Lady Sherlock” series is one of my favorite historical mysteries still publishing. Her “Mulan” re-telling was perfection and everything I’ve always wanted for that story. I even enjoyed the straight-up romance novel I read from her, the genre where she got her start. So the fact that I’m getting to her YA fantasy trilogy last is pretty strange, given my general reading preferences. What can I say? Part of me was probably saving it since I fully expect to love it to pieces.
Iolanthe was just going about her business, summoning lightening and all of that, when the Prince barges in informing her that she’s some sort of prophesied savior of the world, meant to take on the powerful tyrant that rules over their world. For his part, Titus has always known this day was coming. His mother foretold it long ago and told Titus to be on the look out, as he is meant to guide and protect this savior in their mission. But enemies are at their door, and it is all Iolanthe and Titus can do to keep two steps ahead of them. And while duty weights heavily on Titus, he finds his foretold future harder and harder to bare in the face of his growing feelings for Iolanthe.
As predicted, I really enjoyed this book. The book description, however, I felt was a bit deceptive. All that it describes is true, but there are a few aspects of the story that were big surprises. For one thing, Iolanthe is not aware of her savior status, so that is a huge part of her arc, growing to learn and accept this destiny that’s laid out before her. It also plays a major role in her relationship with Titus, since his appearance is tied so closely to her being informed that she must take on a perilous, and likely deadly, task.
The story also isn’t only set in a third-world fantasy setting. Instead, Titus and Iolanthe travel to London and spend time in the boys’ school that Titus attends there. This lead into another surprise, but one of my favorite tropes ever: Iolanthe disguised as a boy. The situation is rife with all of the humor and adventure that one would expect, and Thomas’s witty writing style is on point here. There were several laugh out-loud moments, both in clever dialogue sequences and imaginatively wacky situations. The story itself was just a blast to read.
I also really liked Iolanthe and Titus. They each felt like very distinct characters who were approaching a destiny that they shared in very different ways. Titus has known the role he must play for years; everything is new to Iolanthe. It was also nice to see that the friendship/love story that developed was paced in a more realistic way, with the road bumps and swift turns that one would expect from this situation. Iolanthe must learn to trust Titus, and Titus must learn to see Iolanthe as an individual with her own opinions and autonomy, not just a nameless, faceless “prophesied one.”
My one critique of my reading experience had to do with the audiobook version. It’s tough, because on one hand, I think the narrator nailed the humorous aspects of the story. However, the way the book works, the narration quickly and often shifts between Titus and Iolanthe. There are no chapter titles or warnings when this shift takes place, and the narrator didn’t do a lot to differentiate their voices. So there were time where I was thrown a bit before realizing that we had switched POVs. It was confusing and distracting at times, which was too bad.
I enjoyed the heck out of this book. I already bought the entire trilogy, so I think I might try to read the second one in print to see if that helps with the POV switching. But, really, the only question that remains is how long can I delay the joy of blowing straight through the next two books??
Rating 8: Action-packed, hilarious, and with a lovely slow-burn romance at its heart. Everything I like and more!
Where Did I Get This Book: I received an eARC from NetGalley.
Book Description: Oliver Park, a young recovering addict from Indiana, finally has everything he ever wanted: sobriety and a loving, wealthy partner in Nathan, a prominent DC trauma surgeon. Despite their difference in age and disparate backgrounds, they’ve made a perfect life together. With everything to lose, Oliver shouldn’t be visiting Haus, a gay bathhouse. But through the entrance he goes, and it’s a line crossed. Inside, he follows a man into a private room, and it’s the final line. Whatever happens next, Nathan can never know. But then, everything goes wrong, terribly wrong, and Oliver barely escapes with his life. He races home in full-blown terror as the hand-shaped bruise grows dark on his neck. The truth will destroy Nathan and everything they have together, so Oliver does the thing he used to do so well: he lies.
What follows is a classic runaway-train narrative, full of the exquisite escalations, edge-of-your-seat thrills, and oh-my-god twists. P. J. Vernon’s Bath Haus is a scintillating thriller with an emotional punch, perfect for readers curious for their next must-read novel.
Review: Thank you to NetGalley for sending me an eARC of this novel!
I love seeing the books that some of my favorite authors are reading. Usually I can gauge if I’m going to mesh well with a book if an author I really trust is raving about it. So when Caroline Kepnes made mention of “Bath Haus” by P.J. Vernon, I was definitely curious to pick it up. I went in with certain expectations, most of them falling into the lurid. But almost immediately I realized that “Bath Haus” was going to be not only high octane and like a runaway freight train, it was also going to be super, super dark and disturbing.
From the jump “Bath Haus” is off the rails, and while that may not work in some authors hands, Vernon has no problem starting at fifty and working his way ever upward. We have two perspectives in this book. The first is Oliver, the young former addict who has found himself in a lavish, and highly controlled, relationship with Nathan. Oliver’s POV starts with almost getting strangled while attempting a hook up at a bath house, who then finds himself having to lie to his lover, and then being stalked by his attacker. While another thriller may have kept it here on this familiar trajectory, we have a second POV, of Nathan, Oliver’s older partner. Nathan is controlling, hot tempered but able to mask it, and suspicious of anyone and anything that may get between him and Oliver. And it’s because of this that “Bath Haus” has a whole other layer of suspense. Because not only is Oliver finding himself in a web with Kristian, his mysterious and menacing attacker, you as the reader see that he is ALSO potentially in danger due to his relationship with Nathan, which is unhealthy at best and possibly deranged. Not that Oliver knows this. Because of all these angles, the suspense was at a constant and Vernon managed to amp it up without it feeling histrionic or melodramatic. The flip side of this, however, is that at times the complexity wasn’t there for the characters. This applies more to Nathan, as he has a number of tropes that are pretty par for the course when it comes to his characterization. It didn’t take away from the entertainment, but it wasn’t really doing anything new in that regard.
And what’s more, it kept me guessing! There are enough twists, well crafted red herrings, and revelations in this book that I was in the dark a majority of the time. Things that could have been tacked on in other instances felt necessary, and by the time we did hit surprise after surprise I realized that while I perhaps came close to guessing a twist or two, I was off enough that the reveals felt fresh and surprising. I also really enjoyed how Vernon told the story through not only two different perspectives, but also through a bit of time jumping. This was mostly for Oliver’s benefit, as it really let the reader get into his mind, his past, and his traumas that helped explain a lot about the decisions that he makes as the book goes on. Being able to get this insight really helped, especially when Oliver makes decisions that may come off as really, really stupid. At least you get information as to why he’s making the stupid choice. Especially when stupid choice after stupid choice builds up to so. many. moments where the tension is so taut it felt like it would snap. There were numerous moments where my jaw dropped open and I gasped, or had to close my Kindle and walk away for a bit just to gather my bearings.
All of this said, I really need to tell people that this book is FILLED with content warnings. I almost described this as an erotic thriller at first, just because of some of the themes and elements, but stopped myself because the content isn’t really meant to be titillating. From sexual assault to mental and physical abuse to really disturbing scenes of violence, “Bath Haus” is dark and graphic and it doesn’t pull punches. It never felt distasteful to me, but it pushes boundaries and it is incredibly unsettling.
“Bath Haus” isn’t going to be for the faint of heart, but I think that it’s going to be talked about by those who do read it. It has a way of settling into your consciousness and twisting it about. I was left thinking about it for a few days after finishing, and oof. Recommended, but for a very specific reader.
Rating 8: Suspenseful and unsettling, “Bath Haus” is a twisted thriller that will get under your skin.
Book: “Velvet Was the Night” by Silvia Moreno-Garcia
Publishing Info: Del Rey, August 2021
Where Did We Get This Book: Received an eARC from NetGalley, received an eARC from Edelweiss+.
Book Description:From the New York Times bestselling author of Mexican Gothic comes a “delicious, twisted treat for lovers of noir” about a daydreaming secretary, a lonesome enforcer, and the mystery of a missing woman they’re both desperate to find.
1970s, Mexico City. Maite is a secretary who lives for one thing: the latest issue of Secret Romance. While student protests and political unrest consume the city, Maite escapes into stories of passion and danger.
Her next-door neighbor, Leonora, a beautiful art student, seems to live a life of intrigue and romance that Maite envies. When Leonora disappears under suspicious circumstances, Maite finds herself searching for the missing woman—and journeying deeper into Leonora’s secret life of student radicals and dissidents.
Meanwhile, someone else is also looking for Leonora at the behest of his boss, a shadowy figure who commands goon squads dedicated to squashing political activists. Elvis is an eccentric criminal who longs to escape his own life: He loathes violence and loves old movies and rock ’n’ roll. But as Elvis searches for the missing woman, he comes to observe Maite from a distance—and grows more and more obsessed with this woman who shares his love of music and the unspoken loneliness of his heart.
Now as Maite and Elvis come closer to discovering the truth behind Leonora’s disappearance, they can no longer escape the danger that threatens to consume their lives, with hitmen, government agents, and Russian spies all aiming to protect Leonora’s secrets—at gunpoint.
Velvet Was the Night is an edgy, simmering historical novel for lovers of smoky noirs and anti-heroes.
Serena’s Thoughts
I remember noting in one of my early Moreno-Garcia reads that she’s a unique author in that she seems to jump from genre to genre with ease. It’s truly something rare, I believe, as most authors have a defined genre within they operate comfortably. Sherry Thomas is another favorite author of mine who comes to mind with this shared ability. But Moreno-Garcia takes it to a new level. I’ve read a Gothic horror, a Regency romance, a Mexican folktale fantasy, and now here I am reviewing a noir! At the very least, she’s single-handedly expanding my horizons in my genre reading!
One thing that does remain consistent between her books is her love of featuring duel/multiple POVs in her books. Here we experience the story from both an inside and outside perspective. On one hand, we have Maite, an introverted young woman who leads a quiet life reading her beloved romance novels before getting drawn into the mysterious disappearance of her neighbor Leonora. And on the other, we have Elvis, a gang member who works with the Hawks, an organization that works to quell political dissenters. He is interested in Leonora’s disappearance for very different reasons.
There was much to love about this book, from its exploration of the deep loneliness found in two characters leading very different lives, to the vivid painting of life in Mexico during this period of history. I knew only a little about what was going on during this time, so I was particularly interested in seeing Moreno-Garcia’s take on that situation. Elvis’s storyline, in particular, presented a unique take on these events, coming from the inside of the Hawk organization itself.
But her strengths have always been her characters and the strong, atmospheric worlds she sets them loose in. Here, both Maite and Elvis, while very, very different characters, were equally compelling. Their stories weave together slowly and with attention given to the inner workings of each character and the arcs they are covering. I don’t read a lot of noirs, but I believe this slower-paced storytelling is a specific aspect of the genre, and it blends perfectly with Moreno-Garcia’s love of careful character building.
Overall, I really enjoyed this book. I think I ultimately still prefer her other books that had supernatural/fantasy elements involved, but that’s also just very inline with my own reading tendencies. Fans of noirs and historical fiction, I’m sure, will gobble this up, but I recommend it to readers of all genres,
Kate’s Thoughts
Boy oh boy, I am consistently blown away by how good Silvia Moreno-Garcia is at seamlessly slipping into a new genre with every book I read, and while I always hope that she will come back for more horror and thriller elements as time goes on, I do like a good mystery. I’m not as in tune with the Noir subgenre as I am other mystery subgenres, but I do enjoy a good Noir film every now and again. Because of this, I was eager to read her new Noir novel, “Velvet Was the Night”
Serena touches on a lot of the same things I liked about this book in her review, so I’ll try not to repeat her too much. I also enjoyed both of our protagonists Maite and Elvis, and their very different backgrounds and motivations for finding Leonora. Maite gets pulled into it because 1) she was watching the woman’s cat, and 2) the mystery is exciting, and her life is decidedly not. Elvis, on the other hand, works for a secret group that crushes political dissenters, and Leonora is involved in student activism. The elements of an intricate mystery are there as they both go on the search and find out a lot about her life and how it fits into the landscape of 1970s Mexico City. I liked both Maite for her somewhat naïveté laced personality and the dark and dangerous journey she takes, and I liked Elvis and how, even though he works for a group of suppressive fascists, he has his own bits of rebellion as he, too, goes on a journey on self discovery. They both feel confined to their existences, and start to realize that there could be more.
And it’s really the time and place that worked the best for me in this story. I have no little knowledge of Mexican history, so a lot of this felt like I was learning a bit about an area I knew little about as we went on the journey. I found myself looking up information about Luis Echeverría Álvarez and El Halconazo as I was reading the book just to educate myself some more, and it made the political dissent angle all the more interesting to me. I love how Moreno-Garcia pulled a Noir story out of a setting that you don’t see within the subgenre all that often, at least in my experience. Some of the details and allusions to that theme were very unsettling, and wove in an entire lower level of dread that the Hawks were going to catch up with Maite, Rubén, and Leonora and then all hell would break loose.
“Velvet Was the Night” is a well done new Noir mystery that is sure to entertain mystery fans. Hats off to Moreno-Garcia for once again doing a great job with a new genre!
Serena’s Rating:
Kate’s Rating 8: A taut mystery, fun characters, and a unique setting made “Velvet Was the Night” a fun noir mystery that I enjoyed quite a bit.
Animorphs Graphix #1: “The Invasion” by K.A. Applegate & Michael Grant, Adapted by Chris Grine
Publishing Info: Graphix, October 2020
Where Did I Get this Book: own it!
Book Description: Sometimes weird things happen to people. Ask Jake. He could tell you about the night he and his friends saw a strange light in the sky that seemed to be heading right for them. That was the night five normal kids learned that humanity is under a silent attack — and were given the power to fight back.Now Jake, Rachel, Cassie, Tobias, and Marco can transform into some of the most dangerous creatures on Earth. And they must use that power to outsmart an evil greater than anything the world has ever seen. . . .
I’m know I’m super late at getting around to reading this, but as the second graphic novel is coming out here shortly in October, I knew I had to get on top of things now. I read graphics novels only on and off, so I had mixed feelings about this series being released in this format. On one hand, any new version of the series is amazing (how incredible is it that a cult favorite kids’ series from the 90s’ is getting re-worked in 2021??). But on the other hand, I had seen some previewed pages of the artwork and didn’t really like it. However, my unwavering love of the series won out and here we are!
Said no one ever reading these books. But hey, I’ll take it.
Best Change: I really liked the use of color-coded dialogue bubbles for thought speak. That was always going to be one of the big struggles of adapting this series. This style also allows the thought bubbles to float anywhere in the pane, not needing to be drawn directly next to the character speaking. This gives the artist a lot more flexibility with action scenes and such. I also liked that the colors were largely coordinated to their main morphs, Jake has orange, Marco has black, Visser Three has red. I found the pink for Rachel to be the the worst though. Not only is that not connected to her grey elephant or brown grizzly later, but the pink color itself often clashed with the other color schemes of the panel in a way that the more earthy tones didn’t. I also don’t like the general, tired, “pretty girls like pink” motif that it was playing towards.
Worst Change: I’m more curious to see how this will play out in future books than it being any sort of real “worst,” but this book had some strange pacing with regards to it being “Jake’s” book. The first half of the book is so entirely told through dialogue bubbles, that I was honestly thrown for a loop when Jake began an internal narration when he morphed the lizard (somewhere around page 120). It was jarring to suddenly be in his head in that way given the way the rest of the story had played out. I wish the book had stuck more closely to a consistent internal narration running from Jake throughout, clearing marking him as the character at the heart of this particular installment. I’m really curious to see what happens with Rachel’s story in the next book. That story does involve her alone in her cat morph more often (unlike Jake who was with the group through most of this book), so there’s a better opportunity there to have the pacing be more consistent with her internal narration.
Pretty, Pretty Pictures: Like I said, one of the reasons I held out on initially reading this was my immediate dislike of the general style. I get that the characters are kids and that the story is also for a younger audience. But it’s also gruesome and tackles some serious issues, ideal for teenage readers, as well. As it is, the style reads very “kiddy” to the point that I think teenagers might be reluctant to read it (not only is this a good age group for this story, but YA is a market behemoth in the publishing industry, making tons of money for most publishers, so it’s foolish to cut off chances at cornering that reading group). As with any comic/graphic novel, the art changes slightly over time, so perhaps the style can try and lean a bit more closely to the realistic version used for the animals and aliens. On another point there, I think the mixture of very cartoon-y human kids vs the more realistic, sharp-edged drawings of the animals and aliens was a bit distracting.
I also did not at all like the red noses. I’m not sure what the point of that even was. It just reads as very old-fashioned and weird. There are a few panels where the characters almost look like “Rudolph the Red-Nosed Reindeer” from that super old stop-motion animation. It definitely isn’t adding anything to the book, and I hope it changes.
With some more variation to noses, the art would also be helped in making the characters more distinguishable from each other. Rachel and Tobias are the obvious problem characters. Tobias will be a hawk for the majority, so that gets around it. But it’s never good when two of your characters look so similar in the very beginning of the story as you’re trying to set the stage. It also does nothing for the “Rachel is amazingly beautiful” idea if she’s nearly identical to a teenage boy character. Adjusting all of the faces slightly would also give them more room to express more complicated emotions.
Tobias? Rachel? Who knows?!
Our Fearless Leader: Overall, I liked the version of Jake we saw here. I think his character looked very “boy next door” but also like the kind of kid that would be the one looked to as a leader, could be popular but is kind of just doing his own thing most of the time. As it’s “his book,” we had a number of panels that spoke to his inner thoughts without the use of dialogue, and I think they worked very well. Most of them had to do with Tom and Jake’s slow understanding that something’s wrong with Tom. We see his look of hurt when he finds out that not only does Tom not care that Jake didn’t make the basketball team, but Tom himself has quit and couldn’t care less. And, perhaps most movingly, we see the horror and sadness when Jake sees Tom break through the Yeerk’s control for a brief moment and Jake must finally admit that Tom is a Controller.
I think, overall, these moments worked very well and the art was able to convey a good deal of emotion without resorting to dialogue, either out loud or inner thought. I’ll be most curious to see how this moves forward in other books, as I feel like it was only used sparingly here and is perhaps one of the areas that could grow the most as the artist becomes more comfortable drawing these characters.
Xena, Warrior Princess: There wasn’t a whole lot of characterization given for Rachel. They never mentioned her being Jake’s cousin, so that was strange. And the contrast between her looks and ferocious fighting style wasn’t really highlighted at all. She’s lucky to have the second book as it will hopefully flesh her out more. I really hope they include the cousin bit; that’s so fundamental in the growing tension between Jake and Rachel in the back half of the series.
A Hawk’s Life: There were a few things to like about Tobias’s character here. First, his connection to Elfangor is really highlighted, as well as his immediate connection to the mission as important and something that he will pursue with or without the others.
I also like the way his eventual end, stuck in hawk form, is built up over the story. Once he acquires that morph, we rarely see him in human form, even when he’s not yet stuck. There were also a good number of lines, both from him and the others, that hinted at why he had such a connection to this form. The freedom, the escape from a world that has largely ignored, neglected and rejected him. And, of course, the back panel featuring him as a hawk is one of the more beautiful pieces of art in the entire book.
Peace, Love, and Animals: Overall, I liked what we go from Cassie here. We got to see both the barn and The Gardens, and how her connections to animals are crucial to the Animorphs’ success going forward. But, like Rachel, I felt that she, too, had very little actual characterization. Compared to all three boy characters who I think had solid defining traits early on (Jake’s reluctant leadership, Marco’s cynicism and smarts, and Tobias’s heart and discomfort with his place in humanity), both girls felt pretty weak and undefined. There’s plenty of time to change that, but it was a bit disappointing from a series that really stood out for how balanced it was in its characters.
I was also disappointed not to see any reference to Cassie’s particular skill with morphing. There was one line thrown out there about Cassie being good at it, but we didn’t get to actually see much of it. Though I guess she morphs mostly off page or behind the other characters at the farm, so there wasn’t a lot of opportunity. Hopefully we’ll see it in the second book when she demorphs and has the angel wings that Rachel specifically points out.
The Comic Relief: I really liked Marco here. I think he was actually perhaps the most well done (close tie with Tobias, perhaps). Grine nailed the combination of smarts and reluctance that was so integral to Marco’s early characterization. There’s also plenty of room given to explaining early on why he’s so reluctant. But we also see him clearly step forward when needed by his friends. And the important role he plays in balancing out Jake’s more impulsive, less thought-out moments. It’s really cool to see that, especially. Particularly how he was the most unwilling to think/talk about what had happened in the construction site, but then immediately picks up on the weirdness of Tom, proving that his mind is always working with the reality of this information, even more so than the others who, on the surface, seem to have accepted it more.
E.T./Ax Phone Home: Obviously, not featured. The artwork for the Andalites though is interesting. It’s not exactly how I pictured it. There were a lot of references to the Andalites being similar in shape to deer, very slim and light on their feet. Their bodies, especially their hands, were also often referenced as being rather thin and weak. All of this was used to draw attention to the true strength of their tail blades and how important that feature was to them, thus its use in so much of their culture (shape of their ships, religious rituals, etc.) The Andalites here look much more hefty, more workhorse-like than anything. I mean, it’s fine, but still a bit weird. I wonder if Grine will slim them down a bit for Ax to demonstrate that he’s still young?
Best (?) Body Horror Moment: One of the things that really sold me on this adaptation was the fact that Grine didn’t hesitate to go there with the story. The artwork itself can make the story look very juvenile and kiddy (obviously it’s about kids and marketed to kids, but the story is much more dark than I think most would expect for what is considered a kids’ book). Right off the bat, obviously, you see what happens to Elfangor. But the real punch came with the disaster that was the Yeerk pool run, particularly their chaotic escape while being chased by Visser Three’s fire monster. There are several, several, panels that show people burning alive from his flames. It’s tough stuff, but fully necessary to really set the tone for what this story is and where it’s headed. People die. A lot.
Couples Watch!: I’m not sure if it was on purpose or what, but there’s next to no reference to Jake’s crush on Cassie. She makes her usual line early on about appreciating the boys’ walking her and Rachel home, but that’s about it. However, bless his heart, Grine definitely left in the Rachel/Tobias connection. There are several moments here and there throughout, most notably Rachel commenting that she’d care if something were to happen to Tobias when he claims his aunt and uncle wouldn’t even notice if he disappeared.
If Only Visser Three had Mustache to Twirl: I do think the more stocky body type worked for Visser Three’s Andalite form. Kind of wish they had made Elfangor more slim the way he was described in the book and left Visser Three as the only Andalite built in this more combative mode. I really liked the way both the alien morphs were depicted. They were appropriately huge and terrifying, really highlighting, through sheer size alone, what these young kids are up against. It was a great way of using the visual format of this version to highlight the challenges ahead.
I also want to highlight this panel:
Giving me big time “Balrog in Moria” vibes, what with the fire demon alien thing and the narrow bridges breaking and crumbling.
NO YEERKS SHALL PASS!!!
Adult Ugly Crying at a Middle Grade Book: Right off the bat, with Elfangor’s death. It always got me in the book, too, of course, but there’s something incredibly hard about actually seeing it happen. The fact that he’s not just killed but actually eaten alive by Visser Three. All the worse when you already know the history between these two from “The Andalite Chronicles.” What kind of messed up being must Visser Three be to actually choose to eat (instead of killing/executing in a more normal, not psychotic way) an enemy like Elfangor was to him??
What a Terrible Plan, Guys!: Little moments that kind of go by unnoticed in the book really popped in this version. In this instance, I think of the sheer idiocy of the “just stand in front of her guys!” moment when Cassie is almost caught demorphing from a horse by the Controller!police officer. I really liked this interpretation of a moment that exemplifies how many near misses the Animorphs get away with through sheer dumb luck. The group standing there with arms around each other: “This is how we like to stand!” Great stuff.
Favorite Page/Panel:
I had a really hard time with this pick because there are so many iconic images that were so neat to see come to life on the page. A close runner up was a three-panel page of elephant!Rachel, gorilla!Marco, and tiger!Jake fighting Hork Bajir in the Yeerk Pool. It was just such a perfect image of these three in battle form for the first time (though Rachel’s grizzly is her much more iconic battle morph later on).
But I finally settled on this one:
This was the moment that started it all. It’s both powerful and incredibly sad, as it’s clear that Elfangor is near his end in the picture. The use of the bright lights coming from the box and the dark shadows surrounding them all in the construction site is a lovely metaphor for the Animorphs ongoing battle against the oppressive Yeerk regime trying to creep across the world and universe. “Do not be afraid.”
I also have to throw this one in here as it seems like a nod and a wink to die-hard fans who know the Marco/trash can relationship is something special:
“Do you hate trash cans? Is that your problem? Do you just HATE TRASH CANS?!!”
Final Thoughts: I liked this book way more than I was expecting. I guess I really shouldn’t be surprised given how much I loved the original series, but I also figured that the fact that I loved the original so much was the very reason I’d struggle here. The fact that it was so faithful to the original story is probably what really did it for me.
I think there’s definite room for improvement with some of the art choices, but I also think that Grine set up the story and characters very well (with some exceptions for Cassie and Rachel, but even they were ok, all things considered). There were some really smart decisions with the colored bubbles for thought speak and the choice not to shy away from the more gruesome, dark aspects of the story.
My biggest concern is what is going to happen going forward. While I loved that the first book was given an entire graphic novel all to itself, that’s not a sustainable pace to get through all 50+ books, not to mention Chronicles and Megamorphs. This was a long book, as far as graphic novels go. And obviously one book a year would leave this series being published continuously for half a century. A more likely route would be to combine books into one graphic novel or skip unessential stories (there are a number, especially towards the second third.)
From the preview of the next one, it seems like we’re diving straight into an adaptation of just the second book, which is worrying as far as this all goes. Maybe the idea is to get through the first 5-6 and then start combining? Either way, one book a year is a hard sell for such a slow-moving series as this is. On their own, each adventure does very little to move the bigger plot forward. That works when they’re coming out once a month, but once a year? Seems like it might be hard to keep a loyal fan base invested at that pace. I guess we’ll see what the plans are going forward after the second one releases.
Note: I’m not going to rate these books since I can’t be objective at all!
Where Did I Get This Book: I received an eARC from NetGalley.
Book Description: Courtney Gould’s thrilling debut The Dead and the Dark is about the things that lurk in dark corners, the parts of you that can’t remain hidden, and about finding home in places―and people―you didn’t expect
The Dark has been waiting for far too long, and it won’t stay hidden any longer.
Something is wrong in Snakebite, Oregon. Teenagers are disappearing, some turning up dead, the weather isn’t normal, and all fingers seem to point to TV’s most popular ghost hunters who have just returned to town. Logan Ortiz-Woodley, daughter of TV’s ParaSpectors, has never been to Snakebite before, but the moment she and her dads arrive, she starts to get the feeling that there’s more secrets buried here than they originally let on.
Ashley Barton’s boyfriend was the first teen to go missing, and she’s felt his presence ever since. But now that the Ortiz-Woodleys are in town, his ghost is following her and the only person Ashley can trust is the mysterious Logan. When Ashley and Logan team up to figure out who—or what—is haunting Snakebite, their investigation reveals truths about the town, their families, and themselves that neither of them are ready for. As the danger intensifies, they realize that their growing feelings for each other could be a light in the darkness.
Review: Thank you to NetGalley for sending me an eARC of this novel!
Given that I am a HUGE sucker for the ‘small town with terrible secrets’ trope, I am always on the lookout for books and stories that showcase it, and showcase it well. In the past few years there have been books that have hit the mark and missed the mark, and when I requested “The Dead and the Dark” by Courtney Gould I didn’t really know what to expect. All I knew was that it was a YA horror novel that not only had that highly enjoyable theme, but it also had a sapphic romance to go with the scares. Since I was a bit let down by a previously hyped book with these themes, I was hoping that this one would give me what I wanted, and for the most part it did!
“The Dead and the Dark” is told through two third person perspectives. The first is that of Logan, a teenage daughter of Brandon and Alejo, the hosts of the ghost hunting show “Paraspectors”. Her Dads were raised in Snakebite but never fit in, and Logan has a strained relationship with Brandon that she hasn’t been able to really figure out. Ashley, on the other hand, is a local teenager who is basically a member of Snakebite royalty, but ever since her boyfriend Tristan disappeared she’s felt like something is off. When Logan’s dads are suddenly suspects in Tristan’s disappearance, Logan and Ashley have to work together to try and figure out what happened, and what secrets the town is hiding. Both characters were well explored and given depth, and I found myself eager to get to each perspective as the book went on. They are both good characters on their own, but Gould is sure to make their interactions as they become allies, then friends, then maybe something more, enjoyable. But Gould doesn’t stop there, as the supporting characters are also interesting and do more than just furthering the plot that Logan and Ashley work within. I liked getting to know Brandon and Alejo, as well as the other teens in the town who range from helpful to downright hostile. Snakebite as a town is also well explored, as the small town with a secret theme has layers of small town angst and pain for outsiders that come to the surface.
As for the plot and the horror elements, “The Dead and the Dark” did some new things that I really liked. I don’t want to give too much away, as there are definitely things here that I want readers to discover without the potential for being spoiled. But, like many good horror stories, there is thought and purpose behind the dark fantasy and horror elements. As Logan and Ashley start to find clues to the evil that is hurting local teens, they also start seeing the every day rot, be it due to sexism, or homophobia, or just plain resentment of anything different from what is known. This ties into the big reveal as to what is going on, and then another reveal within that reveal that legitimately caught me off guard. And it was done in a way that built it up, made it believable, AND socked me right in the feels. So much so that I found myself crying a bit, and I’m not really used to crying while reading YA horror novels.
I had a really good time reading “The Dead and the Dark”. The horror elements were creepy, the sapphic elements were very satisfying, and I will definitely be checking out what Courtney Gould has to offer the genre in the future!
Rating 8: A creepy and suspenseful YA horror story with enjoyable characters and a small town with secrets setting, “The Dead and the Dark” is a fun read with a nice romance to boot.
The Library Ladies 