Tag: 8 Rating

Serena’s Review: “Godkiller”

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Book: “Godkiller” by Hannah Kaner

Publishing Info: Harper Voyager, September 2023

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Kissen kills gods for a living, and she enjoys it. That is until she finds a god she cannot kill: Skediceth, god of white lies, who is connected to a little noble girl on the run.

Elogast fought in the god war, and helped purge the city of a thousand shrines before laying down his sword. A mysterious request from the King sends him racing back to the city he destroyed.

On the way he meets a godkiller, a little girl and a littler god, who cannot find out about his quest.

Review: I was drawn in by the fantastic cover art for this novel, but I stayed for the book description of a young woman whose mission in life is hunting down gods. I’m always a sucker for fantasy novels that deal with wars with gods as I think the themes of religion and fantasy play so well together, each dealing with belief and how that shapes an individual, for good and bad. And this one definitely lived up to my expectations!

While the above book description mentions both Kissen and Elogast, I still went into it with the expectation that this was a single POV story, probably because the title implies that the godkiller, Kissen, would be the main character. And, while I would argue that she still is, the story is in fact not only a dual POV between Kissen and Elogast, but also includes the young girl, Inara, and, surprisingly, the god Skedi as well!

And while Skedi by far has the fewest chapters, I do think his inclusion was integral to the success behind the general premise of this story. The prologue and Kissen’s story set up one clear narrative with regards to gods: they are dangerous and bring only harm to those around them. But Elogast’s history and perspective, and Skedi’s very existence, complicate this narrative. What’s more, Skedi is not a perfect rebuttal, being a very flawed individual in his own right. Instead, his POV serves to highlight the chaotic nature of the gods in this world and to blow wide the discussion regarding inherent nature and how that plays into the ways we regard those around us.

I also really enjoyed the relationships that are built up in this story between all of the different characters. Yes, there is the slow-burn romance between Kissen and Elogast, always a winning feature for me who enjoys a love story included in my fantasy. But all of the characters had nuanced and interesting relationships between them as well! Kissen and Inara, with Kissen’s long-standing dislike of children being slowly worn down in the face of Inara’s strength and persistence. Between Inara and Skedi, we see a long-standing friendship tested with betrayal and misunderstanding. Between Skedi and Kissen, we see how immediate distrust and bias can push people (and gods!) into harming those around them and betraying their own most basic moral baselines. For his part, Elogast’s relationships to all of these characters was the most straight-forward. But I think his more steady character type served as a necessary foundation upon which to anchor much of the chaos created by those around him.

I will say, however, that my one big quibble came down to the geography of this world. This is such a weird, obsessive point that I know many people won’t even care about, but for me, I kept hyper fixating on it throughout the book. The story includes a map in the beginning (yay maps!) and it lays out one of the major cities as across a large body of water from the rest of the world. And then much of the story itself it taken up with the characters travelling to this city. And yet, it seemed like they travelled completely by land, were able to spot the city from quite a distance across land, and generally never acknowledged the layout of the map. I could very well have been missing something, but throughout the book, I kept getting confused about their actual route and looking at the map and just being even more confused. I did read an ARC, so maybe the artwork or these references weren’t finalized (though the word “references” underplays how much the geography plays into the main storyline). Weird quibble, but I couldn’t complete my review without mentioning it as it did take up a serious amount of my reading time, flipping back and forth between the text and the map.

Overall, I really enjoyed this book! It felt refreshing in an often-crowded genre, while also relying on some tried and true character types. There were some legitimately surprising twists and turns towards the end of the novel that lay out an interesting path forward for the next book.

Rating 8: A deceptively simple premise belies the depths to be found in this fantastic fantasy debut tackling themes of religion, family, and what makes up one’s very nature.

Reader’s Advisory:

“Godkiller” isn’t on any Goodreads lists, but it should be on Gods and Goddesses Books

Kate’s Review: “The Reunion”

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Book: “The Reunion” by Kit Frick

Publishing Info: Margaret K. McElderry Books, August 2023

Where Did I Get This Book: I received an ARC from the publisher.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Eleven Mayweathers went on vacation. Ten came home.

It’s been years since the fragmented Mayweather clan was all in one place, but the engagement of Addison and Mason’s mom to the dad of their future stepbrother, Theo, brings the whole family to sunny Cancún, Mexico, for winter break. Add cousin Natalia to the mix, and it doesn’t take long for tempers to fray and tensions to rise. A week of forced family “fun” reveals that everyone has something to hide, and as secrets bubble to the surface, no one is safe from the fallout. By the end of the week, one member of the reunion party will be dead—and everyone’s a suspect.

The Peacekeeper: Addison needs a better hiding place. The Outsider: Theo just wants to mend fences. The Romantic: Natalia doesn’t want to talk about the past. The Hothead: Mason needs to keep his temper under control.

It started as a week in paradise meant to bring them together. But the Mayweathers are about to learn the hard way that family bonding can be deadly.

Review: Thank you to Margaret K. McElderry Books for sending me an ARC of this novel!

Though I had never really prioritized my travel plans to include a visit to an all inclusive resort in Mexico, I found myself at one this past March when one of our high school friends got married near Puerta Vallarta. I ended up having a good time, outside of awkward chit chat with high school classmates I hadn’t seen for decades and a complete emotional meltdown during the reception due to being fully overwhelmed by EVERYTHING (which sent me to our room to sob it out before hitting the dance floor again, woooo!). But overall it was a very surreal experience, being a very controlled environment with so many amenities, all behind a wall with armed guards at the front. I was thinking a lot about this as I read “The Reunion” by Kit Frick; there’s a veneer that just doesn’t quite gel with the dramas of reality. And in the case of the book, things kind of go full “White Lotus”. Which I, of course, love.

Your enjoyment of this book is probably more guaranteed than your enjoyment of any White Lotus Resort given their, uh, histories… (source)

The story structure is told through first person POVs of the teenage members (and soon to be members) of the wealthy and privileged Mayweather family. We have Addison, a high strung people pleaser who is jumpier than usual. There’s Mason, Addison’s twin who is hotheaded and angry about his mother’s upcoming marriage. Then there’s Theo, the soon to be step sibling of Addison and Mason who is already on thin ice with Mason due to previous interactions. And Natalia, Mason and Addison’s cousin who is trying to have a good time and trying to avoid the twins due do some past unpleasantness. It means that everyone is a possible suspect, as well as a possible victim, as right off the bat we find out that someone at this engagement party between the parents of Theo and The Twins goes missing. I liked getting into the minds of all the teens, as they are all unreliable but also insightful in their own ways. Frick builds up the tension between all of them, with past grievances intermingling with in the moment stress, as well as misunderstandings that sometimes feel a bit farfetched and yet never tread towards wholly unbelievable due to momentary circumstances, or personal biases at play. She knows how to toy with the characters personalities based on their backgrounds, and to find depth and complexity in at least a few of them (mostly Addison and Theo; Addison is a perpetual people pleaser who is frantic to keep everyone happy and it is starting to wear at her, while Theo is NOT wealthy, does NOT relate to his future step siblings, and is very, very anxious surrounded by opulence he is not used to). I did find myself very invested in who was going to be revealed as the missing person, and if any of them were up to no good leading up to it. And actively dreading the answers to that for at least a few of the characters, which goes to show that Frick did a good job.

The mystery itself is also pretty well done. Frick goes at her own pace in laying out clues, whether it’s slowly revealing the details of the missing person or tossing breadcrumbs of info from each character perspective. We also get supplemental material in more epistolary forms, whether it’s guest information updates from the resort itself, or police transcripts as the investigation starts to ramp up and suspects start to be focused in on. Frick has a lot of well done hints as well as a lot of well placed red herrings, with so much well laid doubt and misdirection throughout that it really does make for some good twists and reveals when the moment is right. I was so caught up in the fast pace I mostly read this book in one sitting. Yeah, it was that hard to put down, which is exactly what I would want from a book that has been compared to “The White Lotus” (not just by me, mind you!).

“The Reunion” is a fast paced mystery that is the perfect read as summer comes to an end! If you have one more beach vacation in store Labor Day, this is the one to bring.

Rating 8: With well written first person perspectives and a suspenseful mystery, “The Reunion” is an engaging thriller from Kit Frick!

Reader’s Advisory:

“The Reunion” is included on the Goodreads list “YA Summer Thrillers”.

Kate’s Review: “The Shadow Sister”

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Book: “The Shadow Sister” by Lily Mead

Publishing Info: Sourcebooks Fire, June 2023

Where Did I Get This Book: I received an ARC from the publisher at ALAAC23.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Sutton going missing is the worst thing to happen to Casey, to their family. She’s trying to help find her sister, but Casey is furious. And she can’t tell anyone about their argument before Sutton disappeared. Everyone paints a picture of Sutton’s perfection: the popular cheerleader with an entourage of friends, a doting boyfriend, and a limitless future. But Sutton manipulated everyone around her, even stole an heirloom bracelet from Casey. People don’t look for missing Black girls–or half-Black girls–without believing there is an angel to be saved.

When Sutton reappears, Casey knows she should be relieved. Except Sutton isn’t the same. She remembers nothing about while she was gone—or anything from her old life, including how she made Casey miserable. There’s something unsettling about the way she wants to spend time with Casey, the way she hums and watches her goldfish swim for hours.

What happened to Sutton? The more Casey starts uncovering her sister’s secrets, the more questions she has. Did she really know her sister? Why is no one talking about the other girls who have gone missing in their area? And what will it take to uncover the truth?

Review: Thank you to Sourcebooks Fire for giving me an ARC of this novel and to Lily Meade for signing it!

Back in June, nearing the end of the second to last day at ALAAC23, I was dragging my bag of books et al around, waiting in line for a signing with Darcy Coates. Someone asked me if it was the Lily Meade line, and I, unaware, said ‘no’. But then I was informed that it was, as it was a dual signing, and I just thought to myself ‘ah, okay, bonus book, cool’. But when I was handed “The Shadow Sister”, Lily Meade’s debut thriller novel, the cover caught my eye. And then the description did as well. This bonus book seemed like it was going to not only be a fun additional book, but one that was squarely in my genre interests. When I did sit down to read it, I was hooked almost immediately.

I really enjoyed the narrative construction in this novel, told from present day Casey’s perspective and past Sutton’s perspective (which jumps around in time leading up to the moment she went missing). It allows us to get some insights into how the mystery is being built and pursued on Casey’s end as Sutton returns and isn’t acting like herself, while also giving us a different perspective that sheds light and changes the perceptions of the mystery as it unfolds. There is an eerie unease that builds as we know that SOMETHING isn’t right with Sutton, be it the trauma she endured and the fallout, or whether there is something else at work on top of that. The pacing works well as strange, but maybe(?) plausible things are happening, while Casey is convinced that this Sutton has something very, very wrong with her. And therein the reader also wonders what exactly it is. There are some genuinely well done surprises and twists in this story as well, some I didn’t see coming at all and landed perfectly. Meade carefully and deliberately lays out clues and misdirections and information throughout, things that you think could be significant towards one aspect of the story but then end up being significant towards another one, and it made for a lot of really fun, sometimes devastating, shocks.

But it’s the characters and the greater themes of intergenerational trauma and strife, as well as small town hypocrisy, and racism, that really makes for the really strong pillars of this book. We find out quickly that Sutton and Casey are from a biracial family, with their father’s side descended from enslaved people that has been meticulously mapped due to his personal interest and place in academia, as well as a robust passing down of family stories through the years. This family history is a crucial part of the story, partially because some of the sisterly strife between Sutton and Casey has to do with disagreements over a bracelet that was left by their now deceased grandmother, who was an inspiration and a woman whose stories connected them to their family’s past of tragedy and triumphs of living through slavery and finding reconciliation against the odds. There is also the greater themes of racism in America, as this small town community that feels and seems close knit, harbors a lot of jarring realities, namely the lack of awareness or urgency when Black girls go missing. Just to name a few.

“The Shadow Sister” is a stunning debut, and I am very much looking forward to whatever Lily Meade has in store next. Check this one out!

Rating 8: Tense, mysterious, and emotionally charged, “The Shadow Sister” is a thriller with a genre twist that explores intergenerational trauma, sisters, and small town secrets.

Reader’s Advisory:

“The Shadow Sister” is included on the Goodreads lists “2023 YA Mysteries And Thrillers”, and “YA Horror 2023”.

Serena’s Review: “He Who Drowned the World”

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Book: “He Who Drowned the World” by Shelley Parker-Chan

Publishing Info: Tor Books, August 2023

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: How much would you give to win the world?

Zhu Yuanzhang, the Radiant King, is riding high after her victory that tore southern China from its Mongol masters. Now she burns with a new desire: to seize the throne and crown herself emperor.

But Zhu isn’t the only one with imperial ambitions. Her neighbor in the south, the courtesan Madam Zhang, wants the throne for her husband—and she’s strong enough to wipe Zhu off the map. To stay in the game, Zhu will have to gamble everything on a risky alliance with an old enemy: the talented but unstable eunuch general Ouyang, who has already sacrificed everything for a chance at revenge on his father’s killer, the Great Khan.

Unbeknownst to the southerners, a new contender is even closer to the throne. The scorned scholar Wang Baoxiang has maneuvered his way into the capital, and his lethal court games threaten to bring the empire to its knees. For Baoxiang also desires revenge: to become the most degenerate Great Khan in history—and in so doing, make a mockery of every value his Mongol warrior family loved more than him.

Previously Reviewed: “She Who Rides the Storm”

Review: This was one of my more anticipated reads for the summer, after very much enjoying the first book that came out last year. After the masterful showing that was ‘She Who Rides the Storm,” it was a pretty sure thing that this book would rise to a similar level. However, I wasn’t quite prepared for exactly how dark this book turned out to be.

Again, right from the start, it’s clear how much talent this author has. The characters are all fully fleshed out, flawed individuals whose motives and choices are as frustrating as they are realistic. The stakes are also often incredibly high, making some of these choices all the more tortuous to read about. Throughout it all, the descriptions and style aspects of the writing are solid and clear, sucking the reader in, even as they may wish they could step back a bit.

When researching a bit for this review, I saw that the author had written on Goodreads mentioning that she doesn’t consider this book grimdark. In the same note, she referred to “Game of Thrones” as grimdark, and one gets the sense that she was likely trying to differentiate her book from that one, a series that has been criticized by some for being overly graphic in its depictions of violence. Now, I understand trying to differentiate your own book, but I also don’t think that authors are the true arbitrators of what subgenre their own book falls within. Yes, this is her opinion, and no one can deny her that. But subgenres like grimdark exist for the readers, not the author. They are there to allow readers to have a broad understanding of what sort of book they are picking up. And, by any understanding of the term grimdark, this book is definitely that.

Without exaggeration, about 90% of this book is made up of horror after horror. The hopelessness and terror of these situations is pervasive throughout the book. And the descriptions being as crisp and vivid as they are, the reader will find no respite from looking right at all of these awful things unfolding before them. Honestly, this book checks off markers on the grimdark list in an almost aggressive manner. And this isn’t a negative thing! People do enjoy grimdark, and I can appreciate it as well. “The Poppy Wars” often fell into this category, and I loved the heck out of those books. But to try to deny that this is grimdark is honestly doing a disservice to readers and setting up unwitting readers to be unprepared for the type of story they are going to be reading. Even from the first book, this one is markedly more dark and difficult to read.

All of this to say, that my actual reading experience of this book would probably put it in the 7 range for rating. It was a hard book to get through, and I wasn’t fully in the right space to want to read something that was this dark for almost the entire read. But, I also recognize the overall quality of the book and writing, so I’ve bumped up my rating. Fans of the first book will likely enjoy this one. But, yes, this is, in fact, grimdark fantasy.

Rating 8: Brutal and relentless, the strengths of this book are also the parts that make it such a challenging, but worthwhile, story.

Reader’s Advisory:

“He Who Drowned the World” can be found on these Goodreads lists: Best Historical Fantasy and August 2023 Releases.

Kate’s Review: “Night of the Living Queers”

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Book: “Night of the Living Queers” by Shelly Page & Alex Brown (Eds.)

Publishing Info: Wednesday Books, August 2023

Where Did I Get This Book: I received an ARC at ALAAC23.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Night of the Living Queers is a YA horror anthology that explores a night when anything is possible exclusively featuring queer authors of color putting fresh spins on classic horror tropes and tales.

All Hallows’ Eve. Samhain. Dia De Los Muertos. Fiesta de Los Aguizotes. No matter its name or occasion, Halloween is more than a Hallmark holiday, it’s a symbol of transformation. NIGHT OF THE LIVING QUEERS is a YA horror anthology that explores how Halloween can be more than just candies and frights, but a night where anything is possible. Each short story will be told through the lens of a different BIPOC teen and the Halloween night that changes their lives forever. Creative, creepy, and queer, this collection will bring fresh terror, heart, and humor to young adult literature.

Contributors include editors Alex Brown and Shelly Page, Kalynn Bayron, Ryan Douglass, Sara Farizan, Maya Gittelman, Kosoko Jackson, Em Liu, Vanessa Montalban, Ayida Shonibar, Tara Sim, Trang Thanh Tran, and Rebecca Kim Wells.

Review: Thank you to Wednesday Books for giving me an ARC of this novel at ALAAC23 and to Alex Brown for signing it!

I am very much the kind of person who is like ‘It’s August? Halloween is going to be here soon!’. I love looking forward to my favorite holiday, and even though it’s still hotter than hell outside and people are still thinking of BBQs and the beach, I’m counting down the days until I can smell leaves and wood fire on the wind and seep up all the witchy spooky stuff of the season. So what better time to read “Night of the Living Queers”, a YA horror collection edited by Shelly Page and Alex Brown, which showcases 13 stories by and about queer BIPOC people? This was one of the books on a Children’s/YA Horror panel I went to at ALAAC23 this summer, and I was lucky enough to hear Alex Brown talk about it, which hyped me up to read it. And once I dove in, I could tell that the hype was real.

As usual, I will talk about my three favorite stories in the collection, and then take on the collection as a whole.

“The Visitor” by Kalynn Bayron: A girl wants to make sure that she is home with her father on Halloween night, as they have their rituals and traditions they do every year. After being tailgated home by a mysterious car, she starts to feel like someone is watching her as she and her Dad wait out the night. This one took a huge swerve in ways that I didn’t anticipate, and it was done in such a well crafted way that I was taken by surprise, and totally thrilled by it. The slow building paranoia of someone maybe lurking outside the house was tense and unsettling, and then the swerve was perfectly executed. That’s about all I can say about it, just know I was impressed and creeped out.

“Nine Stops” by Trang Thanh Tran: A girl who is still mourning her grandmother’s recent death has retreated into the Internet, isolating herself from her loved ones and friends. After going out with friends on Halloween night and taking the subway, she finds a video of a woman talking about her own sister’s death, and begging people to watch all the way through, with deadly consequences if not. I think this was my favorite in the collection, as the dread ratchets up and up until it’s basically unbearable. I also liked the exploration of grief and how it can consume a person, and drive them to do desperate and perhaps horrific things in hopes of finding closure. This one really got under my skin. And who doesn’t love an Internet urban legend as a jumping off point for a horror tale?

“Hey There, Demons” by Tara Sim: When a teenage boy is left to babysit his half sister on Halloween night, he decides that it’s time to take on the poltergeist activity that has been occurring in their new house. But when the way to help take out the ghost is by helping a demon, he finds himself in for more than be bargained for… but perhaps in a more romantic way than he thinks. I did like that there were some cute and fluffy stories in this collection to go with the scares, and I loved this one as we meet somewhat anxious Noah and sassy and snarky demon Kody (a name that he adapts for his adventure with a perplexed human teen). The mythos is solid, the banter is adorable, and I really loved seeing this odd pair take on a poltergeist, as well as a teenage party. Just a hoot!

And as an entire collection, I mostly enjoyed “Night of the Living Queers”! I liked the way that they tied the stories together, with all of them happening on the same Halloween night under a Blue Moon, and how they were still able to do their own thing while having that connection. While some of the stories kind of fell into horror tropes that I don’t really care for (so many surprise ‘and then the ending is totally changed in one moment!’ gotchas), I did think that there were enough sub genres and tones that there is something for horror fans of all kinds. It’s also awesome having so many BIPOC and queer authors writing these stories with these perspectives feeding into the stories. Horror is becoming more diverse, but we still have a ways to go, and this book has a lot of authors who are establishing themselves as valuable voices to the genre. You love to see it.

Halloween is coming up fast, and “Night of the Living Queers” is going to be a must read for the nearing spooky season! Definitely check it out for Hallow’s Eve reading!

Rating 8: A solid and spooky collection of horror stories of all kinds, “Night of the Living Queers” is a varied and entertaining read from some established and up and coming YA horror authors.

Reader’s Advisory:

“Night of the Living Queers” isn’t included on any Goodreads lists as of yet, but it would fit in on “Queer Horror”, and “Great Reads for Halloween”.

Serena’s Review: “Masters of Death”

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Book: “Masters of Death” by Olivie Blake

Publishing Info: Tor, August 2023

Where Did I Get this Book: NetGalley!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Viola Marek is a struggling real estate agent, and a vampire. But her biggest problem currently is that the house she needs to sell is haunted. The ghost haunting the house has been murdered, and until he can solve the mystery of how he died, he refuses to move on.

Fox D’Mora is a medium, and though is also most-definitely a shameless fraud, he isn’t entirely without his uses—seeing as he’s actually the godson of Death.

When Viola seeks out Fox to help her with her ghost-infested mansion, he becomes inextricably involved in a quest that neither he nor Vi expects (or wants). But with the help of an unruly poltergeist, a demonic personal trainer, a sharp-voiced angel, a love-stricken reaper, and a few high-functioning creatures, Vi and Fox soon discover the difference between a mysterious lost love and an annoying dead body isn’t nearly as distinct as they thought.

Review: After really loving “One for My Enemy,” I’m now fully on board for any books by Olive Blake. So I was super excited when I saw that Tor was re-publishing another book from her back catalog. Plus, the concept of a bunch of supernatural beings all hanging out together and trying to outwit death just sounds like a super fun premise for an urban fantasy story! And while I didn’t love this one quite as much as “One for My Enemy,” it was still a great read overall.

First of all, I do think that the summary of this book given above does mislead radars a bit into thinking that this is primarily Viola’s story. And while she is definitely a main character, probably the second biggest one I would say, I think this is largely Fox’s story. His is the emotional stakes that are truly at the heart of the building conflict with regards to Death and the impossible game that he and the other supernatural beings play. And while I was a bit confused due to this misconception, once I understood the direction things were moving, I was fully on board. Fox, simply put, is a fantastic character in his own right. A snarky, damaged man, a human who has lived his entire life in a supernatural world that he only halfway belongs to, Fox’s story is one of deep-formed loves, both romantic and familial, for beings who only halfway understand him.

I also enjoyed the manner in which this story was told, though I do think that this may be a hit-or-miss aspect of the story for different readers. Similarly to “One for My Enemy,” the story is told in a non-linear manner, with chapters jumping forward and backward in time, sometimes centuries backward. However, I really liked the way these were all strung together. There would be a brief mention of some quirk of a character, and then the story would jump back in the next chapter to show a greater insight into that character’s experiences. You definitely have to be willing to go with the flow, allowing the story to move away from the main plotline at any given moment.

I also really liked the supernatural beings we met and the ways that Blake twisted familiar concepts and beings around from what we typically expect to see. Her take on demons, angels, and even Death himself are all very fresh feeling. Similarly, Viola, a vampire, is not the “Dracula”-like character that we are familiar with, but instead draws from other vampiric myths. I really enjoyed all of these supernatural creatures (and there were a lot of them!), especially as Blake tied their stories to very human arcs of love, betrayal, trust and family.

I will say, however, that there were times when I felt like Blake could have benefitted from a bit more of an editorial touch. Look, she has a great talent for snarky banter, and I absolutely devoured much of it. But there were also times where I felt like the actual pacing of the story was bogged down by pages and pages of almost unbroken banter. I get that she has a real talent in this area, and none of the actual dialogue itself was bad; in fact, almost all of it was excellent! But this was definitely a case of too much of a good thing, at points. A bit of trimming would have made the whole thing read more smoothly and, even better, highlighted the true talent for dialogue she has, rather than perhaps over-exposing readers at times.

As I said, I really enjoyed this book! I think it could have benefitted from a bit of editing and, perhaps, a better explanation of how exactly the game that Death plays works. But overall, it was a really fun read, and I blew through it in only two or three sit-downs. If you’re a fan of paranormal or urban fantasies, this is definitely one to check out!

Rating 8: Quirky and fast-paced, Blake draws readers into a paranormal world full of undead creatures who, nonetheless, live lives packed to the brim with love and loss.

Reader’s Advisory:

“Masters of Death” can be found on this Goodreads list: August 2023 Releases

Serena’s Review: “The Water Outlaws”

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Book: “The Water Outlaws” by S. L. Huang

Publishing Info: Tor, August 2023

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Lin Chong is an expert arms instructor, training the Emperor’s soldiers in sword and truncheon, battle axe and spear, lance and crossbow. Unlike bolder friends who flirt with challenging the unequal hierarchies and values of Imperial society, she believes in keeping her head down and doing her job.

Until a powerful man with a vendetta rips that carefully-built life away.

Disgraced, tattooed as a criminal, and on the run from an Imperial Marshall who will stop at nothing to see her dead, Lin Chong is recruited by the Bandits of Liangshan. Mountain outlaws on the margins of society, the Liangshan Bandits proclaim a belief in justice—for women, for the downtrodden, for progressive thinkers a corrupt Empire would imprison or destroy. They’re also murderers, thieves, smugglers, and cutthroats.

Apart, they love like demons and fight like tigers. Together, they could bring down an empire.

Review: This was an obvious book request for me! For one thing, the cover is absolutely phenomenal! It’s one of those covers where you buy the book and display it face out on the shelves just to show it off. I was also very intrigued by the book description, what with its talk of rebel women, outlaws fighting for the betterment of those without power of their own. And, to my delight, it followed through on all of its promises!

Now, I know that this book is a reimagination of another classic Chinese story, “Water Margin” and that this is a gender-swapped version of that tale. But not being familiar with the original, I can’t really speak to how this compares to that one. However, I will say that gender swapping stories is not a simple change. One can’t simply write “King Arthur” but Arthur is a woman. No, there is much more to be done to successfully reimagine a story in this way. And while I can’t speak to the original, this book does an excellent job of centering its tale on the unique places in society that the women and other outlaws are struggling against. The limitations placed around them, the definitions foisted upon them. What’s more impressive was how neatly these larger themes were woven within a story that is very action-oriented.

From the very first moment, the book kicks off to a quick start with Lin Chong, an arms instructor, highlighting her fighting prowess in a practice skirmish with a new recruit. I loved the way the action of this fight (and all of the action scenes that followed) was described. It was easy to picture the beautiful, artistic, and yet lethal fighting scenes that were seen in movies like “Crouching Tiger, Hidden Dragon” and the like. Of course, once Lin Chong joins the bandit group, the action expands to larger scenes with much higher stakes, all of which I found equally thrilling.

I also really liked the overall writing style. Like I said, there’s a lot of action in this story, and it takes a particular skill to write out these scenes in a way that allows readers to fully grasp the scope and scale of what’s happening, all without losing sight of any main characters involved. There was also a sort of “meaty” style to the writing that I’ve come to associate with some of my favorite fantasy fiction. I can’t quite describe what I mean by that, only that I know it when I see it, and it always promises to lead to a great reading experience. What’s more, I was surprised by how funny this book was. Right from the start, I found myself chuckling away at the clever dialogue and smart observations.

The only real issue I had was a bit of disconnect I felt to the characters themselves. Usually, character issues are an instant black mark against a book for me, but this one was so strong in every other area that it wasn’t until halfway through the book that I realized I wasn’t feeling the same sense of connection to the characters that I usually expect to feel with a book I’m enjoying. For some reason, perhaps the fast pace or the “meaty” style of writing, I felt a bit distanced from the characters and their personal stories. Perhaps a bit more could have been done to shine a light on the inner emotions and workings of the characters throughout the story. But that aside from that, an issue that I didn’t even notice until halfway through the story because I was so caught up in the action, I really liked this one.

Rating 8: Full of the fierceness and power that comes from all groups pushed to the side by society, “The Water Outlaws” is a fantasy story sure to delight.

Reader’s Advisory:

“The Water Outlaws” can be found on these Goodreads lists: Queer SFF of 2023

Kate’s Review: “Whalefall”

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Book: “Whalefall” by Daniel Kraus

Publishing Info: MTV Books, August 2023

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: “Whalefall” is a scientifically accurate thriller about a scuba diver who’s been swallowed by an eighty-foot, sixty-ton sperm whale and has only one hour to escape before his oxygen runs out.

Jay Gardiner has given himself a fool’s errand—to find the remains of his deceased father in the Pacific Ocean off the coast of Monastery Beach. He knows it’s a long shot, but Jay feels it’s the only way for him to lift the weight of guilt he has carried since his dad’s death by suicide the previous year.

The dive begins well enough, but the sudden appearance of a giant squid puts Jay in very real jeopardy, made infinitely worse by the arrival of a sperm whale looking to feed. Suddenly, Jay is caught in the squid’s tentacles and drawn into the whale’s mouth where he is pulled into the first of its four stomachs. He quickly realizes he has only one hour before his oxygen tanks run out—one hour to defeat his demons and escape the belly of a whale.

Review: Thank you to NetGalley for sending me an eARC of this novel!

Sometimes a book will come across one’s path that just makes a reader say, ‘I’m sorry… WHAT?’ It could be a plot description, it could be the abruptness of the book making waves in a community, it could be an upended expectation from an author or a genre. As of late, this kind of book in my literary adventures was “Whalefall” by Daniel Kraus. I stumbled upon the book on Goodreads, and was familiar with Kraus due to previous works like “Scowler” and his collaboration on “The Shape of Water” with Guillermo del Toro. So when I saw that he had a new book in which a diver is SWALLOWED BY A SPERM WHALE AND HAS TO FIGURE OUT HOW TO GET OUT (I’m type shouting this because it is still astonishing to me), I knew that I had to, HAD to, get my hands on it (slight side track: At ALAAC in June I stopped by the publisher’s table hoping they had copies, but alas they did not, though I DID love their marketing in word of mouth given that the Oceangate disaster had just happened and they were like ‘have you been following that? Well you should keep an eye out for THIS book!’). NetGalley came through, and I sat down to read this book and it kept me so rapt with attention that I finished it in two sittings. This book is BANANAS, guys! Buckle up!

The whale did nothing wrong (source)

It probably comes as no surprise that “Whalefall” is a very engaging thriller, because a book about a man being swallowed by a whale almost has to be, but it’s the little things that make it so. The first is that Kraus really knows how to build the tension of the dive itself, with protagonist Jay going into a kind of rough area off the coast of California in hopes of finding the remains of his father Mitt, who committed suicide in the ocean after a grueling fight with mesothelioma. The ocean is already a bit tense, and it just builds until the initial encounter with the whale and aforementioned swallowing. Then the tension enters a whole new level as Jay has to figure out if he can make his way out before he either suffocates or is sent further into the digestive tract, where he would be slowly disintegrated. So obviously this is a race against time and it is so fraught and creative and the stakes are obviously very high. The claustrophobia and horror of being eaten is just so engaging and gripping, I found myself whipping through to see how he was (if he was?) going to get out of this mess! It’s “127 Hours” to an even more horrifying degree I think, and the best part is that Kraus does his due diligence to try and make it as accurate as possible, consulting experts and many books about whale anatomy and facts and so on and so forth. Which makes it all the more amazing and really kept me interested, given that I do love anything to do with the ocean and all the things that come with it.

But along with a relentless ‘time is running out’ thriller theme, we also get to explore a relationship and character study of a teenage boy who is still grappling with the death of his father, with whom he had a very complicated and fraught relationship. When we aren’t spending time inside a whale’s digestive tract, we are seeing snippets of the father and son dynamic between Jay and the now deceased Mitt, and how Mitt’s expectations and frustration with his son (which are probably more frustrations with his own life projected on a weaker target) damaged Jay to the point of estrangement. It’s a layer to the story that adds a whole other kind of tension, as Jay is trying to survive by tapping into the lessons his diver and sea obsessed father forced upon him, sometimes in ways that were hurtful and abusive. The complexities of this relationship, and the fact that Jay is on this dive in the first place because of his own guilt by going no contact not long before Mitt’s health decline and death, really make the story that much more intense. I found myself kind of frustrated with how Jay’s family was more interested in blaming Jay for the estrangement even though, at least to me, Mitt was the one responsible for the rift (so much emotional and sometimes physical abuse, content warnings abound in that regard), but I do think that Kraus was sure to show that there are a lot of gray areas within this kind of situation and the emotional states of the players at hand. It was an angle I wasn’t really expecting from a story about a guy TRAPPED INSIDE A WHALE, but it worked well.

There is also a bit of a personal angle to this book that connected with me, and that is the setting of Monterey, California. I have family in San Jose, and we would go out to visit them nearly every Spring Break when I was a kid. So the references to various things, like Monterey itself, the Monterey Bay Aquarium, Point Lobos National Reserve, and Monastery Beach, really amped up the nostalgia for me. This area is one of my favorite places in the United States, and seeing Kraus bring it to life on the page was just lovely. It really brought me to the place, even though I haven’t been back in about ten years.

“Whalefall” would be the perfect thriller for any end of summer vacations or down time. It reads fast, it’s gripping as hell, and it goes places that upended all expectations I had. Definitely recommended!

Rating 8: Gripping, emotional, and absolutely bananas, “Whalefall” is a ride!

Reader’s Advisory:

“Whalefall” isn’t on any Goodreads lists yet, but it would probably fit in on “Best Wilderness Survival Books”.

Book Club Review: “Girly Drinks”

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We are part of a group of librarian friends who have had an ongoing book club running for the last several years. Each “season” (we’re nerds) we pick a theme and each of us chooses a book within that theme for us all to read. Our current theme is song inspirations, where we were given a random song from a random genre and had to pick a book based on the song.  For this blog, we will post a joint review of each book we read for book club. We’ll also post the next book coming up in book club. So feel free to read along with us or use our book selections and questions in your own book club!

Book: “Girly Drinks: A World History of Women and Alcohol” by Mallory O’Meara

Publishing Info: Hanover Square Press, October 2021

Where Did I Get This Book: Kate owns it.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Song Inspiration: “Oh! Whiskey” by Jimi Goodwin

Book Description: Strawberry daiquiris. Skinny martinis. Vodka sodas with lime. These are the cocktails that come in sleek-stemmed glasses, bright colors and fruity flavors—these are the Girly Drinks.

From the earliest days of civilization, alcohol has been at the center of social rituals and cultures worldwide. But when exactly did drinking become a gendered act? And why have bars long been considered “places for men” when, without women, they might not even exist?

With whip-smart insight and boundless curiosity, Girly Drinks unveils an entire untold history of the female distillers, drinkers and brewers who have played a vital role in the creation and consumption of alcohol, from ancient Sumerian beer goddess Ninkasi to iconic 1920s bartender Ada Coleman. Filling a crucial gap in culinary history, O’Meara dismantles the long-standing patriarchal traditions at the heart of these very drinking cultures, in the hope that readers everywhere can look to each celebrated woman in this book—and proudly have what she’s having.

Kate’s Thoughts

This wasn’t the first time I have read “Girly Drinks” by Mallory O’Meara. As someone who loved “The Lady from the Black Lagoon”, and who does enjoy alcoholic beverages in moderation, I received this book for my birthday shortly after it came out and then read it shortly after that. So when our book club compatriot was having a hard time trying to think of a title that would go along with the song “Oh! Whiskey” and was talking about that at our monthly meeting, I suggested this book because I thought it would be a good fit. And I was right! Not only did it fit the theme, it provided us with lively discussion about patriarchy, misogyny, and women fighting against both (as well as provided us with a fun night of sampling some out of the book beverages we don’t usually indulge in at book club!).

Mallory O’Meara does a great job of laying out the history of women and the alcohol industry, the contributions that many have made since ancient times, and the way that misogynistic and sexists societies have tried to stifle women from partaking, creating, and making a living off of alcohol, deriding their industrious or just recreational indulgences as sinful, improper, and dangerous. Moving from ancient Egypt and Babylon through the Middle Ages all the way up through the 21st Century, she has great research, a well done narrative, and a creative hook that ties women’s parts in alcohol all together (and how men have tried to keep women out through shame and sometimes violence). Chapters are framed around individuals or groups who had influence that is still seen today, whether it’s alewives who revolutionized beer (but whose power in the industry led to persecution with their symbols of pointed hats, brooms, and cats to ward off mice from the grains becoming those of a stereotypical witch), the Widow Cliquot who basically created champagne as we know it, or even Cora Irene “Sunny” Sund, who made the tiki bar The Beachcomber an empire that influenced cocktail culture post WWII. She also explores less known stories of non-Western women, like Japanese women who worked in sake, or South African women who fought literal decades for official recognition as brewers. It’s deeply fascinating, at times rage inducing, but always empowering as O’Meara bolsters women to recognize and acknowledge their power and influence.

“Girly Drinks: A World History of Women and Alcohol” is a very entertaining and insightful read. We had a really fun time with this one! Order that cosmopolitan, ladies. And don’t let anyone shame you for it.

Kate’s Rating 8: An informative, cheeky, and interesting history about women, the alcohol industry, and fighting against misogyny and the patriarchy.

Book Club Questions

  1. If you enjoy drinking alcoholic beverages, what kinds of drinks do you like? Did this book give you any insight into your favorites? If not, do you like any mocktails as they have become more popular?
  2. O’Meara talks about women being shut out of drinking and socializing in taverns and bars and therefore having to make their own drinks and trying to socialize at home. Do you find yourself enjoying going out to bars more, or do you like spending time with friends and family at home? Again, this does not have to include alcohol.
  3. This book has many women in history who have interesting lives and backgrounds. Were there any that you owuld like to learn more about, or who you could see yourself hanging out with in a fantasy situation?
  4. What were your thoughts on the structure of the book and the different highlights in each chapter? Did any stand out to you?
  5. Were there any surprises in this book as it traces the influences of women on the history of alcohol?

Reader’s Advisory

“Girly Drinks: A World History of Women and Alcohol” is included on the Goodreads lists “Feminist Interest 2021”, and “[ATY 2022]: Food and Drink”.

Next Book Club Book: “The Wee Free Men” by Terry Pratchett

Serena’s Review: “The Embroidered Book”

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Book: “The Embroidered Book” by Kate Heartfield

Publishing Info: Harper Voyager, August 2023

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org |Amazon | IndieBound

Book Description: 1768. Charlotte, daughter of the Habsburg Empress, arrives in Naples to marry a man she has never met. Her sister Antoine is sent to France, and in the mirrored corridors of Versailles they rename her Marie Antoinette.

The sisters are alone, but they are not powerless. When they were only children, they discovered a book of spells – spells that work, with dark and unpredictable consequences.

In a time of vicious court politics, of discovery and dizzying change, they use the book to take control of their lives.

But every spell requires a sacrifice. And as love between the sisters turns to rivalry, they will send Europe spiralling into revolution.

Review: I was really excited to check this one out when the publisher reached out with an ARC. It’s a perfect cross-section of two of my favorite genres, fantasy and historical fiction. On top of that, while, like many, I know a decent amount about Marie Antoinette, I knew next to nothing about her older sister. Honestly, if you’d quizzed me on whether she even had and older sister, there’s a 50/50 chance I’d have gotten it wrong altogether!

This book really fell into two categories for me, when organizing my thoughts for this review: the impact of it as a piece of historical fiction, and the impact as a fantasy novel. Overall, this was a positive reading experience for me, but by and large this came down to my enjoyment of the book as a work of historical fiction. As I said, I came at this book with only the basic understanding of Marie Antoinette during her life as Queen of France, and knew next to nothing about her childhood or the life of her sister. Immediately, it was quite clear that the author had done her due diligence with the research that went into re-creating the lives of these two women. I enjoyed witnessing their childhood, and then, through their separation, the similarities and differences they each faced in their roles as rulers. There was a deep exploration of the limited preparedness that women brought to these roles, by the nature of their cloistered upbringing and education, as well as the strict boundaries of their power. Yes, in name, they are rulers of countries. In reality, their roles as women are equally defined and bound by the men in their lives as the “common” women.

As characters, I thought they were each well-drawn and compelling, both coming across at times as sympathetic and at others as incredibly foolish and short-sited. However, due to the historical boundaries placed on the story, their relationship as sisters was hindered by the fact that they are separated fairly early in their lives and then spend the next several decades only communicating via letters and through magical means. I understand why this had to be the case, but it did make the relationship between the two feel fairly watered down.

Lastly, the fantasy elements. There were a lot of unique magical elements introduced early in the book, as well as the brewing conflict that plays out throughout the story about who all should have access to magic. There were some interesting developments here, but in the end, I do feel like this was the weakest aspect of the book. Not only did the climax of this particular arc fail to land with any weight, but, in the end, the story concludes exactly as history has seen in, as if magic was never even a factor. I understand not wanting to re-write history, but you’re also introducing literal magic to this world, so it’s not as if this is ever a “realistic” presentation of the story. Indeed, it felt as if you could lift the fantasy elements out of this story whole cloth and really not feel the change. And that’s not really a criticism, as I think the strength of the story as a piece of historical fiction alone would have been enough to make it a worth-while read. In the end, that’s who I would most recommend this book to, those who enjoy historical fiction and who won’t mind the sprinkled fantasy elements that are included.

Rating 8: Perhaps not making the best use of its fantasy elements, this book is still an intriguing piece of historical fiction that explores the lives and limits of two sisters.

Reader’s Advisory:

“The Embroidered Book” isn’t on any Goodreads lists, but it should be on Historical Fantasy Genre Books.