Tag: 8 Rating

Book Club Review: “A Study in Emerald” & “Snow, Glass, Apples”

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We are part of a group of librarian friends who have had an ongoing book club running for the last several years. Each “season” (we’re nerds) we pick a theme and each of us chooses a book within that theme for us all to read. This June we celebrated our 10 year anniversary of book club. So in celebration of that milestone, we are re-visiting authors we read way back in those first few years of our book club. For this blog, we will post a joint review of each book we read for book club. We’ll also post the next book coming up in book club. So feel free to read along with us or use our book selections and questions in your own book club!

NOTE: At the beginning of July, accusations of abuse and sexual assault were made against Neil Gaiman by two women. When our book club selected, met and read “A Study in Emerald” and “Snow, Glass, Apples” and we wrote our reviews, this information had not yet come to light. These accusations are deeply concerning and upsetting. Since we had committed to review these books on the blog before these accusations came to light, we’ve decided to post our reviews of these books to fulfill that commitment. That said, if you or someone you know needs help or wants to find someone to speak with confidentially, HERE is a link to RAINN’s resource page, which also links to more information about the organization in general and how to support victims of sexual violence.

Book: “A Study in Emerald” by Neil Gaiman and Rafael Albuquerque (Illustrator), Rafael Scavone, Dave Stewart (Illustrator)

Publishing Info: Dark Horse Books, June 2018

Where Did We Get This Book: The library!

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Repeat Author: Neil Gaiman

Book Description: The complex investigation takes the Baker Street investigators from the slums of Whitechapel all the way to the Queen’s Palace as they attempt to find the answers to this bizarre murder of cosmic horror!

From the Hugo, Bram Stoker, Locus, World Fantasy, Nebula award-winning, and New York Times bestselling writer Neil Gaiman comes this graphic novel adaptation with art by Eisner award winning artist Rafael Albuquerque!

Kate’s Thoughts

It’s interesting. As someone who loves a good mystery and thriller, I haven’t read TOO much Sherlock Holmes (outside of the stories I read in middle school for English class, and “The Hound of the Baskervilles” for book club way back when). And as someone who loves horror, I haven’t read ANY H.P. Lovecraft. But I know enough about Holmes, Watson, Baker Street, and Cthulhu thanks to the pop culture and literary zeitgeist. So I could absolutely appreciate a LOT about “A Study In Emerald”, which brings the mythos of Lovecraft’s cosmic horrors to Baker Street and Victorian London. It’s a creative mashup, and I found the story up to the task.

I really enjoyed the creeping horror of this tale, and how it does harken back to the classic Holmes cases, and not just through the characters that we see on the page. There are fun references to other mysteries, there is definitely a Sir Arthur Conan Doyle air to the way that the story unfolds, and the way that Gaiman weaves in the Old Ones and Cthulhu into the story and makes it just seamlessly fit in is really fun. It also works as an interesting comment upon the Colonialist impact that England was having across the world, as the Old Ones are coming in and ruling over everyone with a malicious intent towards power and conquest. And I always enjoy the artwork of Raphael Albuquerque, and his style works really well in this story. It’s compelling and fun, and while it’s a stand alone short story it feels very established. It’s a lot of fun, and I enjoyed it very much.

Serena’s Thoughts

I loved this book! There were so many clever ideas all mixed together in a way that felt totally fresh and unique. And given how many adaptations and variations there have been on Sherlock Holmes and Watson, producing something that feels truly original is quite the accomplishment! Of course, the primary factor there comes down to the inclusion and use of Lovecraft’s classic horror creatures. But there is definitely a way that this could have gone very wrong. Instead, Gaiman never over-played his hand. And while the alternate timeline/history of this world and the role the Old Ones play in it was very interesting, at its heart, the story is still very much a classic Sherlock Holmes mystery. From the framing of the story from the companion’s perspective to the use of verbose language with only limited dialogue, it all felt perfectly in line with the tone of the original. Despite the fact that there are tentacled royalty ruling the world!

I also enjoyed the big twist at the end. As a big Sherlock fan, I was suspicious that this was where we were headed fairly early, but that still didn’t diminish how effective it was. I also think that it was subtle enough that it could still play as a pretty big twist for the majority of readers. It was a clever case of “look at this hand and not the other,” using the Lovecraft elements to great effect. The art also worked perfectly with the overall tone. The sepia color palette worked well to create a sense of the time period, and the inclusion of the little advertisements between chapters was excellent.

Really, my only criticism is that in some ways it felt like the prequel to a series. I immediately went on Goodreads hoping to line up the sequel. But alas. I’d definitely read more in this world if given the chance, and I think this is a great read for all Holmes fans out there!

Kate’s Rating 8: A creative mash up of two literary icons makes for an interesting adaptation that works incredibly well.

Serena’s Rating 9: Clever and unique, which is truly an accomplishment considering the plethora of adaptations out there for both Holmes and Lovecraft’s creatures!

Book Club Questions

  1. What were your thoughts on the surprise reveal at the end of the book? Did you see it coming? Did you think it fit well?
  2. Did you like the theme as the monarchs of Europe actually being Old Ones from Lovecraft’s stories?
  3. Did you enjoy the throw back advertisements that separated the sections of the story?
  4. This is a graphic novel that was told purely in captions and with little to no actual speech bubbles. Did you like this creative choice?
  5. What did you think of the art style of this story? Did you feel like it fit the tone of the narrative?

Reader’s Advisory

“A Study in Emerald” is included on the Goodreads lists A Study in Sherlock Holmes and Lovecraft in Victorian Era.

Book: “Snow, Glass, Apples” by Neil Gaiman and Colleen Dorman (Illustrator)

Publishing Info: Headline, August 2019

Where Did We Get This Book: The library!

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Repeat Author: Neil Gaiman

Book Description: A chilling fantasy retelling of the Snow White fairy tale by bestselling creators Neil Gaiman and Colleen Doran.

A not-so-evil queen is terrified of her monstrous stepdaughter and determined to repel this creature and save her kingdom from a world where happy endings aren’t so happily ever after.

From the Hugo, Bram Stoker, Locus, World Fantasy, Nebula Award-winning and Sunday Times-bestselling writer Neil Gaiman (American Gods) comes this graphic novel adaptation by Colleen Doran (Troll Bridge).

Kate’s Thoughts

I already love a fairytale retelling, especially if it is a bit dark and twisted. And I have come to enjoy “Snow White” more as of late because my daughter got a Snow White dress during our Spring Break trip to Disney, which has made me all the fonder of the story. But then you add in not only a version that is told from the perspective of the Evil Queen AND it has a vampire Snow White?? OH HELL YES. Gaiman knows how to do dark in his stories, and this one is SO creepy and twisted, telling a story about a young queen who finds herself a stepmother to a monstrous vampiric child, and wants to keep her kingdom safe from the predatory nature of the girl whose skin is white as snow and lips are red as blood. Snow White’s Evil Queen is so two dimensional in the original tale and many tales that came after it, so for Gaiman to not only make her the protagonist but to also make her flawed but generally a good hearted woman who is trying to use magic to help her subjects is so excellent and such a breath of fresh air. I loved the subversions in the magical elements, and how it harkens to the source material but tweaks it into something new. And something REALLY disturbing.

And I absolutely loved the art style in this book. It feels like a combination of medieval tapestries and art deco aesthetic, and there are so many gorgeous details that leap off the page. It’s truly breathtaking, with few actual panels but free form mural-esque spilling into each other. But it still remains linear and easy to follow along with the very detailed and complex designs. Our book club host asked us what our favorite image was, and I had such a hard time picking because there are so many amazing images.

I loved “Snow, Glass, Apples”. What a compelling reimagining of “Snow White”.

Serena’s Thoughts

I also really enjoyed this one! Probably no great shocker as I love fairytale re-tellings, especially twisted versions of the story. This one, told from the perspective of the “evil” step-mother succeeded on a lot of fronts. First of all, I absolutely adored this art style! I found myself reading this one much more slowly than the first, simply because I wanted to look at all the intricate details on every singled panel. There are several pages that I would buy and frame and put up in my home library, they were that beautiful. I also really enjoyed the “stream of consciousness” style the art used, with several spreads effectively moving the reader through the page without the use of panels or blocks.

I also enjoyed the twist on the “Snow White” tale. I wasn’t prepared for just how dark it was going to get! Fairly early in the story, the reader is introduced to the major “twist” to the tale and you think “Ok, I get where the darkness is going to go.” And then you get about two-thirds of the way and and it’s like “Oh! Nope, this went way darker and in a way more disturbing direction than I had expected!” For the most part, I think this darkness all worked. That said, there were a few brief moments and details that did feel like they were there purely for shock value and not any real narrative purpose.

Overall, I thought this was a very interesting re-imaging of the classic tale. I think the art really stole the show for me. And while I think many fans of dark fantasy will enjoy this one, it’s definitely NSFW, so keep that in mind if you’re reading it in public!

Kate’s Rating 9: A disturbing but horrifically gorgeous reimagining of Snow White.

Serena’s Rating 8: Horrifying in the best way, but the gorgeous art was really the win as far as I’m concerned!

Book Club Questions

  1. What did you think of following the Queen’s POV in this story? Are you used to seeing her side of the “Snow White” story?
  2. Did you buy into the idea of a vampire Snow White? Why or why not?
  3. What are your thoughts on how Gaiman subverted the witchcraft in this versus the original?
  4. What did you think of the aspect of the Spring Faire in this tale and how it related to the Queen’s motivation in the story?
  5. Did you like the art style in this? Did it fit the tone of the tale?

Reader’s Advisory

“Snow, Glass, Apples” is included on the Goodreads lists Snow White Retellings and Graphic Novels with Fairytale or Mythical elements

Next Book Club Pick: “Superman Smashes the Klan” by by Gene Luen Yang

Kate’s Review: “The Ones Who Come Back Hungry”


This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Ones Who Come Back Hungry” by Amelinda Bérubé

Publishing Info: Sourcebooks Fire, July 2024

Where Did I Get This Book: I received an ARC from the publisher.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: From the author of Here There Are Monsters comes a chilling supernatural horror that is part terrifying vampire legend and part modern exploration of toxic relationships wrapped up in a novel about hunger, yearning, and loss.

After the sudden death of her perfect, popular older sister, Jo and her family feel empty. But days after crying at Audrey’s graveside, Jo stumbles on the impossible: Audrey, standing barefoot in the snowy backyard. But Audrey isn’t breathing. She’s still marred with the evidence of an autopsy. She’s decaying. And worst of all, Audrey is hungry, and only human blood can curb her relentless appetite.

Jo knows she can put her family back together; she just has to figure out how to fix Audrey. She hides her sister and sustains her with her own blood, determined to figure out how to keep Audrey with them. When her search takes her to her sister’s grieving inner circle of friends, Jo finds herself drawn into their fold―and to Audrey’s boyfriend, Sam.

As Jo slips further into her sister’s old life, Audrey’s hunger and jealousy grow more insatiable. She’s not going to sit back and let Jo replace her or, worse, discover the secrets hidden beneath her golden girl facade. As Jo struggles to juggle everything she will be forced to decide which of her loved ones needs her the most ―and who she’s willing to sacrifice to save them.

Review: Thank you to Sourcebooks Fire for sending me an ARC of this novel!

It’s been awhile since “Twilight” made vampires the hot paranormal love interest, which in turn made vampires so passé due to the over saturation of the sub-genre. But lo and behold, I am confident in saying that vampires have made their way back into the forefront of horror fiction, with MANY vampire stories coming out lately. But this time around we don’t see nearly as much romance as we did back when Edward Cullen was bringing in the readers, and while I am no longer as staunchly critical of “Twilight” as I was back when it was a phenomenon, I do have to say that I really love that vampires are a little bit wicked again. Mostly because authors are finding ways to explore that wickedness and make it feel fresh, while also being willing to explore the tragedy that can come along with it. And with that we come to “The Ones Who Come Back Hungry” by Amelinda Bérubé, a new YA vampire novel about a younger sister named Jo whose older, popular sister Audrey died… and then came back as something hungry for blood. Blood that Jo is willing to provide, and Audrey is more than willing to take.

Her name is even Audrey, that’s so fun (source)

It’s a great premise, and I really enjoyed the ‘vampire mother and teenage daughter’ theme in “Night’s Edge”, so why not a vampire and her sister?

Overall this one worked really well for me. I already like a vampire as manipulative predator story, and when you make the manipulator a formerly popular older sister and the manipulated an always waiting in the wings younger sister, it has SO much room to explore and devastate. Jo is our protagonist, who is absolutely floored and devastated by the sudden death of her ambitious and driven older sister Audrey. Jo is left adrift, her mother is so bereft she shuts herself away from the world, and her father is trying to keep things together in the family but doesn’t know how to verbalize his grief. I thought that the portrayals of grief and how many forms it can come in was well done and at times quite heart wrenching, and it makes all the more sense when Audrey suddenly shows up at the house in the middle of the night, much to Jo’s horror. Jo has always been in Audrey’s shadow, and hoping to piece their family back together and to bring back the golden child she, of course, wants to help Audrey and try to ‘cure her’, as she is very clearly not alive, but not quite dead (even though she very much looks and smells like she is). If this means she’s going to do some bloodletting, and Audrey is going to keep begging her, and badgering her, for more, so be it. It’s a return to the ‘vampire as a manipulative abuser’ trope, and while it doesn’t explore the intricacies of Audrey herself beyond selfishness (that may have even been apparent when she was alive), it’s an interesting character study of Jo and how far she would go to help Audrey, the sister who always outshined her. Things get all the more complicated when Jo starts spending time with Audrey’s friends, especially her boyfriend Sam, and Jo starts to relish filling a void left behind. Jo’s arc adds a very human element to a supernatural horror story, and it was pretty effective.

I also really enjoyed the vampire world building in this book. Bérubé has a really great author’s note in the back talking about the inspiration of New England ‘true’ vampire stories, and how she referenced and researched and pulled tidbits from that folk lore. She also goes a bit further and expands upon the vampire lore and makes for some creative, and actually pretty well thought out, additions to how vampires in her story work. The biggest one was the way that Audrey has kept all of her wounds and seems to be decaying before Jo’s eyes, with blood being the only thing to tenuously bring her back from a rotting brink. There’s even the fact that any kind of warm air make Audrey’s skin start to bloat and change, the way that heat would affect a rotting corpse (with some pretty nasty imagery involved). It’s a real change from how so many vampires are portrayed as beautiful and seductive antagonists, and I really appreciated the way she takes it a few steps further into grossness while still working within a wholly believable range (of COURSE a corpse would start to bloat in heat, and what are vampires but sentient and immortal corpses?). I love that vampires get to be gross as well as creepy and unsettling in this book.

“The Ones Who Come Back Hungry” is an entertaining vampire novel for a YA audience with some serious crossover potential for adult horror fans. I definitely enjoyed it.

Rating 8: A dark and at times quite sad book about loss, sibling dynamics, tricky familial relationships, and vampires.

Reader’s Advisory:

“The Ones Who Come Back Hungry” is included on the Goodreads list “YA Novels of 2024”.

Kate’s Review: “You Like It Darker”

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Book: “You Like It Darker” by Stephen King

Publishing Info: Scribner, May 2024

Where Did I Get This Book: I own it.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: “You like it darker? Fine, so do I,” writes Stephen King in the afterword to this magnificent new collection of twelve stories that delve into the darker part of life—both metaphorical and literal. King has, for half a century, been a master of the form, and these stories, about fate, mortality, luck, and the folds in reality where anything can happen, are as rich and riveting as his novels, both weighty in theme and a huge pleasure to read. King writes to feel “the exhilaration of leaving ordinary day-to-day life behind,” and in You Like It Darker, readers will feel that exhilaration too, again and again.

“Two Talented Bastids” explores the long-hidden secret of how the eponymous gentlemen got their skills. In “Danny Coughlin’s Bad Dream,” a brief and unprecedented psychic flash upends dozens of lives, Danny’s most catastrophically. In “Rattlesnakes,” a sequel to Cujo, a grieving widower travels to Florida for respite and instead receives an unexpected inheritance—with major strings attached. In “The Dreamers,” a taciturn Vietnam vet answers a job ad and learns that there are some corners of the universe best left unexplored. “The Answer Man” asks if prescience is good luck or bad and reminds us that a life marked by unbearable tragedy can still be meaningful.

King’s ability to surprise, amaze, and bring us both terror and solace remains unsurpassed. Each of these stories holds its own thrills, joys, and mysteries; each feels iconic. You like it darker? You got it.

Review: Stephen King is a favorite of mine as we all know, and I’m just happy getting even one story out of him a year. But this year along with “Holly” (which I loved), we also get a new short story collection! “You Like It Darker” is that collection, and I absolutely pre-ordered it in high anticipation. While some of these stories have been published in other capacities before, it was my first experience with all of them, and I was very excited to read it. And no surprises here, I was very satisfied with it.

As I always do with a short story collection, I’m going to review my favorite three stories in full, and then review the collection as a whole.

“The Fifth Step”: This story was, to me, the most ‘classic King’ in tone and storytelling. A man sitting in a park is approached by a stranger who asks if he can try and complete his Fifth Step for his AA program with him, as he feels more comfortable approaching a stranger to express ‘the exact nature of his wrongs’ as opposed to someone he knows, as suggested by his sponsor. As he confesses for his program, things take a very personal turn. I loved the build of this one, as the intensity ratchets up and the story starts to twist the reader in the wind. As I said, Classic King right here, with a folksy twang and a creepy air about it.

“Danny Coughlin’s Bad Dream”: Sometimes the scariest things are rooted in a very dark reality, and “Danny Coughlin’s Bad Dream” was very much that. It was also my favorite story in the collection because of how goddamn scary it was. Danny Coughlin is an average working man who is just trying to live his life. But when he has a vivid psychic vision about finding a dead body in an abandoned lot, he is afraid to say anything due to the nature of his knowledge. but does the right thing…. only for the police to decide that HE is the perpetrator, and will stop at nothing to put him behind bars. This one really, really freaked me out because it’s a damning indictment of the corruptions and rot in law enforcement circles, and how some investigators are less interested in making a suspect fit evidence and more interested in making evidence fit a suspect. It was definitely the most suspenseful of the collection.

“Laurie”: This story is one of the more poignant and quieter tales in the book, and while it has some creepy aspects, there is such a tenderness about it. A widower living in Florida has become depressed and listless after losing his wife of decades, and is gifted a puppy that he doesn’t really want from his sister, who thinks he could use the company. While he’s reluctant at first, he starts to take a liking to Laurie the puppy. As he starts to shift his life to fit his new puppy, he starts to build a bond with her, and to find a purpose again. I loved thi story because of how it so compassionately examines grief and loss and how important reconnecting to your life can be. But don’t worry, there are still some scary and nasty King things to be found here.

But there were lots of great stories in this book. King has become such a chameleon with his stories, I wouldn’t classify any of the ones in this collection PURE horror, because even the ones that were definitely horror stories had so many moments of grounded humanity and emotion and literary exploration that it just felt like that much more. They also felt generally introspective in many ways, with lots of meditations on life and death and destiny and the human condition. It’s so frustrating that there are still people that kind of dismiss King because he is such a prolific and talented genre author (but that’s just the reflection of people looking down on genre fiction as a whole, which is another thing that grinds my gears), because man, he is so talented and shows no signs of stopping.

I thoroughly enjoyed “You Like It Darker”. There’s a story for everyone in here, with so many themes and tones and moods that they run a whole gamut. Highly recommended.

Rating 8: A solid, at times unsettling, and bittersweet collection of short stories from my favorite author, “You Like It Darker” is a King that feels introspective and melancholy, but also tentatively hopeful.

Reader’s Advisory:

“You Like It Darker” is included on the Goodreads list “Horror to Look Forward to in 2024”.

Serena’s Review: “A Rivalry of Hearts”

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Book: “A Rivalry of Hearts” by Tessonja Odette

Publishing Info: Crystal Moon Press, June 2024

Where Did I Get this Book: NetGalley!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Two rival writers.
One prestigious publishing contract.
A bargain of hearts and seduction.

They say never bargain with the fae. They also say don’t get drunk on fae wine. Yet romance author Edwina Danforth has managed a blunder with both on her first visit to the infamous faelands. Now she’s trapped in a magic-fueled bet she barely remembers with a man she’d be happier to forget. The terms? Whoever can bed the most lovers during their month-long dueling book tour wins a coveted publishing contract.

The win should be easy for Edwina. She’s known for penning scintillating tales of whirlwind romance. There’s just one her imagination vastly exceeds her bedroom experience. But when failure means plummeting her career back into obscurity, losing isn’t an option.

Her handsome fae rival, William Haywood, poses an even greater challenge. Not only are his looks as aggravatingly perfect as his track record behind closed doors, but he has his own reasons for playing to win, and he won’t go down without a fight. Unless, of course, it’s a different kind of going down. In that case, he’s fair game.

Edwina and William clash in a rivalry of romance. But what happens when their objects of desire…turn out to be each other?

Review: I requested this one from NetGalley kind of on a whim. On one hand, it sounded like the kind of book that would be right up my alley: historical fantasy with a hefty dose of humor and romance! But on the other hand, I’ve been burned by the “cozy” subgenre of fantasy/romance many times in the past, so I’m always fairly apprehensive, especially when reading a new-to-me author. But this book is proof that it’s good to still go out on a limb with these things! Not only did I enjoy this book, but now I have an author with a back catalog that I can’t wait to check out!

There was so much to like about this book that I’m not quite sure where to start! I guess what it often comes down to with books like this, for me, is tone. How well does the author manage to capture the voice of her characters and do these inner voices translate into the cozy nature of the story itself. And on both counts, the answer is definitely yes! The banter was excellent, often leaving me chuckling aloud. And each main character perfectly balanced their growing interest in the the other character alongside a more meaningful personal arc. While the narrative was sweet and funny throughout much of it, this added level of heart helped balance out the book into a well-rounded finished product.

I also really liked the way the romance itself played out. This was very much a rivals-to-lovers scenario, but the author wisely didn’t draw out the rivals aspect of it beyond the point of reason (something that I often see in other romances like this, the same with enemies-to-lovers). Importantly, while their “rivalry” starts out in the typical “bad first impression” manner, as the story progresses, each character is given real stakes behind why they must compete with the other. I also enjoyed the “he falls first” aspect of this romance, especially given William’s unique backstory with regards to forming attachments and affection.

For her part, Edwina was an excellent leading character. I’d have to go back and check, but I believe we get more chapters from her perspective than Will’s, and this makes sense as she’s the avatar for the reader, also experiencing the land of Fae for the first time. I also enjoyed the overlay of Edwina’s life in the human world with all of the historical outfittings that come with that now travelling through the land of Fae that has very different fashions and cultures.

This was a blast of a read in pretty much way! This is definitely a spicy romance, so keep that in mind if you pick it up. That said, I think these scenes were done well, being both romantic and, notably, not off-putting with weird word choices and out-of-character actions. The plot is fairly straight forward, as you might expect. But the lovely characters, sweet romance, and bright sparkling world more than made up for it! Plus, we are introduced to the next couple in line to get a story, and I’m definitely going to check out that book the second it comes out!

Rating 8: Whimsical and romantic, this is a great book for any cozy fantasy fan looking for their next spicy read!

Reader’s Advisory:

“A Rivalry of Hearts” can be found on these Goodreads lists: Pink Flowers – Covers and June 2024 Most Anticipated Romance Releases.

Kate’s Review: “The Eyes Are the Best Part”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Eyes Are the Best Part” by Monika Kim

Publishing Info: Erewhon Books, June 2024

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Feminist psychological horror about the making of a female serial killer from a Korean-American perspective.

Ji-won’s life tumbles into disarray in the wake of her appa’s extramarital affair and subsequent departure. Her mother, distraught. Her younger sister, hurt and confused. Her college freshman grades, failing. Her dreams, horrifying… yet enticing.

In them, Ji-won walks through bloody rooms full of eyes. Succulent blue eyes. Salivatingly blue eyes. Eyes the same shape and shade as George’s, who is Umma’s obnoxious new boyfriend. George has already overstayed his welcome in her family’s claustrophobic apartment. He brags about his puffed-up consulting job, ogles Asian waitresses while dining out, and acts condescending toward Ji-won and her sister as if he deserves all of Umma’s fawning adoration. No, George doesn’t deserve anything from her family. Ji-won will make sure of that.

For no matter how many victims accumulate around her campus or how many people she must deceive and manipulate, Ji-won’s hunger and her rage deserve to be sated.

A brilliantly inventive, subversive novel about a young woman unraveling, Monika Kim’s The Eyes Are the Best Part is a story of a family falling apart and trying to find their way back to each other, marking a bold new voice in horror that will leave readers mesmerized and craving more.

Review: Thank you to NetGalley for sending an eARC of this novel!

Most every night when I have no plans, around 9 or so I retreat to bed to read until I turn out the light. My husband’s routine is to stay up playing video games until around the time I’m turning out the light. One such night he came into our room as I was reading “The Eyes Are the Best Part” by Monika Kim. He asked “Ah, what are you reading tonight?” And I cheerfully said “I’m reading a book about a woman who is slowly descending into madness and is fantasizing about eating eyeballs”. To which he said, rather despondently, “I wish I could go into the way back machine and not ask that question”. Which, hey, I get it. It does sound pretty gross, and that’s something that a reader tends to want in a body horror tale. But I also told him that it’s actually an interesting satire and social exploration while also being about eating eyeballs. He wasn’t convinced, but let me tell you, I stand by this assessment and it’s also what makes “The Eyes Are the Best Part” more than just a shocking splatterfest.

I’ll lead off with the splatterfest, however, because man, Kim isn’t afraid to be gross and disturbing. There are many descriptions in this book about cannibalism, and mutilation, and general violence, and they don’t hold back. I definitely found myself wincing and having to skim every once in awhile when I am usually a fairly seasoned horror reader, but it never felt like it was in bad taste, somehow, and that’s probably because Kim’s story has a deeper point (we’ll get to that in a bit) as well as some really effective devices to anchor the violence within a very sympathetic protagonist in Ji-won. It’s from her perspective and we get to see in real time how she is slipping more and more into obsession, rage, and perhaps madness, and it’s a really well done spin on the unreliable narrator. It utilizes this well in the body horror tale, and it’s SO gross at times but always kept me compelled. It’s a fine line for me, because a lot of the time once you get too gross and in your face I’m turned off because it just feels like it’s trying to shock for shock’s sake. “The Eyes Are the Best Part” never took it that far. But trust, it’s still gross. So don’t worry, those who like that kind of thing. I think it will still work for you.

What really stood out to me, though, is how Kim has taken Ji-won and her circumstances and has managed to make her a multi-faceted and nuanced protagonist, even if she is a budding serial killer who has become obsessed with eating other people’s eyes, specifically the eyes of her mother’s new boyfriend George, a white man who is clearly fetishizing this family of Korean-American women based on their race. I found Ji-won’s arc incredibly compelling as she is slowly descending into her madness and instability, and how Kim weaves some great social commentary into the story and the foundation of it. Whether it’s having to hold her mother and sister together after her father abandoned them for a younger woman, or having to maneuver through her own discomfort and the microaggressions she experiences as an Asian woman in modern America, or having to deal with an overt misogynistic racist like George or a covert one like a classmate that she, at first, enjoys the company of (THIS was the most interesting thread in the story for me, as the overt creeps like George can pale in comparison to the creeps who hide behind empty allyship and hollow/self serving white progressivism), or just having to deal with her own traumas and losses, Ji-won’s ultimate path is a dark one, but it’s one that does have reason, and does evoke sympathy. And hey, if there can be stories about sympathetic white men murderers, there should be room for others that don’t fit that mold as far as I’m concerned.

I quite enjoyed “The Eyes Are the Best Part”. Monika Kim is a debut author to watch, because this is a STRONG debut and I have high hopes that it’s going to lead to a great horror career.

Rating 8: Twisted and gross at times, but also a cutting insight into living in America as a Korean American woman, “The Eyes Are the Best Part” is a nasty horror novel with some serious teeth.

Reader’s Advisory:

“The Eyes Are the Best Part” is included on the Goodreads list “Books With Names That Slap”.

Kate’s Review: “Feeding Ghosts”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Feeding Ghosts: A Graphic Memoir” by Tessa Hulls

Publishing Info: MCD, March 2024

Where Did I Get This Book: The library!

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: In her evocative, genre-defying graphic memoir, Tessa Hulls tells the stories of her grandmother, Sun Yi; her mother, Rose; and herself.

Sun Yi was a Shanghai journalist caught in the political crosshairs of the 1949 Communist victory. After eight years of government harassment, she fled to Hong Kong with her daughter. Upon arrival, Sun Yi wrote a bestselling memoir about her persecution and survival, used the proceeds to put Rose in an elite boarding school―and promptly had a breakdown that left her committed to a mental institution. Rose eventually came to the United States on a scholarship and brought Sun Yi to live with her.

Tessa watched her mother care for Sun Yi, both of them struggling under the weight of Sun Yi’s unexamined trauma and mental illness. Vowing to escape her mother’s smothering fear, Tessa left home and traveled to the farthest-flung corners of the globe (Antarctica). But at the age of thirty, it starts to feel less like freedom and more like running away, and she returns to face the history that shaped her.

Gorgeously rendered, Feeding Ghosts is Hulls’ homecoming, a vivid journey into the beating heart of one family, set against the dark backdrop of Chinese history. By turns fascinating and heartbreaking, inventive and poignant, it exposes the fear and trauma that haunt generations, and the love that holds them together.

Review: I sometimes find a book that doesn’t exactly fit the expectations I have based upon the circumstances in which I found it. “Feeding Ghosts: A Graphic Memoir” by Tessa Hulls is a great example of that, as I saw it for the first time on the social media feed of horror influencer Sadie Hartmann, aka Mother Horror. Since she is such a huge presence in the horror lit community I assumed that it was a horror graphic novel (and I mean, the word ‘ghosts’ in the title added to that). But when I did research on it, I realized that it wasn’t a horror story, but a story about three generations of Chinese and Chinese American women, and the trauma that is passed down between the three of them. Sure it wasn’t a horror novel, but the premise still very much intrigued me. So I got it from the library, thinking I’d work through it pretty fast. Little did I know that it would be one of the harder reads of 2024. But not in a bad way by any means.

So I’m immediately going to clarify what I mean by ‘harder’, because I know that it makes it sound like a chore to read. And it is by no means that. When I say harder I am more talking about two things. The first is that this is a VERY dense book. Like on the page, there are SO MANY WORDS for a graphic novel. The most recent graphic memoir I read before this was “Worm” and I was able to read that in one night. That was NOT the case for “Feeding Ghosts”, as Hulls wants to tell three individual stories of herself, her mother Rose, and her grandmother Sun Yi, as well as the story of their relationships due to the trauma that is passed down through them, AS WELL AS a compact history of China in the 20th Century and how that influenced Sun Yi and Rose. The other is that the subject material is very, VERY heavy, with lots of themes that are very difficult, and Hulls approaches them with a matter of fact cadence and tone. Sun Yi was living as a reporter in Shanghai when the Communist Party took over, and after giving birth to Rose out of wedlock (and with a foreigner, as Rose’s father was a Swiss diplomat), and being an undesirable person for other reasons on top fo that, the new government spied on, intimidated, harangued, and harassed her until she and Rose could escape to Hong Kong. Shortly thereafter Sun Yi wrote a memoir speaking out against the Communists, and then had a severe mental breakdown that left Rose to her own devices in a boarding school, and then as a caregiver after they moved to America. In turn, Rose raised her own daughter Tessa with a lot of fear, anxiety, and a clinging fear of losing her to mental illness, which in turn pushed Tessa away and gave her her own set of traumas. Tessa writes this memoir with lots of honesty as to all the things that all of them went through, and how trauma and mental illness can keep reverberating through generations and progeny. With the combination of the jam packed pages and some VERY heavy themes, it took me longer to get through this than I anticipated. But again, that’s not a bad thing. I appreciated the care and context that Hulls wanted to give her family, as well as herself, and I thought that she did a really good job of pulling it all together, as well as allowing herself vulnerability to open up about some very tragic truths about her family history that is still present to this day. It’s quite the achievement, and I found it to be deeply fascinating and moving.

I also quite enjoyed the way that Hulls weaves in the history of 20th Century China into this tale, as so much of that time period had an effect on Sun Yi, and in turn Rose and Tessa down the line. She does a good job of laying out the timeline from the jump as almost an outline, and then diving deeper into the various parts of it, including the invasion of Japan to the Communist Revolution to the Great Leap Forward, and showing how these events shaped Sun Yi’s life, and the repeated traumas in all probability led to her complete mental breakdown that she never recovered from. It’s by no means a deep dive into this time period or the events, but she does make them very accessible and takes some pretty complex moments and parses them out without disrupting the flow of the story of her family. Lord knows I don’t know that much about this time period outside of learning about it for a unit when I was in high school, and I liked having the basics laid out. It’s also so important to the overall story I really like how she made sure it was all there, even if it did contribute to the aforementioned denseness.

All in all, “Feeding Ghosts” is a deeply personal and moving memoir, a magnum opus for an author who was trying to untangle some complicated histories in her family. If you like memoirs, this is absolutely one to check out.

Rating 8: An emotional memoir about cycles of trauma that went through three generations of women, “Feeding Ghosts” is dense, deeply personal, and very well done.

Reader’s Advisory:

“Feeding Ghosts” is included on the Goodreads list “Memoirs Published in Year: 2024”.

Kate’s Review: “Middle of the Night”

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Book: “Middle of the Night” by Riley Sager

Publishing Info: Dutton, June 2024

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: In the latest jaw-dropping thriller from New York Times bestselling author Riley Sager, a man must contend with the long-ago disappearance of his childhood best friend—and the dark secrets lurking just beyond the safe confines of his picture-perfect neighborhood.

The worst thing to ever happen on Hemlock Circle occurred in Ethan Marsh’s backyard. One July night, ten-year-old Ethan and his best friend and neighbor, Billy, fell asleep in a tent set up on a manicured lawn in a quiet, quaint New Jersey cul de sac. In the morning, Ethan woke up alone. During the night, someone had sliced the tent open with a knife and taken Billy. He was never seen again.

Thirty years later, Ethan has reluctantly returned to his childhood home. Plagued by bad dreams and insomnia, he begins to notice strange things happening in the middle of the night. Someone seems to be roaming the cul de sac at odd hours, and signs of Billy’s presence keep appearing in Ethan’s backyard. Is someone playing a cruel prank? Or has Billy, long thought to be dead, somehow returned to Hemlock Circle?

The mysterious occurrences prompt Ethan to investigate what really happened that night, a quest that reunites him with former friends and neighbors and leads him into the woods that surround Hemlock Circle. Woods where Billy claimed monsters roamed and where a mysterious institute does clandestine research on a crumbling estate.

The closer Ethan gets to the truth, the more he realizes that no place—be it quiet forest or suburban street—is completely safe. And that the past has a way of haunting the present.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

It’s fully summer now, and along with the promises of pool days, barbecuing, river tubing, and melting in the heat and therefore hiding in an air conditioned home as much as I can, I also have the promise of a new Riley Sager novel every year. And this year we have “Middle of the Night”, a new thriller about a long missing boy, the man who was the one left behind and facing survivor guilt, and a neighborhood that has had this case haunting them for decades… oh, and also a spectral person lurking in the neighborhood in the dead of night. Oh yes. This has potential for sure.

Like most of Sager’s books before it, I was entertained by the mystery and the twists and turns of “Middle of the Night”. The initial mystery is already a solid premise: thirty years ago, Ethan Marsh and his neighborhood best friend Billy were camping in his backyard on a sleepover, only for their tent to be cut into and Billy to go missing, with Ethan clueless as to what happened outside of shoddy flashes of memories that don’t make much sense. In the present Ethan has returned to the old neighborhood to sell his parents house after their retirement, and has started noticing weird things, like a mysterious shadow person creeping through the neighborhood at night, or signs of life that only Billy could have done back in the day. You already have me with the questions of what happened to Billy, and who (or what) is now sending Ethan messages thirty years later, but then Sager adds MORE to it by bringing in a mysterious local institution with connections to the Ivy League that may or may not have been doing some odd things they hoped to keep hidden. The weirdness and the slow reveals of how THAT plays into the story, as well as more evidence, motives, suspects, and, yes, red herrings, makes for a suspenseful read as we jump from Ethan’s perspective in the present to other people’s perspectives in the past, and even though it could have been a lot of narrative shifting, it worked well for me. I was genuinely surprised by a lot of the reveals, and even those that weren’t as shocking to me still felt executed tightly and properly. I know that Sager can be polarizing to thriller fans, but I always buy into his books because it’s just fun to experience the ride.

Sager is usually a good bet if you want an entertaining read for the fun summer months, and “Middle of the Night” once again delivers on that. But what I also liked about this book is how Sager explores the themes of survivor guilt and collective trauma for those who live in a tight knit community when a person, especially a young person, goes missing. My mind kept wandering back to a notorious and long lingering Minnesota case, that of Jacob Wetterling, who was kidnapped by a masked man in 1989 and was missing for decades until they got a confession and found his body in 2016. Ethan has come back to the place where his best friend vanished, and has to face how that has shaped his life up until now, and how that has reverberated through his relationships, actions, and experiences, usually with tragic elements as he hasn’t fully reconciled all of his guilt and fear and heartbreak. I found Ethan to be a very easy to follow main character, and I thought that Sager really dug into his psyche. It’s also a change to have a male protagonist in a Sager book (I suppose “Survive the Night” had a dual POV with a male protagonist, but it was split), so that was a breath of fresh air. And hell, we even get a little bit into the minds of all the people in the neighborhood around the time Billy disappears, which gave more complicated layers to a supposedly perfect suburban setting. I always enjoy a dressing down of the facade of a perfect Americana community, and “Middle of the Night” peels back some layers and exposes the cracks that were there even before Billy disappeared. It makes for some added pathos to an already emotional premise.

Ultimately I found “Middle of the Night” to be another serviceable thriller, and one perfect for summer vacations. It’s speedy and fun and I continue to hold Riley Sager in high regard when it comes to genuinely enjoyable thrillers.

Rating 8: Tense and at times incredibly sad, “Middle of the Night” is about going home in the face of unresolved trauma, and a neighborhood haunted (perhaps literally) by a long lost child.

Reader’s Advisory:

“Middle of the Night” is included on the Goodreads list “Best Dark Fiction of 2024”.

Serena’s Review: “Mirrored Heavens”

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Book: “Mirrored Heavens” by Rebecca Roanhorse

Publishing Info: Saga Press, June 2024

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Serapio, avatar of the Crow God Reborn and the newly crowned Carrion King, rules Tova. But his enemies gather both on distant shores and within his own city as the matrons of the clans scheme to destroy him. And deep in the alleys of the Maw, a new prophecy is whispered, this one from the Coyote God. It promises Serapio certain doom if its terrible dictates are not fulfilled.

Meanwhile, Xiala is thrust back amongst her people as war comes first to the island of Teek. With their way of life and their magic under threat, she is their last best hope. But the sea won’t talk to her the way it used to, and doubts riddle her mind. She will have to sacrifice the things that matter most to unleash her powers and become the queen they were promised.

And in the far northern wastelands, Naranpa, avatar of the Sun God, seeks a way to save Tova from the visions of fire that engulf her dreams. But another presence has begun stalking her nightmares, and the Jaguar God is on the hunt.

Previously Reviewed: “Black Sun” and “Fevered Star”

Review: This was on my list back in January for most highly anticipated books of the year, and we’re finally here. So many massive events that have been slowly building up over the course of this series will be resolved! Prophesies will be either fulfilled or thrown off! And, most importantly for my romance-loving-heart, Serapio and Xiala will finally reunite (unless something goes wildly off track!). And while I do think there were a few weakness to the overall book here and there, in the ways that truly counted, this was a successful conclusion to an excellent trilogy!

I’ll say right now that, as a whole, I think this series is excellent. However, it did take an interesting trajectory as far as my experience reading each individual book. Looking back at my reviews, I gave a “10” to the first book, a “9” to the second, and this one is an “8.” Luckily, since it started out as the very top, even if each book dropped a bit in my estimation, that still left plenty of room to be solidly good reads. The main reason for the drop for this one had to do with the balancing of the various characters (their arcs and POVs) as well as the pacing towards the end of the book. Because of this former point, I think that readers’ reception of this book will largely come down to which characters are their favorite.

From the beginning, I’ve been here mostly for Xiala and Serapio’s stories, both individually and as a couple. And luckily for me, both of these two were done best by in this last book. Xiala, especially, was really given some of the best elements of this story. Not only do we finally make it back to her homeland, but we learn more about her connection to the ocean and her abilities (something that we barely touched on in the second book, really). Not only must she learn to wield these powers (game-changingly powerful abilities, as it turns out!), but she also travels an interesting arc of coming into her own as a princess and leader of her people, something she’s been fleeing from for most of her adult life. There was some real tragedy in this portion of the story, but we also get some of the best action sequences, as well.

I also loved seeing her and Serapio finally (FINALLY!) reunited. Both of these characters are excellent in their own right, but even some of the other side characters comment on the fact that they both seem to become fuller versions of themselves together. Theirs is a relationship built on radical acceptance, and it’s especially gratifying seeing it play out for Serapio, a person who is held at a distance by literally everyone else around him for his godly persona. For his part, Serapio’s story is once again wrapped up in a prophesy, one that he must fulfill in order to win the coming war. Some of this began to feel a bit like filler, but because Serapio’s personal story and arc is so compelling, the character himself brought a sense of gravitas to a plot line that could have felt superficial at times.

Unfortunately, the book begins to fall apart a bit when it comes to the many other POV characters. Most unexpectedly, this carries over to Naranpa, the third main character who has shared equal billing with Xiala and Serapio up to this point. By the time I finished up this book, I was frankly left a bit baffled by this character and her story here (both in this book, and, by extension, the entire trilogy). She’s off on a side quest throughout most of the book, and by the time it wraps up, I’m not sure what the point even was? It’s honestly a bit hard to describe just how little there was for this character to do, especially without getting into spoilers. It seems like it may be building up in one direction, but then just…doesn’t. And then it’s over and the reader is left wondering whether they would have even noticed had Naranpa’s storyline been excluded altogether? Pretty shocking stuff for a character who had been equally as important as Serapio and Xiala in the first two books.

While this was the most egregious example, primarily because of Naranpa’s positioning as a main character from the first two books, the unnecessary POVs carried over to other characters as well. For example, we get numerous chapters told from the villain’s perspective. Now, some of these take place in the past and thus serve to flesh out the history behind Serapio’s birth/creation. But, at the same time, again, much of what we got here felt rather unnecessary. Especially any of the chapters set in the modern time period. I simply didn’t need as much exposure to this character, and, given the way the story builds and concludes, there were no twists or swerves that would retroactively make these inclusions worth while.

Lastly, the pacing of the major conflict felt a bit off. Xiala’s storyline is the main point of action for the first two thirds of the books. All of the other characters are following much more passive arcs, mostly spending time looking ahead to and positioning various pieces for the the great battle that is coming. I can’t emphasize enough just how much time is spent discussing and preparing for this conflict, how great the scale is meant to be, how insurmountable the odds our heroes face. And yet, when it actually comes, everything sort of falls flat. Again, I don’t want to spoil how it resolves, but given how much time is spent building to this moment, by the time it arrives, the reader would be excused for getting through it all all before realizing that it is, in fact, now already over.

So, a bit of a dour note to end on, but I don’t want that to tint the rest of the positives of this book and this trilogy as a whole. While there were definitely flaws in this last book, it also concluded in an extremely satisfactory way, especially if you’re fans of Serapio and Xiala. The world-building remained excellent throughout, and the author’s sheer skill as a writer is not to be underestimated. I definitely recommend this trilogy to any fantasy fans out there looking for a high quality, unique story!

Rating 8: Not without some flaws with regards to pacing and certain character POVs, but an excellent resolution to the trilogy as a whole.

Reader’s Advisory:

“Mirrored Heavens” can be found on these Goodreads lists: Ancient Mesoamerica Books and Polynesian and Native American Fantasy.

Book Club Review: “What the Wind Knows”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

We are part of a group of librarian friends who have had an ongoing book club running for the last several years. Each “season” (we’re nerds) we pick a theme and each of us chooses a book within that theme for us all to read. Our current theme is Centuries, where we were given a random century and had to pick a book based during that time period.  For this blog, we will post a joint review of each book we read for book club. We’ll also post the next book coming up in book club. So feel free to read along with us or use our book selections and questions in your own book club!

Book: “What the Wind Knows” by Amy Harmon

Publishing Info: Lake Union Publishing, March 2019

Where Did We Get This Book: The library!

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Century: 20th

Book Description: Anne Gallagher grew up enchanted by her grandfather’s stories of Ireland. Heartbroken at his death, she travels to his childhood home to spread his ashes. There, overcome with memories of the man she adored and consumed by a history she never knew, she is pulled into another time.

The Ireland of 1921, teetering on the edge of war, is a dangerous place in which to awaken. But there Anne finds herself, hurt, disoriented, and under the care of Dr. Thomas Smith, guardian to a young boy who is oddly familiar. Mistaken for the boy’s long-missing mother, Anne adopts her identity, convinced the woman’s disappearance is connected to her own.

As tensions rise, Thomas joins the struggle for Ireland’s independence and Anne is drawn into the conflict beside him. Caught between history and her heart, she must decide whether she’s willing to let go of the life she knew for a love she never thought she’d find. But in the end, is the choice actually hers to make?

Kate’s Thoughts

I will be honest, when I read the description of this book my initial thought was ‘so….. “Outlander” but Ireland?’ Which isn’t quite right (though don’t ask me to elaborate as I haven’t READ “Outlander” nor have I watched the show, but I just know it’s different, okay?). But I was still a little hesitant because it just didn’t really seem like my jam. But I pride myself on being a good sport, and I’m always game to give a book club book a try. And it was, as predicted, a bit of a mixed bag, but probably not because of the book itself and because of my own personal tastes.

So I will focus on what I did like, and that was the setting of “What The Wind Knows”. I know a pretty minimal amount about the history of Ireland, or perhaps it’s more fair to say a broad stroked history. I have some working knowledge of The Troubles, but had very little knowledge of the things that led up to it in the 20th Century, so seeing this story take place at what was in part the start of the domino effect was really enlightening, and I really, really liked how Harmon took this time period and brought it to life. I also liked the way that the time travel aspect of Anne’s presence in this time knowing how all of this was going to play out over the decades, and having to be VERY careful in how she approached the people she has come to care for with this knowledge in the back of her mind was a really fascinating angle. It also led to some serious tension as some dangerous people start to think that she may be a spy for British interests, and man was THAT nerve wracking. All that said, I wasn’t as invested in the romance between Anne and Thomas, and the fantasy elements didn’t really do much for me as a whole, but I want to reiterate that I am not, in general, a person who likes the genre. So it’s not really shocking that the historical elements clicked more for me.

Overall “What the Wind Knows” was fine. Fans of time travel fantasies will probably connect more than I did!

Serena’s Thoughts

Readers of the blog may already be somewhat familiar with Amy Harmon’s books, as I’ve reviewed a few of them over the years. One was a YA fantasy novel which I loved and the other was a historical fiction piece that was rough with its darker themes at times, but good. So i went into this book expecting to like it. Not only was it combining two of my favorite genres (historical and fantasy) but I enjoy Harmon’s lyrical, low key style of writing. And, for the most part, this all panned out!

I often struggle with time travel stories. There are just too many ways for this sort of plot to go wrong, often leaving me bogged down in ultimately unimportant details that take me out of the story. Even authors I’ve enjoyed in the past have struggled in this area (see Adrienne Young’s latest book!). But I was pleased by the way that Harmon handled it here. In that, she really didn’t go into any of the details of how this all worked much at all. Our main character travels through time in some magical manner, and other than that, very little thought goes into the actual mechanics of how this all worked. Further, while the time travel element comes into to the plot in many of the ways you’d expect, it also wasn’t overly fixated on in a way that would be distracting.

Instead, much of the focus was on the historical aspects of the story itself. I wasn’t overly familiar with this point in history, but I think Harmon did a great job of presenting it for readers who are both knowledgeable and less so. Further, I was impressed by her ability to bring in real-life characters and write them in a way that felt believable and true to character. Mostly this came down to judicious use of these characters, only having them on-page during a few select scenes.

I also enjoyed the slow burn romance. This is a bit of a staple as far as Harmon’s writing goes, but I always enjoy the fairly straight-forward, sweet nature of her love stories. I could quibble about the timing of Anne’s sharing her true nature with Thomas, but that’s really neither here nor there as far as the actual story goes. I also enjoyed the mystery at the heart of Anne’s story, which I think added a nice point of balance to the romantic plotline, adding some tension and stakes to what could have otherwise been an overly sentimental tale. Readers who enjoy romantic historical fiction will likely enjoy this one, though it is definitely on the slower side!

Kate’s Rating 6: I loved the setting and the time period, but the fantasy and romance didn’t click as well for me (though this is very much a case of ‘your mileage may vary’).

Serena’s Rating 8: Harmon delivers again with a sweet, romantic tale that also dives deeply into the tensions of a specific point and place in history.

Book Club Questions

  1. How much did you know about this particular point in history? Were you familiar with any of the real life individuals? How well do you think they were portrayed?
  2. Time travel can be a tricky element in fiction. How does this book’s use of time travel compare to others?
  3. The story explores themes of patriotism, trust, and the lengths to which people will go in pursuit of what they believe is right. What stood out to you with these themes?
  4. There are two primary relationships that drive this story: the romance and the relationship between Anne and Eoin. How well did you connect to these relationships?
  5. There are numerous moments where Anne’s decisions in the past connected to the future. Which of these stood out to you?
  6. What do you think would be the most challenging part of travelling through time like Anne did here?

Reader’s Advisory

“What the Wind Knows” is included on the Goodreads lists Best for Book Clubs (ha!) and The Best Time-Travel Romance Novels.

Next Book Club Pick: “A Study in Emerald” and “Snow, Glass, Apples” by Neil Gaiman

Kate’s Review: “Anna Bright Is Hiding Something”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Anna Bright Is Hiding Something” by Susie Orman Schnall

Publishing Info: SparkPress, June 2024

Where Did I Get This Book: I received an ARC from the publisher.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: What some women will do for success…

A fast-paced and ripped-from-the-headlines story set in the glossy offices of Silicon Valley startups and New York City new media, Anna Bright Is Hiding Something explores our culture’s fascination with businesswomen who are breaking barriers—and sometimes behaving badly in the process.

Anna Bright is committing fraud. But nobody knows it yet. Not the board of her multibillion-dollar company, BrightLife; not her investors; not the media; not the public breathlessly anticipating the imminent launch of BrightSpot.

Jamie Roman, a hardworking journalist for BusinessBerry, is, no surprise, in awe of her company’s billion-dollar valuation, her polished confidence, and her hustle. But when Jamie learns about Anna’s misconduct, she embarks on a bicoastal journey to expose the crimes in the hope of making a name for herself as a journalist. It’s not long before Anna learns what the young reporter is up to, however—and she’ll do anything to stop Jamie, especially now that BrightLife’s IPO is days away.

With news of the deceit about to break, each woman will risk everything for her version of the truth . . . and only one will emerge unscathed.

Review: Thank you to SparkPress for sending me an ARC of this novel!

Back in 2019 I read the book “Bad Blood: Secrets and Lies in a Silicon Valley Startup” by John Carreyou, which was about the rise and fall of Theranos and it’s lying founder and CEO Elizabeth Holmes, who defrauded many many people for a lot of money by promising her tech could do something it absolutely could not do. Then a few years later the Hulu miniseries “The Dropout” came out, which is about the same thing with Amanda Seyfried as Holmes, and my husband (who had been following the Theranos scandal in real time) watched it and really enjoyed it. So when I found an offer to read “Anna Bright Is Hiding Something” by Susie Orman Schnall in my inbox, the story alone caught my attention, as it definitely sounded inspired by Elizabeth Holmes and her shenanigans. And given that I love a scandal and a mess, I obviously had to read it.

For people familiar with the Theranos/Elizabeth Holmes scandal, this will follow some similar beats, but that isn’t to say that it just lifts that story completely and makes it fiction. In part we follow Jamie, an intrepid and ambitious reporter who starts to investigate Anna Bright, the CEO of BrightLife whose upcoming ocular implant is boasted to change the way we see and gather information. Jamie starts to hear rumors of unrest at BrightLife after initially being in awe of the CEO, and when she smells a story that could define her career, she jumps on it. I liked Jamie’s character, as it’s always refreshing to see a flawed but easy to root for character take the reins in a story like this, and Jamie is all that and more. She has every reason to strive to prove herself, whether it’s because she’s a woman in an environment that can be sexist in a lot of ways, or because of being worried about being the shadow of her journalism giant father (and with whom she has.a tricky relationship). And I liked seeing her get the scoop, and enjoyed the suspense of wondering just what she was going to find, and what consequences there could be should she REALLY cross Anna and her own ambitions.

And then there is the choice to follow Anna, a choice that could have been a bit dicey as having our primary antagonist a perspective is a risk that can, in general, go really well, or really poorly. In this instance I thought that it was effective, as we not only get to see what kind of manipulative sociopath that Anna is, and not only do we get to see how she’s buying time and shutting all naysayers down, but we also get to see her start to realize that Jamie is on to her, and what lengths she will go to to stop the story, and the truth, from coming out. Schnall walks a really fine line, as she never makes excuses nor sympathizes for Anna’s unethical and downright dangerous lies and fraudulence, but she also isn’t painted as a cartoony villain. It’s very fun to watch these two women play a game of cat and mouse, while also watching the narrative critique some of the aspects of the scandal as it unfolds that could apply to real life (misogyny towards women in tech, the way that BIPOC women are especially targeted, the way that men who do similar things don’t receive the same level of scrutiny, and so forth). I also appreciated that while this is more of a contemporary novel, the suspense and thriller elements are still well done with the intrigue and as these two women set out to take each other down.

If you are looking for a page turner this summer and enjoy a good tech company scandal, “Anna Bright Is Hiding Something” ought to be put on your book pile. It’s very enjoyable.

Rating 8: Gripping, timely, and a little bit soapy (in a good way), “Anna Bright Is Hiding Something” is an entertaining page turner and a grand cat and mouse story.

Reader’s Advisory:

“Anna Bright Is Hiding Something” isn’t on any Goodreads lists as of yet, but if you want the real life parallels I would recommend “Bad Blood: Secrets and Lies in a Silicon Valley Startup” by John Carreyou.