Tag: 7 Rating

Serena’s Review: A Fate Inked in Blood

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Book: “A Fate Inked in Blood” by Danielle L. Jensen

Publishing Info: Del Rey, February 2024

Where Did I Get this Book: Netgalley!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: A shield maiden blessed by the gods battles to unite a nation under a power-hungry king—while also fighting her growing desire for his fiery son—in this Norse-inspired fantasy romance from the bestselling author of The Bridge Kingdom series.

Bound in an unwanted marriage, Freya spends her days gutting fish, but dreams of becoming a warrior. And of putting an axe in her boorish husband’s back.

Freya’s dreams abruptly become reality when her husband betrays her to the region’s jarl, landing her in a fight to the death against his son, Bjorn. To survive, Freya is forced to reveal her deepest secret: She possesses a drop of a goddess’s blood, which makes her a shield maiden with magic capable of repelling any attack. It was foretold such a magic would unite the fractured nation of Skaland beneath the one who controls the shield maiden’s fate.

Believing he’s destined to rule Skaland as king, the fanatical jarl binds Freya with a blood oath and orders Bjorn to protect her from their enemies. Desperate to prove her strength, Freya must train to fight and learn to control her magic, all while facing perilous tests set by the gods. The greatest test of all, however, may be resisting her forbidden attraction to Bjorn. If Freya succumbs to her lust for the charming and fierce warrior, she risks not only her own destiny but the fate of all the people she swore to protect.

Review: I was really excited when I saw this book was coming out this spring. For one thing, I would have been interested purely on the cover alone. I really like the style of this art, and I think it’s a great example of a cover effectively conveying exactly the sort of book you’ll be picking up. It’s also nice to see character art on a cover that isn’t super cheesy. But, beyond this, I’ve had this author on my TBR list for a while now. I know her “Bridge Kingdom” series is incredibly popular, but I just haven’t managed to getting around to picking it up. So this was a great in for me to start up with this author without having to commit to a multi-book series.

However, this book did leave me with a lot of mixed feelings. I’ll say right off the bat that I’m still very interested in reading this author’s original fantasy series. Reading this book, it’s easy to see that she’s a compelling author, and several of her strengths are just the sort that I look for in my fantasy authors. Her descriptions are clear, her prose runs smoothly, and her dialogue and banter are both funny and earnest. On this last point, I think that too often we forget how important good dialogue is to the appreciation of a story. I’ve read other books where everything else is perfect, but the dialogue itself is written in a way that is either cringey, corny, or simply doesn’t fit with the rest of the vibe of the story. Here, however, I often found myself enjoying the dialogue more than anything else!

There was also strong evidence that the author can write interesting characters. I think the love interest character, in particular, was very effective. I really appreciated that the book was told from a single POV, demonstrating the author’s strong abilities with characterization in that I felt like I understood and knew Bjorn just as well as Freya, even without seeing inside his head. See?? Authors take note! It is possible to write compelling love interests who don’t need chapters to themselves so they can just tell the reader how they’re feeling at all times. You know, showing instead of telling and all of that.

However, on the other side of the character coin, I did struggle with Freya’s character. It was tough, because throughout a lot of the book, I really enjoyed this character and her voice. She had a lot of the bullet point character traits I look for in my heroines, and even had a decent number of action scenes where we got to see these traits at work! But she was also incredibly frustrating to read. About halfway through the book, I found myself continuously putting the book down and trying to understand why I was struggling to remain connected to the story. And part of what I came up with was the fact that Freya’s own story had very few stakes, arc, or motivation Yes, there is action and violence and drama, but Freya herself is only every reacting to the things going on around her. Even worse, while Freya tells us why she’s choosing to allow others to determine her choices, the reader is never given a compelling reason to understand this choice. She must protect her family…but we never see most of her family and those we do see treat Freya terribly in the brief number of pages they have. So, throughout the bulk of the story, we have a character whose entire drive comes down to a choice that makes very little sense to the reader centered around characters the author has made clear are not worthy. It’s fine to write a character who’s been blinded to the realities of those she loves, but we just didn’t get that character work for Freya. She just tells us that she has to protect them…and that’s it. Nothing about why she’s so sure of this belief in the face of their poor treatment. Nothing showing us moments of kindness that she would use to justify her own mistreatment. Just…nothing.

Beyond that, the story was also incredibly frustrating with its central premise. It’s not a spoiler since it’s right there in the book description, but the entire plot is driven around a prophesy that whomever control’s Freya’s fate will reunite the land. Well, I give you approximately one guess to put together the clues of this fate and how exactly it works. Which, fine, I think there is a way to tell a story like this, even if some of its conclusions are obvious to the reader. But it wasn’t just the fact that Freya seemed completely oblivious to the obvious interpretation of this prophesy, it’s the fact that she paired this cluelessness with other wild jumps of logic and assumptions. Throughout the middle portion of the book, she jumps to a pretty crazy assumption, and then, even in the fact of others pointing out this wild leap, and even when she herself acknowledges that she has no real reason to believe this thing other than her own biases, she just…goes right on doing it! And, of course, there are a million clues that makes the reality of the situation obvious to the reader, which just makes Freya’s determined cluelessness all the more frustrating to put up with .

So, that was a fairly big rant. But Freya’s character arc and characterization was a huge struggle for me for much of the middle portion of this book. Which was really frustrating because at other times, I was completely into this world, this plot, and, even Freya herself. There were wild swings in my enjoyment levels; at times I thought I’d be rating this around a 9 and at others, I almost quit. But, overall, I do think there were a lot of strengths to be found in this book. I liked the world-building and the overall plot. And I can see signs that she also knows how to write some fantastic characters. I’m not exactly sure what happened here, honestly. I’ll probably pick up the second book, however, to see where the story goes. And I’m definitely curious about the author’s other books. Was Freya an exception that proves the rule?

Rating 7: There were a lot of good bones to this story, but the main character’s arch was nonexistent for much of the book which ultimately left it feeling a bit flat.

Reader’s Advisory:

“A Fate Inked in Blood” can be found on this Goodreads list: Upcoming Romantasy Releases 2024

Serena’s Review: “Heartless Hunter”

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Book: “Heartless Hunter” by Kristen Ciccarelli

Publishing Info: Wednesday Books, February 2024

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: On the night Rune’s life changed forever, blood ran in the streets. Now, in the aftermath of a devastating revolution, witches have been diminished from powerful rulers to outcasts ruthlessly hunted due to their waning magic, and Rune must hide what she is.

Spending her days pretending to be nothing more than a vapid young socialite, Rune spends her nights as the Crimson Moth, a witch vigilante who rescues her kind from being purged. When a rescue goes wrong, she decides to throw the witch hunters off her scent and gain the intel she desperately needs by courting the handsome Gideon Sharpe – a notorious and unforgiving witch hunter loyal to the revolution – who she can’t help but find herself falling for.

Gideon loathes the decadence and superficiality Rune represents, but when he learns the Crimson Moth has been using Rune’s merchant ships to smuggle renegade witches out of the republic, he inserts himself into her social circles by pretending to court her right back. He soon realizes that beneath her beauty and shallow façade, is someone fiercely intelligent and tender who feels like his perfect match. Except, what if she’s the very villain he’s been hunting?

Review: I debated requesting this book for a while. This author has been very hit and miss for me in the past. While I struggled a bit with the first book I read by her (“The Last Nimsara”), I barely managed to not DNF the second book in the trilogy (“The Caged Queen”) and never even bothered with the third one. That said, I do remember thinking that the overall quality of writing was high and that the characters, especially in the first book, were fairly good. Those are two pretty foundational aspects of storytelling, so if an author has those in hand, I always feel like there’s a decent chance that a book by them will work for me. But, while this book didn’t sink to the lows of “The Caged Queen,” it also didn’t change my opinion massively about this author. Let’s get into the details!

I’m going to start off with a point that may at first seem tangential, but I swear, I have a point. A few weeks ago, a reader left a comment on one of my more negative reviews expressing relief that they had passed on the book in question. Specifically, they mentioned being glad that they have a fairly thorough vetting process before accepting books for review. Now, I also vet my book choices, trying to balance what I prefer in my own read alongside trying to cover the books that I know many people are interested in and those for which they may appreciate having reviews that provide some insights. And there’s a whole debate going on currently about how much or little publishers/marketers should rely on tropes when advertising their books. You can definitely see where publishers are falling into the trap that a popular trope is all you need to make a popular book. But, for this kind of vetting process, some basic tropes up front can be very helpful in either grabbing my attention or warning me away. And (finally, my point) this book failed to mention anywhere in its book description that the love stories is not only a love triangle, but a love triangle with two brothers as the options. *sigh* Frankly, if I had know that, I could have steered clear.

I won’t go on and on about the love triangle itself, but I always find the whole “brothers” thing kind of icky in a love triangle. Add on that it’s barely a love triangle since once of the love interests has a POV and the other doesn’t, so you always know which way this is going. And it’s all the more frustrating when the one who is the (of course) enemy is set up as this great love, and the other is the solid guy who’s been Rune’s friend and support system for years. You know, helping her, keeping her secrets…not trying to genocide her people like certain (oh so hot) other brothers.

Anyways, that last point gets to one of my main struggles with this book: the characters. For one thing, it falls into the trap that I find all too often in YA where its main characters have to be teenagers for it to be YA, but the things they’ve accomplished already in life are so incredibly unbelievable in the time they’ve had to do them that my suspension of disbelieve is immediately and thoroughly broken right from the start. Why oh why can’t authors just age up their characters to their early to mid 20s, call it a NA book, and probably get the exact same readership out of their book, but at least now it’s all plausible? I honestly don’t understand it.

I also just didn’t buy the primary “love story” between Rune and Gideon. I’ve read other witch/witch hunter love stories, and there have been some that definitely prove this set up can work. But for me to buy any burgeoning love story, the witch hunter has to have a pretty serious change of heart and regret sequence. But…Gideon just seemed fine with his choices of genocide? Because he had been hurt by a witch? It read as strange, and, more over, it really made me struggle to understand Rune’s willingness to overlook the realities of this guy she was becoming so interested in.

The book also tackles some fairly serious topics about sexual assault, and I’m not sure how well it was handled. I don’t really feel that the book gave this serious topic the framing it needed to be useful. Instead, it felt more like shock value and as a way to justify the things that the characters were thinking and doing. The seriousness of this subject also paired strangely with some of the “Bridgerton”-like aspects of the story, when the book would switch into “society mode” with a strong focus on fashion and gossip. And, look, I enjoy “Bridgeton” and enjoy a good “fantasy of manners” as much (if not more!) than the next person, but it paired very strangely with some of the darker tones of this book.

Overall, I struggled to enjoy this one. Again, the writing itself was strong enough, but the author makes choices with her characters, especially with their romances, that just don’t work for me. However, that said, I do think there are a decent number of readers who will enjoy this one, especially if you’re a fan of this author’s previous work. And, I do think this is a case where the use of tropes in the book description might have helped get this in the right readers’ hands, as well as changing it from YA (why?!?!?) to NA.

Rating 7: For me, this was a 6, but I’ll admit this came down to some very specific preferences of my own. Readers who have a more flexible approach to their romances may enjoy this one!

Reader’s Advisory:

“Heartless Hunter” can be found on these Goodreads lists: Fantasy Romance and Female fantasy authors – Children’s, YA and adult.

Serena’s Review: “The Dark Fable”

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Book: “The Dark Fable” by Katherine Harbour

Publishing Info: Bloomsbury YA, January 2024

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Magical heists. Deadly secrets. Come along for the ride . . . if you dare. This heart-stopping, seductive fantasy is perfect for fans of Six of Crows .

Evie Wilder is an orphan who has gone through most of her life unnoticed . . . until she’s caught up in a dramatic heist and captures the attention of the Dark Fable. They have chosen her for a she can turn invisible. This skill would make Evie a treasured asset to the legendary group of thieves known for spiriting away obscure and occult artifacts.

Evie cannot resist their allure and is eager to join this newfound family. But she discovers there are more skeletons in the Dark Fable’s past than she could have ever imagined. And these secrets might be the answer to her own tragic past.

No one is who they seem to be and the price of uncovering the Dark Fable’s cryptic history just might be fatal . . .

Review: I honestly am starting to wonder if there has ever been another book as popular to name drop when attempting to hype an upcoming YA fantasy novel as “Six of Crows.” I mean, that book has been out for years and years now. There have been many other popular YA books since then, as well. And while there are other contenders (“Uprooted” sure had a run there for a while), I don’t think there’s any underestimating just how many books have been heralded as the next “Six of Crows.” But if producing another “Six of Crows” was as easy as it is to name-drop it, well, we’d have about a million excellent heist books on our hands! As it stands, it is not that easy, and instead we have an almost overwhelming number of found family/thief books that are mostly…ok. And this one, while definitely not the worst I’ve seen, is yet another continuance in a years-long trend.

One thing this book definitely did not lack was creativity and ideas. The author not only creates a huge cast of characters, but she equips them all with a plethora of magical abilities and detailed (often traumatic) histories. She also didn’t hold back in her descriptions of said characters; perhaps diving into exactly what they were wearing a few too many times for my taste. I felt like I had a very good, very superficial understanding of who everyone is, but not much more than that. While I was impressed by the large scope, the actual character development felt lacking. For a book with many characters, you’d think a larger focus would have been placed on creating more in-depth relationships between them. But, instead, I felt like I was quickly given the parameters within which they all engaged with one another, and not much more was established beyond this initial insight. And, again, because the cast of characters is so large, a decent chunk of the beginning of the novel must be devoted to Evie meeting each and every one of these characters, which puts an immediate stumbling block in front of the pacing right from the get go.

I also felt like the plot was a bit muddled at times. Again, there is no lack of ideas and the action kept on coming throughout much of it. But, in a weird way, there’s this thing when reading where too much going on can result in just as much boredom and disconnect as too little. And here, we definitely had the former. While seemingly important and exciting events were constantly unfolding, I felt myself loosing interest and drifting away from the primary story itself.

Towards the end of the book, there were a decent numbers of twists and turns that were able to draw me back into the story. So if you’re invested enough early on, I do think the book can offer up a decent payoff for those who stick it through. I also think the writing itself was approachable and fairly strong, and if I had gotten a bit more in actual character development and perhaps a bit less of some of the superficial descriptions, this book might have worked better for me. As it is, this was a bit of a middling book for me. If you’re a die-hard found-family/fantasy heists reader, than this one might be worth checking out. But if you’re already on the fence about yet another “Six of Crows” read-alike, then I don’t think this one is really going to blow your mind.

Rating 7: Approachable and even at times fun, but too little actual character development really sank this one for me.

Reader’s Advisory:

“The Dark Fable” can be found on this Goodreads list: YA Releases January 2024.

Serena’s Review: “The Longest Autumn”

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Book: “The Longest Autumn” by Amy Avery

Publishing Info: Flatiron Books, January 2024

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Tirne is one of four humans rigorously selected to usher the turn of the seasons into the mortal world. Every year, she escorts the taciturn god Autumn between the godly and human realms. Autumn’s seasonal stay among mortals brings cooler weather, changing leaves, and the harvest of apples and gourds until Winter takes his place.

This year, the enchanted Mirror that separates their worlds shatters after Tirne and Autumn pass through, trapping both of them in the human realm. As the endless autumn stretches on, crops begin to fail and the threat of starvation looms. Away from the magic of the gods’ home, Tirne’s debilitating headaches return with a vengeance. Worse, Autumn’s extended stay in the human realm turns him ever more mortal and vulnerable, stirring a new, forbidden attraction to Tirne.

While the priesthood scrambles to find a way to reassemble the Mirror, Tirne digs into the temple’s secrets and finds an unlikely ally—or enemy—in the enigmatic sorcerer and master of poisons, Sidriel. Thrown into a world of mystery, betrayal, and espionage as she searches for the truth, might Tirne lose her morals, her hard-earned position, and the illicit spark between her and Autumn?

Review: I have to say, I barely made it past the cover on this one. I don’t know what it is, but it doesn’t read “fantasy” to me. Instead, it looks more like some sort of historical, literary fiction type book (nothing wrong with those, just not my preference!). But once I actually looked at the book description itself, it definitely sounded like something up my alley! I’ll be curious to see if other readers had similar feelings. We all say not to judge a book by its cover, but in reality, that’s the first thing a perspective readers sees and, try or not, they make a lot of assumptions about the type of book it will be based on this initial glance. And, while this book wasn’t a perfect book for me, I do think there are a good number of fantasy readers who will enjoy this, and I’d hate for them to miss it simply because the cover looks like what you’d find for another book entirely.

When thinking back on my reading experience of the book, I find myself coming away with the thought that I still liked the overall idea of the book more than the actual thing itself. In that, I thought the world, magic, and characters all sounded interesting. There was almost the feeling of it being a re-telling of some ancient Greek myth (though it isn’t). It had nice nods to the struggle of chronic pain, and the approach to romance was more realistic than you often see. However, all of these things still never quite came together the way I liked.

For one thing, I found Tirne to be a very passive character, spending much of her time dealing with her chronic migraines and simply reacting to and trying to survive the various challenges thrown at her. And while I think this kind of representation of chronic pain is useful, it also began to feel as if it was Tirne’s only character trait. Beyond this, it seemed that much of the story’s plot and mystery was hung on Tirne’s struggles to deal with these debilitating headaches. I found myself increasingly wanting more not only from Tirne as a character but also from the story itself. Representation of chronic pain, no matter how good, is not a story in and of itself.

And, while I appreciated some of the nods towards more realistic romances, I also felt mislead on this front by the book’s overall description. I was expecting the love story to play a more important role in the book, but instead I found myself feeling rather adrift, not knowing who I was meant to be rooting for or whether the romance was actually going to be important to the story at all. Things ended in a satisfactory way, but not necessarily in the way that most romance readers will be looking for. So, again, kind of like the cover art, I’m concerned that this book won’t easily find its way to the readers who will most appreciate it. Instead, readers looking for a romantic fantasy story may find themselves a bit disappointed by the love story that is presented here.

I also never felt myself becoming overly invested in any of the side characters. The book is written in first person which can sometimes run into this problem. And its unfortunate that Tirne felt as passive as she did, since establishing a solid main character is the primary strength of this style of writing. But the weaknesses that can be found do often come down to the portrayal of side characters, as we only have the limitations of the main character’s perceptions of them to really paint any sort of picture. This was definitely the case with this book, as I can’t point to a single side character who really stood out to me.

Overall, this book was fine. It was a fast, easy read, but it wasn’t exactly the story I was looking for when I picked it up. Fantasy readers who are less interested in the romance may find themselves enjoying it more. And those looking for a heavy focus on chronic pain may also find this to be a good match for them.

Rating 7: A bit lackluster with its main character, and I felt like there was a bait-and-switch in the overall concept of the book as presented in the description.

Reader’s Advisory:

“The Longest Autumn” isn’t on any Goodreads lists yet, but it should be on Best Books To Read In Autumn.

Serena’s Review: “Once a Queen”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Once a Queen” by Sarah Arthur

Publishing Info: WaterBrook, January 2024

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: When fourteen-year-old Eva Joyce unexpectedly finds herself spending the summer at the mysterious manor house of the English grandmother she’s never met, troubling questions arise. Why the estrangement? What’s with the house’s employees and their guarded secrets? Why must Eva never mention trains, her father, or her favorite childhood fairy tales?

After strange things start happening in the gardens at night, Eva turns to the elderly housekeeper, gardener, and the gardener’s great-grandson, Frankie, for answers. Astonishingly, they all seem to believe the fairy tales are true–that portals to other worlds still exist, though hidden and steadily disappearing. They suspect that Eva’s grandmother was once a queen in one of those worlds.

But Eva’s grandmother denies it all. After a horrific family tragedy when she was young, her heart is closed to the beauty and pain of her past. It’s up to Eva, with Frankie’s help, to discover what really happened, whether family relationships can be restored, and if the portals are closed forever. As she unravels generational secrets, Eva wrestles with the grief of a vanishing childhood–and the fear that growing up means giving up fairy tales forever.

Review: I don’t typically read books on the younger side of YA (or at least, ones that feature characters who are on the younger side, such as 14-year-old Eva in this one). I’ve found that more and more I’ve struggled to connect to YA fiction, especially when it reads on the younger side. There are still ones out there that fully grab my attention, and I can think of a number that rose to truly high levels. But, either it’s me or its the subgenre, but I feel like there have been more and more tropes, and less and less original content. That being the case, I was almost more intrigued to try this book, in that it was well outside of my usual YA fare, brushing shoulders more with middle grade fiction than anything else. And while it didn’t fully work for me, I do think it was a pleasant, satisfying read, especially for those who are looking for a good middle grade fantasy novel.

Let’s start with what I liked! In a lot of ways, this book will read as cozily familiar for classic fantasy fans: you have a mysterious manor house full of nooks and crannies and even more mysterious relatives who hint at secret pasts. It’s clear that the author was influenced by books like C.S. Lewis’s “Narnia” series and similar classic portal fantasies. But while it is referential to other fantasy stories, it also felt unique enough to hold its own. I enjoyed exploring alongside Eva as she discovered more and more about her family history.

That said, for the first 75% of the book, the pacing was fairly sluggish. It’s a long wait to actually see the main character dive into any real action or really put together all that she’s learning. It takes even longer for any of the actual portal fantasy elements to come into play. In this way, it was a bit of a frustrating read for me. However, I can see readers who are less familiar (or less interested in) fantasy feeling differently, that the magical elements were merely sprinkled on top of an interesting family-drama-centric middle grade story.

I also enjoyed the exploration of Eva’s relationship with her grandmother, a relation that has largely been an unknown entity in her life up to this point. As her grandmother’s history was revealed, I was intrigued to learn how her grandmother had ended up where she was and why she had made the choices she did. The idea of a granddaughter helping her grandmother rediscover her belief in fairytales is just as cozy at it sounds.

All of that said, I still struggled to get through this book. For me, I was looking for a bit more action and a bit more time spent in other magical worlds. However, I do think it will connect better for readers looking for a cozy fantasy novel with a strong focus on familial relationships and histories.

Rating 7: More successful as a family history story than a portal fantasy, but I do think middle grade cozy fantasy readers will enjoy this one more than I did!

Reader’s Advisory:

“Once a Queen” can be found on this Goodreads list: YA Novels of 2024

Serena’s Review: “Somewhere in the Deep”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Somewhere in the Deep” by Tanvi Berwah

Publishing Info: Sourcebooks Fire, January 2024

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Seventeen-year-old Krescent Dune is buried under the weight of her dead parents’ debt and the ruinous legacy they left behind. The only way she can earn enough money to escape her unforgiving island is by battling monstrous creatures in an underground fighting pit. After a fight goes terribly wrong, she’s banned from the pits. Now hopeless, she is offered a deal: in exchange for the erasure of her debts, she must join and protect a hunting party for a rescue mission deep within the mining caves beneath the island.

Krescent is determined to keep her head down and fulfill her role as the dutiful bodyguard, even though she is trapped underground with her childhood enemy and a company of people who would gladly kill her if they knew who her parents were. As they come across creatures she believed only existed in legends, it becomes clear they are in far more danger than she could have imagined. But someone doesn’t want her to make it out alive. And she’ll have to figure out who before she’s left alone… in the dark.

From the author of Monsters Born and Made comes an action-packed South Asian inspired fantasy that will have your heart racing at every turn.

Review: I immediately clicked to read more about this book when I spotted this cover. It’s so unique and strange! Paired with the title, you get a vague sense of a sea creatures, alien worlds, and a sense of wonder and danger. Which, reading more about it, pairs perfectly with the type of story this proports to be! It’s also very original from the covers you typically see for YA fantasy, so it does a good job of allowing the book to stand out from the crowd right off the bat. But let’s get into the book itself.

So, I did struggle with this book, but it was more on the side of my failing to really connect to or become invested in the story itself. Some of this is surely down to my preferences, and other parts of this can come down to weaker elements in the book. But, that said, there were also a lot of strengths and I do think there are definitely readers out there who will like this book.

For one thing, it is definitely a breath of fresh air in the current YA fantasy environment. As much as I love fairytales and witchy fantasy stories, we’ve seen a good number of them over the last few years. But this book treads new ground feeling slightly sci-fi and slightly post-apocalyptic, all while exploring a very unique world made of an island and its deep, dangerous cavern system. I really enjoyed the creative creatures that populated this world, and the culture and society that had been built up around surviving in this sort of harsh landscape. All of these elements also creates the perfect stage on which to place a fast-moving, action-packed plot. The pacing starts out fasts, keeps going fast, and then wraps up fast.

That said, I struggled to really connect to the story that was being told. It is one of those cases where there is nothing actively wrong that I can point to, either in the style of writing or the characterization, but more a situation where everything felt a bit watered down. Krescent Dune (well, I guess I can point to that character name as highly questionable) is your generic YA heroine: strong, brave, but also conveniently obtuse about the motivations of those she claims to know best (we’ll get to that). The writing, for its part, was also…serviceable? Again, nothing wrong with it, but it also felt incredibly generic, with a limited vocabulary and fairly repetitive approach to sentence structure. Like I said, none of it is bad, but it was also the type of writing that doesn’t necessarily draw you in. It tells the story, but not much else.

I also went in with high hopes for the romance. We’ve seen a good number of enemies-to-lovers romances, and of course I love those as well. But I was excited going into this one with the promise of a friends-to-lovers story (I will say that the book description seems to be intentionally misleading on this point, which I find very annoying, especially as romance tropes/types are very subjective as far as what readers do and don’t enjoy). And while I did still appreciate this change in tone and approach to a love story, I was also fairly frustrated by much of it. Like I hinted at earlier, much of the tension in the romance was centered around Krescent’s inability to see what was right in front of her: Rivan’s feelings for her. Of course, there are ways to make this sort of relationship drama work, but I do think it takes a certain skill to create a love story where you main character has to be oblivious to the motivations of someone she knows well without also coming across as a bit of a dunderhead herself. It also wasn’t helped that much of their relationship was completely dependent on the reader being told that they have had this long-standing friendship, more than showing these moments between them.

So, I don’t really know where to leave things. I think that some readers will enjoy this book for sure, but I also wasn’t blown away by anything it had to offer. If you’re highly anticipating this one, definitely give it a shot. But if you’re on the fence, there might be other ones you want to check out first.

Rating 7: While the author created a unique world and had some interesting creatures, I struggled to stay invested in the story.

Reader’s Advisory:

“Somewhere in the Deep” can be found on this Goodreads list: Can’t Wait Sci-Fi/Fantasy of 2024

Serena’s Review: “Unbound”

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Book: “Unbound” by Christy Healy

Publishing Info: Blackstone Publishing, January 2024

Where Did I Get this Book: NetGalley!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Rozlyn Ó Conchúir is used to waiting—waiting for the king, her father, to relent and allow her to leave the solitude of her tower; waiting for the dreaded and mysterious Beast of Connacht to at last be defeated; waiting for the arrival of the man destined to win her heart and break the terrible curse placed on her and her land. So, when she meets Jamie—a charming and compelling suitor—she allows herself to hope that her days of solitude and patience are at long last over.

But as she finds her trust betrayed and with newer, more sinister threats arising, Rozlyn learns that some curses are better left unbroken …

For fans of Hannah Whitten and Rebecca Ross, Unbound is a gender bent re-imagining of the classic tale of a monstrous beast and the beauty determined to tame it, set against the lush backdrop of Irish mythology and folklore.

Review: I’m not really sure which came first: my love of Irish folklore fantasy or my love of Juliet Mariller’s books. I suspect the latter likely lead to the former. Either way, through no real study on my part, I’ve become fairly familiar with Irish mythology, legends, and folk tales/characters, so whenever I spot a book purporting to be about these topics, I’m always eager to check it out and see how it compares to the other stories I’ve read. But, while I’m a big fan of both Hannah Whitten and Rebecca Ross, I sure do wish that Marillier would get her due for books like this! While I can see the similarities to those authors, Marillier’s works are a perfect read-alike to this author’s style and general concept. Plus, she’s a very under-the-radar author who I just wish more fantasy readers were aware of, so I’ll do my part and plug her here now!

I will say, subjectively, I very much enjoyed this one from start to finish; that said, objectively there are some quibbles to be found with parts of it. The style of the writing (very lyrical and fairytale-feeling) is just the sort I enjoy, with sweeping prose and beautiful turns of phrase. Like the best fairytales, the style could take on the tone of a how one might imagine a storyteller presenting the fable to an audience around a fire at night.

However, on the other side of this, there were many blatantly anachronistic aspects to the writing and world-building. These are always tough things to point out about historical fantasy books like this, because if you wanted to, almost every book in the subgenre likely strays outside of the strict boundaries of historical accuracy. Plus, one can always say it’s fantasy, so are there really any historical rules to be applied here and isn’t this just nit-picking? Healy writes in her author’s note that she was conscious of these anachronisms and left them in intentionally, using pretty much this exact reasoning about fantasy. But, on the other hand, she chose to seemingly set this in the “real world” and even included the exact year before each chapter (needed for plotting reasons that we’ll talk about next) which firmly and repeatedly sets it in the reader’s mind that this is in fact taking place at a specific point in history.

I wish, instead, that she had simply created a new world and year system. Really, no great world-building or changes would have needed to be made. Just come up with the name of a fantasy world, make an obviously different calendar system, and ta da! Many of these anachronisms go away! As it stands, many of them will only really be noticeable to those who know a lot about the time period and the import histories of things like chocolate. But others, like the repeated use of the word “okay” in dialogue, really do stand out as distracting.

The inclusion of the years at the start of each chapter heading are very important however, whether using a fictitious calendar system or not, as the story is told in a very non-linear fashion with many jumps forward and backward in time. Now, I’m on record through my various reviews as enjoying this sort of fragmented story-telling. I enjoy meeting characters who clearly have a long, complicated history with one another and then jumping around through their stories to slowly piece together how they came to be in this state. I think, when done right, it can create some excellent stakes to the plot right from the start. But it also requires the reader to trust that the author will bring answers eventually and be patient with not understanding exactly why characters say and do what they do currently. So, for some readers, this may be a challenging read, as the story does very much jump around in time between the current situation, the past, and then, even more strange, a several-centuries-long jump that comes about halfway through the book. Even for me, this half-way-through jump and the introduction of new characters was a big ask on the author’s part. It all ties together nicely, but I think some readers might struggle to stick it through.

I also do not like the fact that this book has been marketed as a gender-swapped “Beauty and the Beast.” If you squint, yes, you can see how the promoters got there, but there are really no elements of the actual plot of that tale to be found in this book. It’s more, we seem to have come to the point where anytime there is ever a vaguely (reallllly vague sometimes) monstrous character and a love story, marketers can’t help but shout “Beauty and the Beast re-telling!” at the top of their voices, forgetting that a “re-telling” implies that the story itself should be similar to the original fairytale. It’s misleading to readers to call books like this re-tellings and more likely to result in disappointed readers leaving negative reviews and thus out-pacing any gains that had been hoped for in using this fairytale as a lure in the first place! It’s even more frustrating in this case because there are actual Irish folklore characters that are obviously the inspiration for much of this book.

So it’s tough to sum this all up. I did enjoy this book, overall. I think the writing was fairly high for a debut novel, and I’m especially looking forward to any future books by the author when, perhaps, some of my quibbles will be improved upon. I think there were a few stylistic choices that a good editor could help with. And then, as far as the plotting, I do think it will be challenging to some readers, but it worked for me, so it’s something to keep in mind going in, whether or not this will work for you!

Rating 7: Overall, a very solid debut book, though I do wish some work around had been used for the anachronism, either changing the world itself or editing out some of them.

Reader’s Advisory:

“Unbound” can be found on these Goodreads lists: Fairy Tales for Grown Children and Fantasy Romance.

Kate’s Review: “The Nigerwife”

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Book: “The Nigerwife” by Vanessa Walters

Publishing Info: Atria Books, May 2023

Where Did I Get This Book: The library!

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: This twisty and electrifying debut novel about a young woman who goes missing in Lagos, Nigeria, and her estranged auntie who will stop at nothing to find the truth is perfect for fans of My Sister, the Serial Killer and The Last Thing He Told Me.

Nicole Oruwari has the perfect life: a handsome husband, a palatial house in the heart of glittering Lagos, Nigeria, and a glamorous group of friends. She left gloomy London and a dark family past behind for sunny, moneyed Lagos, becoming part of the Nigerwives—a community of foreign women married to wealthy Nigerian men.

But when Nicole disappears without a trace after a boat trip, the cracks in her so-called perfect life start to show. As the investigation turns up nothing but dead ends, her Auntie Claudine decides to take matters into her own hands. Armed with only a cell phone and a plane ticket to Nigeria, she digs into her niece’s life and uncovers a hidden side filled with dark secrets, isolation, and even violence. But the more she discovers about her niece, the more Claudine’s own buried history threatens to come to light.

An inventively told and keenly observant thriller where nothing is as it seems, The Nigerwife is a razor-sharp look at the bonds of family, the echoing consequences of secrets, and whether we can ever truly outrun our past.

Review: “The Nigerwife” by Jessica Walters is a thriller that had been on my list for awhile, but the wait at the library was long. Then when it finally did come in, my stack was so high that I had to send it back and re-request it as there was no way I could get to it. But once it did come back, I was pretty eager to check it out, as the cover and the description definitely made it sound like my kind of thriller, as well as one that had a setting I am not as familiar with. And overall, it was a pretty good reading experience.

There are a lot of things that I really enjoyed about this book. The narrative structure is one of those things, as we follow two perspectives, in two different moments in time. The first of the perspectives is that of Claudine, an English woman who has come to Lagos to search for her missing niece Nicole, who married into a wealthy Nigerian family and seemed to have it all. The other is of Rachel, in the weeks leading up to her disappearance, and seeing what her life was ACTUALLY like behind the veneer of perfection and wealth. Through both of these women we see the social structures, both of England AND Nigeria, and how they, in their own ways, keep women under the thumbs of violent patriarchy and misogyny. The mystery of what happened to Nicole slowly unfolds in her timeline, with a building suspense and dread as she finds herself more and more trapped due to her complicated marriage and some of the choices she makes when trying to push back against it, while in Claudine’s timeline we see just how precarious Nicole’s situation was from the outside. I liked seeing the perspectives of them both and how they had different clues to give the reader.

But unfortunately, after a really interesting dual perspective mystery with slowly peeled back layers and a nice bit of ambiguity along with closure, we had one of those ever-loathed moments where a last final reveal completely derailed my experience of reading this book. I’m not going to spoil anything here, but it’s one of those things that maybe works for some people, but REALLY didn’t work for me, as I didn’t understand what the point of it was. Why did this need to be tacked on in the last two pages? And it also left little explanation as to how we got from point A to point B, and since it was a literal ‘last pages’ twist there was no room to explore and expand upon it. I really hate it when stories do this unless you have REALLY set something up and earned this kind of narrative choice. Unfortunately I didn’t feel like “The Nigerwife did that.

So once again we get a thriller that goes off course due to a strange last moment choice, but up until then I really enjoyed the layers and ruminations of “The Nigerwife”. I will definitely be seeing what other mysteries and thrillers Vanessa Walters brings us in the future.

Rating 7: A complex and layered thriller that has a lot of interesting beats and details, though a strange and abrupt ending left a weird taste in my mouth.

Reader’s Advisory:

“The Nigerwife” is included on the Goodreads list “Good Morning America Book Club List”.

Kate’s Review: “Gorgeous Gruesome Faces”


This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Gorgeous Gruesome Faces” by Linda Cheng

Publishing Info: Roaring Book Press, November 2023

Where Did I Get This Book: The library!

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: After a shocking scandal that abruptly ended her teen popstar career, eighteen-year-old Sunny Lee spends her days longing for her former life and cyberstalking her ex-BFF and groupmate, Candie. The two were once inseparable, but that was then—before the tragedy and heartache they left in their wake.

In the here and now, Sunny is surprised to discover that Candie is attending a new K-pop workshop in her hometown. Candie might be there chasing stardom, but Sunny can’t resist the chance to join her and finally confront their traumatic history. Because she still can’t figure out what happened that horrible night when Mina, the third in their tight-knit trio, jumped to her death. Or if the dark and otherworldly secrets she and Candie were keeping had something to do with it . . .

But the workshop doesn’t bring the answers Sunny had hoped for, nor a happy reunion with Candie. Instead, Sunny finds herself haunted by ghostly visions while strange injuries start happening to her competitors—followed by even stranger mutilations to their bodies. In her race to survive, Sunny will have to expose just who is behind the carnage—and if Candie is out for blood once more—in Linda Cheng’s spellbinding sapphic thriller that will have readers screaming and swooning for more.

Review: Happy 2024! I hope that you all had a good New Year Celebration, and that you are not as anxious about the coming year as I am. As the social hangover of the holidays wears off, I’m eager to get into the reviews of 2024, and we are starting off with something a little bit sapphic, a little bit fandom-y, and all kinds of odd in a good way. I saw “Gorgeous Gruesome Faces” by Linda Cheng as a Goodreads ad, and the title alone caught my attention. When I read that it was a horror thriller involving a K-pop competition and a former teen idol trying to start anew, I knew it was absolutely a must read for me. And then you throw in a twist involving some folklore from the Asian Diaspora? What a combination!

I do really like the set up for this book. We have our protagonist Sunny Lee, who used to be a part of a teen TV show that rocketed her and her two cast mates turned friends Candie and Mina into stardom, but whose career has crashed and burned after a massive scandal and the death of Mina. Her friendship (and potentially something more) with Candie crumbled, and she hasn’t seen her since their show ended. Now Sunny has joined a K-Pop competition that Candie has also joined, in hopes of getting back on her feet, and perhaps hashing things out with Candie. It has the set up for a soapy and cutthroat thriller, with past relationships, traumas, and baggage making things that much more tense. I loved the slow building of Sunny trying to connect with Candie again, as well as the way that other contestants start dropping like flies due to supposed accidents and breakdowns. Sunny was an interesting enough character, though I think that I wanted a bit more connection between her and Candie, as their past romance should make the mystery about Candie’s potential culpability and Sunny’s suspicions feel that much more high stakes, but as it was I wasn’t TOTALLY buying it (that said, there is the potential for another book, which could flesh it out a bit more).

When it comes to the dark fantasy and horror elements of this book, it was pretty creative and at times pretty brutal. I really enjoyed some of the descriptions of the way that characters faces would ‘change’, and become uncanny and unsettling, all while sending that person into a full blown panic, to the point of self mutilation and self harm. Body horror can really get under my skin, and in this book I definitely found myself squirming a bit. There is also some solid ‘ghost girl’ imagery, as Sunny starts to see visions of a washed out spectre of a broken girl who looks a lot like her dead friend and former cast mate Mina, whose death has haunted Sunny. I LOVED the descriptions of the stalking ghost, they really set my teeth on edge while feeling like a vengeful spirit from an A-Horror film. But there is also a bit of dark fantasy in here as well, as it draws upon the folktale of The Celestial Maiden and the Woodcutter, in which a goddess is basically held captive by a peasant after he stumbles upon her without her clothing, and hides them from her, rendering her unable to leave the Earth. Cheng really runs with the idea of the ‘held captive’ angle, and uses the concept of her supposed worshipers being given special abilities, but how darkness is always attached to those who use it. It was pretty unique in this regard, and I hope that we just see more and more nods to mythologies that we don’t see as often in modern literature.

I found “Gorgeous Gruesome Faces” to be entertaining and sufficiently creepy. I am absolutely going to check out where it goes from here when the next book in the series comes out.

Rating 7: A creative and at times nasty horror thriller about deities and K-Pop, “Gorgeous Gruesome Faces” is a solid YA thrill ride.

Reader’s Advisory:

“Gorgeous Gruesome Faces” is included on the Goodreads list “Queer Releases November 2023”.

Kate’s Review: “Christmas and Other Horrors”

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Book: “Christmas and Other Horrors: An Anthology of Solstice Horror” by Ellen Datlow (Ed.)

Publishing Info: Titan Books, October 2023

Where Did I Get This Book: I own it.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Hugo Award winning editor, and horror legend, Ellen Datlow presents a terrifying and chilling horror anthology of original short stories exploring the endless terrors of winter solstice traditions across the globe, featuring chillers by Tananarive Due, Stephen Graham Jones, Alma Katsu and many more.

The winter solstice is celebrated as a time of joy around the world—yet the long nights also conjure a darker tradition of ghouls, hauntings, and visitations. This anthology of all-new stories invites you to huddle around the fire and revel in the unholy, the dangerous, the horrific aspects of a time when families and friends come together—for better and for worse.

From the eerie Austrian Schnabelperchten to the skeletal Welsh Mari Lwyd, by way of ravenous golems, uncanny neighbors, and unwelcome visitors, Christmas and Other Horrors captures the heart and horror of the festive season.

Because the weather outside is frightful, but the fire inside is hungry…

Review: We are approaching the end of 2023, and with Hanukkah behind me, Christmas next week, and today being the Winter Solstice, my celebrations are in full swing and about halfway through. I honestly love the Solstice, as I love the darkness that comes with it and the promises of slowly unveiling light as Winter moves through. And given that it’s the holiday season of MANY holidays, I thought that showcasing “Christmas and Other Horrors: An Anthology of Solstice Horror”, Ellen Datlow’s newest edited collection, would be the perfect flair for this festive time. So no matter what you are celebrating this time of year, there is probably a horror tale in here for you to be a sinister holiday treat!

Consider it a Solstice season literary tip! (source)

As usual, I will focus on my three favorite stories, and then I will review the entire collection as a whole.

“His Castle” by Alma Katsu: I have always loved seeing videos of the Welsh tradition of the Mari Lwyd, where wassailers go door to door with a ghostly set up of a horse skull, sheet, and hobby horse to see if they will be invited in for drinks and food in exchange for good luck on whom they visit. Therefore I loved that we got a story centered around that tradition, and that it was written by Alma Katsu, who knows how to bring the creepiness factor up to eleven to whatever she thinks up. Trevor an Cate are spending their holiday in an Air BnB in a small town in Wales, when they get locals at their door doing the Mari Lwyd tradition. They invite the men inside, but tensions start to rise as they converse, as Cate believes they may be targets of the men. But Trevor and Cate have secrets of their own. I loved the building suspense of this story, as you get the sense that Katsu is hiding something from the reader, but I also loved the commentary about the way that land has always been used by the wealthy to their own ends, even if it hurts more working class folk, whether it’s through old aristocratic systems, or properties being bought up by corporations to be turned into luxury vacation homes while locals lose out of owning their own land. I also liked the historical twist in this, but that’s all I will say about it.

“Return to Bear Creek Lodge” by Tananarive Due: I have a note to myself that I need to read more Tananarive Due (side note: I have her newest novel “The Reformatory” on my stack, so look for a review for that in January!), and “Return to Bear Creek Lodge” just continues to emphasize that goal while helping meet it. Her writing style is so evocative and really brings out all the emotional punches as you read. Johnny and his Mom are going to Bear Creek Lodge to see his dying Grandmother for one last Christmas, though Johnny’s last interaction with his Grandmother left him scarred and traumatized. As Johnny comes to terms with the impending loss and what it means, he also starts seeing a creature that seems otherworldly and dangerous, and finds out that he’s not the only one who has encountered this weird beast. This story is weird and alarming, while also having a lot of pathos and insight into generational trauma, the complexities of family dynamics, and the way that racism can damage a person and how that damage transfers down the line. Due mentioned in her author’s note that this story may be expanded upon by her later, and I would absolutely love to read more about Bear Creek Lodge and the monster that seems to live nearby.

“Gravé of Small Bird” by Kaaron Warren: I think this was my favorite story in the collection, as it was so strange and so eerie and felt like “The Wicker Man” meets “The Menu”. Because what a combination! Jackie is a former reality TV cooking show competitor, who made the final two but lost the competition, which led to an outburst that solidified her reputation for being an asshole. When she’s invited to cook for a Twelve Feast Days of Christmas Festival on a remote island steeped in old Christmas and Pagan traditions, she accepts. There she finds out about an ancient tomb that lines up with the solstice sunrise, a tradition involving birds and bones, and a contest in which a woman is chosen to be the Beauty who is supposed to lead the island to a light filled future. Jackie wants to be the Beauty, no matter what, and will do anything to win. This story is so creepy and strange, but I loved the use of vague Pagan rituals, appropriated rites taken by Christians, and all of the descriptions of the amazing and decadent foods, with a menu tradition that possibly inspired “The Twelve Days of Christmas”.

As a whole, this collection was a mixed bag, at least in terms of my thoughts about it. Beyond the three I highlighted there were a couple other strong stories (“Our Recent Unpleasantness” by Stephen Graham Jones and “The Lord of Misrule” by M. Rickert were also very well done), a few that were pretty okay, and a few that just didn’t work for me. I really enjoyed how this collection does touch on SO MANY holidays that occur around the end of the year, or focused on some of the Pagan origins and folklore behind modern traditions, but there were also some stories that felt like they had greater themes in mind and just tacked on the Solstice and holiday aspects in ways that didn’t quite fit. The good news is that it is varied enough as a collection and a fun enough hook that it’s going to be a timely seasonal read regardless.

“Christmas and Other Horrors” is a fun horror anthology to read during this Solstice and holiday season. Cuddle up after your holiday gatherings with this book, horror fans. It’s bound to be a seasonal classic.

Rating 7: There were some that really stood out, some that were fine, and others that didn’t quite click for me, but “Christmas and Other Horrors” is a great seasonal read for the Winter Solstice and all the holidays that occur in its periphery.

Reader’s Advisory:

“Christmas and Other Horrors” isn’t included on any Goodreads lists as of now, but it would certainly fit in on “Holiday Horror Books”.