Kate’s Review: “Practical Rules for Cursed Witches”

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Book: “Practical Rules for Cursed Witches” by Kayla Cottingham

Publishing Info: Delacorte Press, August 2024

Where Did I Get This Book: I received an ARC from the publisher at ALAAC24.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Magic is in Delilah Bea’s blood. Her absentee father is the world’s most famous cursebreaker, while all the women in her family are fated to never find true love. So when Delilah graduates her magical training and must complete her Calling, she has the perfect task in mind—to break the Bea family curse.

But Delilah’s Calling is hijacked by Kieran Pelumbra, a member of the wealthiest and most powerful family in the country, and breaking his curse suddenly becomes her official assignment. Every generation, a pair of Pelumbra twins are doomed, with one twin draining the other of their life and magic. Each day, Kieran grows weaker while Briar gets closer to…something monstrous.

As Delilah and the twins set out on their quest, they quickly realize that breaking the Pelumbra curse isn’t going to be simple. For one, the Pelumbra family doesn’t actually want their curse broken—and they’ve sent hunters after them to ensure they fail. Secondly…it’s Briar. There’s just something about her that gets under Delilah’s skin and makes her want to kiss the perpetually grumpy look off her face. But with time running out for the twins and Delilah’s own curse getting in the way, they may not stand a chance of finding their Happily Ever After.

Review: Thank you to Delacorte and Penguin Random House for giving me an ARC at ALAAC24!

One of the books that I was very much on the hunt for at ALAAC24 (there were many, mind you) was the newest novel from Kayla Cottingham. I really enjoyed their previous two YA books, which were both horror stories with some Sapphic romance themes, and I found them both to be engaging and well done. When I heard that their next book, “Practical Rules for Cursed Witches”, was going to be witch centered I was very excited, for obvious reasons to those who know me. What I didn’t expect was that it was going to be a departure from the horror genre completely, and instead would be a cozy fantasy romance. It didn’t make me less excited, but it did make me wonder if my expectations were going to be a bit dashed. And the answer to that is ‘yes’. But not in a bad way!

The first thing that stood out for me is that even though I don’t usually gravitate towards fantasy, the coziness of this one really worked for me. It’s not too shocking given that I have liked other cozy fantasies as of late like “Legends and Lattes”, and much like that one this book just felt really comforting and filled with a certain whimsy. Our protagonist is Delilah, a young witch who wants to make her Calling (a final trial to fully come into her powers) about breaking her family curse (in which the women in her family are doomed to be forgotten by their romantic partners), but has it hijacked by Kieran Pelumbra, who has his own family curse he wants rid of. Delilah is the daughter of a well known Cursebreaker (though she never met him), and Kieran wants her to break the curse that is siphoning his powers to his estranged twin Briar. I’m already into it in terms of the basic groundwork, and Cottingham easily builds this magical world and all of its systems, making all of it easy to f0llow and easy to invest in. The magical society is well established and I really enjoyed all of the witchy moments in this book.

I also really liked the ‘found family’ aspects of this story, as well as the way that Cottingham writes the romance between Delilah and Briar. It checks a lot of boxes for my romance preferences, as I really liked the antagonism between the two at the start and how they slowly start to understand each other because it makes for a very satisfying pay off. Cottingham’s biggest strength in their works is how well they piece together characters and relationships, and I so loved seeing this group of friends come together to try and save Kieran and Briar from their family curse, and finding connections with each other along the way. These kinds of themes are the things that really make fantasies work for me, and this one is SO sweet and so charming. It strikes me as the kind of book you would want to read in the Fall when you are trying to find some of the homier and cozier aspects of the season, and I’ve said ‘cozy’ so many times because this is just the epitome of that for me. And while it’s true that this being a fantasy story means that it does have personal drawbacks for me as a reader, I know so many people who love the genre who would probably love this book. I’m thoroughly impressed that Cottingham jumped so easily from horror to this story.

“Practical Rules for Cursed Witches” is a sweet novel that showcases Kayla Cottingham’s talents as an author beyond their usual genres (or at least the genres I’m used to). I love being surprised by a book and this one really achieved that.

Rating 7: A charming cozy fantasy romance from a YA author I really enjoy, “Practical Rules for Cursed Witches” is the perfect read if you want a cozy fall book!

Reader’s Advisory:

“Practical Rules for Cursed Witches” is included on the Goodreads lists “Sapphic Fiction 2024”, and “August 2024 Romantasy Releases”.

Not Just Books: August 2024

While we do love us some books, believe it not, we do have a life outside of reading. So to highlight our other pop culture interests, on the last Monday of each month, we each will highlight three other “happenings” from the last month. Big events on favorite TV shows, new movies we’ve watched, old movies we’ve “discovered,” etc. Pretty much whatever we found of particular interest outside of the book world during the last month. Share your own favorite things in the comments!

Serena’s Picks

Sports: Summer Olympics 2024

Per the usual, whenever the Olympics happen, it’s sure to pop for me on this list! Our TV was pretty much on the entire two weeks that the Olympics were running, though the first week was definitely my main point of interest. I always really enjoy all of the swimming events, and this first week also saw the return of Simone Biles in all of her glory. And what a fantastic return it was! I was on the edge of my seat through some her routines and perhaps got overly invested in it all!

Netflix Show: “The Umbrella Academy” season 4

What a wacky show this has been! Not only is the concept, characters, and storylines ridiculous (in the best way), but every season it’s been a wonder that Netflix renewed it! I was particularly pleased that they gave it a renewal for this last season so that the storylines could all be wrapped up properly. And there was a lot to like about this final entry! It does a great job of skewering the multiverse concepts that are all over the place in comic book movies, while also finally allowing its characters to age and tackling what dysfunctional superheroes living in suburbia would look like. Aidan Gallagher has always been the main draw of this series, and I was so pleased to see the storylines his character was given here. And, as far as endings go, this one felt right, even if it wasn’t what I would have wished for.

TV Show: “Alone”

Every late summer, this show is sure to turn up on this list! There’s just something so thrilling about cuddling up in tons of warm blankets while stuffing one’s face with food and offering up harsh criticisms to these contestants who are barely scraping by in the wild. “No! Stop wasting energy hunting and just sit in your shelter!” “Why would you build that elaborate of a shelter? Haven’t you seen any of the previous seasons where those guys always go home first?!” So much judgement, so little actual experience with anything similar. Good times!

Kate’s Picks

Musical Artist: Chappell Roan

I had heard of Chappell Roan before this summer, but when she exploded on the scene I was curious. And once I listened to it, I became a huge fan almost straight away. Her music itself has a poppy feel to it, it reminds me a little bit of The Go-Gos, a little. bit of Blondie. But it’s also unapologetically queer, which is really great to see, with Sapphic themes but also a clear aesthetic influence from drag and queer culture. She also likes to showcase drag artists in her music videos and before her concerts, which is AWESOME. And one of the best parts is that my kid loves ‘Hot To Go” and “Pink Pony Club”, so we can both enjoy car rides so long as Chappell is playing. It’s not often that I get caught up in a music trend these days as an elder Millennial, but hey, she’s fun and frothy and a hoot. Perfect summertime music.

Film: “In A Violent Nature”

We all know how much I love horror movies and how slasher films have a very special place in my heart. Because of this I was very interested in “In A Violent Nature” when I first heard of it, as it’s a slasher film that is almost completely from the perspective of the hulking, supernatural, slasher killer entity, starting from his resurrection and through his killing spree. HOW COOL! We follow ‘Johnny’, a supernatural slasher who is brought back to life due to partying young adults out in the woods, completely following Johnny and learning the story through his experiences. It’s meta, it’s a clever deconstruction, and I really, really loved the execution of it. The filmmakers clearly love the sub-genre, and while one may not think it would be suspenseful as we are LITERALLY following Johnny as he strolls around and kills people, I was still on the edge of my seat just WATCHING him slowly creep up at his languid pace, and then take them out. SO clever. But warning, also pretty violent.

TV Show: “The Decameron”

Who would think that a show about the Black Death would be such a laugh riot? When I first heard of “The Decameron” my interest was certainly piqued, given that the very premise is a bit of a dark comedy soap set in the Italian Countryside as the Plague ravages Europe. I sat down to watch when I had a night to myself and I found it to be a gallows humor filled hoot and a half, as well as an anxiety inducing meditation on mortality and class clashes in the face of death and disease. As the Plague is tearing through the cities of Europe, a number of nobles from Firenze are invited to a villa in the countryside to indulge in the fineries of life as they wait out the sickness, bringing their servants, riches, and terrible attitudes. But as dynamics unfold, tensions rise, and the body count rises, it becomes all too clear that escape from death isn’t a given, no matter how much money and privilege you have. Stand outs in the cast for me include Zosia Mamet, who plays a noblewoman who is worried she is an old maid at twenty eight, Saoirse-Monica Jackson as her dutiful but intense handmaid, and Tanya Reynods as a servant who has found herself in the position of being able to pretend to be nobility. It’s bleak in a lot of ways but it’s also hilarious with fantastic dialogue and some great madcap moments.

Serena’s Review: “Lady Macbeth”

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Book: “Lady Macbeth” by Ava Reid

Publishing Info: Del Rey, August 2024

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: The Lady knows the stories: how her eyes induce madness in men. 

The Lady knows she will be wed to the Scottish brute, who does not leave his warrior ways behind when he comes to the marriage bed.  

The Lady knows his hostile, suspicious court will be a game of strategy, requiring all of her wiles and hidden witchcraft to survive. 

But the Lady does not know her husband has occult secrets of his own. She does not know that prophecy girds him like armor. She does not know that her magic is greater and more dangerous, and that it will threaten the order of the world. 

She does not know this yet. But she will.

Review: Ava Reid has solidified herself as a “must read” author for me over the last few years. Her books are sometimes a tough read, subject-matter-wise, but her writing is so compelling that I always end up compulsively reading her books late into the night, regardless of my current state of horror. But I would have been interested in this one regardless of its author, since it sounds like nothing I’ve read before, offering up a new take on Shakespeare’s “Macbeth” but told from the perspective of his conniving, powerful wife.

Right from the start, my main attraction to Ava Reid’s books was first and foremost: she’s just compulsively readable for me. Something about her style always draws me in so fully. The pacing and plotting is tight, but the story is spun in a way that feels lyrical and moving. The inherent beauty to her prose almost makes some of her more disturbing content moments all the more striking, and that was fully featured here. This Lady Macbeth is a young woman forced into marriage by her manipulative father. As such, much of the book is focused on the power discrepancies between women and men, fathers and daughters, and wives and husbands. The latter, of course, deals heavily with sexual violence with marriages, and readers should be aware going in that this theme is heavily and directly explored. I think it was well done, all told, but it’s definitely disturbing, as the story doesn’t shy away from the realities of Lady Macbeth’s situation.

I will say, however, that there were a few moments throughout where I felt like some of this focus on this one topic became a bit too much and unnecessary. Reid often writes about these hard topics in her books, and while I think she has a steady hand overall, I had a similar criticism in “Juniper and Thorn” where it felt at times over-down and a bit hyper-fixated. So, too, here.

Speaking of our main character, I think readers’ mileage will vary with this version of the Lady Macbeth. If you’re a massive fan of the original play, you may struggle with this story more than others. I enjoyed the original, but was unbothered by the changes made to the character here. This Lady Macbeth is a much younger woman and one of the primary arcs of the story is her slow (very slow, and coming in fits and starts at that) growth towards embracing her own power and throwing off the shackles placed upon her. This is a far throw from the original character who, throughout much of the play, seems to be the real power and mind behind Macbeth himself.

However, the change to the main character was probably one of the lesser changes to the entire story. I don’t want to get into spoilers, but this book definitely includes massive changes to the original, including the addition of a major fantasy element beyond Lady Macbeth’s own abilities. There was an added love interest included (and I very much enjoyed this love story, though it was definitely a subplot to the whole), but I think the changes made to the Three Witches and the role they play in this world was the most striking and effective.

Tonally, this story is dark and grim. If I had to identify my primary emotion while reading this book it would probably be dread. Like Lady Macbeth, the reader is drawn into a near-constant state of tension and fear. It’s incredibly effective, and if it weren’t for the strength of Reid’s writing, could easily exhaust the reader.

As it stands, I think this was an incredibly unique re-telling of “Macbeth,” re-focusing the story on the women that surrounded him and the limitations placed on them by fact of their sex. Readers who have enjoyed Reid’s work in the past will likely enjoy this one. Though more sensitive readers should be aware of its dark themes and scenes.

Rating 8: Exploring themes of women’s power, Reid takes the classic tale of “Macbeth” and turns it on its head!

Reader’s Advisory:

“Lady Macbeth” isn’t on any interesting Goodreads lists, but it should be on Shakespeare Retellings.

Serena’s Review: “Asunder”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Asunder” by Kerstin Hall

Publishing Info: Tor, August 2024

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: We choose our own gods here.

Karys Eska is a deathspeaker, locked into an irrevocable compact with Sabaster, a terrifying eldritch entity—three-faced, hundred-winged, unforgiving—who has granted her the ability to communicate with the newly departed. She pays the rent by using her abilities to investigate suspicious deaths around the troubled city she calls home. When a job goes sideways and connects her to a dying stranger with dangerous secrets, her entire world is upended.

Ferain is willing to pay a ludicrous sum of money for her help. To save him, Karys inadvertently binds him to her shadow, an act that may doom them both. If they want to survive, they will need to learn to trust one another. Together, they journey to the heart of a faded empire, all the while haunted by arcane horrors and the unquiet ghosts of their pasts.

And all too soon, Karys knows her debts will come due.

Review: I requested this one on a bit of a whim. I was vaguely familiar with the author, knowing that she’d released at least one or two other books, but I hadn’t read any of them. This cover, while excellent, doesn’t really give many clues as to what type of fantasy novel this was. And the book description is wild with talk of various types of magical beings (death speakers), fantasy creatures (eldritch entities) and long-reaching spells (binding someone to a shadow, what?). And man, was this an instance where not knowing going in really paid off! This was a crazy ride of a book and I loved every bit of it!

There’s so much to love about this book that I don’t know where to start. But I think I’ll begin with the general type of fantasy novel that this book is. I’m not sure if this is an “official” subgenre of fantasy, but I’d label this book and books like it as “hard fantasy.” As in, the fantasy version of “hard science fiction.” For example, last year I read and loved Martha Wells’ “Witch King.” I loved it so much that I included it (or tried to? I can’t remember) in one of our “Another Take” list where we link to other reviewers who also enjoyed the same book. Problem was, I kept coming across reviewers who struggled with the book because of the complicated world-building and the fact that the reader is essentially plopped into the story with no explanations or answers in sight, left to piece it together over the course of the book. So, where “hard science fiction” leans heavily on the scientific details of it all, I’d say that “hard fantasy” is the type of fantasy that presents a very foreign world, full of totally unfamiliar elements, cultures, and religions that readers are left to piece together largely on their own.

This book is very much that, and, like “Witch King,” I loved it. For one thing, I think this style of storytelling often makes the most sense for fantasy stories like this. In this book, we’re following one main character, Karys, as she goes on a quest to various locations in various countries and, essentially, has a bunch of mini-adventures while gathering up a party of friends. But because we’re following her so closely, and she’s a member of this world, her explanations of what she sees around her are fairly straightforward and undetailed.

She blasély comments on these enchanted dog-like creatures that essentially operate as a free taxi system in her home city. She mentions the various deity-like beings that have warred over the past decades, with one now practically extinct and a new order in place with beings that are only partially understood. She casually describes cultures and customs where it is understood that one simply climbs within a ensorcelled spider-thing that operates like a train. It’s all incredibly creative, incredibly strange, and incredibly straight-forwardly presented. This is all familiar to Karys; she has no reason to go into long monologues about the how and why of it all. As such, the reader is left to piece together these elements over the course of the book, slowly filling out the broad strokes of this world and the true stakes involved. I enjoy fantasy stories that test the limits of the imagination like this one does. That said, this is definitely not an approachable fantasy story, and I can see some readers being turned off by the complexity of it all.

As I mentioned, while there is a larger mystery and quest involved (Karys’s mission to return the man she bound to her shadow to his rightful body), the plot swings through a multitude of shorter “side quests.” All of these were worked in to the larger plot in small ways, but they also felt like interesting little mini stories in their own right. And, most importantly, they gave the reader more insights into the strangeness of this world and its people.

While I like the plot and the fantasy world, none of this would have worked without a strong leading character, and Karys is exactly the sort of leading lady I enjoy. She’s fiercely independent (often to a problematic level), and much of the story follows her personal arc of coming to trust and rely on the friends she meets along the way. Her past is riddled with trauma, and yet her approach to life is a fierce will to live, even in the face of the most dire of circumstances. Her fairly tightly-wound character is balanced well by her shadow companion, Ferain, who is a more light-hearted and open individual. That said, for a character that spends almost the entire book in a shadow-like state, Ferain’s own story turned out to be more rich than I had expected. Plus, the cherry on the top, I loved the sweet, slow-burn romance that developed between them.

I’m really tempted to give this book a 10 rating. However, I will say that while I enjoyed all of the mini adventures on their own, there were a few points where I felt like these side stories broke up the overall pacing of the story. And there was one that I didn’t really understand the point of, though I may have missed some important detail (like I said, the author doesn’t spoon feed it to you, so if you missed a line, oops!). I also felt like the ending was rather abrupt and felt a bit like a cliffhanger. Normally, this wouldn’t really bother me, but as of writing this, this book seems to be being marketed as a stand-alone, which, if true, makes the ending slightly unsatisfying. That said, I still highly recommend this to fantasy readers, especially those who want to go hard into the crazier side of fantasy world-building and are happy to go along on a mildly confusing, but well worth it, ride!

Rating 9: A perfect example of hard fantasy at its best, with a world that feels completely foreign and rich to be explored, especially alongside a fantastic cast of characters.

Reader’s Advisory:

“Asunder” isn’t on many Goodreads lists, but it is on Can’t Wait Sci-Fi/Fantasy of 2024.

Kate’s Review: “Strange Folk”

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Book: “Strange Folk” by Alli Dyer

Publishing Info: Atria Books, August 2024

Where Did I Get This Book: I received an ARC from the publisher at ALAAC24.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A woman returns to her estranged, magical family in Appalachia but when a man is found dead in the woods nearby, it seems the family has conjured something sinister in this lush, shimmering, and wildly imaginative debut novel that is perfect for fans of Alice Hoffman, Deborah Harkness, and Sarah Addison Allen.

Lee left Craw Valley at eighteen without a backward glance. She wanted no part of the generations of her family who tapped into the power of the land to heal and help their community. But when she abandons her new life in California and has nowhere else to go, Lee returns to Craw Valley with her children in tow to live with her grandmother, Belva.

Lee vows to stay far away from Belva’s world of magic, but when the target of one of her grandmother’s spells is discovered dead, Lee fears that Belva’s magic may have summoned something dark.

As she and her family search for answers, Lee travels down a rabbit hole of strange phenomena and family secrets that force her to reckon with herself and rediscover her power in order to protect her family and the town she couldn’t leave behind.

Review: Thank you to Atria books for providing me with an ARC of this novel!

One of the panels I attended at ALAC24 was a preview of upcoming thriller titles with the authors at hand to describe their books. One of the books that caught my attention was “Strange Folk” by Alli Dyer, which had not only a fantasy element to the thriller story, but also involved a family of healers in the mountains of Appalachia that has used nature and their powers to help those around their community, as well as stirred up some trouble here and there when using those powers. We all know that this is the exact kind of story I am an absolute sucker for, so I was very excited to read this book, my hopes being pretty high.

In terms of the witchiness themes and lore I did find a lot I liked in this book. I was definitely getting some hints and homages to “Practical Magic” as a reluctant woman from a line of healers and supposed ‘witches’ returns to her Appalachia home with her children after a nasty divorce. Lee’s homecoming and reintegration into the town was really fun to watch unfold, as she starts to reconnect with her grandmother Belva, a well respected healer, and starts to interact with the land again and how it can bind and heal, and sometimes take and harm. I absolutely loved the descriptions of the spells, charms, tinctures, etcetera of the women in this family, and the various rituals that they would partake in in hopes of helping and healing. And the Appalachia setting makes for an even more unique lens, with Lee’s family being mountain folk who have hidden away from general society and made their own way, being trusted by some and feared by others. I honestly kept thinking about Misty Day in “American Horror Story: Coven” with her connection to nature and her more ‘folksy’ (for lack of a better term) traditions. This interpretation of witches really worked for me in this story, as I love a story with powerful women doing magic, or something like it.

But that kind of leads to why this didn’t work as well for me, and that is because unlike in “Practical Magic” I didn’t really become attached to any of the characters at hand. A lot of them had some promising backstories, traits, and personalities, but I never fully enjoyed them and never quite believed that they got to what I was hoping they would be. Whether it was our main character Lee, who had some great build up but then didn’t quite get past the building blocks of her character except to be like ‘oh no I guess we will stay because this is my home’, or her mother Redbud, who was consumed by a guilty conscience and then became a drug addict and traumatized her daughter, we had so many things that could have been explored…. but then just didn’t quite get the exploration I was hoping for. I don’t really need characters like this to be likable, but I at least want them to be interesting even if I can’t really root for them. And I had a VERY hard time with the dynamic between Lee and Redbud, and how it felt like there was probably a lot of grace and forgiveness when all was said and done without the amount of atonement that I REALLY needed from her. And by the time we got some answers and reveals about what was going on, I was more happy that we were wrapping up as opposed to actually getting fulfilling answers.

I had higher hopes for “Strange Folk”, and while the concept, setting, and lore worked for me, I wanted from from our cast of mountain witches and their loved ones. I think it would be a good choice for the upcoming Autumn, however.

Rating 6: A strong premise and some interesting folk lore makes for a cool concept, but I wasn’t as invested in the characters.

Reader’s Advisory:

“Strange Folk” isn’t on many specific Goodreads lists but I think if you like books like “Practical Magic” and other magical family sagas this could be a good match.

Serena’s Review: “A Ruse of Shadows”

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Book: “A Ruse of Shadows” by Sherry Thomas

Publishing Info: Berkley, June 2024

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Charlotte’s success on the RMS Provence has afforded her a certain measure of time and assurance. Taking advantage of that, she has been busy, plotting to prise the man her sister loves from Moriarty’s iron grip.

Disruption, however, comes from an unexpected quarter. Lord Bancroft Ashburton, disgraced and imprisoned as a result of Charlotte’s prior investigations, nevertheless manages to press Charlotte into service: Underwood, his most loyal henchman, is missing and Lord Bancroft wants Charlotte to find Underwood, dead or alive.

But then Lord Bancroft himself turns up dead and Charlotte, more than anyone else, meets the trifecta criteria of motive, means, and opportunity. Never mind rescuing anyone else, with the law breathing down her neck, can Charlotte save herself from prosecution for murder?

Previously Reviewed: “A Study in Scarlet Women” and “A Conspiracy in Belgravia” and “The Hollow of Fear” and “The Art of Theft” and “Murder on Cold Street” and “Miss Moriarty, I Presume?” and “A Tempest at Sea”

Review: Better late than never! (Though it can be assured that I would eventually get to the latest “Charlotte Holmes” mystery novel!) As much as I love reading new releases, it does become a challenge trying to make sure to leave review room for my beloved on-going series. And at this point, this is probably one of the longer running series that I’m reviewing that is currently still be added to! And, while there have been ups and and downs throughout this series, there have never been any true duds. Indeed, the series has been on a bit of an uptick recently, so I was excited to check out this latest entry!

While those familiar with the series will find many familiar aspects to this story (all of our favorite characters, a return to England, and the use of tried-and-true villains from the past), one of the primary things that stood out about this book was how fresh it felt! And for the *checks notes* 8th book in a mystery series, that’s quite something! There are two primary factors, I believe. First, and to a lesser extent, the first real mystery the reader is introduced to is one in which Charlotte herself is the primary suspect. This is, of course, a rich setup for the story. And while this subplot isn’t really the primary plot of the book, it does provide a unique framing for the entire story, one in which Charlotte is on the other side of the interview, the subject rather than the investigator. No one is surprised to find that she shines just as well in this setting as in her regular role

But the second change was the broken up manner in which the story is told. The book shifts back and forth from various time periods. One being the aforementioned interview in which Charlotte is being questioned about her role in this murder. But the second follows all of the events that lead up to this situation, with a few smaller jumps around in time found within. And, of course, by the time we get to the end of the story and the pieces start falling in place, the reader (and many other characters!) realize that Charlotte, as always, was playing a much deeper game the entire time, with a wholly separate timeline of events playing into the how and why of everything that happened throughout the story. This all lead to a very compelling mystery. There were simply so many layers to the story that every time I began to feel as if I had some theories about one mystery, we would shift focus to the next layer and I would be as befuddled as ever! It was a very “onion-like” read in all of the best ways!

Perhaps less new was the cast of characters, though here too the book shone! While I enjoy Livia Holmes and the important role she plays in Charlotte’s life, there have been times throughout the series when I felt that her chapters felt unnecessary to the larger story. Here, we still follows her story for a few chapters here and there, but I felt like the balance between her smaller subplot and the larger story as a whole was better handled. I also really enjoyed seeing some familiar faces pop up in very unexpected ways! There were a few call-backs to characters from several books ago who ended up playing much larger roles in this book. And, of course, Bancroft is always a good time in all of his snobby glory!

And, of course, I still very much enjoy the slowly developing relationship between Charlotte and Lord Ingram. Some of the more floundering books seemed to struggle to know where to take this relationship, but in these last few stronger entries, this relationship feels more steady and as if its progressing in a natural manner. It’s the slowest of slow burns, but in this way, it still feels very true to a character like Charlotte who understands her important relationships with other people in both a much deeper, but also more difficult to communicate, manner.

Overall, I really loved this one! In fact, it’s probably one of my favorites out of the entire series! The central mystery was compelling, the balance of characters felt right, and we once again were able to revel in all that makes Charlotte Holmes such an intriguing character to follow. If you’re a fan of these books, this one is a solid entry in what I hope continues to be a long-running series.

Rating 9: Successful in every way I could wish, this was a perfect balance of mystery, character work, and a fantastic central character!

Reader’s Advisory:

“A Ruse of Shadows” is on this Goodreads list: Can’t Wait Books of 2024

Kate’s Review: “You Will Never Be Me”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “You Will Never Be Me” by Jesse Q. Sutanto

Publishing Info: Berkley, August 2024

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: When cracks start forming in an influencer’s curated life, she finds out that jealousy is just as viral as a video in this riveting suspense novel by bestselling author Jesse Q. Sutanto.

Influencer Meredith Lee didn’t teach Aspen Palmer how to blossom on social media just to be ditched as soon as Aspen became big. So can anyone really blame Mer for doing a little stalking? Nothing serious, more like Stalking Lite.

Then Mer gets lucky; she finds one of Aspen’s kids’ iPads and swipes it. Now she has access to the family calendar and Aspen’s social media accounts. Would anyone else be able to resist tweaking things a little here and there, showing up in Aspen’s place for meetings with potential sponsors? Mer’s only taking back what she deserves—what should have been hers. 

Meanwhile, Aspen doesn’t understand why her perfectly filtered life is falling apart. Sponsors are dropping her, fellow influencers are ghosting her, and even her own husband seems to find her repulsive. If she doesn’t find out who’s behind everything, she might just lose it all. But what everyone seems to forget is that Aspen didn’t become one of TikTok’s biggest momfluencers by being naive.

When Meredith suddenly goes missing, Aspen’s world is upended and mysterious threats begin to arrive—but she won’t let anything get in the way of her perfect life again.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

I’m really happy to see that more and more family influencers are getting called out, or at the very least more scrutinized, as of late. I think that the very public fall of Ruby Franke helped with this shift, but it’s been a long time coming. It’s probably not too shocking that as more of this has been in the public eye, more books involving family vloggers and family influencers have been cropping up. And I’ve been reaping the benefits, as this kind of plot is catnip for me. So I was obviously very interested in reading “You Will Never Be Me” by Jesse Q. Sutanto, which involves two mommy influencer frenemies named Mer and Aspen, who used to be tight but had a huge falling out that leads to Mer trying to wreck Aspen’s very curated public image. It all sounds great on paper. Sadly, in execution it didn’t get to the level I was hoping for.

You all know that I always start with the good when it comes to a book that I didn’t really connect with, and this time is no different. And the good is REALLY good and something that I don’t get to say too often: THERE IS A FANTASTIC TWIST THAT I DIDN’T SEE COMING IN THIS BOOK! I feel like so much of the time when I take on a thriller of a certain kind I have to complain about a twist that is either unearned, or thrown in at the last moment for shock value, or was easy to spot a mile away. None of these things happen in the big twist in “You Will Never Be Me”. In fact the moment it was revealed I said to myself ‘wait…. HOLD UP!?’, and jumped back to the beginning of the chapter to make sure I hadn’t missed anything. I’m not going to say anything here details wise, but Sutanto so expertly dropped it in in such an unexpected place and moment with such a subtle set up that I set my Kindle down for a moment just to process what I had just read. And it’s a bit of a one two punch as well, with a couple dimensions to the twist that made it all the more satisfying. This is how it’s done!

But unfortunately, well executed twist or not, there were a number of aspects to this book that didn’t work for me. For one, Mommy Blog and Influencer satire is starting to be seen more in books, with more and more scandals coming out about these kinds of accounts and more people starting to question what this kind of exposure and exploitation does to the children involved. Always pertinent points, and it can be really well done satire as well as social commentary on something that is becoming more and more talked about. But the problem here is that the examples in this are very heavy handed, even if I don’t necessarily disagree with them. One such example that sticks out is Meredith at one point admitting that she had her child via a sperm donor because she knew that the engagement would go up if she shifted from her initial platform into a mommy influencer like Aspen was. Again, I don’t doubt that on some level family influencers do view their children as content and the more content you have the more engagement you have (I think about the family that adopted an autistic boy from China to use it as a story their followers could keep up with, and then ‘rehomed’ him because he was too difficult and burst their perfect family ideal as presented to their followers). But I had a hard time believing that Mer would be so up front and flippant about it, and it just felt like it was just another way to show how awful she was. Which segues into my other gripe fairly well; both Mer and Aspen, the characters whose POVs we follow, are just really unsympathetic characters with not much depth, which makes it very hard to follow them. I am one hundred percent down for having unlikable characters as protagonists, especially in thrillers and ESPECIALLY if they are women (lord knows male characters get more passes in this way). But I want them to be at least interesting and rounded in their villainy. In this book they felt more like caricatures. Aspen had a little more depth as she feels the need to carry the financial burden in her home, especially since one of her children is diabetic, but we only barely scratched the surface with her. Mer felt like a full cartoon villain at times. I think that had there been a bit more exploration and complexity I could have swallowed it better, but as it was, it just didn’t ever click.

“You Will Never Be Me” didn’t quite live up to the high hopes I had for it. It was refreshing having such a stellar twist, but that wasn’t enough to save it.

Rating 5: A fantastic twist that came earlier than anticipated was well done, but it can’t save the facts that all of the characters are terrible and in a fun way and the satire doesn’t have much bite.

Reader’s Advisory:

“You Will Never Be Me” is included on the Goodreads list “Thrillers You Must Read!”.

Joint Review: “The Seventh Veil of Salome”

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Book: “The Seventh Veil of Salome” by Silvia Moreno-Garcia

Publishing Info: Del Rey, August 2024

Where Did We Get This Book: Kate received an eARC from NetGalley;

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A young woman wins the role of a lifetime in a film about a legendary heroine — but the real drama is behind the scenes in this sumptuous historical epic from the author of Mexican Gothic.

1950s Hollywood: Every actress wants to play Salome, the star-making role in a big-budget movie about the legendary woman whose story has inspired artists since ancient times.

So when the film’s mercurial director casts Vera Larios, an unknown Mexican ingenue, in the lead role, she quickly becomes the talk of the town. Vera also becomes an object of envy for Nancy Hartley, a bit player whose career has stalled and who will do anything to win the fame she believes she richly deserves.

Two actresses, both determined to make it to the top in Golden Age Hollywood—a city overflowing with gossip, scandal, and intrigue—make for a sizzling combination.

But this is the tale of three women, for it is also the story of the princess Salome herself, consumed with desire for the fiery prophet who foretells the doom of her stepfather, Herod: a woman torn between the decree of duty and the yearning of her heart.

Before the curtain comes down, there will be tears and tragedy aplenty in this sexy Technicolor saga.

Kate’s Thoughts

I am always game to read a new book by Silvia Moreno-Garcia, as she has truly proven herself to be a literary powerhouse who can easily jump from genre to genre. She has done horror, fantasy, Sci-Fi, romance, thrillers, she really nails every genre she takes on. Because of this I was very excited for “The Seventh Veil of Salome”, as not only was it a historical fiction novel, it also had a focus on 1950s Hollywood and all the glitz, glamor, and tragedy that comes with it. As someone who loves that kind of thing, I went in with very high hopes.

I can safely say that this was a bit of a mixed bag for me in spite of my high hopes. But that has a bit less to do with execution and more to do with my expectations, I am willing to bet. Mostly because I have absolutely no background knowledge of the story of Salome, being someone who grew up with no religion in her life and no experience with even the Biblical epics of Hollywood from this time (no I haven’t seen “The Ten Commandments”, or “Ben-Hur”, or “The Greatest Story Ever Told”, or anything like that). I had never even heard of her until I picked up this book, and I feel like that made the parts of the book that followed her not as interesting as they could have been. I had no way to understand what Moreno-Garcia was doing with her story and how it was subverting or reinterpreting the original story, and I found myself skimming those sections. That said, I REALLY enjoyed the parts of the book that followed Vera Larios, a recently discovered actress from Mexico who is set to play Salome in a 1950s Biblical epic, as Moreno-Garcia really captured the way that Hollywood was such a fantasy, but also cutthroat, racist, and misogynistic, especially in the time of the studios having lots of power and morality codes running amok. Watching Vera rise and fall, due to the nastiness of those surrounding her, was compelling and incredibly engaging.

So while some of “The Seventh Veil of Salome” was a bit lost on me, the Hollywood plot was really well done. Silvia Moreno-Garcia has done it again!

Serena’s Thoughts

In the funny way that these things tend to work, I had the opposite experience of this book while also coming to the same ultimate conclusion! In the end (as you’ll see), I rated this one the same as Kate did, as certain parts worked well for me, but other didn’t as much. The opposite part is that I was much more invested in the Biblical story of Salome than I was in the Hollywood story! Even with a fairly thorough understanding of Bible stories, Salome is not a character who is often explored. She has a throw-away scene that is rarely explored in any depth, which makes her the ideal character for a story such as this that attempts to flesh her out into a more actualized character. I found her entire story fascinating (though I’ll admit that having familiarity with Bible stories and history will likely help readers in this part). I also enjoy historical fiction, so simply genre-wise, this was the part of the story that connected with the type of book I often gravitate towards.

However, the Hollywood story was a bit more of a mixed bag. It seems that Moreno-Garcia is on a bit of a kick with old-time movies as her last book also focused on the history of Mexican cinematography. Unfortunately for me, I’m not really interested in these topics, so they don’t hit as well for me as they do for fans of Hollywood and cinema history. That said, I was pleased to see the return of Moreno-Garcia’s classic POV villain. She excels at writing characters you love-to-hate, and here was another classic example! That said, like Kate with the Salome story, I did find myself skimming through some of the Hollywood story lines.

I think the take-away here is that there is no denying this author’s talent, especially at genre-hopping and taking on obscure stories and points in history. This one is a combination of two very different storylines, so parts may work for certain readers, and other parts for other readers. Or you’ll be that unicorn reader who has been on the look-out for a book that covers lesser-known Bible characters AND Hollywood history!

Kate’s Rating 7: I really enjoyed the Hollywood parts, but the actual story of Salome dragged a bit for me at times. All in all, a solid historical fiction tale from a literary chameleon!

Serena’s Rating 7: On the other hand, I really enjoyed the Bible characters parts, but struggled more with the Hollywood storyline. However, the author remains an incredibly solid writer and I can’t wait to check out her next title!

Reader’s Advisory

“The Seventh Veil of Salome” is included on the Goodreads lists “Best Hollywood and Theatre Fiction”, and “Anticipated Literary Reads for Readers of Color 2024”.

Serena’s Review: “Apprentice to the Villain”

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Book: “Apprentice to the Villain” by Hannah Nicole Maehrer

Publishing Info: Penguin, August 2024

Where Did I Get this Book: ARC from a marketer!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: From the creator of the viral TikTok videos about the sunshine assistant to the evil villain and their unexpected romance comes the second book in the hotly-anticipated fantasy romance series.

Review: This one might come a bit as a surprise, as I didn’t review the first book when it came out last summer. But I did read it! I just didn’t have that many thoughts to add to the conversation. I mostly thought it was fine, verging on having a lot of potential with some of the snappier moments of writing. With this in mind, I was excited to check this one out when the marketer contacted me about reading and reviewing the sequel this summer! Let’s dive in!

I will say, now that I have read this book, I feel that a review for the first book is even less necessary than it was before! In that, many of my opinions from that book transferred over to this one. This was probably most notable in areas that were frustrating in them both, but some of the aspects that I thought were strengths came even more into their own here. For one thing, I think the writing is very fun and engaging. Even when I was perhaps suppressing an eyeroll or two, I was still compulsively reading at break-neck pace! That was true in the first book and was just as true here. In fact, I’d say the writing improved overall. Most notably, perhaps, I think some of the comedy aspects of this one landed better. (Though, I’ve had a rough summer with comedic fantasy novels, so sometimes I worry that I may just be desperately searching for one that works at all!)

However, I still struggled with the characterization of the female main character, Evie. Look, I enjoyed the “grumpy/sunshine” romance trope as much as the next person, but there is a very fine line between writing a “sunshine”/optimistic character and writing one that comes across as a rather air-headed child. And unfortunately, both in the first book and here, that’s the case for Evie. Some of this comes down to word-choice on the author’s part, often using turns of phrases repeatedly, such as “scrunches her nose,” that does nothing to portray Evie as a serious character. When paired with the romantic hero (generally a better written character, especially in this second book), it leads to a bit of an “ick” factor. If we weren’t given an age, Evie could read like a 13-year old girl with the way she is described and her incredible levels of naivete at points. While I think the more plot-focused approach that this book took helped it some in comparison to the first, I still found myself disappointed by this portrayal, and due to this, the romance itself.

All of this said, I know that the first book was wildly popular, and as this one is much of the same, I have no doubt that it, too, will be well-received. If you’re looking for tight plotting or deeper character arcs, I don’t think this series is for you. But if you’re wanting a fast, at times quite fun, ride than you might enjoy this.

Rating 7: If you enjoyed the first book, this one will be for you. But many of my personal struggles there carried over here as well, particularly with regards to the child-like characterization of the heroine.

Reader’s Advisory:

“Assistant to the Villain” can be found on these Goodreads lists: In Her Villain Era and Witchy Fall Vibes

Serena’s Review: “The Coven”

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Book: “The Coven” by Harper L. Woods

Publishing Info: Bramble, August 2024

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Raised to be my father’s weapon against the Coven that took away his sister and his birthright, I would do anything to protect my younger brother from suffering the same fate. My duty forces me to the secret town of Crystal Hollow and the prestigious Hollow’s Grove University―where the best and brightest of my kind learn to practice their magic free from human judgment.

There are no whispered words here. No condemnation for the blood that flows through my veins. The only animosity I face comes from the beautiful and infuriating Headmaster, Alaric Grayson Thorne, a man who despises me just as much as I loathe him and everything he stands for.

But that doesn’t mean secrets don’t threaten to tear the school in two. No one talks about the bloody massacre that forced it to close decades prior, only the opportunity it can afford to those fortunate enough to attend.

Because for the first time in fifty years, the Coven will open its wards to the Thirteen.

Thirteen promising students destined to change the world.

If the ghosts of Hollow’s Grove’s victims don’t kill them first.

Review: So, I’ll be honest, I was a bit nervous going into this one, because based on the description alone I was getting strong “Gothikana” vibes. And we all remember how I felt about that… That said, there was a reason I picked that book up in the first place, and it’s the same one that drew my interest in this book: dark academia! I’m also always down for gothic vibes and romance. Though, I’m always a bit concerned when we venture too far into the realm of “student/teacher” type love stories. But let’s see how this one did!

Well, I did struggle a bit with this one, but it was definitely not the complete dumpster fire that was “Gothikana,” so at least we’re moving in the right direction! For one thing, this one was simply better written. The prose flows fairly well and, for the most part, the dialogue feels natural. And since we’re starting with writing, I’ll say that the spicy scenes were on the better side as well. This, of course, is very subjective, but I often find myself cringing during many authors’ approach to intimate scenes, but these seemed to be on the better side, avoiding many of the pitfalls I personally struggle with.

I also enjoyed the start of the book and meeting the main character, Willow. Her magical abilities were interesting and her backstory for why she was coming in to the school late felt like it was leading to a good arc. Unfortunately, I can’t say the same for the male main character, Gray. Not only does the book lean hard into “insta-love” between these two, but Gray is a fairly unlikable character all around. Now, to be fair, the author did provide a note in the beginning of the book about this character’s villainous tendencies, so I can’t say that I wasn’t warned. At the same time, he’s truly unlikable! There’s a fine line between writing a love interest who falls on the darker side of things, and then writing one who is just a manipulative jerk and a walking red flag. Gray is definitely the latter. So much so that I felt even more attached to Willow purely on a maternal level in that I kept wanting to dive into the book and be like “Girl, no!”

The plot was also all over the place. Things were happening, sure, but at times it felt almost random. Plot points would be introduced, dropped, re-visited and discarded at any given moment. It was incredibly difficult to know what exactly I was meant to be focusing in on at any moment, and this erratic approach to plotting left the pacing very off. I found myself becoming more bored than I should have been, given the amount of action that was taking place. But if all of the plot pieces are as disconnected as these, it’s almost the same as having no plot in the first place.

Overall, this was just an ok read. I’ll probably check out the second one, just because I’m trying to give more authors/series a second chance, but I do have concerns, based on this book. There is potential here, but the balance between the “romance” (insta-love) and the actual plot of the story felt off. I’d say readers who enjoy very villainous, dark romantic leads are the most likely to enjoy this one. But if you’re at all wary on that front, probably best to pass this one up.

Rating 7: There was potential in the main character and some of the fantasy elements, but I hated the male main character way too much to bump this one further up.

Reader’s Advisory:

“The Coven” can be found on these Goodreads lists: Best Romantasy Books from Indie Authors in 2023 and Red Flowers – Covers.