Book Description: Orphaned and alone, Jasminda lives in a land where cold whispers of invasion and war linger on the wind. Jasminda herself is an outcast in her homeland of Elsira, where her gift of Earthsong is feared. When ruthless soldiers seek refuge in her isolated cabin, they bring with them a captive–an injured spy who threatens to steal her heart.
Jack’s mission behind enemy lines to prove that the Mantle between Elsira and Lagamiri is about to fall nearly cost him his life, but he is saved by the healing Song of a mysterious young woman. Now he must do whatever it takes to save Elsira and it’s people from the True Father and he needs Jasminda’s Earthsong to do it. They escape their ruthless captors and together they embark on a perilous journey to save Elsira and to uncover the secrets of The Queen Who Sleeps.
Thrust into a hostile society, Jasminda and Jack must rely on one another even as secrets jeopardize their bond. As an ancient evil gains power, Jasminda races to unlock a mystery that promises salvation.
The fates of two nations hang in the balance as Jasminda and Jack must choose between love and duty to fulfill their destinies and end the war.
Review: I was super excited when I received this in the mail. For one, look at that gorgeous cover? I’m not usually a fan of covers with models, but I’ll make an exception for this one. Beyond that, I was intrigued by the premise and am always stoked when I can find fantasy fiction featuring a diverse cast of characters. And while there were some slower moments, overall, I really enjoyed this read!
The world is literally split in two by an impenetrable magic force field that has kept two warring civilizations separate for as long as anyone can remember, with only brief breaks of warfare every few centuries when the field falters. On one side, Elsira, a technologically advanced civilization has risen, longing for the day when their sleeping Queen will again awaken. On the other side, Lagamiri, a nation full of magic wielders who can control the elements, but who are ruled by a tyrannical and vicious God King. The prejudices are strong on each side. Jasminda, a daughter of both races, has grown up in a country where her skin marks her as the enemy, as an Earthsinger. She’s kept to herself these long years, finding isolation to be her best bet for a quiet life. That is until she meets Jack, an Elsiran soldier with his own secrets, but who also shows her that there are those out there who see her as more than just an “other.”
I loved the world-building in this story. The idea of magic users vs. technology isn’t anything new, but what really added to this take on it was combining it with other prejudices, on both sides, and the fear and ignorance that can come from these sorts of long-standing built up generalizations about people. Throughout the story, we are also given glimpses into the ancient history of this world, and this is really what solidified the concept for me. Through these, we see that the world wasn’t always this way, and in fact many things had been turned on their heads. The origin story was compelling and each chapter was intro’d with little parables from this almost forgotten time. I particularly enjoyed how each parable loosely connected to the happenings of each chapter.
Through this history and the current situation, Jasminda and Jack both portray different roles and experiences of segregation and prejudice. Jasminda has lived a life of not belonging. She’s grown up in a country that judges her for her skin color and her power, but it is her home. I enjoyed how much this fact was hit home. Just because she looked like those on the other side of the wall, didn’t mean she would be any more welcome there or that that should in any way be her place, based on only one part of her being. Jack, as an advocate and an example of a more tolerant and enlightened individual, still must learn to understand the true battles that those like Jasminda face. His idealism is often based in naivety. But through him, Jasminda, too, learns that not everyone is as they seem, and that there may be a way forward for both peoples together.
The story also had a strong through line on the experiences of refugees, and the terrible choices they face. Here, many Lagamiri secretly cross the border, hoping to escape the terror that is their homeland. This choice isn’t only leaving behind all they have known, but is to willing walk into a country knowing they will face a different kind of persecution there. They live in camps and face many injustices at the hands of a struggling nation looking for someone to blame. And yet, this is still a better choice than the horrors that wait back home.
For all of these positives, I did struggle with a few things. While the story took on some big concepts, giving detailed focus and attention to these challenges, I never quite felt connected to the story. Jasminda and Jack, while interesting protagonists, were each a little too perfect to feel real. They were just kind of…fine. I wasn’t hugely invested in their individual struggles, but happy to go along for the ride.
The story also isn’t helped out by a few strange choices with pacing and explanations for the magic system. The plot would zip through a few key moments, with very little clarity on what was actually taking place, and then suddenly move very slowly through other, more character-driven scenes. I think this is likely a show of where the author’s true interests and talents as a writer lie, but it makes for a rather bumpy reading experience.
Also, at different times, it felt like distances on the map changed drastically, or didn’t match with the expanse of the world that we’re told exists. It seemed, at times, that the entire country could be traveled in only a few hours, which doesn’t make sense given the references to geographical elements and the population that is hinted at. Further, while the magic system was interesting, I struggled to understand how it actually worked. For example, it was referenced several times that Earthsingers couldn’t kill with their magic, but could use the elements in every other way. But what does that actually look like? If they sent fire at someone, wouldn’t that still be killing with their magic? Or does it do nothing, and if that’s the case, then what power does that actually give them? I found it confusing, especially given the fact that this restriction was referenced more than once.
The romance, kind of like the two main characters, was also a bit too perfect. For all of theirs struggles, Jasminda and Jack’s love is never really the complicated or tragic “Romeo and Juliet” story that we’re promised. I enjoyed the romance, don’t get me wrong, but I think the misleading description played against it, in the end.
All in all, I very much enjoyed “Song of Blood and Stone.” It’s a great example of fantasy fiction tackling bigger topics like diversity, prejudice, and the challenges faced by refugees. However, there is a large focus on romance, so readers who don’t enjoy those elements might want to avoid this one, and the characters are also a bit flat.
Rating 7: Even with some missteps, would still recommend it based on the strengths of the challenges it addresses, especially set against an interesting fantasy backdrop.
Book Description:The Animorphs’ alien friend Ax is in trouble. He’s come down with a virus called “yamphut”, and it’s making him very sick. The Animorphs discover the virus could be deadly–but they can’t take an “alien” to the hospital. They need to come up with a plan–or lose their friend forever.
Narrator: Cassie
Plot:
Reading the plot description, I remembered that this was the one where everyone got sick and somehow Aftran, the Yeerk Cassie has a soul-search with back in book #19 (“Serena’s RAGE book,” as I’ve come to think of it), was somehow involved. But I am happy to report…
You know, Cassie books/T-rex attacks…the same! But no, this one was legitimately not as bad as others. (source)
The story starts out with actually a fairly long portion of the kids in real life doing real kid things. Like Cassie and Jake continuing to be ridiculous with their burgeoning relationship when it comes to school and dances. With some kicks to the butt offered by Rachel, the team all end up at the dance with the various couples all pairing up. As they dance, Rachel and Cassie notice Ax growing a sudden protuberance on his head: a stalk eye! The group rush him out of the gym, all while frantically trying to cover up his emerging Andalite bits. Ax is also delirious and mumbling incoherently. In the hall, Ax makes a wild bolt for it just as Chapman and a teacher, Mr. Tidwell, come around the corner. Mr. Tidwell takes one look at Ax and quickly tells Chapman that Ax must have been drinking, and crab-walks Ax back towards the group. The others grab Ax away as Marco and Rachel try to convince Tidwell that Ax is just sick and they need to take him home. But as they try to get past him to the door, Ax’s tail shoots out and whacks Tidwell on the head.
Tidwell grabs Cassie and walks her back down the hall. There, he confesses that he knows Ax is an Andalite. What’s more, Mr. Tidwell is a Controller, but not just any Controller. He and the Yeerk in his head are part of the Yeerk Peace Movement organized by none other than Aftran, the Yeerk Cassie saved way back when. But Aftran has been captured and Visser Three is on his way to interrogate her personally, likely exposing all of the Animorphs in the process. For now, she’s being held in the Yeerk pool, but Tidwell insists that Cassie and her friends have to rescue her, for the sake of themselves and the entire Yeerk Peace Movement.
Cassie rejoins the group and they manage to get Ax back to Cassie’s barn. There, in a moment of clarity, Ax explains that Yamphut, a disease that infects the Tria gland in his brain and can cause it to explode. The only way to save him will be to remove the gland when his temperature goes back down. Yamphut is also contagious to humans, but in them it just presents as a common flu.
Cassie then also explains about Aftran. Marco and Rachel are particularly harsh about reminding her that it was her choice to give them all up to Aftran that lead them to being in this current situation. They decide they need to get into the Yeerk pool tonight, hopefully returning before Ax’s temperature dips to the crisis point. In the meantime, they call in Erek to hang out with Ax in the barn, projecting a hologram of an empty stall so Cassie’s parents don’t discover him.
But to get into the Yeerk pool, they now need to get past the new security system that attacks all biological life that isn’t controlled by a Yeerk. Marco has the idea to use the sewer system, reasoning that the Yeerk pool is like an entire city, so there must be plumbing connecting it to the outside world. Tobias then comes up with the idea of using an eel morph and he retrieves one from a local bait shop that he knows of. With Erek’s map of the city plumbing system in their minds, the team find themselves up in water tower, ready to use the extra force of the water to propel them where they need to go.
In eel morph, the team rush down the pipes. It’s a wild ride with them barely making all of the turns they need to. Suddenly, Jake is sucked into the wrong pipe. Forming a line, the others manage to pull him back out. But they realize that something is wrong with him, that he has come down with the same sickness. After some debate about whether they should split up, they all decide they have to abort the mission. They manage to ride the strongest currents they can find and end up getting shot out of a fire hose and into a burning building. There, they all de-morph and re-morph birds to escape. Jake, now violently sick, heads home with Cassie and Marco to help him.
The next day at school, Rachel is no where to be found. Turns out she came down with the “flu” last night as well. Mr. Tidwell catches up with Cassie in the hall. He explains how dire the situation is becoming, Visser Three has moved up his visit, and that the other Yeerk Peace Movement members can’t do much. Many of them don’t have hosts (since they are committed to finding hosts that want to team up with them) and many of the others, like Tidwell, are in bodies that can’t fight. Desperate, Cassie comes up with a new plan: they can morph Yeerks.
On the way home, Marco, too, gets sick. But he also points out the one flaw: what happens if they do save Aftran? She’ll just die of starvation. Back in the barn, Tobias says that Ax’s temperature continues to drop. He then flies off to check on the other patients, which Cassie reads as him wanting to go check on Rachel. Cassie looks around the barn for tools, mentally preparing herself for the fact that she’s going to have to do brain surgery on Ax eventually. As she gathers things, Tobias swoops back in, but he’s clearly not well and accidentally flies into a rafter, knocking himself out. He’s sick too. Cassie picks him up and puts him in a cage, figuring that her parents will think they just have one more rescued animal.
Cassie bikes to Mr. Tidwell’s house. There she puts her plan in action. Tidwell’s Yeerk comes out, Cassie acquires him, and begins the morph. In Yeerk form, she’s blind and deaf, but does have a sort of sonar. Tidwell picks her up and put her to his ear where she slithers in. She connects to his brain and regains her senses. It takes her a bit to figure out how to move Tidwell, who’s voice she can hear urging her to hurry up. She also can see all of his memories and feels ashamed that she is essentially violating his privacy.
Tidwell!Cassie then makes her way to the local McDonald’s, one of the known Yeerk pool entrances, hiding the original Yeerk on her person. She gains entrance and successfully gets past the security system. The Yeerk pool is as horrifying as ever. At the peer, she releases the Yeerk and slithers out of Tidwell’s ear herself. In the pool she is able to locate Aftran just as Visser Three arrives to collect her. She manages to demorph to human and then remorph as an osprey, the only bird morph she has that dives into water so can handle flying while wet. She grabs Aftran and barely manages to escape the pool. Conveniently, another Controller is entering up in the McDonald’s, so she is able to escape out before the security system fries her.
Back at the barn, Ax has reached his crisis and Cassie must operate. She quickly decides to have Aftran Control Ax so that she can tell Cassie from inside where exactly in Ax’s brain the Tria gland is located. Together, they are able to successfully remove the gland. Ax awakens just as Aftran exits and is horrified that he was infested. But now Cassie has another challenge: what to do with Aftran?
A few days later, the team are all recovered and walking along the beach. Out in the ocean, a humpback whale leaps before heading out to sea. They all agree that they used the blue box the right way this time. They let Aftran gain morphing powers if she agreed to trap herself in a morph. Whale!Aftran is now free.
Peace, Love, and Animals: This book definitely played to some of Cassie’s strengths. More so than most of the other characters, Cassie is probably the best character to describe what their lives are like as ordinary kids. Through her eyes, we’ve seen a lot more scenes of what school is like for the group and the various dynamics that exist between them outside of missions. Here, there were some very nice moments where Cassie was just an ordinary teenage girl, feeling awkward about her quasi-relationship with Jake and the fact that none of the girls at school know they are together (or even believe it could ever be possible!) So small moments, like her pride when they dance together, are just very sweet.
I also like the fact that we finally have circled back around to the aftermath of her decisions in book #19 when she left Aftran infest her and exposed them all. Here, she is much less confident that this was in fact the right choice. She admits that it felt right then, but the situation that they’re in now calls that all into question. There’s a very real possibility that they will all be exposed and killed simply because of that choice. Even with Aftran’s cooperation, here, Cassie sees that she is still a risk point for the group. She never outright regrets her decision in that book, but I like the fact that here she had to confront the reality of that choice a bit more head on. Also, when she is alone right before the mission, she is forced to leave Ax right before it seems like he is going to hit his crisis. She tells him that she has to save the group first, and tells Erek that if things go south, he has to just let Ax die rather than expose them. These are hard choices, but it’s nice to see Cassie confront them. Though, again, this calls into question my ongoing frustration with her character. She is completely inconsistent in her decision making and ability to prioritize individuals and her morals and the entire group/world. Sometimes she’s willing to throw everything away to make a stand on something, like quitting the team and telling Aftran their secrets, or letting the aliens re-direct the asteroid in Megamorphs #2. And at others, she’s willing to make the tough calls. I dunno. It just feels like I never know which Cassie I’m going to get.
But there’s no denying the coolness of her ability to successfully perform brain surgery on Ax. The idea of using Aftran to get a sense of things was great, but it still rested on her ability to pull it off. Without Cassie, Ax definitely would have been done for, as no other member of this group could have done what she did here.
Our Fearless Leader: Jake is out of commission very early in this book, which makes sense. In order to sow the most confusion, you have to take away calm, collected, Jake. Even in the midst of his burgeoning illness, when they’re in the pipes as eels, the others still are relieved when he manages to come to enough to tell them what to do.
Xena, Warrior Princess: It’s always fun to see Cassie and Rachel at school, and here Rachel takes things into her own hands about Cassie/Jake’s secret relationship. It also becomes clear that there is an unspoken hierarchy in leadership within the group. When it first becomes clear that Jake is getting sick, Rachel immediately steps into the leadership role. There’s some snark, but they all seem to kind of agree that this is right. And I know there’s a later book that focuses on this point, too. Other than that, she gets sick second, so doesn’t have too much to do.
A Hawk’s Life: When Ax gets sick at the school, while the others all fret about whether or not Mr. Tillman saw him, Tobias is the one clearly most worried about just Ax, forget everything else. He also gets sick, and I think it’s understood that this is because he is in human morph when Ax first comes down with it, and thus susceptible to infection.
As we’ll see in Marco’s section, he’s third in line for leadership, after Jake and Rachel. So leadership goes Jake, Rachel, Marco…? But honestly, given what we’ve seen from past books, I’d say leadership should go Jake, Tobias, Marco/Rachel, Ax, Cassie. Tobias has proven himself to be the most even-keeled of the group, he’s a good strategist (as proven in his book with the Hork Bajir valley), and he’s willing to make the tough calls (as seen in Megamorphs #2). Marco is probably the only one who would prove a problem, just because they tend to clash with Tobias not really appreciating Marco’s cynical outlook on things. But other than that, I think he’s a strong candidate for the role. I put Marco and Rachel together because, as we see in her book, this is kind of a tough role for her to fill. So Marco might make a bit more sense, simply because he’s a more level-headed player. But, it should be said, a big part of leadership is simply stepping up, unasked. Tobias has done it in the examples I gave above. And Rachel does it here, and will do it later. So it’s a tie.
The Comic Relief: Marco has some good lines in this book, and it is notable that he (along with Rachel) is the most critical about Cassie’s past decision with Aftran that lead to them being in this tough situation. He also comes up with the eel plan, which is clever, if not fully thought out. After Rachel goes down sick, Marco asks Cassie if this means that he’s now in charge.
In a nice reminder to Marco’s particular hatred of David, when they are on the beach in the end discussing their use of the blue box, we get this exchange:
“We made the right decision,” Jake said. “Better than the last time we used the blue box.”
“Would have been hard to do any worse,” Marco said.
E.T./Ax Phone Home: Poor Ax. It’s never really explained how he was exposed to this disease, but it seems kind of like the Andalite version of appendicitis. Some gland becomes painful and if it bursts, bad things follow. Of course, the tension must be raised by placing this gland in his brain. And then, in the midst of fever dreams, he’s the only one who can even marginally explain what is going on. Beyond that, he’s still a kid! Imagine some teenage boy trying to tell a doctor how to operate on him for appendicitis! Ax is also completely horrified when he discovers Aftran in his head immediately after waking up; he even goes so far as to say he wishes Cassie had just let him die. Cassie does a good job slapping some sense in him, but I don’t remember if Ax ever refers to this in future books. But it seems like something I’d want to hear his thoughts on.
Best (?) Body Horror Moment: Cassie morphing the Yeerk was particularly bad. She describes it as first having a layer of mucus ooze out of her pores until it covers her entire body, and then rest of her just kinds of melts away. But…mucus….all over body…I mean, I guess the process of morphing Yeerks should be one of the worst, and if that was the goal, then well done! Also, the process of infesting Mr. Tillman. Obviously the Yeerk instincts are fine with this, but I imagine there’s a pretty disturbing element to the thought of climbing into another human’s head through their ear, when you’re a human yourself only in morph.
Couples Watch!: Cassie has a very real teenage girl moment when she’s dancing with Jake, reveling in the fact that the other girls will now see that shy, animal-poop-covered Cassie is the one who gets to be with fairly popular Jake. Cassie also acknowledges the fairly official relationship status between Rachel and Tobias, hoping that they can get away to dance, too. And then later, she knows that it is really Rachel, not “the others,” that Tobias wants to check on when he flies off.
If Only Visser Three had Mustache to Twirl: Visser Three makes his token appearance towards the end, and it has to be one of the shortest cameo’s we’ve gotten from him one of these. He does make a very good point about osprey!Cassie’s escape while being shotat my multiple Controllers at the end:
<Would it be asking too much for one of you to actually hit something?!!> I heard Visser Three roar.
Adult Ugly Crying at a Middle Grade Book: Not much! We all knew Ax was never in any real danger at this point, so while it was a good motivation for events, it didn’t have a lot of emotional impact. The scene of whale!Aftran was probably the most emotional bit of the book.
What a Terrible Plan, Guys!: There were some clever plans here, mostly Cassie coming up with the idea to use Yeerks as a morph to get into the pool, and then getting Aftran to help with the brain surgery. But man, that eel morph plan was not well thought out. I mean, it’s a cool idea and props to Marco for having the creativity to come up with it, but what was the end game there? How exactly were they going to get out, and with Aftran in toe none the less?? Even Cassie’s plan failed to have an exit strategy, and the fact that she wasn’t shot is pretty unbelievable.
Favorite Quote:
Mandatory Rachel/Marco banter:
“I just had a thought,” Marco said.
“I’ll buy you a card to commemorate the moment.” Rachel, of course.
In the very beginning, when Marco and the others are discussing just going to the dance like regular kids:
“Oh, man,” Marco moaned.
“What?”
“Every time we try to do something nice and normal it ends up turning out nasty and weird,” he said. “Every single time.”
Scorecard: Yeerks 6, Animorphs 12
No change! It’s a big win for the Animorphs to just survive this situation, but as far as actual damage goes, there’s not a big change. The Yeerk Peace Movement is a good thing to now have, and maybe indirectly through Cassie and Aftran, the Animorphs are responsible for it, but not much.
Rating: For the most part I did enjoy this book. I really liked the follow-up on the Aftran situation and the introduction of the Yeerk Peace Movement. Cassie, too, has some good moments in this story. I do wonder at these choices to continue to give Cassie books where she is isolated from the rest of the team for some reason or another. She simply doesn’t have the strongest voice of the group. Her narration is usually pretty straightforward and not very nuanced. She’s simply not as interesting to read about as say Marco, Ax or Tobias. So it’s strange that she seems to routinely get books where she’s all by herself and much of the story’s appeal (or lack there of) is left to her characterization. Obviously this is a story that had to belong to Cassie, and if it was the only example of her as an isolated character in these books, then fine. But this is like the 3rd book where she’s mostly on her own for a lot of it, and it’s just not the best.
Note: I’m not going to rate these books since I can’t be objective at all! But I’ll give a one sentence conclusion and you can take from that what you will!
Book: “The Queen of the Tearling” by Erika Johansen
Publishing Info: Harper, July 2014
Where Did I Get this Book: bought it!
Book Description: An untested young princess must claim her throne, learn to become a queen, and combat a malevolent sorceress in an epic battle between light and darkness in this spectacular debut—the first novel in a trilogy.
Young Kelsea Raleigh was raised in hiding after the death of her mother, Queen Elyssa, far from the intrigues of the royal Keep and in the care of two devoted servants who pledged their lives to protect her. Growing up in a cottage deep in the woods, Kelsea knows little of her kingdom’s haunted past . . . or that its fate will soon rest in her hands.
Review: I know, I know. How have I not read this one already? But I’ve been burned by the hype machine before, so sometimes I just like to, you know, wait and see. And, also, I have a massive TBR list and some these slip on through! But while I was on vacation a few weeks ago, I was in the bookstore (cuz obviously this is what one does when one is on vacation: check out the Barnes and Noble in THIS new town!!). And while I was browsing I ran across this book and was like “why the heck not?” So here we are.
Kelsea has lived a remote life, kept away from all of society and trained up by a reclusive couple. But the day has come when all of that changes, and Kelsea must set out with stranger to reclaim her throne. But while she knows her goal, she doesn’t know the secrets of the past, her own or that of her kingdom’s. Now, not knowing who to trust, Kelsea must set a new course for herself and her kingdom.
So let’s just get it out there. I had very mixed feelings about this book. It started out, I was loving it. Then there were a couple of characterization bits that I hated with a passion. Then more story, liked that. Then BAM! Oops, didn’t know what was really going on the entire time, so dislike that. It was all over the place, really.
It’s hard even to say things that I liked because while I liked parts of them, there were other parts I very much didn’t like. But let’s start with the plot. I loved the beginning of this book and the mysteries that were set up for Kelsea. The logic behind why so much was kept from her never quite sat right, but as it wasn’t a new conceit, I was happy enough going with it (just don’t think too hard about how “prepared” someone could be if they’ve never even interacted with anyone but the couple who raised them..).
The writing was solid, and I, personally, can enjoy a slower moving plot, which this definitely was. Much of this book was essentially a travelogue, but I was all there for it. Give me an epic quest book any day of the week!
Kelsea herself was also a sympathetic character. Until she wasn’t. I really don’t understand why we keep getting characters like this, who have very unhealthy ideas about beauty standards. Here, Kelsea makes the terrible comment about the only thing worse than being ugly (Kelsea of course doesn’t think she is beautiful at all) is being ugly and thinking you’re beautiful. Cuz yes, how dare you have good self-esteem if you’re not conventionally beautiful! It was terrible. But again, this was one particularly bad moment within an entire book. Much of the rest of the time, I found Kelsea to be a compelling and interesting heroine.
The world building was where things got batty. For a good chunk of this book, the world is presented as a fairly standard other-world, Medieval Age, fantasy novel, of the type we’re all familiar with. But nope! Out of nowhere comes the reveal that this is actually some type of dystonian world set in the future after things went really wrong? This seems like it could be a cool idea on paper, but in reality, it kind of just pissed me off. For one, I didn’t like being caught by surprise by it. It wasn’t the type of reveal that added to the story, but instead made me start questioning all of the things I had been completely on board with before it happened. Now suddenly that Medieval Age type setting seems kind of dumb and how the heck would that even happen? Maybe if the author had introduced this concept at the beginning of the story, it would have been less jarring. But, for me, I didn’t appreciate the bait and switch of it all and it left a bad taste in my mouth.
I did enjoy the villain, and again, much of the story of Kelsea’s travels. But, as I said, I had some fairly big problems, too: the fixation on beauty (whether one has it or not, whether it leads to rape, etc) and, ultimately, the world-building itself after the reveal that this is in some future time. I’m betting that people’s appreciation of this book must have lived and died on how that switch was received. Given the general popularity of this book, I must be in the minority in finding it jarring. But I know that people love this book, so I’m looking to re-home my book with a giveaway! The giveaway is open to US residents only and ends May 1.
Rating 6: Had some really good stuff going for it, but burned me a few too many times with weird character beats and an unappreciated bait and switch with the world itself.
Where Did I Get this Book: audibook from the library!
Book Description: London, 1887. After burying her spinster aunt, orphaned Veronica Speedwell is free to resume her world travels in pursuit of scientific inquiry—and the occasional romantic dalliance. As familiar with hunting butterflies as with fending off admirers, Veronica intends to embark upon the journey of a lifetime.
But fate has other plans when Veronica thwarts her own attempted abduction with the help of an enigmatic German baron, who offers her sanctuary in the care of his friend Stoker, a reclusive and bad-tempered natural historian. But before the baron can reveal what he knows of the plot against her, he is found murdered—leaving Veronica and Stoker on the run from an elusive assailant as wary partners in search of the villainous truth.
Review: Honestly, I’m not sure how I’ve been going along all of this time with no awareness of Deanna Raybourn. After the first twenty or so pages of this book, in which I was in shock by how much I was absolutely adoring it pretty much immediately, I did some research and found that Raybourn has been around for a while, long enough to have another hugely popular series already finished! How have I missed this? As a huge fan of lady sleuth historical mysteries, especially if said lady at all resembles Amelia Peabody as far as giving a damn what others think, it’s almost like Christmas whenever I discover another series that can scratch this particular itch.
Veronica Speedwell knows she should be sad at the death of her aunt, but instead, she only sees the glorious future ahead of her, full of independence and the freedom to fully devote her life to her passion for science and butterfly hunting. Of course, her history isn’t one of being cooped up anyways, with many trips abroad full of exploration, adventure, and yes, a few liaisons, if you will. But things do not go as planned when she finds herself caught up in a murder and pursued by villains unknown. What’s more, she finds herself in the company of the mysterious and rather grumpy Stoker, a man whose past is equally curious.
Veronica Speedwell is a delight. Truly, a book like this lives and dies on the voice of its lead character, and she was absolutely wonderful. Witty, confident, and employing all of those great snooty, very British-y turns of phrase that make me super jealous of their vocabulary and diction. (I also listened to this as an audiobook, and the reader was spot on. So good in fact that I think I’m going to hold out for the audiobook versions of the next two as well).
I also really enjoyed the backstory that is given to Veronica, particularly the fact that this isn’t her first time out and about in the world. She has the actual experience to back up her confidence and claims of capability. Not only is she and established scientist, having published a few articles under an assumed name and sold rare specimens gathered from her adventures to wealthy collectors, but she has taken a firm hold on her life and choices. Men are nothing new to her, and she has established a neat system for dealing with them and her reputation: liaisons are ok abroad, damn the whispers, but once on home ground, she is willing to play by the rules. For all of these strengths, she’s also appropriately vulnerable when the plot strikes close to home. The tendency with characters like this can be an almost unrealistic level of competences and assuredness that leaves the character feeling not quite human. Veronica reacts in a believable manner to big revelations, but nothing keeps her off her stride for long!
As a secondary character, I also very much loved Stoker. And yes, he also kind of reminded me of Emerson. (But for all of these similarities between our leads, I never felt like the book strayed too close to the Amelia Peabody series). His was the perfect level of brusqueness and emotional outbursts to balance Veronica’s more cool demeanor. For all that his walls begin to come down throughout the story, by the end of the book, we still do not know his entire history, which I really liked. His character still has much room to grow, but what we do know already sets him up as an excellent, rather comedic, romantic hero.
The story itself is full of action, jumping from one adventure to another. We have a traveling circus, an eccentric collector and his family, the Tower of London, and more. And throughout it all, the mystery is solid, leaving readers equally in the dark about the motives, and even the identity, of those pursuing our main characters. While a few of these mini adventures could feel a bit tacked on, especially the traveling circus bit, I was having such fun watching our main characters play on these sets, that I didn’t even care.
My one real criticism of this book comes with the end. The way the mystery is resolved felt a bit rushed and almost too neat. Things fell into place in a very convenient manner and we have yet another example of a villain pretty much killing himself off, so that our leads’ hands won’t be bloodies. While I get that all of this kind of goes hand in hand with the type of light and fun mystery story that this is, I always wish there could be a bit more “oomph” put behind resolutions such as this. If anything, letting the story get a bit more dark when it needs to can be a nice balance to the rest of the more light plotline. It just read a bit too “PG” for me.
But this is a minor quibble, and one that has built up over time after reading endings like this again and again in mysteries such as this. On its own, “A Curious Beginning” is an absolutely delightful introduction to a new leading lady and new mystery series. Definitely check this one out if you’re a fan of lady sleuth mysteries ala Amelia Peabody!
Rating 8: An absolute romp of a story. Veronica Speedwell, welcome to the ranks of excellent lady sleuths!
Book Description: Nora knows three things: she is a servant, her parents are dead, and she lives in the kitchen house with her adoptive family. But her world is torn apart when she discovers that her birth father has always been right there, living in the house she serves.
This discovery leads Nora to more questions. Why was she thrown in an ash-covered room for asking about her father? Why is a silver-bladed knife the only inheritance from her birth mother? Why is magic forbidden in her household—and throughout the province of the Runes? The answers may not be the ones Nora hoped for, as they threaten a possible romance and her relationship with the adoptive family she loves.
With the announcement of a royal ball, Nora must decide what she is willing to give up in order to claim her stolen birthright, and whether this new life is worth losing her family—and herself.
Review: What? Another fairy tale retelling book review by me? Shocking, I know! It’s like I have some personal mission to read every single one that is ever published! (I don’t, but at this point, does it really make a difference?) As I have a particular fondness for fairy tales that lean in on the darkness that was inherent to many of the originals, I jumped all over this title when I saw it pop up on NetGalley. But, while the darkness and world building did deliver, I was overall left underwhelmed with this new entry to the vast world of Cinderella stories.
For the good: the story delivers on the essentials of what is laid out in the book description above. This is indeed a Cinderella story, but nicely twisted on its head so as to not simply be another rehashing of a very often rehashed story. I enjoyed the tension that was built throughout the story between Nora’s desire to uncover the truth about her family and herself alongside her realizations of the good things that have made up her life as is. As it’s mentioned in the description, the scene early in the book when she is thrown in the ash covered room plays for particularly good effect throughout, and her ongoing struggles with the fallout of this event are repeatedly hit home. She was, after all, a very young girl when it took place.
I also enjoyed much of the world-building, but here also is where my criticisms begin to come to play. The world of Colandaria sounds like an intriguing place, with an interesting magic system and a history of wars between it and its neighbors. However, none of this is fleshed out or explored in any meaningful way. Instead, details are sprinkled here and there on the periphery of Nora’s tale, but never quite enough to give me a solid sense of place or investment in the world’s effect on the plot line that was unfolding.
The plot was another stumbling block. While things do pick up towards the last third of the book, the action itself felt very stilted. It’s hard to really put my finger on what exactly the problem was. The writing is solid enough, but things seemed to simply progress from one event to another and I was just kind of…there. Every once in a while a few pages would grab me, like the aforementioned scene in the ash room, but then the book would fall back to mundane details for pages on end.
Most of my problem probably lies at the feet of Nora herself. She was simply not an engaging protagonist to follow through this story. Her arc is laid before her, but as she moved through it, her character itself wasn’t one whom I became invested in. She felt very flat, and I had a hard time pinning down any attributes to her as a person. Was she feisty? Reflective? Shy? Ambitious? I couldn’t tell you. Instead, she simply moves through the book, and we move with her. But, as we are seeing this story through her eyes, I was never sure how I felt about it because it was never clear what lens Nora was using herself.
This, in turn, colored my perceptions of the other characters. While some of them seemed to have interesting parts to them (Jack, in particular), because Nora read so flat herself, her views of these others also read as fairly flat. A story like this really lives and dies on the strength of its lead, and my lack of investment in Nora spread easily to those around her.
While I did like the twists and turns the story took, particularly the ball itself, I also wasn’t a huge fan of the romance in this. Simply put, there just wasn’t enough of it. This is a very subjective point of view, however, as I can also see how the lack of romance could be a plus for other readers. I, however, always like a solid romance plot line in my fantasy, particularly in my fairy tale retellings that are, often, inherently romantic tales on their own.
Overall, I was pretty disappointed with this read. There wasn’t anything bad about it, per se, but I just couldn’t seem to care. I found myself often putting the book down and having to force myself to pick it up again. If you absolutely love Cinderella stories, particularly ones with less of a romantic subplot, this may be the book for you. But, all in all, my recommendation is a solid “meh.”
Rating 5: A dull main character ultimately polluted what might have been an interesting retelling of “Cinderella.”
Reader’s Advisory:
“Owl Eyes: A Fairy Tale” is a newer title so isn’t on any Goodreads lists. It should be on “Cinderella Retellings.”
Find “Owl Eyes: A Fairy Tale” at your library using WorldCat!
Publishing Info: Scholastic Paperbacks, April 1999
Where Did I Get this Book: own it!
Book Description:The Yeerks are ready to control humans where it counts — in their DNA. They’re working on a drug that saps humans of their free will. But the Animorphs show them that human free will runs deeper than any drug can reach.
Narrator: Ax
Plot: I have clear memories of the cow portions of this book, but as I discovered reading this again, that’s only, like, that last third of the whole thing! So let’s get started on all the rest of the book that I had somehow completely forgotten!
“Supernatural” totally stole this plot line with the whole “poison the burgers to make them susceptible” idea. (source)
Ax has built himself a scoop and also managed to get a TV. He and Tobias now have an afternoon ritual of watching some good, old quality “The Young and the Restless.” One afternoon, Marco shows up, bored, looking for mall trip buddies. On the way, they run in to Erek who has a possible mission. Apparently the Yeerks have been involved in some animal testing facility. The Chee don’t know what they’re doing, but with the Yeerks, it’s always safe to say it’s bad.
The group meets up in the barn and decide that yes, of course they must check it out. They all fly over to scout the place out. The building is highly fortified behind an invisible force shield that has been frying any animal that gets too close. But as they scout, they see a van pull up full of chimpanzees. There’s their in. The next day, Ax and Tobias scout out the route that the van with the chimps takes and note that it goes through a very long tunnel. And thus a very insane plan is sprung!
Together, all of the Animorphs in bird morph dive bomb the truck just as it heads into the tunnel. There, they all demorph and form a human chain, lowering Cassie down to open the back of the truck. They all jump in and quickly acquire the chimps. At a stop light, they release the other chimps (this doesn’t go well for some passing cars), and lock themselves in instead. At the facility, they are all carted into another room that is full of other caged chimps. Cassie demorphs to let them out, but just then they hear none other than Visser Three approaching down the hall. She races back to her cage and begins remorphing. To distract Visser Three and the others, they, of course, throw poo at him. Enraged, he leaves and they overhear him saying to release the Taxxons on the chimps, as that stage of testing is finished anyways. In chimp morph, the Animorphs release the others and fight off the Taxxons, making their way out of the facility. However, the mission is a success and they learn that the “next stage” of whatever is going on is taking place a meat packing plant.
Again, the next day Tobias and Ax scout out the plant. Later, in the barn, they report on what they found. While not covered with a force field, the plant is using the same Gleet BioFilters that now guard the entrances to the Yeerk pool, making it impossible to get in as anything but the poor, doomed cattle. The steer, however, are kept in a field some distance away. Cassie, however, comes up with a solution. Two of them morph steer, and the rest hide up in the steer’s nostrils as flies: organisms within other living creatures don’t trigger the BioFilters. Jake decides that Ax and Tobias will morph the steer, as they can demorph without revealing that they’re all humans if things go south.
That night, Marco, Rachel, Tobias, and Ax head out to acquire the morphs. While there, they have a close run-in with a few drunken cow tippers. Ax tries to disguise himself as a cow, but they spot him, and it’s only with some quick tail blade action that he able to knock them out.
The next day, they all head back to the field. Tobias and Ax aren’t concerned about the morph, as, obviously, cows are pretty docile. That is until they actually do the morph and realize that while they acquired steer, the DNA was that of bulls, so that’s what they become. Cassie is barely able to stop them from charging each other or her. But they now have a problem: any transport unit will definitely notice the fact that their cargo are bulls, and will call in about it. Jake has another brilliant plan: Marco driving, take two! Gorilla!Marco knocks out the two men when they arrive with the truck. Jake, being fairly tall, puts on the uniform of the passenger with the clipboard to confirm their cargo at the checkpoint. And gorilla!Marco, puts on what clothes he can manage (he’s too short to reach the truck petals in his human form).
What follows is yet another example of Marco’s terrible driving. The truck almost goes over on its side at least once, and several fences are damaged in the process of getting to the plant. Once there, the guards are convinced the driver is drunk, but pass off on letting them in. After they park, they morph flies and join Cassie and Rachel in bull!Ax and bull!Tobias’s noses and are able to successfully get through the Gleet Biofilters.
Once in, the others bail to begin scouting and create a diversion. Ax and Tobias are left in the line, slowly making their way towards execution. Ax is in front. They wait as long as they can, but Ax reaches the front of the line. He tries to avoid the man with the gun, but he gets tasered several times. Just before he’s shot, grizzly!Rachel shows up to rescue them. Controllers and Hork Bajir pour into the room, and Tobias and Ax frantically demorph.
The three of them charge off to find the others, who are not doing well, backed into a corner with a locked door. Visser Three shows up and begins his usual threats. Grizzly!Rachel can’t force the door, but Ax manages to quickly hard wire the key pad, and they flee into the next room. Ax rips out the wires behind him, effectively barricading it.
In the room, there are several cages with humans who look to be in some sort of bio-stasis. A computer screen is open and on it they discover what is going on. The computer, with lots of sucking up to Visser Three included, informs them that this is Project Obedience, a biochemical component that can be injected into the food supply and remove the free will of anyone who eats it. The others are horrified and feel defeated, but Cassie scoffs, saying that it is impossible to remove free will. Even Controllers have free will beneath the Yeerk who is forcing them to do things.
They then notice a lab worker who has been hiding in the corner. He quickly breaks down, saying that they might as well kill him since Visser Three soon will anyways, once he learns that the lab worker lied. He confirms what Cassie said, that the whole project was impossible from the start, but that Visser Three wouldn’t accept failure, so the lab worker has been faking it. Just then, the door begins to give behind them.
They quickly wake up the sleeping humans and get them out of their cages. The lab worker would rather make a run for it than confront Visser Three, so he leads the Animorphs and confused humans out of the plant.
The next day they meet back up at the mall. Cassie is feeling smug that she called it on the free will thing, but Marco says that she’s the only one who could look at the last few days as anything other than a giant waste of time: at least they saved some animals! Other than that, the whole project had been a bust from the start, so all of their work was for nothing. But at least they can enjoy some tasty burgers free of concern! Cassie is horrified, but the others all chow down.
E.T./Ax Phone Home: For an Ax book, he doesn’t really have a whole lot as far as character moments in this book. There’s the running gag about various TV shows he’s watching, and his general narrating voice is as great as always. We again get to see his morning rituals, and it’s nice to see that he’s finally built himself a scoop.
Towards the middle of the book, he does reflect on the different challenges that humans face living on a world that still has predators that could kill them and by being omnivores. He reflects on the easy balance on the Andalite homeworld, that they have no natural predators and that they are vegetarian. It’s a nice exploration of the balance that has to be struck between being a human capable of moralizing, but also being a type of being that evolved to supplement its diet by eating meat.
More clearly, he is horrified by the treatment of chimpanzees, especially after they all morph them and he realizes how closely related they are to humans. Cassie, of course, has many strong opinions on this, and Ax becomes equally perturbed by whether they crossed a line morphing them. Towards the end of the book, he asks the scientist whether the free will injections worked on chimpanzees, in an attempt to finally answer the question about their sentience. The scientist says it didn’t work on them either, but wasn’t sure whether that’s because they had free will and it was affected, or whether they didn’t have free will to begin with.
Our Fearless Leader: Jake doesn’t have a lot in this book, other than the HIGHLY questionable decision of putting gorilla!Marco behind the wheel again. He also quickly picks Ax and Tobias to morph the steer, because they can demorph more easily without giving away their secret. I feel like this same reasoning would come into play more often than it seems to, but it’s a solid choice here as well.
Xena, Warrior Princess: Rachel also doesn’t have much in this book. She comes to the rescue as a grizzly just in time at the meat packing plant. Tobias is fairly sarcastic about this, but she handles it well (aren’t they cute??). She also tells Marco to shut up quite a lot, but nothing new there!
A Hawk’s Life: Tobias gets a lot of action and page time in this book. Ax spends a good amount of time discussing his close friendship with Tobias, and the fact that, by earth standards, he is Tobias’s uncle as well. It’s nice to read their little friendship moments. Tobias trying to explain TV and that maybe Ax shouldn’t remove power lines to enhance his TV as it caused a power outage in Jake’s neighborhood. Tobias saying that he sometimes wishes he had a ritual similar to Ax’s that could help him prepare on days where they have dangerous missions. He’s also, notably, the other one to go in with the bull morph.
Peace, Love, and Animals: Cassie, of course, has a lot of thoughts about the morality of animal testing, as well as the Animorphs’ own code of not morphing sentient species. Aside from these opinions, she also has a good amount of action in this book. She’s the one who is lowered down to open the door on the moving truck. She stands between two bulls (Ax and Tobias) and manages to get them calmed down. And she also immediately call the bluff on Project Obedience’s supposed success.
The Comic Relief: Marco, too, has a decent amount in this book. He’s pretty harsh on Cassie as far as some of her double standards go, and she doesn’t really even deny it. He notes that Cassie seems fine with morphing chimps since their mission will also save animals, but had they been doing it for any other reason (to save humans), she would have been very against it. She doesn’t really defend this point, which is kind of unfortunate for her. There’s also the highly entertaining driving sequence.
Best (?) Body Horror Moment: When Ax first morphs human in the very beginning of the book, there are some overly graphic descriptions of his mouth forming first, but without lips to speak of. Also, when they’re all flies up the nose. As we know with some upcoming Marco book, I think, this “in the body” stuff gets much worse before it gets better!
Couples Watch!: Really, nothing at all. Fly!Rachel hangs out in bull!Tobias’s nostril? Super romantic, that. I guess, also, Ax is very confused by the whole process and point of kissing as he’s seen it on his favorite soap opera. Tobias assures him it has a purpose, but awkwardly evades any further questions on the subject.
If Only Visser Three had Mustache to Twirl: I’m still never a fan of times when these books fall back on the body humor, like the poo throwing at Visser Three. But it did lead to him cutting off some poor Controller’s hand, and Ax commenting that Visser Three was not the type of leader who thinks it’s important to be popular with his subordinates. Also, when Visser Three shows up at the meat packing plant, he makes some pretty great, campy orders to the Controllers to “butcher” the Andalite bandits. Very clever, Visser Three. The best part was probably the sycophantic manner in which the computer program spoke about the Visser’s role in Project Obedience.
“Project Obedience is the brilliant insight of our great and glorious leader, Visser Three, hero of the Taxxon rebellion, Scourge of the Andalite fleet, Conqueror of Earth.”
Adult Ugly Crying at a Middle Grade Book: This was definitely one of the more comedic books, so there wasn’t that much sadness to go around. As they are running out of the animal testing facility, Ax doesn’t describe what he sees, but that’s because he says it’s too terrible to discuss, likening it to torture. He also mentions that though they all tried, they didn’t have much success leading the freed chimps out, as they were still chimps, and not capable of really understanding what was happening.
What a Terrible Plan, Guys!:
<How come Marco drives?> Rachel demanded.
<He has experience.>
“Oh man, don’t even mention that,” Cassie said. “My dad cried over the twisted remains of that truck.”
Um, Jake? You do remember Marco’s last experience at “driving”? I mean, technically this plan works, but there is definite damage done. It’s a fun scene and call back to that book though!
Favorite Quote:
Good Rachel snark after they get to the meat packing plant:
<These cows are going to be looking forward to a nice, easy death after this ride,> Rachel said.
And, of course, just Ax’s general way of narrating the story:
[Human humor] is inexplicable, and Andalite readers should simply resign themselves to never understanding.
Scorecard: Yeerks 6, Animorphs 12
No change! Marco says it best (though it was still a fun ride from the reader’s perspective!):
“In the annals of stupid, screwed-up, pointless missions that was the stupidest, most pointless of them all,” Marco said.
Rating: For all that this story does nothing to progress the plot, it’s just a fun ride! Ax is always a great narrator, and his thoughts on TV (and his preference for the show “These Messages”) was a fun running gag throughout the story. There’s also some good action scenes, like the caper getting into the truck through the tunnel, and their various escapes from the facilities. I also enjoyed the trifecta that was Marco, Cassie, and Ax as far as the moral aspects of this story. The three provided a good spectrum of perspectives, and it was particularly interesting seeing much of it through Ax’s point of view, an alien who comes from a world where these challenges don’t exist. So, a pretty solid entry, all told!
Note: I’m not going to rate these books since I can’t be objective at all! But I’ll give a one sentence conclusion and you can take from that what you will!
Book Description: Sophie is a dressmaker who has managed to open her own shop and lift herself and her brother, Kristos, out of poverty. Her reputation for beautiful ball gowns and discreetly-embroidered charms for luck, love, and protection secures her a commission from the royal family itself — and the commission earns her the attentions of a dashing but entirely unattainable duke.
Meanwhile, Kristos rises to prominence in the growing anti-monarchist movement. Their worlds collide when the revolution’s shadow leader takes him hostage and demands that Sophie place a curse on the queen’s Midwinter costume — or Kristos will die at their hand.
As the proletariat uprising comes to a violent climax, Sophie is torn: between her brother and the community of her birth, and her lover and the life she’s striven to build.
Review: I love to cross-stitch, have loved it for years since I learned to stitch as a little girl. It’s also a handy hobby to support a very unhealthy Netflix binging habit. But it’s also a less common craft nowadays. I have a bunch of friends who knit, a couple of crocheters, but none of my friends embroider. So I was stoked when I saw this book coming this spring from Orbit. A fantasy novel where embroidery IS the magic? I immediately requested a copy and started reading when it arrived (though this then lead to mental confusion: should I READ about embroidery or actually DO my embroidery? Which will be more fun?!?!)
Sophie is a successful business woman, and in a land that is highly regulated with limited mobility for common folk, she is unique in her quick rise. But she possesses a special skill, the ability to sew charms into her elaborate garments. However, her clientele, the nobility of the city, put her in the awkward position of hovering between the wealthy aristocrats whom she serves and the poorer working class where she was born and still lives. Just as she begins to break into this upper class of clients (maybe even a dress commission for the princess and queen!), things begin to go sideways, starting with her brother, Kristos, who is leading a grassroots revolution. Tensions rise as Kristos and his ilk push against the restrictions of their current lives and Sophie tries to balance her ties to her brother, while also maintaining her relationship with her noble clients. But the situations is untenable, and eventually, something will fall…
I always love unique magic systems. There are far too many that simply say “and then magic!” But here, Miller has brilliantly mixed a subtle sort of magic in with a task that is often brushed aside as menial. It is a clever expansion on the “hedge witch” motif that so often appears in the background of other novels, women with barely understood abilities that they tie to the work of their gender, often in cooking and healing. It’s a clever way of taking a domestic task and imbuing it with power, all while acknowledging the value of the task itself, with or without magical elements. All along, Sophie’s success comes not only from her magical abilities, but from her acumen as a business woman and her sheer skill at constructing and predicting fashion.
Sophie also only has a limited understanding of how exactly her charms work, so as the book progresses, the reader gets to explore the inner workings and expanding possibilities of charms alongside her. But from the beginning, I enjoyed the small scenes of her sewing light into garments. It was such a peaceful, lovely image, especially for someone who sews herself.
Other than the magical elements, the majority of the story is devoted to the growing unrest between Kristos’s revolution and the nobility whom Sophie works with and befriends. Miller presents an excellent exploration of what it means to exist between the battle lines of a revolution such as this. When evaluating history, it’s too easy to slot everyone into one camp or the other, but to do so is to ignore what has to be the large number of individuals who just want to go about their lives, understanding the positions of both parties. Sophie has familial ties on one hand and a general sympathy to the plight of the less lucky commoner, but she also has faces to put to the nobility, and through her work with them, understands them to be individuals with their own worries and concerns. At its core, this is a story of the line where idealism meets pragmatism, and the truth of what revolt and revolution looks like for all involved.
The book isn’t perfect, however, and it was perhaps a bit long for my taste. The story begins to sag a bit towards the middle as Sophie struggles to find her role in this building conflict. It also focuses heavily on the ins and outs of her day-to-day life and work in the shop. I enjoyed many of these details, but it might be a struggle for others who are looking for a more action-packed story.
It also has a sweet romantic plot line. While I enjoyed Theodore, and thought that his and Sophie’s relationship was developed well, I also never became fully attached to it. I’m not sure why, really. I very much enjoyed Sophie as a character, but I think maybe Theodore was also a bit TOO perfect, which made him a bit less interesting. This is a minor quibble, however.
All in all, I really enjoyed “Torn.” It stands out as a unique in several ways, presenting a magical system built around a common, domestic task, as well as its close examination of what the middle ground could look like in the midst of a brewing revolution. For fans of classic fantasy, and those who are ok with a slower building read, definitely check out “Torn.”
Rating 7: Magical sewing and an introspective story of revolution make this a fun read, if a bit slower read.
Reader’s Advisory:
“Torn” is a newer book so isn’t on many Goodreads lists, but it is on “Crafty Magic.”
Publishing Info: Greenwillow Books, September 2015
Where Did I Get this Book: audiobook from the library!
Book Description: Lee Westfall has a strong, loving family. She has a home she loves and a loyal steed. She has a best friend—who might want to be something more.
She also has a secret.
Lee can sense gold in the world around her. Veins deep in the earth. Small nuggets in a stream. Even gold dust caught underneath a fingernail. She has kept her family safe and able to buy provisions, even through the harshest winters. But what would someone do to control a girl with that kind of power? A person might murder for it.
When everything Lee holds dear is ripped away, she flees west to California—where gold has just been discovered. Perhaps this will be the one place a magical girl can be herself. If she survives the journey.
Review: I always love it when I can find a book that crosses several of my preferred genres. This time it is fantasy and historical fiction. What’s more, the period of history is unique and I don’t think I’ve ever run across a book quite like this! There are a million and one fantasy novels set in Victorian England, a handful during the Regency period, and tons and tons set in some made-up world that pulls loosely from medieval history. But fantasy on the Oregon Trail? Haven’t heard of that! Let’s dive in!
Lee’s life isn’t perfect, but she has a loving family, a loyal friend, and a steady life filled with honest work. But she also has a secret, and one that she and her family have had to hide her entire life: she can sense gold. A gift that should make them rich, instead forces the small family to live in fear of their neighbors. And these fears are realized in the worst way when tragedy strikes. Now, disguised as a boy, Lee flees West, hoping that in a land said to be dripping in gold, her unique skill will go less noticed and she can lose those those who pursue her.
As I said, the book is set up to mix fantasy elements along with a historical setting. But let me just say now, the fantasy elements of this story are so minor that they might as well be non-existent. Lee’s gift serves as a driving force for much of the action, and motivation for her secrecy and the villain’s plots, but other than a few moments here or there, this “magic” plays almost no part in the story. Instead, what we get is essentially a novelized version of the game “The Oregon Trail.” This is not a complaint!
The dreaded screen of my childhood.
Once Lee is forced out of her home and onto the road, the story is very episodic in the way that it plays out. There are mini events (a robbery, a trip down the river on a raft, illness) all spaced between jumps in time during which she continues to travel. I very much enjoyed this style of writing, but I will warn that it could be read as slow and plodding for those less interested in the day-to-day life of a wagon trip such as this.
And when I compared it to “The Oregon Trail” I wasn’t exaggerating. The same locations are visited, like Independence Rock. There are the required discussions about provisions and wagon weight (should we bring that extra wagon axel??). There are measles attacks, complete with terrible characters leaving behind measles blankets. A stampede, as well as a show of the terrible over-hunting of bison that took place, wastefully leaving behind hundreds of carcasses that couldn’t be carried. I mean, all it needed was someone to die from a snake bite. Again, I enjoyed all of this as I haven’t really read many novels about traveling the Oregon Trail. But it definitely wasn’t providing anything unique in these areas, either, I will admit.
Lee’s own story is one of learning to balance maintaining her secret and also growing to trust those around her. I also always love stories where girls dress up as boys, and through Lee’s own experiences, it is starkly clear the differences in freedoms she is allowed traveling the trail in this guise. What’s more, we’re spared any of the silly “I have a crush on this guy but he doesn’t know I’m a girl!!” angst by the fact that her best friend, Jefferson knew her before she took up trouser-wearing. Jefferson is also half Native American, and between him and a freed African American shop owner Lee also befriends, the story does a good job of acknowledging and addressing the prejudices faced by these groups during this time.
For the most part, the other characters largely served in fairly stock roles. You have the leader of the wagon train, various families with different foibles, the doctor (who has his own secrets), and the family that Lee has signed on with as a helping hand. The wife in this family group was probably the most interesting secondary character presented (other than Jefferson). I really disliked her when she first showed up, but through out the story the author continued to reveal layers of her story that, by the end, left her as probably the most complex character in the party.
Like I said, the magical elements were pretty non-existent, so your enjoyment of this book solidly lies on how much you want to read a novel version of “The Oregon Trail.” But I do feel that Lee herself was a solid narrator, and if you can get by some of the distracting “old timey” elements of the way she’s written to speak/think, she’s a fun character to follow through a story like this. I’m also pretty intrigued by what will happen now that they’ve arrived in California (spoilers??) and the author will have done away with the Oregon trail happenings!
Rating 8: Light on the fantasy, but heavy on the Oregon Trail goodness!
Book Description: Raised to be a warrior, seventeen-year-old Eelyn fights alongside her Aska clansmen in an ancient rivalry against the Riki clan. Her life is brutal but simple: fight and survive. Until the day she sees the impossible on the battlefield—her brother, fighting with the enemy—the brother she watched die five years ago.
Faced with her brother’s betrayal, she must survive the winter in the mountains with the Riki, in a village where every neighbor is an enemy, every battle scar possibly one she delivered. But when the Riki village is raided by a ruthless clan thought to be a legend, Eelyn is even more desperate to get back to her beloved family.
She is given no choice but to trust Fiske, her brother’s friend, who sees her as a threat. They must do the impossible: unite the clans to fight together, or risk being slaughtered one by one. Driven by a love for her clan and her growing love for Fiske, Eelyn must confront her own definition of loyalty and family while daring to put her faith in the people she’s spent her life hating.
Review: I immediately requested this book when I strayed upon it on NetGalley. For one, I live in Minnesota, so it’s almost obligatory that I read any YA novel about Vikings. But that aside, the Viking things alone would be enough regardless of geography simply because it sounded like a breath of fresh air. I mean, I love fairytales and royalty fantasy fiction as much as the next person, but there’s been A LOT of those published recently. But a young woman Viking? Sign me up!
Eelyn is a warrior. Her father is a warrior, her brother was a warrior, before dying tragically several years ago, and her entire society is built around a strict rotation of warring and preparing to war with their rival clan, the Riki. But, as the book description above states, things go very wrong when she catches sight of her should-be dead brother battling against her clan alongside a fellow Riki warrior. Now, captured, alone, and surrounded by the enemy, Eelyn struggles to understand a brother she no longer knows and a people who seemingly frighteningly similar to her own.
The first thing I loved about this book was the author’s willingness to live in the world she built. Unlike other books, *cough*”The Cruel Prince”*cough*, Eelyn is a warrior and we SEE her fight. She kills people, and she doesn’t make apologies for it. This is her world, so why would she question these ways? Again and again, even as the battle lines move and the enemies change, we see Eelyn’s skills and why she is respected as a fighter. Further, there is never any mention of her gender playing any role in things. For one thing, she’s by no means unique for being a female warrior. Her best friend fights alongside her, and they have a practiced, methodical way of moving across a battlefield that only comes through much repetition and trust. So, too, in the Riki camp, women are just as likely to take up an axe or sword as the men. It was refreshing how free of comment this book was on this premise.
The action scenes in particular stood out. They are sprinkled throughout the story, successfully picking back up the pace just when things were on the verge of becoming a bit slow. The battles were also given a good amount of page time, with many details about the use of the land in strategy and the actual fights taking place. I was all over this, but it does mean you have to be a fan of battle scenes and sword/axe fighting to enjoy this book.
The storyline itself was fairly predictable. We all know going in that it’s going to be a pretty tried and true version of a main character learning that those she’s always hated might not be all that bad and oh look, here’s a convenient OTHER that they can both band up with against and she will be the point of connection between them. However, for all of that, I feel like the story was managed well and saved from too much predictability by the honest and challenging inner struggles that Eelyn goes through, particularly with her feelings towards a brother who she mourned but now finds alive and well, living with her enemy.
Eelyn is not a perfect person, and it is her imperfections that save what could have been a pretty typical story. Her anger, resentment, and prejudices do not go quickly or easily away. Even by the end of the book, it is still clear that she struggles to accept what her brother chose, and she is quick to understand and sympathize with her people’s distrust when she proposes banding together.
I did enjoy the romance as well, though it did progress a bit quickly for my taste. The book is fairly short, however, so this was maybe a bit unavoidable. What really made it was how free this plotline was from any grand romantic gestures or flowery, angsty prose. Fiske was an example of one of my more favorite romantic heroes: silent and steady. Between his solid presence, and the fact that most of the emotional stakes of the book were still tied up between Eelyn and her feelings towards her brother, the romantic plotline served as an understated but sweet portion of the book.
Again, given the shortness of the book, things did progress quite quickly throughout the entire story. I could have done with several more chapters of Eelyn’s time in the Riki village and a slower arc for her coming to understand these people. However, the writing was beautiful, particularly the descriptions of winter in the deep forest. And the action is appropriately violent and exciting. If you’re a fan of historical fiction and are looking for a quick, standalone read, I definitely recommend checking out “Sky in the Deep!”
Rating 7: A breath of fresh air in YA fiction, where the female warrior is appropriately badass and the action carries readers through what could be a slightly predictable story.
Reader’s Advisory:
“Sky in the Deep” is a new title, so it isn’t on many relevant Goodreads list, but it is on “2018 YA Historical Fiction.”
Publishing Info: Scholastic Paperbacks, March 1999
Where Did I Get this Book: own it!
Book Description:To rescue their android friends, the Chee, the Animorphs must use a giant squid morph to get to the Chee ship deep in a trench beneath the ocean. And they must reach the ship before Visser Three does.
Narrator: Rachel
Plot: Again, another book that I remembered very little about. I mean…like nothing. I remember this cover, and the obvious fact that it has to do with them having to deep dive in the ocean for some reason. But since it’s a Rachel book, I knew going in that somehow things would get tense. Poor Rachel is never left off the hook as far as existential crises go.
My general feelings towards Rachel and my own protectiveness of her! (source)
Rachel is feeling moody. Not only is she dismayed by her decreasing interest in things that she used to enjoy (like gymnastics), seeing this as further worrying proof of her enjoying battle a bit too much, but a cute guy named T.T. asks her out. And she hesitates. I mean, her current boyfriend is a hawk most of the time…Angry with herself, she turns to her one source of consistent relief: the mall. There, she runs into Cassie (shocking). As they wander, they see Erek. But something’s wrong, they’re seeing the REAL Erek, the android beneath the hologram. Knowing something is wrong, Cassie and Rachel manage to get him into a sci-fi store before he completely breaks down, losing not only the remnants of his hologram but his ability to move. Rachel calls for back up.
Jake and gorilla!Marco show up. They’re quick to claim that it’s just a very realistic gorilla suit as Marco hoists Erek up and hauls him out of the mall, onto a bus, and finally gets him back to his own home. There they discover that this is a world-wide breakdown for the Chee, all losing their holograms and ability to move. Erek and Mr. King theorize that something must have went wrong in the Pemalite ship which they hid at the bottom of the ocean a millennium or so ago. But before they deal with that, there are two Chee who weren’t able to hide themselves well. One is in a high security plant, somewhere the Animorphs will never be able to infiltrate. He will be discovered when the shift changes in 24 hours, giving the entire mission a short timeline. The other Chee was posing as a homeless person and is in an abandoned warehouse that the Chee know will be soon raided by police, some of whom are sure to be Controllers who will then get access to all Chee technology.
Quickly prioritizing things, Jake, Rachel, Marco, and Cassie head to the warehouse in various morphs, determined to get the Chee before she’s discovered. When they show up, the raid is just getting started. Rhino!Jake, elephant!Rachel, gorilla!Marco, and wolf!Cassie get to work. Things don’t go their way and they all get incredibly beaten up. Rachel is shot in the head, Cassie is paralyzed, Jake gets surrounded by cop cars. They only escape when Tobias and Ax show up, Tobias nabbing a gun and scaring the cops into hiding. Skunk!Ax cleans up the rest of them. They barely make it out, but do manage to return the Chee to the King household. From there, they begin fretting about reaching the Pemalite ship
They quickly realize that this is the most impossible mission they’ve been up against yet. None of their morphs can dive deep enough to reach the ship. Cassie says that a giant squid would be able to, but there are none in captivity. And to catch one themselves, they would need a sperm whale morph, also none in captivity. Through this all, the Animorphs have also started getting suspicious about the good luck they’ve had so far. Apparently all of the cameras were not functioning in the mall when they hauled Erek out, and there’s no word of anyone seeing them on the bus or walking around either. Defeated, they head home
At home, Rachel and her family are watching the news. They learn that just moments ago a sperm whale beached itself outside of the city. Rachel immediately calls BS on this. But she and the other Animorphs realize they have no choice but to play along with whatever force is aligning things like this. They fly to the beach. There Jake decides they will draw straws for the two will will acquire the whale. Rachel stares down Tobias until he caves and tells her which is the short straw. He then draws one himself and Rachel kicks herself for not realizing that he would do this. And knowing that Tobias is terrified of water, she feels awful for putting him in this position.
She and Cassie head down to the beach to help with the relief effort and Rachel manages to acquire the whale. Tobias swoops down to acquire it, but gets his talon stuck in its skin (a theme for him with aquatic animals, after the whole dolphin incident!). The other Animorphs have to dive bomb him in gull morph to knock him loose. Then they all morph dolphin and head out to sea.
Once they get a ways out, Tobias and Rachel morph the whale and get to work. As awesome as the morph is, they both struggle with the mental aspect of it, being so deep in the water. Just as they’re about to give up, Tobias spots the ship and Rachel spots a giant squid. She almost gets wrestled to her death fighting it, but Tobias shows up in the nick of time and finishes the job, hauling it up to the surface for everyone to acquire.
They all morph giant squid and go a-searching. Even knowing that Tobias found it once, they take a long time finding the ship again, almost running up against the two hour limit. Finally, they locate it, but they see what must be Yeerk submarines moving in quickly too.
The Pemalite ship is very accommodating, granting them entrance in their current forms and creating essentially large bubbles for their squid forms which they can move around the space in. The inside looks similar to the Andalites’ dome ship, with a large meadow full of trees, water, and what must be toys. The bridge is located in a tree, and the Animorphs are able to restore the Chee by typing in the super secret code of “6.” But suddenly the auto destruct is also turned on.
A creature calling itself the Drode steps out and explains all. He works for Crayak, and he has been the one behind all of the happenstances on this adventure. Crayak was displeased by the loss of his Howlers, so he had the Drode set up this confrontation between the Animorphs and the now arriving Yeerk forces, including Visser Three. However, per the rules, there is a way out.
Cassie quickly realizes that they need to shoot their ink and use its cover to demorph and remorph into battle morphs to better be able to fight back against the Yeerks. They do so, and the battle begins. The Animorphs, however, are losing, badly outnumbered by the Yeerks. They are only saved by the arrival of Erek who quickly reprograms the ship. It very politely informs them that it disapproves of violence, and forcibly ejects everyone while preventing them from re-engaging outside. The Animorphs make it back to shore, counting themselves lucky that Erek was able to reach them in the bare few minutes between them restoring the Chee’s functionality and the battle going poorly.
Xena, Warrior Princess: Rachel is gaining quite a bit of self-awareness, and with this self-awareness comes concern. In the very beginning of the book, she spends quite a bit of time reflecting and worrying about the fact that she is beginning to lose her interest and joy in things that held her attention before the war with the Yeerks. Like gymnastics. To a certain extent I imagine they all have to deal with this. I mean, yes, after flying, it’s hard to see vaulting in quite the same light. But Rachel knows that it’s not just that, and that she’s beginning to fall into a category that is scarily similar to addiction with regards to her anticipation and joy for battle.
Throughout this story, we see her battle with this aspect of herself, both in her own ability or inability to hold it in, and her continuing dismay at how she is viewed by the others, particularly Jake. Her moment pressuring Tobias into helping her cheat on drawing straws was a big example of this. Even she is scared of this mission and the deep depths of the ocean. But she can’t stop herself from putting herself forward and not allowing it to be left up to fate. She HAS to be the one, and she’s so single-mindedly focused on this part of it that she fails to anticipate the super obvious repercussions, that Tobias would naturally join up next. She kicks herself for it after, but it’s hard to know whether she’d have been able to hold back even if she HAD thought of it ahead of time.
The second ongoing internal struggle for her has to do with T.T. It’s not even the fact that he approaches her, it’s the fact that she hesitates. And for Rachel, who along with Marco probably, values loyalty the most of anyone in the group, this moment of hesitation is damning. This will be an ongoing struggle for them both, but here we see the particular challenges that Rachel faces. She’s still living a human life, surrounded by other humans. The challenges of balancing that with her very real feelings for a boy who is a bird the majority of the time are high. And Rachel already has a lot on her plate.
She’s also particularly disturbed by the Drode’s accusations that she is the only one of the group who might be worth sparing. He says that she’s already close to being one of them as it is, so if she ever wants to join up…I think this is taking it a bit far, but if the Drode’s goal was to take advantage of one of her major insecurities and worries about herself, he hit the bulls eye.
Our Fearless Leader: I’ve found that I have the hardest time with Jake in Rachel POV books. I really like him in all the others, but for some reason the dynamic between him and Rachel, as interesting as it is, can also lead to what I see as some of Jake’s worse moments. Here he has one good moment and one that I think is fairly bad.
He immediately catches on to Rachel using Tobias to cheat at drawing straws and pulls her aside to lecture her. This is a good moment for him, as clearly Rachel needs reminders that her actions have unintended consequences, like pulling water-fearing-Tobias into a underwater mission because he feels the need to look after Rachel. She doesn’t stop to think this through herself or realize that, alongside the bravery of volunteering, there’s also selfishness that hurts others, this time Tobias.
The other less good moment comes early when they are first discussing the ins and outs of this mission and realizing how impossible it will be (before said convenient whale beaching). Rachel says something about it being a suicide mission, since none of their morphs can dive that deep. Jake cuts her off and tells her she’s overreacting. This hurts Rachel, and, I think rightly, she suspects that had Cassie pointed the same thing out, Jake would have seen her as being sensibly cautious. Rachel takes this to mean that because she’s the “brave one,” she’s not allowed to react to terrible odds like the others. As we’ve already seen, and as will become even more apparent, Rachel is already suffering from the feeling that she can’t be vulnerable and look for support like the others. She has to be brave. ALWAYS. So Jake shutting her down here is pretty much just reinforcing an already problematic and unhealthy issue she’s got going on. Not well done, Jake.
A Hawk’s Life: Outside of his own books, it seems like Rachel books are the only ones where he gets significant action, so that’s always fun. His is a particular type of bravery here. He lets Rachel pressure him into telling her which are the short straws, but even as he makes this decision, we know that he is also deciding to go himself, an even more heroic choice given his own particular fear of water. And while they’re on the mission as whales, Tobias is the one to spot the Pemalite ship, save Rachel from the giant squid, and wrangle it to the surface. He makes a passing comment about being a master predator, and I think there might be more to it than is given in this throwaway comment. He IS a master predator. Of them all, this is unique strength from his time living day in and day out as one. Perhaps it’s not surprising that he would do the best in a hunting confrontation like this, regardless of the forms of the combatants involved.
Peace, Love, and Animals: Cassie and Rachel have some nice friendship moments in this book. They first meet up at the mall, and it’s always fun reading about the two of them in this environment: Cassie’s cluelessness and Rachel’s loving exasperation at her. They are the ones to first manage the whole Erek situation, calling in reinforcements with Jake and Marco. Later, in the fight in the warehouse, wolf!Cassie gets shot in the back and paralyzed, and this serves as a huge motivation for elephant!Rachel who becomes particularly enraged by this. Cassie also goes down to the beach with Rachel to help the whale and serve as an excuse for Rachel’s presence when she acquires it. Upon seeing it, Rachel swears that she will kill whomever did this (at this point, it’s pretty clear that someone is setting up the pieces for this entire thing), and Cassie vows to help. No one hurts animals and uses their lives as pawns on Cassie’s watch!
The Comic Relief: Gorilla!Marco does a lot of heavy lifting (ha!) in this one, being the one tasked with hauling both Erek and the homeless Chee to safety. He also has some good lines about the ridiculousness of the Pemalite “safety protocols.”
E.T./Ax Phone Home: Ax doesn’t have a lot in this book. Early in the story, Rachel internally comments that she’s glad Ax isn’t around when they come up to the warehouse and see the stark poverty and awfulness of it all, saying she doesn’t want to explain it to him. But then he does show up and uses his skunk morph to devastating effect, essentially bailing them all out of the entire disastrous affair. There are also some comparisons to the Andalite Dome Ship with the Pemalites’ ship that is full of meadows, streams, and toys. Though Ax scoffs at the fact that they have their bridge in a tree.
Best (?) Body Horror Moment: When Rachel first morphs the whale, she does so in a very bizarre manner, getting huge but not really changing out of human form. This results in Jake getting stuck in her hair and Marco making some pretty disgusting comments about the size of her pores. Not a mental image I needed, thanks.
Couples Watch!: The T.T. things makes some waves for our favorite couple, outside of just messing with Rachel’s head. In a moment of thoughtlessness, while she and Tobias are searching around as whales, Rachel blurts out that she was asked out. Tobias, like a fool, tries to play it cool and asks when the date is. Rachel then gets all huffy about how she turned him down. And Tobias, like an even BIGGER fool, asks why. Really, Tobias. Get it together. You know why and fishing around like this is never a good idea, especially not with a girl like Rachel who is so frank and upfront about things. He kind of just makes the whole thing even harder on her. But! I will forgive him for his bit of silliness for the huge gesture of his accompanying her on the whale adventure. For the very last lines of the book, we get this:
He really was cute. And so normal. So not Tobias.
He had almost certainly never eaten a mouse. On the other hand, he’d never morphed a sperm whale and gone to the bottom of the ocean while his brain was reeling with barely suppressed terror, just so he could look out for me.
“I’m gonna go get some wings and come on up there. Keep an eye out for me.”
<I always will,> he said.
If Only Visser Three had Mustache to Twirl: Visser Three shows up at the underwater Pemalite ship and straight up makes a villain speech. He literally opens with the lines “So. We meet again. For the last time!” You can’t get more classic villain than that! He then proceeds to morph a terrifying monster and do his usual.
The Drode is the interesting villain of this piece, calling himself a “wildcard.” The Animorphs quickly connect him to Crayak, and he doesn’t bother hiding it. He says that Crayak is pretty upset about his Howlers being ruined, so he sent the Drode. There are a lot of references to the last book, particularly Crayak’s particular hatred of Jake, and it seems like the Drode has similar almost all-powerful abilities, able to put all the piece in place for this showdown. The Drode also seriously messes with Rachel’s mind by saying that, unlike the others, she might be worth while as she’s closer to “their kind of people.” In the end, he leaves with this parting shot:
“If you ever find yourself desperate, Rachel. At an end. In need. Remember this: Your cousin’s life is your passport to salvation in the arms of Crayak.”
DUN DUN DUN.
Adult Ugly Crying at a Middle Grade Book: Two things, the scene when they first come upon the beached whale is super sad. Lots of depressing descriptions of it dying from its own weight, and the hopelessness of all the help that people are trying to do with buckets and such. This works out in the end, as the Drode has to save it since the whale is just over the boundary as a “sentient species” so it’s against Crayak/Ellimist rules to let it die. The other bit is just the general sadness that surrounds the remainders of the Pemalites and their fate. There are a lot of jokes about how simply the “defenses” of the ship are (their singled digit security code and such), but Cassie points out that they were a hopeful species. Rachel brings it down again by saying that’s why they no longer exist. Grim stuff.
What a Terrible Plan, Guys!: It’s not so much a terrible plan, but the fact that the battle in the abandoned warehouse goes so poorly for them is a bit hard to believe. I mean, they regularly go up against massive aliens covered in blades, other aliens shooting laser guns, and a guy who can morph into all kinds of crazy killing machines. And yet somehow a bunch of regular cops pretty much cripple them? I mean, I get that the book needed another big action scene, but I dunno, maybe have a bunch of Controllers show up wanting to get the Chee, too, or something. Erek says it best:
“No offense,” Erek said, “but how on Earth have you people managed to avoid getting caught for this long?”
Favorite Quote:
Another example of the great hamming it up that Visser Three had in this book:
The Pemalite ship carefully, politely, regretfully, packed the Yeerks, including a furiously enraged Visser Three, back into their modified Bug fighters.
<I’ll kill you all! I’ll take this ship apart, piece by piece! I’ll be back and nothing will stop me! You’ll die, all of you, Andalite and . . . and whoever runs this ship, I’ll kill you all!> Visser Three said. Repeatedly.
<We are so sorry you had a bad time,> the ship said. <Perhaps we can meet again someday and enjoy some pleasant activities together.>
And the always needed Rachel/Marco snark:
<0h, man, if we could take this technology, we could open a water park that would totally rule the world of water parks,> Marco said.
<Yeah, that was my first thought, too,> I said. <Water park dominance.>
Scorecard: Yeerks 6, Animorphs 12
No change to the scorecard! This whole ordeal was brought about in the bigger Crayak villain arc, so yeah, while they kept the Chee and the Pemalites out of the Yeerks’ hands, they didn’t really strike a blow to them either. The lines remain the same!
Rating: I actually really enjoyed this one. Rachel has a good internal arc with her fears of her growing addiction to violence and also her concerns about her relationship with Tobias. The adventure was fun and the stakes nice and high. The fact that they get stomped so thoroughly in the abandoned warehouse was a bit much, but the entire undersea adventure was great. The descriptions of being so deep and the fears this would inspire were particularly good. The Drode was also an interesting new player, and I enjoyed the fact that this story was so closely tied to the events of the last book. It’s always nice to feel like we’re reading a series in a necessary order, rather than just a bunch of standalone adventures.
Note: I’m not going to rate these books since I can’t be objective at all! But I’ll give a one sentence conclusion and you can take from that what you will!
Book: “Song of Blood and Stone” by L. Penelope
Book: “The Queen of the Tearling” by Erika Johansen
Book: “A Curious Beginning” by Deanna Raybourn
Book: “Owl Eyes: A Fairy Tale” by Molly Larzer
Animorphs #28: “The Experiment” by K.A. Applegate
Book: “Torn” by Rowenna Miller
Book: “Walk on Earth a Stranger” by Rae Carson
Book: “Sky in the Deep” by Adrienne Young
Animorphs #27: “The Exposed” by K.A. Applegate
The Library Ladies 