Serena’s Review: “The Court of Miracles”

Book: “The Court of Miracles” by Kester Grant

Publishing Info: Knopf Children’s, June 2020

Where Did I Get this Book: Edelweiss+

Book Description: In the violent urban jungle of an alternate 1828 Paris, the French Revolution has failed and the city is divided between merciless royalty and nine underworld criminal guilds, known as the Court of Miracles. Eponine (Nina) Thénardier is a talented cat burglar and member of the Thieves Guild. Nina’s life is midnight robberies, avoiding her father’s fists, and watching over her naïve adopted sister, Cosette (Ettie).

When Ettie attracts the eye of the Tiger–the ruthless lord of the Guild of Flesh–Nina is caught in a desperate race to keep the younger girl safe. Her vow takes her from the city’s dark underbelly to the glittering court of Louis XVII. And it also forces Nina to make a terrible choice–protect Ettie and set off a brutal war between the guilds, or forever lose her sister to the Tiger.

Review: Like every YA fantasy that has came out in the last couple of years or so, this book was marketed for fans of “Six of Crows.” Now, typically, that’s almost a warning off sign for me these days, as it seems this strategy almost always leads to disappointment when the book either turns out to be nothing like that one or, perhaps worse, way too similar. But this was also listed as an alternative history of the French Revolution and a retelling of “Les Miserables,” so I thought it was worth checking out.

After the failure of the French Revolution, the divide between the nobility and commoners has only gotten worse. In in the wake of much disorder, new points of power have risen in the form of nine crim guilds. Nina, a talented thief, works for the Thieves Guild, scraping together a life for herself and her adopted sister. But no one can stay hidden forever, even a master thief, and soon enough Nina finds herself thrust out of the comforts of her criminal underworld life and instead in a glittering and even more dangerous royal court.

Just to get it out of the way right away, I didn’t enjoy this book. I’m sure there are readers who will, but for me, it failed to deliver on any of the promises it set out for itself: It had no connection to “Six of Crows” that I could identify (other than ridiculously broad strokes in that they both deal with criminal underworlds); As a retelling of “Les Mirables” it pick and chose to such an extent that I’m not sure I would have made the connection between the two stories on my own; And as an alternative history, I found it to be wildly anachronistic and shallow in its world-building. So, yeah.

These were all issues on their own, of course, but the book isn’t helped by weak characterization and chopping storytelling. Many of the characters who were pulled from “Les Miserables” can be reduced to one trait descriptions that seem to serve as the entire foundation for their character. We’re given very little more than “This person is a revolutionary!” “This person is a thief!” Readers are either supposed to be satisfied with these bare minimums or superimpose more characterization onto these individuals from their comparative characters in the original story.

And the story itself is very choppy and includes several large time jumps. And during those time jumps, you guessed it, all the necessary character development has already occurred! Readers are just informed of the improvements in main characters without seeing any progression or natural development for themselves. Motivations are laid down in a clinical, info-dumping manner, and the story continues on.

Lastly, I really hated the “romance” in this book. I add the quotes because tehre really is no actual romance laid out. But there are so many possibilities of it that it began to feel ridiculous. I counted at least three love interests that were introduced over the course of this book. And while Nina didn’t devote any crazy amount of time towards any of them, it was still pretty annoying to be given the impression that everyone/anyone who came into contact with her was immediately attracted to her and has the potential of becoming a more serious love interest in the future. I’m so tired of this trope, and while it does seem to be slowing down in general, I’m always still disappointed when I see it pop up again.

I’m unclear who to really recommend this book to. It’s not like it was absolutely abysmal, but I also don’t think that it’s the kind of book that would appeal to the people it most seems to be trying to attract. Super fans of “Les Miserables” for sure will be disappointed. And fans of “Six of Crows” at this point know to be wary of most books that promote themselves as readalikes. I guess if you’re at all intrigued by the alternative history angle and have a fairly flexible approach to what history means, this may be worth checking out?

Rating 5: Not for me. It fails to live up to its own promotional tactics and fell into the trap of introducing too many love interests all at once.

Reader’s Advisory:

“The Court of Miracles” is on these Goodreads lists: 2020 YA Historical Fiction and Glittering Glamorous Fantasies.

Find “The Court of Miracles” at your library using WorldCat!

Serena’s Review: “Murder on Cold Street”

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Book: “Murder on Cold Street” by Sherry Thomas

Publishing Info: Berkley, October 2020

Where Did I get this Book: Edelweiss+

Book Description: Inspector Treadles, Charlotte Holmes’s friend and collaborator, has been found locked in a room with two dead men, both of whom worked with his wife at the great manufacturing enterprise she has recently inherited.

Rumors fly. Had Inspector Treadles killed the men because they had opposed his wife’s initiatives at every turn? Had he killed in a fit of jealous rage, because he suspected Mrs. Treadles of harboring deeper feelings for one of the men? To make matters worse, he refuses to speak on his own behalf, despite the overwhelming evidence against him.

Charlotte finds herself in a case strewn with lies and secrets. But which lies are to cover up small sins, and which secrets would flay open a past better left forgotten? Not to mention, how can she concentrate on these murders, when Lord Ingram, her oldest friend and sometime lover, at last dangles before her the one thing she has always wanted?

Previously Reviewed: “A Study in Scarlet Women” and “A Conspiracy in Belgravia” and “The Hollow of Fear” and “The Art of Theft”

Review: Overall, I’ve been enjoying Sherry Thomas’s “Lady Sherlock” series. I’ve found all of the mysteries to be appropriately complicated, and I’ve really liked the swaps and changes to staple characters that Thomas has added in. I have had some growing questions, however, as the series has continued, mostly having to do with the very slow burn romance, the use of Moriarty, and the role of Charlotte Holmes’s sister. So those were all elements I had on my eye on this go around. Kind of a mixed bag as far as results go, but I did enjoy this book quite a bit and more than the previous one, so that’s always good.

After returning from their last mystery, Charlotte Holmes and company are immediately set upon by a distraught Mrs. Treadles. Her husband, the inspector, has been arrested for a double homicide. Charlotte takes on the case, of course, but considering the locked room that Mr. Treadles is found in along with the two dead bodies, the mystery posed is quite a stumper. As she wades through the various clues, more and more questions arise with regards to the Treadles themselves, as well as with the family company over which Mrs. Treadles has recently taken operation.

To start out with the basic things I review, this book was successful in all the ways its predecessors were. The mystery itself is complicated with a wide assortment of red herrings, false clues, and various suspects, all with their own motives. Each time I thought I was beginning to piece together where things were going, I’d be pulled in a different direction and realize I’d been heading down the completely wrong path. The various motives and suspects that are introduced are all plausible, and many of them aren’t even directly laid out, leaving it to the reader to begin to piece together their own theories, never quite knowing what is going on in Charlotte Holmes’s mind.

The writing also continues to be solid and engaging. I’ve read quite a few of Thomas’s books over the years (I just finished one of her romances, which is the genre she started out in), and her writing style has always clearly unique to her and solid throughout a wide variety of genres. She has a way of writing that always seems to pull me in. It somehow manages to be completely engrossing and pull the story along quickly, even when the sentences themselves are often not incredibly action-packed and more often read in a more dry, lofty tone.

As for the concerns that have slowly been building as the series progressed, I’m happy to report that on at least one count things seem to be moving along. The romance between Charlotte and Lord Ingram seems to have finally turned a new bend. Things are obviously not resolved on this front, but I was pleased to see that the relationship itself was evolving, with Charlotte now being the one to confront her own role in this burgeoning relationship, what it has been in the past and what she wants it to be in the future. It was a nice change of pace to have Lord Ingram, for once, the more confident and secure in his decisions of the two. I’m curious to see where things will go from here!

On the other hand, however, my other two questions, those regarding the of Livia Holmes and Moriarty, were less satisfactory. Frankly, I would have preferred Livia Holmes to have been completely absent from this book. She only has a handful of chapters as it is, and her story felt wholly unconnected from the mystery and goings-on of the other characters. I think the character would be better served to show up when/if the story call for it, as, here, she felt shoe-horned in in a way that disrupted the flow of the greater plot line altogether.

In some ways, I have the same complaint/suggestion regarding Moriarty. I’d been starting to feel that the ties to Moriarty in every single mystery thus far were beginning to feel like a bit much. It’s maybe a bit of a spoiler, but the character once again is connected here, though in a very small, sideways manner. So small and so sideways, even, that I really questioned the necessity of involving him at all. It seems to be meant to continue building the tension between the inevitable clash between Charlotte and Moriarty, but honestly, here, it just felt tacked on and unnecessary. Most fans of this series are likely already fans of the original Holmes and need very little manipulation to become quickly invested in this rivalry. It also just begins to feel implausible that all of these mysteries that seem to randomly fall on Charlotte’s plate are also connected to this shadowy other character.

Overall, however, I really enjoyed this book. I thought the mystery itself was much more compelling than what we had in the previous book, and I was excited to see some movement on the romance front. Now, alas, another year or so until the next entry. Luckily, I’ve found a YA fantasy series also written by Thomas, so that’s probably on the schedule for this winter.

Rating 9: Another great entry in the “Lady Sherlock” series, though, bizarrely, I wish for a little less Moriarty.

Reader’s Advisory:

“Murder on Cold Street” is on these Goodreads lists: “Best Sherlock Holmes Fiction (Pastiches)” and “Historical Mysteries and Thrillers Featuring Women.”

Find “Murder on Cold Street” at your library using WorldCat!

My Year with Jane Austen: “Northanger Abbey”

Book: “Northanger Abbey”

Publication Year: 1817

Book Description: Jane Austen’s first novel—published posthumously in 1818—tells the story of Catherine Morland and her dangerously sweet nature, innocence, and sometime self-delusion. Though Austen’s fallible heroine is repeatedly drawn into scrapes while vacationing at Bath and during her subsequent visit to Northanger Abbey, Catherine eventually triumphs, blossoming into a discerning woman who learns truths about love, life, and the heady power of literature. The satirical novel pokes fun at the gothic novel while earnestly emphasizing caution to the female sex.

History – “I read it a little as duty, but it tells me nothing that does not either vex or weary me.”

“Northanger Abbey” was written long before it was published, likely around 1798 or 1799. Austen then shelved the novel and didn’t even send it to a publisher until 1803 for 10 pounds. And there it languished, even though Austen has been assured it would be published soon. After six years, Austen wrote to the publisher under a pseudonym to complain. She signed it thus:

I am Gentlemen &c &c                                                                 

– MAD.

She was given the option to buy it back, but couldn’t afford to do so until several years later. At this point, Austen was concerned that the novel would be as relevant as many of the gothic novels and authors that are referenced in the book were decidedly of the time when it was originally written, now over a decade earlier. Austen was also focused on her new novel, “Persuasion.” Shortly there after, Austen passed away. The book along with her others and the copyrights to the published novels passed to her sister. After some negotiation, “Northanger Abbey” finally came to the public in December of 1817 almost twenty years after it was originally written.

Story – “The person, be it gentleman or lady, who has not pleasure in a good novel, must be intolerably stupid.”

Catherine Morland comes from a large but perfectly normal family. But adventure makes its way to her in the form of a trip to Bath with some wealthy family friends, the Allens. Once there, she is ready to view the world through the lens of her gothic novels that she loves to read. However, life seems rather ordinary, if still more exciting than her small-town. Luckily, a hero enters her world in the form of a gentleman named Mr. Tilney who is very lively and perfectly suits Catherine. Her social circle then extends further with the introduction of the Thorpe family and the eldest daughter, Isabella, who quickly becomes Catherine’s fast friend.

While Isabella’s temperament is much more lively than Catherine’s with much nonsense about hating flirting while flirting constantly herself, Catherine is happy to have a friend. Soon after, Isabella’s brother, John, comes to bath bringing with him Catherine’s own brother, James. It becomes quite clear that James has been in love with Isabella for some time (having met the family earlier that year). Catherine is informed that John is a good man more than she sees it herself, often finding him to be loud and verging on rude. Her biggest complaint comes at a ball where she is forced to uphold a commitment to dance with John at the detriment of her greater desire to dance with Mr. Tilney. She does make the acquaintance of his sister Miss Tilney and makes plans to go on a country walk with the two of them the following day.

The next morning, however, she is bombarded by James, John, and Isabella to join them on carriage rides out to visit a castle. Catherine informs them that she has previous plans, but they continue to badger her on and on. Eventually, John informs her that he saw the Tilney’s heading off in their own carriage, so they clearly meant to skip the walk based on the early morning rain. Catherine doesn’t know what to do, but eventually gives in, more in the hopes of seeing the castle than spending more time with John in his carriage. But shortly after setting off, Catherine sees the Tilneys walking down the street towards her house. John refuses to stop and let her out, however, and Catherine ends up trapped on the trip. They don’t even make it to the castle, and Catherine ends the day very upset knowing the Tilneys must be confused and hurt by her behavior.

The next day, she goes out of her way to track down the Tilneys and explain the situation. She’s so earnest and clearly upset that they both quickly forgive her. She also meets their father, General Tilney, a stately man who Catherine saw John speaking to earlier. He is extremely gracious and urges the friendship on between Catherine and his son and daughter. Soon after, they are able to schedule their walk, and Catherine grows closer with Miss Tilney and continues to enjoy greater attachment to Mr. Tilney.

Soon, Isabella approaches Catherine with exciting news: she and James are engaged! Catherine is thrilled, though confused by Isabella’s worries that she is not James’s financial equal. James quickly makes his way home and returns with glad tidings that his parents approve and will be able to give him a decent, though not large, amount of money and living in a few years. Isabella is greatly put-out, but insists she never complains. Much to Catherine’s dismay, however, she sees Isabella behaving more and more poorly by flirty with Mr. Tilney’s older brother who has also come to town. Catherine sees that this behavior hurts her brother and doesn’t know what to make of it.

She is diverted to more pleasant things when she receives an invitation to visit the Tilney’s at their home of Northanger Abbey. Catherine is thrilled, not only to be spending more time with her dear friends, but also at the prospect of wandering through such a dramatic, gothic location that is sure to hide all sorts of dreadful mysteries (per her novels, of course). Mr. Tilney laughs at her anticipations, and Catherine is happy enough to laugh at herself, too. But upon arrival, she can’t help but become intrigued by mysterious, old chests and wardrobes set up in her room. All she discovers, however, are old washing lists and the extent of her own silliness.

Life at the Abbey is ruled by the strict schedule of the General. While still very gracious to Catherine, he also has strange habits and refuses to let Eleanor show Catherine the deceased Mrs. Tilney’s rooms. Catherine begins to become more and more suspicious of the General’s relationship with the dead Mrs. Tilney. Is she even dead at all, or locked up in some drafty corner of the Abbey? Catherine decides to explore on her own, but is caught by Mr. Tilney in Mrs. Tilney’s very normal-looking rooms. He immediately figures out what Catherine was up to and chastises her for letting her imagination rule her. Catherine is extremely ashamed of herself and upset that she has lost Mr. Tilney’s respect forever. However, he goes out of his way to make her comfortable over the next few days, and Catherine comes out of the ordeal having learned a much needed lesson about sensational novels and real life.

During her visit, she receives an upsetting letter from her brother James saying that the engagement between him and Isabella is off. He hints to her behavior being increasingly concerning and notes that Catherine will soon hear news about Isabella’s upcoming attachment to the Tilney family. Both Miss and Mr. Tilney are sure that whatever poor behavior has taken part, it is very unlikely that their older brother will become engaged to someone as poor and lowly as Isabella. Sure enough, Catherine does hear from Isabella who pleads with Catherine to intercede with James on her behalf fearing there has been some sort of “misunderstanding.” Catherine is appalled and, now finally seeing Isabella for what she is, swears off the friendship forever.

Her happy visit comes to an abrupt and confusing end, however, when the General returns from a trip and insists that Catherine leave at once. She is practically forced out the very next day and sent home alone and by post. Catherine is confused and upset. Eleanor is beside herself at the poor treatment of her friend. And Mr. Tilney is from home when it all happens, so Catherine doesn’t even get to say goodbye to him. She arrives home safely, but is much out of spirits, to her parents’ great dismay.

Shortly after, however, Mr. Tilney arrives to clear matters up. He confesses that General Tilney is a bad tempered man who only wants his children to marry fortunes. He was deceived by John Thorpe into thinking that Catherine was very wealthy, hence his immediate approval of her. Later, a bitter John also exaggerated just how poor Catherine’s family was which lead to her dismissal from Northanger Abbey. Mr. Tilney proposes to Catherine, and while they are happily in love, they worry about their future, needing the General’s approval to marry. Eventually, however, Miss Tilney becomes engaged to a very rich man and insists that her father approve of Mr. Tilney and Catherine which he grudgingly does, and the two get married.

Heroines – “I hate to hear you talk about all women as if they were fine ladies instead of rational creatures.”

Catherine Morland is the quintessential heroine. For all that she’s the main character in a book that is largely a satire of the popular Gothic novels of the time, she’s still a very likable, undestandable character in her own right. She both acts her age, but is also not overly silly and dramatic. Especially against the backdrop of Isabella’s behavior, Catherine’s own nonsense is all kept well in check for the most part (silliness at the Abbey aside). It’s easy to see how both Tilney siblings would be drawn in by her earnest, naive goodness. She’s truly bewildered when coming up across the Thorpe’s and elder Tilney’s of the world, having very little ability to anticipate the foibles or meaner streaks of others. The reader easily sees through both Isabella and John, but not poor Catherine.

She does make her fair share of mistakes, but they all are of the type that seem to come from her young age rather than anything else. She also always pays a price for her poor choices. We see her get talked into the carriage ride with Isabella, James, and John. Though to be fair to her, this is only after she resists for quite a while and then is lied to. But, again, she’s so earnest in her apology to the Tilneys, so not bothered by laying all of her feelings out in the open, it’s easy to understand why she is quickly forgiven. Later, when John Thorpe tries to pull a similar move, she’s even stronger and immediately corrects the situation.

Obviously, her behavior at the Abbey is her at her worst, though even there much of her nonsense is contained to her own antics in her room. But she is discovered by Mr. Tilney in her grim imaginings of the late Mrs. Tilney and is quite chastised by him. One can only imagine how humiliating this entire situation would be. It’s a credit to both of them that they recover as well as they do. From there, one can only expect that Catherine has gotten most of her nonsense out of her system and will grow into a very proper young woman. At her heart, she’s clearly a good sort of girl. She’s definitely the most simple of Austen’s heroines, but this doesn’t make her less compelling. And, as an excuse if she even needs one, she’s definitely the heroine of the most straight-forward story. There is very little drama, confusion, or general angst that she must deal with. And thus she’s allowed her simple flaws and her vast reward at the end.

Heroes – “What are men to rocks and mountains?”

While it can be argued that Edmund rather deserves to be one of the more forgotten Austen heroes, what with his main love arc being with an entirely different woman than the one we’re rooting for, it’s unfortunate that Henry Tilney is routinely also falls in this lesser-known category. Unlike Edmund, Henry has his head on straight from the very beginning, and beyond that, he is probably the most likable hero we’ll find in Austen’s entire catalog. He’s definitely the best humored. We don’t have pride, or restraint, or shyness, or prior bad decisions that are haunting him, etc. etc. No, he’s gallant, funny, and likable from start to finish. The worst that can be said for him is that he probably comes to love Catherine largely due to her initial interest. And this speaks more to Austen’s clear-eyed view of how love affairs often go than to any actual flaw on Tilney’s part.

Probably one of his best moments in the book is how he handles discovering Catherine’s wild suspicions about his father. Of course, he’s been teasing her about her love for gothic novels (though admits to devouring them himself, as well), but it had to be truly shocking to see her take her imagination that far. He’s fairly frank in his assessment of her behavior and tells her so. But then…but then! Austen goes into great detail to describe the effort that Mr. Tilney puts out that evening and over the next couple of days to make Catherine feel comfortable again. It shows not only great awareness on his part, understanding how awkward and uncomfortable she must be feeling, but also just a truly kind spirit who does not hold things like this against a young Catherine.

Villains – “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.” 

For villains, we have the Thorpe siblings and Colonel Tilney himself. The Thorpes are both the more obviously rotten apples from the very start. This is where poor Catherine is truly let down by the shoddy guardianship of Mrs. Allen. Most of Mrs. Allen’s foibles are contained to silliness about clothes and not having much to say, but in overseeing her young ward’s new friends, she really drops the ball. Isabella is less obviously bad, but John Thorpe shows his colors almost immediately. He’s rude, brash, and generally unpleasant. The wildness of many of the group’s plans are also clear warning signs to any good guardian, and even Catherine goes so far as to express surprise that Mrs. Allen didn’t say anything about whether the planned carriage rides were all together proper. To her credit, Catherine is never convinced that John is quite the thing from the very start and even wonders a bit at her brother’s praise of him. And then, of course, the shock and horror of finding out that John thought she was encouraging him!

Isabella is a tougher nut to crack, and it’s easier to see how Catherine could have the wool pulled over her eyes easily by a young woman who so quickly proclaims Catherine dear to her. Up to the point where Catherine meets Isabella, it’s clear that she is quite lonely. So a firm friend with almost built-in intimacy was sure to be a great temptation. And it would take some very clear thinking to really dig through all of Isabella’s grand speeches about her own values and compare them, clear-eyed, with Isabella’s actual behavior. But Catherine is still quick to see that something is not right in Isabella’s treatment of her brother and with her flirtations with the elder Tilney. While we feel for Catherine’s distress when it all comes crashing down, the reader at least feels a good amount of smug approval at the way Isabella’s blatant scheming leaves her ultimately with nothing.

Colonel Tilney fulfills the more traditional villain role as the one to keep our hero and heroine from each other. Of course, this only after he spends a good majority of the book pushing them together. We later learn, of course, that his behavior, first at encouraging the couple and then evicting Catherine, all come from John Thorpe’s big mouth. But these are still actions of a selfish, hard-hearted man. The Mr. Tilney and Miss Tilney’s clear discomfort when around their father is the first clue, and even Catherine notes that his presence a

Romance – “A lady’s imagination is very rapid: it jumps from admiration to love, from love to matrimony in a moment.”

This is the most straight-forward romance in all of Austen’s books. Girl meets boy. Girl falls in love with boy. Boy falls in love with girl. Girl does something foolish, but boy quickly forgives her with no misunderstandings or drawn-out angst. Father tries to interceded, but boy and girl get married in the end. But it’s also a testament to the fact that a good romance story doesn’t need to be mired in drama, lack of communication, and unnecessary misunderstandings. Mr. Tilney and Catherine are sweet, likable, and the reader is invested in their relationship from the very beginning.

Of course obstacles are put in their way, but even those are few and far between and often fairly quickly dealt with. Any early misunderstandings between the two of them are quickly rectified by, shocker!, actually talking about the situation. Catherine goes out of her way to track down Mr. Tilney and explain what happened over the missed engagement for their country walk. And when Catherine is caught in her nonsense and the Abbey, Mr. Tilney is quick to go out of his way to reassure her that his attachment to her is unchanged. And, of course, after Catherine is banished from Northanger, Mr. Tilney quickly follows to make his apologies to her and her family and declare himself to Catherine. From their, being a Jane Austen novel, the rest of the couples problems are succinctly dealt with while also assuring that Eleanor Tilney also gets her own happy ending.

Comedy – “For what do we live, but to make sport for our neighbors, and laugh at them in our turn?”

Before she shows the depths of her true character, Isabella Thorpe is good for some laughs early in the book. Unlike Catherine, the reader quite quickly picks up on the disconnect between Isabella’s statements and her actions. There is an especially funny moment when Isabella starts bemoaning two gentleman that she claims are plaguing her with their unwanted attention. But then they leave, and she essentially drags Catherine after them in a chase to catch up to them once again and regain their attention.

Mrs. Allen is also a pretty good comedic character. She doesn’t have a ton of page time, but we still get a pretty good picture of her personality. Constantly fretting about her clothes and repeating the same useless sentiments over and over again followed by no change in her actions, it’s easy to see how Catherine could be quickly taken in by the excitement of a new companion like Isabella Thorpe.

And, like I said earlier, Mr. Tilney himself is pretty funny. More than any other Austen hero, we see Tilney poking fun at Catherine as well as himself throughout the story. We also see a lovely sibling relationship between him and Eleanor Tilney, with Eleanor often stepping in to explain her brother’s ridiculousness to a bewildered Catherine. We’ve seen a lot of good sibling relationships, but Eleanor and Mr. Tilney stand out in being the most equal-seeming and essentially teamed up against the trials of their family life. Catherine really strikes gold in them both, ending up with an excellent husband and a supreme sister-in-law to boot.

Favorite quotes – “What did she say? Just what she ought, of course. A lady always does.”

“[I]t is well to have as many holds upon happiness as possible.”

I’ve always loved this quote and have used it as a touchstone in my own life at points. It’s just such straight-forward, good common sense. And a nice reminder to not let any one thing or person becoming too defining in our own life. Of course our loved ones are at the center of it all, but our happiness is not reliant on them. Happiness is entirely our own responsibility, not someone else’s, and with that in mind, why not give yourself the best chance of success by finding happiness in a wide range of things?

“Miss Morland, no one can think more highly of the understanding of women than I do. In my opinion, nature has given them so much, that they never find it necessary to use more than half.”

This is a quote from Mr. Tilney and one that is immediately followed by Eleanor Tilney’s continued scolding/teasing that he is misrepresenting himself to Catherine. It’s a funny comment on its own, and a good example of Mr. Tilney’s excellent sense of humor.

“I cannot speak well enough to be unintelligible.”

Another good, short quip that I always wish I could remember to pull out at just the right moment. Alas, I cannot speak well enough to quote literature at the perfect moments.

Final thoughts – “I declare after all there is no enjoyment like reading!”

I’m not going to go into much as far as final thoughts for this book. Funnily enough, “Northanger Abbey” had previously been probably one of my least re-read books of Austen’s, but I’ve now read and reviewed it in some form or another twice in the last year and a half! That, and because the book itself is fairly short, is why I’m only devoting one post to reviewing this book. But for some more general thoughts from both me and Kate, check out our Bookclub Review of “Northanger Abbey.”

In two weeks, I’ll review the 2007 movie “Northanger Abbey.”

Serena’s Review: “How to Break an Evil Curse”

Book: “How to Break and Evil Curse” by Laura Morrison

Publishing Info: Black Spot Books, October 202

Where Did I Get this Book: NetGalley

Book Description: The King of the Land of Fritillary has incurred the wrath of his ex-bestie, the evil wizard Farland Phelps. Farland curses the King’s firstborn to die if touched by sunlight, and just like that, Julianna must spend her life in the depths of a castle dungeon (emptied of prisoners and redecorated in the latest fashion, of course). A young woman of infinite resourcefulness, all she needs is a serving spoon, a loose rock in the wall, and eight years of digging, and Julianna is free to explore the city—just not while the sun is out!

Warren Kensington is a member of a seafaring traveling theater troupe and the unwitting magical cure to the curse. When the pirate ship he’s sailing on is damaged in stormy seas, he goes ashore and bumps into Julianna on the streets of the capitol. The pair accidentally set in motion a chain of events that uncovers Farland’s plans to take over the throne. Julianna, Warren, and some friends they meet along the way are the only ones who can save the monarchy.

But the farther they go along their increasingly ludicrous journey, and the more citizens they meet, the more Julianna wonders whether her dad’s throne is worth saving. From an evil and greedy wizard? Well, sure. But from the people of Fritillary who are trying to spark a revolution? The people suffering in poverty, malnutrition, and other forms of medieval-esque peasant hardship? It doesn’t take Julianna long to find that the real world is far more complicated than a black-and-white fairytale.

Review: I’m always on the look out for a good fantasy/comedy series. While most of what I consider good fantasy obviously contains comedy elements, it’s typically nothing more than some witty dialogue. Nothing that would justify an added genre to the book itself. But, of course, they exist! “The Princess Bride” is a perennial favorite. And as I just discovered in a recent review of “The Princess Will Save You” , the comedy is central to the success of that story. So I was excited to see fantasy story that was actively marketed as a comedy, finally!

Julianna has grown up in a dungeon. Well, a dungeon that her mother practiced her interior design skills on to make as comfortable as possible, but there’s no getting rid of the decidedly dungeon-ness of it all, old prisoner ghosts and all. But with a curse that dooms her to death if touched by sunlight, Julianna’s royal parents didn’t see another choice. But that hasn’t stopped Julianna from taking things into her own hands and tunneling outside the castle walls. There she meets the young man who could be her salvation, a strange mix of boy who loves music and grew up on a pirate ship. Things only get more strange from there as they set out on an adventure that may finally free Julianna from her curse.

This book was an interesting read. There were times where I was all in on it and its concept, laughing out loud and just enjoying the romp that was being laid out before me. But at other times, I found the humor and comedy elements to be almost relentless and a bit overbearing. Unlike “The Princess Will Save You” that was almost aggressively earnest and lacking witty dialogue even, this book throws itself as the comedy element, never letting a single joke slide by. It’s a tough thing to review or critique because much of it was successful. The story uses footnotes to pretty great effect and doesn’t ever take it or its own ridiculous concept too seriously. But at other times, I felt I need some sense of weight or a different emotional tone to help balance out this nonstop comedy.

The characters themselves sere all very engaging, maybe especially the villains and the backstory we get for them at the very beginning of the story. I also liked Julianna and Warren, though it was with these two main characters that I most wished for a bit more emotional depth from the book. The funny moments for them hit home, but it was hard to feel truly invested in either of their stories when everything was played for laughs.

The pacing was also a bit strange in the book. As I mentioned, the first part of the story focuses on the villains and their history with Julianna’s parents and the curse that is ultimately laid upon them. So there are a number of time jumps involved in telling this part of the story. Id din’t find it confusing or anything, but it does take a while for the story to finally settle in on our main characters. It seems to take quite a while for them to even meet.

Lastly, I do want to touch on the marketing failure with this book. From what I saw, this was being marketed as a high fantasy novel. This isn’t doing anyone any favors. Not the book, not the author, and not the readers. High fantasy is a fairly specific brand of fantasy (we’re talking “Lord of the Rings” and “ASOIAF” type fantasy). It is usually more serious, has a grand scope, and includes a lot of complicated world-building. But it is by no means the only type of fantasy, and it’s also not “better” fantasy than any other type. I think too often that seems to be the perception which then leads to publishers trying to attach that genre description to all of their new releases in the hopes of attracting more readers. But it’s not “better!” Sure, some people prefer that type of fantasy, but others actually prefer more light-hearted fantasy or want a good fantasy comedy now and then. By not properly identifying the book, you have a bunch of readers picking it up expecting the wrong thing and becoming disappointed. And then the readers who were actually looking for this type of book could be put off by the often intimidating aspects of what we expect from typical high fantasy. It’s too bad, because I feel like they almost set this book up to fail by doing this.

So, while it’s definitely not high fantasy, if you are looking for a comedy fantasy story, this might be a good one to check out. Just know that when I say comedy, I really mean it. In some ways the comedy aspect felt more prevalent than the fantasy itself.

Rating 7: A fun enough story, though missing the necessary emotional weight to balance out all of the fluff and laughs.

Reader’s Advisory:

“How to Break an Evil Curse” is a newer title, so it isn’t on any Goodreads lists yet. But it should be on “Fantasy-Comedy Novels Outside of ‘Discworld.'”

Find “How to Break an Evil Curse” at your library using WorldCat!

Serena’s Review: “Blood & Honey”

40550366

Book: “Blood & Honey” by Shelby Mahurin

Publishing Info: HarperTeen, September 2020

Where Did I Get this Book: Edelweiss+

Book Description: After narrowly escaping death at the hands of the Dames Blanches, Lou, Reid, Coco, and Ansel are on the run from coven, kingdom, and church—fugitives with nowhere to hide.

To elude the scores of witches and throngs of chasseurs at their heels, Lou and Reid need allies. Strong ones. But protection comes at a price, and the group is forced to embark on separate quests to build their forces. As Lou and Reid try to close the widening rift between them, the dastardly Morgane baits them in a lethal game of cat and mouse that threatens to destroy something worth more than any coven.

Previously Reviewed: “Serpent & Dove”

Review: Well, after enjoying the first book well enough this summer, it was kind of a given that I’d include it in my fall reading schedule. After all, I’d had a lot of success this summer with reading books that had been very popular last year and then were followed up by equally good, if not better, sequels (“The Merciful Crow” and its sequel, for example!). And, while the first book in this duology (ugh trilogy) wasn’t as strong as that one, it still caught my interest, and I had hopes the trend would continue. Alas, no. Not only did the trend decidedly not  continue, but I actively disliked this book and am probably out on this (again, ugh ) dulogy-turned- trilogy.

After the dramatic events at the end of “Serpent & Dove,” Reid, Lou and their friends find themselves on the run and in need of allies. Their search is a long and arduous one, pushing them all to the limits. On top of this all, Reid and Lou are still managing the new waters of their marriage after secrets on both of their sides have now been revealed. Will they all be able to stand strong together and will they be able to outwit the powerful force amassing against them?

So, that’s a pretty junky book summary that I just wrote. And that’s because…this is a pretty junky book? Seems harsh, but I really am having  a hard time coming up with any positive to say about this book. The problems start right away when I can’t write a good summary of this book because nothing happens in it. And it’s over 500 pages long! Instead of any plot to speak of, it’s made up of angst, drama, out of character actions/thoughts, and the worst case of “middle book syndrome” that I’ve ever seen. Part of the blame for this is, of course, because either the publisher or author (I’m guessing this was pushed by the publisher after the success of the first book) decided to stretch what originally envisioned as a duology into an unnecessary trilogy. And it shows. In a bad, bad way.

There is practically no action in this book until the last 40 pages. It’s just Lou, Reid and the others looking for allies, and with not much success. It’s not so much a story plot as a story plot point…a small one, at that. Definitely not one that justifies this book’s extreme length either. I mean, on one hand, it was always going to be a hard sell changing what was meant to be a duology into a trilogy kind of late in the game. But then to make the now-added middle book into a massively long middle book? The plot can’t support it. The character arcs (if there are any to speak of) can’t support it. It’s just not good storytelling.

The other major problem for me was in in the character arena and the romance. As I pointed out, this book was clearly stretched too thin on plot, and it feels the same with the characters. Their arcs no longer felt natural, but instead each character felt, at best, wildly out of character at times, and at worst, like they had been made into totally unlikable, totally different characters altogether. I struggled with Reid’s likablity in the first book. He was downright unpleasant in this one. His overly protective attitude towards Lou was in no way endearing and was often aggressively sexist in its portrayal. When he wasn’t caught up in that, it was internal angst and indecision all the live long day. Lou was a bit better, but still less likable than she was in the first. For her, much of her “arc,” such as it was, was more confusing than anything. She seemed to lose much of the personality she had in the first book and was at times almost unrecognizable.

To top a bad situation off, the book ends on a massive cliffhanger. And at this point, given how bad the rest of the book had been, this did not have the desired affect of cajoling last minute interest out of me, but instead just pissed me off more. It’s almost as if the publisher/author knew the book on its own wasn’t enough to keep most fans around, so they added this final twist as a last ditch effort. Really, the entire book seems to serve an example of publishing greed gone to far. If it had remained as a duology, with this the second and final portion, I’m sure we would have had a lot more actual plot and a lot less unnecessary character drama. The tone of the entire series could have remained consistent, and fans would have been satisfied. Instead, out of a need to squeeze the last drops out of the golden goose that was the first book, the series was stretched to a breaking point that is now losing fans. At least, they’ve lost me.

Rating 4: Supremely disappointing and barely recognizable as having come from the same author as the first book.

Reader’s Advisory:

“Blood & Honey” is on these Goodreads lists: “2020 YA Sequels” and “Can’t Wait Sci-Fi/Fantasy of 2020.”

Find “Blood & Honey” at your library using WorldCat!

Serena’s Review: “The Silvered Serpents”

45044785Book: “The Silvered Serpents”  by Roshani Chokshi

Publishing Info: Wednesday Books, September 2020

Where Did I Get this Book: NetGalley

Book Description: Séverin and his team members might have successfully thwarted the Fallen House, but victory came at a terrible cost — one that still haunts all of them. Desperate to make amends, Séverin pursues a dangerous lead to find a long lost artifact rumored to grant its possessor the power of God.

Their hunt lures them far from Paris, and into the icy heart of Russia where crystalline ice animals stalk forgotten mansions, broken goddesses carry deadly secrets, and a string of unsolved murders makes the crew question whether an ancient myth is a myth after all.

As hidden secrets come to the light and the ghosts of the past catch up to them, the crew will discover new dimensions of themselves. But what they find out may lead them down paths they never imagined.

A tale of love and betrayal as the crew risks their lives for one last job.

Previously Reviewed: “The Gilded Wolves”

Review: I wasn’t blown away by “The Gilded Wolves,” the first in this YA fantasy trilogy. But as I liked it more than Chokshi’s other books I’ve read and the cast of characters was compelling, I decided to keep going with the series. Well, I have, and…I don’t think I liked this one any better? Maybe worse? And yet I still will probably read the third? I’m not sure what this says about me as a reader or about the trilogy itself. Me, probably a completionist. The trilogy, something about it must be intriguing enough to keep me invested.

Things have kind of fallen apart for our crew after the dramatic events at the end of “The Gilded Wolves.” Each on their own, each has been trying to make their own way in the world, feeling cut-off from the rest. But when a lead on “The Divine Lyrics,” the magical book at the heart of Severin’s (and Laila’s) quest, finally comes to light, Severin brings them back together for one last adventure. Into the heart of the north and through mysteries new and astounding, the crew must once again bring each of their unique skill sets to hand in order to pull of this last job. But, of course, nothing goes as planned and a darker price is waiting than any of them could have imagined.

So, a lot of the problems I had with the first book (and with this author in general) were still present here, unfortunately. There’s something about her style of writing that I struggle with. On one hand, there’s the turns of phrase that seem to be written more because they sound beautiful and poetic rather than the fact they convey any actual image. The titles, for example, of both of these books doesn’t seem to really connect directly to much in the story. But they sure sound pretty! Most of the time it didn’t bother me too much, but there were definitely other times when I would re-read a sentence and be like “Sure…sounds nice…but…what?” And that confusion carries over to my second struggle with the writing.

While the author does a good job with characterization for the most part and clearly has a bunch of unique fantasy ideas. She’s not lacking in imagination on either front. But when it comes to the actual description of locations, objects, and how they interact with each other…it’s just not good. There were entire locations (where the book spent a significant amount of time) that I couldn’t describe to you. There was an entire action scene that was a blur of movement, and by the end, again, I couldn’t tell you what exactly had happened. The writing looks pretty on the front of things, but it too often failed at its most basic requirement: conveying ideas clearly.

I also struggled with the plot itself. The mystery was both at times not clear at all (Severin and his cohort would jump through leaps of logic that were either impossible to follow or just totally unbelievable that anyone would connect those dots). And at other times so bizarrely obvious that I couldn’t be less impressed when AHA! the reveal finally came and Severin and his crew were just oh, so clever for putting it together.

And, sadly, on top of all of this, my favorite part of the first book, the characters, was a let-down here as well. They’re all still interesting enough, but man, this was a glum book. Severin was practically unrecognizable, and his decisions were, again, hard to buy at times. As for the rest, they all seemed to become more and more caught up with unnecessary secret keeping that served no other purpose than to stir up more drama. It was just all kind of sad and tiring.

And yet…I’m probably going to finish out the story. For one thing, this book mostly felt like a place hold and necessary vehicle for the author to get from point A to point B. So while this middle portion of the trip was a let down, I can still be hopeful that it was all to the purpose of getting us somewhere more interesting. I’m not really holding out much hope for the writing to clear up and suddenly become my cup of tea, but I do have hopes that the characters themselves will go interesting places and resolve their own story lines in compelling ways. Fans of the first book are sure to like this one. But if you were on the fence there, you’ll probably have similar feelings here. I leave it to you whether it’s worth going through it based on only the hope of a well-executed landing.

Rating 6: Fairly glum and mired in its own “middle-ness” in the trilogy.

Reader’s Advisory:

“The Silvered Serpents” is on these Goodreads lists: “Asian MG/YA 2020” and “2020 YA Sequels.”

Find “The Silvered Serpents” at your library using WorldCat!

My Year with Jane Austen: “Mansfield Park” [2007]

Movie: “Mansfield Park”

Release Year: 2007

Actors: Fanny – Billie Piper

Edmund – Blake Ritson

Mary Crawford – Haley Atwell

Henry Crawford – Joseph Beattie

Comparison – “Indulge your imagination in every possible flight.”

For all my complaints about the 1999 version of this story, there’s a reason I’ve seen that one a decent number of times while this is only my second viewing of this version. Sure it’s free of some of the truly upsetting changes that the 1999 version made, but it also feels strangely dull and heartless, nothing something you ever want to see from an Austen adaptation.

With the exception of Haley Atwell, I think most of the casting is wrong is film. Or, at the very least, worse than the 1999 version’s cast. There is very little chemistry between any and all of the characters up to and including our main romantic pair. Atwell, alone, manages to have good chemistry with most of those she works alongside. The rest seem to be largely working alongside each other rather than directly with one another. It’s hard to buy into any of the relationships we’re being presented with, let alone become terribly invested.

I also think the overall tone of the movie is working against our main characters. Fanny and Edmund are both serious characters. But the movie insists on making them run around and frolic like children. The grand ball scene becomes a capering picnic. And the final romantic climax is marred by our two love birds chasing each other around like little kids. There’s just something off about the whole thing that never allows the movie to feel like it has settled into what it wants to be.

It, too, changes aspects of the original story, most notably cutting out the entire Portsmouth scene (to save money on actors and locations??). This single change alone I think hurts the movie quite a lot. And strangely, like I said, that while the 1999 version arguably made bigger (and often worse) changes, the smaller, seemingly less offensive, changes made here somehow make this movie, as a whole, less engaging. Even while remaining more true to the book in many ways (the inclusion of Fanny’s brother William, for example), I would say this movie fails just as much as an adaptation of Austen’s work. And, when given the choice, I’ll still watch the 1999 version before this.

Heroines – “I hate to hear you talk about all women as if they were fine ladies instead of rational creatures.”

I really don’t love this version of Fanny Price. Full disclosure, I’m not a huge fan of Billie Piper at the best of times, but I don’t think it’s just her acting that I don’t like here. Like the previous version of “Mansfield Park,” this one takes a similar route with Fanny by making her much more exuberant. Even more so, I’d say. We have multiple scenes of her running around through the house, chasing a dog around, playing with children. I’m sure it’s supposed to emphasize her innocence, but combined with her hair styling (loose hair is only for very young girls in this time period), all it does is serve to make Fanny seem overly child-like herself.

Other changes, like re-imagining the ball as a picnic do nothing to help with this perception. No lovely, noble dance scenes, but instead, again, children’s yard games that do nothing to help Fanny’s coming across as little girl-ish. I also don’t like the change of having her remain at Mansfield Park by herself rather than go to Portsmouth. By removing this contrast of settings, we’re left with even less to highlight the truly well-bred refinement of Fanny that is supposed to be hiding beneath her quiet nature. And, of course, the final “romantic” scene that has her and Edmund chasing each other around the house…like children.

Heroes – “What are men to rocks and mountains?”

I have a bit of a “chicken or the egg” issue with Blake Ritson’s version of Edmund. I saw the 2009 “Emma” where he plays the sleazy Mr. Elton before I saw this one, so that impression was firmly in my mind the first time I saw this movie. But, on the other hand, he was cast into that role very shortly after portraying Edmund in this film in 2007. So obviously someone else saw his performance here and thought “Eh, maybe not romantic hero material…but this kind of slimy character? Perfect!”

Edmund as a character is always a tough role. His morality can come across as patronizing and preachy. He falls for the obviously wrong woman and spends most of his time with his head in the sand. And then the book itself does very little to show him coming to his sense, so any adaptation is left almost entirely on its own for how to navigate this transition.

Unfortunately for him, Ritson also had to go up against Miller’s version of the character from the 1999 movie, one of the few aspects of that movie that most fans agree was solidly good. And I just don’t think Ritson was up to the task. He’s very hard to take seriously and often comes across more as a caricature of a gentleman than anything else. Him, also, running around after Fanny during the big “romantic” scene doesn’t help this version of Edmund’s character be taken seriously.

Villains – “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.” 

I really like Haley Atwell’s version of Mary Crawford. She has a natural easy charm that makes it much easier to buy into Edmund’s blind infatuation with her. She’s beautiful, but also brings a different type of warmth to the character that makes her very engaging. If anything, it’s almost a bit harder to see faults in this version of Mary than in others. For one thing, when Henry Crawford approaches her about his plans to woo Fanny, this Mary seems to be much more earnestly concerned for Fanny’s welfare, which endears her more to viewers.

Henry Crawford is also well-cast, having that roguish and somewhat wild look that appeals to certain women. It’s easy to see why flags go up for Fanny, and this version doesn’t hesitate from pushing the Crawford/Maria romance to its extremes, having them actually make out while practicing for the play, almost being caught by Rushworth and Julia. Again, however, the decision to have Fanny simply stay on at Mansfield Park instead of making her trip to Portsmouth doesn’t serve the story well. Crawford showing up here has much less impact that it did having him show up on the poor doorstep of Fanny’s original family. If anything, it’s even easier to see why Fanny would be unmoved by all of this. She doesn’t have the comparison of Mansfield and Portsmouth that Sir Walter mentions when hatching a plan to urge her towards Crawford in both the book and the 1999 version of the movie. Her just being lonely at Mansfield doesn’t seem like it would at all serve the same purpose. Given how little many of the family members pay attention to her anyways (and when they do, it’s just to give her orders, so in some lights, this is almost a vacation for her), it’s hard to think that the lack of “society” is really all that much for a young woman who stayed home much of the time anyways. And then, what’s more, Fanny doesn’t have an opportunity to see Crawford at his best when he’s behaving so nicely to her often rude and uncouth family in Portsmouth. Altogether, it’s no wonder she doesn’t waver here.

The biggest miss as far as villains go, however, is Mrs. Norris. This version of the character is all over the place and the movie never seems to really settle on what aspect of her personality it wants to highlight. It’s never clear exactly what her motives are, why she says/does what she says/does, or what her problem with Fanny is in the first place. Obviously, the book has plenty of time to flesh out her character, but even the 1999 version of the story was able to provide a clear image of who Mrs. Norris is. Here, she just kind of flits in and out of scenes and makes an odd comment here or there. Without having the book as a mental reference, I’m not sure if the casual viewer would have any idea what to make of her.

Romance – “A lady’s imagination is very rapid: it jumps from admiration to love, from love to matrimony in a moment.”

Shocking no one, as I’ve already referenced it in both the heroine and hero sections, I don’t love the romance in this movie. I don’t think that Piper and Ritson had very good chemistry. In fact, I think they almost worked against each other in some ways. Unlike the 1999 version of this story, this movie doesn’t put nearly as much effort into establishing Edmund’s underlying feelings for Fanny. I think Jonny Lee Miller was much better at some of the smaller, more subtle facial expressions that indicated interest in Fanny along the way. And the screenplay itself wrote in more opportunities for this relationship to be brought forward. Not having a grand ball scene really doesn’t help this. I can’t remember where I read this, but some commentator once noted that the ball scenes were almost like the sex scenes for Austen romances, often the pinnacle and brimming over point for building up these relationships.

And, I really can’t express this enough…I hated, hated, the whole running after one another scene as the grand finale of this romance. It’s just so silly and juvenile. Any romantic tone is completely undercut, and it just feels anticlimactic. There is a fairly big change to Lady Bertram’s character in this scene, as she is instrumental in getting Fanny and Edmund alone, and then notes to Sir Walter that Fanny’s always been in love with Edmund and it looks like he finally noticed. There’s obviously no hint of this type of perception in the book version of the character, but it’s the kind of funny little change that I didn’t mind in this movie. If anything, it felt more “Austen-like” than anything else in this last scene. So, with everything else, I’ll take it.

It’s only a small thing, but I do like the inclusion of Fanny and Edmund waltzing at the end of this movie. It’s one of those small, throw-away moments that will appeal to history fans who will recognize that this type of dancing was just coming onto the scene around this time. It’s a nice little wink of the eye.

Comedy – “For what do we live, but to make sport for our neighbors, and laugh at them in our turn?”

The comedy is always the challenge for this story. The book itself is probably the least comical of all of Austen’s works and the adaptations have to come to their own decisions about what to do with a leading lady who is so aggressively earnest, quiet, and good-natured that the thought of her cracking jokes is almost unheard of. The 1999 version did a fairly decent job of getting some humor in for Fanny, but, of course, that version was also way off base with much of Fanny’s characterization (as far as it resembling the character in the book, at least) so it’s no wonder that they could make this practically original heroine funny on top of the rest. Here, Fanny is more in line with the book version, but also just more dull.

The loss of Mrs. Norris is pretty huge here. The other movie used her for comedy to great success, even if it was the “love to hate” kind of comedy. But she’s such a non-presence here that the same can’t be said. The Crawfords, too, with their limited screen time, don’t have much humor. Rushworth is still good, of course, but he also doesn’t capture the screen the same way that the previous Rushworth did. I have a harder time even remembering anything distinctive about this version where I can point to several instances of laughs from the 1999 version of the character.

Overall, the movie feels fairly joyless, for all that they’re trying to make some grand point of Fanny’s child-like wonder of life with her constant frolicking.

Fun facts – “Life seems but a quick succession of busy nothings.”

Really not much here, other than the usual costume connections between many of these Austen adaptations.

The actress who plays young Fanny also played a younger version of Billie Piper character in “Doctor Who.”

And, speaking of “Doctor Who,” a whole host of actors from this film have made appearances in the long-running show, including Billie Piper, Julia Joyce, Michelle Ryan and Jemma Redgrave.

Best Movie Gif/Meme: “I dearly love a laugh.”

This is the big moment where Edmund realizes his love for Fanny…about sums it up, I think. *snores*

In two weeks, I’ll review “Northanger Abbey.”

Serena’s Review: “A Deadly Education”

50548197._sy475_Book: “A Deadly Education” by Naomi Novik

Publishing Info: Del Rey Books, September 2020

Where Did I Get this Book: Edelweiss+

Book Description: Learning has never been this deadly

“A Deadly Education” is set at Scholomance, a school for the magically gifted where failure means certain death (for real) — until one girl, El, begins to unlock its many secrets. There are no teachers, no holidays, and no friendships, save strategic ones. Survival is more important than any letter grade, for the school won’t allow its students to leave until they graduate… or die! The rules are deceptively simple: Don’t walk the halls alone. And beware of the monsters who lurk everywhere. El is uniquely prepared for the school’s dangers. She may be without allies, but she possesses a dark power strong enough to level mountains and wipe out millions. It would be easy enough for El to defeat the monsters that prowl the school. The problem? Her powerful dark magic might also kill all the other students.

Review: Naomi Novik has quickly become a must-read author for me. After this book, she’s pretty much a must-buy author (I only have maybe 5 of those, so that says something, I think!). But, still, when requesting this book, what I’d read from her had been both of her fairytale retellings and the first several of her Napoleonic wars/dragon historical fantasy series. This didn’t sound remotely like either of those, instead being billed as a modern, more grim, “Harry Potter” style boarding school story. But man, Novik can do anything, and my trust is now fully earned, no matter how strange the book description is!

Scholomance is technically a school. There are no teachers and students are on their own to make classes and finish homework, sure. But that’s only half, and arguably the less important half, of what this school provides. Instead, it offers magical kids the best chance they have of surviving their juvenile years. Sure, their odds are still pretty darn bad in the school, but better than the next to nothing they have outside. El’s chances have been even worse from the start. Yeah, she has the raw power, but she seems to repel people for some reason. And in a place where forming alliances is a necessary survival tactic, that’s not good. But here, in her second to last year at the school, staring down the barrel of a final year full of even more likely death, El begins to uncover secrets about not only the school, but herself, and the boy who has been roaming around annoyingly playing savior to all this entire time.

I adored everything about this book, so it’s kind of hard to think of where to start when reviewing it. It’s also so totally unique, interesting, and complicated that it’s hard to find the middle ground between reviewing important aspects of the story and not spoiling the fun for new readers. There’s just so much good stuff to unpack!

I guess I’ll start with the world-building itself. The book description has a tough job trying to describe what Scholomance really is, and, as you can see, I probably struggled too in my own summary. That’s because it’s so complicated and well-constructed that it’s almost impossible to really give a broad overview. Novik seems to have thought out every intricate detail for this magical place, from how the cafeteria works, to the menacing library, to the simplest of things, like how the school assigns and monitors homework and what happens if students fall behind. And it’s all just so creative! I can’t think of a single other fantasy story that has anything like the place Novik has thought up here. And that’s saying something, I think, in a genre that is becoming more crowded by the day (especially YA that has a tendency to become trope-ridden and bogged down in certain themes every few years).

One of the most impressive aspects of all of this that, being as complicated and detailed as it all is, our narrator is given a heavy load of information to be handing off to readers. There’s a significant portion of the first half of the book that is largely devoted to detailing all of these little aspects. It would have been so easy for it to have felt like info-dumping or to have dragged down the pacing and plot of the story. But, for one thing, the information being provided is just too interesting on its own to feel bored by. And secondly, our narrator had a fantastic voice from the start that is strong enough to carry this type of detail-ridden load.

El is everything I like in a narrator: snarky, consistently characterized, yet vulnerable in ways that we (and she) discover throughout the story. From the book description, I was kind of expecting some type of tired anti-hero story or quasi-villain plot line for her, but it’s really nothing like that. Sure, her powers are destructive and there’s this pesky doomsday-esque prophesy lingering around her, but she’s just as skeptical of all that nonsense as the reader wants to be. El’s story, here, is not only finding acceptance with some key friends around her, but in accepting what she has to offer. On one hand, she can be overly confident, but on the other, we see her realize her own values and where her personal lines are between survival and standing up for some moral greater good.

And to balance her out, of course, we have a “Chosen One.” This friendship was everything! Both El and Orion’s characters play perfectly off each other. She, stand-offish, uninterested, and, again, snarky. He, bumbling, clueless of his affect on people, and obnoxiously heroic. I loved everything about this friendship and the slow build to sort of romance that it comes to towards the end.

It’s also clear, here, where the comparisons to “Harry Potter” are coming from. Orion Lake is definitely a response to Harry Potter and all of the other “chosen” heroes we see in fantasy fiction. Novik has said that “Spinning Silver” was essentially her “yelling” at the “Rumpelstiltskin” fairytale, and that this would be her yelling at “Harry Potter.” Comparisons to “Harry Potter always make me nervous. For one thing, I love Harry Potter so, for me, a book being compared to it is either going to be a massive let-down of trying to copy something that shouldn’t be copied. Or it’s going to be some type of “response” piece that spends more time criticizing another book series than in being its own thing. Luckily, this falls right in the middle and does it perfectly.

You can definitely see where Novik is making a point about the type of “chosen one” story that Harry Potter tells, but, while she does touch on some of the obvious themes, she also deep dives into a lot of aspects of this type of storyline that one doesn’t often think about. There’s a strong focus on inequality and injustice, but it’s approached through angles and perspectives that are unique to this world. The themes, of course, carry over, but it stays true to the fantasy world it is and the types of justice and injustice that would be inherent to it. It’s left to the reader to transcribe these thoughts onto our own world and our own experiences of injustice within society.

This review has already gotten pretty long, and I could go on and on. But, in this case, I almost feel like the less said the better! There’s so much great stuff to discover here that I don’t want to spoil any more of it! Needless to be said, my copy is already pre-ordered, and I highly recommend any and all fantasy fans to get their hands on this book ASAP!

Rating 10:Breaking fantasy walls that I didn’t know even exited! Simply fantastic!

Reader’s Advisory:

“A Deadly Education” is a new title, so it isn’t on many Goodreads lists. But it is on “Non JKR Magic School Novels.”

Find “A Deadly Education” at your library using WorldCat!

Serena’s Review: “The Ikessar Falcon”

35661274._sy475_Book: “The Ikessar Falkcon” by by K. S. Villoso

Publishing Info: Orbit, September 2020

Where Did I Get this Book: ARC from the publisher

Book Description: Abandoned by her people, Queen Talyien’s quest takes a turn for the worse as she stumbles upon a plot deeper and more sinister than she could have ever imagined, one that will displace her king and see her son dead. The road home beckons, strewn with a tangled web of deceit and unimaginable horrors – creatures from the dark, mad dragons and men with hearts hungry for power.

To save her land, Talyien must confront the myth others have built around her: Warlord Yeshin’s daughter, symbol of peace, warrior and queen and everything she could never be.

The price for failure is steep. Her friends are few. And a nation carved by a murderer can only be destined for war.

Previously Reviewed: “The Wolf of Oren-Yaro”

Review: I requested an ARC of the first book in this series kind of on a whim. To be frank, I was actually kind of put off by the series being titled “Chronicles of the Bitch Queen.” I mean, I get it…she-wolves, bitch, yep. And I’m sure it’s also `tied in with the fact that Talyien is not a beloved queen. But still, it’s kind of an abrasive series title, and I wasn’t sure what exactly I was getting into. Turned out, what I was getting into was an intriguing new fantasy world headed-up by a no-nonsense but still deeply flawed heroine. So after finishing that first book, it was really exciting to see that the second was coming out only 6 months later. And here we are!

Talyien’s situation hadn’t started out well when she set off from her homeland in the hopes of reconciling with the husband that had abandoned her and her son years earlier. It had only gotten worse since with repeated assassination attempts, betrayal, said husband heading back to her home, potentially to kill their son, leaving Talyien stranded in a foreign country with very few friends. But she is nothing if not persistent, especially when the life of her son is at stake. As she makes her way back to him, however, Talyien covers an even deeper web of lies, one that exists not only in the present but extends back to the past.

I think I liked this book even more than the first! For one thing, I’m still really enjoying the first person narration but told from the POV of an adult woman. All too often, the only place I really see first person narration is in YA novels with teenage protagonists. And this, in turn, leads to a certain immaturity in their focus (don’t get me wrong, I still love me a good YA fantasy, but the narrators can sometimes be a bit silly). But here, we have an adult who has a full history behind her, one that she is capable of looking back on and recognizing her own and others’ mistakes. It also makes all of her interactions with those around her particularly interesting. In some ways, she’s an unreliable narrator as her perceptions of others and their motivations are always colored by what she knows (or guesses) about them. But we also have an inside look into how their actions and words influence her.

This book also seemed to expand on almost all aspects. We see more of the world-building as Talyien and her crew travel around trying to make their way back to her son. I really enjoyed out fully fleshed out this world feels. We hear about the different foods, languages, and cultural behaviors from place to place. And it’s all presented in a very natural-feeling way, no info dumping. There was also more of magic to found in this second book and more action in general.

I also really liked how much more we learned about Talyien’s father and his actions. There’s also a pretty deep-dive into the lasting influence that her father has had on Talyien. From the very start of the book, it’s clear that his perceptions of her, his lessons, his strengths and failures as a parent are a continual influence on Talyien’s own perception of herself and of the choices she can make. She, of course, is also unreliable in her memories of him, as we, the reader, can see some of his flaws in a more clear way than she can.

Overall, I really enjoyed this book. It felt like it took what the first book laid down as a foundation and started really building up from there. Everything just felt more fully fleshed out, and the story was even more exciting. Of course, it’s no surprise that Talyien’s story doesn’t end here with rainbows and butterflies, so I’m excited to see what happens in the third book. Don’t forget to enter to win an ARC copy of this book as well!

Rating 8: Even bigger and better than the first!

Reader’s Advisory:

“The Ikessar Falcon” is a new title, so it isn’t on any Goodreads lists yet, but it should be on: “Asian-Authored Books in 2020.”

Find “The Ikessar Falcon” at your library using WorldCat!

Giveaway: “The Ikessar Falcon”

35661274._sy475_Book: “The Ikessar Falkcon” by by K. S. Villoso

Publishing Info: Orbit, September 2020

Where Did I Get this Book: ARC from the publisher

Book Description: Abandoned by her people, Queen Talyien’s quest takes a turn for the worse as she stumbles upon a plot deeper and more sinister than she could have ever imagined, one that will displace her king and see her son dead. The road home beckons, strewn with a tangled web of deceit and unimaginable horrors – creatures from the dark, mad dragons and men with hearts hungry for power.

To save her land, Talyien must confront the myth others have built around her: Warlord Yeshin’s daughter, symbol of peace, warrior and queen and everything she could never be.

The price for failure is steep. Her friends are few. And a nation carved by a murderer can only be destined for war.

Giveaway Details: I really enjoyed the first book in this series, “The Wolf of Oren-Yaro” when I read it earlier this spring. So I was super excited to see that the second one would be coming out this fall, so soon after.

The first story introduces us to Queen Talyien, a young queen who is anything but beloved by her people. Abandoned by her husband and left with a young son and a country that is barely holding itself together, Talyien strives to hold the fraying bits of her life together. When she attempts to reconcile with her husband several years after the fact, everything seems to go wrong and Talyien begins to discover that her problems may be even bigger than she had thought.

There were a bunch of things I really liked about the first book. The writing was strong and confident. The world-building was unique but not to caught up in itself. But most of all, I really liked Talyien. Talyien was that type of heroine that defies all of the stereotypes one typically finds when looking up examples of “strong female protagonists.” Yes, she’s smart, a good fighter, and independent. But she’s also flawed, self-aware, and has made choices that aren’t also good, and realizes it! Beyond this, it’s always nice to have an adult woman as the heroine. Too often fantasy stories focus on very young female characters. Not that I have a problem with those characters and the often very lovely romances they bring with them, but it’s also nice to have a change. Talyien is a grown woman who’s seen the ups and downs or romances and marriage and has a small child of her own. Her problems and outlooks on life are very different than the young woman just setting out in the world.

The end of the first book left Talyien in a situation all the more dire than the one she started in, so I’m excited to see what she gets up to in this one! I’m not really expecting rainbows and butterflies, but man, can’t something go right for this woman? My full review will be up this Friday. In the meantime, we’re giving away a copy of this book. The giveaway is open to U.S. residents only and ends on September 23.

Enter to win!