Category: Kate’s Reviews

Kate’s Review: “The Root Witch”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Root Witch” by Debra Castaneda

Publishing Info: Second Rodeo Books, September 2022

Where Did I Get This Book: I own it.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A beautiful forest. A terrifying legend.

It’s 1986. Two strangers, hundreds of miles apart, grapple with disturbing incidents in a one-of-a-kind quaking aspen forest.

Knox is a new Forest Service ranger assigned to a vast, remote territory in Utah.

Sandy is a producer fighting for her place in a tough TV newsroom.

Both have heard about the shadowy figure believed to menace visitors to the forest. When a man disappears and reports of the Root Witch begin coming in, Knox and Sandy are plunged into a living nightmare.

Their lives converge on Halloween. Sandy sends a news crew to investigate the sightings. But when the team goes missing, and a shocking video surfaces revealing the ghastly truth, Knox and Sandy face the biggest decision of their lives.

Review: I’ve spoken of this before, but my favorite horror movie of all time is “The Blair Witch Project”. I remember seeing it in the theater when I was 14, and how transformative the experience was for in when it came to horror. I think that my adoration of this film has really molded my tastes and preferences when it comes to horror as a whole, and nature horror/survival horror is near and dear to my heart. I don’t remember how I stumbled upon “The Root Witch” by Debra Castaneda, but it had been sitting on my Kindle for a couple of years before I stumbled upon it while cleaning up my storage. When I saw it I had an ‘oh yeah, this sounded like “The Blair Witch Project’ moment, and decided then and there to finally take it on.

I’ll start with what I did like. For starters, the premise alone is great: there’s an aspen clone forest in Utah (in real life it’s a real place known as Pando) that is rumored to have some kind of dark entity stalking it referred to as The Root Witch. In 1986 a rookie forest service ranger named Knox moves into a cabin near the forest with his restless young wife, while a Salt Lake City newsroom producer named Sandy, hoping to prove something, wants to send a team into the forest to do a story on the urban legend. The team goes missing, their tapes are found, and something otherworldly is lurking. All of this was solid and absolutely clicked for me. I really enjoyed Sandy’s storyline in particular, as her constant roadblocks in her career, usually due to misogyny, are very real, and because of this her motivations are completely understandable, which in turn makes her guilt over her missing crew all the more stressful. I also really love some good urban legend horror, and the background that Castaneda puts into the Root Witch lore was very enjoyable, and with all of that in mind when we DO get some answers (in the form of found footage described moments) I was very satisfied with the execution.

But there is a flip side to this, which brought the story down a bit for me. I really liked the due diligence of describing the Root Witch lore and legend, but we don’t really get much direct action with The Root Witch itself. We rely mostly on descriptions, or aftermath moments with dead things being discovered, but in terms of actual building suspense with in the moment reveals? Not so much. I did like the video once we got there, but I had hoped for more scary and tense moments instead of a lot of build up for Knox and Sandy. Had there been a more even distribution of build up AND satisfying payoff, I would have enjoyed it more, but as it is, it just felt uneven and unsatisfying. And on top of that, I wasn’t nearly as invested in Knox’s story, which was a little ironic given that I fully anticipated to enjoy the path following the ranger. But I thought his wife was a bit grating, there was a side plot with a rancher that wasn’t as fleshed out as I had hoped it would be, and there weren’t enough forest moments with him. I just needed more action!

“The Root Witch” was a bit of a disappointment, but I think that I may try out more stories from Debra Castaneda. There is so much promise here, and I would be curious to see if it comes out in other spooky tales.

Rating 6: I really liked the premise and it had some great moments of found footage transcriptions, but I wish that we had more interactions with the Root Witch instead of aftermaths.

Reader’s Advisory:

“The Root Witch” is included on the Goodreads list “Botanical Gothic and Plant Horror”.

Kate’s Review: “The Whyte Python World Tour”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Whyte Python World Tour” by Travis Kennedy

Publishing Info: Doubleday, June 2025

Where Did I Get This Book: I received an ARC from the publicist

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: It’s Los Angeles, 1986, and metal rules the world. For aspiring drummer Rikki Thunder, life is good—even if he is sleeping in a condemned paint store and playing with a band that’s going nowhere. But when he gets a shot to join L.A.’s hottest up-and-coming band, Whyte Python, Rikki’s young life turns up to 11. Soon he has a hit single scorching up the charts, and the new love of his life in the audience. Rikki couldn’t ask for anything more.

But good fortune can be deceiving. With the Cold War breathing its last gasps and American music blasting through the Iron Curtain, a youth revolution is taking hold – and a hair band is unknowingly playing host to the final battle for the hearts and minds of the Eastern Bloc. Rikki Thunder soon realizes there is a deeper web of influence propelling Whyte Python, and the stakes for his mission—to spread peace, love, and epic shredding across the globe—are far more dangerous than he could ever imagine.

Raucously funny and refreshing, The Whyte Python World Tour is a head-banger of a debut, steeped in ‘80s music culture nostalgia and international suspense.

Review: Thank you to Wunderkind PR for sending me an ARC of this novel!

In the past few years I have fully embraced my love for glam metal. My husband has been a big Motley Crue fan since we were teenagers, but it wasn’t until recently that I realized that I, too, love the over the top melodramatics of hair metal and the spandex and make up and androgyny that goes with it. So when I was asked if I wanted to check out “The Whyte Python World Tour” by Travis Kennedy, I couldn’t help but say yes. The idea of a tongue in cheek music story with hints of “Spinal Tap” and ‘Behind the Music’ lunacy mixed with a Cold War Espionage tale is so funny to me. Because why would you want a hair metal band involved in global politicking and coups?!

This may be a deep cut, but it’s too perfect to pass up. (source)

This is part espionage thriller, part raucous coming of age rock and roll tale, and while it doesn’t take itself too seriously it also never treads into cheap laughs or lazy tropes. We follow Rikki Thunder, a young hair metal drummer in L.A. right as the Cold War is starting to see serious cracks in 1989. He is recruited to be the new drummer for the hot band Whyte Python, but what he (and the band itself) doesn’t know is that everything is being manipulated by the C.I.A. in hopes of brining the rebellion of hair metal to the U.S.S.R. and starting a rebellion by the youth. We have Rikki’s POV, but we also follow members of the agency, including his handler who calls herself Tawny and presents herself as a rock and roll groupie. I really enjoyed both of these perspectives, whether it’s golden retriever and deeply earnest Rikki, or the Cold War politics and spy thrills of Tawny and the agency trying to pull off a glam metal fueled revolution. It’s a bit of a goofy premise. but Kennedy leans fully in and I found it entertaining and at times very suspenseful. It is also very funny at times, and I found myself laughing throughout the story at the ludicrous situations and musings that Rikki and his fellow cast members would get into.

But this book is also such a love letter to glam metal and its entire essence and aesthetic. Whether that is the Southern California roots that Whyte Python has, or the fashion styles described in this book, or the little nods to other legendary bands, be it directly or indirectly (I mean come on, Rikki’s love interest/handler gives herself the name Tawny. I said to myself ‘yeah, as in KITANE!!!’ when we first met her), this book clearly adores the entire oeuvre of hair metal. I enjoyed the moments of Rikki interacting with his bandmates, and even real life people (there is a scene between him and Brett Michaels that was practically killing me), and I also enjoyed the way that Kennedy shows how powerful and unifying music can be for people of many backgrounds and experiences. It’s just such a wholesome concept, and it really reminded me of the original premise of the “Bill and Ted” movies about how hair metal could change the world for the better. In a time where cynicism has really taken root and some really dark things have been happening, it was just a nice balm, even if for a moment.

“The Whyte Python World Tour” is an entertaining and heartfelt read that centers a healthy affection for glam metal music and the power it holds. I really enjoyed it.

Rating 8: A tongue in cheek, goofy espionage thriller with a glam metal sheen, “The Whyte Python World Tour” is entertaining, funny, and filled with heart and a love for the power of music.

Reader’s Advisory:

“The Whyte Python World Tour” isn’t included on any Goodreads lists a of now, but it would fit in on “Fiction Involving Rock/Pop Music”.

Kate’s Review: “The Ground That Devours Us”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Ground That Devours Us” by Kalla Harris

Publishing Info: Entangled Teen, June 2025

Where Did I Get This Book: I received an eARC from the publicist via NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: The world ended ten years ago. Vampires showed up, took over, and turned the whole planet into their personal all-you-can-drink buffet. The president? Bloodsucker. The government? Bloodsuckers. My social life? Absolutely nonexistent.

But hey, at least I had one thing going for me—slayer training. My twin sister, Ripley, and I were about to go pro, officially joining the ranks of the last people on earth who actually do something about the whole “undead overlords” situation.

And then X had to show up. The vampire boogeyman. The worst of the worst. And instead of killing Ripley, like any decent monster would, he turned her. Now she’s technically a vamp, but something tells me my sister is still in there. Which means I can’t slay her.

What can I do? Break every rule. Lie to my friends. Strike a deal with the most dangerous vampire on the planet: X will protect Ripley from everyone else who wants her dead—like, really dead—until I can snag the cure for vampirism. The catch? Risking my own head to help him free his good-for-nothing BFF from the very slayers who taught me everything.

If I want Ripley back, I’m going to have to play nice with the thing that ruined my life. And the worst part? I think he’s enjoying this.

Review: Thank you to Kaye Publicity for sending me an eARC of this novel!

Anyone who has followed my reviews of vampire fiction on this blog can probably tell you that I am VERY particular about the genre, and that in many cases I have a really hard time getting into straight up human/vampire romance. THERE ARE EXCEPTIONS (love Spike and Buffy, I’ve really enjoyed the “My Roommate Is A Vampire” series by Jenna Levine), but overall it’s just not something I like. But when I was sent the description of “The Ground That Devours Us” by Kalla Harris, even though I knew it had romantic elements, I ALSO saw that it was a dystopia. And man I love dystopia. So I threw caution to the wind, hoping that the dystopic angles would outweigh the romantic ones.

This book gave me a mix of general dystopia, the book “The Coldest Girl in Cold Town” by Holly Black, the book/movie “Warm Bodies”, and some sprinkles of various CW vampire shows whether it’s “Buffy” or “The Vampire Diaries” (which was a direct influence according to Harris), and as a whole I found it very enjoyable and to be a well done mish mash. I liked the world that Harris built, with non-vampire survivors training and preparing to try and overtake the bloodsucker threat, while vampires are getting their own stuff in order, bringing more humans into the fold and turning them into vampires. And like with any dystopian stories worth their weight, we have a well established societal system, with our humans in one well guarded sanctuary compound, and our vampires (some sentient, some almost like zombies called ‘bloodwalkers’) outside the walls and living in their own society. I really enjoyed the vampires mythos, with there being more traditional vampires and the zombie-esque ones, and I liked the way that Harris slowly unveils the way that Vaille works, for better or for worse.

I also was a pretty big fan of our cast of characters, finding them all pretty well rounded and fleshed out. Our protagonist is Ruby, and she and her sister Ripley live in the compound Vaille and are training to be vampire slayers under the eye of Barnett, the head of their community. So when Ripley is turned into a vampire by notorious vampire X, Ruby wants to get her sister back because Vaille may be on the verge of a cure. It’s good hook, and Ruby is both an interesting and confounding protagonist, but confounding in a good way. She’s stubborn, bitter, and always on guard and ready to lash out at X, but when she teams up with him in hopes of getting Ripley back on her side, we really start to see her character growth. Especially as her worldview starts to be challenged the community she has put so much faith and devotion into starts to be revealed as not what she thinks. I was surprised by how well done this exploration of clannishness and blind devotion after being flooded with propaganda, and how Ripley has to start deconstructing what she thinks is true about her life in Vaille and being so tied to Barnett. It’s a pretty heavy theme, and Harris clearly trusts her reader to be able to parse out the nuance.

And okay, I probably have to talk about the romance, which was the element that I was the most nervous about. As mentioned above, I am really picky about my vampire romance. But I ended up really enjoying the relationship between Ruby and X. It wasn’t instalove, which is always a plus (and how could it be? He turned her sister into a vampire!), but it was done in a way that actually felt believable, going slowly enough that she could work through her anger, so he could help her understand his position, and so they could connect at a steady and acceptable pace (and there are some mitigating factors, too, but I won’t go into it here). X is a fun foil to Ruby, and I was definitely harkening back to some of the snide banter between Buffy and Spike in earlier seasons of “BTVS”.

I am such a predictable sucker for that kind of thing, take me back to swooning on the phone with my cousin after an episode of especially good Spike and Buffy banter! (source)

So overall, “The Ground That Devours Us” is a unique vampire dystopia tale that I found to be incredibly engaging. If Harris wanted to write more stories in this universe, I would read them for sure.

Rating 8: A unique and entertaining vampire dystopia that goes into some existential meditations on clannishness, blind allegiances, and propaganda. Oh, and vampire romance, too, and it didn’t make me want to pull my hair out.

Reader’s Advisory:

“The Ground That Devours Us” is included on the Goodreads list “YA Novels of 2025”.

Kate’s Review: “Never Flinch”

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Book: “Never Flinch” by Stephen King

Publishing Info: Scribner, May 2025

Where Did I Get This Book: I own it.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: From master storyteller Stephen King comes an extraordinary new novel with intertwining storylines—one about a killer on a diabolical revenge mission, and another about a vigilante targeting a feminist celebrity speaker—featuring the beloved Holly Gibney and a dynamic new cast of characters.

When the Buckeye City Police Department receives a disturbing letter from a person threatening to “kill thirteen innocents and one guilty” in “an act of atonement for the needless death of an innocent man,” Detective Izzy Jaynes has no idea what to think. Are fourteen citizens about to be slaughtered in an unhinged act of retribution? As the investigation unfolds, Izzy realizes that the letter writer is deadly serious, and she turns to her friend Holly Gibney for help.

Meanwhile, controversial and outspoken women’s rights activist Kate McKay is embarking on a multi-state lecture tour, drawing packed venues of both fans and detractors. Someone who vehemently opposes Kate’s message of female empowerment is targeting her and disrupting her events. At first, no one is hurt, but the stalker is growing bolder, and Holly is hired to be Kate’s bodyguard—a challenging task with a headstrong employer and a determined adversary driven by wrath and his belief in his own righteousness.

Featuring a riveting cast of characters both old and new, including world-famous gospel singer Sista Bessie and an unforgettable villain addicted to murder, these twinned narratives converge in a chilling and spectacular conclusion—a feat of storytelling only Stephen King could pull off.

Thrilling, wildly fun, and outrageously engrossing, Never Flinch is one of King’s richest and most propulsive novels.

Review: I am always so happy whenever Stephen King has a new book coming out. I’m happy he’s still writing, I’m happy he’s still consistent with his novel release timelines (usually about once a year), and I’m happy that he is still giving attention and voice to Holly Gibney, his somewhat quirky but incredibly competent private detective. I pre-ordered “Never Flinch”, his newest Holly thriller, and devoured it pretty quickly. Little did I know as I was reading it how tragically relevant some parts of it would feel her in Minnesota.

I’m always happy to see Holly Gibney at the forefront of one of King’s books, and I know that can be a polarizing stance to take. But she has grown and changed so much as a character while also retaining the things that make her what I would expect from her as a character, and in “Never Flinch” we see her back in action. This time she is in a dual role of unofficial consultant to her detective friend Izzy as a serial killer terrorizes Buckeye City, but also as a bodyguard for a polarizing feminist speaker/activist named Kate McKay as she goes on a tour with a violent stalker hot on her trail. It’s quite the caseload for Holly, but it never feels like it’s too much, and King devotes a solid amount of time to both stories, as well as a few seemingly side stories and perspectives that he weaves together with ease. I was a bit shocked at how much he was taking on in this book, because it is a LOT, but he manages, and barely skips a beat.

Holly remains a delight, her ‘quirks’ (aka neurodivergence) still feeling highly relatable and not cartoonish, and he has really fine tuned her personality and thought process. She’s a detective I love following, and I love seeing her interact with her friends, as well as with more adversarial people, whether it’s potential suspects, or even Kate, who is pretty aggravating but also pretty admirable (I really liked the King wanted to make her as complicated as she was; she is absolutely correct and I totally agree with her on so many things, but she is also SO condescending and kind of an asshole, which also makes sense for how she has to steel herself against constant threats and danger). Honestly, most of the characters felt realized. I especially enjoyed the dynamic between Izzy and Holly, as well as the reappearances of Jerome and Barbara Robinson.

That segues well into a couple of stumbles, which I will need to spoil a bit to talk about it, but hopefully not too much. The first is that we got a bit of a repetitive streak with Barbara, in two different ways. The first is that she has once again started to form a friendship with an influential older woman who connects with her on an artistic level, and the other is that she is once again put into danger that Holly has to foil. I didn’t really mind it, really, but I did think that this poor girl has just terrible luck, just awful. The other thing I had, which I will also have to be vague about, was the way one of the antagonists was portrayed when it comes to their motivations. I think that it was treading a little close to some ablism when portraying mental illness, but I don’t think it actually crossed the line. It just got close.

But I do love that King has no qualms wading into political discourse again. Last time he was definitely tearing down the way that COVID was politicized and downplayed in this country when people were dying, and this time he is addressing domestic far right terrorism associated with supposed ‘pro-life’ extremists and the organizations that fund them. With the Kate McKay storyline we also follow a religious zealot who is stalking her and hoping to kill her because of her stance on abortion, and King not only calls out the fanaticism of far right Evangelicals, but also that of the organizations that encourage such violence from their followers whilst shielding themselves and their money from any kind of responsibility. This is an especially sore spot for me right now, as here in Minnesota we just experienced the assassination of State Rep Melissa Hortman (as well as her husband Mark and her dog Gilbert) and the attempted assassination of State Senator John Hoffman (he was shot nine times, his wife Yvette was shot eight, though they are both expected to make a full recovery), who were on a target list that also had the names of abortion providers and activists as well as other lawmakers who had pro-choice stances. These murders happened not too far from where I live, and it has shaken me and filled with with grief and anger. King clearly wanted to make the point that this kind of violent ideology is still a threat, even devoting part of his author’s note to it, and that horrific fact was made all the more clear just this past weekend in my home state, a couple weeks after I had finished the book.

So sure, “Never Flinch” had some plot points we’ve seen before, and sometimes repetitive scenarios, and maybe a bit of a clunky depiction in one of the antagonists. But an underlying point King wanted to make was emphasized in my home state this weekend, which goes to show the man is on to something, and knows how to harness it in a way that makes for a gripping thriller that is also deeply unnerving. And I can’t ever be mad at Holly Gibney.

Rating 8: What can I say? I just love Holly Gibney and I love Stephen King, and “Never Flinch” was entertaining, even with some repetitive plot points we’ve seen before. But it is also far too relevant sadly.

Reader’s Advisory:

“Never Flinch” is included on the Goodreads list “Horror to Look Forward to in 2025“.

Kate’s Review: “Lady Or The Tiger”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Lady Or The Tiger” by Heather M. Hermann

Publishing Info: Nancy Paulson Books, June 2025

Where Did I Get This Book: I received an ARC from the publicist.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A twisty, darkly seductive murder mystery, starring a teenage killer whose trial in the Wild West is upended when her first victim, her husband, arrives alive with a story to tell.

When nineteen-year-old Belle King turns herself in for murder, the last thing she expects to see is her abusive husband standing outside her Dodge City jail cell. He was the first man she ever meant to kill (but certainly not the last!). Somehow, though, her husband is there, hale and hearty, and very much not dead. With his arrival her plans in jail are jeopardized, and she’ll be forced to resort to all the tricks in her arsenal to prevent him from ever being in control of her again. But as a girl in the 1880s Wild West, the last thing anyone will believe is a woman—even when she confesses to her own crimes.

This story—of how Alice Springer, a mountain girl from Kentucky, became the infamous Belle King, of how she found the tiger in her heart, becoming the wickedest woman in the Wild West—is a love story that cuts through time and patriarchal ties.

Review: Thank you to Books Forward for sending me an ARC of this novel!

As a rule, I don’t usually like the Western genre. I have a few exceptions, of course, but that is usually when the conventions of the genre are flipped on their head. I’ve encountered this in books like “Lone Women” by Victor LaValle and “The Buffalo Hunter Hunter” by Stephen Graham Jones, and it has happend once again with the new YA Western “Lady Or The Tiger” by Heather M. Hermann. When I read the description of this book I knew that I really needed to check it out, and I am so glad I did.

We are following the story of Belle King, previously known as Alice Springer, as she becomes a sought out desperado in the Wild West, murdering men and living life on her own terms. We meet her as she has been arrested, and learn about how she became the fearsome villainess through flashbacks and jumping around timelines, showing how she became the hardened woman we meet at the start. Hermann takes her time unwinding this complicated, bleak, and at times absolutely maddening story, revealing the cost of being a woman during this time in a place that was almost wholly lawless, while also contrasting how it was STILL dangerous for women even if they were doing everything ‘right’. We follow Belle go from being orphaned, to being institutionalized, to being forced into the role of child bride, and then get to see her find her freedom, even if maintaining it means committing murder. This is not a romanticized Western by any means, and I loved how frank and brutal it was, with so many moments of tension just twisting up as I was reading it. We see violent misogyny, we see racism, we see classism and colonialism, and the realities of this time and place is on display in all of its nastiness. I was a bit shocked that this book is YA, but I like that Hermann trusts her readers to be able to understand it and take it on.

I also really liked our main character, Alice/Belle, because I absolutely LOVE seeing a morally grey female protagonist. It isn’t too often that women in fiction are afforded the opportunity to be unlikable, difficult, and sometimes unapologetically cruel, but Alice/Belle does a lot of really morally questionable things and I still found myself rooting for her. Hermann takes great care to give her a backstory without making her sappy or cloying, while also making her choices, both gook and bad, completely believable and in general easy to understand. Even in the times that I was taken aback by some of the things she did, her actions always fell in line with what I expected, and her circumstances were such that I never really questioned it. It’s so often in the Western genre that we get morally grey men to follow, so seeing a woman, when women are mostly sidelined or made passive in Westerns, take on the role of the desperado while also making it unapologetically feminist, was deeply, deeply satisfying.

“Lady Or The Tiger” is a relentless and angry battle cry of feminine rage. I am absolutely going to check out whatever Heather M. Hermann takes on next, because this was a stellar take on a genre I don’t usually enjoy.

Rating 8: Gritty, unapologetic, and brutal in all the right way, “Lady Or The Tiger” is a Western filled with feminine rage and proud defiance.

Reader’s Advisory:

“Lady Or The Tiger” is included on the Goodreads list “2025 YA Historical Fiction”.

Kate’s Review: “Bald-Faced Liar”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Bald-Faced Liar” by Victoria Helen Stone

Publishing Info: Lake Union Publishing, June 2025

Where Did I Get This Book: I received an ARC from the publicist.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Living a lie becomes a matter of life and death for a woman hiding from her past in a novel of mounting psychological suspense by the bestselling author of Jane Doe and The Hook.

Traveling nurse Elizabeth May has a promising new home in Santa Cruz. And another new identity. It’s a pattern of reinvention for a woman escaping her traumatic childhood—and hiding from the decades of notoriety and destruction that followed. Invisibility has kept Elizabeth safe. Until now. After all these years, someone sees her for who she is.

Threat by threat, a vengeful stalker is dismantling Elizabeth’s carefully constructed lifetime of lies. And no one in her temporary circle can be trusted—not her fleeting new love interest, not the supportive friend she knows only from online forums, and certainly not the police. They’ve never been there for her.

As fear sharpens to terror, Elizabeth soon discovers something about her past that even she didn’t know. The revelation could finally set her on a path of healing and redemption. Or, now alone in the dark, it could be Elizabeth’s worst nightmare.

Review: Thank you to Kaye Publicity for sending me an ARC of this novel!

Perhaps, if you have been following our blog for awhile now, you will see that I have picked up a thriller with a pretty significant Satanic Panic theme, and are now asking yourself ‘hey, doesn’t Kate get absolutely incandescent with rage when it comes to this topic?’ And you would be correct. The Satanic Panic really gets me steamed, so much so that I have been known to skip episodes of favorite podcasts if they are focusing on it. FAVORITE PODCASTS, GUYS. But when I was sent information about “Bald-Faced Liar” by Victoria Helen Stone, even though it was Satanic Panic themed, I had a feeling that I really wanted to give it a chance. The description of a traveling nurse named Elizabeth being stalked, possibly due to her long ago involvement in a false accusation of Satanism at her daycare, just tantalized me. I had to give it a go, even if it was going to set me off. And I’m happy to say that not only did it NOT set me off, I also really liked this book!

The mystery at hand about who is stalking Elizabeth is well crafted and well executed. Triggering for me or not, using The Satanic Panic as a backdrop means that there could be PLENTY of people with motives to get revenge on Elizabeth, and Stone has so many threads here that she pulls together. The clues are there but not too easily deciphered, and Stone takes her time to lay them out and build the suspense of Elizabeth’s past as well as the stalking incidents that start to plague her. I also liked the slow burn mystery of Elizabeth’s history of being a five year old ‘witness’ to Satanic Panic charges that she was coached to say, with a timeline being put forth in a measured way that filled me with frustration but NOT with blinding rage as I have experienced with other Satanic Panic themed thrillers. Some reveals I kind of predicted, but for the most part I was pretty well surprised, and was VERY surprised by an element of the climax that I don’t want to spoil here. But I will say that it went in a direction that I wasn’t expecting, and it added a new level of stakes, AND some genuine humor that didn’t feel out of place even though things were a bit, shall we say, hectic.

I also really liked our protagonist Elizabeth. I am always cagey when I read thrillers with hot mess female protagonists, but Elizabeth doesn’t really fall into any well worn traps or tropes of the genre. She has her problems, but her background with the Satanic Panic and the trauma involved with being a false whistleblower was unique enough made her very sympathetic and her actions completely believable. I also really appreciated the grace that was given to Elizabeth by other characters in spite of her notoriety, because at the end of the day she was a child when she did those monumental and damaging things. I’ve seen other Satanic Panic based stories that try to demonize this kind of character, but Stone makes it VERY clear that no, a five year old being manipulated and coerced by adults around her for their OWN motives should not be held accountable for her actions. I was rooting for her basically from the jump. Honestly, I thought that all of the characters were fun! Be it librarian Violet, who wants to help Elizabeth in any way she can, to landlord Grigore, who is a bit shady but who has a soft spot for Elizabeth, I thought that our cast was stellar.

I really enjoyed “Bald-Faced Liar”. The twists were good, the characters were enjoyable, and I think it will make a great read for thriller fans this summer!

Rating 8: A taut and suspenseful thriller about lies, trauma, and running from all of it, “Bald-Faced Liar” kept me on the edge of my seat.

Reader’s Advisory:

“Bald-Faced Liar” isn’t included on any super specific Goodreads lists as of yet, but similar titles include Clay McLeod Chapman’s “Whisper Down the Lane” and Gillian Flynn’s “Dark Places”.

Kate’s Review: “Now She’s Dead”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Now She’s Dead” by Roselyn Clarke

Publishing Info: Sourcebooks Fire, June 2025

Where Did I Get This Book: I received an ARC from the publisher.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Last summer, Sara Ellis was found dead by the lake, and only Mandy knows what really happened. This summer, she’s desperate to keep it a secret.

For a few weeks every summer, Sara was Mandy’s best friend. At Highmark, the lake resort where their families vacationed, the two were in a world of their own. Or at least Mandy got to be part of Sara’s world.

But now Sara’s dead. The police ruled her death an accident; a tragic mistake after a night of impaired judgment. For the past year, Mandy’s coped by escaping: leaving home and barely keeping it together at school. The last thing she wants to do is return to Highmark this summer—even if she does need “closure.” As soon as she’s back, though, she hears the whispers: someone killed Sara Ellis. And if she’s not careful, they’ll figure out it’s all her fault.

As evidence resurfaces and anonymous accusations are scrawled in angry red spray paint, Mandy must confront the truths she’s been avoiding about last summer. Because someone wants to make her pay for what happened to Sara that night.

Review: Thank you to Sourcebooks Fire for sending me an ARC of this novel!

Summer is basically here, and while it’s probably my least favorite of the seasons (it’s just so hot), I do really enjoy the vibes and ambiance of sitting by the pool with my book. It’s especially fun if the book is engaging, a little soapy, and filled with lots of drama, shocks, and surprises. Admittedly, I have a pretty picky standard when it comes to books like these, and if it even so much as VAGUELY drifts into no no territory (like last minute twists that don’t feel earned), I will feel sour about it, poolside or not. But I have great news! “Now She’s Dead” by Roselyn Clark is the kind of book that not only would make great poolside reading for the season, it also managed, for me, to not fall into any pitfalls I associate with the genre!

The structure of this thriller mystery is fairly straight forward. Our protagonist is Mandy, a teenage girl who is returning to the lakeside resort where her summer best friend Sara died in an assumed accident the previous year. Mandy off the bat has a lot of guilt, and since it’s first person POV she tells the reader that it is her fault that Sara is dead, and we get a story told through the present summer as a true crime content creator has started sniffing around the resort, and through flashbacks to the days leading up to Sara’s death. It’s a great device, and it’s the perfect kind to have an unreliable narrator drive the story as the audience has to piece together what really happened. When done well this is quite possibly a favorite structure of mine when it comes to thrillers, and Clarke manages to make it flow easily. It has a nice slight of hand, and while I was pretty convinced that Mandy didn’t have all the information and was probably missing something (and side note, her dialog DID sometimes veer to bashing the reader of the head with all the ‘BUT I KILLED HER’ quips), I was still curious to see how it was all going to unravel to what actually happened, and I was surprised a good deal of the time! The clues are there, but the sleight of hand keeps them hidden until Clarke is ready to reveal them for the most part.

And what really kept me going in this book was how it portrays a very complicated, close, but somewhat unbalanced friendship between two teenage girls. You can tell that Mandy and Sara see themselves as incredibly close, but that their closeness and their friendship is in many ways unhealthy, with resentment, jealousy, and insecurities nagging at them both during the lead up to Sara’s death. It’s a bit soapy as Mandy and Sara keep aggravating and baiting each other as disaster looms on the horizon, but what I really appreciated is that while it could solely have been a motive, it’s actually a rather emotional examination of this kind of toxic friendship between teenage girls that may hit close to home for some readers, be they the intended YA audience or not. I know that I can think of at least one close, but at times unhealthy, friendship I had when I was in high school, with my role being VERY similar to Mandy’s in the friendship of the sidekick who is overshadowed and resentful, but also unable to process my own contributions to the toxicity. It felt real and honest, even if most of us in these shoes weren’t dealing with a murder mystery we may or may not have been involved with. Minor details!

“Now She’s Dead” is a sudsy and twisty thriller that should definitely join you on your summer adventures. It’s a fun ride and I really enjoyed it.

Rating 8: A fast paced and well crafted thriller, absolutely perfect for summer reading season!

Reader’s Advisory:

“Now She’s Dead” is included on the Goodreads lists “2025 YA Thrillers and Mysteries”, and “Bisexual Books of 2025”.

A Revisit to Fear Street: “Fear Street: Prom Queen”


Given that I did a re-read of R.L. Stine’s original “Fear Street” series a few years ago, as well as a few “Super Chillers” and a couple special Trilogies within the Universe, when Netflix started releasing modern “Fear Street” films I had to review those too! And four years after the original trilogy released, we now have a NEW “Fear Street” film, this one loosely adapting the book “The Prom Queen”! So we once again find ourselves on another Revisit to Fear Street!

Film: “Fear Street: Prom Queen”

It’s been four years since Netflix debuted the campy, gory, and altogether nostalgic “Fear Street Trilogy”, a set of films that gave us a new imagining of the iconic R.L. Stine YA horror series. They were not only fun (albeit VERY different) adaptations of the books I have loved so much for so long, they also built and interesting backstory and lore for the plagued town of Shadyside and all the murder and mayhem that befalls it. So imagine my pleasant surprise when I saw that there was a brand new “Fear Street” movie coming out this year, and not only was it taking inspiration from one of my first “Fear Street” revisits on the blog, “The Prom Queen”, it took place in 1988! Not only does that reopen the door for a cursed Shadyside (as the trilogy wrapped up with an end to the curse of Sarah Fier), but it has SO MANY opportunities for homages to 1980s slasher movies and all the tropes that come with them! Suffice to say, I was STOKED.

So a quick plot summary: Somewhat similar to the book that it takes its name from, “Prom Queen” takes place leading up to and on Prom at Shadyside High, with multiple girls vying for the title, and a killer taking them out one by one. In THIS, it’s 1988, and our group of nominees are a group of mean girls, led by Tiffany Falconer who wants the title of Prom Queen REALLY badly, bad girl Kristy Renault who entered the race just to piss people off, and Lori Granger, school outcast with a tragic past. But a masked killer is taking out the girls one by one, as well as anyone who may get in the way.

To just get it out of the way, this was a little bit of a let down for me, and I’m not sure if it’s just because the momentum from the original trilogy has long since passed, or if it was just an overall less engaging film. It has glimmers of what I really liked about the Trilogy, and even has some references to it (the camp massacre in the second movie is what really sprang to mind). But I think that the problem was that it never REALLY connected to the trilogy, and it could have been just any generic slasher film. I know that that was something of a criticism of “1994”, “1978”, and “1666”, but at least in those movies they were building up a mythology for the series that DID have some references to the “Fear Street” books (the Fier Family, Camp Nightwing, the Shadyside Mall) and fit well within it. In “Prom Queen” it just felt like this could have easily been a remake of “Prom Night”. Also, talk about a missed opportunity to reference MY GAL RUBY DAY, one of the ghosties from the trilogy, who had her OWN murderous and bloody prom night! This one created a different bloody history with Shadyside Prom involving Lori’s mother, setting up a reason to want to win to remove herself from a tragic narrative, which was fine, but kind of hack. OH, and not to get into spoilers too much, but this movie also has some contradictions to the curse in regards to Shadyside vs Sunnyvale and the way that the curse doles these things out. And on top of that, I wasn’t really invested in any of the characters either, outside of Lori’s bestie Megan, who is a horror movie Goth weirdo stoner who may or may not be in love with Lori. Everyone else was fairly two dimensional, be it tragic Lori, or uber bitch Tiffany, or her lapdog girl gang. One of the things I liked best about the trilogy was that I genuinely cared about the characters, so it was extra upsetting when they were ultimately brutally murdered, and in this one I just didn’t feel it for most of the players. I honestly would have liked more from bad girl Kristy, but she was played by Ariana Greenblat who is making her own way these days and didn’t stick around too long so that it felt more like a cute cameo of a rising actress.

But, sloppiness aside, the VIBES of this movie gave me everything I needed. I thought that the costuming department and the design department was pretty spot on for a lot of the styling of the time, REALLY enjoying the looks of Megan and Kristy (what can I say, I’m a Goth/punk chick at heart), but even the more preppy and ‘in’ styles seemed pretty on point to me. Hell, just the whole feel and tropes and execution of this movie tapped into the 80s era of slasher films, with lots of gore, pretty bland characters only there to add to the body count, and melodrama melodrama melodrama. This movie knows what its references are, just take a look at the poster I picked. Full on “Nightmare on Elm Street”, 80s horror VHS sleeve panache! Even if the story itself was kinda ho hum, this is the kind of case that I’m willing to grant some leniency because of VIBES, baby.

And we once again have a GREAT soundtrack, very 80s centric, but not even necessarily only obvious 80s songs but also some less thought of ones. I mean sure, we still got things like “Hungry Like The Wolf” and “I Think We’re Alone Now” but I actively screeched in glee when they played the song “Gloria” by Laura Branigan! And what’s more, the music didn’t stop with the pop music at the time, but the instrumental tracks were tailored to sound like they were from 80s slashers at the time with a huge emphasis on synthesizers and electronica. I kept thinking about John Carpenter scores, like from “The Fog” or “Christine” (honestly the man’s whole musical catalogue) or even things like the scores to “C.H.U.D” or “Suspiria“. Or hell, even a more modern score like in “It Follows” that REALLY hit the synth wave hard, GOD that is a banging score. The music was my favorite part of this film.

So, overall, a bit of a mixed bag. Story and plot execution, meh. But candy coated slasher homage to 80s horror schlock AND books that were incredibly formative to me serving as a backbone? FUN AS HELL! I certainly won’t pass up on the opportunity for more “Fear Street” movies, especially since, given the lore and mythos, they will all be historical fiction horror, and that opens up a lot of opportunities.

Kate’s Review: “Lore Olympus: Volume 8”

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Book: “Lore Olympus: Volume 8” by Rachel Smythe

Publishing Info: Inklore, May 2025

Where Did I Get This Book: I own it.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: “You have no authority here.”

Revelations rock Olympus as Persephone’s trial ends, threatening to throw the gods into a new war.

Though Persephone and Hades become closer than ever after she opens up to him about all she has endured, their peace is shattered when another truth is revealed: Apollo is Zeus’s son. The announcement shocks the pantheon, and the king of the gods realizes that the would-be usurper wants Persephone’s power to take the throne.

Zeus banishes Persephone to the Mortal Realm and, out of fear, cuts it off entirely from the rest of the gods. This decree succeeds in undercutting Apollo’s plan, but also inadvertently begins a decade-long divine cold war when Hades strikes back by shuttering the Underworld. With the gods scattered and weakened, Kronos uses the ensuing bedlam to finally escape his imprisonment and begin staging his own coup.

Persephone has only one choice when she discovers all the realms on the verge of collapse: Descend into the Underworld to try to defeat the power-hungry Titan, claim her rightful place as queen, and reunite with her one true love.

This edition of Smythe’s original Eisner Award–winning webcomic Lore Olympus features a brand-new, exclusive short story from creator Rachel Smythe and brings the Greek pantheon into the modern age in a sharply perceptive and romantic graphic novel.

Review: After dropping the ball on reviewing the previous volume of “Lore Olympus” in a timely matter, I promised myself that I wouldn’t let that happen again. I mean come on, it’s one of my favorite series, how can I let it fall by the wayside?! So here we are with “Lore Olympus: Volume 8”, in a more timely manner and at not a moment too soon! Because things are really heating up with the gods and goddesses of Olympus, barreling towards a wrap up of a THRILLING story arc that has SO MUCH going on.

And what an action packed conclusion to this story arc it is. To really get into the nitty gritty, we have to get into some spoilers for this volume, so proceed with caution if you don’t want to know anything. This volume really shows the dysfunction of the hierarchy of the Olympians, with Zeus being fully in charge, and making panicked decisions that are more about protecting his own power versus what is good for everyone, culminating with him banishing Persephone to the Mortal Realm and cutting it off completely. Not because he thinks this is a fair punishment, but because he realizes that Apollo, newly revealed as his son, is plotting to overthrow him, and needs Persephone’s mysterious powers to do so. Which, of course, results in disaster. Not just for Hades and Persephone, who are now ripped apart and both devastated and traumatized by this, but for the entirety of Olympus, as Hades, in retaliation and rage, closes access to The Underworld, which separates the Gods and Goddesses even further, and opens all of them up to new vulnerabilities. Meanwhile, Persephone is doing her damnedest to appease Zeus, though she is pretty certain she will never be able to meet his demands by design, which sends her on her own mission to take matters into her own hands (more on that in a bit). All of the pieces that have been put into place are starting to come together, and it’s a fantastic set up with a really satisfying pay off. We have a bit of a time jump so that we can fully see how bad things are, and Smythe slowly reveals what all has happened in subtle and ingenious ways without the pacing falling out of sync (for example, we see that Daphne is no longer a tree), while also having brief flashbacks to the fallout from Persephone’s banishment. It’s a well done device, and it makes for a more engrossing way to tell the story.

But what I loved the most in this volume is that I feel like we finally got some payoff for the way the story has been slowly revealing Persephone’s strengths and powers, even though she herself hasn’t quite figured out her own abilities. I will say that one of my (mild!) criticisms of this series in the earlier books is that Persephone, while being AWESOME in her own right for lots of reasons, was a little bit infantilized or treated in a way like a manic pixie dream girl, at least to start. Yes, we get insights into some darkness, and as her story progresses we find out that she is a fertility goddess and has a bit of wrath inside of her, but it always felt a LITTLE bit like she needed protecting and guidance from Hades. But that has fully fallen away, as their romance, while still pivotal to both of their motivations, is put on the back burner here, as they are mostly separated in this book and Persephone has to figure shit out on her own. And it is here that we finally get to see her come into her own, stand on her own, and fully round out as a character, who has for literal millennia been a bit of a wallflower in her own story throughout many adaptations. This feels like Persephone finally gets to come into her own. And I love to see it.

You’ve come a long way, baby. (source)

And even with all the very intense moments in this volume as a huge arc wraps up with high, high stakes, we still get some genuinely hilarious scenes and interactions, whether it’s wink wink nudge nudge references to the original myths dynamics, or just clever banter and laugh out loud physical comedy moments. Smythe has such a gift for hitting a wide range of emotional beats in her stories, and honestly I still think that her humor is one of her strongest elements in this series.

What a great wrap up of a first major arc to “Lore Olympus”! The foundation for where Persephone, Hades, and all of the Olympians are going next has been laid, and I am so excited to see what happens next. I guess we’ll find out in the Fall! Can’t wait!

Rating 10: A fantastic conclusion to a riveting story arc, “Lore Olympus: Volume 8” dazzles with deep emotion, engrossing romance, and a lot of humor.

Reader’s Advisory:

“Lore Olympus: Volume 8” is included on the Goodreads list “2025 Mythology Releases”.

Previously Reviewed:

Kate’s Review: “The Manor of Dreams”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Manor of Dreams” by Christina Li

Publishing Info: Avid Reader Press, May 2025

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Mexican Gothic meets Everything I Never Told You in Christina Li’s haunting novel about the secrets that lie in wait in the crumbling mansion of a former Hollywood starlet, and the intertwined fates of the two Chinese American families fighting to inherit it.

They say what you don’t know can’t hurt you. But silence can be deadly.

Vivian Yin is dead. The first Chinese actress to win an Oscar, the trailblazing ingénue rose to fame in the eighties, only to disappear from the spotlight at the height of her career and live out the rest of her life as a recluse.

Now her remaining family members are gathered for the reading of her will and her daughters expect to inherit their childhood Vivian’s grand, sprawling Southern California garden estate. But due to a last-minute change to the will, the house is passed on to another family instead—one that has suddenly returned after decades of estrangement.

In hopes of staking their claim, both families move into the mansion. Amidst the grief and paranoia of the families’ unhappy reunion, Vivian’s daughters race to piece together what happened in the last weeks of their mother’s life, only to realize they are being haunted by something much more sinister and vengeful than their regrets. After so many years of silence, will the families finally confront the painful truth about the last fateful summer they spent in the house, or will they cling to their secrets until it’s too late?

Told in dual timelines, spanning three generations, and brimming with romance, betrayal, ambition and sacrifice, The Manor of Dreams is a thrilling family gothic that examines the true cost of the American dream—and what happens when the roots we set down in this country turn to rot.

Review: Thank you to NetGalley for sending me an eARC of this novel!

Haunted house stories are one of my favorite sub-genres of horror fiction, and I don’t think that I will ever get sick of the trope of a family moving into a new home, unaware of the horrors that await. And we’ve been getting a few books like this as of late, with “The Manor of Dreams” by Christina Li being one of the more recent ones. And when I was reading about this one, it was pretty clear to me that not only were we going to get a haunted house story, but also a family saga with some shades of dysfunction and the racist undertones of American society. Which meant that I was even more on board to read it.

As a haunted house story, “The Manor of Dreams” is solid and effective. There is a slow build of dread as two families, Elaine and her daughter Nora, and Lucille, her sister Rennie, and daughter Madeline, start a legal fight over the inheritance of an estate that had been in Lucille’s family for years, but ended up being left for Elaine by the owner, actress Vivian Yin. Elaine’s parents had worked for Vivian and her husband Richard, and Elaine harbors enough resentment that she wants to keep the house, while Lucille is furious. But as both families decide to camp there while it all gets sorted, Nora and Madeline, and Rennie too, start seeing things, and realizing something is VERY wrong in the house. From weird images, to shadowy figures, to a very, shall we say, ACTIVE garden, the haunted house trope is alive and well in this book, with a rot seeping not only into the house, but into the women who are fighting over it. We start to learn the various tragedies and moments that may be contributing to the haunting, with a sad and devastating history of the house playing a role, but also with reveals that are well hidden and pulled off as the story goes on.

I also really connected with the ways that Li weaves in themes of racism, identity, and generational trauma into this haunted house story, making it about so many different things that can haunt a person. In the past storyline, we have Vivian, whose fame is growing as she establishes herself as a serious actress on the arm of her actor/producer husband Richard, making a splash as the first Chinese American actress to win an Oscar for Best Supporting Actress, but then finding the roles drying up due to a lack of interest in non-white actresses (amongst other things). We also have tensions relating to Vivian’s identity in regards to the history of the house itself, with Richard’s family estate having ties to the Chinese Railroad workers, as his ancestor was a magnate who had no qualms taking advantage of workers who were being exploited in dangerous conditions and cast aside. Add in the tension as Vivian’s marriage starts to deteriorate, and the complexity of Vivian oozes off the page. And in the present day we have Lucille and Rennie, who have darker memories of their childhood in the home and the terrible losses they endured, and the complicated relationship they both had with their mother, and how that informs both of them and their motivations. Which in turn passes down to Lucille’s relationship with her own daughter Madeline. And THEN we have Nora and her mother Elaine, with Elaine having her OWN motivations as the daughter of former staff to Vivian and Richard, and bitterness towards the family that lived there throughout the years. It adds layers to the supernatural haunting angle, and I truly enjoyed how well Li pulled out the family dysfunction along with the haunting itself.

Overall, “The Manor of Dreams” is a creepy and poignant horror story that touches upon family dysfunction and identity with a deft hand. If you like haunted house novels, definitely check this one out.

Rating 8: A suspenseful, creepy, and very poignant story about family secrets, generational trauma, and how bitterness can wreak havoc on the living and the dead.

Reader’s Advisory:

“The Manor of Dreams” is included on the Goodreads lists “Horror To Look Forward To in 2025”, and “Queer Releases May 2025”.