A Revisit to Fear Street: “The Knife”

89806Book: “The Knife” (Fear Street 14) by R.L. Stine

Publishing Info: Simon Pulse, January 1992

Where Did I Get This Book: ILL from the library!

Book Description: Quiet—hospital!

Sshh. There are a lot of things they want to keep quiet at Shadyside Hospital. In fact, just about every private room holds a private secret of its own.

Poor Laurie Masters. The student volunteer innocently happened to stumble onto the hospital’s sickest secret of all.

Laurie has seen too much—and now the doctors and nurses are taking a close look at Laurie.

What they come up with is a deadly diagnosis. Laurie may not be sick, but she’s getting a prescription anyway—a prescription for horror!

Had I Read It Before: No.

The Plot: R.L. Stine has taken his “Fear Street” books through multiple horror tropes. You have the camping trip, the cabin in the woods, the prom court, the haunted house, and many many more. But with “The Knife”, we are finally treated to the evil hospital trope! We first see our protagonist, Laurie, being chased by a man, and she is worried about the knife that he’s holding. Then we go back a week and the story begins. Laurie and her friend Skye are volunteers at the children’s ward at the Shadyside Hospital, having given up their summer break for garnering karmic points. While Skye is delivering balloons, Laurie looks towards the newest wing that is being built, the Franklin Fear Wing. Yep, named for the Fear Family. Soon Laurie hears crying from another room, and lets herself in to find a crying little boy. She tries to calm him down, but to no avail. She checks his chart (not sure if she’s allowed to do that since she’s a volunteer and not a doctor….?), and finds out that this little boy’s name is Toby, he’s three, and has pneumonia. She decides to just hold his hand and keep him company, which is actually kind of sweet, but is interrupted by a mean nurse named Nurse Wilton, who tells her to get out.

While eating lunch in the cafeteria (and I gag because the meat is described as ‘blue’), Laurie and Skye chat to let us get to know them a bit better. Skye is juggling two boys and thinks that she’s destined to win a car in the hospital raffle. Laurie is dating Andy Price, the son of one of the hospital’s administrators, but he’s a real dud. Luckily for both of them, a handsome man walks into the cafeteria at that moment, and walks right up to their table. He says his name is Rick Spencer (which is gross now because Rick is short for Richard and Richard Spencer these days…. well….. yeah), and he’s a college student who is also volunteering that summer, though he is on the surgical floor. Skye is practically in heat over him, but he seems to be more interested in Laurie. Before Laurie can really gaze into his eyes, a Code Blue goes over the intercom for room 903… Toby’s room!!! Laurie runs off to check on that precious little boy, but when she gets to his room she instead finds Nurse Wilton who tells her the Code was for another room, 503, and kicks her out again. Laurie walks to the nurses station to talk to the kinder, gentler Nurse Girard, who is talking to…. Toby’s MOM!!! She says that she wants her son back. Where he went, I don’t know? Laurie notices Nurse Wilton going into the Fear Wing…. and then sees Rick follow her in. Odd.

That night Laurie is at her house, the one she shares with her Aunt Hillary in the part of town called North Hills. Laurie’s folks were killed in a boating accident when Laurie was a little girl, so now she lives with Hillary who is rarely home because of her job. While reading the phone rings. She answers, but hears nothing but breathing on the line. After hanging up, the phone rings again. This time it’s Rick, who has called to ask her out for that weekend. Laurie politely declines, as she has a date with Andy, and asks how he got her number. He says Skye gave it to him. But once they hang up, Laurie calls Skye, because OBVIOUSLY, and asks if that was true. Skye says nope, and now Rick is a liar as well as a college guy hitting on high school girls.

The next day Laurie finds a note from Hillary saying she’ll be late that night. Then the phone rings again, and this time it’s Dr. Price, Andy’s Dad. He tells Laurie to skip out on work and play tennis with his son instead…. because JUST KIDDING, it was Andy the WHOLE TIME!

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Look asshole, some people have responsibilities. (source)

Laurie declines, and says that she’ll see him after work when they go out for pizza with Skye and one of her boyfriends.

At work she buys Toby a teddy bear and intends to bring it to him, but she freaks out when she gets to his room and it’s empty. Because clearly the only answer is that he must have died tragically. In actuality he’s been discharged, and she sees him at the nurse’s station while his Mom talks to Rick. She gives him the bear and tells him to go with his Mom… and Toby says ‘she’s not my Mommy’. Okay, that’s weird, but before Laurie can question it too much his ‘Mom'(?) says it’s time to go, and Toby follows. She asks Rick what they were talking about, and he tells her she was giving her directions to the pharmacy. Laurie isn’t buying it, because he said he was new to the area so HOW COULD HE KNOW WHERE THE PHARMACY IS? The phone at the station rings, and he answers. Laurie starts to leave, but lingers, and sees that after he hangs up, he slips a pack of surgical knives into his pocket!!! Liar AND thief!

Laurie can’t stop thinking about Toby and decides to check up on him. After very illegally going through his file, she gets his address… which is, of course, on FEAR STREET!! She thinks that she can go there under guise of selling raffle tickets for the hospital, though she’s nervous about going to Fear Street alone, because, you know. All the horrible things that have happened there. Before she can make a clean getaway, Nurse Wilton plants herself at desk to the file room. Laurie manages to kind of sneak past, but Wilton sees her anyway and demands that she come back. Laurie, however, runs to the elevator and gets in, only to be kicked off on an unfamiliar floor (as a patient was coding maybe? It’s a plot device). She starts to explore, ignoring the ‘personnel only’ signs, and hides in the first room she can in case Wilton tracks her down. Sadly, it’s a room with a dead body in it….. and then someone locks her inside!! But she manages to get out (because it locks from her side), and once out sees Nurse Wilton and Dr. Price talking. Assuming it’s about her, she gets indignant that Wilton would rat her out…. But honestly, Laurie, you were violating SO MANY HIPAA LAWS THERE.

At the pizza place Laurie tells her friends about her ethics violation and convinces them to go to Fear Street with her. They all get into Andy’s Volvo and drive to Fear Street. Toby’s Mom greets Laurie and Skye with an angry ‘what do you want?!’, and they convince her to buy a ticket. When Toby’s Mom goes to find her purse, they hear crying inside the house. Laurie sneaks in further, and sees Toby on the steps looking a lot thinner and paler than he did earlier. His Mom catches them, throws money at them, and tells them to get the hell out.

The next day Laurie is told that she’s being transferred to another floor on Wilton’s orders. Hoping to convince her otherwise, Laurie hangs around until shift end to try and find her. SHe sees Nurse Wilton sneak into the Fear Wing, and then Rick does so as well. She decides to wait a bit for one of them to come out, but loses patience after probably about five minutes and goes in to find them. As she stumbles around in the dark, she trips over something….. and it’s NURSE WILTON’S CORPSE, WITH A SCALPEL STICKING OUT OF HER NECK! But when she runs to get help and comes back with Skye and Nurse Girard, the body, of course, is gone. They think she’s playing a joke on them. Laurie now believes two things: 1) Rick is the murderer, and 2) It has to do with Toby somehow. She tries to go check the files again, but they’ve up and absconded.

The next day Laurie puts on a disguise and goes back to Fear Street to stalk outside Toby’s house. She sees him at the kitchen table, and then sees him being whisked off with a suitcase into a car and driven away. Though she hears a child’s scream from inside the house, she decides to ignore it (?!?!) and talk to Dr. Price the next day. When driving home she is stopped by a car that blocks her path, and the driver is none other than Rick in a weird Batman tee shirt. Laurie turns around and drives off. She gets home to her empty house and calls Andy, asking to talk to his Dad. He wants to know why, and she lies saying she is doing a project that involves interviewing him. Andy invites her over for a hook up, and she hangs up to call Skye to see if she can crash at her place, as she’s scared to be home alone after the weird stuff she’s seen. She hears footsteps on the steps, and tells Skye never mind, Hillary is home… BUT IT’S NOT HILLARY, it’s some intruder!! But when Aunt Hillary does come home, the intruder runs away. Laurie is convinced it’s Rick, but Hillary says she saw Andy’s car in the street (maybe). Laurie tells her everything, and Hillary says that since she’s working with the Board of Trustees maybe she can talk to Dr. Price. Laurie gets upset and says she thinks she doesn’t need any help, but frankly Laurie…

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Rick calls. Asks why she ran away from him on Fear Street. She confronts him about the knives, he tries to brush it off, and so she asks why he was even on Fear Street to begin with and he tells her to stay away from Fear Street, ominously.

Laurie meets with Dr. Price. Tells her that she saw Nurse Wilton’s dead body. He calls the hospital to ask why he didn’t hear about any of this, and tells Laurie that he was told that Wilton is on vacation. Laurie tells him she thinks Toby is in trouble, and to placate her he says that he’ll check the kid’s files. Laurie informs him that the files have gone missing and he tells her he’ll track them down. Later Laurie and Andy are talking about why she was talking to his Dad, and she tries the ‘extra credit’ excuse again, and Andy puts the moves on her and she says nah, which leads to a fight and she dumps his ass. When going to the mall to meet Skye, Laurie conveniently sees Toby and his Mom in the parking lot!! Laurie waves, and Toby waves back, but then he’s shoved into the car by his Mom and they drive away. Laurie hates seeing Toby hurt like that, but instead of calling the cops to report a possible case of child abuse, she resolves to figure it out on her own!

So she calls Toby’s Mom pretending that she has an extra raffle ticket. Toby’s Mom is not convinced and tells her she’s a ‘nuisance’. There’s a slap and a child crying right before hanging up, and so Laurie decides to drive to Fear Street and save Toby herself! To what end, idiot? She sneaks into the house through a window, but is knocked over the head and dragged to the basement where she is tied up by Toby’s Mom. Toby’s Mom goes upstairs to make a phone call, and Laurie overhears that perhaps they have nasty plans for Aunt Hillary! Laurie sees a pair of scissors, and tries to get them. But the someone is coming down the steps.. and it’s Toby! Toby cuts the ropes, and Laurie says that she thought he had been taken away…. and Toby tells her that that wasn’t him, that was his twin brother Terry. Because OF COURSE IT WAS. They sneak up the steps and out of the house and get in her car and drive away. At a payphone Laurie tries to call Hillary to warn her, but can’t get an answer. So she calls the hospital, and gets a message that Hillary left for her: her car won’t start so please come pick her up from her meeting at the hospital, and she will be at the nurses station. So she and Toby rush for the hospital, and on the way they hear a radio report that Nurse Wilton’s body has been found. To make matters worse, Rick’s car is following them!! They get to the hospital and it looks like maybe they lost him.. but as they get into the building Rick pulls in the lost. Laurie and Toby get in the elevator and the doors close JUST AS RICK IS ABOUT TO GET IN TOO.

They get to the nurses station and Laurie leaves Toby with a nice nurse. Hillary isn’t present, and Nurse Girard tells her no one has been by for nearly two hours. Laurie tries to use the phone, but then Rick is there! He’s distracted by Nurse Girard, so Laurie runs into the Fear Wing (of course) to try and hide. While dicking around in there she finds a random trap door, and surmises that’s how Rick moved Nurse Wilton’s body. So Rick enters and we’re back to the prologue, with him grabbing her and her worried about the knife he must have. Turns out he grabbed her to keep her from falling down a broken elevator shaft she almost ran into. Someone else enters the wing, and Laurie screams for help. Rick shoves her away so he can tangle with whomever it is, and Laurie hears a fight. She sees Dr. Price, who tells her she can come out now. She runs to him, jumping over unconscious Rick… But Rick is waking up! And he tells Laurie that it was Dr. PRICE who killed Nurse Wilton! Because Nurse Wilton found out that Dr. Price and Toby’s Mom (not really his MOm!) were selling children in an illegal adoption scheme, and she was blackmailing him! Dr. Price and Rick fight again, and this time it ends with Dr. Price falling down the elevator shaft.

Rick and Laurie leave the Fear Wing and are reunited with Hillary, who explains that Dr. Price thought that she was getting too close to his secret and that’s why he wanted her dead. Rick and Laurie kiss. The end.

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Body Count: 2. You get Nurse Wilton and Dr. Price (I think? I have to imagine).

Romance Rating: 4. Rick is fine and he and Laurie are an okay couple with similar interests. But Andy is obnoxious and having her have to spend ANY time with him is upsetting.

Bonkers Rating: 5. A complex conspiracy theory in a hospital that involves selling children and then the fact that there is a set of twins as well gets it a bit of a boost. But it feels more Lifetime Movie, plot wise.

Fear Street Relevance: 8. The wing in the hospital that seems to cause the most trouble is named after Simon Fear. So it’s The Fear Wing, and THAT is pretty great. Also, Toby is being kept in a house on Fear Street.

Silliest End of Chapter Cliffhanger:

“Then she had a sickening new feeling. Something in the room behind her was moving!”

… But nope, it wasn’t. She was alone the whole time.

That’s So Dated! Moments: Laurie and Skye first see Rick and the comparisons to Tom Cruise are thrown around pretty readily and heavily. I’m not so certain seventeen year old girls these days would be making THAT reference when trying to describe a cute boy.

Best Quote:

“He grabbed the front of the shirt, his face filled with mock horror. ‘Get rid of my bleeding knife t-shirt? Are you crazy?’

‘Get rid of it,’ she insisted.

‘But it’s so… so totally cutting edge!’ he cried.”

YEAH YEAH, I LAUGHED, OKAY?

“The Knife” was pretty lame. Less conspiracy, more GHOSTS, dammit! Next up is “The First Date”. I can only imagine how this is going to be.

Kate’s Review: “The Lying Game”

32895291Book: “The Lying Game” by Ruth Ware

Publishing Info: Gallery/Scout Press, July 2017

Where Did I Get This Book: The library!

Book Description: From the instant New York Times bestselling author of blockbuster thrillers In a Dark, Dark Wood and The Woman in Cabin 10 comes Ruth Ware’s chilling new novel.

On a cool June morning, a woman is walking her dog in the idyllic coastal village of Salten along a tidal estuary known as the Reach. Before she can stop him, the dog charges into the water to retrieve what first appears to be a wayward stick, but to her horror, turns out to be something much more sinister…

The next morning, three women in and around London—Fatima, Thea, and Isabel—receive the text they had always hoped would NEVER come, from the fourth in their formerly inseparable clique, Kate, that says only, “I need you.”

The four girls were best friends at Salten, a second rate boarding school set near the cliffs of the English Channel. Each different in their own way, the four became inseparable and were notorious for playing the Lying Game, telling lies at every turn to both fellow boarders and faculty, with varying states of serious and flippant nature that were disturbing enough to ensure that everyone steered clear of them. The myriad and complicated rules of the game are strict: no lying to each other—ever. Bail on the lie when it becomes clear it is about to be found out. But their little game had consequences, and the girls were all expelled in their final year of school under mysterious circumstances surrounding the death of the school’s eccentric art teacher, Ambrose (who also happens to be Kate’s father).

Atmospheric, twisty, and with just the right amount of chill that will keep you wrong-footed—which has now become Ruth Ware’s signature style—The Lying Game is sure to be her next big bestseller. Another unputdownable thriller from the Agatha Christie of our time.

Review: As you guys have seen on this blog previously, one of my favorite suspense writers out there today is Ruth Ware. I read and reviewed both “In A Dark, Dark Wood” for this blog, as well as “The Woman in Cabin 10”, so of course I was going to pick up Ware’s most recent novel, “The Lying Game”. These women centric whodunits are the perfect reads for travel and leisure, as they go down very easily and keep you entertained. When I finally got to “The Lying Game”, I settled in, ready for a page turner with twists and turns to keep me on the edge of my seat.

Our protagonist is Isa, a relatively new mother of a baby named Freya and partner to a kind man named Owen. She’s made a new life for herself away from her teenage years, where she had a tight knit group of friends named Kate, Thea, and Fatima, with whom she shares a deep secret. They haven’t seen each other in years, trying to suppress their past in various ways. But when a body is found in the town of their boarding school, one that may reveal too much, they are flung back together. The bonds of a secret are hardly a new theme in books like this, but the strengths are in the characters here. While Isa is our protagonist, she actually felt like the least interesting of the foursome, falling back on pretty well explored tropes. Shy and meek, but fiery when it comes to her child, and in a relationship with a well meaning but somewhat clueless man, I was more frustrated with Isa than I wanted to be. I was far more interested in Fatima, the most centered of the group who has become a surgeon and has recently become more faithful in her practice of Islam. We so rarely get ‘with it’ women at the forefront of these stories, and I think that Fatima had some serious potential and more to explore than Isa. Isa was just a woman who is falling apart because of the lies she’s told, and it’s not only a frustrating scenario to watch play out, it’s also been done before and didn’t really give me much to chew on.

But the atmosphere in this book is exceptionally spot on. If you want to guarantee a moody atmosphere for a novel, you really can’t go wrong with a house in a tidal estuary that is right on the water. It worked for “The Woman in Black”, and it works here as well. Kate, the woman who has stayed behind after the disappearance of her father and the secret shared between them, is living in her childhood home… which is slowly sinking into the water. The idea of a house that at certain tidal times is close to being enveloped by water is creepy and suffocating, and it really added to the general unease of this novel. While all of these women are still somewhat trapped at The Reach, Kate is trapped there physically as well as emotionally. The secrets that the Reach and these women hold are always just beneath the surface, and as they start to rise up the tension builds so slowly you don’t realize it’s there until you’re already drowning in it. You add that into the fact that this is a small town with a prestigious boarding school, and you know that the scandal and secrets are going to be oozing off the page. Boarding schools and sinking houses in an isolated setting? Hell yes I’m going to love that.

In terms of the mysteries and secrets of this book, it was kind of a mixed bag. There were some things that I definitely was caught off guard about, or at least didn’t figure it out until Ware wanted me to. But there were other things that I figured out pretty early on, and when it came to the ultimate climax and the ultimate solution, I was left kind of underwhelmed. While I don’t necessarily want to have twist after twist after twist, I also kind of want to have a little bit of a ‘gasp!’ moment when it comes to the solution to a book like this. I didn’t really get that anywhere in this book. If the characters had been a little bit stronger on all ends, I could have given it a bit of a pass, but as it was, I think that of Ware’s three books “The Lying Game” is the weakest for me.

That isn’t to say it’s a bad read at all. “The Lying Game” was a quick and tense read, and I tore through it pretty quickly. Fans of this genre really should give it a go, because it’s a solid mystery with some good suspense in it.

Rating 7: A solid premise with some good suspense building, but the solution was a bit underwhelming, just as the main character was grating at times. The atmosphere and the supporting characters, however, were solid.

Reader’s Advisory:

“The Lying Game” is included on the Goodreads lists “2017 Library Recommended Books”, and “Anticipated/Best 2017 Literary Fiction”.

Find “The Lying Game” at your library using WorldCat!

Kate’s Reviews: “Monstress (Vol.1): Awakening”

29396738Book: “Monstress (Vol.1): Awakening” by Marjorie M. Liu, Sana Takeda (Ill.)

Publishing Info: Image Comics, July 2016

Where Did I Get This Book: The library!

Book Description: Set in an alternate matriarchal 1900’s Asia, in a richly imagined world of art deco-inflected steam punk, MONSTRESS tells the story of a teenage girl who is struggling to survive the trauma of war, and who shares a mysterious psychic link with a monster of tremendous power, a connection that will transform them both and make them the target of both human and otherworldly powers.

Review: When I first heard of “Monstress” by Marjorie Liu, I was pretty compelled by the description. Hell, I even put it on one of our Highlights lists last year around the time it came out. The premise definitely sounds like it would be right up my alley: a girl is part of a group of creatures called Arcanics that are oppressed and hunted down after a war, and she is possessed by an ancient monster. And while it was fantasy, a genre that I am very picky about and have very specific preferences in for it to appeal to me, I thought that it sounded enough like ‘dark fantasy’ that it would suit my tastes. Monsters, wars, dark magic and lots and lots of violence, all of these things piqued my interests, and I can say that “Monstress: Awakening” delivers all that and much much more.

Maika Halfwolf is our protagonist, and we meet her just as she is being sold off for experimentation. As a member of the Arcanics, but as someone who can pass for human, she is a hot commodity for her buyer, a woman who is a Cumea. Cumea are sorceresses who absorb the life energy from Arcanics to keep their own power levels up. So right away we are shown the brutal world that Maika and others like her live in, and how it is to be in a society where they are constantly beaten down and treated as less than, so far as to be slaughtered so that others may gain from it. Intricate themes to be certain, and some that I was very pleased to see in this story. It was also really neat to see a group of female protagonists, and very nuanced and complex women at that. Maika, of course, has a lot of sides to herself. She’s violent and driven by a need to avenge her dead mother, Moriko Halfwolf, but she also has moments of compassion and empathy, as well as glimpses into a time period where she wasn’t as jaded and cynical about the world she lives in. We also get to see the power of female friendships in a time of trauma and war, as she forges bonds with a couple of female characters, some part of her new life, others part of her old one. But inside of her is a monster that is hinted at being one of the greatest evils in the history of the world that she lives in. However, it isn’t quite clear just what this being wants yet.

We also get a compelling group of villains within this world that Liu has created. I like the idea of female sorceresses being seen as nun-like, their entire lives devoted to their powers. The hierarchy of power was cool to see, and I liked the very intimidating Inquisitrixes, those sent out to find Maika and her group after she escapes. You also get a sense of the corruption that the Cumea have inside their system. Nothing says feminism to me like having fascinating female villains, and the Cumea are definitely a well rounded set of villains. But the most charming group in this are the cats. Yes, there are cats in this series that have many roles, from sidekicks to warriors to professors, and I really, really enjoyed that.

The art in this book is absolutely gorgeous. It has influences from manga, steampunk, and art deco styles, and they all meld together to make a sumptuous feast for the eyes of the reader.  I was blown away multiple times by the details that went into it, and how there were so many intricate things inside of the art, from the details on the clothing to the etchings of the backgrounds.

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But, sadly, at the end of the day, I can only give this six stars. And that is because this is definitely a bit too high fantasy for me. But I want to really emphasize that the rating I am giving it is one that I have for it, personally, just because this isn’t really my kind of story. That said, people who really like high fantasy and intrigue to go with their monsters and mayhem would probably like this a lot. In fact, looking at how a few of my friends have rated it, I can safely say that my rating is my own, and that it should NOT deter anyone from reading this if you think that all of these things sound great. Hell, I’m probably even going to keep on going in the series, because I like Maika so much and want to see what is going on with this monster inside of her. And the themes, too, are going to bring me back for more, since feminism, racism, and colonialism can be found in their own ways in this world and are explored very well. Again, fantasy fans, take note of this one. It’s dark and it’s violent, but it’s also gorgeous and will probably completely suck you in.

Rating 6: A little high fantasy for my tastes, but the characters are great and the art is beautiful. The themes that Liu explore are dark and complex, and I think that they really give this story a little more than other series like it may.

Reader’s Advisory:

“Monstress (Vol.1): Awakening” is included on the Gooreads lists “Kickass Women in Superhero Comics”, and “Comics and Graphic Novels by Women”.

Find “Monstress (Vol.1): Awakening” at your library using WorldCat!

Kate’s Reviews: “Here and Gone”

32336395Book: “Here and Gone” by Haylen Beck

Publishing Info: Crown Publishing Group, June 2017

Where Did I Get This Book: The library!

Book Description: Here and Gone is a gripping, wonderfully tense suspense thriller about a mother’s desperate fight to recover her stolen children from corrupt authorities.

It begins with a woman fleeing through Arizona with her kids in tow, trying to escape an abusive marriage. When she’s pulled over by an unsettling local sheriff, things soon go awry and she is taken into custody. Only when she gets to the station, her kids are gone. And then the cops start saying they never saw any kids with her, that if they’re gone than she must have done something with them… 

Meanwhile, halfway across the country a man hears the frenzied news reports about the missing kids, which are eerily similar to events in his own past. As the clock ticks down on the search for the lost children, he too is drawn into the desperate fight for their return.

Review: Though I never saw the movie “Flightplan”, the concept of it caught my interest. A woman and her daughter get on a plane, her daughter disappears, and then when she reports it the flight crew tell her that she never had a daughter with her. I would assume that part of the movie is spent making the viewer question whether Jodie Foster is insane or not (if I am wrong, tell me!). It’s a trope that has been used before, sometimes very effectively and other times…. not. But while I was thinking that “Here and Gone” was going to be this trope all over again, effectiveness to be determined, it’s established pretty early on that this is not one of those stories. And frankly, I was relieved. Instead of wondering whether Audra was going to end up being yet another unstable and messed up protagonist in a “Girl on the Train”-esque mystery, we get corruption in a small town and the dark web. And to that I say ‘hell YES’.

What I really liked about “Here and Gone” is that since right away we know that Audra’s children, Sean and Louise, do exist, we don’t have to worry about trying to solve a mystery on top of another mystery. In fact, I was really just along for the ride of trying to see how Audra was going to escape custody of a corrupt sheriff, and how she was going to save her children from being sold into sex trafficking (yes, it went there). I wasn’t worried about some crazy reveal about Audra’s mental state, and while there were still a couple questions that had to be definitively answered I pretty much was able to sit back, relax, and let it all play out. Because of this, I found myself incredibly engrossed in this book, picking it up one night and then finishing it up the very next night in a marathon reading session. Beck knows how to sustain the tension in this book, even when jumping from character to character, time period to time period.

While none of his characters are super intricate and complex, they all have just enough defining characteristics that I always believed the choices that they made. Audra as a protagonist was especially fun to follow, as she is a scrappy dame who has completely pulled herself from victimization to empowerment, and not in a way that seemed cheesy or laid on too thick. We get the past with her husband and we see how it all happened, but we also saw that she believably has made a new life for herself, and left the despair of abuse and addiction behind her. Not once are we manipulated into thinking that oh, she may slip up in her sobriety, or oh, she may have to be victimized again to get her children back. In her steadfastness she was fun to follow. The secondary protagonist is Danny, a man whose daughter was taken under similar circumstances. When he sees the news reports of a woman who may have murdered her children but insists they were with her when the cops pulled her over, he thinks of his wife, and how their daughter disappeared in similar fashion. His wife committed suicide shortly thereafter. His backstory was a nice juxtaposition to Audra’s showing just how grave this situation really is. Beck also made a point to show cause and effect of the slow death of small town America, built up with promises of an American Dream only to find themselves in poverty when industry has left them. The town filled with a corrupt police force is dying because of a now defunct mining community, and as poverty sets in, greed and entitlement (as well as tragedy) drives our antagonists to do the unthinkable. It was far more interesting than the scenario I thought we were going into, and I think that because it was so straight forward, I was more hooked than I would have been had I been waiting for a twist. I should also note that Haylen Beck is a pen name for Irish writer Stuart Neville, and while he may be based in Northern Ireland I think he did a bang up job of writing about Small Town Americana.

Sure, it’s not a perfect book. There are some things that seem to fit together a little to perfectly, and sometimes I had to suspend some of my disbelief in how some scenarios shook out, or how lucky some things ended up being. But as far as fun thrillers go, this one was very engaging and would be a great pick for a plane or a beach read as summer starts to wind down.

Rating 8: A fast paced and suspenseful thriller that was hard to put down.

Reader’s Advisory:

“Here and Gone” is new and isn’t featured on any Goodreads lists, but I think that it would fit in on “Child Abduction”. 

Find “Here and Gone” at your library using WorldCat!

A Revisit to Fear Street: “The Secret Bedroom”

176577Book: “The Secret Bedroom” (Fear Street #13) by R.L. Stine

Publishing Info: Simon Pulse, September 1991

Where Did I Get This Book: ILL from the library!

Book Description: Lea Carson can’t believe it when her family moves into the creepy, old house on Fear Street. Most creepy of all is the secret room up in the attic.

The room has been locked and boarded up for at least a hundred years. A murder was committed in that room, the story goes, and it has been closed up ever since.

Lea knows she should stay away. But she thinks she hears footsteps inside the secret room. And voices.

Someone—or something—is waiting for Lea in there.

Should she open the door?

Can she resist?

Had I Read It Before: Yes

The Plot: Once again, we are introduced to a new student at Shadyside High. This time it’s a girl named Lea, and I have to wonder about enrollment policy at this school. Are kids just joining willy nilly at any time, or are all these things supposed to be happening on the same timeline? Regardless, Lea makes a splash at her new school in week two where she spills chili on the white sweater of class megabitch Marci Hendryx. After getting a severe tongue lashing from Marci, who goes to clean up, Lea gets in help cleaning up her tray from a cute boy. He says his name is Don, and she says that she’s Lea and she just moved to Fear Street. When Don is, of course, shocked, she explains her parents are the predecessors to “Flip This House” and are going to focus on Fear Street. After some more chit chat, Don asks her out, and Lea is excited and says yes! But when she returns to her seat, her new friend Deena (from “The Wrong Number”!) tells her that Don is Marci’s boyfriend and Lea will catch hell if she goes out with him. Don, you’re a creep.

Lea walks home and thinks about the first time she and her parents entered the house. Their realtor, Mrs. Thomas (Suki’s Mom! I love Suki, so this bitch is tops in my book), told them about a boarded up room in the attic after Lea stumbled upon the locked door. Apparently it was a bedroom, but someone was murdered in their and it’s been shuttered ever since. Um, that should probably have been disclosed before they closed on the house, Mrs. Thomas, but perhaps when selling homes of Fear Street you’re encouraged to leave stuff out. Lea’s parents say they’ll just leave it alone. I bet not.

So now it’s Saturday night and Lea is on the phone with Deena, waiting for Don to pick her up. While giving Lea advice, Deena then has to hang up because her friend Jade has arrived (no word on whether or not she’s still dating her rotten half brother). So Lea waits, and waits, and waits… And Don doesn’t show. She calls his house, and Don’s mom says that he’s out with Marci. Ouch, girl. But instead of accepting that she’s been stood up, Lea decides that the thing to do is… CALL MARCI?????

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Predictably, it doesn’t go well. Marci tells Lea she dared Don to ask her out, and that Don would NEVER go out with her, and that Lea deserves it for hitting on her boyfriend. Yikes. Lea goes to sleep that night convincing herself that Don really DID ask her out, but then chickened out because Marci found out and that he does really like her. As she falls asleep she thinks she hears footsteps in the secret bedroom in the attic.

Monday at school Don approaches her and says he’s really sorry about the date thing and that Marci is jealous. While trying to explain himself, Marci shows up, and he runs off to her like the spineless jellyfish that he is. After lunch, Marci approaches Lea at her locker and tells her that she’s sorry. It was a joke that went too far, and to make it up to her she wants Lea to join the school sorority! How nice! She tells Lea that the next meeting is the next day in room 409. But Lea isn’t a dummy, and tells her that the school only has three floors so there ISN’T a room 409!! Boy, she sure was spared some kind of douchey prank a golf pro might pull off.

That next Saturday after a night of watching movies by herself (as even her parents have a social life), Lea decides to go to bed. But again, she hears footsteps above her in the attic. She goes up to investigate, but finds nothing up there. Yet as soon as she turns out the light, the footsteps start again… in the secret bedroom! She presses her ear against the door and calls inside, but then hears a new sound… the sound of blood flowing from the doorway!!! She freaks out and calls Deena (instead of her parents? I know this is before cell phones but did they not leave an emergency number?) and asks her to come over. Then she calls the police. When Deena arrives they go up to investigate, but they find nothing. So have fun explaining THAT to the cops who show up a few moments later. Lea apologizes, saying she thought she heard something, and after both cop and Deena leave, she tries to go back to sleep… But the sounds start again, louder this time.

At breakfast the next day her parents brush off her concerns. That night Lea is thinking about Don, for some reason that I can’t fathom… Yes I can, I was a teenage girl once. But the noises start up again. This continues for the next few nights, and then it even evolves into a voice! Lea dreams that she goes into the attic, and into the bedroom… and finds Marci in there, right before waking up. Marci is truly a jerk so the stress dreams are understandable.

The next weekend Lea, having been blown off by Deena, is all by her lonesome at home again, and when she hears the sounds this time she’s going to investigate. She hears a voice on the other side of the door, but this time she decides she wants to open the damn thing up. Of course, when she tries, a bunch of iron spikes slam through the wood and almost gore her. I just….. WHAT. They pull back into the secret bedroom, and Lea is left dazed. When the phone rings she almost misses it, but she answers, and it’s DON!! Who wants her to meet him at the mall right away!!! Lea, foolishly, thinks that her time has come, and she rushes in the rain to her car and drives over to meet him. I have no idea where her parents are. When she gets to the mall and to good ol’ Pete’s Pizza, she sees Don… and that he’s sitting across from Marci. Lea, the definition of insanity is to repeat an action expecting a different result. This is you to a t. Don says she should sit with them, but Marci shuts that shit down. Lea, after accidentally knocking into a waitress and making  a scene, returns home.

Given that the house is still empty but the sounds are still happening, Lea storms up the steps to settle this once and for all. This time when she calls through the door, she hear’s a girl’s voice asking her to open it up. Lea complies, prying the boards off with a hammer, and finds a key in the lock. When she walks in, she finds an ornate bedroom with an old fashioned looking girl sitting on the bed. The girl says that she ‘lives’ there, so that means she’s haunting the place because she’s clearly a ghost. A ghost who wants to touch Lea’s hair. Which is a bit too much, and Lea runs out of the room, slamming and locking the door behind her.

The next day Lea convinces herself that it was all a dream, and goes to play tennis with Deena. Deena agrees that it must have been a dream and then tells her that Marci is spreading rumors about her being a floozy. Fun. That night, while her parents are engrossed in a nature show, Lea tries to go to bed early. But the noises start again, and Lea goes upstairs to investigate. She finds the room and the girl again, and realizes that it wasn’t a dream. The ghost says that her name is Catherine, and that while she knows she’s dead it took her awhile to believe and understand it. She says that she was locked in this room because her parents didn’t want the world to know about her, as she was born out of wedlock. When she tried to escape one day, they killed her, and kept her body up there to rot. Lea isn’t convinced, and Catherine gets angry with her AND wants to touch her hair again. Lea runs out and slams her bedroom door, but doesn’t remember if she closed the door to the secret bedroom. She goes back to look, and all seems locked up and okay… But then in her own room Lea’s stuffed tiger’s eyes start to glow red.

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This bodes well. (source)

At school the next week, Lea overhears Marci spreading more lies about her, and wonders just why Marci keeps doing this even though she clearly has her beaten into submission. Well, Lea, it’s because girls like Marci are like a dog with a bone and can’t get enough of torturing you because you have been seen as weak, and weakness is easy to exploit and fun too, if you’re a total sociopath. No, I don’t have personal experience. Lea, however, gets the bright idea to use her new ghost friend (?) to teach Marci a lesson (and I am convinced that Ryan Murphy lifted this for “AHS: Murder House”). When she gets home she goes up the secret bedroom and formally introduces herself. Catherine tells her how much she loves her hair, and that she wishes her blonde tresses were dark like hers. Lea, undaunted, asks Catherine if she will help her scare Marci. Catherine agrees, but starts to press her ghostly essence into Lea, explaining that she’d use all her energy if she traveled on her own, and that she should really just hitch a ride in Lea’s body. Lea is a little weirded out, but convinces herself that it’s a legit request.

Lea goes to Marci’s house to confront her, and Marci tries to slam the door in her face but Catherine (who did leave Lea’s body) prevents that from happening. Lea gets into the house and starts to read Marci the riot act, but then Catherine lifts Marci up in the air and drops her. Marci, now freaked out, runs up the stairs in a panic… and runs right through the railing and plunges to the floor. Oops. Lea calls 911 as Marci’s Mom is screaming and sobbing (this was actually way upsetting, thanks Stine), and when the cops arrive Marci is pronounced dead. An officer drives Lea home, and she feels Catherine re-enter her body. When they get home Catherine returns to her attic room and Lea tries to eat dinner, but just has to confront Catherine about how things went down at Marci’s house. She asks Catherine if she pushed Marci, and Catherine just smiles at her, saying that she did Lea a favor and now Lea has to do one for her. Catherine wants to be inside Lea’s body PERMANENTLY. She tries to possess Lea, but Lea fights her off and runs out of the room screaming for her parents. When she tells them everything, they think that she’s suffering from PTSD because she saw Marci fall. Lea tries to show them the attic door she broke into, but it looks all boarded up, as if never touched. Huh?

A doctor recommends bedrest to Lea. As she’s trying to rest up, suddenly Catherine appears and REALLY flips things on its’ head: she says that she’s been messing with Lea the whole time! Lea never actually went into the secret bedroom, that Catherine was ALWAYS in THIS room and that she just planted those memories. When asked why, Catherine says that that secret bedroom is evil and Catherine boarded it up herself one hundred years prior, and the blood and the spikes were to keep Lea out before she just started planting memories. And now they’re going to share this room AND LEA’S BODY!!! Catherine succeeds in possessing her this time. Holy shit, this is getting real.

A few days later Catherine tells Lea that they have some stuff to take care of. I have a feeling it isn’t running to get paper towels from the store. CLea (as I will be referring to them) pulls a long rope out of the closet, and Catherine tells Lea that they’re going to go make Don Jacobs pay. They end up at Don’s house, and right before CLea can strangle him in cold blood, his friends arrive. Lea is able to fend off the control for a bit, and they make a hasty exit. But Catherine tells her that soon Don will be dead and so will his stupid friends. WHAT DID CORY AND GARY DO? The next day Lea realizes that Catherine has left her body for a bit, and thinks that perhaps the key to her salvation is opening up the secret bedroom. She grabs a hammer and gets to work on the boards, but then Catherine shows up to try and stop her. Lea tells her that she won’t be stopped, and she manages to get into the bedroom…. AND FINDS THE LONG DRIED OUT CORPSES OF CATHERINE’S PARENTS ON THE BED!!!! Catherine manages to possess Lea just then, and then the BODIES GET UP AND START SHUFFLING TOWARDS CLEA! ZombieDad wraps his hands around CLea’s neck, and Catherine leaves her body saying they killed her once and now they want to do it again…. But ZombieMom says that it was CATHERINE who was the murderer, who killed THEM and locked them in the bedroom. Suffice to say, the corpse parents start to circle Catherine faster and faster, and when Catherine reaches to Lea for help (ha, yeah right), one of the corpses LITERALLY rips her hand off and tosses it away. I AM LIVING!!! They ghostly family spins and disappears into nothingness, and Lea, presumably, passes out.

She wakes in the hospital some time later and is told she’s been battling a fever that’s left her in and out of consciousness. But Don has been calling to check on her and Deena has been bringing her school work for her to work on when she gets better. So maybe it was all a dream? When she gets home, she does find the attic door all boarded up, and is thinking that yes, it was all a dream. But the she sees one of Catherine’s hair ribbons on her dresser, and she thinks of Marci and the ghost in the secret bedroom. The end.

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(source)

 

Body Count: 2. Well, technically one with Marci falling to her doom. But I think that I may count Catherine too, since she was kind of taken out again.

Romance Rating: 3. Don is a total wimp when it comes to his girlfriend, but he and Lea could have some potential now that she’s out of the way (sorry, Marci).

Bonkers Rating: 10. This one has a secret bedroom, a ghost, possession, mind alterations, murder, AND skeletons just drying out in an attic. Seriously, it’s crazy.

Fear Street Relevance: 9! Lea living on Fear Street and the ghosts living in an attic in a Fear Street house are exactly the kind of setting these books need to be as good as they can be.

Silliest End of Chapter Cliffhanger:

“Lea was the first to break the silence. “I don’t believe it,” she said, her hands pressed tightly against her face.”

… and then there’s literally nothing there. Though I have to say, this book had some really SOLID cliffhangers.

That’s So Dated! Moments: Lea is watching “Ghost” on her parents VCR. Also, many descriptions of Lea’s bangs. Also, see below….

Best Quote:

“Patrick Swayze is a real babe, she thought, stretching sleepily. He can come haunt me any time.”

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Ditto, Lea. Ditto. (source)

YEP, this one was a really fun and great read. It’s right up there with “Missing” in terms of “Fear Street” faves. The next one up is “The Knife”, and the cover alone makes me think it’s going to be a journey.

Kate’s Reviews: “Everything Is Teeth”

26109143Book: “Everything Is Teeth” by Evie Wyle and Joe Sumner (Ill.)

Publishing Info: Johnathan Cape, August 2015

Where Did I Get This Book: The library!

Book Description: From the award-winning author of All The Birds, Singing, a deeply moving graphic memoir about family, love, loss, and the irresistible forces that, like sharks, course through life unseen, ready to emerge at any moment.

Ever since she was a little girl, passing her summers in the brutal heat of coastal New South Wales, Evie Wyld has been captivated by sharks—by their innate ruthlessness, stealth, and immeasurable power. Young Evie would listen intently as farmers and fishermen told stories about being alone on the water at dusk; she would lose herself in books about legendary shark attacks, mesmerized by the photos of the victims. And even though she returned to London at the end of each summer, Australia’s sharks never released their hold on her imagination. Now, in this quietly penetrating narrative of personal memories, beautifully rendered by illustrator Joe Sumner, Evie Wyld lends her exceptional voice to the telling of a story all her own.

Review: When I was four years old, I discovered sharks. We were on a family trip out to California to visit my aunt, uncle, and cousin. They lived in San Jose, but we would take many family trips to the ocean up and down the coastline between San Francisco and Monterey. This meant that there was a lot of driving to be had, and ya gotta find ways to spend the time. My parents bought my cousin, who is a few years older than me, a cassette tape and accompanying book about sharks. It was short and informational, but it did have some kind of creepy music to go with it. Because “Jaws”, probably. Turns out, it was too much for my cousin, who thought that it was way too scary to listen to. My parents, not wanting to waste the thing, gave it to me, four year old Kate, thinking that maybe I’d be able to handle it. And I guess I pulled a full Raffi on them, insisting they play it over, and over, and OVER again the entire trip… And then more when we got back home to Minnesota. And thus, my lifelong love of sharks was born.

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Actual image of my Dad having to listen to that tape for the 63rd time. (source)

So the graphic memoir “Everything is Teeth” by Evie Wyld is so incredibly relatable for me that it was kind of uncanny. Evie Wyld grew up in England and spent family trips in Australia, and she first found her love for sharks when her older brother was given a set of shark jaws for the holidays. She then started reading books about sharks, and shark attacks, her first celebrity crush being Rodney Fox, famed shark attack survivor and conservationist (another thing I can relate to, because I TOO loved Rodney Fox during my most fevered obsession time). But this memoir is a bit different from other graphic memoirs that I’ve read in the past, as instead of having a full linear narrative it’s more a collection of snapshots into her childhood, framed through the shark obsession. But the shark obsession and the anxieties that go with it, of course, speak to deeper childhood fears and worries, from isolation to familial loss. The irrational fear of sharks served as a tangible fear to stand in for the ones that Wyld couldn’t quite articulate at the time, and as a child who was also riddled with anxieties about just about everything, this, too, was a familiar thing to me as I read it.

You don’t get the events in her childhood spoon-fed to you, you have to surmise what is going on. During a viewing of “Jaws”, she recounts how her loving yet somewhat detached father drank glass after glass of wine. After being unable to sleep one Australian night, she and her mother go for a night swim in the pool, as her mother was dealing with one of her regular bouts of insomnia. When her older brother would come home from school bloodied and beaten up, he would come to Evie and ask her to tell him shark stories. We learn about Evie’s family and their pretty common issues, but always with the context of the love of, and fear of, sharks. It’s a quiet story that ultimately unwinds to show how these intangible fears ultimately become tangible as time goes on, and that a fear of sharks disguises a fear of loss that eventually most everyone will experience in their life. It is ultimately a sweet, and sad, story about a girl who comes of age like many do, and her childhood interest in sharks that shapes her along the way, and I found it just as powerful as some of the graphic memoirs I’ve read that deal with childhood trauma or tragedy. There is no specific trauma or tragedy here; it’s just bits of her life, some parts sad, some parts not, all parts incredibly real.

I also liked that even the bits that were sad or upsetting were still muted, letting the reader figure out why. There is a scene where Evie’s Dad takes her to a shark attack museum, thinking that she will enjoy it. What they find is a spectacle, with graphic photos of shark attack victims with no context (just showing Rodney Fox’s wounds, not his calm demeanor or how he persevered), broad brush strokes painting sharks as mindless man eaters, and a stuffed and shabby white pointer, which is Australian terminology for great white, that is decaying on it’s platform. Child Evie is awash with nausea and discomfort, and while it’s never explained why, the reader is as well. Wyld never has to tell you it’s wrong; you just know that it is.

Joe Sumner did the illustrations for this graphic novel, and I really loved his style. He has a huge range from the flat out cartoonish (Evie and her family members), to the more realistic (stills from “Jaws” and pictures of shark attack survivors in the aftermath), to the hyperrealistic that I could have sworn were photographs (almost all the sharks in this book).

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I was completely struck by this art style and how effective it was.

“Everything Is Teeth” is a very subdued read, but it’s one that struck a chord with me. If you are looking for a graphic memoir that isn’t necessarily steeped in tragedy and trauma, but still packs an emotional punch, it may be the one for you.

Rating 9: A quiet, resonant, and somewhat haunting graphic memoir about growing up, loss, and sharks. The illustrations are great and the story is compelling and relatable.

Reader’s Advisory:

“Everything Is Teeth” is included on the Goodreads lists “Women Creators in Comics”, and “Comics for Teen Girls (That Are Not Japanese Manga)”.  Side note: I’m hoping that this list isn’t intended to diss manga, because there’s nothing wrong with it.

Find “Everything is Teeth” at your library using WorldCat!

Kate’s Review: “Transmetropolitan (Vol.6): Gouge Away”

22422Book: “Transmetropolitan (Vol.6): Gouge Away” by Warren Ellis, Darick Robertson (Ill.), & Rodney Ramos (Ill.).

Publishing Info: Vertigo, February 2002

Where Did I Get This Book: I own it.

Book Description: Despite — or perhaps with the aid of — drugs, drinking, and paranoia, Spider Jerusalem and his filthy assistants are hot on the trail of the horrifying truth behind the newly-elected President’s campaign. Features three stand-alone stories: “Nobody Loves me, “The Walk” and “Dancing in the Here and Now,” and also includes the three-part “Gouge Away” storyline.

Review: I bet some of you were wondering if I had just given up on “Transmetropolitan”. Well guess what? NOPE!! I just took a break from it because, as much as I love it and have really enjoyed re-reading it, it’s both a bit manic and a bit too real for me at the moment, a theme I’ve noted a few times during my re-read. So I just needed some space from Spider, his Filthy Assistants Channon and Yelena, and the ugly world that they live in.

But I have achieved that space and I decided that I was ready to tackle it again. When we left off, Spider had just found out that his story and voice had been squashed thanks to White House interference, and a story about police brutality got swept under the rug. When we join him, Channon, and Yelena again, we see that Spider is still without a voice, and has become something of a joke to the world thanks to propaganda run thanks to The Smiler and the Administration. But is that the kind of thing that’s going to keep a good journalist down? Hell no. So Spider starts to figure out how to get his voice heard again, and starts to hop from source to source and scumbag to scumbag to try and get another strike at The Smiler and the White House. If the last collection left us with despair and fear, “Gouge Away” comes back with a whole lot of hope and tenacity that acts as a catharsis to the nonsense going down in the world today. I liked that we went back and revisited a number of characters that we’ve seen previously, and that they managed to come together and make a pretty satisfying counterstrike that Spider could use in the fight for truth and journalism. I had mentioned that a couple of the previous issues felt like “The Empire Strikes Back”, and this one kind of feels like “Return of the Jedi” at the end. It could have been final. It could have been the end of the series altogether. I don’t know how I feel about how final it felt, knowing that it’s going to go on. But, that said, there are still stories to tell, and maybe there isn’t room for ambiguity in Spider’s world.

But along with the main storyline that we got, I felt that the best part of this collection was the story that was devoted to Channon and Yelena, Spider’s assistants. I think that it could be tempting to give Spider two lady assistants, one of whom he is sleeping with and the other of whom is a walking sex pot, and to just leave them as unexplored characters. But Ellis gives Channon and Yelena their own thing to do that isn’t only about Spider (even if they realize, to their dismay, they ran away from him for a spree but are now talking mostly about him). I love that the two of them have a friendship that exists outside of Spider, and that they play off of each other while acting as each others’ confidants. And really, a girls night with them that involves running away in a taxi, a shopping spree, a gun range, and then stopping a government agent from following them via force, now THAT is the kind of thing I like to see in comic books when it comes to the ladies.

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Source: Vertigo Comics

It’s also welcome and/or upsetting to see The Smiler back on the pages of this story, in his full sociopathic glory. We are given reminders throughout this collection of what he has done in the past, not only to his enemies, but also to his supposed allies. We are reminded of Vita, who was a spin doctor for The Smiler, and was murdered by his campaign just to give him higher approval ratings in the wake of tragedy. Her folk saint status has almost completely exploded with a full on permanent shrine in her memory, and honestly, seeing it made me smile, albeit sadly. Vita is still one of the few people in this series who Spider had a complete reverence for, and it’s very satisfying seeing him slowly but surely take revenge on the man and the campaign who murdered her for votes.

I know that with four more issues there are still parts to be played and conflicts to happen, even if I don’t remember all of them. But it was really nice seeing Spider finally declare all out war against The Smiler, via journalism, integrity, and being a psychotic pain in the ass. Ya can’t help but cheer for him. I am thinking that I may not wait four months to pick up the next collection of “Transmetropolitan”, because I missed it so much.

Rating 8: Though it’s sometimes exhausting to read this series, “Transmetropolitan: Gouge Away” continues a strong and incredibly relevant meditation on the freedom of the press and the signs of fascism in a corrupt system.

Reader’s Advisory:

“Transmetropolitan (Vol.6): Gouge Away” is included on the Goodreads lists “Bibles for the Revolution”, and “Best Graphic Novels and Comic Books”.

Find “Transmetropolitan (Vol.6): Gouge Away” at your library using WorldCat!

Previously Reviewed:“Transmetropolitan (Vol.1): Back on the Street”“Transmetropolitan (Vol.2): Lust for Life”“Transmetropolitan (Vol.3): Year of the Bastard”“Transmetropolitan (Vol.4): The New Scum”. and “Transmetropolitan (Vol.5): Lonely City”.

Kate’s Reviews: “When I Am Through With You”

32957193Book: “When I Am Through With You” by Stephanie Kuehn

Publishing Info: Dutton Books for Young Readers, August 1st, 2017

Where Did I Get This Book: I received an ARC at ALA thanks to the publisher.

Book Description: “This isn’t meant to be a confession. Not in any spiritual sense of the word. Yes, I’m in jail at the moment. I imagine I’ll be here for a long time, considering. But I’m not writing this down for absolution and I’m not seeking forgiveness, not even from myself. Because I’m not sorry for what I did to Rose. I’m just not. Not for any of it.”

Ben Gibson is many things, but he’s not sorry and he’s not a liar. He will tell you exactly about what happened on what started as a simple school camping trip in the mountains. About who lived and who died. About who killed and who had the best of intentions. But he’s going to tell you in his own time. Because after what happened on that mountain, time is the one thing he has plenty of. 

Review: I am always on the lookout for well done and legitimately suspenseful YA thriller fiction. While sometimes it’s well written and holds my attention, there are other times that the characters are too trope-ridden and the plot is too spoonfed to the reader, as if teens couldn’t possibly stomach a bit of nuance once in awhile. This is why I thank my lucky stars for Stephanie Kuehn, as she is one of the consistently shining stars of the genre when it comes to writing it for teens. I have loved her ever since I read her book “Charm and Strange”, and every book she’s written since has pleased me and sated my need for cerebral and dark themes with complex and damaged characters. Because boy, do I LOVE complex and damaged characters, and no I’m not sorry about it.

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Case in point, my longtime obsession with Bobby Briggs from “Twin Peaks”, who demonstrates how resigned I am to my tastes. (source)

Our complex and damaged character this time is Ben Gibson, a migraine-riddled teen who lives with an addict mother who resents him and has no hope of ever leaving his small California town. True, he has a girlfriend named Rose, but she is a bit manipulative and has big dreams of college, and a life that’s on the other side of the tracks. Ben is our narrator, and while he does sort of fit the mold of unreliable, he also is incredibly honest, so the reader is left not sure if what he’s saying is true, but knows he believes that it is. While Ben has accepted that his life is pretty much going to be stuck park and not deviate from it’s current path, he still tries to make those around him happy, even if it’s to his detriment. Be it trying to please Rose, or striking a deal with his teacher Mr. Howe to become a wilderness guide for a modest fee so that he can support his mother, Ben is both a doormat and a knight in shining armor for those who don’t want saving. Kuehn slowly peels back the layers to show just why Ben is like this, and his added dimensions and complexity make him all the more interesting, and yet slightly uncomfortable, to follow.

The wilderness survival story also went above and beyond expectations. I had expected one way that it was going to go, but then it went in a whole different way than I anticipated. I don’t want to give much away, but I will say that Kuehn doesn’t pull her punches when it comes to portraying a bunch of multi-faceted, and pretty realistic, teenagers who make trouble for themselves and don’t know how to react when it blows up in their faces. The group is filled with a few different tropes, the artsy and mysterious girl, the troublemakers, the emo snob (who also happens to be Rose’s twin brother), the sporty girl, but while they all have their niches to fill, Kuehn gives all of them their due and fleshes most of them out. It would be easy to keep them in the lines of their various stereotypes, but instead we kind of get to see the perspectives of a good number of them and that makes them a bit messier and also sympathetic to a degree. Along with being unafraid to try and draw complexity from these kids, Kuehn is also unafraid to be frank and honest in depictions of violence and sexuality. The violence and the consequences of the violence are upsetting and appropriately gory, but it never feels like it’s being written just for the sake of shocking the reader. She seamlessly walks the line between exploitative and realistic, and while some of it made me cringe, it wasn’t because I felt like a voyeur to something gross. She also does a good job of portraying sex and sexuality in a number of ways, from a couple of momentary sex scenes to brief portrayals of fleeting intimacy between lovers. I know that some people would probably be uncomfortable with the sex in this book, and while even I was like ‘whoa’ during one scene in particular, I think that Kuehn clearly gives her readers credit and thinks that they can handle it. If they can handle the violence, they can certainly handle the sex.

I think that for me the one problem I was was a final twist that didn’t feel like it really fit in too well. I understood the thought behind it and while it was set up pretty well, ultimately I didn’t really feel that it added much to the story overall. But given that everything else was so well done I wasn’t too upset about it, and was far more willing to accept it.

And it wouldn’t be a Stephanie Kuehn book if there wasn’t a whole lot of tragedy. I just want to put that out there because 1) fair warning, and 2) I love that Kuehn is more than willing to pile it on, and does so in a way that never feels melodramatic. I love melodrama, but the fact that this ISN’T melodrama makes it all the more tragic.

If you haven’t already picked up books by Stephanie Kuehn, “When I Am Through With You” would be a good place to start. If you like dark and suspenseful, and super honest, thrillers, I implore you to check out her entire body of work. You will not be disappointed.

Rating 8: Kuehn once again delivers a dark and suspenseful book that takes the YA genre above and beyond the usual expectations.

Reader’s Advisory

“When I Am Through With You” is new and isn’t on many relevant lists yet, but I think that it would fit in on “Books About Survival”, and “Best Wilderness Survival Books”.

Find “When I Am Through With You” at your library using WorldCat!

A Revisit to Fear Street: “Lights Out”

176474Book: “Lights Out” (Fear Street #12) by R.L. Stine

Publishing Info: Simon Pulse, June 1991

Where Did I Get This Book: ILL from the library!

Book Description: Who killed the counselor?

“I could kill you!” screamed Geri Marcus.

Could she? Would she? something is very wrong at Camp Nightwing, and junior counselor Holly Flynn is determined to solve the mystery before it destroys the camp!

The trouble begins with frightening acts of vandalism. After each, a red feather is left behind—signature of the culprit.

Suddenly, one of the counselors is dead. “An accident,” say the police. But Holly knows better—and she knows she’s next. Holly can’t trust anyone now, not even her best friend, as she stalks the camp killer—and hopes that it soon won’t be “lights out” for her!

Had I Read It Before: No.

The Plot: Just so everyone is aware, y’all are getting gifs and images from my favorite camp movies “Wet Hot American Summer” and “Sleepaway Camp” for this one.

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(source)

Holly Flynn has been conscripted to be a counselor at her Uncle Bill’s summer camp, Camp Nightwing, for the summer. She doesn’t want to be there, as is made clear by her terrible interaction with a spider that wanders into her bunk. But her Mom made her, because she can’t just spend the whole summer on Fear Street, now can she, especially since her summer job at the Dairy Freeze was a bust. And besides, poor Uncle Bill has been having a rough go of it while running this camp. The first year, lightning burnt down the rec hall. Year two, both a flood AND a measles outbreak struck the camp (vaccinate your kids, folks). Year three, a camper was LITERALLY KILLED IN A BOATING ACCIDENT. So this year is kind of it for Uncle Bill, though honestly it sounds like he’s not so good at his job and maybe this just isn’t for him. Holly’s friend Thea is a counselor at the camp as well, but has her main goal for the summer to hook up with fellow counselor John Hardesty. While they talk about Holly’s not so outdoorsy nature, they hear someone call for help. Turns out Uncle Bill managed to overturn a cabinet full of sports equipment upon himself. After Holly and Thea help him out from under it all he comments that it seems like it was oddly loose. As Thea and Holly start to clean it all up, Holly finds a red feather in the bolt hole of the cabinet.

But she can’t dwell too long on it, as she soon finds out that Geri Marcus is one of the counselors at this camp!!! Geri Marcus, who had been Holly’s best friend before Holly moved to Shadyside, but they had a falling out. Geri had been dating at eighteen year old at age fifteen, and Holly had tried to keep it a secret but was caught in a lie. Geri’s parents found out, broke them up, and Geri blames Holly. You know this because of the not so kind look and demeanor she has around Holly. She also meets Debra, the senior counselor in her cabin who is also the arts and crafts and sailing instructor. She also takes an instant disliking to Holly for reasons unknown. But the Holly meets Mick, a handsome counselor who she takes an instant liking to, even though she’s sworn off boys this summer. When she gets back to her cabin, nature rears it’s ugly head as a brown bat is in the room. Holly freaks out, and Debra and Geri walk in and make her feel bad for freaking out.

They go to the counselor campfire that evening. Holly and Mick flirt a little bit more. Uncle Bill reads them the rules of the camp that they need to abide by, but is interrupted by a maniac in a hockey mask, who ends up being another counselor named Kit, a nerdy dude who has a crush on Geri. We also meet a softspoken boy named Sandy who wears polo shirts and Porsche sunglasses, and get a glimpse of the famed John Hardesty, who is antisocial to the max. Uncle Bill reads the rest of the rules, the last one being ‘counselors cannot date campers’. Seems like a no brainer, Bill. Holly and Mick flirt a bit more, and then Holly catches Geri glaring at her from across the bonfire.

The first morning of camp Holly goes for a walk. She meets up with Sandy, who warns her about leeches and to be careful in the water. She then runs into Mick, and they go walking by the lake to look at the canoes… Which have sunk. They pull them out and see that someone has punched holes in them, and Holly finds another red feather. No time to investigate further, though, as the campers are arriving. Holly is late and Debra chews her out for her tardiness. After they round the campers up and take them to their cabin, two of the girls get in a fight about the top bunk. When they both jump on the bed, it collapses. Neither girl is hurt, but Debra still reams Holly out for some reason, just as Geri and Uncle Bill walk in. Uncle Bill commends Debra on her ‘quick thinking’, and it leaves Holly alone to try and figure out what happened. She finds the broken slat, and along with that another red feather.

Holly goes to find Uncle Bill to tell him about the feathers and how she thinks that perhaps it’s a sabotage , but he isn’t interested in listening to her about it and snaps at her to leave him alone to deal with other things. Holly confronts Debra about chewing her out like that in front of other people, and Debra blows her off, saying that Holly won’t get any special treatment, even if Bill is her uncle. Things go from bad to worse at dinner, when Kit runs in and throws a rubber snake on the table. Holly is so scared she hesitates at first, but then is AGAIN chewed out by Debra for just sitting there while the campers are upset. I can’t even with this girl. Thea tells Holly to meet her by the lake that night, because she has some information that could explain some things. When they meet Thea tells her that Geri and Debra are tight, and that is probably why Debra is making Holly’s life a living hell. Also, Mick and Geri had something last summer, but now it seems that Mick may be into Holly. UH OH!! I smell a Judy and Meg situation a la “Sleepaway Camp!”

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Nothing says summer camp mean girls like Judy and Meg. (source)

Thea also says that she’s meeting John there, and Holly rightfully leaves before Thea gets into another pathetic John loop. Holly runs into Mick on her walk back, and when he asks her if they can spend more time together she says no. Why she doesn’t tell him that Geri is the goddamn worst, I couldn’t say. Mick gets mad and GRABS HER ARM? I was rooting for you, Mick, but not anymore. He lets her go quickly and stalks off, ego bruised no doubt. As she gets back to her cabin, she thinks she sees someone sneaking out of it. Before she can investigate further, Sandy shows up. They talk for a bit and he seems like a far nicer guy than Mick at this point, as he tells her he’s sorry she’s having a hard time. When she goes back into her cabin, she finds an actual snake on her bed. She screams and wakes everyone up, including Debra, who chews her out AGAIN, calling her ‘worse than useless’. Calm down, Debra.

The next day Holly goes to try and talk to Uncle Bill about the feathers and the snake. But, so concerned with a mixed up order that has left a supply delivery AWOL, Bill, once again, has other things on his mind and downplays her concerns. He asks Holly to just be supportive of him, saying that those feathers are all over the camp. Holly decides that if he won’t listen to her, she’ll have to save the camp herself. She starts to observe the fellow counselors at a camp baseball game, and Mick puts the moves on her since she’s been ‘staring at him all day’. She agrees to meet him that night (WHY?), but when she does he puts the moves on a bit too strong and she demures. Which makes him storm off because HEAVEN FORBID SHE NOT WANT TO KISS HIM YET. And, of course, Geri saw the whole thing, and confronts Holly about trying to steal Mick away.

The next day Holly meets up with Sandy, and when he’s super nice to her she tells him her theory about the feathers, the camp, and the sabotage. He isn’t really convinced, and tells her that maybe she’ll be more comfortable when they co-lead that wilderness hike the next week. Holly isn’t thrilled to be co-leading a hike, but at least Sandy is nice. She runs into Thea, who is having more John Hardesty woes, as he just doesn’t seem interested. THEN she goes to the arts and crafts building to help Debra teach pottery… and one of the campers breaks a pot, which is clearly Holly’s fault. As she’s walking back to her cabin after this terrible day, she is confronted by Kit, who says that since she’s so awful to Geri, he’s going to be awful to her. He then GRABS HER AND PINS HER ARMS BEHIND HER BACK, as Geri and MICK of all people show up with a BUCKET OF LEECHES. They knock her in the creek and toss the leeches on her. After they leave she peels the leeches off and then runs afoul someone yelling ‘no please!’, and finds JOHN by himself. When she questions him, he says she better mind her own business or she’ll be sorry. JESUS CHRIST this camp is filled with sociopaths! She sees Sandy again and he gives her the finalized counselor list for their wilderness trip. Joy of joys, it’s them, Geri, Mick, and Kit.

At dinner that night Holly and Thea are hanging out and Holly realizes that John and Debra aren’t anywhere to be seen. Holly decides to go find Debra so they can eat with their campers together. She isn’t in their bunk, so Holly goes to the arts and crafts building…. AND FINDS DEBRA SLUMPED OVER DEAD ON THE POTTERY WHEEL, HER FACE A BLOODY PULP FROM THE CONSTANT WHIRLING OF SAID WHEEL. Now THIS is good shit, Stine!!! Her necklace is caught in the wheel, so obviously it must have been a horrible accident.

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(source)

But then of course Holly finds another red feather.

Okay, this is so long and we have so much more ground to cover, and frankly this book isn’t good enough to dwell. So let’s just bullet point it down.

  • Geri thinks that Holly did it.
  • Uncle Bill assigns Geri to be the new senior counselor over Holly.
  • Holly thinks John did it but then maybe it was Mick because she finds feathers in his room.
  • Uncle Bill says the camp is going to close if one more thing goes wrong. Rebuffs Holly’s theories for the umpteenth time.
  • The wilderness trip begins.
  • Turns out John is just being weird because he’s messing around with a fifteen year old camper.
  • Sandy asks Holly to go canoeing with him.
  • And it turns out that the whole time it was SANDY because it was his little brother who drowned at the camp on Debra’s watch the previous year!!!!
  • There’s a showdown in a canoe on the rapids. Holly hits Sandy with a paddle but he perseveres.
  • There’s a second showdown in a cave involving snakes and Sandy falling down a hill.
  • Mick helps get her out of the woods and the police come and take Sandy away.
  • Holly isn’t scared of snakes anymore. THE END.

Body Count: 1, though I have to reiterate that this is by far one of the most gruesome and coolest deaths in this series yet!

Romance Rating: 2. Mick is a friggin’ weirdo and Sandy is murderous. Not to mention John Hardesty is an eighteen year old messing around with a fifteen year old. Look, I have lots of complicated opinions about statutory laws when it comes to applying to mid to late teenagers, but that’s the kind of gap that is a bit too much.

Bonkers Rating: 3. The pottery wheel death was nuts, but everything else was pretty uninspired, filled with “Friday the 13th” and “Sleepaway Camp” rip offs.

Fear Street Relevance: 2. Once again, our main character lives on Fear Street, but none of the action takes place there! This isn’t even on Fear Island or by Fear Lake.

Silliest End of Chapter Cliffhanger:

“The footsteps stopped, then all at once the started again, faster, running. Who could be in the woods at this time of night? Whoever it was was just behind her and getting closer.”

… And it turns out it’s just two campers late for getting back to their bunks.

That’s So Dated! Moments: Amazingly enough, the fact this book takes place at a summer camp means that the usual pop culture and technological references were few and far between. I didn’t find much that was dated at all! Outside of saying that there are only eight “Friday the 13th” movies. “Jason X”, anyone? Oh, and Mick being described as looking like ‘actor Kevin Bacon’. That’s a blatant “Friday the 13th” reference too.

Best Quote:

“What was it about him that was so attractive? Was it that he seemed somehow…. dangerous?”

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The OG Bad Boy of summer camp (source)

This one was pretty mediocre and forgettable. Up next is “The Secret Bedroom”, another one from my childhood and one I have fond memories of. Will those memories hold up?

Kate’s Reviews: “One of Us Is Lying”

32682118Book: “One of Us Is Lying” by Karen M. McManus

Publishing Info: Delacorte Press, May 2017

Where Did I Get This Book: The library!

Book Description: The Breakfast Club meets Pretty Little Liars, One of Us Is Lying is the story of what happens when five strangers walk into detention and only four walk out alive. Everyone is a suspect, and everyone has something to hide.  Pay close attention and you might solve this.
On Monday afternoon, five students at Bayview High walk into detention: Bronwyn, the brain, is Yale-bound and never breaks a rule; Addy, the beauty, is the picture-perfect homecoming princess; Nate, the criminal, is already on probation for dealing; Cooper, the athlete, is the all-star baseball pitcher; and Simon, the outcast, is the creator of Bayview High’s notorious gossip app. Only, Simon never makes it out of that classroom. Before the end of detention, Simon’s dead. And according to investigators, his death wasn’t an accident. On Monday, he died. But on Tuesday, he’d planned to post juicy reveals about all four of his high-profile classmates, which makes all four of them suspects in his murder. Or are they the perfect patsies for a killer who’s still on the loose?  Everyone has secrets, right? What really matters is how far you would go to protect them.

Review: You want to talk about classic high school movies, one of the assured mentions is going to be “The Breakfast Club”. While I really don’t like what happens to Ally Sheedy’s character (as a ‘basket-case’ in high school myself, I didn’t appreciate being told that if I just got a makeover boys would like me), I have to admit that the concept of kids coming from different social circles and getting along for one day is really appealing. ESPECIALLY when one of those kids is Judd Nelson, my GOD. So when I heard about this book, and that it’s basically “The Breakfast Club” with a murder mystery to boot, I was TOTALLY IN!!!!

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I say naaaah, nah nah nah nahhhh… (source)

But we actually got so much more than that. While sure, the Brat Pack in that movie each gets their own little piece of vulnerability, McManus has an entire book to explore each of her characters to their fullest extent, and can paint them in complicated and well rounded ways that gives the reader reasons to be invested in all of them. We get four perspective characters in this book. Bronwyn is the brainiac who is carrying an Ivy League dream not only as a legacy, but as a biracial girl whose Columbian side of the family literally pulled itself up by the bootstraps to start said legacy. Addy is a girl who has been taught that her only strength is her beauty, perpetuated by a vapid mother and a controlling boyfriend. Cooper is a star athlete whose family is riding on the idea of him getting a major league offer because of his pitching arm. And Nate, oh my sweet sweet Nate, is a dealer on probation living in a ramshackle home with a drunken father. And all of them have secrets, which is why all of them are viable suspects when Simon, app creator and provocateur extraordinaire, is murdered while they are all serving detention together.

All of these characters had realistic and believable voices, and I saw the vulnerability and desperation in each of them as their secrets started to come to light. It became pretty clear from the get go that none of them were actually suspects to be taken seriously, and while I don’t know how I feel about that, it was a delight to be able to see them hide other things instead of throwing an entire barrel of red herrings my way. And while some of them had secrets that weren’t that hard to guess, getting to the answers was a heck of a ride, especially since all of them grew and evolved so much as they got there. Addy especially went on a character arc that felt so organic and so heart-wrenching and yet empowering that I was especially happy to get to her perspective chapters. This storyline brings up questions of relationships, romance vs domination, and what sort of value we put on women and girls who are attractive but not encouraged to be much more. I also really liked reading how Nate and Bronwyn’s relationship progressed and evolved. There of course was going to be some romance in this book, and of COURSE the geeky girl and the bad boy is a trope that’s ripe for the picking. But I liked how McManus had these two interact and complement each other without  making either feel like they were out of character. I also liked that we got to see Nate’s backstory and how it wasn’t the usual ‘my Dad’s abusive and that’s why I’m a nasty prick’ sob story. It wasn’t much more than that, but it did address the struggles of families with mental illness, especially when resources are limited when it comes to getting help.

The big mystery itself though? Well, while I had a super fun time just going with the flow and following it to it’s conclusion, I did find the final answers to be a bit disappointing. True, I did like that our four main characters were pretty much in the clear from the get go, I still think that had there been some more twists and reveals instead of things being pretty easily explained and neatly finished it could have been a seriously stellar mystery. As it was, I was pretty much satisfied with how it all shook out, but it wasn’t much to write home about. The strengths in this book were definitely in the characters, and the supporting characters that they each had in their lives. I would have been completely content if there was no murder mystery at all and it was just about a bunch of kids from different groups learning that they could, in fact, become friends….. So, basically, “The Breakfast Club”, but without that bullshit makeover scene.

“One of Us Is Lying” was a fun and entertaining read. The side mysteries were fun, the characters were well written, and I would totally read something else from Karen M. McManus down the line. With the right amount of mystery and suds, it’s the perfect read for the dog days of summer.

Rating 8: Though the solution felt a little bit thrown together and convenient, I quite liked learning the various secrets of all the characters in this book, as well as seeing them all grow and change.

Reader’s Advisory:

“One of Us Is Lying” is new and not on many lists yet. But it is included on the Goodreads lists “2017 Suspense and Thrillers”, and would fit in on “Cliques and Crime”.

Find “One of Us Is Lying” at your library using WorldCat!