Category: Kate’s Reviews

Kate’s Review: “Within These Wicked Walls”

Book: “Within These Wicked Walls” by Lauren Blackwood

Publishing Info: Wednesday Books, October 2021

Where Did I Get This Book: I own it.

Book Description: What the heart desires, the house destroys…

Andromeda is a debtera—an exorcist hired to cleanse households of the Evil Eye. When a handsome young heir named Magnus Rochester reaches out to hire her, Andromeda quickly realizes this is a job like no other, with horrifying manifestations at every turn, and that Magnus is hiding far more than she has been trained for. Death is the most likely outcome if she stays, but leaving Magnus to live out his curse alone isn’t an option. Evil may roam the castle’s halls, but so does a burning desire.

Kiersten White meets Tomi Adeyemi in this Ethiopian-inspired debut fantasy retelling of Jane Eyre.

Review: It’s come up on here before, specifically way back when during a joint review of “Jane Steele”, that I really love the book “Jane Eyre” by Charlotte Brontë. The Gothic setting and sensibilities, the tough and clever heroine, the admittedly problematic but still, to me, swoony leading man, it’s a book that I hold near and dear to my heart. I am always on the look out for reimaginings, and while some have been good, others have been not, so it always feels like a risk when I dive in. But I kind of knew from the jump that “Within These Wicked Walls” by Lauren Blackwood was going to work for me, because it was not only a retelling based in a non-Western centric gaze, it had ‘exorcist’ in the description. Our Jane equivalent as an exorcist sent to cleanse a haunted manor? Um, HELL YES.

As mentioned, our protagonist Andromeda, or Andi, is a debtera, a trained religious figure who performs exorcisms of people and places. She was taken in by Jember, a volatile and world weary debtera who has been her only connection to others, though his work has left him bitter, cruel, and sometimes flat out abusive to Andromeda. Her life up until this point has made her determined to succeed on her own, and very standoffish around other people. I makes her an interesting protagonist to follow because not only does she have to prove herself to Jember, but she also needs to show herself that she can do these things that she’s been trained to do. It becomes all the more complicated when she arrives at Thorne Manor, as not only is this house INCREDIBLY cursed by the Evil Eye, it also has an occupant, Magnus Rochester, that Andromeda finds herself very taken with. As Andi finds out just how dangerous the spirits and demons are within Thorne Manor, she also finds out that she can make connections with people, like Magnus, and the mysterious but incredibly kind servant Saba. This makes the stakes for Andi all the higher, and it makes it so she perhaps doesn’t realize just how in over her head she may be, despite her prowess and very well honed talents. I definitely liked her relationship with Rochester, as their banter and even footed wits and personalities was very fun to watch. But I was actually more interested in the complicated and sad relationship that she had with Jember, her mentor. As mentioned their interactions are dark and deeply broken, but Blackwood doesn’t opt for easy, black and white lessons or answers when it comes to their relationship. Jember is not good to Andi, it can’t be denied, but I liked how looking into his work as a debtera and through his past traumas kind of give him a lot of depth and complexity.

I also liked the magical systems at play, as well as the setting. Make no mistake, we are not finding ourselves in the Moors for this book, as we are actually in an alternate timeline (I think?) Ethiopia. But the isolation is still there, as are the questions about one’s own strengths and weaknesses, and the fighting of demons within one’s own spirit (as well as literal demons thanks to the Evil Eye resting squarely on Magnus and his home). I know so little about the culture and debteras, but Blackwood lays out the root of the mythology as well as building a fantasy system on top of it. It leads to some pretty creepy demon stuff, as well as interesting magical components that set this firmly into a ‘dark fantasy’ realm. Blackwood has many moments that were tense and scary, and it all felt really well imagined and focused.

I definitely get some of the critiques I’ve seen that question as to whether or not this can really be considered a retelling of “Jane Eyre”, mostly because I do think that you have to look for the parallels beyond the obvious names of Thorne Manor and Rochester. I do argue that they are there, even if they have been tweaked a little bit. While there isn’t a hidden wife in the attic, there is a hidden relationship. Andi may not be a governess but she is a person from one part of society dropped into a highly dysfunctional upper class setting. The simmering and constantly tested romance is alive and well (and once again very easy to root for). It may not be a clear step by step retelling, but, unlike other retellings I’ve encountered in YA literature, at least it feels like it does have the guts and soul of the source material, as opposed to just using it and trying to force it into the box. Maybe ‘reframing’ is a better word.

Overall I enjoyed “Within These Wicked Walls”. It brought fantastical and creepy layers to a Gothic classic, and it had the spirit of the source material while turning the story into something that is very much its own tale.

Rating 8: Immersive, creepy, and incredibly engaging, “Within These Wicked Walls” is a unique and well done reframing of one of my favorite Gothic novels.

Reader’s Advisory:

“Within These Wicked Walls” is included on the Goodreads lists “Jane Eyre Retellings”, and “2021 Fantasy and Science Fiction by Black Authors”.

Find “Within These Wicked Walls” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Kate’s Review: “The Witch Haven”

Book: “The Witch Haven” by Sasha Peyton Smith

Publishing Info: Simon & Schuster Books for Young Readers, August 2021

Where Did I Get This Book: I own it.

Book Description: The Last Magician meets The Lady’s Guide to Petticoats and Piracy in this thrilling and atmospheric historical fantasy following a young woman who discovers she has magical powers and is thrust into a battle between witches and wizards.

In 1911 New York City, seventeen-year-old Frances Hallowell spends her days as a seamstress, mourning the mysterious death of her brother months prior. Everything changes when she’s attacked and a man ends up dead at her feet—her scissors in his neck, and she can’t explain how they got there.Before she can be condemned as a murderess, two cape-wearing nurses arrive to inform her she is deathly ill and ordered to report to Haxahaven Sanitarium. But Frances finds Haxahaven isn’t a sanitarium at all: it’s a school for witches. Within Haxahaven’s glittering walls, Frances finds the sisterhood she craves, but the headmistress warns Frances that magic is dangerous. Frances has no interest in the small, safe magic of her school, and is instead enchanted by Finn, a boy with magic himself who appears in her dreams and tells her he can teach her all she’s been craving to learn, lessons that may bring her closer to discovering what truly happened to her brother.

Frances’s newfound power attracts the attention of the leader of an ancient order who yearns for magical control of Manhattan. And who will stop at nothing to have Frances by his side. Frances must ultimately choose what matters more, justice for her murdered brother and her growing feelings for Finn, or the safety of her city and fellow witches. What price would she pay for power, and what if the truth is more terrible than she ever imagined?

Review: I am now at that age where if someone asks me what I want for my birthday or the holidays, more often than not I think ‘ah crap’. Given that one of my biggest hobbies is reading, one might think that books are always an option, but more often than not I just use the library, especially since I work for one. But I keep a few in mind, especially for my husband, so this past November when he asked for birthday ideas I told him “The Witch Haven” by Sasha Peyton Smith. I’d seen it bumping around my social media feeds on and off, and on top of that it is not only a mysterious boarding school story, it also has witches! And you know me, I’m always down for some teenage coven shenanigans!

(source)

I should definitely say right away that “The Witch Haven” is more of a YA Urban Historical Fantasy, a genre that isn’t usually my wheelhouse, especially on the blog. But I figured that witches, being one of my faves, was fair-ish game, and while the genre tropes constrained it a bit (for me at least), overall I enjoyed this book. Firstly, I really enjoyed the time and place. We find ourselves in 1911, and in New York City, so the time period is one that I’m not as familiar with books wise. This post Gilded Age, solidly Progressive Era timeframe makes for interesting themes and historical footnotes, and I felt that Smith used these to her advantage. We both address the constraints of women during this time, be it the factory work that many had to endure (and yes, there are references to the Triangle Shirtwaist Fire), the Suffrage Movement, and the way that men, even in magical settings, are constantly trying to hold them back and take their power. Sometimes literally. Frances, our protagonist, is whisked away to Haxahaven School because her powers manifested after she was attacked by her boss at the shop she works at as a seamstress, and the mythology of Haxahaven and the way witches are seen and function in historical New York City is unique and entertaining.

I also appreciated that Smith doesn’t look back at every element of this time period as rosy when it comes to progressive ideas, nor does she paint Haxahaven School as a super positive and supportive ‘yasss queen’ institution (though the friendships that Frances makes there are VERY positive and show a supportive and feminist group of women). This is most revealing when it comes to Frances’s roommate and close friend Lena. The girls who attend Haxahaven are plucked from their lives and taken to the school to learn how to control their magic and to become witches who can harness their powers, even if that means sometimes stifling them. For Lena, however, it is not an empowering place, as she is Indigenous, and longs to return to her family and her community. I liked that Smith had Lena in this story for a couple of reasons. The first is that it shows that the feminism of this time period was reserved for white women only, and that women like Lena were ignored or abused because of their race. It also was a way to address the Boarding Schools for Indigenous children in this country during this time period (as Lena was taken from a boarding school to attend Haxahaven), and how it was a tenant of genocide that our government was committing against Natives. I can’t speak to whether Smith did her due diligence when it comes to telling Lena’s story, but I liked that the broader themes of this story were told.

But there were some stumbles along the way in “The Witch Haven”. For one, the pacing feels a little off. It has a lot of fast paced plotting at the beginning, but we get a little bogged down as Frances and her friends make connections with Finn, a young man who is a magic student at a male institution. It ramps up again once we get to the last third of the book, but it slogs a bit as Frances interacts with Finn in hopes of learning some of his magic to find out what happened to her murdered brother William. I think that part of the problem is that I didn’t really care for Frances as a character, so therefore her story and her journey didn’t keep me as interested when we needed that exposition. I think my biggest issue with her is that she is purely defined by her brother’s death and wanting to solve what happened, with little other interesting character traits. I also found her decisions to be unclear, like why she is so suspicious of the people she is living with and learning with, but more than happy to trust Finn and the people he is allied with without any questions. It just felt like her character development was less for her and more to progress the plot.

All that said, the ending is a bit open ended, and my interest was piqued enough by it that should Smith write a sequel I would probably pick it up, just to see what happens next. “The Witch Haven” didn’t quite live up to my hopes, but it was fine for what it was.

Rating 6: Though the pacing is a little off at times and the main character a bit grating, overall “The Witch Haven” has a fun setting that lets witches shine, albeit with complexities of the time period.

Reader’s Advisory:

“The Witch Haven” is included on the Goodreads lists “ATY 2022: Academia or Teacher Impacted”, and “Popsugar 2022 #16: A Book About Witches”.

Find “The Witch Haven” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Kate’s Review: “Reckless Girls”

Book: “Reckless Girls” by Rachel Hawkins

Publishing Info: St. Martin’s Press, January 2022

Where Did I Get This Book: I own it.

Book Description: From the New York Times bestselling author of The Wife Upstairs comes a deliciously wicked gothic suspense, set on an isolated Pacific island with a dark history, for fans of Lucy Foley and Ruth Ware.

When Lux McAllister and her boyfriend, Nico, are hired to sail two women to a remote island in the South Pacific, it seems like the opportunity of a lifetime. Stuck in a dead-end job in Hawaii, and longing to travel the world after a family tragedy, Lux is eager to climb on board The Susannah and set out on an adventure. She’s also quick to bond with their passengers, college best friends Brittany and Amma. The two women say they want to travel off the beaten path. But like Lux, they may have other reasons to be seeking an escape.

Shimmering on the horizon after days at sea, Meroe Island is every bit the paradise the foursome expects, despite a mysterious history of shipwrecks, cannibalism, and even rumors of murder. But what they don’t expect is to discover another boat already anchored off Meroe’s sandy beaches. The owners of the Azure Sky, Jake and Eliza, are a true golden couple: gorgeous, laidback, and if their sleek catamaran and well-stocked bar are any indication, rich. Now a party of six, the new friends settle in to experience life on an exotic island, and the serenity of being completely off the grid. Lux hasn’t felt like she truly belonged anywhere in years, yet here on Meroe, with these fellow free spirits, she finally has a sense of peace.

But with the arrival of a skeevy stranger sailing alone in pursuit of a darker kind of good time, the balance of the group is disrupted. Soon, cracks begin to emerge: it seems that Brittany and Amma haven’t been completely honest with Lux about their pasts––and perhaps not even with each other. And though Jake and Eliza seem like the perfect pair, the rocky history of their relationship begins to resurface, and their reasons for sailing to Meroe might not be as innocent as they first appeared.

When it becomes clear that the group is even more cut off from civilization than they initially thought, it starts to feel like the island itself is closing in on them. And when one person goes missing, and another turns up dead, Lux begins to wonder if any of them are going to make it off the island alive.

Review: Travel to far off places (at least places that can only be easily reached by plane) is probably still out of the running for me and my family this year as we continue to deal with the pandemic (there’s always Northern MN!), so I will continue to live vicariously through books until things start to die down (or at the very least the kid gets her shots). And while this sometimes leads to a bit of FOMO, I try to tell myself that this isn’t forever and I will surely be visiting these places again in the future….. Hopefully. Well enter “Reckless Girls” by Rachel Hawkins, a book I got through Book of the Month that ended up being a perfect read for an isolated Minnesota winter weekend. Why not transport myself from a chilly house in the North to a tropical island in the Pacific, even if that island ends up being the location of some grisly outcomes and twisted secrets?

“Reckless Girls” has a trouble in paradise theme in which a supposedly idyllic getaway turns into something far more sinister, and even though it has sunlight, beaches, and gorgeous ocean, it has the foundation of a Gothic thriller due to the isolation and dark secrets that some of our characters are harboring. Our main character, Lux, is a bit of a fish out of water, a damaged woman who fell head over heels for a privileged but devil may care boyfriend named Nico, and followed him to Hawai’i thanks to the promise of sailing the world together. But he has foregone his connections and resources to his wealthy family out of stubbornness he sees as noble, and she has to bear the brunt of his pride. So when two college girls named Brittany and Amma approach Nico with an offer of substantial cash to take them to an atoll called Meroe with a buzzed about paradise like backdrop (and a notorious history), Lux, intimidated by their magnetism but desperate for her new start, agrees to go with all three of them. When they arrive and find a flashy couple has already dropped anchor, the two groups start to enjoy their freedom. Hawkins slowly builds up the getaway, showing the present through Lux’s perspective, but giving us background and clues to impending danger through flashback chapters following the other characters, who all are hiding something from everyone else. Hawkins lays out all the clues in a masterful way, and she paces out the slowly building drama and tension with soapy twists that make the entire read very, very hard to put down. Seeing all of these characters interact with each other, grow close to each other in a superficial way like only a vacation can do, and then start stabbing each other in the back, is deeply enjoyable. I figured out a few of the twists and turns, but there were others that were surprising, and even those that I did guess were still fun to get to within the plot.

I also really liked the setting. As I said above, while it’s bright, sunny, and tropical, Meroe Atoll is a deeply isolated and unnerving setting. Hawkins slowly creates a backstory for the island as well, through excerpts from books, texts, emails, and other correspondence, and other epistolary bits that let you know that this place, while beautiful, is unforgiving. I was looking this place up to see if it was real (it’s not; there is an island called Meroe but it’s out by India, not a couple days sail from Maui), as Hawkins made it sound so real with the world building she does for it. I loved how creepy it was once our characters were there, as even though the descriptions were pretty standard, the very thought of being so alone and cut off from everything is very upsetting, especially as stakes start to get higher and survival is becoming more murky for some of our characters. I mentioned it was a bit Gothic, and it has the elements of people slowly going a bit unhinged due to paranoia, distrust, and the sheer unforgiving seclusion of the location. The location really stands out.

“Reckless Girls” is a fun thriller that you should definitely check out if you like the genre. It may make you wish for a tropical trip, but at the same time you may be thanking your lucky stars this isn’t the vacation you are taking any time soon.

Rating 9: Super addictive and compelling with a lush and unsettling backdrop, “Reckless Girls” is a fun thriller and tangly mystery.

Reader’s Advisory:

“Reckless Girls” is included on the Goodreads lists “And Then There Were None: Deadly Parties”, and “Down By The Sea”.

Find “Reckless Girls” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Kate’s Review: “Echo”

Book: “Echo” by Thomas Olde Heuvelt

Publishing Info: Tor Nightfire, February 2022

Where Did I Get This Book: I received an eARC from NetGalley.

Book Description: Travel journalist and mountaineer Nick Grevers awakes from a coma to find that his climbing buddy, Augustin, is missing and presumed dead. Nick’s own injuries are as extensive as they are horrifying. His face wrapped in bandages and unable to speak, Nick claims amnesia—but he remembers everything.

He remembers how he and Augustin were mysteriously drawn to the Maudit, a remote and scarcely documented peak in the Swiss Alps. He remembers how the slopes of Maudit were eerily quiet, and how, when they entered its valley, they got the ominous sense that they were not alone. He remembers: something was waiting for them…

But it isn’t just the memory of the accident that haunts Nick. Something has awakened inside of him, something that endangers the lives of everyone around him… It’s one thing to lose your life. It’s another to lose your soul.

FROM THE INTERNATIONAL BESTSELLING SENSATION THOMAS OLDE HEUVELT comes a thrilling descent into madness and obsession as one man confronts nature—and something even more ancient and evil answers back.

Review: Thank you to NetGalley for sending me an eARC of this novel!

It’s been awhile, a long while, and I’ve been long anticipating a new book by Thomas Olde Heuvelt. I loved his last book “Hex”, the story of a small town cursed by the ghost of a witch that wanders the community and makes everything scary and awful for the townspeople. Like, it scared the hell out of me, truly scared me to my bones, which I always love to encounter in my books. So when I saw that he finally had a new book coming out in the U.S., called “Echo”, I was AMPED!!! Because if there is going to be an author who genuinely, GENUINELY scares the living daylights out of me, it’s going to be Thomas Olde Heuvelt.

Bring on the nightmares. I know they’re coming. (source)

And let me tell you, “Echo” has many moments that absolutely filled me with dread. The first chapter alone was enough for me to say ‘okay that’s enough for one night’ and close my Kindle. Heuvelt combines elements of survival horror, possession horror, body horror, folk horror, and a good old fashioned ghost story to tell his newest scary tale, one that is perfect for a cold winter’s night (we’ve had a couple of those this winter!). Heuvelt really knows how to slowly build up the slow creeping dread. As our protagonists Nick and Sam have to contend with what is happening to Nick post mountaineering disaster that left him disfigured, and his friend Augustin dead, we slowly see how things are so very wrong, and how both men are caught up in the supernatural danger in their own ways. With Nick, his body has been potentially inhabited by a malevolent force he can’t control. With Sam, his initial repulsion at his lover’s disfigurement turns into an unwavering obsession with keeping Nick close, keeping him safe, and trying to fix whatever it is that is wrong… even if it isn’t fixable. We get both of their perspectives through various means, be it personal journals, notes, or flashbacks, and as the truth as to what happened slowly comes to light, we also get introspection into their relationship as well as their core wants and fears. They are well conceived characters that I ended up caring about.

And as mentioned. The SCARES. OH THE SCARES. That first chapter scared the piss out of me, and Heuvelt sprinkles in a lot of horror moments that range from the somewhat unsettling to absolute nightmare fuel. By taking elements of a traditional possession story but making the origin of the possession more nature based than religious based, Heuvelt has breathed new life into the subgenre that I really appreciated. Anyone can be possessed by a demon, but who can say that they’ve been possessed by a piece of the natural world (I’m trying to be vague here, though other reviews have kind of unpacked it a bit more)? It’s very unique in its creepiness, and I liked that quite a bit. And his descriptions are still so vivid and visceral, knowing how to take basal, primal fears and translate them to the page. Goddamn this book is scary.

I will say that “Echo” does have some stumbles here and there. The first is something that I kind of mentioned above: there is a LOT going on. There are a lot of subgenres at work here, and while combining a couple could work wonders, when you throw a lot into the mix it becomes too much. I think that this is mostly because to do due diligence to all of these subgenres or tropes, it means that you have to spend a fair amount of time on each of them. And that makes for a long read, one that goes on a little too long. Especially since some of the elements invariably do feel under-explored. There was one offshoot during the last fourth of the novel in particular that I thought felt a bit tacked on, as while it absolutely did tie back to other parts of the book (and had a VERY upsetting moment that set me on edge), it felt like we had let this moment stay off to the sidelines for a bit too long before we do reconnect to it. Ultimately I think that it just felt overstuffed. Not enough to turn me off, mind you! It just could have used some trimming.

Ultimately, “Echo” delivered the scares. Thomas Olde Heuvelt once again messed me up and created a story that has disturbing elements that got under my skin.

Rating 8: Deeply disturbing and another solid winter horror story, “Echo” runs a little long and is overstuffed but has many scares along the way.

Reader’s Advisory:

“Echo” is included on the Goodreads lists “Best Wilderness Horror Stories”, and “Horror To Look Forward To In 2022”.

Find “Echo” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Kate’s Review: “Locke & Key (Vol. 5): Clockworks”

Book: “Locke & Key (Vol. 5): Clockworks” by Joe Hill and Gabriel Rodríguez (Ill.)

Publishing Info: IDW Publishing, 2013

Where Did I Get This Book: I own it.

Book Description: Tyler and Kinsey Locke have no idea that their now-deceased nemesis, Lucas “Dodge” Caravaggio, has taken over the body of their younger brother, Bode. With unrestricted access to Keyhouse, Dodge’s ruthless quest to find the Omega Key and open the Black Door is almost complete. But Tyler and Kinsey have a dangerous key of their own — one that can unlock all the secrets of Keyhouse by opening a gateway to the past. The time has come for the Lockes to face their own legacy and the darkness behind the Black Door. Because if they don’t learn from their family history, they may be doomed to repeat it, and time is running out!

Colonel Adam Crais’s minutemen are literally trapped between a rock and a hard place; in the first days of the Revolutionary War, they find themselves hiding beneath 120 feet of New England stone, with a full regiment of redcoats waiting for them in the daylight… and a door into hell in the cavern below. The black door is open, and it’s up to a 16-year-old smith named Ben Locke to find a way to close it. The biggest mysteries of the Locke & Key series are resolved as Clockworks opens, not with a bang, but with the thunderous crash of English cannons.

Review: As we know I’ve really been enjoying this re-read of Joe Hill’s dark fantasy horror series “Locke and Key”, though I’ve been saying the whole time ‘I don’t remember when and how a lot of this is all going to come together’. The exposition has been building and building and it’s been getting close to the end of the series and there are still a lot of questions to be answered. I remembered really loving the series overall, but I think that the first time I read this I was like ‘okay, I have two books left and few answers, is this going to pay off?’. Because it has to pay off.

And my God, does it pay off. Everything comes together so perfectly and with such thoughtfulness and intricacy that I was just blown away, even though it is my second time reading this book. Joe Hill’s storytelling prowess is at its best in this volume.

(source)

There are two major reveals in this story right when things have started to get dire for the Lockes (even if they don’t realize how dire). Given that Kinsey killed Dodge, and Dodge (or whatever it is) moved its consciousness into Bode’s body without them knowing it, the race is on for the Lockes to discover the truth before Bode/Dodge can find the Omega Key. The first reveal that we see we jump into right away, which is the origin of the keys, Keyhouse, the demon, and how the Lockes are connected to it. And we go all the way back to the Revolutionary War, in which we meet a young locksmith named Ben Locke, who discovers that hidden Minutemen have opened a door deep in a cave that has let an evil out that they are trying to put back and contain. The first time I read this I remember thinking that it went on a little long, but this time I thought that this origin story of the Black Door and the keys was pitch perfect. I loved the setting, I loved the connection to the Locke Family (and the backstory for the Lockes, who were victims of Red Coat tyranny), and I loved how Hill sprang this all on us but still managed to make it feel in depth and well explored. He lays his magical system out bare, and it falls into place with ease.

Our second big reveal is we finally, FINALLY, get to see how Rendell Locke and his friends ran afoul Dodge, as well as explanations as to how back in the day Dodge Caravaggio became the Dodge that we know now, how Ellie Whedon became so broken, and how Erin Voss lost her memories and her consciousness, and how ALL of it relates to the keys. And it’s done in a way that doesn’t feel super exposition-y, as we get another key reveal that allows for Tyler and Kinsey to go back in time to see everything happen, and to get a new perspective on their late father. While I do think that we didn’t get enough exploration of all of Rendell’s friends (specifically his girlfriend Kim; I appreciated that Hill tried to make her complicated, but she just came off as cruel and privileged more than anything else), the backstory itself is so fantastic, so heart wrenching, and so SCARY as a bunch of kids who have been bestowed a monumental responsibility of guarding keys get too complacent… and all hell breaks loose. Good God is this an emotional story arc, as we know how things turned out for a few of our characters, but we didn’t know how they got to that point. Hill makes it so complex, satisfying, and devastating, and it adds compounded grief as two kids who lost their father in a terrible act of violence have to see his biggest mistake that ruined lives as it unfolds. Goddammit, it hurts, and it’s beautiful.

And the artwork continues to be great. I can’t praise Gabriel Rodríguez enough, and he has this way of creating the most grotesque and disturbing images as well as the most tender and joyous.

This image specifically took my breath away. (source)

This penultimate volume is fantastic. We will finish up this re-read with the next and last volume, “Omega”. I’m not sure I’m ready to be emotionally destroyed by it, but it’s time regardless.

Rating 9: Fantastic pay off for all the build up before it, “Locke & Key: Clockworks” is the strongest in the series so far.

Reader’s Advisory:

“Locke & Key (Vol. 5): Clockworks” is included on the Goodreads lists “Best Horror Comics/Graphic Novels!”, and “Best Coming-of-Age Horror Novels”!

Find “Locke & Key (Vol. 5): Clockworks” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Previously Reviewed:

Kate’s Review: “The Violence”

Book: “The Violence” by Delilah S. Dawson

Publishing Info: Del Rey Books, February 2022

Where Did I Get This Book: I received an eARC from NetGalley.

Book Description: A mysterious plague that causes random bouts of violence is sweeping the nation. Now three generations of women must navigate their chilling new reality in this moving exploration of identity, cycles of abuse, and hope.

Chelsea Martin appears to be the perfect housewife: married to her high school sweetheart, the mother of two daughters, keeper of an immaculate home. But Chelsea’s husband has turned their house into a prison; he has been abusing her for years, cutting off her independence, autonomy, and support. She has nowhere to turn, not even to her narcissistic mother, Patricia, who is more concerned with maintaining the appearance of an ideal family than she is with her daughter’s actual well-being. And Chelsea is worried that her daughters will be trapped just as she is–then a mysterious illness sweeps the nation.

Known as The Violence, this illness causes the infected to experience sudden, explosive bouts of animalistic rage and attack anyone in their path. But for Chelsea, the chaos and confusion the virus causes is an opportunity–and inspires a plan to liberate herself from her abuser.

Review: Thank you to Del Rey for providing me with an eARC of this novel via NetGalley.

As this seemingly never ending pandemic goes on, there has been a pattern in my reading and other media consumption that has been consistent: I have been having a hard time with anything that has to do with mass illness and epidemic plotlines. It has tainted my reading experiences, it has made me put off shows I would normally be interested in (“The Stand”? “Station Eleven”? Not right now, thanks!), and I just don’t want to think about it in my reading or viewing things. So when “The Violence” by Delilah S. Dawson ended up in my inbox, I was hesitant. I eventually relented, expecting it to be an entertaining but probably difficult read.

But apparently all a pandemic story needs for me to be completely and utterly in love with it is professional wrestling?

By the way I’m still bitter that this show was cancelled before the last season could happen. (source)

Okay that’s not the only reason that I absolutely adored “The Violence”, but it was definitely one of many lovable aspects of this angry, snarky, and highly entertaining pandemic book. Dawson has created a scary virus mythology that she tackles with suspense, humor, and believability as to how it would unfold, given everything we’ve seen in the past two years. A strange virus causes people to completely disassociate and turn lethally violent, and we follow three generations of women in one family as they experience this new disease through the lens of their own experiences of victimhood and generational trauma. Our first is Claudia, a housewife who has been in a picture perfect but deeply abusive marriage to her nasty husband David. The second is Ella, Claudia’s oldest daughter who has seen the pain her mother has gone through, has protected her younger sister Brookie, and has found herself in a similar relationship with her seemingly wonderful boyfriend at school. And then there’s Patricia, Claudia’s narcissistic mother who is in her second marriage as a trophy wife and lives in privileged wealth. When The Violence strikes, and Claudia sees a potential out from her abusive marriage, all three have their lives change dramatically.

And I loved all three of these characters in all of their well rounded, complicated, and messy glory. Dawson explores all of them and all of their depths, and she has created strong, sometimes maddening, always relatable characters who I ended up caring about very deeply. I also loved how she draws out explorations of trauma and abuse and how victims of abuse find themselves in terrible cycles that they can’t escape from so easily, and how that in turn can make them do things that are harmful. It’s all so sympathetic and raw, and even when I thought that I was going to feel one way about a character, Dawson would surprise me with how I would end up feeling about them. I loved everyone in this book. I loved all of their journeys, be they literal ones or ones within themselves, and how they all changed and grew. And yes, without spoiling too much, I will say that Claudia ends up as part of a pro wrestling league during her storyline, so she absolutely became Betty Gilpin in my head during my time with this book.

And what of the Violence itself? I really enjoyed this virus mythology in this book, as Dawson creates something that feels as scary as it should without becoming overwrought with aspects that would make it ultimately untenable in a real world setting. The transmission of The Violence, the way that people try to study it, the things they discover about it, and the way that the public reacts to it all feel correct after all we’ve seen these past few years dealing with COVID. Dawson doesn’t feel a need to over explain, but she does find ways to make it seem believable in terms of transmission and origin, as well as how society would deal with it (there is a whole plot point about vaccine hoarding and how the privileged can deal better with pandemics than lower income people can, and man oh man do we know that that’s absolutely correct after everything). And while it’s all dark, it’s also supremely entertaining. As our characters find themselves in dangerous situations, and they certainly do, the tension is always on point and is paced in a way that it reads quick while still keeping the reader into what is coming next. There were plenty of moments where I was on the edge of my seat, and the tone definitely goes to twisted places, but still inspires a lot of hope. And I absolutely needed that hope in this story, since hope has felt hard to come by in the face of the inevitability of Omicron. Seeing these relatable and likable characters find hope in the hopelessness really, really resonated.

“The Violence” is my first 10 read of the year. It’s phenomenally entertaining and cathartic in this moment. Just great.

Rating 10: So. Much. Fun. Not to mention twisted, hopeful, and cathartic.

Reader’s Advisory

“The Violence” is included on the Goodreads lists “Anticipated 2022 Horror/Thriller Releases”, and “Books Containing One of the “Clue” Game Weapons On the Cover Or in the Title” (I had to, the concept is too good).

Find “The Violence” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Kate’s Review: “Road of Bones”

Book: “Road of Bones” by Christopher Golden

Publishing Info: St. Martin’s Press, January 2022

Where Did I Get This Book: I received an eARC from NetGalley.

Book Description: A stunning supernatural thriller set in Siberia, where a film crew is covering an elusive ghost story about the Kolyma Highway, a road built on top of the bones of prisoners of Stalin’s gulag.

Kolyma Highway, otherwise known as the Road of Bones, is a 1200 mile stretch of Siberian road where winter temperatures can drop as low as sixty degrees below zero. Under Stalin, at least eighty Soviet gulags were built along the route to supply the USSR with a readily available workforce, and over time hundreds of thousands of prisoners died in the midst of their labors. Their bodies were buried where they fell, plowed under the permafrost, underneath the road.

Felix Teigland, or “Teig,” is a documentary producer, and when he learns about the Road of Bones, he realizes he’s stumbled upon untapped potential. Accompanied by his camera operator, Teig hires a local Yakut guide to take them to Oymyakon, the coldest settlement on Earth. Teig is fascinated by the culture along the Road of Bones, and encounters strange characters on the way to the Oymyakon, but when the team arrives, they find the village mysteriously abandoned apart from a mysterious 9-year-old girl. Then, chaos ensues.

A malignant, animistic shaman and the forest spirits he commands pursues them as they flee the abandoned town and barrel across miles of deserted permafrost. As the chase continues along this road paved with the suffering of angry ghosts, what form will the echoes of their anguish take? Teig and the others will have to find the answers if they want to survive the Road of Bones.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

So many horror subgenres, so little time. I have always had a hit or miss relationship with folk horror, but I’m always up to try out books that catch my eye or get a lot of hype. So I was drawn to “Road of Bones” by Christopher Golden for a couple of reasons. The first was that I’ve been meaning to check out Golden for awhile, but haven’t done it yet. The second was that “Road of Bones” kept popping up on my various timelines with a lot of praise. So folk horror or not, I was down to jump all the way in. And the fact that it takes place in the cold wilderness of Siberia was just an added bonus, since I was reading it over some frigid winter days and nights here in Minnesota.

As cold as Siberia? Probably not. But it was recently -21 without windchill here, so…. (source)

“Road of Bones” does the ingenious thing of taking a real life horror and using it as the context and setting for a horror story steeped in folklore, history, and supernatural creepiness. The action of our tale takes place along the Kolyma Highway, a federal road that was built by and upon the bones of gulag prisoners during Stalin’s rule. It is estimated that perhaps at least half a million people died during construction, their bodies just paved over by permafrost and infrastructure. So, good lord that’s horrifying on its own, but Golden manages to take the location and make it all the more creepy and upsetting vis a vis Russian folklore. Our main characters are Teig and Prentiss, two filmmakers who have been friends forever and who are chasing one last dream (mostly Teig’s) of trying to create a ghost hunting show. Teig has his own reasons for wanting to chase ghosts that he doesn’t necessarily believe in outside of monetary ones, and Prentiss is there because he loves his friend, even if he’s exasperated by him. Their dynamic is a familiar one, but Golden makes you care about them as people and as friends. As they drive through the ice cold and desolate wilds of Siberia on a lonely highway, they find themselves suddenly in supernatural danger, and by the time we get to that point we care enough about them that anything that comes next is going to be high tension and high stakes. The other characters we meet have similar roles to play, from their brash local guide Kaskil to a stranded driver named Nari, and once they reach the small village they hope to rest in, it’s clear that things have gone very wrong. I liked all of our characters, so they were more than just fodder for angry spirits by the time shit started to get real.

But it’s the horror elements that really sold me on this book. I initially assumed that the supernatural element would be a traditional ‘angry ghosts’ kind of story, given that the Kolyma Highway has such a dark and violent history, but instead we go full folk horror with it, and hoo boy is it effective. From an abandoned village to shadows in the distant treelines to shamanism and forest spirits, “Road of Bones” runs a gamut of creepy elements that make for some really, REALLY scary moments. The isolation of a deadly tundra is scary enough on its own, and Golden makes that threat just one of many others that is always there to compound the other issues at hand. Golden taps into folklore and involves forest spirits, potential demonic possession, transformative body horror, and the fear of the missing and unknown. The descriptions of the abandoned village, of many sets of footprints wandering through the snow and into the woods, actively gave me shivers as I was reading (definitely had another ‘oh Jesus CHRIST’ muttering moment during one moment in particular), and let me tell you, the things that Teig, Prentiss, and the others encounter freaked me out, and a lot of that is based in folk horror tropes and imagery. Golden made it work for me, and how. The horrors of nature and the things that dwell within it combine super well with the location and terrible history that resides there.

“Road of Bones” is scary and highly enjoyable. I’m so glad that this was the Christopher Golden book that served as my first experience with his writing, as I really, really liked it.

Rating 9: A scary folk horror tale perfect for a cold winter’s night.

Reader’s Advisory:

“Road of Bones” is included on the Goodreads lists “Books of Horror FB Group”, and “Most Anticipated 2022 Thriller Books”.

Find “Road of Bones” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Kate’s Review: “The Red Palace”

Book: “The Red Palace” by June Hur

Publishing Info: Feiwel & Friends, January 2022

Where Did I Get This Book: I received access to an eARC via NetGalley from the author.

Book Description: Joseon (Korea), 1758. There are few options available to illegitimate daughters in the capital city, but through hard work and study, eighteen-year-old Hyeon has earned a position as a palace nurse. All she wants is to keep her head down, do a good job, and perhaps finally win her estranged father’s approval.

But Hyeon is suddenly thrust into the dark and dangerous world of court politics when someone murders four women in a single night, and the prime suspect is Hyeon’s closest friend and mentor. Determined to prove her beloved teacher’s innocence, Hyeon launches her own secret investigation.

In her hunt for the truth, she encounters Eojin, a young police inspector also searching for the killer. When evidence begins to point to the Crown Prince himself as the murderer, Hyeon and Eojin must work together to search the darkest corners of the palace to uncover the deadly secrets behind the bloodshed.

June Hur, critically acclaimed author of The Silence of Bones and The Forest of Stolen Girls, returns with The Red Palace—a third evocative, atmospheric historical mystery perfect for fans of Courtney Summers and Kerri Maniscalco.

Review: Thank you to June Hur for providing me with an eARC of this novel via NetGalley!

I was amped to see that June Hur had another historical mystery/thriller coming out this year, and I was very lucky to get an eARC from Hur herself through NetGalley. Given that Hurs books, which take place in historical Korea, are always a hit with me, I was eager to check out “The Red Palace”, a mystery involving shady royals, a palace nurse, and a creepy moment in Korean history involving murder.

The story itself is at times creepy and always suspenseful, given that someone is murdering palace nurses and it may well be the Crown Prince himself. As our characters Palace Nurse Hyeon and Inspector Eojin investigate, the puzzle pieces fall into place, but as they do so the stakes raise higher and higher. I liked both of them so much (and I loved their chemistry as they investigated together) that I was fully invested in their safety, almost as much as I was invested in their romance. Maybe that should be switched around in terms of priorities, but whatever. I thought that Hur did a really good job of putting all the clues in place and revealing them at just the right times, and I was genuinely surprised by some of the reveals. They all made perfect sense upon reflection, and I enjoyed going on the investigation with our protagonists. It feels a lot like a procedural formula that you could see in modern times, of the medical person assisting the police officer, and it is a tried and true trope that works here too.

And I really loved the protagonists, specifically Hyeon. Her backstory has a good balance of angst and determination, and I completely bought her motive for wanting to solve this mystery given her close relationship with Nurse Jeongsu, her mentor and mother figure (as he own mother is cold and their relationship is complicated) that has been accused of the murders of their fellow nurses. We didn’t see as much of Jeongsu as I would have liked, and there was more telling as opposed to showing their relationship, but we DID get to see the complicated one between Hyeon and her concubine mother, while her Lord father has denied her acknowledgement and care. It’s established that while Hyeon has a lot to lose by investigating, but we completely believe why she pursues it, doggedly so. And as I mentioned above, I really loved her working (and romantic tension filled) relationship with the young inspector Eojin. He, too, has a lot to prove and a lot to lose, and it means that they work as good foils for each other.

And finally, the time and place is great. Given that “The Red Palace” is partially inspired by the notorious life and death of Crown Prince Sado (a prince who did, indeed, murder a number of people and then was executed at the behest of his father), we get a look into a dark footnote in Korean history and get some expansion on the themes it harkens to. Hur’s books are always so great for time and place, jumping through various centuries in Korea, and this one had some good insight into the workings of the Palace culture and hierarchy for those who serve it. I also liked the fact that she put an author’s note in about Crown Prince Sado, which contextualized the story at hand and gave it a bit more depth. Man do I love me an author’s note that has to do with historical context!

I quite enjoyed “The Red Palace”. I implore historical mystery and thriller fans to pick up June Hur if you haven’t already.

Rating 8: A creepy and tense historical mystery based in notorious fact, “The Red Palace” is another fun thriller from June Hur with very likable characters and a unique time and place.

Reader’s Advisory:

“The Red Palace” is included on the Goodreads lists “Historical Fiction w/ POC”, and “ATY 2022: Asian or Pacific Islander Author”.

Find “The Red Palace” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Kate’s Review: “Reprieve”

Book: “Reprieve” by James Han Mattson

Publishing Info: William Morrow, October 2021

Where Did I Get This Book: I own it.

Book Description: A chilling and blisteringly relevant literary novel of social horror centered around a brutal killing that takes place in a full-contact haunted escape room—a provocative exploration of capitalism, hate politics, racial fetishism, and our obsession with fear as entertainment.

On April 27, 1997, four contestants make it to the final cell of the Quigley House, a full-contact haunted escape room in Lincoln, Nebraska, made famous for its monstrosities, booby-traps, and ghoulishly costumed actors. If the group can endure these horrors without shouting the safe word, “reprieve,” they’ll win a substantial cash prize—a startling feat accomplished only by one other group in the house’s long history. But before they can complete the challenge, a man breaks into the cell and kills one of the contestants.

Those who were present on that fateful night lend their points of view: Kendra Brown, a teenager who’s been uprooted from her childhood home after the sudden loss of her father; Leonard Grandton, a desperate and impressionable hotel manager caught in a series of toxic entanglements; and Jaidee Charoensuk, a gay international student who came to the United States in a besotted search for his former English teacher. As each character’s journey unfurls and overlaps, deceit and misunderstandings fueled by obsession and prejudice are revealed, forcing all to reckon with the ways in which their beliefs and actions contributed to a horrifying catastrophe.

An astonishingly soulful exploration of complicity and masquerade, Reprieve combines the psychological tension of classic horror with searing social criticism to present an unsettling portrait of this tangled American life.

Review: You all know what a big fan I am of Halloween, and while for various reasons I haven’t done this in a long time I also really enjoy doing haunted hayrides, and living in Minnesota it’s not hard to drive outside the city limits to find such shenanigans. But I’m not as big into walk through haunted houses, and am certainly NOT into any ‘extreme’ haunted houses. Locally we had something called The Soap Factory, which made you sign a waiver before you went through, but they closed a couple years ago. The most infamous ‘extreme’ haunt, however is almost assuredly McKamey Manor, a combined haunted house escape room puzzle experience that is notorious in the haunt industry. Yes, you sign a waiver, and you may be subjected to physical and psychological torture for hours on end all in the name of thrills. There is no question in my mind that “Reprieve” by James Han Mattson is partially inspired by McKamey Manor, and that made an already enjoyable reading experience that much better. This book seems to be polarizing. I’m firmly on the ‘love’ team.

“Reprieve” is a deeply layered and multidimensional horror story that comes to life through literary structure. The guts of the tale involve a slowly revealed violent incident at Quigley House, a hardcore escape room/haunted house that offers players serious money if they can solve the puzzles in all the ‘cells’ while actors inflict psychological terror upon them. What exactly happened is slowly revealed through court room transcripts, flashbacks through character perspectives, and the straight narrative of the timeline of what happened in each cell up until the moment in question. I liked the slow build up and the combined story telling techniques, and how all of them combined to make a building tension of dread while also getting to know each character and what role they play. I’m sure that it’s the literary structure that threw readers for a loop, as I can definitely say that the creative choices made here are probably not for everyone. Which is totally okay. I, however, really liked it. I’m not the kind of person who thinks that horror needs to be elevated or classed up by any stretch of the imagination, but “Reprieve” does this without feeling pretentious or disingenuous. The scares are knowing what is coming (even if only in part), seeing it all unfold, and seeing the way that the REAL horror is in the bad behavior of villainous people, unwitting or not.

This is also a really well done commentary on capitalism, the weaponization of entertainment, and race in America. Many of the characters are POC, some are LGBTQIA+, and many of them feel lost, isolated, or Othered. Kendra is a new resident of this small Nebraska community and one of the few Black people (outside of her family) and finds herself working at Quigley House. The ‘we’re family here’ mentality definitely pulls her in deeper when she feels isolated in other ways. Contestant Jaidee is an international student from Thailand who is also gay, and feels scrutiny from his college peers because of both of these facts. And then there are the characters of Leonard, a hotel worker who feels inadequate in his personal life, and John, who owns Quigley House. Their friendship is a toxic concoction that encapsulates misogyny, xenophobia, and aggression, and sets off the first domino that leads to tragedy. Mattson knows what he’s doing with these characters, and while they easily could have felt like two dimensional villains, we get into their minds a bit, and it makes them fascinating, and all the more upsetting.

Boy did I enjoy “Reprieve”. It’s one of the more unique horror novels I’ve read lately, and it finds the horrors in both an extreme haunted house, and the darker side of American cultural consciousness.

Rating 9: A stunning literary horror thriller, “Reprieve” is mesmerizing, blistering, and deeply sad.

Reader’s Advisory:

“Reprieve” is included on the Goodreads lists “Deliciously Chilling Horror”, and “If You Like ‘Squid Game’, You Should Read…”.

Find “Reprieve” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Kate’s Review: “Such A Pretty Smile”

Book: “Such A Pretty Smile” by Kristi DeMeester

Publishing Info: St. Martin’s Press, January 2022

Where Did I Get This Book: I received an eARC from NetGalley.

Book Description: A biting novel from an electrifying new voice, Such a Pretty Smile is a heart-stopping tour-de-force about powerful women, angry men, and all the ways in which girls fight against the forces that try to silence them.

There’s something out there that’s killing. Known only as The Cur, he leaves no traces, save for the torn bodies of girls, on the verge of becoming women, who are known as trouble-makers; those who refuse to conform, to know their place. Girls who don’t know when to shut up.

2019: Thirteen-year-old Lila Sawyer has secrets she can’t share with anyone. Not the school psychologist she’s seeing. Not her father, who has a new wife, and a new baby. And not her mother—the infamous Caroline Sawyer, a unique artist whose eerie sculptures, made from bent twigs and crimped leaves, have made her a local celebrity. But soon Lila feels haunted from within, terrorized by a delicious evil that shows her how to find her voice—until she is punished for using it.

2004: Caroline Sawyer hears dogs everywhere. Snarling, barking, teeth snapping that no one else seems to notice. At first, she blames the phantom sounds on her insomnia and her acute stress in caring for her ailing father. But then the delusions begin to take shape—both in her waking hours, and in the violent, visceral sculptures she creates while in a trance-like state. Her fiancé is convinced she needs help. Her new psychiatrist waves her “problem” away with pills. But Caroline’s past is a dark cellar, filled with repressed memories and a lurking horror that the men around her can’t understand.

As past demons become a present threat, both Caroline and Lila must chase the source of this unrelenting, oppressive power to its malignant core. Brilliantly paced, unsettling to the bone, and unapologetically fierce, Such a Pretty Smile is a powerful allegory for what it can mean to be a woman, and an untamed rallying cry for anyone ever told to sit down, shut up, and smile pretty.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

I’m sure that this following statement is probably relatable for a lot of people: I can’t tell you how many times I’ve felt like I’ve been dismissed because of the fact that I’m a woman. While I absolutely know that I have a lot of privilege that others don’t, there are still times that I’ve felt like I’ve been talked down to, condescended to, or flat out sneered at because of underlying currents of misogyny in our culture. Throw in the fact that I have diagnosed mental illnesses, and I find myself not only feeling bad about these moments of being belittled, but then I start to question my own perceptions because of my anxiety. Enter “Such A Pretty Smile” by Kristi DeMeester, a new horror novel that uses these themes as the foundation of a genuinely disturbing and trippy tale of terror involving missing and murdered girls, mothers and daughters, and the way that all these women are victimized by society and many of the men around them.

It’s basically this. But also horror. (source)

“Such A Pretty Smile” as a title tells you a lot about what you are going to read. Lord knows that in “Little Red Riding Hood” a canine foe has his mouth and smile commented upon, but there is also the ‘you’d be prettier if you smiled’ bullshit that women hear (let me tell you, working in a public library at the desk made this a common occurrence). Our story is told in two perspectives over two timelines. The first is that of thirteen year old Lila, a girl in 2019 who is dealing with a lot of the awkward coming of age issues: she has a crush on her beautiful (but manipulative) best friend Macie, her father has moved on to a new family and has little time for her, and her mother Caroline is a good mother but has secrets of her own. When girls her age start disappearing and turning up dead, with a mysterious killer named “The Cur” being theorized as the culprit, Caroline starts to get more paranoid, and Lila starts to feel something strange and almost feral awakening inside of her. The other two perspectives are Caroline’s the modern day one trying to keep Lila safe from harm as things escalate, as well as one in Caroline’s past, which centered around her terminally ill father, her jealous of her talent boyfriend (Lila’s father), and seeming hallucinations involving barking dogs. Oh, and also a string of teenage girls disappearing and turning up murdered in the same way that the girls in the present are. The way that Demeester pulls all of these stories together takes time, but it’s done in a way that feels very deliberate, even if it sometimes leaves it up to the reader to parse out their own thoughts and feelings. The slow build dread of Caroline’s past trauma mirroring with Lila’s present situation is tense and well executed, and it all builds to a strange and haunting climax that is genuinely disturbing. Sometimes the jumping around is a little hard to follow, and I definitely found the Caroline POVs more interesting than Lila’s, but in the end it all blends to create a well done whole.

But its greatest strength is the solid ‘fuck you’ to patriarchy that “Such A Pretty Smile” spits out as much as it can. From ‘bad girls’ being victimized but not as valued in society’s eyes, to Caroline dealing with a condescending therapist, to Caroline ALSO dealing with a petty and jealous boyfriend who gaslights her out of envy, this book has so many moments that had me seething in rage. Demeester translates these reality based horrors into something supernatural and strange, and it really worked well for me. We have people like the murder victims being brutalized and objectified before and after death, but we also have the smaller but hurtful moments of one girl being reprimanded for lashing out at a boy who groped her in the lunch line, or another girl being groomed by an older boy in hopes of being accepted, or Caroline herself being told that her genuine and real fears are hysteria by people she is supposed to trust. It’s heartbreaking and terrifying, and Demeester taps into all of it and finds horror fuel at the root.

“Such A Pretty Smile” is upsetting and compelling, and I will definitely be checking out what Demeester has to offer in the future.

Rating 8: All too relevant and relatable as well as creepy and haunting, “Such A Pretty Smile” was a disturbing read that will be familiar to a lot of women who have been silenced by misogyny.

Reader’s Advisory:

“Such A Pretty Smile” is included on the Goodreads lists “Queer Horror”, and “Surreal Horror”.

Find “Such A Pretty Smile” at your library using WorldCat, or at a local independent bookstore using IndieBound!