Category: Kate’s Reviews

Kate’s Review: “The Devil Takes You Home”

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Book: “The Devil Takes You Home” by Gabino Iglesias

Publishing Info: Mulholland Books, August 2022

Where Did I Get This Book: I received an eARC from NetGalley and an ARC from the publisher at ALA.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: From Bram Stoker, Anthony, and Locus award-nominated author, Gabino Iglesias, comes a genre-defying thriller about a father desperate to salvage what’s left of his family, even if it means a descent into violence–both supernatural and of our own terrifying world.

Buried in debt due to his young daughter’s illness, his marriage at the brink, Mario reluctantly takes a job as a hitman, surprising himself with his proclivity for violence. After tragedy destroys the life he knew, Mario agrees to one final job: hijack a cartel’s cash shipment before it reaches Mexico. Along with an old friend and a cartel-insider named Juanca, Mario sets off on the near-suicidal mission, which will leave him with either a cool $200,000 or a bullet in the skull. But the path to reward or ruin is never as straight as it seems. As the three complicated men travel through the endless landscape of Texas, across the border and back, their hidden motivations are laid bare alongside nightmarish encounters that defy explanation. One thing is certain: even if Mario makes it out alive, he won’t return the same.

The Devil Takes You Home is a panoramic odyssey for fans of S.A. Cosby’s southern noir, Blacktop Wasteland, by way of the boundary-defying storytelling of Stephen Graham Jones and Sylvia Moreno-Garcia. 

Review: Thank you to NetGalley and to Mulholland Books for giving me an eARC and an ARC of this novel!

I had been hearing about “The Devil Takes You Home” by Gabino Iglesias for a number of months, either on social media or on buzzy book lists. It was one that was definitely on my list, given that I enjoyed Iglesias’s previous book “Coyote Songs”, so when I had the opportunity to read it via NetGalley AND through an ARC I got at ALA, I was eager, but nervous to start. I knew that Iglesias wasn’t going to pull punches, and the description alone tipped me off that this was probably going to be supremely creepy, and also very sad. And reader, I was right. Iglesias just kicked me in my feelings AND set me on the edge of my seat in this part horror story, part cartel thriller, part indictment of American society and the tragedies it creates through its apathy.

The supernatural horrors that Iglesias describes and explores were super, super unsettling, using an air of mystery and ambiguity to fuel them. Just as Mario doesn’t know what he is seeing in the tunnels or out in the desert, we too don’t know, outside of glimpses and short descriptions of things that just don’t sound right. A potential psychic gift that is growing louder. Creatures that sound perhaps humanoid-ish, but which are feral and grotesque. Witchcraft and rituals harkening to the Narcosatánicos conjures up seemingly impossible acts, with the dead coming to life for a fleeting moment to descend upon enemies. Rituals end with otherworldly goo that is then used as a blessing of sorts. A story of a man whose barn was inhabited by a strange being. All of these moments were fleeting, and we didn’t linger to understand or to get an explanation, and honestly that made it all the scarier.

But then it was the real life horrors that REALLY got under my skin. Iglesias doesn’t put too much focus on the magical or otherworldly terrors, but he lasers in on the very real terrors of cartel violence, systemic racism, torture, and childhood illness and brings out so much dread and devastation. I found myself having to put the book down after a particularly devastating moment, but it always feels like there is a purpose and meaning behind the most devastating beats. Iglesias also knows how to capture the rage and trauma and grief that Mario is feeling after his family is ripped asunder by his daughter Anita’s illness, and how a child dying of leukemia is the greatest horror of this book should you be a parent of a young kid (and hello, that is me, so you know I was just reeling in despair). Iglesias doesn’t hold back on the realism that comes with the violence and the violent world that Mario inhabits, and you find yourself horrified by some of the things he does, but you also completely understand it as he is grief stricken AND up to his ears in medical debt. The clear line of society causing so many ills due to capitalism, racism, and class warfare cuts through the pages of this novel, and the desperation of some of our characters drives them into this dark journey in which we are passengers. It mixes horror and thriller and spits out something wholly unique. As I was reading it it felt almost dreamlike, which I imagine is the point, as Mario certainly doesn’t know what is reality and what is in his head as the journey goes on.

“The Devil Takes You Home” is scary and tragic, a cartel thriller and a ghoul-ridden horror tale at once, and it left me breathless by the end. Steel yourself for this one, both in the vivid moments of violence, but also the tragedy of a parent at the end of their rope.

Rating 9: Dark and genre bending, “The Devil Takes You Home” is incredibly tense, unwaveringly scary, and is both bleak and dreamlike.

Reader’s Advisory:

“The Devil Takes You Home” would fit in on the Goodreads list “Diverse Horror”.

Kate’s Review: “Deadly Setup”

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Book: “Deadly Setup” by Lynn Slaughter

Publishing Info: Fire and Ice, July 2022

Where Did I Get This Book: I received an ARC from the publisher.

Where You Can Get This Book: Amazon

Book Description: When her impulsive, romance-writing mom announces her engagement to a man whose last heiress wife died under suspicious circumstances, Sam tries to dissuade her mother. But her mom is convinced she’ll finally have the “Happily Ever After” she writes about.

And then Sam’s life implodes. Her mom’s fiancé turns up dead, and a mountain of circumstantial evidence points to Sam as the killer. On trial for murder, she fights to prove her innocence with the help of her boyfriend’s dad, an ex-homicide cop.

Moonbeam Children’s Book Award bronze medalist and Agatha Christie award nominee, Lynn Slaughter returns with a new YA thriller pushing the envelope on coming-of-age stories. Dark yet hopeful, Deadly Setup shows that wealth truly doesn’t buy happiness.

Review: Thank you to Fire and Ice for sending me an ARC of this novel!

I remember being a teenager and watching “Law and Order” with my Dad on Wednesday nights once my homework was done (mostly…). I really enjoyed watching the detectives investigate a crime, and then watching the lawyers try the defendant, all for it to wrap up in about an hour’s time. As we’d watch my Dad, who was also a lawyer, would give me tips and tidbits on how the trial stuff worked as the story unfolded. It was solid bonding time. I kept thinking about this stuff as I read “Deadly Setup” by Lynn Slaughter, and how teenage me would have loved a book where a teenager was on trial for a crime she didn’t commit.

The thing that really stood out in a positive way in this novel is that the main focus of the conflict is in a fairly unique setting. In so many YA thrillers I’ve read (and adult thrillers too, thinking about it) the center of the action is in the investigation of a murder or crime. Usually the main character is an outside player, or they are a potential suspect and are using the limited time they have to clear their name. In “Deadly Setup”, we get into a full on courtroom drama that reminds me of some of Jodi Picoult’s earlier works. As someone who devoured a lot of Picoult’s older books specifically because of the courtroom aspects, and who, as mentioned above, really liked the original “Law and Order” specifically to watch Jack McCoy go through the courtroom motions, this really clicked with me. Slaughter takes on a lot of ins and outs and mechanics of how a murder trial would work, from witnesses to various functions of the lawyers to strategies either side would implement, and I think it’s so cool that she did this in a YA novel. It’s a really good way to show the audience that trials themselves can be completely nutty and that a lot of thriller dramatics can be found in a courtroom. I NEED MORE COURTROOM DRAMAS IN MY READING STACK!

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The flip side of all of this is that outside of Sam, a lot of the characters are pretty two dimensional. I thought that Sam herself was an enjoyable character, and I really felt the stress and tension and loneliness of her situation. And as our protagonist it’s good that I liked her and was invested in her journey and fate. But almost everyone else was pretty standard for the tropes that they were filling, most of which being her mother Meryl. Meryl is a cookie cutter bad mother, as she’s narcissistic, verbally cruel, willing to believe her sleazy boyfriend of a couple months over her own daughter, and more than happy to play the victim and center herself. I have no doubt that there are mothers out there like this. Hell, I have FRIENDS who have mothers like this. But I think that the problem was that her dialogue and actions were very over the top villainous. This is also seen in the victim, Meryl’s fiancé, who is clearly a dangerous gold digging predator from the jump, and while I am a okay with him being an obvious lout, it’s laid on pretty thick here. Most of the antagonists are, really. When you throw that in with some clunky dialogue here and there and a mystery solution that is a little too hinted at a little too early, the building blocks of the story feel a little shaky. Not in a way that damages the concept overall, mind you, as I did enjoy it as I was reading. But it has awkward beats because of all these things.

But I do enjoy a courtroom drama, and “Deadly Setup” has that and how! I think that the audience this is catered to will have a really unique reading experience with this one given the crux of the drama! Jack McCoy would probably approve.

Rating 7: A good concept and some really good time spent in a courtroom drama setting, though the characters were a bit two dimensional and some of the writing was a bit stilted.

Reader’s Advisory:

“Deadly Setup” is included on the Goodreads lists “Legal Thrillers”, and “Best Books for Teens by Indie Authors“.

Kate’s Review: “Zatanna: The Jewel of Gravesend”

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Book: “Zatanna: The Jewel of Gravesend” by Alys Arden and Jacquelin De Leon (Ill.)

Publishing Info: DC Comics, July 2022

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: There’s more to the mobsters, mystics, and mermaids at the last stop on the D/F/Q trains: Coney Island-Stillwell Avenue.

Zatanna’s not your typical New Yorker. She walks her giant rabbit on a leather leash down the boardwalk, lives in a colossal architectural wonder known as the Golden Elephant, had her first kiss in the Haunted Hell Gate ride–and wouldn’t have it any other way.

But the time for having fun in Luna Park comes to an end when a mystic’s quest for a powerful jewel unravels everything Zatanna thought she knew about herself and her beloved neighborhood. Mysteries and magic surround her as she reveals the truth about her family’s legacy, and confronts the illusion that has been cast over her entire life.

From the bewitching mind behind The Casquette Girls, Alys Arden, and with enchanting artwork by Jacquelin de Leon, comes the story of a girl stuck in the middle of a magical rivalry and forced to choose between love, family, and magic without hurting anyone…or worse. 

Review: Thank you to NetGalley for providing me with an eARC of this graphic novel!

Though I have been fairly into DC for most of my life, I will fully admit that I haven’t encountered too much Zatanna. Sure, she does pop up here and there (I really liked her iteration in the “Bombshells” series), but she just isn’t really a character that I have encountered so much. Which is partially why I decided to pick up “Zatanna: The Jewel of Gravesend”. It was enticing in a few ways from the jump. For one, I love her design on the cover of his graphic novel: the the hat, the colors, everything. I also liked the concept of her being a Coney Island kid both in the sense of where she lives, but also in the sense of being part of a family of performers. I am always looking for more ladies in DC to enjoy, and “Zatanna: The Jewel of Gravesend” was a good primer for this character.

I liked Zatanna as a character in this, as she is very much a genial and intrepid teenage girl who loves her friends, loves her family, and loves her boyfriend. While her father Ezra puts pressure on her to join his magic act, which she isn’t really feeling, she has friends who are fortune tellers and other illusionists. She also has a boyfriend named Alexei who happens to be the son of a notoroious Russian mobster, though Alexei seems to be more tenderhearted than his family reputation. When Zatanna starts seeing strange backwards writing, and then starts to experience magic of her own, things get complicated. I liked the build up to this, as I felt that Alys Arden went at a good pace to build up background before really diving in to the story at hand. I liked the atmosphere of Luna City and Coney Island, and I liked seeing Zatanna deal with coming of age issues, be they pretty run of the mill, or more of the magical kind.

I do think that things get a little rushed in the last third. I mentioned above that I liked the background, and I definitely did, but then I felt that there was a rush to get to the heart of the story, with reveals and twists coming quickly. A lot of the time we didn’t get a moment to let some of these twists breathe, with a moment happening in one panel and then being yanked away only a couple panels later. I’m going to be vague because the moments I’m talking about are pretty spoiler heavy. But it made the focus between set up and conflict feel a bit unbalanced. Which is strange, because this is (apparently) a first volume of a continuing series. I don’t really know why the pacing got so disjointed when it could have been potentially spread out into another volume if need be, but hey, that could just be one reviewer’s opinion.

That said, I really liked the design of this book. I loved how Zatanna looked, and I loved the neon-y goodness of the Coney Island night life and the magical and opulent Luna City community.

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I will probably keep going in the series as we have a true mystery at hand, and I did like this characterization of Zatanna. Plus, the artwork is to die for. I’m hoping the pacing can be a bit more balanced in the next volume, but I am intrigued by where Zatanna is going next.

Rating 7: A fun backstory for an underutilized DC heroine, with a lot of set up for future volumes, and a bit of a rushed conclusion.

Reader’s Advisory:

“Zatanna: The Jewel of Gravesend” is included on the Goodreads lists “DC Comics Female Creators”, and “Magical Fiction for Magicians”.

Kate’s Review: “Mary: An Awakening of Terror”


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Book: “Mary: An Awakening of Terror” by Nat Cassidy

Publishing Info: Tor Nightfire, July 2022

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: Mary is a quiet, middle-aged woman doing her best to blend into the background. Unremarkable. Invisible. Unknown even to herself.

But lately, things have been changing inside Mary. Along with the hot flashes and body aches, she can’t look in a mirror without passing out, and the voices in her head have been urging her to do unspeakable things.

Fired from her job in New York, she moves back to her hometown, hoping to reconnect with her past and inner self. Instead, visions of terrifying, mutilated specters overwhelm her with increasing regularity and she begins auto-writing strange thoughts and phrases. Mary discovers that these experiences are echoes of an infamous serial killer.

Then the killings begin again.

Mary’s definitely going to find herself. 

Review: Thank you to NetGalley for providing me with an eARC of this novel!

I’m a little reluctant to give a concrete number as to the amount of ARCs I got at ALA Annual in June, as the number is staggering and a little out of control. And yet in spite of these numbers I won’t disclose, there were a few books I was hoping I’d pick up but were unable to obtain either because they weren’t there or the timing was off. So I ran to NetGalley and grabbed the titles I wanted that way, which works out just as well (and far more compact in terms of storage, really). One of those books was “Mary: An Awakening of Terror” by Nat Cassidy. I had my eye on it for awhile, as it touts being in similar veins as “Carrie” and “Midsommar”, which catch my eye for varying reasons. And really, look at that cover. Just disturbing as hell right from the jump. By the time I was fully submerged in the story, however, I was a little adrift, feeling like perhaps I had bitten off a little more than I could chew, thematics wise…

First, what I did like about it. And there is a lot to like about this book! Firstly, I liked how Cassidy really wanted to give a unique voice in a horror novel the spotlight. Our main character Mary Mudgett is a middle aged woman who feels invisible, who is experiencing perimenopause, and who is pretty alone in the world. She returns to her hometown after a decades long absence, a bit nervous to return to a place where she was so tormented by her peers and her aunt Nadine. I thought that Cassidy really brought forth the voice of a middle aged woman who feels left behind and forgotten about, and how he tapped into the horrors of societal expectations of aging, misogyny, and isolation and anxiety so authentically. I also thought that a lot of the aspects he explored in this book in terms of plots, from reincarnation to small town secrets to body horror were all very well done, and came together in unique ways that really got his story across. Also, major props to him for addressing his choice to give a middle aged woman a voice when he himself is a younger cishet man, and how he tried his best to be authentic in her voice and experiences. Also, he clearly has a lot of love for “Carrie”, as in his author’s note he explains that Mary is a reimagining of a woman like Carrie who does make it past the night of Prom, and what that would look like.

But here is the thing. Like many fans of horror (and really all kinds of genres), I am someone who has topics and themes that really work for her, and other topics and themes that really don’t. And “Mary: An Awakening of Terror” is incredibly brutal in a lot of ways, and brutality heaped upon me over and over again can wear me down a bit. I was really happy that Cassidy put a thorough content warning before the story began, because I was able to prepare myself a bit before digging in, but even with the content warning I still had moments where I just had to put the book down for a bit. I won’t spoil anything, but there were three vivid moments where I was fairly put off by what I was reading on the page, and one in particular where I almost stopped reading altogether. At the end of the day, this book was a bit too brutal for me. So we’re kind of in the midst of a review that may be more based on preference than actual content. But one thing to keep in mind is that I’m someone who can tolerate a fair amount of horror nonsense in her reading and consuming of other media. It’s rare that I find myself almost abandoning something because of its brutality. So this book may be too brutal for others as well.

Overall, I really liked the voice that Nat Cassidy gave Mary Mudgett, and I liked some of the creative and scary aspects of the novel as well. But at times it wasn’t an experience I was enjoying in the moment because of the content. Your mileage may vary.

Rating 6: Scary and brutal, but perhaps a bit too much so for this reader.

Reader’s Advisory:

“Mary: An Awakening of Terror” is included on the Goodreads list “Anticipated 2022 Horror/Thriller Releases”.

Kate’s Review: “Things We Do in the Dark”

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Book: “Things We Do in the Dark” by Jennifer Hillier

Publishing Info: Minotaur Books, July 2022

Where Did I Get This Book: I received an ARC from the publisher.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: When Paris Peralta is arrested in her own bathroom—covered in blood, holding a straight razor, her celebrity husband dead in the bathtub behind her—she knows she’ll be charged with murder. But as bad as this looks, it’s not what worries her the most. With the unwanted media attention now surrounding her, it’s only a matter of time before someone from her long hidden past recognizes her and destroys the new life she’s worked so hard to build, along with any chance of a future.

Twenty-five years earlier, Ruby Reyes, known as the Ice Queen, was convicted of a similar murder in a trial that riveted Canada in the early nineties. Reyes knows who Paris really is, and when she’s unexpectedly released from prison, she threatens to expose all of Paris’s secrets. Left with no other choice, Paris must finally confront the dark past she escaped, once and for all.

Because the only thing worse than a murder charge are two murder charges.

Things We Do in the Dark is a brilliant new thriller from Jennifer Hillier, the award-winning author of the breakout novels Little Secrets and Jar of Hearts. Paris Peralta is suspected of killing her celebrity husband, and her long-hidden past now threatens to destroy her future.

Review: Thank you to Minotaur Books for sending me an ARC of this novel!

Jennifer Hillier is an author whose novels always get under my skin because of how creepy and unsettling they are. Every year I am on the look out for news of a new book, and imagine how excited I was when Serena handed me some book mail and included was her new novel “Things We Do in the Dark”! While I’m always down for eARCs, print ARCs are just so satisfying to hold in my hand. I saved this one for my plane ride out to D.C., and boy, did I get sucked totally in.

Hillier has once again written a thriller that has a lot of twists and turns with complex build up, interesting characters, and explorations of darker themes that don’t bog down the story. We are dealing with two mysteries in this book, both involving our protagonist Paris Peralta. The first, and most obvious, is the death of her husband Jimmy, an aging comedian who was on the edge of a comeback. Paris was found in the bathroom next to his dead body, with a straight razor in her hand. The second is a bit more convoluted, as Paris has been receiving letter from a convicted murderer name Ruby Reyes, who is threatening to expose OTHER secrets from Paris’s past. It isn’t super clear as to how these two stories connect from the get go, but Hillier relies on the patience of her readers as she slowly starts to drop clues, give background, and introduce us to a whole cast of characters who have secrets, vendettas, painful memories, and regrets. We would jump from Paris’s murder charge, and then we’d go to learn more about Ruby Reyes and the horrible things that SHE did, mostly through the eyes of a podcaster who was friends with her deceased daughter Joey who, like Paris, doesn’t want her to get out on parole, though for different reasons. It takes time to understand how Paris connects to Ruby, but while the burn is slow the payoff is great, and every time I thought I had something figured out, I would realize that there were actually things that I had missed. IN terms of the two mysteries, Hillier balances them both and I liked both of them quite a lot, especially after they merged.

But what makes Hillier’s stories stand out from other thrillers is that she tackles some pretty dark themes without letting them overwhelm the story. Paris is a Filipino American whose race has been a factor that has led to whispers about her relationship with her husband, and she has tried to fit in within an upper class lifestyle in spite of the racism (and classism) she’s had to deal with her entire life. We also look into her past as a survivor of various things, and how her poverty stricken childhood within a dangerous and abusive home situation has made her strive to escape a dark past. Paris has issues, Paris has secrets, but she is always intriguing and compelling as she tries to clear her name… and to also keep her secrets at bay. With these dark elements, however, come content warnings, and I want to mention that there are moments of sexual abuse, parental abuse, and other intense subjects. Hillier is careful to make sure that it doesn’t get super graphic or super exploitative, but it’s just good to know.

I really liked “Things We Do in the Dark”. Hillier is a must read thriller author for me, hands down, and I cannot wait to see what she comes up with next!

Rating 8: A thrilling novel about trauma, identity, and the secrets we keep.

Reader’s Advisory:

“Things We Do in the Dark” is included on the Goodreads list “Mystery and Thriller 2022”.

Kate’s Review: “Just Like Home”

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Book: “Just Like Home” by Sarah Gailey

Publishing Info: Tor Books, July 2022

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: “Come home.” Vera’s mother called and Vera obeyed. In spite of their long estrangement, in spite of the memories — she’s come back to the home of a serial killer. Back to face the love she had for her father and the bodies he buried there.

Coming home is hard enough for Vera, and to make things worse, she and her mother aren’t alone. A parasitic artist has moved into the guest house out back, and is slowly stripping Vera’s childhood for spare parts. He insists that he isn’t the one leaving notes around the house in her father’s handwriting… but who else could it possibly be? There are secrets yet undiscovered in the foundations of the notorious Crowder House. Vera must face them, and find out for herself just how deep the rot goes.

Review: Thank you NetGalley for providing me with an eARC of this novel!

I’ve heard the name pop up now and then, but I am pretty certain that until I picked up “Just Like Home”, I hadn’t read anything by Sarah Gailey. I’ve been tempted by a couple of their titles like “The Echo Wife”, but I just haven’t made the leap in spite of the fact that they have some buzz around them. But when I read about this newest book, a horror novel involving a woman who is returning to her childhood home, which also happens to be the site that her father committed numerous murders, I decided that it was time to finally jump in. And, to my slight dismay, as I was reading, I wasn’t really getting into it in the way that the description implied I would.

But I will start with the good, as per usual. I will say that Gailey has a very clear vision as to how they want to portray the very real complexities of loving someone who is, without a doubt, a fucking monster. Vera’s childhood relationship with her father, who turned out to be a serial killer who was torturing men in the family home’s basement, is one that was very fulfilling for her as a child. He clearly loved her very much, always made her feel special, and knew exactly how to prop her up when she was down. We know that Vera’s father is a psychopath, and we see the brutal descriptions of his work, as it were. But we also completely understand how Vera has a hard time reconciling that truth with the other seeming truth of how much he loved her. It’s something that always feels sticky, when loved ones of horrible people who cause damage and pain and violence upon others have a hard time unpacking their experience from that reality, and I thought that that aspect of Vera felt pretty spot on, as well as the ways that she has been warped because of it. And yes, there are plenty of really upsetting and unsettling moments not only because of this stark relationship exploration, but also in terms of the horror elements themselves. It’s a VERY weird and unnerving book, and it goes in directions I wasn’t expecting, and a lot of it reminded me of the movie “Frailty”, which is ANOTHER weird and unnerving story.

But that’s the flip side, in a way: it almost got to be too weird. I can’t even really tell you why, exactly, the rest of this story didn’t connect with me, but it just goes to places that I didn’t enjoy as much as I was hoping I would. We take a VERY sharp turn late in the game in terms of reveals and twists, and it just threw me more than anything else. I have to be careful in how I talk about this, as my biggest issue would be considered a pretty big spoiler, but what I will say is this: I understand the symbolism and metaphor that Gailey was going for here, and I think that it could have been achieved if approached a different way. But as it was, it felt like the metaphor got a bit OVERextended, and got to a place that felt clunky and strange and really threw off the rest of the book for me. This very well may just be me, so I encourage people who are interested to give it a go. But it just didn’t land in the way that I had hoped that it would.

This was a solidly mixed bag for me. I think I would give Sarah Gailey another shot (honestly, bring on “The Echo Wife”), but “Just Like Home” wasn’t the home run I was anticipating. But if you like weirdness, as so many people do, definitely give it a go.

Rating 6: Some good creepiness and some interesting moments about loving someone who is a monster, but the weirdness got a little too weird for me.

Reader’s Advisory:

“Just Like Home” is included on the Goodreads lists “Queer Horror”, and “2022 Horror Written by Women and Non-Binary Femmes”.

Kate’s Review: “American Vampire (Vol. 1)”

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Book: “American Vampire (Vol. 1)” by Scott Snyder, Stephen King, & Rafael Albuquerque (Ill.)

Publishing Info: Vertigo, 2010

Where Did I Get This Book: I own it.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: From writers Scott Snyder and Stephen King, American Vampire introduces a new strain of vampire – a more vicious species – and traces the creatures’ bloodline through decades of American history.

Snyder’s tale follows Pearl, a young woman living in 1920s Los Angeles, who is brutally turned into a vampire and sets out on a path of righteous revenge against the European monsters who tortured and abused her. And in King’s story set in the days of America’s Wild West, readers learn the origin of Skinner Sweet, the original American vampire – a stronger, faster creature than any vampire ever seen before.

Don’t miss out as Snyder and King set fire to the horror genre with this visionary, all-original take on one of the most popular monster stories! This beautiful collection features a new introduction by Stephen King and bonus art including character sketches, variant covers and more!

Review: Here we are again, about to embark on a re-read of a graphic novel series that I loved in the past and want to revisit in the present. Well, sort of. You see, I read the majority of “American Vampire”, Scott Snyder’s horror comic that follows American vampires through the decades as America changes and evolves. I own almost the entire series. But then for some reason I just kind of stopped reading it, and I honestly don’t really remember why (I have theories, but to address them here would be spoiler-y). So I decided that for my next re-read (potentially final…) of a series I would go back to a horror series I greatly enjoyed. And as a bonus, guess who wrote part of the first volume? Good ol’ Uncle Steve. If Stephen King is involved, I’m always game, and always have been.

We have to differing storylines that do merge together in a way in Volume 1. The first is of Pearl, a 1920s movie extra who loves being in the silent films, as she and her roommate Hattie try to make it big in Hollywood. But when Pearl is invited to a Hollywood executive’s party, what she thinks is a big break turns out to be a trap; the high powered executives are vampires, and they attack her and leave her for dead in the desert. She is rushed to a hospital, but dies.. Until a mysterious man brings her back to life, and she vows revenge on those who killed her. The other story (and the one King wrote) is about said mysterious man, Skinner Sweet, a ruthless desperado from the 1800s, who is turned into a vampire, and realizes that somehow he’s a new breed, one that has distinct advantages over the European ilk, and he goes on a massacre while a man named Book hopes to hunt him down and stop him once and for all. Both stories have a distinctly American feel to them, be it the glowing lights of Hollywood and it’s broken promises, or the dangerous and lawless expansion out West, and Snyder and King find ways to not only have some great arcs that set up an entire series, but ones that can stand on their own as well (especially King, as this is his only contribution to the series, and it’s SO him in characterization and storytelling). It’s the interesting Western theme and the femme fatale theme that are so compelling to the story, and they easily fit together as Pearl beings her journey, and Sweet continues his. I also really appreciated the idea of the ‘American’ vampire type being more violent and opportunistic and guns-a-blazing than the European type. If that isn’t an apt metaphor I don’t know what is.

I definitely prefer the Pearl storyline, as Pearl is such a great character from the jump. She is ambitious but not cutthroat, tough but fair, and the fantastic metaphor of a predatory movie studio being turned into vampire nest works on every level. Once Pearl realizes her new state and new powers, she isn’t hesitant to seek revenge on those who killed her, but at the same time she is struggling with her new condition, especially because of those she loves, specifically her roommate and best friend Hattie, and her would be lover Henry. The relationship with Henry is especially compelling, as Henry is a supportive and caring man who just worships the ground Pearl walks on. Snyder writes him in a way that makes him so likable, never making his love and devotion to her in doubt, nor making it some kind of weakness. Pearl can absolutely stand on her own, especially after she becomes a vampire, but it’s also completely okay for her to want companionship and support and it never feels like it’s holding her back. I loved Pearl the first time, and I loved her again this time.

Skinner is another story, however. It’s interesting, because I thought that perhaps going back into it ten years later with an evolved reading taste would change my thoughts, but nope, I still find Skinner to be the worst, and not really in a fun way. King doesn’t really write him as anything but a disgusting villain, which is good, as the focus of the hero arc is more on his enemy James Book, who was hunting him down in life and now hunts him down post vampirism. There are lots of “Dracula”-esque moments as a group of humans uses their wits and knowledge to track down a vampire, and once again I was more rooting for them to take out Skinner (even though we know it doesn’t work, given Skinner’s connection to Pearl). I do like how King sets up an entire line and arc for how Skinner is going to be functioning and hounded in the years to come, as generations have reason to go after him (Book’s partner has a daughter named Abi who has her own reasons to want Skinner dead as time goes on. I will say that the relationship between her and Book is weird and a little gross, but it has to happen for something ELSE to happen, so…. whatever). Long story short, the Skinner Sweet storylines we see are only as interesting as his foils, and my guess is that King intended for that to be case.

And finally, the artwork is still some of my favorite artwork in comics to date. Rafael Albuquerque can do both really charming kind of down to Earth designs, while also tapping into some really horrific imagery.

Source: Vertigo

I’m really excited about this re-read of “American Vampire”, as I’m already having a blast. Join me, won’t you, as we follow Pearl and Skinner through the years of this very young and very flawed nation. What will these two very different vampires get up to?

Rating 8: A great start to a vampire story that feels incredibly American, for better and for worse.

Reader’s Advisory:

“American Vampire (Vol. 1)” is included on the Goodreads lists “Comics + Graphic Novels To Read For Halloween”, and “Best Adult Vampire Books”.

Kate’s Review: “The Last Comic Book on the Left (Vol.1)”

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Book: “The Last Comic Book on the Left (Vol. 1)” by Ben Kissel, Marcus Parks, & Henry Zebrowski (Eds.)

Publishing Info: Z2 Comics, June 2022

Where Did I Get This Book: I own it.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: RISE FROM YOUR GRAVES
Not a joke, not a gag like a necromancer The Last Podcast on The Left is reviving the tradition of the humor comic magazine except this time as a series of graphic novels. Inside you will see stories edited and curated by your Last Podcast Hosts made to entrance the eyes and titillate the senses. SEE: Detective Popcorn solve the meaning of LIFE! WITNESS: The descendent of Albert Fish! GET AROUSED BY: Very Sexy Mothman! A mix of Comedy and Horror created by some of the best comic writers ,artists, warlocks in this dimension.

Once read The Last Comic on The Left will change your life maybe for the better.

DISCLAIMER: The Last Comic on The Left has not been funded by an underground satanic cult. All Cryptid portrayals have come with the explicit permission of The Mothman, Sasquatch and Jersey Devil estates. By buying, reading or even looking at this book you are consigning your soul, spirit or any eternal animating entity to the creators of this book which again is not funded by a satanic cult . 

Review: It’s been a few years, but I am still wholeheartedly into the podcast “The Last Podcast on the Left”. While other podcasts have fallen to the wayside, partially due to not driving as much, partially due to other factors, this one is still a must listen for me, and I will support Ben Kissel, Marcus Parks, and Henry Zebrowski in as many creative endeavors as I can. So of course I was going to pick up “The Last Comic Book on the Left”, the new graphic novel horror anthology inspired by the show, and designed by a number of writers and artists working in today’s comics industry. I preordered it and it took awhile after some delays, but when it did arrive, I dove in.

This is a collection that has a lot of entries, from short stories to ongoing tales to odd artwork that sends up pin ups and ads from old comic anthologies from back in the day. You can tell that all of the contributors have a clear vision that they are putting forth, and it’s a mish mash of varying successes. I actually enjoyed it quite a bit, haphazard as it was. There were a few stand outs for me. My favorite things were the pin up artworks of various cryptids, from the Jersey Devil to Mothman to Sasquatch, designed in ways that make them out to be Playboy centerfolds with sexy designs and insights into their favorite things (the Mothman one was particularly hilarious, as it’s just otherworldly gibberish with the occasional unsettling bits of English). There is also a really interesting story by Noah Van Sciver that starts out as a seemingly graphic history of the Fundamentalist Latter Day Saints, the offshoot Mormon cult that is known for egregious abuses and fanaticism, but instead turns into a meditation on how we tell these stories (this was probably my favorite in the collection; I have been deeply fascinated by the FLDS and I really liked how Van Sciver turned the whole concept of comic histories on its head). There is also a creepy comic that is based on the Sandown Clown Incident, which was just unsettling and tense because of not only the source material, but also the framing of the tale itself with two small children encountering a creepy clown-like figure, the tension building and building into high strangeness discomfort.

But here is the thing. While I think that fans of the podcast (like myself) will find a lot to love in this collection, I’m not sure that there will be a lot of crossover appeal to broader audiences. With the previous LPOTL book being the fantastic “The Last Book on the Left” there was so much great content and context beyond the podcast lore that I felt any fan of true crime could pick it up and enjoy it. “The Last Comic Book on the Left” is definitely a love letter for the fans who have been with the show for awhile, with references to such characters as Detective Popcorn and Scungilli Man that a layman just isn’t going to get. I think it’s super fun, and I think that there will probably be some people who like the weirdness of a lot of it. And a lot of the stories have outside accessibility to be sure. But it does feel niche. I’m okay with niche, however. This comic is written for me as a fan of the show. It’s chaotic and wild. But it’s absolutely a matter of ‘your mileage may vary’ in terms of other readers.

That said, let’s just look at one of my favorite bits of artwork. BEHOLD: SEXY JERSEY DEVIL by artist Sean Van Gorman!

The caption at the bottom sent me into hysterical laughter. (source: Z2 Comics)

It’s out there, it’s nutty, it’s funny and strange. I had a fun time with “The Last Comic Book on the Left”. It fuses the humor of my favorite podcast with some creative graphic novel designs and storytelling.

Rating 7: It’s going to be very niche, I feel, geared towards fans of the podcast, but I enjoyed the chaotic energy this collection was serving.

Reader’s Advisory:

“The Last Comic Book on the Left” isn’t included on any Goodreads lists as of now, but I think it would fit in on “Horror Comics Anthologies”.

Kate’s Review: “The Pallbearers Club”

Book: “The Pallbearers Club” by Paul Tremblay

Publishing Info: William Morrow, July 2022

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: A cleverly voiced psychological thriller about an unforgettable—and unsettling—friendship, with blood-chilling twists, crackling wit, and a thrumming pulse in its veins—from the nationally bestselling author of The Cabin at the End of the World and Survivor Song.

What if the coolest girl you’ve ever met decided to be your friend?

Art Barbara was so not cool. He was a seventeen-year-old high school loner in the late 1980s who listened to hair metal, had to wear a monstrous back-brace at night for his scoliosis, and started an extracurricular club for volunteer pallbearers at poorly attended funerals. But his new friend thought the Pallbearers’ Club was cool. And she brought along her Polaroid camera to take pictures of the corpses. Okay, that part was a little weird. So was her obsessive knowledge of a notorious bit of New England folklore that involved digging up the dead. And there were other strange things – terrifying things – that happened when she was around, usually at night. But she was his friend, so it was okay, right?

Decades later, Art tries to make sense of it all by writing The Pallbearers’ Club: A Memoir. But somehow this friend got her hands on the manuscript and, well, she has some issues with it. And now she’s making cuts.

Seamlessly blurring the lines between fiction and memory, the supernatural and the mundane, The Pallbearers’ Club is an immersive, suspenseful portrait of an unforgettable and unsettling friendship.

Review: Thank you to NetGalley for providing me with an eARC of this novel.

It’s finally time, everyone! Paul Tremblay has a new horror novel out, and it’s one that caught my attention VERY quickly when I read about it. For one reason, obviously, is that it’s Paul Tremblay. He’s one of my favorite horror authors, and one of the best ones writing today. But the bigger issue at hand is that while he has taken on other horror themes and twisted them onto their head (possession, zombies, ghosts, etc), he is taking on a subgenre that is near and dear to my heart, and that I am VERY picky about: vampires. I love vampire stories, but I want very specific things from my vampire stories. And Paul Tremblay gave me everything I need. Oh, and yes, like in most of his other works, I ended up weeping relentlessly by the end.

It almost always comes to this when I read his books. (source)

Let’s start with the plot and the way this story is told. The narrative structure of this book is so fantastic. It is framed as a memoir written by Art Barbara. Going in, we know nothing about Art, or why he would have written a memoir about himself. We also almost immediately notice that there are seemingly handwritten annotations and footnotes written by a mystery voice, and those footnotes are critiquing the story as written. We soon realize that this story Art is telling is about his friendship with mysterious cool girl Mercy Brown, whom he met through the Pallbearers Club, a group he formed in high school as a community service opportunity. Teens work at funerals of forgotten people to serve as mourners and pallbearers. Mercy saw the ad Art put out, and called him. Thus began a friendship built on punk music, 80s yearning, and a mutual interest in working funerals. Art for extracurricular brownie points, Mercy for… other reasons. As Art talks about their friendship, he slowly reveals that he believes her to be a vampire. Mercy, in the footnotes, is constantly questioning his words, editorializing, and it is through both of their POVs that we see a slow burn creepy story about toxic friendship and potential vampirism come to be. I loved how Tremblay decided to tell this story, as it makes both of our narrators have truths and lies that the are sprinkling in. And given that Tremblay is a master at creating deeply disturbing horror moments, the vampire stuff (as Art describes it) is well done, unique, and taps into an actual folktale from New England that is about, in fact, a woman named Mercy Brown who was thought to be a vampire. Look it up! Start HERE. I loved how he brought in this actual story of American mythology and connected it to a metaphor about toxic friendships. The vampire mythos that we get feels fresh and new, and it taps into the non-romanticized themes of vampires as users, superstitions around illness, and codependence. It’s so damn good.

Now I need to talk about Mercy. Mercy is the shining star of this book, of all Paul Tremblay books. He so effortlessly captures the ‘cool girl as seen through the geek boy’s eyes’ trope and turns it into something that is both malevolent as well as bittersweet. We have this great tactic in which we see how Art views Mercy through his memoir, and we also get to see Mercy’s voice not only tell him how badly he has projected his own insecurities into he perception of her (which I believe so many ‘cool girls’ have to deal with when it comes to these kinds of geek boys and their worshiping), but also reflect that cool girl-ness she absolutely DOES have, as well as the clear love (and resentment) she also has for him. There is no question that both Art and Mercy are terrible for each other, and that they both get a lot of things wrong about each other. But the way that Tremblay gives both of them voices to construct a broader truth is great, and he does it in a way that doesn’t make Mercy just a potential vampire that is also a well worn manic pixie dream girl trope. She is basically what I wanted Samara Weaving’s character in “The Babysitter” to be in terms of meeting her full potential, and I absolutely adored her with my entire heart.

Bee is pretty great too, don’t get me wrong, but Mercy is Bee with a bit more depth. (source)

And finally I need to talk about this pathos I keep mentioning. Because this book is just brimming with it in the way that Tremblay does. He really, really knows how to just gut the reader. As said above, Art and Mercy’s friendship is not healthy, really, given that the entire ‘is it a vampire thing?’ question harkens back to the parasitic nature of vampirism, and therein the parasitic natures of some bad human relationships. But I will say, without spoiling things, there is some serious emotional depth that Tremblay taps into with their friendship, about their mutual outcast status and loneliness that connected them in the first place, and at once makes you think ‘this is so unhealthy’, while also feeling the mutual, real love they have for each other. And, once again, I found myself bawling during a Paul Tremblay horror novel. God DAMN do I love how this man knows how to destroy my soul.

“The Pallbearers Club” is a phenomenal take on a vampire story. It is definitely my favorite of Tremblay’s books. I urge horror fans, especially if you like new takes on vampire stories, to pick this one up.

Rating 10: Loved it so much. Mixing humor, horror, and a whole lot of pathos, “The Pallbearers Club” is Tremblay’s best work.

Reader’s Advisory:

“The Pallbearers Club” is included on the Goodreads list “Horror To Look Forward To in 2022”, and it would fit right in on “The Ultimate List of Vampire Books”.

Kate’s Review: “The Insane God”


This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Insane God” by Jay Hartlove

Publishing Info: Water Dragon Publishing, May 2022

Where Did I Get This Book: I received an ARC from the author’s publicist.

Where You Can Get This Book: Amazon | Indiebound

Book Description: Nightmare on Elm Street meets The Stand. A meteorite fragment cures a teenaged trans girl’s schizophrenia but leaves her with visions of ancient warring gods annihilating each other in space. As the Earth hurtles toward the cloud that is the shattered bodies of those eternal enemies, their eons-old conflict is rekindled on Earth to divide and destroy humanity. Can she and her brother stop the spread of global disaster?

Review: Thank you to Beverly Bambury for sending me a print copy of this book!

I mean, honestly, you are just tantalizing me when you say that something is “Nightmare on Elm Street” meets “The Stand”. Given that “The Stand” is an all time favorite of mine and I just love a good slasher movie, when I saw that comparison mix for “The Insane God” by Jay Hartlove, I just HAD to see what that meant. I knew I was throwing a bit of caution to the wind, as it was pretty clear that this story, while having those comparisons, was going to be a bit heavier on the Science Fiction than I am used to. But I’m game to experiment when the mood strikes me, and strike me it did.

There are some interesting ideas here to be sure! I loved the idea of space rocks giving people powers and interfering with biological functions like mental illness, and I liked the idea of how people that are touched by these things can have new powers awakened within them. Hartlove has set the stage for some well done suspense and some pretty solid consequences, with cosmic horror elements as well as some trippy surreal horror, like the ability to manipulate and bring things from dreams into the real world (THAT was so “Nightmare on Elm Street”). We also have some good old fashioned suspense regarding people who are raging bigoted assholes, and people who are true believers in one side of a space set feud and who want to bring about destruction on Earth. This leads to a lot of content warnings (specifically some pretty upsetting scenes of transphobia, Islamaphobia, violence due to both these things, and difficult moments involving mental illness and the stigma that can come with it). But we also get a coming of age story in which a teenage girl finds herself a potential savior of mankind, all while grappling with her own identity as a trans woman, a recently cured schizophrenic (due to otherworldly influence), and as a sister. Hartlove melds them all together into a fast paced narrative that has a lot of ideas, and it mostly comes together pretty well!

There is also the fact that our protagonist Sarah is a trans woman, a representation that we are finally seeing more and more of in genre fiction and horror. It’s important to note that Jay Hartlove is not trans, and that as a cis woman I can’t really tell you if Sarah is a good representation of a trans character. That said, I did look into Hartlove’s background and various interviews, and he does have a trans child and a non-binary child, and it’s pretty clear that he has written this story with a hope of giving trans people characters they can seen themselves in. Sometimes it comes off a little clunky and hamfisted, at least to me, and again, I’m not really someone who can judge how well representative Sarah was and whether her experiences ring true or false. But it really does seem like Sarah’s characterization has all the best intentions, and as a character I thought that she was complex and interesting, and was very easy to root for. At the end of the day I liked her a lot. And I hope that we get more trans characters in genre fiction, and more trans authors in the mix to tell those stories.

I think that ultimately this was more heavily Science Fiction in a cosmic sense, which I knew going into it. I always like to give genres that I’m not super into a try, especially if it seems like there could be some crossover interest, and as I mentioned above, describing it as “Nightmare on Elm Street” meets “The Stand” would imply a lot of crossover! And I do get the comparisons, given the creative ways that Hartlove toys with dreaming and cosmic and existential end of world elements with warring factions within the chaos. Still and all, it did get into the Sci-Fi weeds a bit, which will probably work for a lot of people!

“The Insane God” is a bit of an out there Sci-Fi/horror story that I thought was pretty creative. Sure it has some stumbles here and there, but there is so much that feels unique, and it has its heart firmly in place.

Rating 7: Super creative and outside of the box, though maybe a little too heavy on the Sci-Fi for this reader.

Reader’s Advisory:

“The Insane God” isn’t on any Goodreads lists as of now, but I think it would fit in on “Cosmic & Lovecraftian Horror”.