Serena’s Review: “Januaries: Stories of Love, Magic, and Betrayal”

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Book: “Januaries: Stories of Love, Magic, and Betrayal” by Olivie Blake

Publishing Info: Tordotcom, October 2024

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Once upon a time in a land far, far away, the tutelary spirit to a magical bridge rapidly approaches burnout. Meanwhile, congress enacts a complex auditing system designed to un-waste your youth, a banished fairy answers a Craigslist ad, a Victorian orphan gains literacy for her occult situationship, and a multiverse assassin contemplates the one who got away. Escape the slow trudge of mortality with these magical ruminations on life, death, and the love (or revenge) that outlasts both, featuring modified fairytales, contemporary heists, absurdist poetry, and at least one set of actual wedding vows.

Review: As promised, we’re back with round two of my foray into short story collections this week! My first few experiences with this author were incredibly positive, but as I’ve read more and more, I’ve found myself struggling to connect with her writing style and becoming frustrated with what feels like a lack of substance in service of style. That being the case, I was curious to see what a short story collection by this author would look like. Would be more of the former or the latter?

Unfortunately, I have to report that this one fell largely in the latter category. However, one of the benefits of short story collections is that there are multiple options of stories with which to connect. So while the novel as a whole fell flat, I did have a few favorites that I’d like to dive into before getting into the rest of it. One of my favorite stories was one that showed up early in the collection. It told of a magical bridge and its watcher who was obligated to offer and grant certain types of wishes to any who found it. Over the course of the story, we see the young woman who is this guardian slowly become disillusioned to the sorts of wishes many people are asking for (there’s a recurring group of people who get into a lot of trouble with contradictory wishes). She also slowly begins to fall in love with a young man who, against all odds, continues to find the bridge over and over again, even though it always changes locations. It’s a sweet story and it played well with the tried and true fairytale concept of “wishes gone bad.”

However, even here, this story illustrated one of my recurring frustrations with this collection. By the end, it just sort of…well…ends. More over, the way the ending for this one is written, it comes across as ambiguous with the intent to be “deep,” which, instead, just leaves it actually feeling frustrating and pretentious. Over and over, throughout this book, there were stories that had interesting worlds and characters, but there was something about either A.) the style of writing or B.) the way the themes were presented (often in this ambiguous, quasi-intellectual manner) that made them read as, again, pretentious. And too often, the stories would end abruptly, and I was left wondering what the point of it all was.

Writing short stories is incredibly hard. Not only is it such a short length within which to work, but I do think there is this false idea floating around out there that these sorts of tales must be “artsy” and “deep” and “say things.” Here, we see this author fall into this trap. Instead of simply telling good stories, she seems to get bogged down in these secondary concerns. There would be small nuggets within most of the stories, but too often these were lost in the mess of everything else. There was another interesting one early in the book that dealt with a character essentially getting paid their entire life’s earnings early in life, and then be obligated to “work it off” from age 30 on. This was such an interesting concept, especially as it played out by increasing the main character’s anxiety rather than offering the promised freedom. But then, again, there were a bunch of other themes jammed in there, added characters who felt like they should be more important than they were, and an ending where it felt like the entire exercise was rather meaningless and a waste of a good concept. It’s hard to really describe, but these were the sorts of problems that plagued most of the book.

Overall, I think this collection was solidly just ok. None of the stories were outright bad, and a few of them I enjoyed for the most part. However, I think the author’s writing and approach to story-telling left something to be desired, with “vibes” and “style” too often taking precedent over simply writing a good story. If you’re a big fan of this author’s work, this still might be worth checking out. But if you’re only mildly interested in short story collections (like me), than this one may end up feeling lackluster.

Rating 7: Too heavy on the quasi-intellectual vibes to be a truly enjoyable read. Though there were still a few gems hidden away within.

Reader’s Advisory:

“Januaries: Stories of Love, Magic, and Betrayal” can be found on this Goodreads list: 52 Book Club 2024: Summer Mini Challenge – 100m Sprint: A Short Story Collection

Ripley’s Reviews: “Ripley Under Ground”

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“Ripley’s Reviews” is an ongoing series where I will review every book in Patricia Highsmith’s “Ripley” Series, as well as multiple screen adaptations of the novels. I will post my reviews on the first Thursday of the month, and delve into the twisted mind of one Tom Ripley and all the various interpretations that he has come to life within. Up next is the second book in the series, “Ripley Under Ground”.

Book: “Ripley Under Ground” by Patricia Highsmith

Publishing Info: Doubleday, June 1970

Where Did I Get This Book: The library!

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: It’s been six years since Ripley murdered Dickie Greenleaf and inherited his money. Now, in Ripley Under Ground (1970), he lives in a beautiful French villa, surrounded by a world-class art collection and married to a pharmaceutical heiress. All seems serene in Ripley’s world until a phone call from London shatters his peace. An art forgery scheme he set up a few years ago is threatening to unravel: a nosy American is asking questions and Ripley must go to London to put a stop to it. In this second Ripley novel, Patricia Highsmith offers a mesmerizing and disturbing tale in which Ripley will stop at nothing to preserve his tangle of lies.

Review: My next installment of my “Ripley’s Reviews” series is, admittedly, a little earlier than it would normally be, as this is the end of the month instead of the beginning of the month. But with Horrorpalooza starting next week I wanted to take on my thoughts on “Ripley Under Ground” now instead of waiting until November. Let’s keep this review series at a steady clip, shall we?

Set a few years after the events of “The Talented Mr. Ripley”, we rejoin Tom Ripley as he is basking in his affluent life that he has built with his inheritance from the Greenleaf family (whose heir apparent Dickie he murdered and stole his identity for a bit), as well as his marriage to pharmaceutical heiress Heloise. He’s been pulling an art forgery scheme to line his pockets as well, and it’s interesting seeing how he is still up to his old tricks and still benefitting from them. Highsmith took a different approach this this one, however, in that instead of climbing his social ladder through misdeeds, we now see Ripley trying to maintain his position at the top. He’s still smarmy and creepy, and it’s so interesting seeing many of those around him just not get that every aspect of his persona is fabricated (and those who DO kind of get it are just as culpable in their own ways). If you enjoyed the first book, there is a lot to like here, though I would argue that it’s not as compelling because we aren’t really getting anything new in terms of his character or his plot line. In this book Tom seems to be perfectly content living his life in rural France with the spoiled Heloise, but once one card from his house is pulled (when an art enthusiast correctly spots the forgeries), Tom can’t help but try and solidify his scheme, but manages only to make it worse. Soon he has a body, a paranoid accomplice, a simpering wife (who returns from her Greek vacation early) AND Dickie Greenleaf’s cousin Chris on his plate.

So this is once again a story about whether or not Tom will be able to get away with it, especially since he now has the paranoid and mentally unstable Bernard Tufts (forgerer turned body disposal buddy) acting incredibly unpredictable in the wake of the cover ups (he is a chimp with a gun, as my friend group likes to say). And once again Highsmith makes the reader actually wait to bated breath to see if Tom can pull it off, and the reader kind of WANTS him to pull it off. I will say this, the plot may have been a little more ho hum this time around, but in terms of his character Ripley is still Ripley and that is a very good thing. Even if his trajectory is well worn territory.

From murder and identity theft to art forgery and more murder, “Ripley Under Ground” was a continuation I had expected more from, but still found a nasty and enjoyable character in Tom Ripley. Next up is “Ripley’s Game”. Whatever shall he get into next?

Rating 7: Not as compelling as the first in the series, but “Ripley Under Ground” is a solid continuation of Tom Ripley, his fraudulent schemes, and his penchant for murdering to keep his lifestyle afloat.

Reader’s Advisory:

“Ripley Under Ground” is included on the Goodreads list “The Vilest Man in Fiction”.


Serena’s Review: “Buried Deep and Other Stories”

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Book: “Buried Deep and Other Stories” by Naomi Novik

Publishing Info: Del Rey, September 2024

Where Did I Get this Book: NetGalley!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: From the dragon-filled Temeraire series and the gothic, magical halls of the Scholomance trilogy to the fairy tale worlds of Spinning Silver and Uprooted, this stunning collection takes us from fairy tale to fantasy, myth to history, and mystery to science fiction as we travel through Naomi Novik’s most beloved stories.

In Buried Deep, we move from ancient Greece and Rome, through the Middle Ages and the Black Death, and into the modern era. We meet Mark Antony, Sherlock Holmes, and Elizabeth Bennet, in ways we have never seen them before. We visit exotic fantasy cities and alien civilizations among the stars.

Though the stories are vastly different, there is a unifying theme: the act of finding and seizing one’s destiny, and the lengths one will go to achieve that—be it turning pirate, captaining a fighting dragon, or shifting from marriage to seek your destiny with a sword.

And in the two tales original to this collection, we first reenter the remade Scholomance in the wake of El’s revolution and see what life is like for the new crop of students. Then, we get a glimpse at the world of Novik’s upcoming series, a deserted land, populated only by silent and enigmatic architectural behemoths whose secrets are yet to be unlocked.

Review: I don’t typically read short story collections because, with all honesty, I very rarely enjoy them. I’m the sort of reader who really wants to sink into a world and (ideally) follow a single POV character who I become wholly invested in over the course of the story. It’s all quite focused in to detailed character work and epic storytelling and worldbuilding, all of which are difficult to convey in the much smaller wordcount allowed to short stories. Beyond this, most of the collections I’ve read in the past were assortments of authors all contributing to one work, which left a lot of variability in quality throughout the entire read. All of this long winded intro to say, this week I’ll be reviewing not only one short story collection, but two! And they are each wildly different experiences.

Today, we’re going to start on the high note! It probably shouldn’t have been so surprising that I ended up loving this book, given the fact that I don’t think I’ve ever rated a Naomi Novik below an 8 (the vast majority of them have been 9s and 10s, even!). But as we’ve just discussed, I struggle with these sorts of collections. But, if anything, with this book Novik has convinced me that in the right hands, I can enjoy a short story collection just as much as the next person!

In fact, in many ways, it felt like this collection of stories was written just for me. Not only was I rewarded for being a reader of all of Novik’s previous series (we have two Temeraire stories, a “Spinning Silver” story, and a “Scholomance” story), but the other tales she tackled were also of peak interest for me. It was almost freakish! There was a Greek re-telling, a “Pride and Prejudice” re-telling, and a “Sherlock Homes” story that focused on Irene Adler! Can it get more perfect than that? Honestly, if I had sat down and picked out series/stories that I would have wanted to read short stories of, these would have been at the top of my list! And they were all done so well!

I don’t want to cover every single story in this collection (though I enjoyed them all, even if I had favorites), but I’ll talk about a few of my favorites. I really loved the aforementioned “Pride and Prejudice” story. Novik managed to not only re-tell the entire novel in an impressively thorough manner, but also adjusted it to fit within her Temeraire world. This version’s Elisabeth Bennet was a dragon rider and much of the tension with Mr. Darcy was derived from the fact that she’s a military member. It was both incredibly unique but also fit perfectly within the boundaries of the original story.

I also really loved returning to the “Scholomance” world. This story takes place after the events of the trilogy, giving readers a look into how the school operates now that El and Orion have done their work. Of course, it was great seeing some familiar faces (though, sadly, not El herself), but the new character to this story was also fantastic! Through her eyes, we see how other magical communities have dealt with the dangers of this world. There was also an added twist to certain aspects of the magic itself, which I felt was both very creative but also felt natural to this pre-existing world.

I also really enjoyed the Greek re-telling of the story of the Minotaur. Told from the perspective of the Minotaur’s sister, Novik infused the story with a whole new level of tragedy, but also beauty. The Irene Adler story was also good, though here I did feel that by the end of the story, I had been hoping for a bit more…I don’t know, point to it all. So, too, the “Spinning Silver” story was also good. It was a shortened version (I believe this was the first attempt at the story that was later expanded into the full length novel), but essentially hit the same beats, though had a different ending. While I enjoyed reading this one, it did hit home how much I loved the novel version. This one just didn’t pack the same punch, and I enjoyed the ending of the original novel better.

While none of the stories were misses, I did want a bit more from a few of them. The collection begins with a pirate story which I think is the weakest of the bunch (a bit unfortunate that it’s first). There’s nothing inherently wrong with it, but it also didn’t seem to have a lot new to say or offer. Likewise, there’s a story about fairy wishes gone wrong which I really liked, but then it felt like it ended abruptly, almost feeling as if it was the first chapter to an entire book. I was mostly just mad that I couldn’t keep reading it! And lastly, I also enjoyed the look into the new world that her next series will take place within, but this story itself also felt a bit listless. I wasn’t clear whether these were the characters we would be following in the next book or not, but as it stands, by the time the story ends, I wasn’t quite sure what to do with it as a story on its own.

Overall, this was an excellent collection! I think I can even say that it’s my favorite short story collection of all time (take from that what you will, given my general lack of interest/familiarity with the genre). I think most any fantasy fan would find something to like from this book. Though I will say that it’s one of those collections that greatly rewards readers familiar with Novik’s entire catalogue of work; it’s practically a must for fans of her books!

Rating 9: Absolutely fantastic, introducing readers to entire new worlds while also re-warding fans with a return to beloved worlds and characters.

Reader’s Advisory:

“Buried Deep and Other Stories” can be found on these Goodreads lists: Collections of Short Stories and Books I’m Dying to Get My Hands On.

Kate’s Review: “Tiny Threads”

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Book: “Tiny Threads” by Lilliam Rivera

Publishing Info: Del Rey, September 2024

Where Did I Get This Book: I received an ARC from the publisher at ALAAC24.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A young woman gets her dream job working for a famous designer—and discovers the dark side of the glamorous world of fashion—in this gorgeously sinister novel of supernatural suspense.

Fashion-obsessed Samara finally has the life she’s always dreamed of: a high-powered job with legendary designer Antonio Mota. A new home in sunny California, far away from those drab Jersey winters. And an intriguing love interest, Brandon, a wealthy investor in Mota’s fashion line.

But it’s not long before Samara’s dream life begins to turn into a living nightmare, as Mota’s big fashion show approaches and the pressure on Samara turns crushing. Perhaps that’s why Samara begins hearing voices in the dark in her room at night—and seeing strange things that can’t be explained away by stress and anxiety, or by the number of drinks she consumes every night.

And it may not only be Samara’s unraveling psyche, because she soon discovers hints that her new city—and the house of Mota—may have been built on a foundation of secrets and lies. Now Samara must uncover what hideous truths lurk in the shadows of this illusory world of glamor and beauty, before those shadows claim her

Review: Thank you to Del Rey for providing me with an ARC of this novel!

Whenever we go to ALAAC I always come with a list of titles that I am looking for. I resign myself to the fact that my desired titles aren’t always going to overlap with what is available, but this past year I had a pretty good ven diagram of things I wanted and things that were available. One of the books I was on the hunt for was “Tiny Threads” by Lilliam Rivera, partially because Cynthia Pelayo had been singing its praises (and I really enjoy her books), and partially because I LOVE a dramatic interpretation of the fashion industry. If it has horror elements, I’m even more sold. So when it was available I was very, very pleased. I went into it expecting a full on horror story. I found something a little different, but in a positive way.

This wasn’t as scary as I had hoped that it would be, but what it lacked in obvious scares it made up for in a good old fashioned feminine rage story and a psychological spiral of our main character, who keeps hearing ‘rats’ in her new aparment’s walls at 2am. We follow Samara, who has moved from New Jersey to California after she is hired by the iconic (but recently struggling) fashion designer Antonio Mota to work as a fashion promoter in his fashion house. What should be a dream job and an amazing opportunity is not so much, as Samara soon realizes that Mota is an abusive narcissist, there are many divisions in the company, and her new home in Vernon, California, is being disrupted by a hostile work environment and strange noises that keep her awake at night. The pressure and the lack of sleep make Samara more inclined to turn towards a bottle as she desperately tries to help throw together a make or break fashion show, and she has started seeing strange and disturbing images of a woman, as well as the name ‘Piedad’ everywhere. It’s pretty clear to this seasoned horror reader what Rivera was setting up, but the execution of watching Samara spiral into deeper and deeper madness (or is it a horrifying enlightenment?) was intense and nerve wracking. Rivera also examines through Samara, as well as other Latine women characters, a hostile racism and misogyny that is seeping at every turn, whether it’s Antonio’s abuses, or the history of the town and how it has used brown skinned women as worker bodies that are expendable, or how powerful white people take advantage of them in all kinds of ways.

I am also a huge sucker for drama filled stories that take on the fashion industry. I am by no means a fashionista, as you can usually find me wearing jeans, band tees, hoodies, and pajama pants, but I am very fascinated by fashion and beauty and the industries that promote those concepts up (and profit off of them). I enjoyed the way that Rivera portrayed Mota fashion house as a place that creates gorgeous and decadent clothing that is envied and coveted by many, but how how it also rings their employees dry, and how at the end of the day it is a capitalistic machine that is out to make money and to convince the masses that they should be spending their money on their designs. Even the setting of Vernon, California, is the perfect vehicle for this, as it’s a small town that was built on corporate need and greed, and sustains itself through this while also reeking of it (literally; there is a meat processing plant that stinks the community up and is hard to ignore). “Tiny Threads” does a great job of juxtaposing the beauty ideals that the fashion industry pushes forth with the mass production corporate greed that ultimately brings harm to many who work within that system, and how they aren’t so dissimilar be it fashion or meat packing and slaughterhouses. I found it compelling and haunting.

“Tiny Threads” is a great adult debut for Lilliam Rivera, and an incredibly psychological horror tale that has just as many real world scares as it does supernatural ones. Highly recommended!

Rating 8: Intense and angry, “Tiny Threads” is a psychological ghost story that takes on misogyny, violence, racism, and the fashion industry.

Reader’s Advisory:

“Tiny Threads” is included on the Goodreads list “2024 Mystery Thrillers Crime to Be Excited For”.

Diving Into Sub-Genres: Sherlock/Watson Mysteries

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We each have our own preferred genres of choice. Kate loves horrors and thrillers, really anything that will keep her up at night! And Serena enjoys escaping through hidden doors into realms of magic and adventure. We also read mysteries, historical fiction, graphic novels, etc. etc. And that’s not even counting the multitude of sub-genres contained within each greater genre. In this series, one of us will present a list of our favorites from within a given sub-genre of one of our greater preferred genres.

There is an entirely different subgenre of mystery fiction that is focused on detectives more broadly and then gets more nuanced from there (hardboiled, noir, etc.). But I’m an unabashed Sherlock Holmes fan, so I’m just skipping over all of those (to potentially be covered later) and just going straight to my favorite version of the genre: Sherlock/Watson re-tellings or re-imagings.

At a certain point, Holmes has become such the quintessential mold of what a mystery book detectives look like that all clever detectives start to look like him. But while Holmes himself is an excellent character, I think the true appeal of the original stories was the dynamic created between both Holmes and Watson. That being the case, I’m going to focus on stories that more directly re-tell or recreate this relationship. There are tons of examples out there, but I’m going to draw from a few of my personal favorites, as well as some of the more creative takes on this famous duo!

Book: “The Beekeeper’s Apprentice” by Laurie R. King

I believe this was my first exposure to a re-telling of Sherlock Holmes! It’s also one of those crazily impressive series where I remember picking up the first book when I was in high school and yet there are still new books coming out today! Admittedly, I’m very behind on the series as a whole, but this still remains high on my list of recommendations for readers looking for a new version of the classic duo. It is also one of the more-closely-tied series to to the original, serving more as a sequel to the classics than as a re-imagining overall with the story starting out on a Sherlock Holmes who has been long retired. He goes on to meet the main character of the story, Mary Russell, who becomes his apprentice and, fairly early in the series, his wife. However, the romantic relationship is very, very far down the list of focal points of the series, with the stories more often centering around the partnership of equals that forms between Russell and Holmes. As it is a long running series, there are definite highs and lows to be found, but the first 8-10 books were all solid entries from my memory!

Book: “Shadows Over Baker Street” edited by Micahel Reaves and John Pelan

While I haven’t read this entire collection, the short story version of “A Study in Emerald” (which we read for bookclub a few months ago) is included within. Like that story, the collection mashes together classic Sherlock characters and plots alongside aspects of H.P. Lovecraft’s horror worlds. It’s such a strange concept, but sometimes the more odd the mash-up, the more exciting the creative result is in the end! If you’re looking for a more wild take on the classic detective, than this might be a collection worth checking out!

Book: “A Study in Charlotte” by Brittany Cavallaro

This YA book plays around with several aspects of the original. Instead of following the original characters, the story jumps forward several generations, taking place in a contemporary setting and following Jamie Watson as he is thrown into the path of Charlotte Holmes, the great-great-great granddaughter of the original Holmes. Of course, it must contain a mystery at its heart, and this time the duo must not only solve a murder, but also clear their own names, for they are the primary suspects! This is a great introduction to the world of Sherlock Holmes, especially for younger readers who may feel more comfortable picking up a story set in the modern era.

Book: “Jackaby” by William Ritter

This is probably the furthest removed from the original story as any of the books. I could probably create an entirely separate list that is just mystery novels with duos who read as Sherlock and Watson without being directly tied to that series in any way. This is one of those examples. The story takes place in a fantasy world, and the famous detective in this version is a man named Jackaby. However, the book follows the “Watson-like” character, a young woman named Abigail Rook who becomes his assistant as they investigate the supernatural. There are several books in this series, and I very much enjoyed the ones I read. This is definitely a good read for those looking for “Sherlock” vibes, but who are willing to follow the story into brand new territory!

Book: “A Study in Scarlet Women” by Sherry Thomas

No one who reads this blog will be surprised to see this one here! I’ve read a bunch of Sherlock Holmes stories (including everything on this list), and this one is definitely my favorite! Thomas masterfully captures the tone, setting, and style of mysteries that is found in the originals. But she also manages to re-imagine many of the characters into gender-swapped versions of themselves, all while remaining true to the core concepts of their identities. Charlotte Holmes is very much her own character, but at the same time, she is also immediately identifiable as much like the original Holmes. Similarly, the gender-swapped Watson is also fantastic. I can’t say enough good things about this series. And if any readers have been delaying reading it for fear of how much the gender-swapping would impact the characters, do yourself a favor and check it out immediately! I think it will surprise you!

Book: “Dust and Shadow: An Account of the Ripper Killings by Dr. John H. Watson” by Lyndsay Faye

To now go full circle, we will round off the list with a book that follows the original characters largely written as they were first introduced. The twist, of course, is that they are now solving the Jack the Ripper killings. There is much to like about this book, but one of my favorite aspects it the way that Faye returned to the style of Watson recounting the events of the plot itself. This book is also great for how much attention and detail went into the historical aspects of the story. It’s a great read for both fans of Sherlock Holmes as well as those who enjoy Jack the Ripper stories, with an emphasis on historical accuracy.

What are some of your favorite Sherlock/Watson stories ? Let us know in the comments!

Serena’s Review: “The Gods Below”

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Book: “The Gods Below” by Andrea Stewart

Publishing Info: Orbit, September 2024

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: The series is set in a world ravaged by ancient magic, where precious gemstones bestow magical abilities on the few individuals able to harness their power. Full of clandestine power struggles and the battles between gods, the story follows Hakara, a young woman searching for her missing sister and who will do anything to find her — even lead a rebellion against the gods themselves.

Review: While I haven’t reviewed them all on the blog, I have read the previous trilogy put out by this author and very much enjoyed it. It’s been a bit, but from what I remember, her biggest strength was in the creativity of her world-building, a crucial skill for a fantasy author. On top of my previous experience with her books to recommend her, we all know I’m a sucker for stories about sisters, so this was an obvious choice to pick up this fall!

While I did have a few quibbles here and there, I largely enjoyed this read. Like the author’s previous trilogy, the world and lore of this world were creative and interesting. Further, everything was introduced in a very organic way, with limited info-dumping passages or awkward exposition-y dialogue. I also very much enjoyed the beginning of the story itself, as we set up the scenario with the two sisters who have become separated and working to re-unite throughout the story.

There were also some interesting themes explored over the course of the book. Specifically, the author offers up a commentary on climate change in a unique manner. Notably, she didn’t bash readers over the head with this metaphor either, but allowed the story to naturally progress through this theme, with readers taking as much (or little, I guess) from it as they would like.

I also generally liked our main characters. The cast slowly expands as the story continues, and none of them were big misses. Rather, my problems came in a bit with my expectations. For one thing, all of the characters felt fairly simplistic, with familiar motivations and arcs to ones we’ve seen in other similar fantasy stories. And then, at the odd moment, they would make decisions that wouldn’t seem to line up with these previously established factors about their characters. I guess I expected a bit more, especially from a seasoned fantasy author who already has a completed trilogy under her belt. And, judging by this book alone (which perhaps isn’t fair, as we have three books’ worth of time with the other characters), I do feel like the character work presented in the previous series was better. Though, now that I’m writing that, I do remember I had at least one set of POV characters who I really struggled with there. So perhaps this is simply still not a strong point for this author’s writing currently.

That said, I was mostly pleased with this story. While it wasn’t breaking any new barriers as far as fantasy fiction goes, it was servable and enjoyable. The writing was steady and engaging, and I particularly appreciated the detailed effort that went into the world-building and the history. The characters could have perhaps been deeper, but they also weren’t unlikable, which goes far for me.

Rating 8: An interesting new world to explore, though hopefully the characters will gain more depth as the series continues.

Reader’s Advisory:

“The Gods Below” can be found on this Goodreads list: 2024 SFF Books with Female Leads or Co-Leads

Serena’s Review: “The Scarlet Throne”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Scarlet Throne” by Amy Leow

Publishing Info: Orbit, September 2024

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Binsa is a “living goddess,” chosen by the gods to dispense both mercy and punishment from her place on the Scarlet Throne. But her reign hides a deadly secret. Rather than channeling the wisdom of an immortal deity, she harbors a demon.

But now her priests are growing suspicious. When a new girl, Medha, is selected to take over her position, Binsa and her demon strike a To magnify his power and help her wrest control from the priests, she will sacrifice human lives. She’ll do anything not to end up back on the streets, forgotten and alone. But how much of her humanity is she willing to trade in her quest for power? Deals with demons are rarely so simple.

Review: Would it be shallow to admit that I initially picked this one up to check it out further because of the cool black panther on the cover? Yes? Well, I definitely didn’t do that then…That aside, I also was intrigued by the themes hinted at it in the summary. The lengths one will go to to hold on to power, always an interesting topic!

This was a strange read. On one hand, I very much appreciated the character work that went into it. This is a dark look at the lengths to which people will go not only to survive but to cling to the power they have on hand. Much of the plot (such as it was) is caught up in this character study and much page time is devoted to the exploration of these topics. So on one hand, I appreciate the fact that the author didn’t shy away from the realities of the sorts of characters she was writing. The characters were allowed to go down dark paths and commit vile actions.

That said, however, it didn’t make for a very enjoyable reading experience. Not only were many of the characters incredibly unlikable, but there were also aspects of the decision making that were very frustrating. I get the idea, that those who are operating in survival mode are just looking to get through the present in whatever way works. However, very early on it became obvious that these tactics would never work in the long run, so it was frustrating seeing characters make decisions again and again that would only lead to discovery and disaster. Again, yes, this is a very true-to-life mode of behavior, but it made for an aggravating reading experience.

I also was a bit disappointed to discover that this was the first book in a series (a trilogy, I believe). The ending to this book is tragic, as one would expect given the nature of the story. And I think there would have been something more powerful about allowing the story to end there. As it stands, the promise of more to come almost works against what this story was trying to do on its own. I feel like the author could have easily cut it off a few pages earlier, and then just tacked on the ending of this book to the beginning of the next. This way, this book could have read as a stand-alone OR as the first in a series.

In the end, this was an odd reading experience for me. Quality-wise, I think this book is fairly high. The author set out to tell a story about a morally dark character and succeeded in thoroughly committing to that theme. However, for a character-driven book, I had a hard time enjoying it simply because I disliked so many of the characters so much. Readers who enjoy dark fantasy should probably still give this one a go, even if it wasn’t really for me.

Rating 7: The story tackles a dark character and explores themes of power and survival, but given the nature of these topics, I struggled to truly enjoy this read.

Reader’s Advisory:

“The Scarlet Throne” isn’t currently on any Goodreads lists, but it should be on Main Characters Who Aren’t Afraid To Get Their Hands Dirty.

Kate’s Review: “The Lightning Bottles”

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Book: “The Lightning Bottles” by Marissa Stapley

Publishing Info: Simon & Schuster, September 2024

Where Did I Get This Book: I received an ARC at ALAAC24.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: The author of New York Times bestseller and Reese’s Book Club pick Lucky returns with a love letter to rock ‘n’ roll and star-crossed love, following Jane Pyre’s road trip around Europe as she attempts to find out what really happened to her partner in love and music, who disappeared without a trace years earlier, leaving Jane to pick up the pieces.

Jane Pyre was once one half of one of the most famous rock ‘n’ roll duos in the world, The Lightning Bottles. Years later, she’s perhaps the most hated (and least understood) woman in music. She was never as popular with fans as her bandmate (and soulmate) Elijah—even if Jane was the one who wrote the songs that catapulted The Lightning Bottles to instant, dizzying fame, first in the Seattle grunge scene, and then around the world.

But then Elijah disappeared and everything came crashing down. Even now, years after Elijah vanished, Jane is universally blamed and reviled by the public. In an attempt to get some peace and quiet, Jane rents a house in a remote part of Germany where she knows she won’t be disturbed. But on the day she arrives, she’s confronted by her new next-door neighbor, a sullen teenaged girl named Hen who just so happens to be a Lightning Bottles superfan—and who claims to have a piece of information that might solve the mystery of what happened to Elijah, and whether he is, in fact, still alive and leaving messages for Jane after all these years.

A cross-continent road trip about two misunderstood outsiders brought together by their shared love of music, interwoven with flashbacks to the beginnings of Jane and Elijah’s love story and meteoric rise, The Lightning Bottles is a love story, a celebration of rock ‘n’ roll, and a searing portrait of the cost of fame.

Review: Thank you to Simon & Schuster for providing me with an ARC of this novel!

I was a bit young to really get into the grunge era of music, but I do remember some of my elementary school classmates listening to Nirvana, and some of my tween friends worshiping Kurt Cobain in middle school a few years after his death. But by high school I was very much aware of Kurt Cobain and Courtney Love and their short lived, dramatic, but ultimately true romance, in part due to the fact I was hyperfocusing on The Sex Pistols and there were lots of comparisons between Sid and Nancy and Kurt and Courtney. So I was very familiar with the pop culture zeitgeist around that when I heard a description of “The Lightning Bottles” by Marissa Stapley at the Simon & Schuster Fall Preview panel at ALAAC24. I loved the idea of a road trip mystery as a former rock star goes on a journey to perhaps find her husband and musical partner who disappeared, and to come to terms with the way that fame shaped and in some ways destroyed them both. Especially since it sounded like it was going to perhaps do some unpacking of Kurt and Courtney through the characters of Elijah and Jane.

I had been expecting more of a mystery, but what I got was basically “Eddie and the Cruisers” meets Kurt and Courtney. And that’s not too much of a complaint! I do enjoy the idea of a mystery of a beloved rockstar disappearing, and his controversial wife/bandmate going on a journey to try and see if he is still alive (with scrappy teenager in tow), and “The Lightning Bottles” does deliver an interesting plot with lots of twists and turns. But this book is more about artistry, the price of fame, and how sometimes love isn’t enough to keep two damaged people from causing more damage towards each other. Stapley definitely takes inspiration from Nirvana frontman Kurt Cobain and his marriage to Hole frontwoman (and perhaps one of the most hated women in music) Courtney Love, but Elijah and Jane, Jane especially, stand on their own two feet. I liked learning their love story through the flashbacks and the transcripts of their chat room conversations, and while I don’t think I got to know Elijah as much as I did Jane (which is to be expected given it’s really her story at its heart), I REALLY got to know Jane, and I really loved Jane by the end. I do wish that there was a little bit more mystery at the forefront though. Even “Eddie and the Cruisers” had some tense moments in regards to what happend to Eddie, even if it was ultimately about Tom Berenger rediscovering himself.

And that may be my one complaint in this book; Stapley may be a little TOO forgiving of Jane, and in turn perhaps her inspiration (an author’s note makes it fairly clear that Stapley really wanted to champion Courtney Love). Please don’t misunderstand me, I absolutely believe that a lot of the animosity towards Love, especially when it comes to Kurt Cobain, is unfair, unfounded, and steeped in misogyny, especially since we’ve seen this kind of thing before in rock and roll narratives of a horrible woman ruining a band when that’s just not founded at the end of the day (Yoko Ono comes to mind). I love that Stapley wanted to be sure to show that Jane was so wholly misunderstood, and that it was very unfair that Elijah’s problems were never laid upon Elijah and only on Jane. Especially when those problems were causing JANE problems in her own right. But that also makes Jane a little less interesting by making her flaws easily explained away, when her real life counterpart is VERY flawed for reasons that go waaaay beyond the bullshit she had to endure in regards Cobain. And I felt that by denying Jane some flaws that had some bite, it denied her some more complexity that she probably could have used.

As a whole I enjoyed “The Lightning Bottles”. It’s a love letter to a musical era, it’s an enjoyable love story, and it has some emotional beats that caught me off guard.

Rating 7: I was expecting more of a mystery but instead found a compelling love story about fame, music, and the highs and lows of being in love as an artist on the verge of greatness, or tragedy.

Reader’s Advisory:

“The Lightning Bottles” isn’t on many Goodreads lists yet, but it would fit in on “Best Rock and Roll Novels”.

Serena’s Review: “Fear the Flames”

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Book: “Fear the Flames” by Olivia Rose Darling

Publishing Info: Delacorte Press, September 2024

Where Did I Get this Book: NetGalley!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: As a child, Elowen Atarah was ripped away from her dragons and imprisoned by her father, King Garrick of Imirath. Years later, Elowen is now a woman determined to free her dragons. Having established a secret kingdom of her own called Aestilian, she’s ready to do what’s necessary to save her people and seek vengeance. Even if that means having to align herself with the Commander of Vareveth, Cayden Veles, the most feared and dangerous man in all the kingdoms of Ravaryn.

Cayden is ruthless, lethal, and secretive, promising to help Elowen if she will stand with him and all of Vareveth in the pending war against Imirath. Despite their contrasting motives, Elowen can’t ignore their undeniable attraction as they combine their efforts and plot to infiltrate the impenetrable castle of Imirath to steal back her dragons and seek revenge on their common enemy.

As the world tries to keep them apart, the pull between Elowen and Cayden becomes impossible to resist. Working together with their crew over clandestine schemes, the threat of war looms, making the imminent heist to free her dragons their most dangerous adventure yet. But for Elowen, her vengeance is a promise signed in blood, and she’ll stop at nothing to see that promise through.

Review: I’ve had a very hit and miss experience with popular dragon romantasy books over the last year or so. I haven’t reviewed either of them here, but over the last year and half I’ve read both “Fourth Wing” and “When the Moon Hatched.” Really hated the former, but, after a rough start, did end up enjoying the latter for the most part. In perusing other fantasy reviewers’ thoughts of these two wildly popular titles, again and again I saw “Fear the Flames” popping up as dragon romantasy title worth checking out. So, armed with my usual caution about BookkTok books (sorry, not sorry), I requested a copy of this when I saw it was being picked up by a trad publisher and re-released this fall. And…oof.

I usually like to start with the good things, but I honestly am having a hard time with this one. I mean, I guess there were the bare bones of good ideas here. But at the same time, those bare bones aren’t creatively unique to this author. Sure, dragons are always a good idea, but you can’t really give any one author tons of credit for simply including them in their book. And in this particular case, the dragons were so wasted as to negate the promise of them to begin with! They’re introduced in the prologue and we are told that our super special protagonist bonded to several dragons as a baby. This later causes her family to harm, reject, and banish her, caging her dragons away from her. But we’re never told any details about this! What does it mean to be bonded to numerous dragons? How rare is this? What abilities does this grant her? And then, said dragons don’t even show up again until the last 100 pages of the book! They are wasted in such a way as to be almost inexcusable, and frankly, it made me feel like I had been sold a bill of false goods on the basic premise of this book.

The incoherent world-building continued throughout. We hear that various nations are at war, but we are never told what drives these conflicts, what the parties involved want, or any history behind it. There are dragons in this world, and some hints at various sorts of magic, but how does any of these fantasy elements actually work? Nothing is fleshed out in any way! It feels as if the author looked into what fantasy tropes were currently popular, and then just threw them all in here. A weird metaphor, but go with me: in a good fantasy novel, an author will combine ingredients that may seem strange on their own, but together they become a lush and rich stew. Here, it’s like the author was a small child who went out in the yard and made “stew” with sticks and stones and tried to pass it off as the same.

The romance was equally disappointing. It pretty much happens instantaneously and then the rest of the book is just the hero saying some variation of “who did this to you” throughout the rest of the book. Oh, and following around the heroine as she shops. And here, too, we had more problems. There is coffee, lingerie, and romance novels in this world, all of which our leading lady loves. Except, oh wait, she’s been living in hiding throughout most of her life and she says early in the book that her only priority is protecting the people of her small, hidden realm. If that’s the case, it’s hard to buy that she’s had much time to focus on these frivolous things. Nothing wrong with these pastimes (heaven knows I enjoy all of these things too!) but it makes no sense in the world that is built here or for this character in particular, a woman who it seems would have had practically zero time for leisure, comfort, or excess.

Honestly, this book made me mad. It feels as if more and more often traditional publishers are combing through the various indie books that have been self-published looking for any that have the currently-popular tropes of the moment and the re-purposing them as fast as possible. And I do mean as fast as possible! The entire point of trad publishing vs. indie publishing is the vast number of resources they have to enhance a book to its best version. But here, and in other similar instances, it feels like the publisher forego any of the professional editing they should be bringing to new titles and instead just threw a new cover on the original version and got it out as fast as possible! Got to if you’re book is nothing but vibes and tropes and who knows when those could change! It’s so disappointing and lets down not only the authors themselves who are now missing out on the crucial edits trad publishers can offer to enhance books, but also to readers who have higher expectations for books published in the traditional manner.

I really disliked this book. And even more so, I really dislike the trend that this book perfectly highlights. Books are more than tropes or vibes, and sooner or later, readers are going to pick up on the fact that that’s all certain books/publishers/authors have on offer anymore. I can’t recommend this one. Perhaps if you’re a die-hard romantasy fan, but even then, the market is so flooded right now that it’s impossible to throw a stone in any direction and not hit a million other titles just like it, some much better than this.

Rating 5: An incoherent mess that feels like it was picked up just because its tropes matched the ones currently popular.

Reader’s Advisory:

“Fear the Flames” isn’t on any relevant Goodreads lists currently but it should be on Dragon Lovers’ Books.

Kate’s Review: “Dearest”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Dearest” by Jacquie Walters

Publishing Info: Mulholland Books, September 2024

Where Did I Get This Book: I received an ARC from a panel at ALAAC24.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A new mom in need of help opens her door to her long-estranged mother—only to invite something much darker inside—in this “fast-paced and frightening debut” (Rachel Harrison) about the long shadows cast by family secrets, perfect for readers of Grady Hendrix or Ashley Audrain.

Flora is a new mom enamored of her baby girl, Iris, even if she arrived a few weeks early. With her husband still deployed, Flora navigates the newborn stage alone. But as the sleepless nights pass in the loneliness of their half-empty home, the edges of her reality begin to blur.

Just as Flora becomes convinced she is losing her mind, a surprising guest shows up: Flora’s own mother, to whom she hasn’t spoken in years. Can they mend their fraught relationship? Or is there more Flora’s mother isn’t telling her about the events that led to their estrangement?

As stranger and scarier events unfold, Flora begins to suspect the house is not as empty as she once thought. She must determine: is her hold on reality slipping dangerously away? Or is she, in fact, the only thing standing between a terrifying visitor and her baby

Review: Thank you to Mulholland Books for providing me with an ARC at ALAAC24!

I’ve touched on here about those early days of being a new Mom and how stressful it can be. I was actually very lucky during those first few months of being a new parent, as I have a great support system in town, my husband was able to take a fair amount of time off of work, and we were able to split care up pretty evenly between us (though once COVID hit a few months after she was born the isolation and stress did get to be a bit much!). But I know that I was very lucky, and that even though it wasn’t easy, it wasn’t a nightmare, like it can be for some. I love that more books are talking about this, especially horror novels, and “Dearest” by Jacquie Walters is one of the newest to take motherhood and turn it into a horror story.

There is a bit of a supernatural bent to this book that I don’t really want to spoil, but I will say that this was surprisingly the weaker thread of the novel. That’s not to say that it was bad or poorly done. I did enjoy the way that Walters brought in these elements and how she built it up, specifically an element regarding sleep paralysis and Night Hags, and how she wove them into the story at hand. It also led to a pretty well done twist that I didn’t see coming at all, which made me go back and look for the clues. But I do think that it undercut the power of the horrors that were about Flora dealing with a newborn as a new mom while also dealing with her estranged mother whom she called for help, and who has always had a cruel streak that is popping up again as they reunite.

But what really worked for me were the themes of postpartum depression, the stresses of new parents, specifically mothers, and generational trauma that can fester and pass down from person to person. I found Flora’s experiences as a newly postpartum mother with a newborn and little to no support (as her husband is deployed and delayed getting home) to be heart wrenching, incredibly tense, and in some ways pretty relatable. Walters shows how much it can be a struggle, and how mothers feel like they aren’t supposed to see it as a struggle and therefore it just gets worse and worse until, in some very tragic instances, the unthinkable happens. She also puts very realistic problems like the pressures to breastfeed (even with painful infections), the way that some people dismiss a mother’s stress, the sleep deprivation, and the societal pressures to be a perfect loving mother from the jump, at the forefront and pulls out the tension and the horrors of simply being a new mother in a culture that doesn’t offer as much support as it could. Add in the way that Flora’s mother, whom she reaches out to in desperation, needles, picks at, and has damaged her adult daughter, and it made this reader very, very tense. I’ve said it many times in the past couple of years, but with many women in this country being forced into pregnancies and motherhood due to a lack of reproductive rights, these kinds of stories are especially chilling these days.

Overall I enjoyed “Dearest”. I would have liked a little more, but it’s another effective horror story about motherhood.

Rating 7: A haunting tale of motherhood, generational trauma, and how a lack of support can drive a mother to do things she’d never dream of, “Dearest” is a tense book that felt all too real at times.

Reader’s Advisory:

“Dearest” is included on the Goodreads list “September 2024 Horror”.