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Serena’s Review: “Atalanta”

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Book: “Atalanta” by Jennifer Saint

Publishing Info: May 2023, Flatiron Books

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Princess, Warrior, Lover, Hero

When Princess Atalanta is born, a daughter rather than the son her parents hoped for, she is left on a mountainside to die. But even then, she is a survivor. Raised by a mother bear under the protective eye of the goddess Artemis, Atalanta grows up wild and free, with just one condition: if she marries, Artemis warns, it will be her undoing.

Although she loves her beautiful forest home, Atalanta yearns for adventure. When Artemis offers her the chance to fight in her name alongside the Argonauts, the fiercest band of warriors the world has ever seen, Atalanta seizes it. The Argonauts’ quest for the Golden Fleece is filled with impossible challenges, but Atalanta proves herself equal to the men she fights alongside. As she is swept into a passionate affair, in defiance of Artemis’s warning, she begins to question the goddess’s true intentions. Can Atalanta carve out her own legendary place in a world of men, while staying true to her heart?

Full of joy, passion, and adventure, Atalanta is the story of a woman who refuses to be contained. Jennifer Saint places Atalanta in the pantheon of the greatest heroes in Greek mythology, where she belongs.

Review: While nothing has quite reached the high that was “Circe” when we read that for bookclub last year, I’m still feeling fairly positive about Greek retellings as a whole. There are just so many great female characters in that pantheon and collection of stories that are only mentioned briefly but who hint at fascinating, untold histories. Such is the case with Atalanta, a character who is only briefly mentioned as a member of the Argonauts and then has some brief adventures as a runner until, predictably, she’s tricked by a man into marriage and they both suffer tragedy at the hands of the gods. So…there’s a lot of small mentions, but not much of an overall arch. All of this to say, I was incredibly excited to see that Jennifer Saint was giving this powerful woman a story all of her own!

Left for dead on the side of a mountain as an infant, Atalanta’s life seemed destined to be short and cruel. But instead, the goddess Artemis takes her under her wing, raising her to become a powerful huntress. As a grown woman, Atalanta begins to long to test her skills in a human world that she has only ever seen from a distance. So when Artemis tasks her to join the heroic quest of Jason and his Argonauts, Atalanta is eager to join the adventure and bring glory to her goddess. As she journeys, she begins to understand that what makes a hero may be very different than what she had previously suspected. And that, as women, she and the other women she meets bring their own form of power in a world that often sees them shunted to the side.

So, I won’t skate around the main point: I loved this book! As I said, it’s been fairly hit and miss for me with these retellings from the perspectives of lesser known female characters from various pantheons. And when we read “The Witch’s Heart” for bookclub, it began to highlight one of the things I was starting to struggle with. While “Circe” was a powerful look at womanhood and motherhood, after reading a few other similar titles, I began to feel like they were all telling similar versions of these women’s experiences. And, yes, these are important insights into the challenges, joys, and sorrows of the life of these women. But, as with any good thing, too much of one version of any character can begin to feel reductive. So, into this landscape, Atalanta arrived like a breath of fresh air.

In Atalanta, we find a powerful woman who never questions her own value, even when faced with the doubters of the world. She remains confident in her abilities and is determined to gain glory for her goddess, not to just prove men wrong, but because it is simple what she desires to do. Atalanta joins a crew of men and sets out to live a life just as unrestrained as those around her, unwilling to be limited by false chains that others would place upon her based on her sex. I loved the fact that the author forego the tendency to force her powerful female character to suffer an onslaught of self-doubt in the face of ugliness from the world.

Not only was she an excellent character in all of these ways, but as the story progresses and the adventures take us through the lives of other Greek female characters, Atalanta provides a running commentary on the way these women’s lives are shaped by the men around them. And while poignant, the book never feels preachy about any of these points.

I also really appreciated the way this book dealt with the romance and motherhood aspects of Atalanta’s story. Here, the book really makes a name for itself as different than the other books in this genre that I have read. There are two romances in this story, and I very much appreciated the different ways that Atalanta experienced these relationships. They both do important work to further highlight Atalanta’s story as a human’s story, not just a woman’s. She, too, like the men around her, can enjoy a romance without wishing to tie her life to another. But then her experiences of pregnancy do focus in on the way that the biological reality of women is very different. However, again, I enjoyed this different experience of motherhood. Here we have a woman who never wished to have a child, who is not swept away by a magical sense of attachment when her baby arrives. Instead, she feels responsibility and duty to do best by this child, but recognizes that the best life for both her son and herself may be one apart from one another. I really liked this different approach, and it felt true to the character we had been reading about up to this point.

The last part of the book is devoted to the famous race that Atalanta takes part in. Here, too, I liked the subtle changes the author made to not reduce Atalanta’s agency in her own story. I also really liked the way the end of the story was dealt with, providing a unique, and, again, true-feeling conclusion to this heroic woman’s tale. I will say, however, that the last quarter of the story did feel a bit rushed. Overall, if I had one qualm about the book, it would be the pacing. In some ways, the story feels very much like it is ticking away at the bullet point references to Atalanta that we have from the original stories. But, again, I enjoyed this character and the highlighted experiences of the various women included too much to have many complaints about pacing and a rushed ending. This is a must-read for any fans of fantasy stories like “Circe” that feature strong, female characters.

Rating 9: Powerful and sure-handed, Jennifer Saint brings to life a new hero, a woman who knows her value and will not let any man shunt her to the side.

Reader’s Advisory:

“Atalanta” can be found on these Goodreads lists: Feminist Retellings Of Greek Myths and Historical Fiction – Greece.

Kate’s Review: “The Only Survivors”

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Book: “The Only Survivors” by Megan Miranda

Publishing Info: Scribner, April 2023

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: Seven hours in the past. Seven days in the present. Seven survivors remaining. Who would you save?

A decade ago, two vans filled with high school seniors on a school service trip crashed into a Tennessee ravine—a tragedy that claimed the lives of multiple classmates and teachers. The nine students who managed to escape the river that night were irrevocably changed. A year later, after one of the survivors dies by suicide on the anniversary of the crash, the rest of them make a pact: to come together each year to commemorate that terrible night.

To keep one another safe. To hold one another accountable. Or both.

Their annual meeting place, a house on the Outer Banks, has long been a refuge. But by the tenth anniversary, Cassidy Bent has worked to distance herself from the tragedy, and from the other survivors. She’s changed her mobile number. She’s blocked the others’ email addresses. This year, she is determined to finally break ties once and for all. But on the day of the reunion, she receives a text with an obituary attached: another survivor is gone. Now they are seven—and Cassidy finds herself hurling back toward the group, wild with grief—and suspicion.

Almost immediately, something feels off this year. Cassidy is the first to notice when Amaya, annual organizer, slips away, overwhelmed. This wouldn’t raise alarm except for the impending storm. Suddenly, they’re facing the threat of closed roads and surging waters…again. Then Amaya stops responding to her phone. After all they’ve been through, she wouldn’t willfully make them worry. Would she?

And—as they promised long ago—each survivor will do whatever he or she can do to save one another. Won’t they?

Review: Thank you to NetGalley for providing me with an eARC of this book!

It’s mid May, with Summer hurtling towards us ever faster, and I, for one, am looking forward to a couple travel moments coming up with the season and the reading opportunities that generally come with a vacation. I’m not sure I’ll be making it to a beach before Fall sets in (Lake Superior in Fall really is just the best), but I can at least dream of beach houses with friends and relaxation and maybe get my act together to make it happen. I was thinking about the joys of a beach house getaway as I read “The Only Survivors”, Megan Miranda’s newest thriller. While it’s true that a beach house vacation like this one, what with an uneasy group of people who trauma bonded after a terrible accident in high school, and who go to a beach house every year to commemorate the anniversary, isn’t ideal, the house did sound nice. And admittedly, a slow building thriller on a precarious beach in a familiar but uncomfortable house is a GREAT set up for a mystery. I’m also happy to revisit Megan Miranda, because she’s usually doing interesting things with her thrillers.

“The Only Survivors” has a pretty solid cast of characters, most notably Cassidy, our protagonist who has forced herself to attend the annual reunion of fellow high school tragedy survivors at a beach house on the Outer Banks. The reunion is always tense and tenuous, with the friends vis a vis a horrible traumatic event not totally willing to trust each other but also unable to blow it off completely. Cassidy is the one we get to know the best, as it is from her POV for the most part (outside of the flashback moments where each survivor gets a snippet perspective of what happened the night of the accident), and I did like getting into her head and slowly understanding her turmoil. The other characters were a bit of a mixed bag. I was genuinely intrigued by Grace, a therapist who is very serious and a bit removed, and Hollis, a wellness influencer who just seems put together on the outside, but there were others who were kind of broadly brushed. I was invested enough in all of them to be really curious as to what they are being to cagey about, and I thought that when we did get moments of their personas in the flashbacks that we got to see a bit more depth. Characters play such an important role in this kind of thriller that it’s important to make them engaging, and most of them were engaging enough.

In terms of the mystery itself, I thought that it had some well done elements and some elements we’ve seen before. Or at least I have, as I’ve been reading thrillers for so long I am sometimes more likely to be privy to the ins and outs of various reveals and twists. I really liked the slow burn reveal of what exactly it is these survivors are hiding, and what brings them all together each year over everything else in their lives, including significant life changes (it’s mentioned one character almost missed the birth of his child for this reunion one year, and the way I would have dumped his ass so hard, but I digress). I also liked that we slowly get the clues to what Cassidy and the others had to go through in the immediate aftermath of the accident, and how their situation went from dire to more dire to something that needed to be kept close to the vest, through flashbacks to the accident itself. On the other hand, I also was able to find myself a few steps ahead of a couple of the reveals and twists, and there was once again a last moments twist that I felt was a little ‘eh’, but I CAN say that it wasn’t the kind that felt unearned or out of nowhere. So in the end the mystery itself was pretty serviceable and altogether entertaining.

“The Only Survivors” is the kind of thriller that would be the perfect read for the beach this summer. I just hope that it’s the kind of beach vacation that is not with a group of people that you trauma bonded with, but with those that aren’t potentially going to spill some dark secrets.

Rating 7: Entertaining, suspenseful, “The Only Survivors” is a serviceable thriller that’s the perfect read for the beach.

Reader’s Advisory:

“The Only Survivors” is included on the Goodreads list “Mystery & Thriller 2023”.

Blog Tour: “The Late Mrs. Willoughby”

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Book: “The Late Mrs. Willoughby” b y Claudia Gray

Publishing Info: Vintage, May 2023

Where Did I Get this Book: from the marketer!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Catherine and Henry Tilney of Northanger Abbey are not entirely pleased to be sending their eligible young daughter Juliet out into the world again: the last house party she attended, at the home of the Knightleys, involved a murder—which Juliet helped solve. Particularly concerning is that she intends to visit her new friend Marianne Brandon, who’s returned home to Devonshire shrouded in fresh scandal—made more potent by the news that her former suitor, the rakish Mr. Willoughby, intends to take up residence at his local estate with his new bride.

Elizabeth and Fitzwilliam Darcy of Pemberley are thrilled that their eldest son, Jonathan—who, like his father, has not always been the most socially adept—has been invited to stay with his former schoolmate, John Willoughby. Jonathan himself is decidedly less taken with the notion of having to spend extended time under the roof of his old bully, but that all changes when he finds himself reunited with his fellow amateur sleuth, the radiant Miss Tilney. And when shortly thereafter, Willoughby’s new wife—whom he married for her fortune—dies horribly at the party meant to welcome her to town.

With rumors flying and Marianne—known to be both unstable and previously jilted by the dead woman’s newly made widower—under increased suspicion, Jonathan and Juliet must team up once more to uncover the murderer. But as they collect clues and close in on suspects, eerie incidents suggest that the killer may strike again, and that the pair are in far graver danger than they or their families could imagine.

Previously Reviewed: “The Murder of Mr. Wickham”

Review: I really loved “The Murder of Mr. Wickham” when I read it last year. So much so that it became my preferred present for the many readers in my family. Not only was it an excellent mystery, but the author managed to do the near-impossible and accurately depict not one, not two, but a huge cast of Jane Austen’s most popular characters. And on top of that, she created two new characters who were able to hold their own in this very competitive cast. All of this to say, I was incredibly pleased to see that there was a sequel coming out this year!

When Juliet Tilney sets out on another social visit, she’s confident in assuring her parents that there is no possibility of murder this go around. Oh, how wrong she will be. For, when visiting the still-struggling Marianna Brandon, Juliet Tilney is introduced to the Willoughbys, and during one note-worthy dinner party, what should happen but that Mrs. Willoughby drops dead of poison. Now, with the help of her friend Jonathan Darcy, Juliet once again sets out to get to the bottom of the mystery.

I was really excited to see what this book had in store. While I was very impressed with the first book, it was also very much a product of the specific circumstances that made up the plot. Jonathan and Juliet were excellent new characters, but the work of carrying the plot and the interest of the reader, was largely hefted by the sprawling cast of popular Jane Austen heroes and heroines. This book is a much more tightly focused story with a much more limited cast of characters. In this way, Jonathan and Juliet had more work to do to carry the book largely on their own. And I think they were more than capable of the job!

I really liked the continued exploration of Jonathan’s low level autism and how his life has been shaped by the reactions of others and their ability or inability to accept or understand him. Here, we get an insight into Jonathan’s past as a victim of bullying at the hands of none other than Mr. Willoughby himself. We also see Jonathan struggle to understand his changing feelings for Juliet and realizing that he, and not only others, has been placing limitations on himself. It was an interesting and subtle exploration that I thought worked very well. For her part, Juliet’s story is much more straight-forward. But I particularly enjoyed the small commentary that ran through the book that acknowledges the limited choices that young women like Juliet faced. A social visit such as this, where Juliet travels to live with her friends the Brandons for several weeks, would not just be a trip of leisure. No, a large chunk of the expectations and motivation would be that a young woman would gain access to new society and new opportunities for marriage. Juliet reflects several times on the challenges between balancing the very practical concerns of a woman such as herself, one with only limited financial support from her family, with her own romantic preferences.

I also really enjoyed the mystery in this one. I was able to predict a few of the secondary aspects of the mystery, but the author did a great job of laying out believable red herrings and misdirecting the reader effectively from the larger truth behind what had happened and why. The motivation, in particular, was interesting and played into a plotline that I had been thinking of as a completely separate thing up until the end.

I will say, however, that this one did suffer a bit by the loss of the other Jane Austen characters. While I enjoyed Juliet and Jonathan immensely, my own preferences for Austen’s characters would not have me picking a focus on “Sense and Sensibility” and all of the secondary characters that make up this book’s cast. As these characters connect to the first book, I understand why this choice was made, and I also think that, as a whole, they were all done very well. I really liked getting to see Eleanor and Edward, in particular. But Brandon and Marianne just aren’t top choices for me, personally, so I couldn’t help being a bit less interested in their dynamics.

This was a very solid follow-up to the first book! In many ways, Claudia Gray made more a statement with this book than with the first: that wasn’t just a happy chance! No, she’s just that legitimately talented. Fans of the first book will definitely enjoy this, and I recommend both of these books to any fans of historical mysteries or Jane Austen.

Rating 8: With the first book, Gray made a splash as one of the best authors tackling Jane Austen re-imaginings today. With this one, she cements her place in the genre.

Reader’s Advisory:

“The Late Mrs. Willoughby” isn’t on any Goodreads lists, but it should be on Jane Austen Re-tellings.

Kate’s Review: “We’ll Never Tell”

This post may contain affiliate links for books we recommend. Read the full disclosure here.

Book: “We’ll Never Tell” by Wendy Heard

Publishing Info: Little, Brown/Ottaviano, May 2023

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: An ambitious and juicy whodunit doused in Hollywood lore, perfect for readers of sexy summer thrillers like The Twin by Natasha Preston and The Agathas by Kathleen Glasgow and Liz Lawson.

No one at Hollywood High knows who’s behind We’ll Never Tell—a viral YouTube channel where the anonymous creators trespass behind the scenes of LA’s most intriguing locales. The team includes CASEY, quiet researcher and trivia champ; JACOB, voice narrator and video editor, who is secretly dating EDDIE, aspiring filmmaker; and ZOE, coder and breaking-and-entering extraordinaire.

Now senior year is winding down, and with their lives heading in different directions, the YouTubers vow to go out with a bang. Their last episode will be filmed at the infamous Valentini “murder house,” which has been left abandoned, bloodstained, and untouched since a shocking murder/suicide in 1972. When the teens break in, they capture epic footage. But someone trips an alarm, and it’s a mad dash to get out before the police arrive—at which point they realize only three of them escaped instead of four. Jacob is still inside, slain and bleeding out. Is his attack connected to the historic murder, or is one of their crew responsible?

A week of suspicions and cover-ups unfolds as Casey and her remaining friends try to stay alive long enough to solve murder mysteries past and present. If they do, their friendship may not survive. If they don’t, the house will claim more victims.

Review: Thank you to NetGalley for sending me an eARC of this novel!

I had been waiting for a bit (it wasn’t really that long, but anticipation can make things feel long) for a new Wendy Heard book. I had enjoyed “She’s Too Pretty To Burn” so much for it’s weirdness, it’s sapphic love story, and the satire of art as ethos and the ramifications of that. When I read that she had a new YA thriller coming out called “We’ll Never Tell” I was excited, and when I read that the premise involved an abandoned notorious crime scene and four teens caught up in something far more dangerous than they realized, I was practically vibrating with glee. And while there are a lot of great ideas with this book, and while it was a quick read that kept me going, the anticipation leading up to it kind of slammed the breaks with what we got.

But first the good. Wendy Heard is an author I have really enjoyed in the past, and I think that part of it is that she really knows how to bring seedy and shiny aspects of Los Angeles to life. There is so much potential in this story, and I loved seeing four teens with a YouTube channel focus in on what is clearly an homage to the Los Feliz Murder Mansion, a piece of Los Angeles true crime lore as the basis for a book. I also liked that we could get a few different ways to tell the story. These include protagonist Casey, some flashbacks from Jacob leading up to the night he is attacked, and some epistolary pieces of newspaper articles involving the Valentini murder, the fallout, and some other things that involve the family and the victims. I am a huge sucker for books that use newspaper articles or other found footage or information devices. And mystery wise, I did like the twists and turns of the story, as well as the mystery of who attacked Jacob in the house. Heard does a pretty okay job of laying out clues and bringing in various potential motives and means. It’s ultimately a pretty straight forward thriller, and while I didn’t totally guess what was going on, I wasn’t totally blown away by various solutions as the puzzle pieces all started falling into place.

However, I think that one of the things that didn’t quite connect for me was our protagonist, Casey. To me it felt like there were so many things about her that weren’t quite fully explored or elaborated upon. We have her as the cynical, sullen girl with the tragic past, given that her mother was murdered and it went unsolved, and she has been living with her grandmother and they have been barely holding on financially. She has a chip on her shoulder about some of her friends (mostly Zoe; Zoe is wealthy and, while well meaning, is sometimes clueless about her financial situation versus Casey’s), she really hates ‘true crime’, and she doesn’t always feel like she totally fits in with her peer group. It tended to creep a bit towards ‘not like other girls’, as there were a lot of first person perspective reminders about how no one else GETS it. I wasn’t super invested in her as a character, nor was I interested in the potential relationship she has with Dallas, a descendent of the Valentini family whose mother is owner of the Murder House property. I also didn’t quite understand what the purpose of her tragic background was, as it’s there to make her tragic but doesn’t really apply to the plot as a whole. It felt a lot like backstory was trying to do a lot of character development heavy lifting, and that just doesn’t quite work in this book.

I had higher hopes for “We’ll Never Tell”. The set up was pretty great, but the execution didn’t really reinvent any wheels. Certainly not something I regret reading, but I wanted more.

Rating 6: Lots of potential and a great set up, but ultimately it’s pretty run of the mill with a bland main character.

Reader’s Advisory:

“We’ll Never Tell” is included on the Goodreads list “Most Anticipated May 2023 Young Adult Releases”.

Another Take: Spring 2023

This post may contain affiliate links for books we recommend. Read the full disclosure here.

Don’t just take it from us, other readers like these books, too! And we have decided that we would like to showcase other reviewers and bloggers that have their own thoughts and feelings about books that we have loved. Here are a few of the books we’ve enjoyed recently and what other bloggers have to say about them.

“The Foxglove King” by Hannah Whitten

When Lore was thirteen, she escaped a cult in the catacombs beneath the city of Dellaire. And in the ten years since, she’s lived by one rule: don’t let them find you. Easier said than done, when her death magic ties her to the city.

Mortem, the magic born from death, is a high-priced and illicit commodity in Dellaire, and Lore’s job running poisons keeps her in food, shelter, and relative security. But when a run goes wrong and Lore’s power is revealed, she’s taken by the Presque Mort, a group of warrior-monks sanctioned to use Mortem working for the Sainted King. Lore fully expects a pyre, but King August has a different plan. Entire villages on the outskirts of the country have been dying overnight, seemingly at random. Lore can either use her magic to find out what’s happening and who in the King’s court is responsible, or die.

Lore is thrust into the Sainted King’s glittering court, where no one can be believed and even fewer can be trusted. Guarded by Gabriel, a duke-turned-monk, and continually running up against Bastian, August’s ne’er-do-well heir, Lore tangles in politics, religion, and forbidden romance as she attempts to navigate a debauched and opulent society.

But the life she left behind in the catacombs is catching up with her. And even as Lore makes her way through the Sainted court above, they might be drawing closer than she thinks.

Serena’s Review (8 Rating)

The Harvard Crimson (4.5 Stars)

Takes Two to Book Review (5 Stars)

Past Midnight (4 Stars)

“One for My Enemy” by Olivia Blake

In New York City where we lay our scene, two rival witch families fight to maintain control of their respective criminal ventures. On one side of the conflict are the Antonova sisters, each one beautiful, cunning, and ruthless, and their mother, the elusive supplier of premium intoxicants known only as Baba Yaga. On the other side, the influential Fedorov brothers serve their father, the crime boss known as Koschei the Deathless, whose community extortion ventures dominate the shadows of magical Manhattan.

After twelve years of tenuous coexistence, a change in one family’s interests causes a rift in the existing stalemate. When bad blood brings both families to the precipice of disaster, fate intervenes with a chance encounter, and in the aftershocks of a resurrected conflict, everyone must choose a side. As each of the siblings struggles to stake their claim, fraying loyalties threaten to rot each side from the inside out.

If, that is, the enmity between empires doesn’t destroy them first.

Serena’s Review (9 Rating)

Culture Fly (5 Stars)

Utopia State of Mind

Coffee, Stars, Books

“Divine Rivals” by Rebecca Ross

After centuries of sleep, the gods are warring again. But eighteen-year-old Iris Winnow just wants to hold her family together. Her mother is suffering from addiction and her brother is missing from the front lines. Her best bet is to win the columnist promotion at the Oath Gazette.

To combat her worries, Iris writes letters to her brother and slips them beneath her wardrobe door, where they vanish—into the hands of Roman Kitt, her cold and handsome rival at the paper. When he anonymously writes Iris back, the two of them forge a connection that will follow Iris all the way to the front lines of battle: for her brother, the fate of mankind, and love.

Serena’s Review (8 Rating)

One Book More (5 Stars)

Sifa Elizabeth Reads (5 Stars)

Becky’s Book Blog

Book: “Lone Women” by Victor LaValle

Adelaide Henry carries an enormous steamer trunk with her wherever she goes. It’s locked at all times. Because when the trunk opens, people around Adelaide start to disappear.

The year is 1915, and Adelaide is in trouble. Her secret sin killed her parents, forcing her to flee California in a hellfire rush and make her way to Montana as a homesteader. Dragging the trunk with her at every stop, she will become one of the “lone women” taking advantage of the government’s offer of free land for those who can tame it—except that Adelaide isn’t alone. And the secret she’s tried so desperately to lock away might be the only thing that will help her survive the harsh territory.

Crafted by a modern master of magical suspense, Lone Women blends shimmering prose, an unforgettable cast of adventurers who find horror and sisterhood in a brutal landscape, and a portrait of early-twentieth-century America like you’ve never seen. And at its heart is the gripping story of a woman desperate to bury her past—or redeem it.

Kate’s Review (9 Rating)

The Bashful Bookworm (4.5 Pinecone s )

Books, Bones, & Buffy (5 Stars)

A Book Wanderer (4 Stars)

Book: “This Delicious Death” by Kayla Cottingham

Three years ago, the melting of arctic permafrost released a pathogen of unknown origin into the atmosphere, causing a small percentage of people to undergo a transformation that became known as the Hollowing. Those impacted slowly became intolerant to normal food and were only able to gain sustenance by consuming the flesh of other human beings. Those who went without flesh quickly became feral, turning on their friends and family. However, scientists were able to create a synthetic version of human meat that would satisfy the hunger of those impacted by the Hollowing. As a result, humanity slowly began to return to normal, albeit with lasting fear and distrust for the people they’d pejoratively dubbed ghouls.

Zoey, Celeste, Valeria, and Jasmine are all ghouls living in Southern California. As a last hurrah before their graduation they decided to attend a musical festival in the desert. They have a cooler filled with hard seltzers and SynFlesh and are ready to party.

But on the first night of the festival Val goes feral, and ends up killing and eating a boy. As other festival guests start disappearing around them the girls soon discover someone is drugging ghouls and making them feral. And if they can’t figure out how to stop it, and soon, no one at the festival is safe.

Kate’s Review (9 Rating)

Courtney Reads Romance (4 Stars)

Carole’s Random Life (4 Stars)

Books, Bones, & Buffy (4 Stars)

Book: “The Haunting of Alejandra” by V. Castro

Alejandra no longer knows who she is. To her husband, she is a wife, and to her children, a mother. To her own adoptive mother, she is a daughter. But they cannot see who Alejandra has become: a woman struggling with a darkness that threatens to consume her. Nor can they see what Alejandra sees. In times of despair, a ghostly vision appears to her, the apparition of a crying woman in a ragged white gown.

When Alejandra visits a therapist, she begins exploring her family’s history, starting with the biological mother she never knew. As she goes deeper into the lives of the women in her family, she learns that heartbreak and tragedy are not the only things she has in common with her ancestors.

Because the crying woman was with them, too. She is La Llorona, the vengeful and murderous mother of Mexican legend. And she will not leave until Alejandra follows her mother, her grandmother, and all the women who came before her into the darkness.

But Alejandra has inherited more than just pain. She has inherited the strength and the courage of her foremothers—and she will have to summon everything they have given her to banish La Llorona forever.

Kate’s Review (9 Rating)

Horror DNA (4.5 Stars)

The Lit Bitch (4 Stars)

Cocoa With Books

Serena’s Review: “Fractal Noise”

This post may contain affiliate links for books we recommend. Read the full disclosure here.

Book: “Fractal Noise” by Christopher Paolini

Publishing Info: Tor, May 2023

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: July 25th, 2234: The crew of the Adamura discovers the Anomaly.

On the seemingly uninhabited planet Talos VII:a circular pit, 50 kilometers wide.

Its curve not of nature, but design.

Now, a small team must land and journey on foot across the surface to learn who built the hole and why. But they all carry the burdens of lives carved out on disparate colonies in the cruel cold of space. For some the mission is the dream of the lifetime, for others a risk not worth taking, and for one it is a desperate attempt to find meaning in an uncaring universe. Each step they take toward the mysterious abyss is more punishing than the last.

And the ghosts of their past follow.

Review: I was aware that Christopher Paolini had written a science fiction novel in the last few years. I’m pretty sure it’s somewhere on my monstrous Goodreads TBR list. But as is the case so often, once a bit of time has passed, it’s very hard for me to make room in my reading schedule to scour back through these past picks. Instead, I saw this new sci-fi novel coming out by him this spring and decided, ah, yes, here is where I will make up for missing the first one! So let’s see what’s in store!

A small crew, while out on a typical, exploratory mission, comes across something that confounds all explanation: a monstrously huge hole, dug on the surface of an uninhabited planet, and so perfectly circular that it cannot be natural. But with no signs of intelligent life, who or what created this hole and what is its purpose? Alex, a man running from his past, lands on the surface and sets out with a small team to cross the barren wasteland to reach the hole. But as they travel, the constant, resonating “boom” produced by the hole begins to test their sanity and their will.

Before I get into the review itself, I want to address what has happened on the Goodreads page for this book. It came out that the cover art chosen for this book was created using AI technology. In response, many reviewers took to Goodreads to protest this decision, and the loss of livelihood that it represented for illustrators, by review bombing this book with one star ratings. I think there is a very complicated, interesting, and unavoidable conversation to be had about how AI will impact many industries going forward, including this one. By no means do I feel that I have the answers to this. However, one thing I am firmly against is the cognitive dissonance displayed by review bombers tanking the ratings of a book, A WORK OF ART BY AN AUTHOR, to protest the decision of the publisher to forego supporting cover artists by using AI technology. There are places to have this conversation and protest this decision, but to destroy the rating for a book (again, created by an artist, the author) in the name of supporting artists…there’s just something supremely disjointed and misplaced about this. Obviously, Paolini is a big-name author, but I don’t think that should even have a place in the conversation. He’s still an artist who created a work of art and is now being trashed by readers for a decision a publisher made…all in the name of supporting artists. It’s unfortunate in every way and a shame to see. But on to the actual review…

I really enjoyed this book! As I said, I’ve haven’t read anything by Paolini since the “Inheritance Cycle” so many years ago. And while I enjoyed those, I also felt the writing itself lacked a bit of polish. But I can definitely see the improvements that time has played on Paolini’s style. Here, the writing felt confident and tidy, neatly weaving in and out between the events of Alex’s past and the building terror and dread that is his current situation. I also liked the exploration of grief, regret, and the mental barriers that we can create for ourselves. Alex’s journey is one largely of self-destruction and a search for meaning when he has begun to doubt that such a thing will ever exist for him again.

I also really liked the science fiction elements of this story. In many ways, this was a very restrained story, taking place largely on a barren planet with very few alien aspects. Instead, it very much reads as a survival story, with more and more things going wrong for the team and their struggles to continue on in the face of growing dangers. On top of this, the description of the corrosive effects on the mind that are the constant powerful winds the team must walk into and the ever-present, mind-numbing “booms” that are emitted from the hole are excellent. The increasing sense of doom is pervasive and very effective. I also will say that I’ve found that science fiction is a great release for my love of survival stories. With stories set in our own world, all too often I find myself bogged down on the details of survival stories and whether or not I find them believable. But science fiction? Who am I to say what is and isn’t possible? Honestly, it’s kind of a relief, since I really do enjoy survival stories and no one is more annoyed by my obsessive ways with these types of tales than me!

Overall, I thought the pacing was pretty good, but I do think it floundered a bit at the end. For all of the psychological build up, Alex’s experiences and reflections in the end all felt a bit too predictable and trite. I really like the general concept of the end, especially the reflections on the vast unknown that the hole represents, but it did feel a bit clumsy. And then it kind of just ended, which was also a bit jarring. But, still, I really enjoyed this one. I can’t speak to how similar or not this is to his first book, but I think this one will be enjoyable to most science fiction fans, especially those who enjoy survival stories and a slower, carefully paced story.

Rating 8: The brutal and harsh alien terrain perfectly parallels the mental and emotional journey of a protagonist who struggles with grief and finding meaning in a life full of wonder and tragedy.

Reader’s Advisory: Obnoxiously, “Fractal Noise” is mostly on Goodreads lists about AI art which, while an interesting conversation on its own…is not a useful list for readers actually looking for recommendations for similar reads. It is on 52 Book Club 2023: #32 Published By Macmillan.

Kate’s Review: “Warrior Girl Unearthed”

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Book: “Warrior Girl Unearthed” by Angeline Boulley

Publishing Info: Henry Holt 7 Co. (BYR), May 2023

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: Perry Firekeeper-Birch was ready for her Summer of Slack but instead, after a fender bender that was entirely not her fault, she’s stuck working to pay back her Auntie Daunis for repairs to the Jeep.

Thankfully she has the other outcasts of the summer program, Team Misfit Toys, and even her twin sister Pauline. Together they ace obstacle courses, plan vigils for missing women in the community, and make sure summer doesn’t feel so lost after all.

But when she attends a meeting at a local university, Perry learns about the “Warrior Girl”, an ancestor whose bones and knife are stored in the museum archives, and everything changes. Perry has to return Warrior Girl to her tribe. Determined to help, she learns all she can about NAGPRA, the federal law that allows tribes to request the return of ancestral remains and sacred items. The university has been using legal loopholes to hold onto Warrior Girl and twelve other Anishinaabe ancestors’ remains, and Perry and the Misfits won’t let it go on any longer.

Using all of their skills and resources, the Misfits realize a heist is the only way to bring back the stolen artifacts and remains for good. But there is more to this repatriation than meets the eye as more women disappear and Pauline’s perfectionism takes a turn for the worse. As secrets and mysteries unfurl, Perry and the Misfits must fight to find a way to make things right – for the ancestors and for their community.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

One evening I was perusing NetGalley, looking to see what new books were going to be coming out across my various favorite genres, when I saw something that made me gasp. Like full on gasp. I stumbled upon “Warrior Girl Unearthed”, the new YA thriller from Angeline Boulley. I loved Boulley’s debut “Firekeeper’s Daughter”, naming it my favorite read of 2021, and when I read the description of “Warrior Girl Unearthed” I gasped again. We were going back to Sugar Island, and were going to revisit some of the characters from that book, including main character Daunis. Elation. Pure elation. While I was worried that this follow up may have a lot to live up to, I’m happy to report that overall it was (mostly) everything I hoped it would be!

Given how much I connected to Daunis in “Firekeeper’s Daughter”, I was hopeful that we would have another layered and easy to root for main character, and we absolutely got that with Perry. When we first met Perry and her twin Pauline in “Firekeeper’s Daughter” they were young girls, and now they are two teenagers with very different personalities. Perry is our protagonist, who goes from chill and laid back ‘slacker’ to teen activist who wants to bring Indigenous artifacts and remains back to her community. Perry is both hilarious and brash as well as very vulnerable and passionate, and watching her find her purpose through connection to her culture and identity is a wonderful character arc. Boulley once again brings a lot of aspects of Ojibwe/Anishinaabe culture, be it language, history, or practices, into the story with ease. As Perry digs deeper and gets more invested in bringing these things home, we learn so much about her as a person on an individual level and on a cultural level. She had big shoes to fill with Daunis in the first book, but she fills them with ease.

I also loved how Boulley took a topic like NAGPRA and how it has good intentions but doesn’t go far enough/is too easy to find loopholes within and made it the foundation of the main theme of her novel. As someone who used to work in museums I had a general knowledge of NAGRPA going into this book, but I loved how Boulley explained it in this book in an easily understandable and digestible way for her audience. It also sets the scene for high tension stakes with a very slow build up. I loved seeing Perry reluctantly familiarize herself with the concept of artifacts and museum work with her mentor/boss Cooper, and then become fired up about the injustice of Indigenous artifacts and human remains and sacred objects being held onto by non-Indigenous institutions and people. Repatriation of Indigenous remains and sacred objects is a very important subject when it comes to Indigenous rights and issues, and I loved how Boulley contextualized it in a way that shows the violence inherent in the ways these things were stolen to be put on display, and how there is so much pushback to return them to their descendants. I also thought it was a clever dichotomy to present that along with the subplot of Indigenous women who have been going missing in the community and surrounding communities, as we have overt violence and cultural violence on display as Perry tries to figure out how to bring justice to her community.

I do have vaguely mixed feelings about coming back to see what Daunis is up to. Which is CRAZY because I LOVE DAUNIS. Just LOVE her. On one hand, she is such a formidable character, and having that connection to “Firekeeper’s Daughter” and seeing how her life has progressed and changed since that story (becoming more immersed in her healing skills, raising a son, serving as a mentor to her cousins) is mostly pretty enjoyable and rewarding (I have one qualm but I’m not going to list it here because it’s spoilery, but when it happened I was like ‘wait…. WHAT?’). But on the other hand, while Perry does shine on her own (see above, look at how much I enjoyed her), there was one minor subplot involving Daunis that felt rushed and a bit slapdash. It kind of took away from Perry’s story at hand for a bit and felt like it was a forced wrap up for the sake of wrapping something up. All that said, I do hope that if Boulley keeps writing about the Sugar Island Ojibwe community we get to see how these characters keep progressing as time goes on.

“Warrior Girl Unearthed” is another successful and enjoyable thriller from Angeline Boulley. Her voice is so strong, her characters are so well developed, and her deep dive into Ojibwe culture is detailed and accessible. It all comes together to make a highly enjoyable read and a successful follow up to a game changing young adult novel.

Rating 8: An engaging and important thriller/mystery that not only takes on issues of physical violence in the Indigenous community, but also the cultural violence of artifact theft and struggles over repatriation.

Reader’s Advisory:

“Warrior Girl Unearthed” is included on the Goodreads lists “All Indigenous Peoples List 3”, and “2023 Mystery Thrillers Crime To Be Excited For”.

Serena’s Review: “A Crown of Ivy and Glass”

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Book: “A Crown of Ivy and Glass” by Claire Legrand

Publishing Info: Sourcebooks Casablanca, May 2023

Where Did I Get this Book: ARC from the author!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Lady Gemma Ashbourne seemingly has it all. She’s young, gorgeous, and rich. Her family was Anointed by the gods, blessed with incredible abilities. But underneath her glittering façade, Gemma is deeply sad. Years ago, her sister Mara was taken to the Middlemist to guard against treacherous magic. Her mother abandoned the family. Her father and eldest sister, Farrin—embroiled in a deadly blood feud with the mysterious Bask family—often forget Gemma exists.

Worst of all, Gemma is the only Ashbourne to possess no magic. Instead, her body fights it like poison. Constantly ill, aching with loneliness, Gemma craves love and yearns to belong.

Then she meets the devastatingly handsome Talan d’Astier. His family destroyed themselves, seduced by a demon, and Talan, the only survivor, is determined to redeem their honor. Intrigued and enchanted, Gemma proposes a bargain: She’ll help Talan navigate high society if he helps her destroy the Basks. According to popular legend, a demon called The Man With the Three-Eyed Crown is behind the families’ blood feud—slay the demon, end the feud.

But attacks on the Middlemist are increasing. The plot against the Basks quickly spirals out of control. And something immense and terrifying is awakening in Gemma, drawing her inexorably toward Talan and an all-consuming passion that could destroy her—or show her the true strength of her power at last.

Review: First off, thanks so much to Sourcebooks Casablanca for sending me an ARC of this book! I was so excited when I received it in the mail, as it’s been sitting pretty high on my wishlist of books to read in 2023. I wasn’t Legrand’s most ardent fan with her YA trilogy (I found that it began to fall into a few too many YA fantasy tropes for my preference), but there was never any question regarding her overall skill as an author. Her writing always came across as supremely confident and competent. That made me all the more excited to check out her first foray into adult fantasy, especially adult fantasy romance! Let’s dive in!

Gemma has grown up with a very priveleged existence: rich, beautiful, and a member of one of the most powerful families in the land. But, at the same time, Gemma has always felt herself to be on the outside looking in. Not only does she not possess any of the magical talent that her family is known for, and that both of her older sisters excel at in their own ways, but magic actively hurts Gemma, causing her to move through life in a very magical world experiencing constant levels of pain. When Gemma meets Talan, a young man who also feels that he exists outside the strictures of society, she finally begins to see a way forward, teaming up with him to hunt a powerful demon who may be the answer to her struggles with magic. But along the way, she begins to suspect that there is much more going on with Talan and the larger world as a whole.

So, I’ll be honest, I’ve had this post started for a few weeks now and every time I pull it up to actually write my review, I become super intimidated and find excuses to do other things. Mostly this is because I’m still not quite sure how I feel about this book! I have some extremely opposing feelings about almost every part of it. But one thing I think I can confidently start with is one of the things I referred to in my introduction: this author knows how to write. I immediately felt drawn into this world and these characters. As the story progressed, the magic and world itself felt as if it was unrolling before me, presenting more and more insights into the world-building that was on a much more grandiose scale than I had originally thought. Regardless of anything else in this review, the appeal of Legrand’s prose is enough to keep me reading this trilogy going forward.

But where my opinions become more divided is with the characters and the pacing of this story. Let’s start with the pacing and plotting. This book was blurbed as “Bridgerton meets ACOTAR.” Maybe I should have know right from there that I would be conflicted about this book! I mean, I really enjoy Bridgerton and I absolutely loathe ACOTAR. And I can confirm that both of those references feel very on point and accurate to what you’ll get if you pick up this book. I’ll even go as far as to say that the ACOTAR aspects were by no means as frustrating to me as ACOTAR itself. Indeed, I very much liked these parts of the story! No, the problem came in a very unique way. The book almost literally feels as if it has been split down the middle by these two comparisons. The first half is Bridgerton, with fantastical balls, social hierarchies, fancy gowns, and romance. And then, boom! The second half hits and we’re full on ACOTAR with magical barriers and fantasy creatures and magical systems. And, again, I enjoyed this half too! The problem is that, overall, it left the book feeling very disjointed and created a jarring reading experience. I was all down for the regency fantasy, and then it was like a bait and switch to suddenly be dropped down into a much more “traditional” fantasy setting. And due to the fact that much of the plot really takes place in the second half, I was left feeling as if the book could have been edited down quite a bit from the Bridgerton stuff of the beginning, as much as I liked it on its own.

Now, to the characters. First, I think that Legrand did an excellent job of portraying the experiences and life of someone who lives with chronic pain. Gemma is very straight-forward with her struggles while also never becoming self-pitying. She is frustrated with her limitations, while also not belittling herself. I also really like the way this aspect of her character plays out over the entire arc of the book. Unfortunately, that was about all I liked about Gemma. I get that the author was very intentionally writing this character as rather frivolous and selfish; indeed, Gemma herself comments on these aspects of her personality. And I think the book used these traits to also do a great job of diving into self-loathing and self-harm. But over the course of the book, while Gemma does experience growth, I still struggled to really like her or feel invested in her story.

But, here comes the other side of the character issue: I REALLY liked both of her sisters. Honestly, fairly quickly into the book I realized that I was mostly reading on for the glimpses we get of these two and trying to piece together the stories we’ll get from them. I was even more invested into the glimpses of what I can only guess will be the central romance for one of the sisters than I was in Gemma’s own romance. There, too, I struggled with Gemma’s story. Talan felt very one-note when he was first introduced. And then as he went on, he had a few scenes that made him incredibly unlikable. The story does go on to make this a fairly central part of the plot, but it’s hard to recover from on the romance front when the author sets the reader on a path of questioning and disliking the romantic hero from the very start.

So, overall, this was a very mixed bag for me. I think, in the end, I didn’t end up loving this book. But, BUT!, on the other hand, I’m supremely invested in the next book in this series and can’t wait to get my hands on it! Given the nature of my complaints with this book, they all feel of the very specific sort that won’t be a problem in the books going forward. Both sisters seem like much more interesting characters than Gemma. The romantic interest/plot for one of them is already laid out and is incredibly appealing. And I think the world-building is now established enough that we won’t have the same plotting/pacing issue going forward where the tone is unclear between Bridgerton or ACOTAR. So, all of this to say, while I did struggle with this book, I do recommend it for fantasy romance readers based on my faith that the trilogy will turn out to be well worth it as a whole.

Rating 7: A very mixed bag for this book specifically, but I was definitely sold on the concept and anxiously await the next entry in the trilogy!

Reader’s Advisory:

“A Crown of Ivy and Glass” can be found on these Goodreads lists: Novels with “Crown” in the Title and Epic High Fantasy/Romance/Mythology in 2023.

Kate’s Review: “Graveyard of Lost Children”

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Book: “Graveyard of Lost Children” by Katrina Monroe

Publishing Info: Poisoned Pen Press, May 2023

Where Did I Get This Book: I received an ARC from the publisher.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: Once she has her grip on you, she’ll never let you go.

At four months old, Olivia Dahl was almost murdered. Driven by haunting visions, her mother became obsessed with the idea that Olivia was a changeling, and that the only way to get her real baby back was to make a trade with the “dead women” living at the bottom of the well. Now Olivia is ready to give birth to a daughter of her own…and for the first time, she hears the women whispering.

Everyone tells Olivia she should be happy. She should be glowing, but the birth of her daughter only fills Olivia with dread. As Olivia’s body starts giving out, slowly deteriorating as the baby eats and eats and eats, she begins to fear that the baby isn’t her daughter at all and, despite her best efforts, history is repeating itself.

Soon images of a black-haired woman plague Olivia’s nightmares, drawing her back to the well that almost claimed her life―tying mother and daughter together in a desperate cycle of fear and violence that must be broken if Olivia has any hope of saving her child…or herself.

Baby Teeth meets The Invited in a haunting story of the sometimes-fragile connection between a woman’s sense of self and what it means to be a “good” mother.

Review: Thank you to Poisoned Pen Press for sending me an ARC of this novel!

The second night in the hospital after my daughter was born, I have a stark memory of calling the nurse in the middle of the night because the kid just wouldn’t stop crying. I wasn’t having any luck with breastfeeding so we were relying on formula to be brought to the room, and they were taking their sweet time while my daughter was in hysterics. Eventually they showed up with formula, and then after she was fed and still screaming they swaddled her up nice and tight, and put on a lullaby, and she was quiet again. Both my husband and myself burst into tears, and this was our WHAT HAVE WE FUCKING DONE? moment of early parenthood. Luckily, it basically only went up from there, as we had an awesome support system in place from our family, friends, and various supportive and affirming medical professionals (never mind that four months later COVID hit and the world shut down, at least it waited until after the fourth trimester was over!). I was having flashbacks to this one vividly awful night as I was reading “Graveyard of Lost Children” by Katrina Monroe, a horror story so evocative and unrelenting and in some ways SO REAL that it overtook me and really, really unnerved me while also breaking my heart. Sure, there are definitely supernatural elements in this book. But it’s also about the horrors of early motherhood and postpartum depression/anxiety/psychosis, which are all too real horrors.

The narrative is told through two different perspectives. The first is that of Olivia, a brand new mother to a baby named Flora, whose own family history involved her teen mother Shannon trying to kill her at four months by throwing her down a well. While Olivia had no contact with Shannon and has found herself in a loving marriage to her wife Kris, Flora’s birth kickstarts a lot of fears and anxieties. The second is the first person perspective of Shannon herself, and follows her pregnancy and the months leading up to Olivia’s attempted murder. Throughout these timelines both women are seeing and hearing visions of a Black Haired Woman, which leads them to self loathing, paranoia, and delusions about their respective babies. I loved seeing both perspectives, and felt like I got to know both women very, very well as their stories went on, so by the time the two storylines were coming together they melded well and I fully believed how they were shaking out. The slow burn of suspense involving the Black Haired Woman, starting with whispers and intuition and evolving into something more visceral and terrifying, was so well done and so effective that it can stand with any of the ghost story titans while being a well done metaphor for postpartum mental illness. There are so many moments that freaked me out, and so many reveals that genuinely surprised me, and Monroe really knows how to create not only a very unsettling ghost/supernatural being, but also how to create very real human characters who have edges, baggage, and many complex sides to them. Every beat hits effectively and perfectly.

But it’s the little things that turn into big things and the cultural and misogynistic things that really set me on edge as I read this book. We see the new mother experiences of Olivia and Shannon as the story goes on, and see the ways that they are chipped away at and torn to shreds even when it ISN’T the Black Haired Woman doing the damage. For Olivia, it’s the constant comparison between her experience and the experiences of other new mothers, as the transition for her is difficult and exhausting when it seems seamless and easy for others. Or it’s the fact that her wife Kris is loving and tries to be supportive, but still has to prioritize work due to a crappy family leave policy and is gone a lot and just doesn’t GET it. Or it’s that breastfeeding for Olivia is awful and painful, but the narrative is ‘breast is best’ makes her feel like a failure and pushes her to push through the pain, even when it’s too much. Or it’s medical professionals who are dismissive and flippant when she raises concerns. And seeing Shannon’s experience as a teen mother in a conservative household in the 1980s, which has her met with outright hostility from her community and even her own mother, and sees the way that OTHER young unwed mothers were treated when she is made to work in a home for unwed mothers, well….. It really shows that this whole idea of ‘motherhood is a blessing’ can be absolute poison to struggling women who aren’t experiencing it as the miracle it is supposed to be. Or, even worse, are punished for it because they did it outside of an acceptable circumstance. The Black Haired Woman is definitely a villainess in this story, but the other villain is the unsupportive culture our society has towards mothers, and how mothers are supposed to just grin and bear it because the baby is more important. And that’s only compounded further if a mother has mental health issues to boot (Andrea Yates comes to mind). The Black Haired Woman is a metaphor for PPD/PPA/PPP, but she thrives in environments that Olivia and Shannon had to live within. And that is what really got to me.

“Graveyard of Lost Children” is outstanding and gut wrenching horror. I absolutely loved it, even as it tore my heart out of my chest. DO NOT SLEEP ON THIS BOOK. Get it, even if the topics are hard to handle.

Rating 10: Searing, devastating, harrowing and scary as hell. “Graveyard of Lost Children” is magnificent.

Reader’s Advisory:

“Graveyard of Lost Children” is included on the Goodreads list “Horror to Look Forward to in 2023”.

Book Club Review: “Spear”

This post may contain affiliate links for books we recommend. Read the full disclosure here.

We are part of a group of librarian friends who have had an ongoing book club running for the last several years. Each “season” (we’re nerds) we pick a theme and each of us chooses a book within that theme for us all to read. Our current theme is retellings and re-imaginings. For this blog, we will post a joint review of each book we read for book club. We’ll also post the next book coming up in book club. So feel free to read along with us or use our book selections and questions in your own book club!

Book: “Spear” by Nicola Griffin

Publishing Info: Tordotcom, April 2022

Where Did We Get This Book: The library!

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Retelling/Re-imagining: “Legends of King Arthur”

Book Description: The girl knows she has a destiny before she even knows her name. She grows up in the wild, in a cave with her mother, but visions of a faraway lake come to her on the spring breeze, and when she hears a traveler speak of Artos, king of Caer Leon, she knows that her future lies at his court.

And so, brimming with magic and eager to test her strength, she breaks her covenant with her mother and, with a broken hunting spear and mended armour, rides on a bony gelding to Caer Leon. On her adventures she will meet great knights and steal the hearts of beautiful women. She will fight warriors and sorcerers. And she will find her love, and the lake, and her fate.

Kate’s Thoughts

I’ve mentioned a number of times on here that I am not super versed in some of the more classic European literature tales, and that extends to Arthurian legends. I think that the adaptations I have seen all the way through are Disney’s “The Sword in the Stone”, which is more about Arthur getting the sword and not much else, and “Monty Python and the Holy Grail”, which is, of course, near perfection. But it’s not like an absurdist comedy with holy hand grenades and killer rabbits is going to reflect Arthur in all his significance. So going into “Spear” I didn’t really know what to expect, as I have a vague working knowledge of some aspects of the source material, but not much. And I’m sorry to say that while I went in trying to be open minded, “Spear” wasn’t my jam. I just kept thinking about coconuts and John Cleese slaughtering people in ridiculous ways and wishing I was watching that again.

So there were some things I liked about “Spear” and that was mostly in the ways that Nicola Griffin tinkered with the characters and the canon. Whether it was having main character Peretur be a gender bent version of Parzival during his quest with the other knights for the Holy Grail. I liked Peretur’s queer relationship with Nimuë, I liked that Arturus (Arthur), Gwenhwyfar (Guinevere) and Llanza (Lancelot) were in a loving thrupple as opposed to being in a dramatic love triangle, and I liked some of the ways that Griffin explores themes of the Grail and the magical bits of it. But there was so much I struggled with. The biggest issue I had was the writing. It is VERY lyrical, and very detailed, and I had initially picked this book up in print form but threw in the towel VERY quickly and opted for audio. My thought process was that I would be on a couple road trips to Duluth before book club and could use that time to listen, as I’ve had success in the past with that if I find the writing tricky. But it didn’t really help this time. And I think that had I had more investment in the Arthurian source material I would have been more vested in engaging, but since I don’t know it very well I found this book to be a tricky read, bordering on a chore. I am inclined to believe that this is probably a ‘your mileage may vary’ situation, but it just didn’t click with me.

Fans of King Arthur and very purple prose writing styles would probably connect with this, but it wasn’t for me.

Serena’s Thoughts

This was an interesting read for me. On paper, it has a lot of things I really enjoy. I’m fairly familiar with King Arthur legends, but mostly through a strange smattering of exposure to various retellings and adaptations and my own internet rabbit holes of research. I’ve only looked at a few of the “original” legends, themselves. All of this to say, when I picked up “Spear,” I was able to tell right away that this was going to appeal to the big fans of these stories. And that comes to the second thing I typically enjoy: lyrical writing. From the very first page, this is what stands out the most about this book for me. The writing is dense and poetic. There were many times that I found myself having to re-read long sentences to piece together exactly what was being said. As a fan of lyrical writing, I’m used to this experience to some extent, but even for me, I found this one a bit more challenging that I would have liked. That said, I can’t emphasize enough how impressed I am with Griffin’s ability to match the tone of the “original” King Arthur legends. For the big fans, this book will feel as if it can be neatly slotted right in alongside those, as the style of writing and storytelling found here match so well to those.

It’s also clear that Griffin has done her research. For such a short novel, it’s truly impressive just how many details and references she manages to pack in there. As a fan of Juliet Marillier’s, an author who largely relies on Irish folklore and legends, I enjoyed seeing some of these tales and beings woven in throughout this story.

I also really liked our main character and her story. I had a few concerns early on when she showed hints of being a bit too unbelievably good at certain skills with no explanation, but luckily there did turn out to be good reasons for this. I also enjoyed the gender-swapping of her character from male to female and the various changes and additions that Griffith brought to the story. Overall, I did find myself struggling to read this one more than I had hoped (the writing is hard), but I do think that it will greatly appeal to hardcore King Arthur fans.

Kate’s Rating 5: This was a bit of a slog for me, as I couldn’t connect to the writing style and I know very little about King Arthur lore and legend.

Serena’s Rating 8: For me, personally, this was probably a 7. But I rounded up to an 8 for the true Arthur aficionados who will appreciate the meticulous and detailed work that went into creating this story.

Book Club Questions

How familiar are you with the legends of King Arthur? Specifically, how much did you know about the various iterations of Percival?
Did you like the gender-swapped approach to this story? How do you think this changed or impacted the tale as a whole?
The writing in this book is very in line with the style found in many of the more traditional Arthur stories. How did this impact your reading?
How familiar were you with the various Irish legends and folklore that wove in and out of this story?
This is a novella, so it has a reduced page count from a typical novel. Did this seem to fit the story we have here? Would you have liked it to be longer or shorter? And if so, why? Were there parts you wanted to know more about or could have done without?