Book: “Catwoman (Vol.1): Copycats” by Joëlle Jones
Publishing Info: DC Comics, April 2019
Where Did I Get This Book: I received an eARC from NetGalley.
Book Description: Coming off of the wedding of the century to Batman, Selina Kyle stars in an all-new solo series written and illustrated by Eisner Award nominee Joëlle Jones!
The wedding night’s barely over, but Catwoman’s back on the streets, this time to expose a copycat who’s pulling heists around Gotham City. As Selina cracks the whip on her former criminal cohorts, she’s attracting unwanted attention from one of Gotham’s most dangerous groups. The mob? Nope. Try the GCPD. And as if the Bat-Bride didn’t have enough problems, don’t miss the debut of an all-new villain determined to make trouble for all nine of Selina’s lives.
Fresh off of her run on Batman with superstar writer Tom King, creator Joëlle Jones writes and illustrates this dynamic new series. Collects issues #1-6.
Review: Thanks to NetGalley for providing me with an eARC of this book!
Ever since I was a little girl, I have loved Catwoman and Selina Kyle. I’ve mentioned before that I had Batman Returns sheets, I was Catwoman for Halloween the year it came out, and I had my Catwoman trapper keeper that I held dear to my heart. My love for Selina is a double edged sword, however. Because i love her when her character is done justice it gives me all the happy feels. But, on the other hand, if Selina and Catwoman are written in ways that I don’t like, I will hate it forever. There’s a reason I put down Sarah J. Maas’s “Soulstealer” after a couple of chapters and refused to continue.
I haven’t been reading the Batman stories in the Rebirth arcs of DC, though I’ve been following them peripherally. I was elated to hear that Batman and Catwoman were going to get married, but then crushed (and not really too surprised) when I heard that the wedding didn’t happen. The good news that comes from this, though, is that it means that Selina gets to have some stories for herself, and not find herself pin holed into being Batman’s Wife first and foremost. Because as much as I would LOVE for DC to actually explore how these two characters would (and I argue TOTALLY COULD) properly function as a married couple, I think that first Selina needs to get some time on her own, and to give Bruce the time to learn how to be both Batman AND Bruce Wayne. And that is where “Catwoman: Copycats” comes in. After leaving Bruce at the altar Selina has rushed away to Villa Hermosa in hopes of escaping her guilt, and that is SO Selina and so heartbreaking to see. I’ve always loved Selina because of her determined independence, but also because part of her drive to be independent is because she doesn’t feel like she CAN fully give herself to anyone, even if that person is her one true love Bruce Wayne. She is irrevocably broken in some ways, but what I liked about this arc is that Jones doesn’t apologize for it. True, she shows the sadness and damage that Selina feels, but she also explores it beyond the romantic relationships and looks into the relationship that Selina had with her sister Maggie. It gives Selina more depth, and lets us see into her motivations more than we did when they were based solely in Bruce’s and her relationship. It allows us to see Selina’s vulnerability without making it look like it only comes out because of a dude. Her love for Bruce hasn’t been what makes her scared of loss; it goes much further back than that. And she has to confront both of those relationships in this, as her guilt over both has started to come to a head.
We also finally get to see a villain who is worthy of Selina’s focus. True, there are copycats running around making her look bad, but the true Big Bad of this story is all too familiar: it lies within corrupt political circles. Raina Creel is Selina’s nemesis, and as the Gubernatorial First Lady of Villa Hermosa she has an image she presents to the public, while she hides a literal aged, rotting frame underneath the glitz and glam. And, of course, the ways that she maintains her ‘youth’ are not at all ethical, as she takes blood transfusions from people who have little to no recourse to fight back. Because of her place of power, the rivalry between her and Catwoman is far more based in cat and mouse intrigue (pun unintended) than usual. Jones has made sure to let the stakes build up at a proper rate, and also draws some parallels between the two women who have both chosen to do improper things in order to get what they want. I also kind of wonder if Creel is something of a sly nod to Sharon Stone’s character in the dreadful Halle Barry “Catwoman” movie. They both have obsessions with youth and beauty, and will got to drastic measures to attain both. If so, that’s a cheeky and fun reference.
The artwork is also done by Jones, naturally, and it continues to be stunning and splashed with life and color. The vintage designs are right up my alley, and Jones is easily one of my favorites in the business because her artwork is always so on point. It’s really wonderful that she is also a superb writer, especially when it comes to her women characters. What I also really appreciate is that Jones draws Selina in a way that doesn’t make her seem like a total sex object. Sure, she wears sexy outfits and looks chic as hell, but rarely (a couple times it did get close, but rarely) did I see her as drawn like she’s meant solely to be desired for sex; she just looks great and powerful without being a total fuck fantasy for male readers.
Overall, I really enjoyed “Catwoman: Copycats”. I am very interested to see where Jones takes Selina next, and I know that she will be in good hands.
Rating 8: A solid foray into the mind of one of my favorite antiheroines, “Catwoman: Copycats” gives Selina Kyle her own juicy story while remaining true to her full, complex character.
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