Kate’s Review: “Feeding Ghosts”

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Book: “Feeding Ghosts: A Graphic Memoir” by Tessa Hulls

Publishing Info: MCD, March 2024

Where Did I Get This Book: The library!

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: In her evocative, genre-defying graphic memoir, Tessa Hulls tells the stories of her grandmother, Sun Yi; her mother, Rose; and herself.

Sun Yi was a Shanghai journalist caught in the political crosshairs of the 1949 Communist victory. After eight years of government harassment, she fled to Hong Kong with her daughter. Upon arrival, Sun Yi wrote a bestselling memoir about her persecution and survival, used the proceeds to put Rose in an elite boarding school―and promptly had a breakdown that left her committed to a mental institution. Rose eventually came to the United States on a scholarship and brought Sun Yi to live with her.

Tessa watched her mother care for Sun Yi, both of them struggling under the weight of Sun Yi’s unexamined trauma and mental illness. Vowing to escape her mother’s smothering fear, Tessa left home and traveled to the farthest-flung corners of the globe (Antarctica). But at the age of thirty, it starts to feel less like freedom and more like running away, and she returns to face the history that shaped her.

Gorgeously rendered, Feeding Ghosts is Hulls’ homecoming, a vivid journey into the beating heart of one family, set against the dark backdrop of Chinese history. By turns fascinating and heartbreaking, inventive and poignant, it exposes the fear and trauma that haunt generations, and the love that holds them together.

Review: I sometimes find a book that doesn’t exactly fit the expectations I have based upon the circumstances in which I found it. “Feeding Ghosts: A Graphic Memoir” by Tessa Hulls is a great example of that, as I saw it for the first time on the social media feed of horror influencer Sadie Hartmann, aka Mother Horror. Since she is such a huge presence in the horror lit community I assumed that it was a horror graphic novel (and I mean, the word ‘ghosts’ in the title added to that). But when I did research on it, I realized that it wasn’t a horror story, but a story about three generations of Chinese and Chinese American women, and the trauma that is passed down between the three of them. Sure it wasn’t a horror novel, but the premise still very much intrigued me. So I got it from the library, thinking I’d work through it pretty fast. Little did I know that it would be one of the harder reads of 2024. But not in a bad way by any means.

So I’m immediately going to clarify what I mean by ‘harder’, because I know that it makes it sound like a chore to read. And it is by no means that. When I say harder I am more talking about two things. The first is that this is a VERY dense book. Like on the page, there are SO MANY WORDS for a graphic novel. The most recent graphic memoir I read before this was “Worm” and I was able to read that in one night. That was NOT the case for “Feeding Ghosts”, as Hulls wants to tell three individual stories of herself, her mother Rose, and her grandmother Sun Yi, as well as the story of their relationships due to the trauma that is passed down through them, AS WELL AS a compact history of China in the 20th Century and how that influenced Sun Yi and Rose. The other is that the subject material is very, VERY heavy, with lots of themes that are very difficult, and Hulls approaches them with a matter of fact cadence and tone. Sun Yi was living as a reporter in Shanghai when the Communist Party took over, and after giving birth to Rose out of wedlock (and with a foreigner, as Rose’s father was a Swiss diplomat), and being an undesirable person for other reasons on top fo that, the new government spied on, intimidated, harangued, and harassed her until she and Rose could escape to Hong Kong. Shortly thereafter Sun Yi wrote a memoir speaking out against the Communists, and then had a severe mental breakdown that left Rose to her own devices in a boarding school, and then as a caregiver after they moved to America. In turn, Rose raised her own daughter Tessa with a lot of fear, anxiety, and a clinging fear of losing her to mental illness, which in turn pushed Tessa away and gave her her own set of traumas. Tessa writes this memoir with lots of honesty as to all the things that all of them went through, and how trauma and mental illness can keep reverberating through generations and progeny. With the combination of the jam packed pages and some VERY heavy themes, it took me longer to get through this than I anticipated. But again, that’s not a bad thing. I appreciated the care and context that Hulls wanted to give her family, as well as herself, and I thought that she did a really good job of pulling it all together, as well as allowing herself vulnerability to open up about some very tragic truths about her family history that is still present to this day. It’s quite the achievement, and I found it to be deeply fascinating and moving.

I also quite enjoyed the way that Hulls weaves in the history of 20th Century China into this tale, as so much of that time period had an effect on Sun Yi, and in turn Rose and Tessa down the line. She does a good job of laying out the timeline from the jump as almost an outline, and then diving deeper into the various parts of it, including the invasion of Japan to the Communist Revolution to the Great Leap Forward, and showing how these events shaped Sun Yi’s life, and the repeated traumas in all probability led to her complete mental breakdown that she never recovered from. It’s by no means a deep dive into this time period or the events, but she does make them very accessible and takes some pretty complex moments and parses them out without disrupting the flow of the story of her family. Lord knows I don’t know that much about this time period outside of learning about it for a unit when I was in high school, and I liked having the basics laid out. It’s also so important to the overall story I really like how she made sure it was all there, even if it did contribute to the aforementioned denseness.

All in all, “Feeding Ghosts” is a deeply personal and moving memoir, a magnum opus for an author who was trying to untangle some complicated histories in her family. If you like memoirs, this is absolutely one to check out.

Rating 8: An emotional memoir about cycles of trauma that went through three generations of women, “Feeding Ghosts” is dense, deeply personal, and very well done.

Reader’s Advisory:

“Feeding Ghosts” is included on the Goodreads list “Memoirs Published in Year: 2024”.

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