Kate’s Review: “49 Miles Alone”

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Book: “49 Miles Alone” by Natalie D. Richards

Publishing Info: Sourcebooks Fire, July 2024

Where Did I Get This Book: I received an ARC from the publisher.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Four days alone in the desert. Except they’re not as alone as they think.

A year ago, Katie and her cousin Aster survived a night that left their world and easy friendship fractured. Desperate to heal and leave the past behind them, they tackle four days of hiking in the Utah backcountry. But the desert they’ve loved for years has tricks up its sleeve. An illness, an injury, and a freak storm leave them short on confidence and supplies. When they come across a young couple with extra supplies on the trail, they’re grateful and relieved―at first. Riley exudes friendliness, but everything about her boyfriend Finn spells trouble.

That night, after some chilling admissions about Finn from Riley, Katie and Aster wake to hear the couple fighting. Helpless and trapped in the darkness, they witness Riley’s desperate race into the night, with Finn chasing after. In the morning, they find the couple’s camp, but Riley and Finn? Vanished. Katie is sure Riley is in trouble. And with help a two-day hike away, they know they are the only ones who can save her before something terrible happens. The clock is ticking and their supplies are dwindling, but Katie and Aster know they have to find Riley before Finn―or the desert―gets to her first.

Review: Thank you to Sourcebooks Fire for sending me an ARC of this novel!

I truly think that Summer, while not a favorite season of mine, has a book vibe that I really like to adhere to. Much like Fall feeling like the perfect ambiance for a horror story or a cozy fantasy, for me Summer feels like the best time to tap into various kinds of thrillers. One of those sub-genres is survival thrillers, especially if they are set in the wilderness. So I was very excited to read “49 Miles Alone” by Natalie D. Richards, which follows cousins Katie and Aster on a wilderness hike that goes pretty sour and they are suddenly in the web of a killer. This is my FAVORITE kind of wilderness survival tale, and I hopped on in ready for a wild ride!

I’ve mentioned before that I’m not an outdoorsy kinda person outside of the occasional hike through a state or national park, or for some landscape photography excursions. Certainly not multiple days of camping or hardcore hiking and off trail backpacking. But I do love seeing that premise used in a survival/wilderness thriller, and “49 Miles Alone” does a great job of highlighting the real dangers of the wilderness even without having a killer in the vicinity. As Katie and Aster start their journey, it’s already tense due to an incident in the near past that left Aster wracked with guilt and Katie traumatized, and things just keep going wrong and make the tension build all the more. Whether it’s weirdos on the trail, or a storm that manifested out of nowhere and makes the trail that much more unpredictable and dangerous, or Aster suddenly falling ill, many small things keep piling up to turn into one big troublesome and dangerous situation. I’ve known people who do this kind of hiking and camping who have BEEN in these sudden life or death situations where you have to make quick decisions that could end very badly, and watching Katie and Aster have to contend with these things on top of Katie’s trauma and Aster’s guilt made for a lot of really well done suspenseful beats.

But the main point of suspension, when Aster and Katie meet a couple on the trail and Katie suspects the man, Finn, to be dangerous, didn’t hit as hard as i had hoped it would. I normally really like this trope of wilderness savvy people meeting dangerous psychos and having to navigate the wilderness with them, as when it’s done well (like in “The River Wild” or “Desolation”, two films I really like) it can be SO nerve wracking. But I think that in this one it gets a little tripped up, partially due to the timing of meeting Finn and his hiking partner/girlfriend Riley, and partially due to not really getting much insight into the two of them outside of some interactions from Aster’s and Katie’s POVs. To make things worse, by the time we do get to the main driving conflict of potentially being hunted down, it felt a bit more rushed as opposed to the slow build of the earlier parts of the book. I also kind of called one of the big twists pretty quickly, which always kind of pulls the wind out of the sails of a thriller.

So it was a bit of a mixed bag. But that said, “49 Miles Alone” has some really good bits of realistic wilderness survival thrills. It’s a good summer read to be sure!

Rating 7: I loved the tense build up of the perils of an unpredictable hike between tension filled cousins, and I wish it had stayed more in that realm as the dangerous killer on the trail was a little underwhelming.

Reader’s Advisory:

“49 Miles Alone” is included on the Goodreads list “YA Novels of 2024”.

Kate’s Review: “The Ones Who Come Back Hungry”


This post may contain affiliate links for books we recommend.  
Read the full disclosure here.

Book: “The Ones Who Come Back Hungry” by Amelinda Bérubé

Publishing Info: Sourcebooks Fire, July 2024

Where Did I Get This Book: I received an ARC from the publisher.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: From the author of Here There Are Monsters comes a chilling supernatural horror that is part terrifying vampire legend and part modern exploration of toxic relationships wrapped up in a novel about hunger, yearning, and loss.

After the sudden death of her perfect, popular older sister, Jo and her family feel empty. But days after crying at Audrey’s graveside, Jo stumbles on the impossible: Audrey, standing barefoot in the snowy backyard. But Audrey isn’t breathing. She’s still marred with the evidence of an autopsy. She’s decaying. And worst of all, Audrey is hungry, and only human blood can curb her relentless appetite.

Jo knows she can put her family back together; she just has to figure out how to fix Audrey. She hides her sister and sustains her with her own blood, determined to figure out how to keep Audrey with them. When her search takes her to her sister’s grieving inner circle of friends, Jo finds herself drawn into their fold―and to Audrey’s boyfriend, Sam.

As Jo slips further into her sister’s old life, Audrey’s hunger and jealousy grow more insatiable. She’s not going to sit back and let Jo replace her or, worse, discover the secrets hidden beneath her golden girl facade. As Jo struggles to juggle everything she will be forced to decide which of her loved ones needs her the most ―and who she’s willing to sacrifice to save them.

Review: Thank you to Sourcebooks Fire for sending me an ARC of this novel!

It’s been awhile since “Twilight” made vampires the hot paranormal love interest, which in turn made vampires so passé due to the over saturation of the sub-genre. But lo and behold, I am confident in saying that vampires have made their way back into the forefront of horror fiction, with MANY vampire stories coming out lately. But this time around we don’t see nearly as much romance as we did back when Edward Cullen was bringing in the readers, and while I am no longer as staunchly critical of “Twilight” as I was back when it was a phenomenon, I do have to say that I really love that vampires are a little bit wicked again. Mostly because authors are finding ways to explore that wickedness and make it feel fresh, while also being willing to explore the tragedy that can come along with it. And with that we come to “The Ones Who Come Back Hungry” by Amelinda Bérubé, a new YA vampire novel about a younger sister named Jo whose older, popular sister Audrey died… and then came back as something hungry for blood. Blood that Jo is willing to provide, and Audrey is more than willing to take.

Her name is even Audrey, that’s so fun (source)

It’s a great premise, and I really enjoyed the ‘vampire mother and teenage daughter’ theme in “Night’s Edge”, so why not a vampire and her sister?

Overall this one worked really well for me. I already like a vampire as manipulative predator story, and when you make the manipulator a formerly popular older sister and the manipulated an always waiting in the wings younger sister, it has SO much room to explore and devastate. Jo is our protagonist, who is absolutely floored and devastated by the sudden death of her ambitious and driven older sister Audrey. Jo is left adrift, her mother is so bereft she shuts herself away from the world, and her father is trying to keep things together in the family but doesn’t know how to verbalize his grief. I thought that the portrayals of grief and how many forms it can come in was well done and at times quite heart wrenching, and it makes all the more sense when Audrey suddenly shows up at the house in the middle of the night, much to Jo’s horror. Jo has always been in Audrey’s shadow, and hoping to piece their family back together and to bring back the golden child she, of course, wants to help Audrey and try to ‘cure her’, as she is very clearly not alive, but not quite dead (even though she very much looks and smells like she is). If this means she’s going to do some bloodletting, and Audrey is going to keep begging her, and badgering her, for more, so be it. It’s a return to the ‘vampire as a manipulative abuser’ trope, and while it doesn’t explore the intricacies of Audrey herself beyond selfishness (that may have even been apparent when she was alive), it’s an interesting character study of Jo and how far she would go to help Audrey, the sister who always outshined her. Things get all the more complicated when Jo starts spending time with Audrey’s friends, especially her boyfriend Sam, and Jo starts to relish filling a void left behind. Jo’s arc adds a very human element to a supernatural horror story, and it was pretty effective.

I also really enjoyed the vampire world building in this book. Bérubé has a really great author’s note in the back talking about the inspiration of New England ‘true’ vampire stories, and how she referenced and researched and pulled tidbits from that folk lore. She also goes a bit further and expands upon the vampire lore and makes for some creative, and actually pretty well thought out, additions to how vampires in her story work. The biggest one was the way that Audrey has kept all of her wounds and seems to be decaying before Jo’s eyes, with blood being the only thing to tenuously bring her back from a rotting brink. There’s even the fact that any kind of warm air make Audrey’s skin start to bloat and change, the way that heat would affect a rotting corpse (with some pretty nasty imagery involved). It’s a real change from how so many vampires are portrayed as beautiful and seductive antagonists, and I really appreciated the way she takes it a few steps further into grossness while still working within a wholly believable range (of COURSE a corpse would start to bloat in heat, and what are vampires but sentient and immortal corpses?). I love that vampires get to be gross as well as creepy and unsettling in this book.

“The Ones Who Come Back Hungry” is an entertaining vampire novel for a YA audience with some serious crossover potential for adult horror fans. I definitely enjoyed it.

Rating 8: A dark and at times quite sad book about loss, sibling dynamics, tricky familial relationships, and vampires.

Reader’s Advisory:

“The Ones Who Come Back Hungry” is included on the Goodreads list “YA Novels of 2024”.

Kate’s Review: “Together in a Broken World”

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Book: “Together in a Broken World” by Paul Michael Winters

Publishing Info: Ninestar Press, L.L.C., May 2024

Where Did I Get This Book: I received an ARC from the publisher vis a vis Pacific and Court.

Where You Can Get This Book: Amazon | Indiebound

Book Description: Two boys fall in love in a deadly world, but it’s the secrets they keep that might kill them.

Seventeen-year-old Zach was visiting his uncle in a small Montana town when a mysterious illness ripped through the world. Most died, but those who survived the Infection became mindless killers, spreading the disease with a single scratch. Now, a year later, civilization lies in ruins, and Zach is the town’s sole survivor. Desperately lonely, he longs to return to his family in Seattle, but his fears hold him captive.

Eighteen-year-old Aiden is on a critical mission for the covert Scientific Collective, delivering vials whose contents could cure the Infection. Tortured by his boyfriend’s death, he welcomes the risks of the perilous journey. When a militia attacks Aiden, he flees to Zach’s town.

The boys escape together and soon form a bond as they comfort each other in this desolate and broken world. The farther they travel, the more their affection grows, as do the forces pulling them apart. But their greatest threats are the secrets they keep. Zach hides details of his uncle’s death, and Aiden conceals the vials’ sinister origins. In order to survive, they’ll have to confront the truths that could tear their love apart.

Review: Thank you to Pacific & Court for sending me an ARC of this novel!

It’s been a bit since I’ve covered a straight up post-apocalyptic story here on the blog, and now that we are finally past the more acute stages of the waning pandemic I’m feeling less of an anxiety spike when I read these kinds of stories as of late. So when “Together in a Broken World” by Paul Michael Winters ended up in my hands, I was eager to give it a go! You already had me at a post-apocalyptic setting, but then you add in a romance between two flawed but good hearted characters struggling to survive, and I am even more on board! And “Together in a Broken World” really met my expectations!

Given that Pride month starts in a few days, I will first talk about what a lovely queer romance it is as the beating heart of this story. Zach and Aiden are two strangers trying to survive in a world that has been ravaged by an infection that turns people into, essentially, zombies, and have been left adrift in different ways. For Zach it’s being the last person left in the small town he had been visiting right before things went to hell. For Aiden it’s working as a courier for a group that is trying to find a cure, which has made him a target of those who are in direct conflict with that for whatever reason that may be. It makes their lives very lonely, so seeing them meet and forge a connection with each other makes for a great set up for a really sweet romance. I love a slow burn, and this one is definitely that given that they are both understandably standoffish at first. But I really enjoyed watching them get to know each other, and to connect after they have been so alone and so haunted by their loneliness and regrets and fears. It feels like “Heartstopper” meets the episode “Long, Long Time” from “The Last of Us”, and Winters really captures the soaring love as well as the deep heartache and sadness of their circumstances, and the traumas they have faced which can lead to some bad decision making. I was rooting for them from the jump.

And since this is a post-apocalyptic tale, it’s only natural to talk about the world building on how the world has gotten to this point of the collapse of civilization. Winters has a pretty well thought out end of the world scenario, that combines natural disaster with fast spreading novel pathogen to create a wasteland of infected people and those who are uninfected, but left to total chaos and a “Mad Max” like reality of nomadic and isolated lives trying to hide from violent opportunists. Any good zombie story will make it clear that it’s actually the humans who are the true threat, and I thought that “Together in a Broken World” achieved that with a unique and suspenseful premise, particularly as Aiden is trying to bring a potential cure through hundreds of miles of dangerous wasteland with threats from all sides. I especially enjoyed the tidbits about Aiden running from an extremist militia that doesn’t trust the Scientific Collective, the group that is trying to find a cure, and wants to hinder him at all costs because of their conspiracy theorist nonsense and delusions, as it adds a whole other layer to an already fraught survival tale. It fits right in with other end of the world thrillers, and as an aficionado of the genre I was a fan.

I definitely recommend “Together in a Broken World” for not only young adults who enjoy end of days thrillers, but anyone who likes the sub genre. And hey, as I said, Pride Month is right around the corner, so if you are looking for LGBTQIA+ rep in your reading, add it to the list!

Rating 8: A suspenseful thriller and also a lovely romance, “Together in a Broken World” is about queer joy in the face of great adversity, as well as some pretty cool end of the world mythos.

Reader’s Advisory:

“Together in a Broken World” is included on the Goodreads list “2024 Queer YA Books”.

Serena’s Review: “Everything We Never Said”

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Book: “Everything We Never Said” by Sloan Harrow

Publishing Info: G.P. Putnam’s Sons Books for Young Readers, may 2024

Where Did I Get this Book: from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: It’s been months since the accident that killed Ella’s best friend, Hayley, and Ella can’t stop blaming herself. Now Ella is back at school, and everywhere she looks are reminders of her best friend—including Sawyer, Hayley’s boyfriend. Little by little, they grow closer, until Ella realizes something horrifying . . .

She’s in love with her dead best friend’s boyfriend.

Racked with guilt, Ella turns to Hayley’s journal, hoping she’ll find something in the pages that will make her feel better about what’s happening. Instead, she discovers that Sawyer has secrets of his own and that his relationship with Hayley wasn’t as picture-perfect as it seemed.

Ella knows she should stay away but finds herself inextricably drawn to him—and scared of everything she never knew about him. Perhaps it’s his grief. Or maybe his desires, cut short by tragedy. Or could it be something twisted only Hayley knew about?

Review: Every once in a while I do try to stray outside of my preferred genres to see how the rest of y’all are living. So when the publisher reached out about coverage for this YA thriller, I thought “why the heck not!” I was also drawn in by the promise of an interesting romance between two characters who both lost their close friend/girlfriend. So, let’s dive right in!

The challenging thing about reading outside of my typical genres it that I’m less familiar with the conventions and tropes of this type of book, and thus a bit more unsure when trying to distinguish between my own preferences and opinions and what is simply true to the genre, but not something that I’m as familiar with. That said, there were several things that worked for me unequivocally. The first thing is the sheer “readability” of this book. Even when I was coming across things that left questions in my mind, I still felt a draw to continue reading, swept up in the fast-moving plot and approachable style of storytelling.

On top of that, both Ella and Sawyer were very sympathetic characters, and I enjoyed spending time in both of their heads. Of course, much of the story revolves around their complicated feelings for their deceased friend and their own budding romance, but there were a lot of smaller looks at the different relationships they each have with their parents. Both their experiences with their families and with the various social groups at school were of the sort that I think will greatly appeal to many YA readers.

And, of course, the love story was very sweet. Now, it also walked right up to the line of “instalove,” so that’s something to keep in mind. But, again, the readability of the book carried me through this aspect of the storytelling pretty effectively. Stepping back, I think this love story will appeal to many readers, especially teenagers themselves. As an adult, I will say that I did struggle to believe that a teenage boy was quite as, um, romantically adept as Sawyer was presented, but this is one of those cases where no one really wants a true-to-life portrayal of the awkwardness of the teenage years.

As for the mystery of Haley’s death and the thriller aspects of the book, I did struggle a bit more. There were several “believability” issues that began to pile up as the story continued. For one thing, right off the bat, we are told that Haley died in a car crash when Ella was driving, after being seen drinking at a party. It strains every plausible explanation that Ella walked away from this situation with no consequences. Beyond that, she has many people reassuring her that Haley’s death wasn’t her fault. But…wasn’t it kind of, with this version of events?

I also found some of the late game reveals to be a bit predictable, but this is definitely a “mileage will vary” situation from reader to reader. There were several red herrings presented and their success as such will depend on readers’ familiarity with conventions, likely. There were also chapters from Haley’s old diary interspersed throughout the story, and I really struggled with these. They were written in a way that belied belief, with Haley seeming to be able to recount entire scenes verbatim in these entries. I get the purpose these entries were serving, but the style of writing was so removed from anything that resembled an actual diary entry that I found myself often skimming through these sections.

All of that said, I still had a mostly fun time with this book! It was a fast read, and my interest in Ella and Sawyer’s stories was enough to carry me through some of the other aspects that I struggled with. YA readers who enjoy thrillers and romances will likely enjoy this one!

Rating 7: Some parts of the the mystery were a bit predictable, but I enjoyed the fast-paced storytelling and the sweet romance at its heart.

Reader’s Advisory:

“Everything We Never Said” is on this Goodreads list: YA Novels of 2024

Kate’s Review: “Against the Darkness”

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Book: “Against the Darkness” by Kendare Blake

Publishing Info: Disney Hyperion, April 2024

Where Did I Get This Book: The library!

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: This epic finale to the The Next Generation trilogy by New York Times bestselling author Kendare Blake ( Three Dark Crowns ) features the next generation of Scoobies and Slayers who must defeat a powerful new evil.

For generations, the Slayer was supposed to be the chosen, the one girl in all the world with the power to stand against the vampires, demons, and forces of darkness. When Willow used the scythe to call up all the potential slayers at once, it changed everything. For years, the slayers have been working and fighting together as a team. Then the Darkness came, killing many slayers and trapping the rest in an alternate dimension. And Frankie Rosenberg, the world’s first Slayer-Witch, found herself fighting evil alone. Sort of.

Sure, she has her new Scooby Gang, plus the help of her mom, Willow; Watcher, Spike; and even the brooding-but-hot Hunter of Thrace. But even though they have a master plan (obviously), the gang is more fragmented than ever.

So maybe it really is up to Frankie—and Frankie alone—to stand against the darkness. With Jake’s wild werewolf brother back in town, Dark Willow threatening to return, and the Darkness preparing for the final stage of their attack, now is not a great time to wallow in teen angst. After all, she’s the Slayer. It’s time to slay.

Review: Well, I knew that this moment was eventually going to come, and I honestly held off a bit because I was reticent to approach it. But Kendare Blake’s “Buffy the Vampire Slayer” reboot series is coming to an end, and it closes out with “Against the Darkness”, in which Frankie Rosenberg, Slayer-Witch of Sunnydale, and her new set of Scoobies have to fight against the Big Bad for one final showdown, with supportive former Scoobies Willow, Oz, and Spike in tow as Buffy remains trapped in a hell dimension. I have absolutely adored this interpretation of the “Buffy” characters since the first book, and I was VERY nervous approaching the end. Partially because I am always nervous about the end of a series I am enjoying, but also because so many of these characters are near and dear to my heart, and I wanted them to be okay. I should have trusted Blake, because “Against the Darkness”, for lack of a better word, slays.

As we are closing in on the end of this trilogy, Frankie, Hailey, Jake, Sigmund, and the original Scoobies left behind in Sunnydale are trying to stop rogue slayer Aspen and her group of traitors known as The Darkness, and free Buffy and the other slayers from the hell dimension Aspen trapped them within. Frankie continues to be an utterly charming main character who has the weight of the world on her shoulders, who feels like a fantastic predecessor to Buffy Summers because she has similar challenges, but is her own person without feeling like a clone. Her biggest obstacles this time around are 1) she knows time is running out for Buffy and the slayers all trapped in a hell dimension, especially with Aspen making moves against her, 2) her mother Willow is going to more and more dangerous lengths to try and harness her magic to help Buffy, and 3) her good friend and fellow Scooby Hailey has imbedded herself as a spy by trying to get into Aspen’s good graces… and Aspen is having more of an effect on her than the Scoobies would like. It all feels like an old school “Buffy” end of season arc, and Blake captures the wit, the suspense, the pathos, and the heart that the show had throughout its run. Frankie is so easy to love and so easy to root for, and she is a such a well rounded character that she blends in with familiar faces from the source material swimmingly. I love her relationship with Willow, I LOVE her slayer/watcher relationship with Spike, but I also love her relationships with her friends because it feels so nostalgic.

But once again it’s my OG original favorites who captured my entire heart in this book. Blake really gives me everything I need from the “Buffy” characters from the show. I loved seeing Willow struggle with trying to use her magic to help her daughter as well as Buffy and the other imprisoned slayers, and how it treads her towards her Dark Willow tendencies. I loved how Oz has so effortlessly fit into this story even though he left the show in season four, as Blake makes him a perfect addition to the team not only for his cousin Jake, but also for Willow, his ex and now close friend. I loved seeing Giles show up (yes it’s a spoiler but it’s GILES, I HAD TO!) and take his place as a wise but still a bit snarky Watcher to help pull the group back together when it’s most needed. And, of course, Spike. My beloved Spike has stayed true to his kind of reckless and impulsive sarcastic self, emotions constantly on his sleeve, but his paternal relationship to Frankie is so touching, and brings out so much more in him that shows his caring and loving side that always comes out when most needed. And I don’t want to spoil much here, but Spuffy shippers? THE PAY OFF IS PHENOMENAL. I tried to not be a Spuffy shipper for awhile even though I was hardcore into them in high school, but Kendare Blake has brought me fully back into it because my GOD. THESE TWO.

I just love them so much. (source)

And once again, so many wonderful Easter eggs and references to the source material. Is it fan service? Probably yes. But Blake does do this in a way that flows well within this story so that even if you don’t know that it’s a knowing nod to something from the show it just feels organic and doesn’t stick out awkwardly or like a sore thumb.

What a fantastic end to a very enjoyable series. “Against the Darkness” sticks the landing, does justice for all the Scoobies, old and new, and gave this “Buffy” fan an ending that I will happily revisit over and over again. That’ll put the marzipan back in your pie plates, bingo, indeed. If you know, you know.

Rating 10: A fantastic and super satisfying ending to a “Buffy” follow up I have adored from the start.

Reader’s Advisory:

“Against the Darkness” is included on the Goodreads lists “Buffy the Vampire Slayer”, and “YA hunting ghosts/monsters/zombies”.

Previously Reviewed:

Serena’s Review: “Twelfth Knight”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Twelfth Knight” by Alexene Farol Follmuth

Publishing Info: Tor Teen, May 2024

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Viola Reyes is annoyed.

Her painstakingly crafted tabletop game campaign was shot down, her best friend is suggesting she try being more “likable,” and school running back Jack Orsino is the most lackadaisical Student Body President she’s ever seen, which makes her job as VP that much harder. Vi’s favorite escape from the world is the MMORPG Twelfth Knight, but online spaces aren’t exactly kind to girls like her―girls who are extremely competent and have the swagger to prove it. So Vi creates a masculine alter ego, choosing to play as a knight named Cesario to create a safe haven for herself.

But when a football injury leads Jack Orsino to the world of Twelfth Knight, Vi is alarmed to discover their online alter egos―Cesario and Duke Orsino―are surprisingly well-matched.

As the long nights of game-play turn into discussions about life and love, Vi and Jack soon realise they’ve become more than just weapon-wielding characters in an online game. But Vi has been concealing her true identity from Jack, and Jack might just be falling for her offline…

Review: I knew this one would be a bit out of my wheelhouse when I requested it, but as I’ve seemed to move into also covering the romance genre to some extent on this blog, and the fact that I’ve loved this author’s fantasy work (she also writes under the name Olivie Blake), I thought it was worth a shot! Plus, this is one of my favorite Shakespeare plays, so I was excited to see it re-imagined into a contemporary setting. Plus, plus, I really loved playing “Baldur’s Gate” which is essentially video-game DnD, so I was definitely interested in a story that focused on this type of gaming.

Unfortunately, this one didn’t quite land the way I wanted it to. But let’s start with some of the positives. And for me, that largely comes down to the male lead character, Jack. I thought it story was really well done, following the tragic but hopeful arc of a young man who was a rising football star before he suffered a debilitating injury. I thought the exploration of this topic was so well done: the upheavals of identity, the loss of purpose and floundering to find direction, the very real mourning for a life that will now not happen. It was all very touching and well done.

There were also elements of the romance I liked, especially the fact that it came across as believable and relatable. All too often, romcoms seem to get caught up in overly complicated “meet cutes” and then a “paint by numbers” style conflict/resolution in the third act. This one hits many of the expected notes, but I think one of this author’s strong suits has been her dialogue, and with this book, the very natural, realistic dialogue helped ground the love story in a way that I appreciated. That said, I was surprised to see the romance essentially take a back seat to some of the gaming stuff for the first half of the story. And, even for me, someone who enjoys gaming quite a bit, this was frustrating. Not only did I pick this one up first and foremost for the romance, not the gaming, but it also forced the actual love story to have to go through all of the stages in a rather short period of time in the second half of the book.

I also struggled to enjoy Viola. And this made for a complicated reading experience, because on one hand, her anger is justified and much of her arc is her learning how to lower her shields, even when she’s been hurt in the past. But on the other hand, even if some of her anger is earned, she was also incredibly unlikable for much of the first half of the story. And as much as my brain could understand this, especially the fact that she is a teenage character which makes all of these big emotions even harder to wrangle, the rest of me was so often annoyed at her that I struggled to enjoy her. I had to keep stopping and essentially explaining to myself why she behaved the way she did, but…having to give yourself a pep talk about enjoying a book doesn’t make for, well, enjoyment.

Overall, this was kind of a “meh” read for me. There were elements that I liked, but there were enough issues with the pacing of the love story and the likability of one of the lead characters that left me feeling rather cold on the story by the end. Fans of YA contemporary romance might still want to give this one a shot, however, as the author’s quippy dialogue is still as fun as ever! Plus, there’s a nice little barb launched at the “Game of Thrones” finale towards the end of the book. Always love to see it.

Rating 7: Just ok. I thought the book touched on some important themes, but the love story felt oddly paced and I struggled to like Viola as a character.

Reader’s Advisory:

“Twelfth” can be found on this Goodreads list: YA Novels of 2024

Serena’s Review: “Ruthless Vows”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Screenshot

Book: “Ruthless Vows” by Rebecca Ross

Publishing Info: Wednesday Books, December 2023

Where Did I Get this Book: own it!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Two weeks have passed since Iris Winnow returned home bruised and heartbroken from the front, but the war is far from over. Roman is missing, and the city of Oath continues to dwell in a state of disbelief and ignorance. When Iris and Attie are given another chance to report on Dacre’s movements, they both take the opportunity and head westward once more despite the danger, knowing it’s only a matter of time before the conflict reaches a city that’s unprepared and fracturing beneath the chancellor’s reign.

Since waking below in Dacre’s realm, Roman cannot remember his past. But given the reassurance that his memories will return in time, Roman begins to write articles for Dacre, uncertain of his place in the greater scheme of the war. When a strange letter arrives by wardrobe door, Roman is first suspicious, then intrigued. As he strikes up a correspondence with his mysterious pen pal, Roman will soon have to make a decision: to stand with Dacre or betray the god who healed him. And as the days grow darker, inevitably drawing Roman and Iris closer together…the two of them will risk their very hearts and futures to change the tides of the war.

Previously Reviewed: “Divine Rivals”

Review: Sometimes I find it difficult striking a balance between keeping up with all of the new releases that I’m sure readers are looking for reviews for while also not slipping behind on books that are parts of a series and have sequels coming out during that same period of time. So, alas, here we are several months after the fact for a review for the second half of the wildly popular “Letters of Enchantment” duology. *les sigh*

I’ve been a big fan of Ross’s stories for a while now, so I have been incredibly pleased to see this duology so well received by many readers who are new to her work. That said, while I do like this book and its predecessor, I have to make a small plug for some of her earlier books, which I think are even stronger! But, of course, the focus of this review is this book. The last one ended on a huge cliffhanger, so I went into this one with a lot of pent up anxiety about where the story would go from here! The book picks up two weeks after the events of the previous book, with Iris back in the city and Roman behind enemy lines with his memories wiped.

I was a bit concerned about how this story would play out with our two main characters separated once again and with Roman’s lack of memories, but I was pleased with the way this was dealt with. The author doesn’t wipe the board completely clean, but instead neatly maneuvers the characters through a series of events that keeps the focus strong on their romance. While I still think the first book’s love story was the stronger of the two, I will always appreciate sequels that allow the love story to move further forward, instead of resetting it completely. Yes, we have to see these two rediscover each other to some extent, but we also get a fairly significant portion of the story that deals with them reconciled and moving through the next stages of their relationship.

I also really enjoyed the scenes we had from Roman’s perspective, the chance to see behind enemy lines and meet the big bad that was so often discussed in the first story. I particularly enjoyed the exploration of the soldiers who had been forcibly recruited, all struggling with memory loss and fighting for a cause they didn’t choose. In Iris’s chapter, we explored themes of loyalty, resistance, and the experiences of the civilians in a city under siege. Like the first book, these scenes of warfare were all incredibly powerful, presenting some of the many moral challenges faced by those in these situations.

I do think the book struggled a bit with how Dacre himself was dealt with. There were several points in the story where I struggled to understand some of his decision making. For such a powerful god, it didn’t make sense that he was relying on Roman and even Iris so much in the ways that he did. How these two weren’t outright murdered several times is frankly beyond me. But, believability aside, I still liked the overall themes of this book enough to not be too put off by that.

Overall, this was an excellent sequel to an excellent duology! Fans of the first book are sure to love it (who am I kidding though, all of the big fans have already read it by now!) and, with a conclusion as solid as this one, the entire duology is one I’d recommend to readers looking for a fresh take on a YA fantasy novel!

Rating 8: Love, war, and the impossible choices found therein, this duology is one of the best in YA fantasy out there!

Reader’s Advisory:

“Ruthless Vows” can be found on these Goodreads lists: Best YA Sequels and Romantasy.

Serena’s Review: “What Monstrous Gods”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “What Monstrous Gods” by Rosamund Hodge

Publishing Info: Balzer + Bray, March 2024

Where Did I Get this Book: from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Centuries ago, the heretic sorcerer Ruven raised a deadly briar around Runakhia’s palace, casting the royal family into an enchanted sleep – and silencing the kingdom’s gods.

Born with a miraculous gift, Lia’s destiny is to kill Ruven and wake the royals. But when she succeeds, she finds her duty is not yet complete, for now she must marry into the royal family and forge a pact with a god – or die.

To make matters even worse, Ruven’s spirit is haunting her.

As discord grows between the old and new guards, the queen sends Lia and Prince Araunn, her betrothed, on a pilgrimage to awaken the gods. But the old gods are more dangerous than Lia ever knew – and Ruven may offer her only hope of survival.

As the two work together, Lia learns that they’re more alike than she expected. And with tensions rising, Lia must choose between what she was raised to believe and what she knows is right – and between the prince she is bound to by duty…and the boy she killed.

Review: I always enjoy fantasy stories that tackle religion and gods and the many ways these can affect society in both beneficial and horribly tragic ways. It can really go either way! So the description immediately appealed! Plus, the fact that it sounds vaguely like a “Sleeping Beauty” re-imaging, and I’ve read a few other fairytale re-tellings by this author that I liked were also good signs in its favor! And while pieces of all of these things were present (plus a very romantic cover), in the end, I didn’t think any of them fully lived up to their potential.

The story started off with a bang, introducing our main character Lia who has been raised for a large chunk of her life in a convent after the loss of her family to a deadly plague that has ravaged her country for centuries. Her initial goals and drive were clear, and the plot progressed quickly to her harrowing journey through the dangerous hedge around the castle, and from there to her confrontation and eventual murder of Ruven, the man behind the curse. I liked all of this so much and was fairly confident at this point that I was going to like this story! I appreciated Lia’s drive and devotion to her cause, and I always like to see heroine’s who can back up their talk with action. So while her killing of Ruven definitely reads with a large question mark aside of it, from Lia’s perspective, this was her mission and she fulfilled it.

Sadly, the book seemed to fall off a steep cliff from here. What had initially felt like intriguing world building, especially the pantheon of gods and their various saints, soon seemed to become a mire of pitfalls and inconsistencies. Suddenly, information was just popping up here and there, seemingly whenever the plot of the book needed it to. It’s not a spoiler since the summary of the book gets to this plot point, but the manner in which Lia’s engagement comes up in the book is literally some character being like “Oh, you didn’t know about this history of this law? Well, ta da! We must wed!” I really hate when stories just throw in crutches like this that seem to come out of nowhere, with no one, reader or character, having heard of it until it conveniently needs to happen for plot purposes. And this sort of thing happens again and again as the story progresses.

As far as Lia’s character goes, I appreciate what I believe the author was trying to do, exploring religious trauma and indoctrination in a system that is not what it seems. However, the way it plays out on the page leaves us with a character who comes across as incredibly passive and one who for too long refuses to act in the face of new information. This is especially frustrating to read after the action-packed beginning of the story where we see a very different version of Lia.

The romance is also fairly lackluster. I will say, one of the strengths of this book is Ruven’s character, especially the witty dialogue that we get from him in his ghost form throughout. That said, the love story itself felt a bit like an after thought and hit some strange beats. There was never really any explanation for why these two would fall in love with one another, especially after some late-game betrayals between them. It was a strange situation where, on one hand, I enjoyed the interactions between Ruven and Lia more than anything else in the story, but I also struggled to really buy their love story as a whole.

Unfortunately, this book ended up as a disappointment. I will say that the writing was strong throughout, and for readers who are especially interested in the exploration of religious trauma in a fantasy world, this might be a good read to check out. However, I feel like the inconsistent world-building and characterization of the main character were on the weaker side, in the end.

Rating 7: While it started off on a strong note, this book took an unfortunate dive into inconsistent world-building and weaker characterization.

Reader’s Advisory:

“What Monstrous Gods” can be found on this Goodreads list: Epic High Fantasy/Romance/Mythology in 2024

Serena’s Review: “To Gaze Upon Wicked Gods”

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Book: “To Gaze Upon Wicked Gods” by Molly X. Chang

Publishing Info: Del Rey, April 2024

Where Did I Get this Book: NetGalley!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: She has power over death. He has power over her. When two enemies strike a dangerous bargain, will they end a war . . . or ignite one?

Heroes die, cowards live. Daughter of a conquered world, Ruying hates the invaders who descended from the heavens long before she was born and defeated the magic of her people with technologies unlike anything her world had ever seen.

Blessed by Death, born with the ability to pull the life right out of mortal bodies, Ruying shouldn’t have to fear these foreign invaders, but she does. Especially because she wants to keep herself and her family safe.

When Ruying’s Gift is discovered by an enemy prince, he offers her an impossible deal: If she becomes his private assassin and eliminates his political rivals—whose deaths he swears would be for the good of both their worlds and would protect her people from further brutalization—her family will never starve or suffer harm again. But to accept this bargain, she must use the powers she has always feared, powers that will shave years off her own existence.

Can Ruying trust this prince, whose promises of a better world make her heart ache and whose smiles make her pulse beat faster? Are the evils of this agreement really in the service of a much greater good? Or will she betray her entire nation by protecting those she loves the most?

Review: I’m going to review this one in a rather unconventional manner, but when thinking about this read and trying to organize my thoughts into my typical review style, I simply found it all to be too jumbled and all over the place. Moreover, many of my thoughts and feelings have to do with very specific aspects of the books and less to do with overall structure and form of the book.

I’ll give a quick overview here, however: I did not like this book. I thought the writing was incredibly choppy and stilted with broken up sentences galore, the characters largely unlikable and melodramatic to the extreme, and the plotting muddled, leaving readers unsure of what was going on in basic aspects of the world and how they were meant to interpret the actions and feelings of its characters. It simply failed to be a good read for me in almost every way. That said, as always, there are plenty of readers who may enjoy this more! Specifically, readers who focus less on world-building will likely not be as hung up as I was with much of this story. And those who really enjoy Asian fantasy (as I typically do!) might also want to read this. Now, for the rest of this, I’m simply going to label each section with the struggle point I’m going to focus on. First up:

The Author’s Note/Historical Inspiration

This author’s note was included at the beginning of the book, so it’s clear that the author and publisher intended for it to be read before the story itself. In it, the author writes beautifully of listening to her grandfather recount his memories of Unit 731, a unit of the Japanese Army in late 1930s, early 1940s, that committed horrific war crime experiments on the Manchurian people. Now, I always appreciate when author’s include information like this when they are writing a book inspired by true events, but in this case, it only raised more questions with regards to the decision by the author to name the colonizing force “Rome.” To draw attention to the atrocities of the past by creating a fictional version of the tale for modern audiences is a tried and true practice, and like renaming Manchuria “Pangu,” the Japanese forces could have similarly been given a fictional name. And with the inclusion of this author’s note, it would have been clear to everyone what was being discussed.

But to instead take a specific historical event like this that was enacted by one nationality and then write a book and attribute those actions to a completely different real-world country/people is pretty icky. I can’t imagine this choice going over well if something similar had been done with different historical events/groups. For example, writing a book about a colonizing group giving indigenous people blankets covered in disease but then naming that colonizing group, say, Brazil. Nope! Not great! It was also such an easy fix, since Manchuria/ancient China had already been given the fictional name of “Pangu.” Simply do the same and come up with some other fictional name! Not only would this have avoided the “ick” factor we have here, but it also would have made the reading experience more pleasant as a whole. The name “Rome” invokes a very specific picture in most readers’ minds, so to then write a book in which the Romans are zipping around on helicopters and whipping out guns all the time reads as strange. It’s distracting, at best. This lead’s me to my next point, which also starts in the author’s note but than moves into the narrative itself:

“Magic Vs. Science”

There were also some bizarre claims in the author’s note about “science” that really had me raising my eye brows. At one point, the author is reflecting on the past, about how Manchuria/China fought its Western invaders’ bullets with bows and arrows. Now…I’m honestly just confused by this. The note started off talking about Unit 731, so obviously references to bows and arrows make no sense in this context, not even getting to the fact that I don’t believe we’d call the Japanese forces “Western.” But if at this point in the note she’s instead been talking about an earlier point of history (there is no indication that this is the case, however, because the very next sentence is again referencing her grandfather), I’m not sure it’s much better! China was significantly more advanced in science and technology than the West for pretty much all of history. I really don’t know how to interpret what the author was trying to say. Maybe I’m missing something, and if so, I’m happy to be corrected, but as it stands this was bizarre to the extreme.

Unfortunately, this continued into the story itself. Ruying, in her overly melodramatic style, goes on and on throughout this book of the impossible power of Rome’s “science” and how Pangu has struggled against it for decades. Aside from the fact that just referring to this over and over again as “science” (“they came at us with science”) makes for a clunky reading experience, it’s also a strange choice. Don’t you mean technology? Saying that Pangu had no sense of “science” is like saying they have no understanding of gravity or of how the stars move through the sky. It makes Pangu and its people sound incredibly stupid, and I know that’s not what the author was trying to say! Beyond this, again, to write a fictional world that is based off ancient China and frame it in a way that makes the Chinese stand-ins repeatedly said to have no understanding of “science” is to downgrade China’s own history of actually being incredibly scientifically advanced.

Beyond this, from a fictional stand-point, we are told that the Romans invaded several decades ago. Again, unless we are to seriously devalue the people of Pangu, it belies belief that they would not be able to begin adapting and replicating some of the technology that the invaders brought with them. It’s simply hard to buy from a story front, and I was repeatedly thrown out of the story whenever this discussion of the “Romans and their science” came up.

The Romance

I don’t typically read many reviews of a book before writing down my own thoughts, but I did here because of all of the confusion re: “Rome” and “science” that I discussed above. And when I was going through the Goodreads reviews, I began to notice something strange. This book was continually being referenced as a “colonizer romance” with many readers enraged about the love story between Ruying and her Roman love interest, Antony. What makes this most interesting to me, however, is the fact that here is a real-time example of how either the times have changed or something else went wrong in the marketing of the book.

Readers of this blog will know that long ago I had a very bad “break up” with the “Shadow and Bone” trilogy, and this largely had to do with my dislike of the massive fangirling over the Darkling as a love interest. I was bewildered and put off by how so many fans of that series seemed to think that the Darkling, a literal psychopath and mass murderer, was a legitimate option as a love interest, to be held up right along side the heroic best friend, Mal. Well, low and behold, I think we have the exact same set up in this book, but for whatever reason (changing of the times, the type of fantasy novel this is with the focus on colonization), the pendulum has swung completely the other direction, with fans up in arms that this pretty terrible guy, Antony, is given so much time as a love interest at all! What is missing from many of these reviews is that this book, too, includes a very “Mal-like” character, the best-friend that, by the end of the book, seems to be fully brought forward as the true love interest. Frankly, I felt like the story was fairly clear about all of this. But if you just read the reviews, you won’t see this. For some reason, poor (not really) Antony didn’t see any of the Darkling love that a pretty similar character received in another YA fantasy story just like it!

Now, to be fair to many reviewers, I think there is a major disconnect from the story this book is actually telling and the type of book it is being marketed as. We’ve seen a heavy push by the publisher to label this as an “enemies to lovers” style romance. This would obviously set the reader up to expect Ruying’s primary romance to be with Antony, and indeed, much of the actual “romance,” such that it is, is focused between these two characters. But by the end, we see Ruying forced to grapple with the reality of Antony’s choices and who he is, much like we see Alina become horrified by the Darkling in book one and turn to Mal. I don’t think the marketers or publishers did this one any favors with the way they presented it to readers, and the confused Goodreads reviews prove my point.

All of that said, leaving the confused reviews aside, I did not enjoy this love story. Ruying was incredibly annoying through much of it, melodramatically info-dumping her way through what could have been compelling scenes. For a girl with the power of “Death,” we see practically no assassinations. And from a character that we’ve been warned by the author (again in the bewildering author’s note) to not judge the character harshly for her actions, all we see is a girl who judges others, doesn’t really kill anyone on page, and then the one time she does she breaks down about it. This is not the “morally grey” character I was promised. Instead, that morally grey character seems to be the best friend love interest who, low and behold, Ruying herself spends much of her time “judging for his actions.”

This has gotten incredibly long, so thank you for everyone who stuck with me through this messy, rambling rant of a review! I obviously had a lot of thoughts and feelings on this one, but unfortunately, none of it was positive. I don’t recommend you read this book, however, it’s also one of the more highly anticipated titles for the spring, so if you want to get in on the action, I guess give it a shot!

Rating 3: As a story it fails with poor writing, weak characterization, and a muddled plot. But on top of this, we had some really strange choices about how to re-imagine historical events in a fantasy novel that I think not only landed badly, but crashed and burned.

Reader’s Advisory:

“To Gaze Upon Wicked Gods” can be found on these Goodreads lists: Around The World 2024 – Asia Continent and The Most Beautiful Covers of 2024.

Serena’s Review: “Draw Down the Moon”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Draw Down the Moon” by P. C. Cast & Kristin Cast

Publishing Info: Wednesday Books, April 2024

Where Did I Get this Book: NetGalley!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Wren Nightingale isn’t supposed to have any powers. Born of magickal parents but not under a moon sign, she was destined for life as a Mundane—right up until she starts glowing on her eighteenth birthday. In a heartbeat, Wren’s life is turned upside down, and she’s suddenly leaving her home for the mystical Academia de la Luna—a secret magickal school on a hidden island off the Seattle coast.

Lee Young has always known about his future at the Academia. He has one goal: pass the trials, impress the Moon Council, and uphold his family’s reputation. But he wasn’t expecting to be attending alongside the girl he’s been secretly in love with for as long as he can remember.

As Wren and Lee are thrown into the Academie’s gruelling trials, they quickly learn there’s something different–and dangerous–about the school this year. Wren will have to navigate a web of secrets, prophecies–and murder. And Lee will have to decide who to protect–his family’s legacy, or the girl he loves.

Review: I’ll be honest, I was drawn into this one mostly because of its whimsical cover! And then I read the description which focuses on a magical school and academia, and I knew this was one I’d like to check out. I haven’t read anything by either of these authors before either, so I went in with very few expectations. Unfortunately, this one didn’t quite work for me.

But let’s start with some of the pros first, as always. I really enjoyed the magical school and the fantasy components of this world. The idea of characters gaining certain powers based on the lunar cycle is very intriguing and not something I’d come across before. I also liked that the concept, while new feeling, wasn’t overly complicated, but felt approachable, especially for younger readers. And this is where part of my problems come in, I believe. When stepping back from my reading experience, I would say much of the reason I didn’t enjoy this one was because it seems to be the type of book best suited towards one fairly specific audience: middle school to young teen readers who are fairly unfamiliar to the fantasy genre and its conventions. For these readers, much of what is being done here may hold more interest, but for older readers, or those who read a lot of fantasy, much of it feels standard to the point of banality.

Further, this book is a perfect example of the YA “genre” being a bit to broad, or perhaps the marketers/publishers getting it wrong when promoting this book. The characters are meant to be 18, but throughout the entire story they read much, much younger. This shows itself in the dialogue, but even more so in the rather simplistic approaches to life that they incorporate, as well as some of the more ridiculous decisions they make. I believe even older teenagers would struggle to really connect to these characters without growing quickly frustrated by their storylines, let alone the many adult readers of YA fantasy fiction.

As far as fantasy concepts go, the story also follows a fairly tried and true “chosen one” plot line, very rarely veering into any territory that truly feels original. And, again, while I think the simplicity of the magic system can also be a pro, it can work against the story as well, coming across as overly basic at times, with very little room for growth, depth, or context. The romance, too, struggles in much the same way. There is nothing overtly wrong with this aspect of the story, but it never felt like it was ever taking any risks or swerving in any way that might surprise readers.

Ultimately, this book could be a success for younger readers looking for an entry point into fantasy fiction. But older readers, even just older teens, and those well-versed in fantasy stories will likely find themselves bored for much of this read and would do better to look elsewhere. For these readers, I’d likely rate this a 6, but I’ll bump it up since so much of this rating comes down to this disconnect between reader and book, more so than any distinct failures on the book’s part.

Rating 7: Perhaps a story that will work for middle grade readers looking to first dip their toes into fantasy fiction, but there’s not enough in this book to truly appeal to general fantasy readers.

Reader’s Advisory:

“Draw Down the Moon” can be found on this Goodreads list: Cover Illustrated by Afterblossom (Kelly Chong)