Tag: Young Adult

Kate’s Review: “This Place Kills Me”

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Book: “This Place Kills Me” by Mariko Tamaki & Nicole Goux (Ill.)

Publishing Info: Abrams Fanfare, August 2025

Where Did I Get This Book: I received an ARC from the publisher at ALAAC25

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: At Wilberton Academy, few students are more revered than the members of the elite Wilberton Theatrical Society—a.k.a. the WTS—and no one represents that exclusive club better than Elizabeth Woodward. Breathtakingly beautiful, beloved by all, and a talented thespian, it’s no surprise she’s starring as Juliet in the WTS’s performance of Shakespeare’s classic tragedy. But when she’s found dead the morning after opening night, the whole school is thrown into chaos.

Transfer student Abby Kita was one of the last people to see Elizabeth alive, and when local authorities deem the it-girl’s death a suicide, Abby’s not convinced. She’s sure there’s more to Wilburton and the WTS than meets the eye. As she gets tangled in prep school intrigues, Abby quickly realizes that Elizabeth was keeping secrets. Was one of those secrets worth killing for?

Told in comics, letters, diary entries, and news articles, This Place Kills Me is a page-turning whodunnit from award-winning writer Mariko Tamaki and acclaimed illustrator Nicole Goux that will have readers on the edge of their seats and begging for an encore.

Review: Thank you to Abrams Fanfare for providing me with an ARC at ALAAC25!

As someone who was a bit of an outcast in high school, stories about outsiders dealing with their outsider status appeal to me on a personal level. Along with that, I do love a good thriller and mystery. “This Place Kills Me” by Mariko Tamaki scratches both of those itches when it comes to thematic elements, and when I saw that it was going to be available at ALAAC25 I really wanted to get it. Finding out that there were also theater elements, boarding school dramatics, and queer themes to boot just hyped me up more! I’ve always enjoyed Mariko Tamaki’s contemporary books so I was quite interested in seeing what would be done with a thriller.

I really liked Abby as our main character, as she is a very relatable outsider who can’t seem to find her way to fit in at this prestigious all girl’s school, and who has some baggage toe carry with her due to rumors and unfair perceptions. I fully believed her as an amateur detective who wants to get to the bottom of her classmate’s unexpected death, especially when she uncovers some clues that make it seem like Elizabeth may have been hiding something. Tamaki is very deliberate in revealing clues through the eyes of Abby, and as she investigates and starts to find some of the more sordid and controversial secrets at Wilberton, she makes new enemies of fellow classmates, but also finds a potential ally in her roommate Claire, who has been pretty aloof bordering and hostile up until this point. I kind of saw some of the layers of the mystery early in the book, but that didn’t make it any less enjoyable. I was invested in seeing how Abby eventually figured things out for herself, and the coming of age that comes with learning about some dark and unfair truths about the world we live in.

But the thing that I found most resonant about this story, like many of Tamaki’s stories in the past, is how real and bittersweet and painful the coming of age aspect was in this story, and not just for Abby. But mostly Abby. This book takes place in the early 1990s, and Abby is a queer teen who has found herself ostracized and demonized because of her queerness and those around her being unable to understand or accept it. Tamaki taps into the loneliness and the isolation, and the way that having to hide oneself can be so damaging to a teenager (or anyone, really) going through some really difficult things. This book has some truly bittersweet and pathos filled moments, letting these feelings linger and speak for themselves even with a dark mystery at the forefront. But again, Tamaki has always been great with these kinds of stories, and this one continues the streak.

And finally, I enjoyed the artwork by Nicole Goux. Full disclosure, my ARC of this book was in black and white and the finished product will have some color, but even without that I still enjoyed the style.

(source)

“This Place Kills Me” is another great book about difficult subjects by Mariko Tamaki. Definitely recommended!

Rating 8: A disturbing mystery, a secretive girls school, and a bittersweet coming of age tale combine to make a solid story from Mariko Tamaki.

Reader’s Advisory:

“This Place Kills Me” isn’t on any Goodreads lists as of yet, but it would fit in on “Boarding School Mysteries”.

Kate’s Review: “Influencer”

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Book: “Influencer” by Adam Cesare

Publishing Info: Union Square & Co, October 2024

Where Did I Get This Book: I received a finished copy at a panel at ALAAC25

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Aaron Fortin is new in town. He drives a brand-new Acura—a gift from his parents for uprooting him in the middle of senior year. Showing up on his first day at the local public school in that nice of a car? He knows he’ll never blend in, and he doesn’t care to try. The car, the new kid mystique, he can use all that…

Crystal Giordano carpools to the same school in her friend Trevor’s beat-up van. In the van along with Crystal and Trevor are Paul, Harmony, and Gayle. Crystal’s technically part of their misfit group, but most of the time, she feels like she’s the only one who doesn’t fit.

When Aaron Fortin sits at their lunch table, Crystal can see he’s not who he says he is. But how big of a fraud is Aaron Fortin? Crystal clumsily exposes Aaron and becomes his target, falling victim to his insidious campaign to erase her. Only then does she discover who he truly is—and it’s so much worse than she thought.

As her friends begin to follow him one by one, Crystal wonders if she can protect them or if his influence is just too strong.

Review: Thank you to Union Square & Co for giving me a finished copy of this novel at ALAAC25!

So here is a story that perfectly reflects the fates of some of my ARCs. During the ALA Annual Conference in 2024, I picked up an ARC of the book “Influencer” by Adam Cesare. I grabbed it because 1) I have enjoyed other books by Adam Cesare and was happy to see he had a new one, and 2) I just love a thriller or horror story that uses social media influencers as a sticking point in their plots. Fast forward to the ALA Annual Conference in 2025, where I find myself attending a panel that has Adam Cesare, and he is talking about his 2024 “Influencer”…. A book that I wholly left by the wayside the year before. As I listened to him talk I thought to myself ‘ah shit, I really should have read “Influencer” by now, it sounds great’. Well good news! I got a new copy at ALAAC25, and I DID READ IT THIS TIME!

Hooray! (source)

I had a lot of fun with this book! Once it hooked me in the very first chapter (which was a start that had QUITE a shocking bang I must say!), I had a really hard time putting it down. It’s a very readable thriller with a well done narrative structure of two narrators, one being our psychopathic ‘influencer’ Aaron and the other being awkward but observant Crystal. Through both of their perspectives we see the making of a cat and mouse game as Aaron slowly dismantles Crystal’s life and isolates her from her friends, and as Crystal tries to figure out a way to expose him for the dangerous villain he is. We can slowly start to tell what Aaron is plotting on one hand, but on the other we can see Crystal coming up with her own counter moves, and the tension of seeing who ends up on top propels the story. And as someone who used to have an unfortunate hyperfocus on serial killers, I definitely picked up on a lot of what Cesare was referencing. It’s also just a wicked take on how social media stars and influencers build upon parasocial relationships to create a profit, whether that’s money in our world or Manson-like control and violence mongering to make oneself feel powerful in the story at hand. Cesare isn’t afraid to really go balls to the wall in disturbing content in this book, but it makes his point (also, note that this book has instances of animal abuse, sexual assault, and many murders including that of a pregnant person, just to put some content warnings out there. Also, the book has a page of content warnings to refer to). It’s just a thriller that really worked for me.

But my favorite part of this book was the character of Crystal, our protagonist who can see right through Aaron due to her incredible intuition and pattern recognition. Crystal is very observant and perceptive, but she is also riddled with anxiety and awkwardness and constant worries about the status of her friendships and how her friends perceive her. If we’re being honest, Crystal was a LOT like me in high school, never quite feeling like she totally fit in with her peers and even her friends outside of perhaps one or two exceptions, and I thought that she was very, very endearing because of it. In fact, I also really enjoyed (as much as one can, I suppose as a villain’s perspective!) Aaron’s POV chapters as we see his manipulations, his deviousness, and his absolute sociopathy. It’s a shocking contrast between the two main POVs, and I thought that Cesare nailed both of them pretty well. Some of our supporting characters could have used a bit more oomph, specifically Harmony and Paul, as I felt like I didn’t know them well enough to know if I believed their quite heel turns as happy lapdogs to Aaron’s plots and plans no matter how crazed and violent, but I’m willing to suspend my disbelief a bit just because I enjoyed so many other things about the book.

Me finally getting to “Influencer” took some time, but I’m thrilled I finally got the kick in the pants I needed to pick it up. If you are looking for some more fast and fun reads as the summer winds down, check this one out for sure!

Rating 8: Fast paced, twisted as hell, and suspenseful until the end, “Influencer” is a darker tale from star on the rise author Adam Cesare!

Reader’s Advisory:

“Influencer” is included on the Goodreads list “Fiction About Influencers”.

Serena’s Review: “A Theory in Dreaming”

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Book: “A Theory in Dreaming” by Ava Reid

Publishing Info: HarperTeen, July 2025

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: All stories come to an end.

Effy learned that when she defeated the Fairy King. Even though she may never know exactly what happened at Hiraeth, she is free of her nightmares and is able to pen a thesis with Preston on the beloved national fairy tale Angharad. She has finally earned a spot at the literature college, making her the first woman in history to enroll.

But some dreams are dangerous, especially when they come true. The entire university—and soon the entire nation—is waiting for her to fail. With the Fairy King defeated and Myrddin’s legacy exposed, Effy can no longer escape into fantasy. Who is she without her stories?

With Effy under threat, Preston is surprised to discover a rage simmering inside him, ringing in his ears like bells. He begins to dream of a palace under the sea, a world where he is king—visions that start to follow him even in waking.

As the war between Llyr and Argant explodes, Effy and Preston find themselves caught in the crossfire: Effy losing her dreams and Preston losing himself in his.

Are dreams ever truly just dreams?

Previously Reviewed: “A Study in Drowning”

Review: I loved “A Study in Drowning.” It felt like such a tightly plotted YA title that incorporated a strong personal arc for the main character, Effy, as well as a tension-filled gothic mystery that built to an incredible climax at the end. As you can expect from this, it was a fantastic stand-alone read. That said, while I was satisfied with its ending, I was more than happy to return to this world and these characters. Especially to see more of the burgeoning love story between Effy and Preston.

Unfortunately, this one didn’t live up to the highs of the first book, mostly because of how perfectly insulated that story felt. But there was still much to enjoy here, so let’s start with that first. Per Reid’s typical style, many of the themes explored within this story are dark but important. Through careful crafting, the author explores the slow descent into isolation and withdrawal that can come with serious depression. Both Effy and Preston also constantly struggle to find a place for themselves in an institution and society that is built for others, Effy as a woman in the man’s world of academia, and Preston as a man of two heritages, both of which are at war with one another. These themes were richly detailed, and while it didn’t necessarily make for a “fun” reading experience, I definitely felt like I was getting a stark window into the struggles of these two characters and others like them.

That last point speaks to one of my struggles with this book, however. While well-represented and thoroughly explored, the reading experience itself quickly began to feel heavy and almost tiring; I found myself needing to put the book down after only short reading sessions. Part of this, I think, comes down to the fact that both Effy and Preston’s inner arcs are fairly similar. They are each dealing with similar feelings of isolation and like they are outsiders intruding where they are not welcome. This then leads to a lot of inner dynamics centered around feelings of weariness and fear. So, while the book does alternate between their perspectives, much of the story felt the same between the two, and it began to feel a bit draining.

The romance itself also suffered a bit from this as well. Both Preston and Effy spend much of the book hiding things from one another, both preoccupied with not wanting to place a burden on the other. And, again, the fact that both characters had such similar experiences with in the romantic plotline, it began to feels as if their relationship was spinning its wheels, with a lot of words spent saying the same or similar things over and over again.

I did enjoy some of the deeper looks into the magic of this world. Most of this came through Preston’s side of the story, and I would argue that this is largely his story. But even here, while I enjoyed getting a better understanding of this history and magic, there didn’t feel as if there was enough of a plot to serve as a structure upon which to hang these descriptive elements.

Overall, this book felt like what it was: an unplanned sequel to a stand-alone fantasy story that had been complete on its own. The writing was luscious, as always, and I did enjoy elements of the love story. But ultimately, I came away from this one feeling as if it didn’t really add anything. I felt like Preston and Effy had ended the previous book with challenges ahead but with a new will to overcome, comfortable in themselves and their new relationship. And perhaps this book was honest about the reality of the hardships they would face and that that same will to move forward could begin to crumble in the face of these struggles. I just…am not sure those realities really make up a story, all on their own?

Fans of Reid’s will likely still want to check this one out. Quality wise, it’s still a well-written book with an interesting world. Effy and Preston also remained characters whom I loved and rooted for. I simply couldn’t get into the limited amount of actual “story” to be found here.

Rating 7: I still enjoyed the world, the characters, and the love story. But it felt clear that with the first book being planned as a stand-alone, this one didn’t really have anywhere to take the story.

Reader’s Advisory:

“A Theory in Dreaming” can be found on this Goodreads list: omg i love this cover.

Kate’s Review: “Bad Dreams in the Night”

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Book: “Bad Dreams in the Night” by Adam Ellis

Publishing Info: Andrews McMeel Publishing, April 2024

Where Did I Get This Book: The library!

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Like a graphic novel version of Scary Stories to Tell in the Dark , this collection of original horror tales is packed with urban legends, terrifying twists, and delightfully haunted stories by one of the biggest stars in webcomics. Each story will make you scream for more!

A new take on a classic format, Bad Dreams in the Night is an updated, illustrated take on the horror anthologies the author grew up with as a kid, such as Scary Stories to Tell in the Dark and In a Dark, Dark Room . These self-contained stories grew rapidly in popularity among the author’s online audience, and even inspired production of a motion picture from Buzzfeed Studios and Lionsgate Films. Filled with spine-tingling, pulse-increasing tales of mystery and supernatural occurrences, this book of never-before-seen comics will be the perfect gift for people who love  Black Mirror  and  Stranger Things  and listened to podcasts like  Welcome to Nightvale  and  Rabbits. 

Review: I’m sure that if you have spent at least some time on the Internet you have stumbled upon something by Adam Ellis. He is a cartoonist whose works have gone viral more than once, and have become memes in some cases. I think that what I was most familiar with him from was his long form Twitter ghost story “Dear David”, where he recorded and shared a ‘haunting’ of his apartment by a child ghost with a caved in head. I thought it was very creative and a really fun way to tell a story and create folklore. I actually hadn’t heard of his horror story collection “Bad Dreams in the Night” until very recently, but once I had I really wanted to read it because I found “Dear David” to be a hoot. Clearly I needed to see what else he could do.

Like most short story collections, I will highlight my three favorite tales, and then address it as a complete product.

“Evangeline”: This book started off with a bang, as ‘Evangeline” really grabbed my attention and went places that I kind of expected, but still found poignant. Ellis reminisces about visiting his grandparents house and watching from the TV recorded horror movies on many VHS tapes, but there was one film that he hasn’t been able to find anywhere else. In the film a farmer has a strange alien land on his property, and he calls her Evangeline and they fall in love, though their love is doomed. Ellis searches far and wide but can’t find this movie anywhere. Perhaps for a reason. Was it easy to see wehre this was going? Yeah, a little, but I still loved the journey and found it to be rather bittersweet and beautiful, in a way.

“Little House in the Sea”: I thought that this was probably the most unique story in the book, and wasn’t so much scary as it was haunting and dreamy. A girl is raised alone on a small island with her mother. She always asks her mom if they can leave, but her mother is a steadfast ‘no’. The girl wonders what is beyond the sea. As a mother whose only child is a daughter this one felt especially emotional, even as the more speculative and odd aspects started to reveal themselves, and it just felt ethereal in its strangeness. This was a favorite based on vibes, I suppose, but man the vibes were great for me.

“Viola Bloom”: Is this pretty much a reimagining of a fairly common creepypasta trope that has been around for many, many years (the cursed chain letter/media situation)? Yes. But I still really, really enjoyed “Viola Bloom”, as even if it’s been done before, Ellis still made it unsettling and scary for me. Framed as autobiographical, Ellis receives a strange card in the mail with the name ‘Viola Bloom’ on it, and shortly thereafter a strange, unearthly woman is stalking him outside of his home, unwilling to leave and merely standing, and staring. But what worked the most for me was the inspiration, as Ellis has had to deal with some really scary real life stalking incidents, mostly from the alt-Right and internet trolls that target him for his identity. By channelling that fear into a story about being stalked by a seemingly unending force it makes for a tale that’s all the more resonant and scary.

As a whole, the stories generally worked for me. Some felt a little more shallow than others (“Butter Corn Ramen” was pretty predictable, and “Murder Party” says the same arguments against the true crime genre that pretty much everyone is saying and didn’t feel interesting beyond being a scold, even if I generally agree with the sentiments), but as a whole I found them all entertaining, and I devoured the collection in one night. I also enjoyed the Millennial nostalgia of some of these tales, whether referencing classic scary tales from our youths or the old comfortable formulas of a sitcom’s narrative design.

“Bad Dreams in the Night” is a quick and creepy read, and given that Ellis has a new collection of horror graphics are coming out, it has put him on my radar as a horror author. Excited to see what else he will do in the future!

Rating 8: A quick paced and creepy collection of scary stories from a creator whose horror chops had promise even before this, “Bad Dreams in the Night” is an devilishly fun ride by Adam Ellis.

Reader’s Advisory:

“Bad Dreams in the Night” is included on the Goodreads list “YA Graphic Novels of 2024”.

Serena’s Review: “Bound by Stars”

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Book: “Bound by Stars” by E. L. Starling

Publishing Info: Entangled: Teen, July 2025

Where Did I Get this Book: Netgalley!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: She never belonged in his world. He never thought he’d leave it.

When Weslie Fleet wins a golden ticket aboard the Boundless, humanity’s most opulent starliner, it’s a dream―and a danger. Raised in the dust-ridden ruins of Earth, she is thrust into the gleaming luxury of Mars’s elite, where every whispered word carries weight and every glance is a silent judgment. And none watch her closer than Jupiter, the golden boy of Mars’s high society, bound by duty, legacy, and a future he never chose.

Their reluctant partnership was supposed to be a one-off assignment. Instead, it becomes a battle of wills, a spark that ignites, and a love neither of them anticipated. But fate is as cruel as it is unpredictable, and when the Boundless veers off course, love won’t be enough to save them.

The ship is failing. The odds are impossible. And in the darkness of space, survival is the only thing that matters.

But some loves are worth defying the stars for.

Review: This is one of those odd reads where what drew me to the book (science fiction re-telling of “Titanic”) is the specific aspect of the read that I most disliked. That is to say, there was a lot to like here whenever I could disconnect my brain from the parallel’s to the movie. While there weren’t any groundbreaking science fiction moments, the struggles between Mars and a vastly reduced Earth was an interesting political stage upon which to set the story. And the overall conflict and themes of the story (mostly centering around classism) were fairly well handled, especially for a young adult novel. The discussions of these themes was also done well and avoided straying too far into preachiness, a perpetual problem it seems in books like this. Further, the disaster itself that befalls the starliner was action packed and intense. However, this is a perfect example of how the comparisons to “Titanic” don’t work in the book’s favor.

Maybe I’m being nitpicky, but to me at least, there is a huge difference between the natural disaster that befell the Titanic with its ramming of the iceberg and a rebellion attack upon a luxury starliner. I picked this book up looking for a disaster and survival story; indeed, anyone who is promised a book that is a re-telling of “Titanic” would expect the same. A rebellion attack is a very different thing, and while not bad on its own, not what I been expecting or wanting from this read.

And you might say at this point “well, just try to read it as an original story, disconnected from the re-telling.” But you can’t! There are scenes that are direct call-backs/re-imaginings of scenes from the movie. From little things, like the FMC winning her ticket onto the starliner at the start of the book to a full scene devoted to re-imagining the “you jump, I jump” scene from the movie. There’s no getting away from the callbacks. (And I didn’t want to get away from the re-telling POV ultimately, I just wish the book had more confidently stuck to that premise in the first place!)

The change-out from disaster to rebellion attack was annoying enough, but I really began to get fed up with the way our main characters’ love story played out. Yes, classism is present in the dynamic between Rose and Jack in the movie. But there, we are seeing it through the lens of how restricted Rose is beneath the weight of this system, and Jack’s role is to free her from these binds and remind her of the joy and love to be found in life. That’s a lovely story! But here, a huge chunk of the first half of this book is devoted to Wes’s resentment towards Jupiter and his place within the wealthy uber-upper class. The enemies-to-lovers trope struck again, and in one of the most inopportune books you could find. Rose and Jack were NOT enemies! Jack didn’t spend all of his time resenting and lecturing Rose!

Not only does the change in this dynamic hurt a book that is being marketed as a science fiction version of “Titanic,” but it’s frankly a more boring choice. I’ve read a million stories that have this exact same romance and commentary on classism at their heart. And frankly, I didn’t need another. The book would have not only been more true to its concept had it stuck with the original dynamics between romantic interests, but it would have been a more interesting read on its own, as well.

If I really squinted, I could try to read this book disconnected from its “Titanic”-retelling origins. And for the brief moments where I could, it was a fine read. As a YA science fiction story, I think there’s definitely an audience for this book. But at the same time, I was incredibly disappointed with the more direct ties to the movie, especially the significant changes made to the love story at its heart. If you’re looking for a decent YA science fiction story, this may be a good fit. But if you were looking for a “Titanic” story, disaster and romance included, this is probably not for you.

Rating 7: Fine enough as a YA science fiction story, but disappointing as a “Titanic” re-imagining.

Reader’s Advisory:

“Bound by Stars” can be found on this Goodreads list: Books with “Star” in the Title.

Kate’s Review: “The Ground That Devours Us”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Ground That Devours Us” by Kalla Harris

Publishing Info: Entangled Teen, June 2025

Where Did I Get This Book: I received an eARC from the publicist via NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: The world ended ten years ago. Vampires showed up, took over, and turned the whole planet into their personal all-you-can-drink buffet. The president? Bloodsucker. The government? Bloodsuckers. My social life? Absolutely nonexistent.

But hey, at least I had one thing going for me—slayer training. My twin sister, Ripley, and I were about to go pro, officially joining the ranks of the last people on earth who actually do something about the whole “undead overlords” situation.

And then X had to show up. The vampire boogeyman. The worst of the worst. And instead of killing Ripley, like any decent monster would, he turned her. Now she’s technically a vamp, but something tells me my sister is still in there. Which means I can’t slay her.

What can I do? Break every rule. Lie to my friends. Strike a deal with the most dangerous vampire on the planet: X will protect Ripley from everyone else who wants her dead—like, really dead—until I can snag the cure for vampirism. The catch? Risking my own head to help him free his good-for-nothing BFF from the very slayers who taught me everything.

If I want Ripley back, I’m going to have to play nice with the thing that ruined my life. And the worst part? I think he’s enjoying this.

Review: Thank you to Kaye Publicity for sending me an eARC of this novel!

Anyone who has followed my reviews of vampire fiction on this blog can probably tell you that I am VERY particular about the genre, and that in many cases I have a really hard time getting into straight up human/vampire romance. THERE ARE EXCEPTIONS (love Spike and Buffy, I’ve really enjoyed the “My Roommate Is A Vampire” series by Jenna Levine), but overall it’s just not something I like. But when I was sent the description of “The Ground That Devours Us” by Kalla Harris, even though I knew it had romantic elements, I ALSO saw that it was a dystopia. And man I love dystopia. So I threw caution to the wind, hoping that the dystopic angles would outweigh the romantic ones.

This book gave me a mix of general dystopia, the book “The Coldest Girl in Cold Town” by Holly Black, the book/movie “Warm Bodies”, and some sprinkles of various CW vampire shows whether it’s “Buffy” or “The Vampire Diaries” (which was a direct influence according to Harris), and as a whole I found it very enjoyable and to be a well done mish mash. I liked the world that Harris built, with non-vampire survivors training and preparing to try and overtake the bloodsucker threat, while vampires are getting their own stuff in order, bringing more humans into the fold and turning them into vampires. And like with any dystopian stories worth their weight, we have a well established societal system, with our humans in one well guarded sanctuary compound, and our vampires (some sentient, some almost like zombies called ‘bloodwalkers’) outside the walls and living in their own society. I really enjoyed the vampires mythos, with there being more traditional vampires and the zombie-esque ones, and I liked the way that Harris slowly unveils the way that Vaille works, for better or for worse.

I also was a pretty big fan of our cast of characters, finding them all pretty well rounded and fleshed out. Our protagonist is Ruby, and she and her sister Ripley live in the compound Vaille and are training to be vampire slayers under the eye of Barnett, the head of their community. So when Ripley is turned into a vampire by notorious vampire X, Ruby wants to get her sister back because Vaille may be on the verge of a cure. It’s good hook, and Ruby is both an interesting and confounding protagonist, but confounding in a good way. She’s stubborn, bitter, and always on guard and ready to lash out at X, but when she teams up with him in hopes of getting Ripley back on her side, we really start to see her character growth. Especially as her worldview starts to be challenged the community she has put so much faith and devotion into starts to be revealed as not what she thinks. I was surprised by how well done this exploration of clannishness and blind devotion after being flooded with propaganda, and how Ripley has to start deconstructing what she thinks is true about her life in Vaille and being so tied to Barnett. It’s a pretty heavy theme, and Harris clearly trusts her reader to be able to parse out the nuance.

And okay, I probably have to talk about the romance, which was the element that I was the most nervous about. As mentioned above, I am really picky about my vampire romance. But I ended up really enjoying the relationship between Ruby and X. It wasn’t instalove, which is always a plus (and how could it be? He turned her sister into a vampire!), but it was done in a way that actually felt believable, going slowly enough that she could work through her anger, so he could help her understand his position, and so they could connect at a steady and acceptable pace (and there are some mitigating factors, too, but I won’t go into it here). X is a fun foil to Ruby, and I was definitely harkening back to some of the snide banter between Buffy and Spike in earlier seasons of “BTVS”.

I am such a predictable sucker for that kind of thing, take me back to swooning on the phone with my cousin after an episode of especially good Spike and Buffy banter! (source)

So overall, “The Ground That Devours Us” is a unique vampire dystopia tale that I found to be incredibly engaging. If Harris wanted to write more stories in this universe, I would read them for sure.

Rating 8: A unique and entertaining vampire dystopia that goes into some existential meditations on clannishness, blind allegiances, and propaganda. Oh, and vampire romance, too, and it didn’t make me want to pull my hair out.

Reader’s Advisory:

“The Ground That Devours Us” is included on the Goodreads list “YA Novels of 2025”.

Kate’s Review: “Now She’s Dead”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Now She’s Dead” by Roselyn Clarke

Publishing Info: Sourcebooks Fire, June 2025

Where Did I Get This Book: I received an ARC from the publisher.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Last summer, Sara Ellis was found dead by the lake, and only Mandy knows what really happened. This summer, she’s desperate to keep it a secret.

For a few weeks every summer, Sara was Mandy’s best friend. At Highmark, the lake resort where their families vacationed, the two were in a world of their own. Or at least Mandy got to be part of Sara’s world.

But now Sara’s dead. The police ruled her death an accident; a tragic mistake after a night of impaired judgment. For the past year, Mandy’s coped by escaping: leaving home and barely keeping it together at school. The last thing she wants to do is return to Highmark this summer—even if she does need “closure.” As soon as she’s back, though, she hears the whispers: someone killed Sara Ellis. And if she’s not careful, they’ll figure out it’s all her fault.

As evidence resurfaces and anonymous accusations are scrawled in angry red spray paint, Mandy must confront the truths she’s been avoiding about last summer. Because someone wants to make her pay for what happened to Sara that night.

Review: Thank you to Sourcebooks Fire for sending me an ARC of this novel!

Summer is basically here, and while it’s probably my least favorite of the seasons (it’s just so hot), I do really enjoy the vibes and ambiance of sitting by the pool with my book. It’s especially fun if the book is engaging, a little soapy, and filled with lots of drama, shocks, and surprises. Admittedly, I have a pretty picky standard when it comes to books like these, and if it even so much as VAGUELY drifts into no no territory (like last minute twists that don’t feel earned), I will feel sour about it, poolside or not. But I have great news! “Now She’s Dead” by Roselyn Clark is the kind of book that not only would make great poolside reading for the season, it also managed, for me, to not fall into any pitfalls I associate with the genre!

The structure of this thriller mystery is fairly straight forward. Our protagonist is Mandy, a teenage girl who is returning to the lakeside resort where her summer best friend Sara died in an assumed accident the previous year. Mandy off the bat has a lot of guilt, and since it’s first person POV she tells the reader that it is her fault that Sara is dead, and we get a story told through the present summer as a true crime content creator has started sniffing around the resort, and through flashbacks to the days leading up to Sara’s death. It’s a great device, and it’s the perfect kind to have an unreliable narrator drive the story as the audience has to piece together what really happened. When done well this is quite possibly a favorite structure of mine when it comes to thrillers, and Clarke manages to make it flow easily. It has a nice slight of hand, and while I was pretty convinced that Mandy didn’t have all the information and was probably missing something (and side note, her dialog DID sometimes veer to bashing the reader of the head with all the ‘BUT I KILLED HER’ quips), I was still curious to see how it was all going to unravel to what actually happened, and I was surprised a good deal of the time! The clues are there, but the sleight of hand keeps them hidden until Clarke is ready to reveal them for the most part.

And what really kept me going in this book was how it portrays a very complicated, close, but somewhat unbalanced friendship between two teenage girls. You can tell that Mandy and Sara see themselves as incredibly close, but that their closeness and their friendship is in many ways unhealthy, with resentment, jealousy, and insecurities nagging at them both during the lead up to Sara’s death. It’s a bit soapy as Mandy and Sara keep aggravating and baiting each other as disaster looms on the horizon, but what I really appreciated is that while it could solely have been a motive, it’s actually a rather emotional examination of this kind of toxic friendship between teenage girls that may hit close to home for some readers, be they the intended YA audience or not. I know that I can think of at least one close, but at times unhealthy, friendship I had when I was in high school, with my role being VERY similar to Mandy’s in the friendship of the sidekick who is overshadowed and resentful, but also unable to process my own contributions to the toxicity. It felt real and honest, even if most of us in these shoes weren’t dealing with a murder mystery we may or may not have been involved with. Minor details!

“Now She’s Dead” is a sudsy and twisty thriller that should definitely join you on your summer adventures. It’s a fun ride and I really enjoyed it.

Rating 8: A fast paced and well crafted thriller, absolutely perfect for summer reading season!

Reader’s Advisory:

“Now She’s Dead” is included on the Goodreads lists “2025 YA Thrillers and Mysteries”, and “Bisexual Books of 2025”.

Serena’s Review: “The Whisperwood Legacy”

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Book: “The Whisperwood Legacy” by Jo Schulte

Publishing Info: Little, Brown Books for Young Readers, May 2025

Where Did I Get this Book: e-ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Welcome to Whisperwood, a sprawling theme park nestled in the foothills of the Appalachian Mountains, where thrilling rides and picture-perfect scenery bring cult-classic fairy tales to life. Or at least they did until eighteen months ago, when the family matriarch, Virginia Strauss, suddenly shut Whisperwood’s gates and the beloved park was left to wither away along with the family’s dwindling fortune.
 
For seventeen-year-old Frankie Strauss, Whisperwood’s closure has been a blessing in disguise. After seeing three generations of wealth’s corrupting influence, she is more than ready to shed the Strauss-family’s gilded handcuffs.
 
But when Virginia goes missing, Frankie realizes that her family might be guilty of something much worse than mere dysfunction. With the help of the mysterious and handsome groundskeeper, Jem, Frankie sifts through a web of near truths and outright lies, uncovering a reality where nothing is as it seems and fairy tales aren’t just real—they’re deadly.

Review: I live ever in hope that I will find a contemporary fantasy novel that I will connect with. It’s an entire subgenre of fantasy that I often struggle to fully appreciate. That said, I was excited by the concept of this one, especially by its creepy carnival cover! Alas, yet again, I find that I’m perhaps just not the correct reader for these books.

Let’s start with a few positives. While the story starts off weaker, things do begin to improve towards the middle point when some of the fantasy elements begin kicking in more fully. That said, it’s quite a wait to get to this portion, and I think the book would have been better served to have more carefully balanced the two halves and styles of the story. The fantasy aspects were also pretty wacky. This is a good and bad thing, I guess. On one hand, I was left with a strong sense of “what the heck is even happening” through much of it. But on the other, once we got into the back half of the book, it was easier to become more invested in finishing if just because I wanted to see what crazed situation would happen next.

However, this is definitely one of those YA fantasy novels that leans heavily in the YA direction. Of course, this is written for teens, so that isn’t a criticism on its own. However, many YA fantasy readers are adults, and there are way too many stereotypical YA fantasy tropes to be found here for it to be scalable to an older audience. For one thing, the romance struck heavily of instalove, with almost no attempt made for it to be given any further depth. There was also a heavy reliance on what I felt were fairly cringing modern references. Again, I’m not a teen, so maybe these will hit home better with this audience. But I have to say, this is the kind of style choice in writing that will quickly date this book, even by the standards of those who may enjoy it now.

However, while much of the writing and characterization felt very juevenile, there was also a lot of swearing, especially by one character in particular. Now, I’m no wilting flower, but it does leave me and others who recommend books in an odd position. Due to the simplistic nature of the book itself, I don’t think adults or even older teens are going to connect with it. However, I’d also feel a bit uncomfortable recommending it to middle graders, what with some of these language choices.

It was just an odd book, all told. If I had been left to my own devices, I probably would have DNF’d this one, but I always want to give a book I’ve received an ARC for my full attention through the end. This may work for some younger teen readers, but I don’t think it will connect to many readers beyond that. Perhaps, ultimately, this will best work for readers looking for a current version of “Goosebumps” or something of that ilk.

Rating 6: Overall, this read as very young even for a YA book and fell into too many tropes to have much new to over to the genre.

Reader’s Advisory:

“The Whisperwood Legacy” can be found on this Goodreads list: YA Novels of 2025.

Kate’s Review: “Murder Land”

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Book: “Murder Land” by Carlyn Greenwald

Publishing Info: Sourcebooks Fire, May 2025

Where Did I Get This Book: I received an eARC from the publisher via NetGalley.

Where You Can Get That Book: WorldCat.org | Amazon | Indiebound

Book Description: Murder Land opens tonight. Not everyone will survive. Buckle up for a thriller that will have you on the edge of your seat, perfect for fans of Karen McManus and Holly Jackson.

Seventeen-year-old Billie feels like she is on top of the world. She gets to spend the summer with her best friend, sparks are flying with her crush, and she has received a promotion to ride operator for one of the most buzzworthy new attractions in the theme park she works at. But the first night on the new job takes a dark turn when her creepy coworker mysteriously dies…on her ride, when she isn’t authorized to be running it.

At first, it seems like he died by heart attack, but by the time she returns to the body with help, it looks like a broken neck. Had she just imagined him sitting upright a few minutes ago? It’s as if someone is trying to pin his death on her, and she has one night to figure out who is really responsible before she is blamed.

Billie recruits the help of her friends to sneak around the park after-hours and search for the truth. But as the night stretches on and more people wind up dead, Billie realizes she may not make it out of Murder Land alive. And her friends may know more than they’re letting on.

Review: Thank you to Sourcebooks Fire for sending me an eARC via NetGalley!

Outside of Disney World, I am not REALLY a fan of theme parks. We have a couple here in Minnesota, there’s Valley Fair a bit south of the cities, and the Mall of America has Nickelodeon Universe, which my five year old loves and I only tolerate for her sake (also, here’s some lore: it USED to be called Camp Snoopy and was Peanuts themed, but alas, those days are long over). But even though I don’t really like theme or amusement parks, I do love the idea of a horror or thriller novel set in one. It just opens up so many different opportunities for suspense and horror. Because of this I was definitely interested in checking out “Murder Land” by Carlyn Greenwald, a new YA thriller that has a murderous night at a popular theme park as its premise. Nickelodeon Universe could NEVER. Plus I really like that cover. It just screams Santa Cruz Boardwalk by way of “The Lost Boys”.

No vampires, though. (source)

But promising premise and my own dorky associations aside, I am sorry to say that, for me, an old hat connoisseur of the thriller genre, “Murder Land” was a bit of a let down.

But first, the good. As I mentioned above, the premise and potential of this story is off the charts for me. There is a precedent in thrillers and horror stories for theme parks or carnivals or festivals to be unique and unsettling settings, and I, for one, wouldn’t be opposed to more of it. And that translates over to “Murder Land”, with clear homages to places like Knotts Berry Farm. And I always love a theme of greedy corporations hoping to hide scandals for profit purposes, and the conspiracies that can come to fruition because of it. And also, as a YA thriller, I could see this being a solid introduction to the thriller genre, as there is definitely a plotted out mystery that does feel planned and thought out. I also love a device that uses epistolary or ‘found footage’, so the way that we have transcripts from a website/channel that is all about the history of CaliforniaLand and references ‘urban exploration’ along with it. That all worked for me.

But, on the flip side, I am definitely not the target audience for this book, and I have read so many thrillers over the years, that nothing about “Murder Land” really stood out to me despite all of the potential that it had. I thought that our main characters, rounded out by protagonist Billie and her friend group Grace, Leon, and Sawyer, were pretty cookie cutter in their personalities and their relationships with each other. We have a bit of a love quadrangle going on, which I can usually grin and bear if it’s basically sidelined, but within this story, taking place in ONE night with lots of death and murder and tragedy at hand, it felt clunky and out of place. I also felt that the way that the reveals were done, outside of a few in the transcripts, didn’t have that much weight. I think this is probably due to the fact that I wasn’t as invested in the story because I wasn’t as invested in the characters, but I DO feel like even if I don’t connect with any characters in a thriller I can still be, well, thrilled. And I wasn’t held in much suspense as this story was going. I do think that it’s very possible (maybe even probable) that if I was a teen reading this it would have worked better, but for this forty year old, it just didn’t click.

Overall I think that this didn’t work for me because I’m not the audience it caters to. “Murder Land” was a disappointment for me, but it probably won’t be for everyone!

Rating 6: This is a solid thriller for the age group it is intended for, but seasoned thriller fans in general may be a little underwhelmed.

Reader’s Advisory:

“Murder Land” is included on the Goodreads list “YA Releases of May 2025”.

Kate’s Review: “The Ballad of Nod (#1): Waking Up From Nightmares”

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Book: “The Ballad of Nod (#1): Waking Up From Nightmares” by James Burton and Kira Burton

Publishing Info: Scattered Comics, May 2025

Where Did I Get This Book: I received an eBook from the author.

Where You Can Get This Book: This first issue has not been published yet, but when it does it will be available at James Burton’s website Angry Brain Artworks when it comes out sometime in May.

Book Description: The Ballad of Nod is the story of a young girl named Fey who is grieving the loss of her Father to cancer. The regrets, fear and pain is attracting the nightmares of the dream world to invade her reality every night. The only thing stopping them is the courage of her Guardian, a Teddy Bear named Patches, who each night fights back the darkness. That is until the worst of the worst a night prince called the Phobetor drags him into the dark. Now Fey must choose to find her courage to go in and save him or hide and loose someone else she loves.

Review: Thank you to James Burton for sending me an eBook of this comic!

I am one of those adults who just couldn’t part ways with a couple of my childhood stuffed animals. There are two in particular that I felt a need to hold on to, the first being Carmichael the Cat, the second being Bump the Bear. Both of them now officially belong to my five year old and reside in her room, but every once in awhile when I’m feeing deeply anxious or down I will bring Bump to my room to hang out for a few days before returning him. So I absolutely understand a bond a child has with a beloved childhood toy. And in “The Ballad of Nod (#1): Waking Up From Nightmares” by siblings James and Kira Burton, we get a really good dark fantasy tale that not only captures the security of a childhood toy, but also the deep grief of mourning a parent who has passed away long before their time.

Judging by the cover of this first issue, you can immediately tell that this is going to be a horror story, with a monstrous face being front an center. But then there is this adorable and quite determined looking silhouette of a teddy bear, and that is part of the real crux of this story: the bond between a girl and the guardian teddy that protects her from monsters and beasts every night as she sleeps. Fey is a little girl whose father died of cancer, and has found comfort in a bear named Patches, so named because when she wakes up in the morning he has rips and tears that need to be mended. I love this concept on its own, feeling like a dreamy dark fantasy that also has some very real human elements. I’ll start with the horror first, and I can say right off the bat it worked well for me. I love the idea of a security toy actively fighting off the monsters under the bed or in the closets, as these toys are so loved and so ingrained in childhood as a way to fight anxiety (I mean hello, I still use the aforementioned Bump to help quell my ADULT anxieties!), so the metaphor worked very, very well for me. And then to flip the concept and to have Fey have to be the one to take the first steps to rescue Patches and to face her fears to do so is also a great twist on the expected plot. We only have issue one that has a fair amount of set up, but the monsters that we saw were effective and intimidating, and it has a lot of promise to be VERY creepy for the audience as the story goes on.

But the other huge theme of this comic is the deeply emotional story about Fey losing her father to cancer, and having to navigate her grief and the trauma around it. This story feels personal, and is very well explored and had me tearing up during certain moments. Our first issue has a lot of exposition to set up Fey’s history and her emotional state, and I thought that it did it very well with flashbacks to her father’s hospitalization, implied times right after his passing, and also seeing how Patches came into her life as a buoy during a very dark and difficult time. It makes Patches’s mission feel all the more poignant, and then Fey’s own mission to be the one to save him feel all the more powerful. The dreamy earnestness of it all reminded me of something similar to the likes of “Locke and Key”.

And finally, the artwork. I thought it was well matched to the tone, and it has the ability to be both unsettling and scary as well as adorable (Patches is ADORABLE).

(source: Scattered Comics)

I definitely want to read more to see how this goes. “The Ballad of Nod: Waking Up From Nightmares” is a stellar start to what promises to be an emotional and heartfelt (and scary) series.

Rating 8: Emotional, creepy, and heartfelt to the core, “The Ballad of Nod (#1): Waking Up From Nightmares” is a promising start to a new dark fantasy comic series.

Reader’s Advisory:

“The Ballad of Nod (#1): Waking From Nightmares” isn’t on any Goodreads lists as of yet, but it gives me serious Joe Hill vibes.