Tag: Young Adult

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Book: “Gilded” by Marissa Meyer

Publishing Info: Feiwel and Friends, November 2021

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Long ago cursed by the god of lies, a poor miller’s daughter has developed a talent for spinning stories that are fantastical and spellbinding and entirely untrue.

Or so everyone believes.

When one of Serilda’s outlandish tales draws the attention of the sinister Erlking and his undead hunters, she finds herself swept away into a grim world where ghouls and phantoms prowl the earth and hollow-eyed ravens track her every move. The king orders Serilda to complete the impossible task of spinning straw into gold, or be killed for telling falsehoods. In her desperation, Serilda unwittingly summons a mysterious boy to her aid. He agrees to help her . . . for a price.

Soon Serilda realizes that there is more than one secret hidden in the castle walls, including an ancient curse that must be broken if she hopes to end the tyranny of the king and his wild hunt forever.

Review: We read “Cinder” for bookclub many (many) years ago, and I remember enjoying it for the most part. Which is why I bewilder myself that I haven’t read any of the rest of the books in that series or by this author! She writes creative fairytale retellings (some times even including science fiction angles!) for heaven’s sake! That sounds right up my alley! Whatever the case, I did request an e-galley of this book back in 2021 when it came out….and again failed to prioritize it. But when I saw that the second one was coming out this fall, I finally decided that enough was enough, so here we finally, finally are.

Serilda is a story-teller at heart, spending her days spinning wonderous tales of magic and danger. Most of the time, however, this propensity for tall-tales is only appreciated by the village children. Indeed, most others see the mysterious wheels of color that mark her eyes and see nothing but trouble, a young woman touched by a god known for lies. Soon enough, however, magic seems to escape from the world of words and Serilda finds herself caught up in a tall tale herself, forced to spin straw into gold (a skill she foolishly claimed during one of her stories) for a cruel Fae king. Luckily for her, she meets a strange young man who does in fact have this skill. But what will he ask for in return?

I have to say, discovering that you’ve been missing out on something awesome has to be one of the few times where you’re almost rewarded for your own delay. I mean, I loved this book and I had the second book already primed and ready to go and got to merrily skip out on the year-long wait that other fans had to put up with! But it also means I’ve just been missing good books for years. I’ll definitely be checking out those other “Cinder” books now, that’s for sure.

This book was a solid fairy-tale retelling, meeting all of the requirements I look for in this sort of book. The plot hits all the major markers that readers are familiar with from the original “Rumpelstiltskin,” but other than these basic points, the world, characters, and story all feel fresh and unique. Obviously, the biggest change is that Gild himself is not the villain but the love interest. This is definitely an example of a “less is more” romance, and I appreciated that the author didn’t abandon her premise to give more page time to this character or the romance in general. Indeed, it proves just how well-written Gild was that I was fully invested in his story and the romance between him and Serilda given we only see him briefly here and there, broken up by large sections of the story that follow only Serilda.

But this choice is even neatly referenced by Serilda herself at times, noting that this is her story and not Gild’s. While the mystery surrounding him and his ability to spin gold is at the heart of much of the story, Serilda’s own motivations and priorities are what drives things: her love for her father, a mother she lost to magic years ago, and to the young children she tells stories to in her village. She was an excellent character in that you can see her making choices that you, as the reader, know will lead to mischief and sorrow, but they also feel true to the character she is. She also never shies away from the fallout of her own decisions, good and bad. She’s an incredibly strong and brave character, and, at times, laugh out loud funny.

But the story was also much darker than I was expecting. The Erkling was a terrifyingly cruel character, his presence seeming to leak off the page and let you viscerally feel the fear that everyone experiences when around him. There were several moments in the story where it felt like the author was going in a certain direction and I thought “oh, she won’t follow through on that, there will be a way out.” Nope! This had all the darkness and grim horror that is often found in classic fairytales where innocence is not a magical shield that protects characters from bad outcomes.

I loved this book. For all that it had dark, sob-worthy moments, I also found the dialogue and inner monologue to be clever and witty, giving the reader a nice reprieve from too much gloom. It does end on a pretty massive cliff hanger, but luckily for me (and anyone else who hasn’t read it yet) the second book in the duology is coming out this month, so there’s not much of a wait there. I definitely recommend this for fairy-tale fantasy readers. It might also fall into the rare “new adult” fantasy genre.

Rating 9: Sooooo good! An excellent fairytale retelling that takes a familiar story and character and remakes them into something entirely new and fresh.

Reader’s Advisory:

“Gilded” can be found on these Goodreads lists: YA Fractured Fairytales/Radical Retellings and YA/NA Fantasy Romance Book Club Nominations.

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Princess of Souls” by Alexandra Christo

Publishing Info: Feiwel Friends, October 2022

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: For sixteen years, Selestra has been trapped in her tower on the Floating Mountain, preparing to take her mother’s place as the King’s Witch, who foretells deaths in the Festival of Predictions. Outrunning your fate earns a wish and the chance to steal the King’s immortality. But die and your soul is forfeit. And though thousands have tried, nobody has ever beaten death.

A soldier in the King’s army, Nox is an unlikely candidate for the Festival, but, driven by revenge, he is determined to steal the King’s immortality and kill the entirety of his court, starting with Selestra.

Yet when Selestra touches Nox in her very first prediction, their fates become entwined, and death seeks to take both their souls. Only by working together can they survive long enough to escape the dark fate and the immortal King that now hunts them.

Review: I’m going to try really hard to resist going on a rant against Macmillan Publishing right now. Long story short, the Macmillan booth at ALA foolishly decided to allot 5…FIVE!!!!…ARCs of each of their books per day of the conference. So unless you were crazy enough to line up at the entrance to the convention center at the crack of dawn, chances were low you were going to get your hands on any books from them. This is truly an insane policy at a convention where you’re entire purpose is promoting your titles to librarians who will hopefully than purchase your books. No, no I will NOT wait in line for an ARC copy of a book I’m not sure I’ll even like. Ok, enough of that. All of that to say, this was the one ARC I was able to snag from Macmillan over the entire conference. And the fact that (spoiler alert) it was a solid “meh” is exactly why I would never get up early to get ARCs, especially by unknown authors. So…change your plan next time Macmillan!

For years, Selestra has remained trapped within the castle walls, standing to the side of her mother learning to one day take her place foretelling death for those foolish enough to bet their souls on the chance of riches. Every year, hundreds take this risk, with only a small few making any gains; and any who risk their lives, always losing. Selestra has always wondered what would make these individuals choose these odds. So when she has a vision of her life tied up alongside one of these foolish risk takers, she is more confused than ever. For his part, Nox has very fixed reasons for why he has entered this tournament. And getting involved with the King’s magical protégé is definitely not part of the plan.

This book was one of those strange reads where I started it up and thought “Wow, I’m really liking this. It’s definitely going to get a solid rating from me.” And then the longer I read, the more and more it began to feel like a chore. Until by the end, I had a very ambivalent feeling towards the entire experience. I can’t even point to very clear reason for this, but we’ll try and tease something out. But, to start with positives, I did enjoy this to start with and I’m sure that for many other people, this positive first impression will last. The writing is entertaining and smooth. The plot moves quickly. And both of our main characters were interesting and had distinct inner voices. Nox, in particular, was the type of witty guy lead that I typically very much enjoy.

But, again, I simply couldn’t sustain interest in this story. For one thing, I thought all of the twists were incredibly predictable, especially as the story continued. I also struggled with the world-building as the plot progressed. Things that had started out as interesting concepts began to stick in my brain and raise continuing questions about how exactly any of this works or how this history/culture really came to be. I understand that this book is set in the world of the author’s previous book, “To Kill a Kingdom,” but the success of a stand-alone book relies on the fact that it is meant to be approachable to readers who may not have read related works.

I also had heard that this book was a re-imaging of “Rapunzel,” part of the reason I was on the look-out for it at all at ALA in the first place. And…I just can’t see it? I mean, sure, she’s a girl stuck in a tower (and even this is highly questionable as she breaks out with ease within the first quarter of the book). But that’s about it. Her hair is kind of a thing, but not at all in the same way as the story. And really, there were no obvious connections to that fairytale at all in the way the story was plotted or paced. I really dislike being sold this type of false premise. If you’re going to try to hook a reader in with a specific reference like this, you better follow through with a story that actually meets that expectation in some way.

So, overall, this was a miss for me. However, I can also see it working for a lot of YA fantasy readers. For one thing, if you liked “To Kill a Kingdom,” this will probably be a nice return to a familiar world. And, like I said, there was a lot of immediate appeal to the characters and style of writing, so for many, this will likely carry them through. But if you’re looking for a tightly plotted story or a complex exploration of character and motivation, this probably won’t be.

That being said, if you’re one of those fans of the first book or are a YA fantasy reader who’s looking for a fast-paced read, don’t forget to check out our giveaway! It is open to U.S. residents only and ends Oct. 26.

Enter to win!

Rating 7: A promising start sadly wasted away over the course of this read, though I still think it will appeal to a lot of YA fantasy fans looking for lighter fare.

Reader’s Advisory:

“Princess of Souls” isn’t on any Goodreads lists yet, but it should be on Rapunzel Retellings.

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Liar’s Crown” by Abigail Owen

Publishing Info: Entangled Teen, August 2022

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Everything about my life is a lie. As a hidden twin princess, born second, I have only one purpose—to sacrifice my life for my sister if death comes for her. I’ve been living under the guise of a poor, obscure girl of no standing, slipping into the palace and into the role of the true princess when danger is present.

Now the queen is dead and the ageless King Eidolon has sent my sister a gift—an eerily familiar gift—and a proposal to wed. I don’t trust him, so I do what I was born to do and secretly take her place on the eve of the coronation. Which is why, when a figure made of shadow kidnaps the new queen, he gets me by mistake.

As I try to escape, all the lies start to unravel. And not just my lies. The Shadowraith who took me has secrets of his own. He struggles to contain the shadows he wields—other faces, identities that threaten my very life.

Winter is at the walls. Darkness is looming. And the only way to save my sister and our dominion is to kill Eidolon…and the Shadowraith who has stolen my heart.

Review: I’m on record as very much enjoying stories about sisters and the often beautiful but complicated relationships those can be. So it made requesting this book a bit of a no brainer. True, much of the general description sounds very familiar to other YA fantasies I’ve read. But there’s also the general adage that there’s nothing new under the sun and that all books are derivatives of others in some way or another! So request away I did!

Both magic and twins run in the royal line. But what could seen has only an odd quirk of a particular lineage has served this particular kingdom in ways known by few others. While one princess grows up as the heir to the thrown and eventually the Queen, the other lives a life unknown, stepping in to live as the royal sister when there are threats or other unknowns that may pose a risk to the true Queen. For Meren, living in her sister’s shadow has provided a sense of duty alongside a sense of claustrophobia. With no life to call her own, she struggles to carve out something of her own. But she also loves her sister, so when a threat comes in the night of her sister’s coronation, Meren steps up. So when the threat is fulfilled and the Queen is captured, it is Meren who falls into the grasp of a dark, deadly man.

While this book didn’t turn out to be all I had hoped it would be, there was still a lot to like. The writing was solid throughout. And, in particular, I think the dialogue was really well-done. The lines that were meant to be quippy were in fact funny. And characters had “voices” and manners to their speaking that made them feel like distinct characters. This is a writing skill that too often goes unnoticed, but when you stand back and look at books that come across as well-written and others that you find yourself struggling with, believable dialogue can often be found as a culprit either way. Some of my favorite authors are my favorite based almost purely on their skill at writing good dialogue.

I also really liked the characters. Meren was a sympathetic character, balancing a sense of loyalty and devotion to sister with the natural frustrations that would come from living life as a person whose entire existence is meant to be unknown. Further, I thought the love interest was also an intriguing character. There were a few reveals of him that came around the halfway mark that I found particularly interesting. These two also had good chemistry; again, I think much of this came down to the good dialogue work by the author.

But, in the end, I did find myself continuing to struggle to fully connect to the book. I was initially really into it, but as the story progressed, the entire thing began to feel more like a chore. Part of this came down to a familiar frustration for me with this kind of story: characters hiding and lying about things far past the point of believability. After a certain point, the more the author has to work to justify continuing the choice for character to continue to withhold important facts from each other. And the longer the story goes, the more these justifications begin to feel inadequate. Such was the case here. And once I started to feel annoyed about Meren’s choices in this regard, the more I struggled to get myself back into the story.

I also found myself returning to an early point in the book and a piece of history that was presented that plays an important part of the story: apparently, the villain (well known as a villain to all of the other kingdoms as well) has been stealing and killing Queens from this particular realm for quite some time. But somehow there is the assumption that the villain doesn’t know about the whole twin thing? I don’t quite get what everyone seems to think the villain character is making of the fact that the minute he captures one Queen another, identical one pops right up? It was all very weird, and as the story continued with this odd point being left to just sit there unchallenged, the more I became fixated on what should have been a minor plot point.

This is the type of book that I think will work for a lot of people. And, in fact, it was very close to working for me. There were just a few too many things that made me raise my eyebrows for me to really become invested in the story. If you like fantasy romance, however, this might be a good read for you!

Rating 7: This book has a lot of strengths, but it also fell into a few plot holes that I always struggle with. Will likely appeal to a lot of fantasy romance fans, however!

Reader’s Advisory:

“The Liar’s Crown” can be found on this Goodreads list: Books with Crowns

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Night of the Raven, Dawn of the Dove” by Rati Mehrotra

Publishing Info: Wednesday Books, October 2022

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Katyani’s role in the kingdom of Chandela has always been clear: becoming an advisor and protector of the crown prince, Ayan, when he ascends to the throne. Bound to the Queen of Chandela through a forbidden soul bond that saved her when she was a child, Katyani has grown up in the royal family and become the best guardswoman the Garuda has ever seen. But when a series of assassination attempts threatens the royals, Katyani is shipped off to the gurukul of the famous Acharya Mahavir as an escort to Ayan and his cousin, Bhairav, to protect them as they hone the skills needed to be the next leaders of the kingdom. Nothing could annoy Katyani more than being stuck in a monastic school in the middle of a forest, except her run-ins with Daksh, the Acharya’s son, who can’t stop going on about the rules and whose gaze makes her feel like he can see into her soul.

But when Katyani and the princes are hurriedly summoned back to Chandela before their training is complete, tragedy strikes and Katyani is torn from the only life she has ever known. Alone and betrayed in a land infested by monsters, Katyani must find answers from her past to save all she loves and forge her own destiny. Bonds can be broken, but debts must be repaid.

Review: I feel like I’ve read a number of India-inspired fantasy novels over the last few years or so. Most of them have been very good, and it’s always refreshing to see new fantasy world built on the foundation of other cultures, histories, and religions from around the world. This one was particularly interesting when I stumbled across it because it was toted as being inspired by Medieval India, a period that I know even less about that the more recent history of the nation and region. Other than this general point of interest, however, I had very little to go on.

Ever since a forbidden magical intervention was performed to save her life as a child, binding her to the queen of the realm, Katyani has always seen her future as bright and clear. She was worked tirelessly to become the best guardswoman she could be and is in line to become the personal guard of the crown prince. But as persistent assassination attempt goes unthwarted, Katyani’s stable future begins to become shaky. Not only has she been unsuccessful in thwarting this threat, but she is now being sent away from the queen and castle to guard the prince and his cousin as they train in a remote school. And while there, she begins to question more and more in not only her future, but her past.

In a lot of ways, this book felt like it was right on the verge of being a story I’d love. The world-building is interesting, the magic had its moments, and there were some excellent fantasy monsters and creatures. But all of this fell just a little short of being particularly interesting. The world-building had some good moments, but I also never felt fully grounded, often unable to picture anything particularly unique about this world. This left me filling in the blanks. And, unfortunately, when a reader is left to fill in blanks, they’ll do with elements they’re most familiar with, thus completely undermining the goal of being exposed to a world/culture that is completely new.

The magic system was also barely a system, with many things working “just because.” I don’t always need elaborate systems ala Brandon Sanderon, but I do need to feel as if there are some rules around how magic is used and what is and isn’t possible. Without this, magic begins to feel like it could just be a silver bullet for any problem that should ever arise, thus dramatic lowering any and all stakes. But, I will say, the monsters and creatures were definitely the saving grace for fantasy elements. They were all new and interesting, doing most of the work of making this world feel like a unique place and touching on the cultural and mythical Indian elements that I was looking to learn more about.

I also couldn’t connect to the characters at all. The main character was supremely bland, suffering from the all-too-familiar case of a teenage character who is somehow the best everyone’s ever seen at a highly skills based occupation. This is a personal annoyance for me, of course, so others may not be bothered by it. But even personal preferences aside, Katyani didn’t have a lot going for her. She wasn’t annoying or prone to ridiculous dramatics, but she also didn’t have any real character traits that made me care about her personally. Beyond that, all of the characters had as similar sort of blandness which made them even less interesting as they began to blend together.

Lastly, I found a lot of the story highly predictable. From the very first few chapters, it was easy to guess what a few of the “reveals” would be. When you can see all of the twists coming, it’s very hard to feel investing in sticking it out while the characters themselves discover these truths. Ultimately, this book just wasn’t for me. Given that I didn’t particularly enjoy the other duology by this author that I’ve read, I think this is maybe just a sign that I should stick to other writers in the future. Fans of her work, however, might enjoy this, as I do think it was similar to that first duology (in that my annoyances have been the same between them, so if you weren’t bothered by it then, you may be good to go here too!)

Rating 6: Everything felt like it was lacking that certain spark that needs to come together to make a great read.

Reader’s Advisory:

“Night of the Raven, Dawn of the Dove” isn’t currently on any Goodreads list, but it should be on Indian Inspired Fantasy Novels.

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “All of Our Demise” by Amanda Foody & Christine Lynn Herman

Publishing Info: Tor Teen, August 2022

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: For the first time in this ancient, bloodstained story, the tournament is breaking. The boundaries between the city of Ilvernath and the arena have fallen. Reporters swarm the historic battlegrounds. A dead boy now lives again. And a new champion has entered the fray, one who seeks to break the curse for good… no matter how many lives are sacrificed in the process.

As the curse teeters closer and closer to collapse, the surviving champions each face a choice: dismantle the tournament piece by piece, or fight to the death as this story was always intended.

Long-held alliances will be severed. Hearts will break. Lives will end. Because a tale as wicked as this one was never destined for happily ever after.

Previously Reviewed: “All of Us Villains”

Review: “All of Us Villains” was one of those rare beasts for me last year where it was a very hyped book that I felt actually lived up to the hype. More surprising still, it was a multi-POV fantasy story that actually managed to create a cast of characters all of whom felt unique and whose stories I was interested in reading individually and collectively. All of this to say, I was very excited about this second half of this duology to release this year (especially given that my main gripe about the first book was the cliffhanger it all wrapped up on).

The stakes could not be more high. What once was a brutal, secretive battle royale has had all of its mysteries torn away with the fall of the veil that used to separate the city of Ilvernath and the harsh landscape where the contestants fought. But, while much may be different, many things are still the same, like the deathly importance of alliances and the fear that one never knows friend from foe. For some, however, the goal is no longer to win this most brutal of tournaments, but to destroy it once and for all.

Well, while there was a lot to like about this book, I feel a controversial review coming on! But first let’s get into the parts of my review that will probably line up nicely with everyone else’s reaction. For one thing, there’s no denying the general quality of this duology. The writing remains one of its strongest aspects, across both dialogue and descriptive portions. There were several pieces that I re-read and several moments where I knew that the high quality of the writing was helping assuage some of my annoyances at what I felt were missed opportunities, story-wise.

I also still like the overall concept of the story. Though, I do have to say that this was one of the places where this book began to fall short of the first. There was such a feeling of a breath of fresh air in that first book. Not only did I find all of the characters’ stories interesting, but in a world where I’ve read a million and one “magical competition” fantasy novels, this one managed to stand out from the crowd. But that being the case, this book had a higher task at hand since that initial good will based purely on a new world and concept had already been spent. And while I still enjoyed returning to this world, I did start to feel as if some of the alliances and character drama was beginning to overtake the enjoyment that could have been found in continued world-building.

And really, this is where I was really held up: the characters. While I enjoyed almost all of them in the first book, here I began to feel that several of their storylines began to fall apart, especially when you looked back over the two books together. There were character decisions and betrayals that began to feel more like they were driven by the authors wanting to create shock value than in any organic change in the characters themselves. More and more, I found myself feeling frustrated by some of the characters and the lack of consistency in their reactions to other characters and other plot points.

My biggest annoyance comes with a plot point that I can’t really talk about without some major spoilers. I wasn’t against this particular point in a vacuum, but specifically in the story we see here, it began to represent my overall frustration with the character arcs overall. I felt like the authors not only set the reader up in the first book in a way that was misleading (this second-book-switch could have worked if a bit more effort had been laid down to hint at this change of path, but I don’t feel that was the case), but I also felt like one of the biggest emotional cliffhangers from the first book was kind of wasted. In other words, I feel like I was really revved up to be invested in certain things and then…those things weren’t anything, ultimately. This will be the most unpopular opinion in this review, I’m sure, as I know that the outcome seen here is going to appeal to a lot of fans. And I feel like I could have been on this train too, but I was left frustrated by the feeling that the authors intentionally wound me up into an emotionally invested situation that they were using purely as misdirection. And, as a reader, this kind of thing at best, doesn’t work for me. And at worst, annoys me. And here it really annoyed me because I thought that the abandoned storyline had been set up in a really interesting way.

I also have to say I was a bit let down by the lack of brutality in this book. Maybe I’m just sadistic, but I didn’t feel like any of the big moments in this book really landed and that most of the decisions that would have felt like true gut punches were avoided. But, like I said, the writing was still excellent, and I know this will be seen as an excellent end to the story for many readers. Just not as much for me, sadly.

Rating 7: Unpopular opinion from me in that I felt like a lot of the build up of the first book was wasted here in the second.

Reader’s Advisory:

“All of Our Demise” is on this Goodreads list: YA Releases August 2022

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Last of the Talons” by Sophie Kim

Publishing Info: Entangled: Teen, September 2022

Where Did I Get this Book: ARC from ALA convention!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: After the destruction of her entire Talon gang, eighteen-year-old Shin Lina—the Reaper of Sunpo—is forced to become a living, breathing weapon for the kingdom’s most-feared crime lord. All that keeps her from turning on her ruthless master is the life of her beloved little sister hanging in the balance. But the order to steal a priceless tapestry from a Dokkaebi temple incites not only the wrath of a legendary immortal, but the beginning of an unwinnable game…

Suddenly Lina finds herself in the dreamlike realm of the Dokkaebi, her fate in the hands of its cruel and captivating emperor. But she can win her life—if she kills him first.

Now a terrible game of life and death has begun, and even Lina’s swift, precise blade is no match for the magnetic Haneul Rui. Lina will have to use every weapon in her arsenal if she wants to outplay this cunning king and save her sister…all before the final grain of sand leaks out of the hourglass.

Because one way or another, she’ll take Rui’s heart.

Even if it means giving up her own.

Review: So, I mostly grabbed this book at ALA with very little thought other than “oooh, is that a dragon on the cover??” Cuz you all know I’m always down for another dragon book! If I had read the book description more fully I might have been a bit more wary. Let’s just say, me and YA assassins have a bit of a checkered history. Beyond numerous other problems I regular find with this plotline, I’m beginning to question whether the two concepts, “assassin” and “young adult fiction,” aren’t just oxymorons that can never work well together by the very natures of their differences. “Assassin” would lead you to believe that your leading character is pretty morally compromised and things will get bloody. “Young adult fiction,” on the other hand, has at least a passing commitment to keep stories approachable for younger audiences. So….what’s to be done? Let’s see what this book has to say.

Shin Lina had once lived a blessed life, or what she considered one at least. Perhaps most people wouldn’t think making up ones family of gang members and gaining a reputation as the city’s most deadly assassin would count as “blessed,” but to Lina, it was enough. But now that has all been ripped away, and she has been forced to work for the very enemy who massacred this family, all to protect the life of her younger sister. When a job goes bad, however, Lina finds herself at odds with a powerful magical being. But more could be at stake than just her life. Perhaps even her heart.

Well, this book is not the one to disprove the theory I had in my intro paragraph. In fact, it exemplified many of the other factors that I think add to the uncomfortable pairing of assassin characters leading up YA stories. But before we get to that, let’s talk about the positive. If I zoom way, way out, there are the bones of an interesting story here. Unfortunately, any closer look renders these larger strokes pretty unsatisfactory. But the world-building itself had potential, with a fairly intricate political and magical system. And there were some genuinely funny moments with the dialogue, though, admittedly, these were few and far between for me.

However, again, when you dive even shallowly (let alone a deep dive) into how any of this works it begins to get murky. For one thing, because this is YA, Lina is, of course, a teenager herself. And yet, through a series of flashbacks, we see that she only joined the gang and learned her skills to be an assassin when she was an older kid. And then this story starts out several years after the death of everyone in said gang. Soooo, in a period of like 4 years she somehow became the most skilled assassin ever, even more so than the adults who trained her. It’s these time-related things that just really irk me about YA characters who derive their “specialness” through some skillset that is esteemable purely because of the sheer quantity of time and effort needed to excel at it. Not only does it stretch past my ability to suspend disbelief, but it also waters down what makes the skill impressive to begin with, if a regular farm girl can become the absolute best in two years.

Beyond that, we have yet another assassin who doesn’t really kill anyone? I mean, honestly, what’s the point of having a character like that if all we get is a lot of “telling” that they’re some amazing assassin, but no actual evidence of it (both in the actual skills of killing someone or the mental/emotional state of a character who makes a living dealing out death regularly)?

This book adds to the challenge of this particular qualm by the very nature of the main conflict of the story. For absolutely no apparent reason, Rui sets Lina the task of…killing him? In order to spare her life? I’m not going to even get into the weirdness of that situation to begin with and what it says about Rui that this is what he wanted. But it also creates a plotline that sets up our big bad assassin Lina to fail. Obviously, she can’t succeed at killing Rui or it would defeat the entire point of the story. That then leaves us with a character who has been toted as the best assassin ever having to fail again and again to kill someone through the entire book.

I’ll stop venting about this now. But I think the lackluster writing style and very bland leading characters left me with really nothing else to focus on than my annoyances in these areas. I do think there are YA readers who will like this, especially given the popularity of other YA assassin books. But this wasn’t for me. And if you’re looking for anything new in this particular subgenre, I don’t think this is it.

Rating 6: More of the same, with an assassin whose much more talk than action.

Reader’s Advisory:

“The Last of the Talons” can be found on these Goodreads lists: SF/F Assassins! and 2022 Book Releases by Asian Authors.