Tag: Young Adult

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Book: “The Luminaries” by Susan Dennard

Publishing Info: Tor Teen, November 2022

Where Did I Get this Book: ALA, Edelweiss+

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Hemlock Falls isn’t like other towns. You won’t find it on a map, your phone won’t work here, and the forest outside town might just kill you.

Winnie Wednesday wants nothing more than to join the Luminaries, the ancient order that protects Winnie’s town—and the rest of humanity—from the monsters and nightmares that rise in the forest of Hemlock Falls every night.

Ever since her father was exposed as a witch and a traitor, Winnie and her family have been shunned. But on her sixteenth birthday, she can take the deadly Luminary hunter trials and prove herself true and loyal—and restore her family’s good name. Or die trying.

But in order to survive, Winnie enlists the help of the one person who can help her train: Jay Friday, resident bad boy and Winnie’s ex-best friend. While Jay might be the most promising new hunter in Hemlock Falls, he also seems to know more about the nightmares of the forest than he should. Together, he and Winnie will discover a danger lurking in the forest no one in Hemlock Falls is prepared for.

Not all monsters can be slain, and not all nightmares are confined to the dark.

Review: I’ve been a bit hit and miss with Susan Dennard’s work in the past. I was first introduced to her several years ago at a panel at ALA, and I really liked what she had to say about writing young adult fantasy fiction. But I’ve never quite connected to her actual work. But it had been a few years since I’ve given her a shot, and I thought this new book sounded interesting. Plus, it had the kind of dark fantasy, spooky cover that I’ve been into lately.

When Winnie’s father was exposed as a spy and a traitor, her life went off the rails. Now, she sees only one way to restore hers and her family’s reputation: she must enter the Luminary trials and reclaim her place as a hunter of monsters. But the trials themselves are deadly, even without the fraught internal politics of the hunter families. And this year, something even darker is lurking in the woods. An unknown evil that no one has faced before.

So, I’ll just get it out of the way right away: this book wasn’t a hit for me. But there were also several factors involved that skewed my opinion, so I’m definitely not saying that it was a bad book in and of itself. For one thing, when I picked this book up, I somehow missed the reference to phones in the book summary and was completely taken aback to discover it was a contemporary/urban fantasy story. So maybe it was just a mood thing or my general preference for non-contemporary fantasy stories, but right of the bat I did struggle to immerse myself in this mash up of a world with an evil forest but also kids riding around on 4-wheelers.

Secondly, the book is written in third person present tense. This has to be one of my least favorite styles of writing. It ends up with the story reading in this bizarre tone where you have sentences like “Winnie tells Mom that she’s heading to school.” That’s…just weird sounding, not least because of the strangeness of the “Mom” thing. If you’re going to do third person, then do third person! Only a first person narrator would refer to the mother as “Mom” in the general telling of the story. So, yes, as you can see, I had a hard time getting past that.

But, of course, that wasn’t really the book’s fault, and readers who enjoy contemporary/urban young adult fantasy and don’t mind this style of writing will likely not struggle in the same way I did. I will say, the summary does an effective job here. You really know about all you need to know about the book from what you see above, and the story neatly checks off plot points as it goes along. I didn’t find much in the way of shocks or real twists to the story. I thought most of the reveals were fairly telegraphed early in the book.

If I did get caught up with questions, they had more to do with some of the mechanics of the world-building. For example, it is emphasized that maintaining the population of hunters who can fight these monsters is paramount, so everyone understands they are expected to marry and have kids early. But then, on the other hand, you have teenagers participating in these deadly trials. Which…just logically makes no sense. Teenagers aren’t fully grown physically, and they also, naturally, have less experience under their belts. If there are concerns about keeping up a dwindling population, it seems counter-intuitive to choose this age for a deadly trial system, an age that sets your own kids up for a higher mortality rate.

Anyways…yes, this book wasn’t for me. But I know there are a lot of fans of this author out there, so I’m also not saying this book won’t appeal to a lot of general YA fantasy fans. The story is action-packed, and I did like the commitment to the body horror of these monsters. There’s also the rather typical YA romance at its heart, which may also appeal to many readers. If you’re a fan of YA urban fantasy and like stories focused on trials and competitions, this might be for you! If so, don’t forget to enter our giveaway to win an ARC copy!

Enter to win!

Rating 6: Perhaps if it hadn’t been written in third person present tense, I would have liked it more. But I just found myself getting caught up on too many things to enjoy this one.

Reader’s Advisory:

“The Luminaries” can be found on these Goodreads lists: SFF books with a forest setting

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Book: “Saint” by Adrienne Young

Publishing Info: Wednesday Books, November 2022

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: As a boy, Elias learned the hard way what happens when you don’t heed the old tales.

Nine years after his lack of superstition got his father killed, he’s grown into a young man of piety, with a deep reverence for the hallowed sea and her fickle favor. As stories of the fisherman’s son who has managed to escape the most deadly of storms spreads from port to port, his devotion to the myths and creeds has given him the reputation of the luckiest bastard to sail the Narrows.

Now, he’s mere days away from getting everything his father ever dreamed for him: a ship of his own, a crew, and a license that names him as one of the first Narrows-born traders. But when a young dredger from the Unnamed Sea with more than one secret crosses his path, Elias’ faith will be tested like never before. The greater the pull he feels toward her, the farther he drifts from the things he’s spent the last three years working for.

He is dangerously close to repeating his mistakes and he’s seen first hand how vicious the jealous sea can be. If he’s going to survive her retribution, he will have to decide which he wants more, the love of the girl who could change their shifting world, or the sacred beliefs that earned him the name that he’s known for―Saint.

Review: Adrienne Young is a must-read author for me at this point. I’ve been reading her books for some time, and they always deliver on a good story, interesting characters, and, often, a sweet romance. I really enjoyed her “Fable” duology, so I was excited to nab this book once I realized it was not a cheap romance novel (ugh that cover!!) but in fact a prequel stand-alone that follows the story of Fable’s parents and how they meet.

Elias has devoted his life to one thing and one thing only: getting his merchant license and making a name for himself and for the Narrows, his beloved and dangerous home. But things begin to go sideways when he meets a mysterious young woman working as a Dredger for a rival crew. For her part, Isolde is running her own game, one full of secrets and a desperate attempt to reinvent not only herself but the world that her powerful mother has been shaping for her. Together, Elias and Isolde face dangerous, sweeping forces. But with a shared love for the sea, can they find their way through this storm?

I really enjoyed this prequel story. It’s always a bit hard to write a book like this, for several reasons. For one thing, the Saint we met in the “Fable” duology is very different than the young man full of vision and, in his own way, optimism that we see here. He’s been tested, yes, but he hasn’t gone through the life-shaping hardships that we know are before him. For another thing, we do know tragedy is ahead for these characters, knowing the state of affairs when Fable’s own story begins. But I think Young does a good job of taking those necessary and pre-determined components and creating something that still feels hopeful and fresh.

For her part, Isolde can be a completely new character, with only very few strings attached to who she should be on the page given from previous books. We know her fate in the “Fable” books, but we never see her in person. This leaves a lot of room for her character and story to be the groundwork for this book, and she serves very well in this role (even though the book is titled for a different character). I really liked the unique vision of this world that we see through Isolde’s eyes, through the eyes of a young woman who is the daughter of one of the most powerful people alive, her mother. And while much of Isolde’s life has been influenced by the privileges that this has given her, we also see how complicated and damaging this relationship has been to Isolde’s sense of self and purpose. Much of this book is focused on her journey to shape herself into the woman she wants to be and to wrestle freedom back from the ever tightening grip of her tyrannical mother. Isolde is made up of a lot of grit and will to choose one’s own path, two traits that are very apparent in her daughter, Fable.

Saint had a bit of a harder task, as we do have a pretty solid image of him presented in the “Fable” duology. That being the case, I did struggle a bit more with his chapters. I could see some hints of how the character we were being introduced to here could turn into that much harder, much colder man, but he also felt very different, too. And yes, events will shape him in major ways going forward, but something about the characterization just didn’t gel as well as I had hoped. I think I wanted a more ruthless, pragmatic character here, rather than the more typical YA hero that we’ve all seen fairly often.

I liked the story well enough, too. But again, here, it didn’t live up to quite what I could have wished for. By the end of the book, I had a hard time really pointing to the main conflict or plot of the book. It’s a very character-driven story (something that really works for me), but the plot and action itself is rather lacking. There are action scenes, of course, but the stakes never felt particularly high, and I wasn’t incredibly invested in the point-by-point movements of the plot itself. As a character reader, I was ok with this style of book. But those who might be looking for a more compelling story at the heart of their read might find themselves let down a bit by this book.

Overall, I thought this was a solid prequel. It did a good job of bringing to the page two characters that we’ve either met before or heard a great deal about before. Technically, it would be approachable on its own to new readers, but I do think that that would be doing yourself a disservice. As many of the strengths of this story come from its characters and the plot/world-building plays a definite second fiddle, readers who are already familiar with this world and these characters are likely going to enjoy this one more.

Rating 8: Very enjoyable, though its focus on characters over plot may hold it back a bit for some readers.

Reader’s Advisory:

“Saint” can be found on these Goodreads lists: YA Sea Adventures and Best prequel/sequel

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Book: “The Vermilion Emporium” by Jamie Pacton

Publishing Info: Peachtree Teen, November 2022

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: It was a day for finding things . . .
 
On the morning Twain, a lonely boy with a knack for danger, discovers a strand of starlight on the cliffs outside Severon, a mysterious curiosity shop appears in town. Meanwhile, Quinta, the ordinary daughter of an extraordinary circus performer, chases rumors of the shop, The Vermilion Emporium, desperate for a way to live up to her mother’s magical legacy.
 
When Quinta meets Twain outside the Emporium, two things happen: One, Quinta starts to fall for this starlight boy, who uses his charm to hide his scars. Two, they enter the store and discover a book that teaches them how to weave starlight into lace.
 
Soon, their lace catches the eye of the Casorina, the ruler of Severon. She commissions Quinta and Twain to make her a starlight dress and will reward them handsomely enough to make their dreams come true. However, they can’t sew a dress without more material, and the secret to starlight’s origins has been lost for centuries. As Quinta and Twain search the Emporium for answers, though, they discover the secret might not have been lost—but destroyed. And likely, for good reason.

Review: This book had early marketing that compared it to a mix of “The Radium Girls” and “Howl’s Moving Castle.” And that’s definitely one of those situations where the weirdness of that mixture just adds to the appeal. I mean, what does that even mean? But the book description itself also sounded intriguing and the cover seemed to speak to a sort of historical/fantasy hybrid of sorts. So what did it turn out to be?

Quinta and Twain each feel as if they have hit dead ends. Quinta’s mother often spoke of a future for daughter full of greatness, but looking around her now, Quinta only sees the mundane. For his part, Twain’s hopes of buying him and his brother a new life via passage on a ship out of the city died alongside his brother when he perished in a tragic accident. But when Quinta and Twain find themselves thrown together, privy to a long-lost magical substance, each sees their future opening up before them once again. However, some secrets may have been forgotten for a reason, and Quinta and Twain may be in over their heads.

This was another frustrating read for me, largely because after the first few chapters I was feeling pretty good about the book as a whole. First off, and for me most importantly, the writing seemed solid and engaging, painting a vivid new world full of interesting new magic and sympathetic characters. Twain, especially, with this tragic story of the loss of his brother was a particularly interesting narrator. His story also starts off quickly, jumping the reader right into the action and setting out a path for him to follow early on.

Things began to go down hill when I met the female main character. Quinta seemed interesting enough at first, but quite quickly it began to feel like her entire motivation and drive centered around the prediction her mother made that she would be great. She also seemed overly fixated on the fact that she only let people down and that she was a “one night girl.” Seriously, that last phrase was repeated so many times that I almost got out a note pad and started counting. I get the general type of character that these two things are supposed to be painting, but the repetitive way that Quinta talked about and described herself quickly began to feel unnatural.

And then, the romance. Oh, the romance. Why, instalove, why?? Again, the first few pages of Quinta and Twain’s interactions had me interested. There was some good banter and chemistry, and I was hopeful that that would turn into a solid foundation for an eventual relationship. NOPE! For such a “one night kind of girl” Quinta sure did jump in quickly! Seriously, they were holding hands within pages of meeting, and Quinta was immediately discussing how she didn’t buy into “love at first sight” but man, she was starting to have questions now. It was so rushed and uncomfortable.

After that, I really struggled to connect with anything else in this story. There were never any major conflicts the two characters had to face and very little character growth of any kind was involved. And if I had to hear the phrases “one night girl” or “meant for great things” a single more time…Alas, it was not for me. Perhaps fantasy readers who are not as put off by instalove and looking for lighter fare may enjoy this, but ultimately it felt like a wasted opportunity for a good story.

Rating 6: A promising start broke down fairly quickly and left me struggling to get through this one.

Reader’s Advisory:

“The Vermilion Emporium” can be found on this Goodreads list: YA Novels of 2022

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Cursed” by Marissa Meyer

Publishing Info: Feiwel and Friends, November 2022

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Adalheid Castle is in chaos.

Following a shocking turn of events, Serilda finds herself ensnared in a deadly game of make-believe with the Erlking, who is determined to propel her deeper into the castle’s lies. Meanwhile, Serilda is determined to work with Gild to help him solve the mystery of his forgotten name and past.

But soon it becomes clear that the Erlking doesn’t only want to use Serilda to bring back his one true love. He also seeks vengeance against the seven gods who have long trapped the Dark Ones behind the veil. If the Erlking succeeds, it could change the mortal realm forever.

Can Serilda find a way to use her storytelling gifts for good—once and for all? And can Serilda and Gild break the spells that tether their spirits to the castle before the Endless Moon finds them truly cursed?

Previously Reviewed: “Gilded”

Review: Back when I reviewed “Princess of Souls,” I went on a mini rant about Macmillan only handing out one ARC per day to each individual during ALA. And back when I reviewed “Gilded” last week, I went on another mini rant against myself for delaying reading this duology. Well, combine those two and you and get the rant where I missed out on an ARC for “Cursed” at ALA because a.) I hadn’t gotten around to reading the first one and b.) they were only handing out one ARC, so I picked “Princess of Souls”…

Expecting a child and engaged to the evil Erkling, Serilda’s prospects really couldn’t be worse. Add on top of that the fact that her beloved village children are trapped under the Erkling’s curse, and she cannot tell her love and the father of her child, Gild, any of this for fear of tipping off the Erkling to her plans. With the clock ticking on her pregnancy, Serilda is desperate to find a way to save the children, Gild, and her own baby. But as she works to uncover the secret history of the land, she discovers that the Erkling’s game is much greater than she had suspected.

I pretty much read this book immediately after finishing up “Gilded.” I think it really worked being read in this way, as the story picks up immediately after the previous one kicks off. It really could feel like one, longer book. In some ways, I think it was even improved on for being read this way. As, given the way the action of the entire duology is spread out, this book opens on the lull before the story. The previous book set it all up, but this stories opens with Serilda in a fairly impossible situation. Ultimately, as judged on its own, I do think this one struggled a bit more with pacing right off the the bat because of this. As the story continued, there were long swaths of time where very little happened. There were also large changes in scenery and situation that would also feel a bit like they petered out into yet another lull. But, overall, I do think the plotting and pacing work, if they are a bit more jumbled than in the first book.

This is still very much Serilda’s story, and I continued to enjoy her as a main character. I thought the way Meyers handled her pregnancy was interesting (if a bit of a cop out in certain ways), and Serilda’s relationship with the children of her village and the child she will soon bring into the world remains her primary motivation and focus. The romance is, of course, still very sweet. But, if anything, this book reinforced again and again that this is not the relationship at the core of Serilda’s world, as much as she loves Gild. I really liked this. Not only is it refreshing to read about a main character who’s motivational relationship is not yet another romantic interest, but Meyers used this opportunity to continue to build on what was, really, a very bare bones start to Gild and Serilda’s relationship (Serilda even spends time reflecting on whether or not she truly can say she’s “in love” with Gild having only known him for a total of three nights at this point). However, perhaps unsurprising to those familiar with my pet peeves, I did struggle on and off with why Serilda continued to keep so many secrets from Gild. She seemed to be very dismissive of his ability to keep a secret or remain level-headed in front of the Erkling. But…isn’t he the one who’s been successfully dealing with this cruel king for centuries?

The story did take good number of unexpected turns along the way, and I think this really worked. As I said, there were lulls to the story, but every time I began to get the first hints of tedium, Meyers would throw a massive switch into things, and I’d find myself facing almost a completely new story and challenge. I think this worked very well and helped combat some of the pacing issues. I was able to predict a few of these reveals, but the way everything came to light and played out still was surprising and fun. There was one final twist towards the end that I’m still not completely sure makes a lot of sense. But…eh, I could go with it.

This was a very solid conclusion to the duology. I think the pacing does knock it down from a 9 to an 8, for me. But it was still a very solid read and one I greatly enjoyed. Fans of the first book are sure to be pleased with this one (just don’t expect greatly increased Gild/Serilda action though!)

Rating 8: An excellent continuation and conclusion to a unique fairytale retelling, this book (and duology) is sure to please YA fantasy fans!

Reader’s Advisory:

“Cursed” can be found on these Goodreads lists: Epic High Fantasy/Romance/Mythology in 2022 and YA Releases November 2022.

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Gilded” by Marissa Meyer

Publishing Info: Feiwel and Friends, November 2021

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Long ago cursed by the god of lies, a poor miller’s daughter has developed a talent for spinning stories that are fantastical and spellbinding and entirely untrue.

Or so everyone believes.

When one of Serilda’s outlandish tales draws the attention of the sinister Erlking and his undead hunters, she finds herself swept away into a grim world where ghouls and phantoms prowl the earth and hollow-eyed ravens track her every move. The king orders Serilda to complete the impossible task of spinning straw into gold, or be killed for telling falsehoods. In her desperation, Serilda unwittingly summons a mysterious boy to her aid. He agrees to help her . . . for a price.

Soon Serilda realizes that there is more than one secret hidden in the castle walls, including an ancient curse that must be broken if she hopes to end the tyranny of the king and his wild hunt forever.

Review: We read “Cinder” for bookclub many (many) years ago, and I remember enjoying it for the most part. Which is why I bewilder myself that I haven’t read any of the rest of the books in that series or by this author! She writes creative fairytale retellings (some times even including science fiction angles!) for heaven’s sake! That sounds right up my alley! Whatever the case, I did request an e-galley of this book back in 2021 when it came out….and again failed to prioritize it. But when I saw that the second one was coming out this fall, I finally decided that enough was enough, so here we finally, finally are.

Serilda is a story-teller at heart, spending her days spinning wonderous tales of magic and danger. Most of the time, however, this propensity for tall-tales is only appreciated by the village children. Indeed, most others see the mysterious wheels of color that mark her eyes and see nothing but trouble, a young woman touched by a god known for lies. Soon enough, however, magic seems to escape from the world of words and Serilda finds herself caught up in a tall tale herself, forced to spin straw into gold (a skill she foolishly claimed during one of her stories) for a cruel Fae king. Luckily for her, she meets a strange young man who does in fact have this skill. But what will he ask for in return?

I have to say, discovering that you’ve been missing out on something awesome has to be one of the few times where you’re almost rewarded for your own delay. I mean, I loved this book and I had the second book already primed and ready to go and got to merrily skip out on the year-long wait that other fans had to put up with! But it also means I’ve just been missing good books for years. I’ll definitely be checking out those other “Cinder” books now, that’s for sure.

This book was a solid fairy-tale retelling, meeting all of the requirements I look for in this sort of book. The plot hits all the major markers that readers are familiar with from the original “Rumpelstiltskin,” but other than these basic points, the world, characters, and story all feel fresh and unique. Obviously, the biggest change is that Gild himself is not the villain but the love interest. This is definitely an example of a “less is more” romance, and I appreciated that the author didn’t abandon her premise to give more page time to this character or the romance in general. Indeed, it proves just how well-written Gild was that I was fully invested in his story and the romance between him and Serilda given we only see him briefly here and there, broken up by large sections of the story that follow only Serilda.

But this choice is even neatly referenced by Serilda herself at times, noting that this is her story and not Gild’s. While the mystery surrounding him and his ability to spin gold is at the heart of much of the story, Serilda’s own motivations and priorities are what drives things: her love for her father, a mother she lost to magic years ago, and to the young children she tells stories to in her village. She was an excellent character in that you can see her making choices that you, as the reader, know will lead to mischief and sorrow, but they also feel true to the character she is. She also never shies away from the fallout of her own decisions, good and bad. She’s an incredibly strong and brave character, and, at times, laugh out loud funny.

But the story was also much darker than I was expecting. The Erkling was a terrifyingly cruel character, his presence seeming to leak off the page and let you viscerally feel the fear that everyone experiences when around him. There were several moments in the story where it felt like the author was going in a certain direction and I thought “oh, she won’t follow through on that, there will be a way out.” Nope! This had all the darkness and grim horror that is often found in classic fairytales where innocence is not a magical shield that protects characters from bad outcomes.

I loved this book. For all that it had dark, sob-worthy moments, I also found the dialogue and inner monologue to be clever and witty, giving the reader a nice reprieve from too much gloom. It does end on a pretty massive cliff hanger, but luckily for me (and anyone else who hasn’t read it yet) the second book in the duology is coming out this month, so there’s not much of a wait there. I definitely recommend this for fairy-tale fantasy readers. It might also fall into the rare “new adult” fantasy genre.

Rating 9: Sooooo good! An excellent fairytale retelling that takes a familiar story and character and remakes them into something entirely new and fresh.

Reader’s Advisory:

“Gilded” can be found on these Goodreads lists: YA Fractured Fairytales/Radical Retellings and YA/NA Fantasy Romance Book Club Nominations.

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Princess of Souls” by Alexandra Christo

Publishing Info: Feiwel Friends, October 2022

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: For sixteen years, Selestra has been trapped in her tower on the Floating Mountain, preparing to take her mother’s place as the King’s Witch, who foretells deaths in the Festival of Predictions. Outrunning your fate earns a wish and the chance to steal the King’s immortality. But die and your soul is forfeit. And though thousands have tried, nobody has ever beaten death.

A soldier in the King’s army, Nox is an unlikely candidate for the Festival, but, driven by revenge, he is determined to steal the King’s immortality and kill the entirety of his court, starting with Selestra.

Yet when Selestra touches Nox in her very first prediction, their fates become entwined, and death seeks to take both their souls. Only by working together can they survive long enough to escape the dark fate and the immortal King that now hunts them.

Review: I’m going to try really hard to resist going on a rant against Macmillan Publishing right now. Long story short, the Macmillan booth at ALA foolishly decided to allot 5…FIVE!!!!…ARCs of each of their books per day of the conference. So unless you were crazy enough to line up at the entrance to the convention center at the crack of dawn, chances were low you were going to get your hands on any books from them. This is truly an insane policy at a convention where you’re entire purpose is promoting your titles to librarians who will hopefully than purchase your books. No, no I will NOT wait in line for an ARC copy of a book I’m not sure I’ll even like. Ok, enough of that. All of that to say, this was the one ARC I was able to snag from Macmillan over the entire conference. And the fact that (spoiler alert) it was a solid “meh” is exactly why I would never get up early to get ARCs, especially by unknown authors. So…change your plan next time Macmillan!

For years, Selestra has remained trapped within the castle walls, standing to the side of her mother learning to one day take her place foretelling death for those foolish enough to bet their souls on the chance of riches. Every year, hundreds take this risk, with only a small few making any gains; and any who risk their lives, always losing. Selestra has always wondered what would make these individuals choose these odds. So when she has a vision of her life tied up alongside one of these foolish risk takers, she is more confused than ever. For his part, Nox has very fixed reasons for why he has entered this tournament. And getting involved with the King’s magical protégé is definitely not part of the plan.

This book was one of those strange reads where I started it up and thought “Wow, I’m really liking this. It’s definitely going to get a solid rating from me.” And then the longer I read, the more and more it began to feel like a chore. Until by the end, I had a very ambivalent feeling towards the entire experience. I can’t even point to very clear reason for this, but we’ll try and tease something out. But, to start with positives, I did enjoy this to start with and I’m sure that for many other people, this positive first impression will last. The writing is entertaining and smooth. The plot moves quickly. And both of our main characters were interesting and had distinct inner voices. Nox, in particular, was the type of witty guy lead that I typically very much enjoy.

But, again, I simply couldn’t sustain interest in this story. For one thing, I thought all of the twists were incredibly predictable, especially as the story continued. I also struggled with the world-building as the plot progressed. Things that had started out as interesting concepts began to stick in my brain and raise continuing questions about how exactly any of this works or how this history/culture really came to be. I understand that this book is set in the world of the author’s previous book, “To Kill a Kingdom,” but the success of a stand-alone book relies on the fact that it is meant to be approachable to readers who may not have read related works.

I also had heard that this book was a re-imaging of “Rapunzel,” part of the reason I was on the look-out for it at all at ALA in the first place. And…I just can’t see it? I mean, sure, she’s a girl stuck in a tower (and even this is highly questionable as she breaks out with ease within the first quarter of the book). But that’s about it. Her hair is kind of a thing, but not at all in the same way as the story. And really, there were no obvious connections to that fairytale at all in the way the story was plotted or paced. I really dislike being sold this type of false premise. If you’re going to try to hook a reader in with a specific reference like this, you better follow through with a story that actually meets that expectation in some way.

So, overall, this was a miss for me. However, I can also see it working for a lot of YA fantasy readers. For one thing, if you liked “To Kill a Kingdom,” this will probably be a nice return to a familiar world. And, like I said, there was a lot of immediate appeal to the characters and style of writing, so for many, this will likely carry them through. But if you’re looking for a tightly plotted story or a complex exploration of character and motivation, this probably won’t be.

That being said, if you’re one of those fans of the first book or are a YA fantasy reader who’s looking for a fast-paced read, don’t forget to check out our giveaway! It is open to U.S. residents only and ends Oct. 26.

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Rating 7: A promising start sadly wasted away over the course of this read, though I still think it will appeal to a lot of YA fantasy fans looking for lighter fare.

Reader’s Advisory:

“Princess of Souls” isn’t on any Goodreads lists yet, but it should be on Rapunzel Retellings.

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Book: “The Liar’s Crown” by Abigail Owen

Publishing Info: Entangled Teen, August 2022

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Everything about my life is a lie. As a hidden twin princess, born second, I have only one purpose—to sacrifice my life for my sister if death comes for her. I’ve been living under the guise of a poor, obscure girl of no standing, slipping into the palace and into the role of the true princess when danger is present.

Now the queen is dead and the ageless King Eidolon has sent my sister a gift—an eerily familiar gift—and a proposal to wed. I don’t trust him, so I do what I was born to do and secretly take her place on the eve of the coronation. Which is why, when a figure made of shadow kidnaps the new queen, he gets me by mistake.

As I try to escape, all the lies start to unravel. And not just my lies. The Shadowraith who took me has secrets of his own. He struggles to contain the shadows he wields—other faces, identities that threaten my very life.

Winter is at the walls. Darkness is looming. And the only way to save my sister and our dominion is to kill Eidolon…and the Shadowraith who has stolen my heart.

Review: I’m on record as very much enjoying stories about sisters and the often beautiful but complicated relationships those can be. So it made requesting this book a bit of a no brainer. True, much of the general description sounds very familiar to other YA fantasies I’ve read. But there’s also the general adage that there’s nothing new under the sun and that all books are derivatives of others in some way or another! So request away I did!

Both magic and twins run in the royal line. But what could seen has only an odd quirk of a particular lineage has served this particular kingdom in ways known by few others. While one princess grows up as the heir to the thrown and eventually the Queen, the other lives a life unknown, stepping in to live as the royal sister when there are threats or other unknowns that may pose a risk to the true Queen. For Meren, living in her sister’s shadow has provided a sense of duty alongside a sense of claustrophobia. With no life to call her own, she struggles to carve out something of her own. But she also loves her sister, so when a threat comes in the night of her sister’s coronation, Meren steps up. So when the threat is fulfilled and the Queen is captured, it is Meren who falls into the grasp of a dark, deadly man.

While this book didn’t turn out to be all I had hoped it would be, there was still a lot to like. The writing was solid throughout. And, in particular, I think the dialogue was really well-done. The lines that were meant to be quippy were in fact funny. And characters had “voices” and manners to their speaking that made them feel like distinct characters. This is a writing skill that too often goes unnoticed, but when you stand back and look at books that come across as well-written and others that you find yourself struggling with, believable dialogue can often be found as a culprit either way. Some of my favorite authors are my favorite based almost purely on their skill at writing good dialogue.

I also really liked the characters. Meren was a sympathetic character, balancing a sense of loyalty and devotion to sister with the natural frustrations that would come from living life as a person whose entire existence is meant to be unknown. Further, I thought the love interest was also an intriguing character. There were a few reveals of him that came around the halfway mark that I found particularly interesting. These two also had good chemistry; again, I think much of this came down to the good dialogue work by the author.

But, in the end, I did find myself continuing to struggle to fully connect to the book. I was initially really into it, but as the story progressed, the entire thing began to feel more like a chore. Part of this came down to a familiar frustration for me with this kind of story: characters hiding and lying about things far past the point of believability. After a certain point, the more the author has to work to justify continuing the choice for character to continue to withhold important facts from each other. And the longer the story goes, the more these justifications begin to feel inadequate. Such was the case here. And once I started to feel annoyed about Meren’s choices in this regard, the more I struggled to get myself back into the story.

I also found myself returning to an early point in the book and a piece of history that was presented that plays an important part of the story: apparently, the villain (well known as a villain to all of the other kingdoms as well) has been stealing and killing Queens from this particular realm for quite some time. But somehow there is the assumption that the villain doesn’t know about the whole twin thing? I don’t quite get what everyone seems to think the villain character is making of the fact that the minute he captures one Queen another, identical one pops right up? It was all very weird, and as the story continued with this odd point being left to just sit there unchallenged, the more I became fixated on what should have been a minor plot point.

This is the type of book that I think will work for a lot of people. And, in fact, it was very close to working for me. There were just a few too many things that made me raise my eyebrows for me to really become invested in the story. If you like fantasy romance, however, this might be a good read for you!

Rating 7: This book has a lot of strengths, but it also fell into a few plot holes that I always struggle with. Will likely appeal to a lot of fantasy romance fans, however!

Reader’s Advisory:

“The Liar’s Crown” can be found on this Goodreads list: Books with Crowns