Tag: Young Adult

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Book: “A Ruinous Fate” by Kaylie Smith

Publishing Info: Disney Hyperion, January 2023

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Calliope Rosewood is a witch with a long streak of bad luck. Like all witches in Illustros, her fate is directly tied to Witch’s Dice—powerful artifacts that have blessed her kind with limitless magic but also set them on a path toward destruction. Cursed with unspeakable powers that terrify even the most dangerous witches and fae, Calla deserted her coven four years ago and has been in hiding with her two best friends since. But Calla is also hiding a grave secret: She is only three Rolls away from becoming the last Blood Warrior and starting the Final War that will decimate her people and eradicate their magic.

After a betrayal from her ex leads her one step closer to fulfilling that age-old prophecy, Calla is desperate to do whatever it takes to reset her fate . . . even if that means journeying into the deadly Neverending Forest with said ex and his enticing, yet enigmatic older brother to find the one being who can help her forge her own path. As Calla ventures farther into the enchanted woods, she finds her heart torn between her past desires and the alluring new possibilities of her future and learns that choosing your own destiny may come with deadly consequences.

Review: First off, thanks to Disney Hyperion for reaching out to me with an ARC for review! I was excited to check it out for a few different reasons. For one thing, I’ve always enjoyed the cover art done by this cover artist. And for a second thing, I thought the description sounded very unique. The concept of witches who are dependent to some extent on a dice game of chance, with either the opportunity to gain massive powers or fall into peril. And, of course, our main character who seems to be fearful of becoming essentially what sounds like the fourth horseman of the Apocalypse. Let’s dive in!

Since I kind of just gave a description of the book above, I’m going to skip that paragraph in my post and just jump right into the review. First off, the uniqueness of the premise did hold up in the book itself. The idea of the magical dice and the way they tie into the fate of any given witch is interesting and adds new dynamics to what could have otherwise been a very familiar sound magic system. On top of the ordinary way the dice work (“ordinary”), our main character is dealing with a situation where she has rolled three very unique rolls already. So unique that they point to a dark and grim fate not only for her but for the entire world.

However, while the greater concept of the dice was solid, I did get caught up a bit in a few of the details. While clarity did come slowly but surely, the first quarter of this book just throws the reader in with very little explanation. As such, I did find myself struggling to connect to the main character and the story as a whole, since so much of my attention was getting caught up in the “whys” and “hows” of the whole thing.

I do think, however, that this magical system was the best part of the book, and something that will probably interest a lot of YA fantasy fans. However, the wheels came off the bus for me with the characters themselves. Honestly, I found almost every single character fairly annoying and obnoxious, not least Calla herself. Her decisions and reasoning for said decisions were so difficult to not only understand but sympathize with when they inevitably lead to dramatic outcomes. Worst of all, she’d often claim to be working for the good of others, but again and again, she ultimately came across as a fairly selfish and brash character.

And…there were love triangles. Love trainglesssssss! Plural! So, that wasn’t a win for me. I have a really hard time imaging any situation where multiple love triangles is necessary or enhances a story. Indeed, I’m on record as saying there are very few situations where ANY love triangle is necessary or enhances a story. This is definitely not an exception to that rule. Worse, said love interests were just as frustrating and infuriating as the other characters, both main and side.

All of this to say, I think this is the sort of YA book that will appeal to bigtime YA fantasy fans. Those who are devoted to this genre will likely appreciate the creative world building. And all of the rest, the main character’s personality and the love triangles, are familiar archetypes of this genre, so major fans will probably not bat an eye in the same way that I did. However, for general fantasy fans, I’m not sure this one is worth the time.

Rating 7: Familiar elements will likely draw in the regular YA fantasy crowd, but I’m not sure it has enough to appeal to a larger fantasy audience.

Reader’s Advisory:

“A Ruinous Fate” can be found on these Goodreads lists: Best Books Featuring Witches and Upcoming 2023 SFF Books With Female Leads or Co-Leads.

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “A Broken Blade” by Melissa Blair

Publishing Info: Union Square Co., August 2022

Where Did I Get this Book: NetGalley

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Keera is a killer. As the King’s Blade, she is the most talented spy in the kingdom. And the king’s favored assassin. When a mysterious figure moves against the Crown, Keera is called upon to hunt down the so-called Shadow. She tracks her target into the magical lands of the Fae, but Faeland is not what it seems . . . and neither is the Shadow. Keera is shocked by what she learns, and can’t help but wonder who her enemy truly is: the King that destroyed her people or the Shadow that threatens the peace?
 
As she searches for answers, Keera is haunted by a promise she made long ago, one that will test her in every way. To keep her word, Keera must not only save herself, but an entire kingdom.

Review: I have a confession: I’m kind of a BookTok snob. On one hand, this is simply laziness and I’ve never spent the time to really dive into this medium. But on the other hand, from what I’ve seen, it seems like the kind of platform where a very small number of books dominate the recommendations. Obviously, this is great for those books, but this focus on a small number of books means that while some get tons of exposure, less well known works slip through the cracks. And, of course, we all know my track record with these highly promoted books…for some reason I just can’t get on the same page as many fans!

Keera’s world is, if not a happy place, at least a well order one, one in which she clearly knows the role she plays, dark as it is. She is an assassin and spy, so skilled that she is the King’s favorite. Of course, this has lead her down dark paths that she struggles to live with. But, such is her world. However, when she is sent hunt down a strange person known as the Shadow, she must venture outside of her typical boundaries and into Faeland. There, she discovers truths that shake her to her very core, forcing her to reimagine the world she thought she was living within.

If you look at Goodreads, this book is rated pretty highly: firmly in the four star range. And, honestly, I can see why. This book reads as the sort of thing that was built to sell. Pick a favorite fantasy trope, and there’s a good chance it’s in this book. Want to play book bingo? This book’s the one for you. Paint by numbers plotting and characters? Check, check, check! It’s not that anything is outrageously bad, it’s just all so very, very familiar that I found myself almost immediately struggling to want to continue reading. Individually, I get why many of these elements are appealing (I mean, on their own I like most of these tropes too), but doesn’t there come a point where readers can feel the pandering a bit too clearly? This book felt like that to me. It was built to sell, and I could still see the marketing department’s fingerprints all over it.

But, like I said, there is nothing actively bad about it. The writing doesn’t qualify as bad, but it is definitely on the more wooden side, too often falling back on telling its readers how to think and feel than showing them or leading them to certain conclusions in more subtle ways. The characters, too, had elements that could have made them interesting, like Keera’s struggle with alcoholism. But this telling sort of writing let these character aspects fall flat. Beyond that, Keera fell a bit too close to the “not like other girls” line, and her character arc never really felt like it challenged her at all.

Even themes that could have had some weight seemed to deflate when actually explored. The story flirts with an interesting discussion of colonialism before quickly subsiding back into the straight-forward plotting that makes up the majority of the story. I don’t know how many synonyms for “flat” I can use at this point, because the worldbuilding was also lackluster. I often had more questions than answers, and the bits of descriptions we do come by all feel fairly generic.

As you can see, I don’t have much positive to say about this book. I can’t point to any one thing that was actively bad, but it was definitely one of those books that felt like a chore to read from start to very-predictable finish. Fans of these tropes may like it (and must, given the Goodreads rating!), but honestly, they all felt tired out to me, and there are better examples all over the place of any one of them.

Rating 6: Per the usual, the hype let me down and all I found here was more of the very, very familiar same.

Reader’s Advisory:

“A Broken Blade” isn’t on any Goodreads lists, but it should be on Assassins.

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Poison Season” by Mara Rutherford

Publishing Info: Inkyard Press, December 2022

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Leelo has spent her entire life on Endla, coexisting with the bloodthirsty Forest and respecting the poisonous lake that protects her island from outsiders who seek to destroy it. But as much as Leelo cares for her community, she struggles to accept that her younger brother will be exiled by his next birthday, unless he gains the magic of enchanted song so vital to Endla.

When Leelo sees a young outsider on the verge of drowning in the lake, she knows exactly what she’s supposed to do. But in a moment that will change everything, Leelo betrays her family, her best friend, and Endla by making an unthinkable choice.

Discovery could lead to devastating consequences for both Leelo and the outsider, Jaren, but as they grow closer, Leelo realizes that not all danger comes from beyond the lake—and they can only survive if Leelo is willing to question the very fabric of her society, her people, and herself.

Review: This is one of the few new YA fantasy books coming out this month, so of course I have to read it. But I’d like to think that I would have picked it up either way. For one thing, the cover is eye-catching. For another, I do love stories about creepy woods. Add a creepy lake and you’re really humming!

Leelo has grown up knowing one thing: that it is only by the protection of a bloodthirsty forest and a deadly lake that her people have found a refuge in a world that fears their song magic. With this protection comes steep cost, however. Those born on the island who do not have the power of song must be banished, for their own, and their community’s, protection. With this cruel fate coming for her own young brother, Leelo is forced to confront the harsh realities of her world. And when she meets a foreigner who accidentally finds his way onto her island, her questions condense into one, life-changing choice.

While much of this book will feel familiar to readers of YA fantasy, there was a lot a lot to enjoy, as well. The setting itself is very thoroughly described, something that is crucial given the role that both the poisonous lake and the magical forest play in the story and Leelo’s people’s culture and history. Early on, we have a few scenes that depict the harsh nature of this world, and its people. It’s difficult to imagine the circumstances that would lead to this type of society forming, but the book does a decent job of creating a plausible backstory for it all. Once the brutality of nature has been established, the book switches to what turns out to be its primary focus: the nature of family, loyalty, and the sometimes unhealthy versions of love that can be found therein.

I was particularly interested in these themes as they specifically dealt with the relationships between sisters (or cousins who practically grew up as sisters). Leelo grows up in a family group comprised of her mother and her brother, as well as her aunt (her mother’s sister) and her female cousin. It’s immediately clear that not all is well with this family. Indeed, much of the story is about all of the family trauma that makes up this small group, both traumas from the past that are still impacting these characters today, and the current events, such as Leelo’s brother’s imminent banishment. As the story progresses, we learn more and more about the past events that shaped these women’s stories. It’s an excellent exploration of the dark sides of love and family devotion. Love doesn’t conquer all, and indeed, can sometimes make people do terrible things.

For me, this was the heart of the story. As such, I was much less invested in the romance. It was fine, all things considered. In fact, given the structure of the book, I’m impressed at how well the love story avoided the instalove snake pit. But because I was so much more invested in Leelo and her family’s story, I did find myself less interested in Jaren’s chapters. They weren’t bad, by any means. Just not where my focus tended to linger.

As far as the plot and story, this book is fairly predictable. Most people can likely guess most of the late-game reveals. This was especially true of the secrets regarding the Endlan’s history and the nature of the forest and lake. There were a few more twists and turns as far as the family secrets and outcomes, which is probably for the best as these aspects were also the strongest of the book overall. But even here, nothing was incredibly shocking. But that’s also ok! I don’t need to be surprised and shocked with every book I read. Instead, this book accomplishes what it sets out to do: provide an enjoyable YA fantasy story that focuses on the darkness that can be found at the heart of people, even those who may love us most.

Rating 8: Atmospheric and lush, this story weaves its themes of family trauma and darkness through the lens of a bloodthirsty forest and poisonous lake. Dark in all of the best ways!

Reader’s Advisory:

“The Poison Season” can be found on these Goodreads lists: Poison in the Title and YA Flower Covers.

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Luminaries” by Susan Dennard

Publishing Info: Tor Teen, November 2022

Where Did I Get this Book: ALA, Edelweiss+

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Hemlock Falls isn’t like other towns. You won’t find it on a map, your phone won’t work here, and the forest outside town might just kill you.

Winnie Wednesday wants nothing more than to join the Luminaries, the ancient order that protects Winnie’s town—and the rest of humanity—from the monsters and nightmares that rise in the forest of Hemlock Falls every night.

Ever since her father was exposed as a witch and a traitor, Winnie and her family have been shunned. But on her sixteenth birthday, she can take the deadly Luminary hunter trials and prove herself true and loyal—and restore her family’s good name. Or die trying.

But in order to survive, Winnie enlists the help of the one person who can help her train: Jay Friday, resident bad boy and Winnie’s ex-best friend. While Jay might be the most promising new hunter in Hemlock Falls, he also seems to know more about the nightmares of the forest than he should. Together, he and Winnie will discover a danger lurking in the forest no one in Hemlock Falls is prepared for.

Not all monsters can be slain, and not all nightmares are confined to the dark.

Review: I’ve been a bit hit and miss with Susan Dennard’s work in the past. I was first introduced to her several years ago at a panel at ALA, and I really liked what she had to say about writing young adult fantasy fiction. But I’ve never quite connected to her actual work. But it had been a few years since I’ve given her a shot, and I thought this new book sounded interesting. Plus, it had the kind of dark fantasy, spooky cover that I’ve been into lately.

When Winnie’s father was exposed as a spy and a traitor, her life went off the rails. Now, she sees only one way to restore hers and her family’s reputation: she must enter the Luminary trials and reclaim her place as a hunter of monsters. But the trials themselves are deadly, even without the fraught internal politics of the hunter families. And this year, something even darker is lurking in the woods. An unknown evil that no one has faced before.

So, I’ll just get it out of the way right away: this book wasn’t a hit for me. But there were also several factors involved that skewed my opinion, so I’m definitely not saying that it was a bad book in and of itself. For one thing, when I picked this book up, I somehow missed the reference to phones in the book summary and was completely taken aback to discover it was a contemporary/urban fantasy story. So maybe it was just a mood thing or my general preference for non-contemporary fantasy stories, but right of the bat I did struggle to immerse myself in this mash up of a world with an evil forest but also kids riding around on 4-wheelers.

Secondly, the book is written in third person present tense. This has to be one of my least favorite styles of writing. It ends up with the story reading in this bizarre tone where you have sentences like “Winnie tells Mom that she’s heading to school.” That’s…just weird sounding, not least because of the strangeness of the “Mom” thing. If you’re going to do third person, then do third person! Only a first person narrator would refer to the mother as “Mom” in the general telling of the story. So, yes, as you can see, I had a hard time getting past that.

But, of course, that wasn’t really the book’s fault, and readers who enjoy contemporary/urban young adult fantasy and don’t mind this style of writing will likely not struggle in the same way I did. I will say, the summary does an effective job here. You really know about all you need to know about the book from what you see above, and the story neatly checks off plot points as it goes along. I didn’t find much in the way of shocks or real twists to the story. I thought most of the reveals were fairly telegraphed early in the book.

If I did get caught up with questions, they had more to do with some of the mechanics of the world-building. For example, it is emphasized that maintaining the population of hunters who can fight these monsters is paramount, so everyone understands they are expected to marry and have kids early. But then, on the other hand, you have teenagers participating in these deadly trials. Which…just logically makes no sense. Teenagers aren’t fully grown physically, and they also, naturally, have less experience under their belts. If there are concerns about keeping up a dwindling population, it seems counter-intuitive to choose this age for a deadly trial system, an age that sets your own kids up for a higher mortality rate.

Anyways…yes, this book wasn’t for me. But I know there are a lot of fans of this author out there, so I’m also not saying this book won’t appeal to a lot of general YA fantasy fans. The story is action-packed, and I did like the commitment to the body horror of these monsters. There’s also the rather typical YA romance at its heart, which may also appeal to many readers. If you’re a fan of YA urban fantasy and like stories focused on trials and competitions, this might be for you! If so, don’t forget to enter our giveaway to win an ARC copy!

Enter to win!

Rating 6: Perhaps if it hadn’t been written in third person present tense, I would have liked it more. But I just found myself getting caught up on too many things to enjoy this one.

Reader’s Advisory:

“The Luminaries” can be found on these Goodreads lists: SFF books with a forest setting

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Saint” by Adrienne Young

Publishing Info: Wednesday Books, November 2022

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: As a boy, Elias learned the hard way what happens when you don’t heed the old tales.

Nine years after his lack of superstition got his father killed, he’s grown into a young man of piety, with a deep reverence for the hallowed sea and her fickle favor. As stories of the fisherman’s son who has managed to escape the most deadly of storms spreads from port to port, his devotion to the myths and creeds has given him the reputation of the luckiest bastard to sail the Narrows.

Now, he’s mere days away from getting everything his father ever dreamed for him: a ship of his own, a crew, and a license that names him as one of the first Narrows-born traders. But when a young dredger from the Unnamed Sea with more than one secret crosses his path, Elias’ faith will be tested like never before. The greater the pull he feels toward her, the farther he drifts from the things he’s spent the last three years working for.

He is dangerously close to repeating his mistakes and he’s seen first hand how vicious the jealous sea can be. If he’s going to survive her retribution, he will have to decide which he wants more, the love of the girl who could change their shifting world, or the sacred beliefs that earned him the name that he’s known for―Saint.

Review: Adrienne Young is a must-read author for me at this point. I’ve been reading her books for some time, and they always deliver on a good story, interesting characters, and, often, a sweet romance. I really enjoyed her “Fable” duology, so I was excited to nab this book once I realized it was not a cheap romance novel (ugh that cover!!) but in fact a prequel stand-alone that follows the story of Fable’s parents and how they meet.

Elias has devoted his life to one thing and one thing only: getting his merchant license and making a name for himself and for the Narrows, his beloved and dangerous home. But things begin to go sideways when he meets a mysterious young woman working as a Dredger for a rival crew. For her part, Isolde is running her own game, one full of secrets and a desperate attempt to reinvent not only herself but the world that her powerful mother has been shaping for her. Together, Elias and Isolde face dangerous, sweeping forces. But with a shared love for the sea, can they find their way through this storm?

I really enjoyed this prequel story. It’s always a bit hard to write a book like this, for several reasons. For one thing, the Saint we met in the “Fable” duology is very different than the young man full of vision and, in his own way, optimism that we see here. He’s been tested, yes, but he hasn’t gone through the life-shaping hardships that we know are before him. For another thing, we do know tragedy is ahead for these characters, knowing the state of affairs when Fable’s own story begins. But I think Young does a good job of taking those necessary and pre-determined components and creating something that still feels hopeful and fresh.

For her part, Isolde can be a completely new character, with only very few strings attached to who she should be on the page given from previous books. We know her fate in the “Fable” books, but we never see her in person. This leaves a lot of room for her character and story to be the groundwork for this book, and she serves very well in this role (even though the book is titled for a different character). I really liked the unique vision of this world that we see through Isolde’s eyes, through the eyes of a young woman who is the daughter of one of the most powerful people alive, her mother. And while much of Isolde’s life has been influenced by the privileges that this has given her, we also see how complicated and damaging this relationship has been to Isolde’s sense of self and purpose. Much of this book is focused on her journey to shape herself into the woman she wants to be and to wrestle freedom back from the ever tightening grip of her tyrannical mother. Isolde is made up of a lot of grit and will to choose one’s own path, two traits that are very apparent in her daughter, Fable.

Saint had a bit of a harder task, as we do have a pretty solid image of him presented in the “Fable” duology. That being the case, I did struggle a bit more with his chapters. I could see some hints of how the character we were being introduced to here could turn into that much harder, much colder man, but he also felt very different, too. And yes, events will shape him in major ways going forward, but something about the characterization just didn’t gel as well as I had hoped. I think I wanted a more ruthless, pragmatic character here, rather than the more typical YA hero that we’ve all seen fairly often.

I liked the story well enough, too. But again, here, it didn’t live up to quite what I could have wished for. By the end of the book, I had a hard time really pointing to the main conflict or plot of the book. It’s a very character-driven story (something that really works for me), but the plot and action itself is rather lacking. There are action scenes, of course, but the stakes never felt particularly high, and I wasn’t incredibly invested in the point-by-point movements of the plot itself. As a character reader, I was ok with this style of book. But those who might be looking for a more compelling story at the heart of their read might find themselves let down a bit by this book.

Overall, I thought this was a solid prequel. It did a good job of bringing to the page two characters that we’ve either met before or heard a great deal about before. Technically, it would be approachable on its own to new readers, but I do think that that would be doing yourself a disservice. As many of the strengths of this story come from its characters and the plot/world-building plays a definite second fiddle, readers who are already familiar with this world and these characters are likely going to enjoy this one more.

Rating 8: Very enjoyable, though its focus on characters over plot may hold it back a bit for some readers.

Reader’s Advisory:

“Saint” can be found on these Goodreads lists: YA Sea Adventures and Best prequel/sequel

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Vermilion Emporium” by Jamie Pacton

Publishing Info: Peachtree Teen, November 2022

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: It was a day for finding things . . .
 
On the morning Twain, a lonely boy with a knack for danger, discovers a strand of starlight on the cliffs outside Severon, a mysterious curiosity shop appears in town. Meanwhile, Quinta, the ordinary daughter of an extraordinary circus performer, chases rumors of the shop, The Vermilion Emporium, desperate for a way to live up to her mother’s magical legacy.
 
When Quinta meets Twain outside the Emporium, two things happen: One, Quinta starts to fall for this starlight boy, who uses his charm to hide his scars. Two, they enter the store and discover a book that teaches them how to weave starlight into lace.
 
Soon, their lace catches the eye of the Casorina, the ruler of Severon. She commissions Quinta and Twain to make her a starlight dress and will reward them handsomely enough to make their dreams come true. However, they can’t sew a dress without more material, and the secret to starlight’s origins has been lost for centuries. As Quinta and Twain search the Emporium for answers, though, they discover the secret might not have been lost—but destroyed. And likely, for good reason.

Review: This book had early marketing that compared it to a mix of “The Radium Girls” and “Howl’s Moving Castle.” And that’s definitely one of those situations where the weirdness of that mixture just adds to the appeal. I mean, what does that even mean? But the book description itself also sounded intriguing and the cover seemed to speak to a sort of historical/fantasy hybrid of sorts. So what did it turn out to be?

Quinta and Twain each feel as if they have hit dead ends. Quinta’s mother often spoke of a future for daughter full of greatness, but looking around her now, Quinta only sees the mundane. For his part, Twain’s hopes of buying him and his brother a new life via passage on a ship out of the city died alongside his brother when he perished in a tragic accident. But when Quinta and Twain find themselves thrown together, privy to a long-lost magical substance, each sees their future opening up before them once again. However, some secrets may have been forgotten for a reason, and Quinta and Twain may be in over their heads.

This was another frustrating read for me, largely because after the first few chapters I was feeling pretty good about the book as a whole. First off, and for me most importantly, the writing seemed solid and engaging, painting a vivid new world full of interesting new magic and sympathetic characters. Twain, especially, with this tragic story of the loss of his brother was a particularly interesting narrator. His story also starts off quickly, jumping the reader right into the action and setting out a path for him to follow early on.

Things began to go down hill when I met the female main character. Quinta seemed interesting enough at first, but quite quickly it began to feel like her entire motivation and drive centered around the prediction her mother made that she would be great. She also seemed overly fixated on the fact that she only let people down and that she was a “one night girl.” Seriously, that last phrase was repeated so many times that I almost got out a note pad and started counting. I get the general type of character that these two things are supposed to be painting, but the repetitive way that Quinta talked about and described herself quickly began to feel unnatural.

And then, the romance. Oh, the romance. Why, instalove, why?? Again, the first few pages of Quinta and Twain’s interactions had me interested. There was some good banter and chemistry, and I was hopeful that that would turn into a solid foundation for an eventual relationship. NOPE! For such a “one night kind of girl” Quinta sure did jump in quickly! Seriously, they were holding hands within pages of meeting, and Quinta was immediately discussing how she didn’t buy into “love at first sight” but man, she was starting to have questions now. It was so rushed and uncomfortable.

After that, I really struggled to connect with anything else in this story. There were never any major conflicts the two characters had to face and very little character growth of any kind was involved. And if I had to hear the phrases “one night girl” or “meant for great things” a single more time…Alas, it was not for me. Perhaps fantasy readers who are not as put off by instalove and looking for lighter fare may enjoy this, but ultimately it felt like a wasted opportunity for a good story.

Rating 6: A promising start broke down fairly quickly and left me struggling to get through this one.

Reader’s Advisory:

“The Vermilion Emporium” can be found on this Goodreads list: YA Novels of 2022

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Cursed” by Marissa Meyer

Publishing Info: Feiwel and Friends, November 2022

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Adalheid Castle is in chaos.

Following a shocking turn of events, Serilda finds herself ensnared in a deadly game of make-believe with the Erlking, who is determined to propel her deeper into the castle’s lies. Meanwhile, Serilda is determined to work with Gild to help him solve the mystery of his forgotten name and past.

But soon it becomes clear that the Erlking doesn’t only want to use Serilda to bring back his one true love. He also seeks vengeance against the seven gods who have long trapped the Dark Ones behind the veil. If the Erlking succeeds, it could change the mortal realm forever.

Can Serilda find a way to use her storytelling gifts for good—once and for all? And can Serilda and Gild break the spells that tether their spirits to the castle before the Endless Moon finds them truly cursed?

Previously Reviewed: “Gilded”

Review: Back when I reviewed “Princess of Souls,” I went on a mini rant about Macmillan only handing out one ARC per day to each individual during ALA. And back when I reviewed “Gilded” last week, I went on another mini rant against myself for delaying reading this duology. Well, combine those two and you and get the rant where I missed out on an ARC for “Cursed” at ALA because a.) I hadn’t gotten around to reading the first one and b.) they were only handing out one ARC, so I picked “Princess of Souls”…

Expecting a child and engaged to the evil Erkling, Serilda’s prospects really couldn’t be worse. Add on top of that the fact that her beloved village children are trapped under the Erkling’s curse, and she cannot tell her love and the father of her child, Gild, any of this for fear of tipping off the Erkling to her plans. With the clock ticking on her pregnancy, Serilda is desperate to find a way to save the children, Gild, and her own baby. But as she works to uncover the secret history of the land, she discovers that the Erkling’s game is much greater than she had suspected.

I pretty much read this book immediately after finishing up “Gilded.” I think it really worked being read in this way, as the story picks up immediately after the previous one kicks off. It really could feel like one, longer book. In some ways, I think it was even improved on for being read this way. As, given the way the action of the entire duology is spread out, this book opens on the lull before the story. The previous book set it all up, but this stories opens with Serilda in a fairly impossible situation. Ultimately, as judged on its own, I do think this one struggled a bit more with pacing right off the the bat because of this. As the story continued, there were long swaths of time where very little happened. There were also large changes in scenery and situation that would also feel a bit like they petered out into yet another lull. But, overall, I do think the plotting and pacing work, if they are a bit more jumbled than in the first book.

This is still very much Serilda’s story, and I continued to enjoy her as a main character. I thought the way Meyers handled her pregnancy was interesting (if a bit of a cop out in certain ways), and Serilda’s relationship with the children of her village and the child she will soon bring into the world remains her primary motivation and focus. The romance is, of course, still very sweet. But, if anything, this book reinforced again and again that this is not the relationship at the core of Serilda’s world, as much as she loves Gild. I really liked this. Not only is it refreshing to read about a main character who’s motivational relationship is not yet another romantic interest, but Meyers used this opportunity to continue to build on what was, really, a very bare bones start to Gild and Serilda’s relationship (Serilda even spends time reflecting on whether or not she truly can say she’s “in love” with Gild having only known him for a total of three nights at this point). However, perhaps unsurprising to those familiar with my pet peeves, I did struggle on and off with why Serilda continued to keep so many secrets from Gild. She seemed to be very dismissive of his ability to keep a secret or remain level-headed in front of the Erkling. But…isn’t he the one who’s been successfully dealing with this cruel king for centuries?

The story did take good number of unexpected turns along the way, and I think this really worked. As I said, there were lulls to the story, but every time I began to get the first hints of tedium, Meyers would throw a massive switch into things, and I’d find myself facing almost a completely new story and challenge. I think this worked very well and helped combat some of the pacing issues. I was able to predict a few of these reveals, but the way everything came to light and played out still was surprising and fun. There was one final twist towards the end that I’m still not completely sure makes a lot of sense. But…eh, I could go with it.

This was a very solid conclusion to the duology. I think the pacing does knock it down from a 9 to an 8, for me. But it was still a very solid read and one I greatly enjoyed. Fans of the first book are sure to be pleased with this one (just don’t expect greatly increased Gild/Serilda action though!)

Rating 8: An excellent continuation and conclusion to a unique fairytale retelling, this book (and duology) is sure to please YA fantasy fans!

Reader’s Advisory:

“Cursed” can be found on these Goodreads lists: Epic High Fantasy/Romance/Mythology in 2022 and YA Releases November 2022.