Tag: Thriller

Kate’s Review: “The Initial Insult”

Book: “The Initial Insult” by Mindy McGinnis

Publishing Info: Katherine Tegen Books, February 2021

Where Did I Get This Book: I received an eARC from NetGalley.

Book Description: Welcome to Amontillado, Ohio, where your last name is worth more than money, and secrets can be kept… for a price. Tress Montor knows that her family used to mean something—until she didn’t have a family anymore. When her parents disappeared seven years ago while driving her best friend home, Tress lost everything. She might still be a Montor, but the entire town shuns her now that she lives with her drunken, one-eyed grandfather at what locals refer to as the “White Trash Zoo,” – a wild animal attraction featuring a zebra, a chimpanzee, and a panther, among other things.

Felicity Turnado has it all – looks, money, and a secret that she’s kept hidden. She knows that one misstep could send her tumbling from the top of the social ladder, and she’s worked hard to make everyone forget that she was with the Montors the night they disappeared. Felicity has buried what she knows so deeply that she can’t even remember what it is… only that she can’t look at Tress without having a panic attack.

But she’ll have to. Tress has a plan. A Halloween costume party at an abandoned house provides the ideal situation for Tress to pry the truth from Felicity – brick by brick – as she slowly seals her former best friend into a coal chute. With a drunken party above them, and a loose panther on the prowl, Tress will have her answers – or settle for revenge.

In the first book of this duology, award-winning author Mindy McGinnis draws inspiration from Edgar Allan Poe and masterfully delivers a dark, propulsive mystery in alternating points of view that unravels a friendship . . . forevermore.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

As I’ve mentioned before, I really enjoyed Edgar Allan Poe and his poems and short stories. From the sad to the dream like to the macabre, the guy always has something that is going to connect with me. It’s been a long time since I read “The Cask of Amontillado”, the short story in which a man slowly seals up his rival into a tomb brick by brick, but I do remember how much it unsettled me the first time I read it back in middle school. When I head that Mindy McGinnis had written a new YA novel that took that story and updated it to be between two teenage girls, I was interested, but wondered how it could be done! But I was absolutely game to give it a try.

Taking a story like “The Cask of Amontillado” and turning it into a thriller/horror about two teenage girls whose friendship has gone bad is a lofty goal to set for oneself, but McGinnis rises to the occasion and has created a creepy and suspenseful story. We get the perspectives of both Tress, the one with the bricks, and Felicity, the one in the chains, and see how their relationship has gotten to this point. I really enjoyed both voices of each girl, and McGinnis was very careful to show that each of them had their own roles to play in the disintegration of their friendship. She doesn’t really give either of them a pass, but is also very empathetic to each of them in their struggles. It made it easy to both feel for them, and hate them, depending on the moment of the story. But it was the third perspective that I didn’t expect that kind of worked the best for me, and that is of the Panther that Tress’s grandfather Cecil owns, who has escaped from the exotic zoo. It’s this element that makes “The Black Cat” our other most prominent Poe work, and I thought it upped the ante, but also added an experimental and all knowing third perspective to bring in other, dreamy elements.

I WILL say, and I never thought I’d ever say this given how much I like Poe, that there was a little too much Poe stuffed into this book. It’s one thing when you are throwing references with names, vague similarities between the source content and the interpretation, and a main plot that’s paying homage. But McGinnis put a few too many plot points in that were a bit overwhelming. If it had just been “The Cask of Amontillado” and “The Black Cat” with a few other nods I think it would have been fine. But we also get a whole “The Mask of Red Death” subplot which feels underexplored because there is so much else going on, and some plot points from “Hop Frog” thrown in as well that are also superfluous. It just made things seem a bit more bloated than they needed to be, especially since there is, indeed, going to be another book in the series. Could these things have been saved for that? Or will there be even MORE underutilized opportunities with some great source material?

But yes, having said that, “The Initial Insult” was a lot of fun, and while I’m curious about how a sequel is going to work (given that things seemed pretty final in some regards), I have a couple of theories as to what McGinnis may be up to. And even if those theories don’t pan out, I’m definitely anticipating what comes next.

Rating 8: A creative modern day interpretation of an Edgar Allan Poe classic, “The Initial Insult” sometimes does too much, but is entertaining and suspenseful nonetheless.

Reader’s Advisory:

“The Initial Insult” is included on the Goodreads list “Books Influenced by Edgar Allan Poe”.

Find “The Initial Insult” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Kate’s Review: “What She Found in the Woods”

Book: “What She Found in the Woods” by Josephine Angelini

Publishing Info: Sourcebooks Fire, December 2020

Where Did I Get This Book: I received an eARC from NetGalley.

Book Description: Running from a scandal at her New York private school, Magdalena heads to her family home to recover under the radar.

Over-medicated and under-confident, she’s fearful she’ll never escape her past.

Until she meets Bo out hiking. Wild, gorgeous and free, he makes her believe she might finally be able to move on.

But when a mutilated body is discovered in the woods, Magdalena realises she can’t trust anyone. Not even herself.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

In a moment of ‘why did no one tell me this’, last November I was looking at my Highlights list for December, only to discover that one of the books I had highlighted had been postponed until Spring of this year. So I needed to go looking for a new title that I could highlight, and hit a bunch of lists for December publications. It doesn’t happen often, but when it does, I panic! But I was happy when I saw “What She Found in the Woods” by Josephine Angelini, as the description was checking off a LOT of my boxes. A privileged girl running from a private school scandal, a strange boy who may be hiding something, and dead bodies popping up in the wilderness, my gosh, what a treasure trove! I was lucky enough to get a copy via NetGalley, and dove in hoping for a fun read. But sadly, checked boxes or no, “What She Found in the Woods” ended up not gelling for me.

While it certainly has a promising premise and it did have some moments of tension because of a solid build up, “What She Found in the Woods” just didn’t thrill me the way that I wanted it to. The first issue I had was the characters themselves. Magdalena, our protagonist, had a well plotted slow burn of a reveal to her past, but I feel like there was too much piled on once we got past the first initial ‘bad thing’ that was revealed just to make it ‘extra bad’. We really didn’t need the additional issues after the first one (being vague as best as I can here), as it felt like too much to me. There was also a huge reliance on mental health problems as plot progression, or being used as potential foreshadowing, which doesn’t really count as character development, and is a bit problematic as it’s seen as a weakness or potential for violent behavior. And then there is Bo, the mysterious Wild Boy who lives in the wilderness with his family. I thought that Angelini did address how his social skills may not be up to par, though he felt a little manic pixie dream boy for a good amount of the time. There was also a glossed over ‘oh he’s going to go to college’ aspect to his storyline which didn’t feel very thought out, as how? How is he going to go to college? There are so many hoops that he would have to jump through within the context of him going that just saying ‘oh he’s going to’ doesn’t really cut it.

On top of that, the story itself wasn’t too thrilling for me. I wasn’t invested in who was maybe killing people in the woods, as to whether it was Bo or a mysterious entity known as Dr. Goodnight. The commentary on addiction and poverty was interesting enough, but ultimately it barely scratched the surface and the bigger priority was whether or not the instalove between Magdalena and Bo was going to work out, either because of her mental issues, or his potential for having a role in what was happening in the woods. By the time we got to the big climax, I just kind of wanted to be done for the sake of being done.

I’d been really struggling with if I wanted to go into spoilers for this review, just because those who may want to read it should go in without having to worry about having aspects of the mystery ruined. But one of my biggest gripes outside of ‘it just didn’t thrill me’ is tangled with a pretty big spoiler. But I think that I need to address it, so, as always, here is your

(source)

So, one of the big questions in this mystery is why Bo and his family have been living in the woods off the grid, and why they are so paranoid about Bo being discovered, and why he has to pretty much say goodbye to them once he leaves the woods for a college life. It is eventually revealed that Bo’s father Ray was an anesthesiologist who started doing a Dr. Kevorkian kind of service, where people who were dying and in agony wanted him to euthanize them to end their suffering. I actually liked that this book brought up issues of euthanasia and bodily autonomy, and whether or not people should have the right to decide when they end their life with the assistance of those who can make it painless and with dignity. This is the worst thing that he has done in this book (so this is the big spoiler: he is NOT Dr. Goodnight), a string of acts that are illegal, but seen as a huge grey area depending on whom you speak to. SO THAT SAID, since he is eventually shown as a medical professional who was participating in illegal, but morally complicated, acts, and wasn’t actively seeking out to cause pain and suffering to others, it felt COMPLETELY incongruous when in the story he encourages Magdalena to go off her very complex prescription regimen when that is SO dangerous to do. When it was possible that he was doing that as a sadist, I was thinking ‘okay, maybe’, but when it’s revealed that no, he’s NOT a sadist, that whole aspect just felt like either a lazy red herring (which IS incredibly damaging, as even though Magdalena eventually gets back on medication that she needs, it’s mentioned in passing, which doesn’t stand out), or a complete disservice to the character in that it just doesn’t mesh with who we eventually see him as.

“What She Found in the Woods” really had potential on paper, but just didn’t live up to it. I think that if I knew someone was just starting to dabble in unreliable narrator tropes in their stories I could see myself recommending it, but there are many that are better executed.

Rating 4: A promising concept to be sure, but a ho hum and at times uneven execution.

Reader’s Advisory:

“What She Found in the Woods” isn’t on many specific Goodreads lists, but I think that it would fit in on “YA Involving Mental Health Issues (2000-Present)”.

Find “What She Found in the Woods” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Kate’s Review: “Winter Counts”

Book: “Winter Counts” by David Heska Wanbli Weiden

Publishing Info: Ecco, August 2020

Where Did I Get This Book: I own it.

Book Description: A groundbreaking thriller about a vigilante on a Native American reservation who embarks on a dangerous mission to track down the source of a heroin influx. 

Virgil Wounded Horse is the local enforcer on the Rosebud Indian Reservation in South Dakota.  When justice is denied by the American legal system or the tribal council, Virgil is hired to deliver his own punishment, the kind that’s hard to forget. But when heroin makes its way into the reservation and finds Virgil’s nephew, his vigilantism suddenly becomes personal. He enlists the help of his ex-girlfriend and sets out to learn where the drugs are coming from, and how to make them stop.

They follow a lead to Denver and find that drug cartels are rapidly expanding and forming new and terrifying alliances. And back on the reservation, a new tribal council initiative raises uncomfortable questions about money and power. As Virgil starts to link the pieces together, he must face his own demons and reclaim his Native identity. He realizes that being a Native American in the twenty-first century comes at an incredible cost.

Winter Counts is a tour-de-force of crime fiction, a bracingly honest look at a long-ignored part of American life, and a twisting, turning story that’s as deeply rendered as it is thrilling.

Review: While I am certainly an aficionado of the thriller genre, as a genre it can span over a number of sub genres. I tend to not really go as much into the literary side of things, nor do I really tread towards the incredibly dark. And given that “Winter Counts” by David Heska Wanbli Weiden is both of those things, I was stretching my preferred subgenre muscles a bit. But I’m also always game to read books by Indigenous authors, and when I read up on this one it captured my interest. One birthday gift later, and I owned it, though it sat on the shelf awhile. I eventually picked it up. Almost immediately it went dark and bleak. But it also snagged me in even as I was immediately uncomfortable.

Our main character is Virgil Wounded Horse, a Lakota man living on the Rosebud Indian Reservation in South Dakota. He’s made his way as an enforcer who will dole out justice for those who cannot get it by other means, be it due to corruption, apathy, or both from local law enforcement and tribal governance. Right off the bat we have a trigger warning, as he beats the absolute shit out of a child rapist. This is just the beginning of the violence that is within this book, but it never feels exploitative, nor does it feel like it’s ever too much. “Winter Counts” doesn’t shy away from the very desperate circumstances on the reservation, and what those circumstances can drive people to do just to survive, and how predatory people can take advantage of it. While I feel like a character like Virgil in many other settings (especially within certain tropes of the thriller genre) may come off as morally ambiguous (and in some ways he kind of does here), overall Virgil never feels like an antihero, probably because of the environment he’s operating within. This book brings up a lot of hard realties and truths about 21st century life for Indigenous people both on and off reservations, and it isn’t limited to drug cartels. The fallout of racism, colonialism, and extended genocide by the American Government are throughout this book

The mystery of who is behind the cartel and drug activity on the reservation is the main thread of this story, given that Virgil’s nephew Nathan gets caught up in it after almost fatally OD’ing on some of the stuff brought in. Nathan and his ex girlfriend Marie set out to find the culprits, Virgil doing so because it’s personal and Marie acting as a guiding moral voice towards what it does to the Native community as a whole. While at times I wasn’t as interested in the ‘who’ of the whodunnit, it wasn’t because I didn’t want to know, it was more because the other themes of the story and the inner conflicts of Virgil, Marie, and others were more interesting. Marie is more idealistic and social justice driven, while Virgil is just trying to survive, and these two motivations sometimes bumped against each other, though thankfully never led to questions of who was ‘right’, as both are in their own ways. But that said, I was surprised by the ultimate solution to the mystery, even if the mystery itself took a bit of a backseat to other interests in my reading motivation.

And yeah, like I said, this is a DARK book. It took me a little while to get through it just because the heaviness of it all could be a bit much. But it’s also compelling and powerful, and totally worth it. Weiden kept me coming back for more, even if I had to pace myself a bit to get there. Just know that there are many triggering themes within its pages.

“Winter Counts” is a bold book from a striking new voice in thriller fiction. If you’re looking for a new twisty thriller and can handle the darkness, I definitely suggest you check it out.

Rating 8: Dark, compelling, and powerful, “Winter Counts” is a difficult read at times, but worth it to be sure.

Reader’s Advisory:

“Winter Counts” is included on the Goodreads lists “Popsugar 2021 #16: A Book by an Indigenous Author”, and “2020 Adult Debut Novels by Authors of Color”.

Find “Winter Counts” at your library using WorldCat, or a local independent bookstore using IndieBound!

Kate’s Review: “The Survivors”

Book: “The Survivors” by Jane Harper

Publishing Info: Flatiron Books, February 2021

Where Did I Get This Book: I received an eARC from NetGalley.

Book Description: Coming home dredges up deeply buried secrets...

Kieran Elliott’s life changed forever on the day a reckless mistake led to devastating consequences. The guilt that still haunts him resurfaces during a visit with his young family to the small coastal community he once called home. Kieran’s parents are struggling in a town where fortunes are forged by the sea. Between them all is his absent brother, Finn. When a body is discovered on the beach, long-held secrets threaten to emerge. A sunken wreck, a missing girl, and questions that have never washed away… 

Review: Thank you to NetGalley for providing me with an eARC of this novel!

Someday, when the world isn’t dealing with a pandemic and I don’t have to worry about traveling with a little one, I have every intention of going to Australia. My time in the Sydney airport on the way to New Zealand doesn’t count. When I think about a trip there my mind hovers in big cities like Sydney, and also thinks about The Outback, but I’d do well to remember that there are also oceanside towns, which I tend to love no matter what the continent. I was reminded of such facts as I read “The Survivors” by Jane Harper, her newest mystery, another standalone that’s separate from the Aaron Falk Series (and I’m not sure when we’re getting another one of those, but patience is a virtue, I guess? So I’m told, I wouldn’t know).

One of the common strengths of Harper’s stories is the ability she has to bring out strong atmosphere and sense of place, and “The Survivors” is no different. Evelyn Bay is a seaside town in Tasmania, and you immediately feel the close knit strength of the community, the strength and reverence of and for the ocean, and the pitfalls that come with all of these things. Just as there is a strong sense of community, for some people that can be a downfall. Our protagonist, Kieran, knows this from first hand experience, and has only come back because he and his girlfriend Mia have a new baby, and because his father Brian is falling more and more into dementia. We know that a terrible accident happened that caused Kieran to flee this town as soon as he could, and we see the consequences, both the good and the bad, for those who stayed behind. There are those in town who hold a grudge against Kieran because of his role in the tragedy during a bad storm, and it is slowly shown just how much Kieran has held in and how much his guilt has weighed him down. Harper explores the complications of family in the wake of a tragedy, as well as unresolved trauma and grief. You throw in the worries and anxieties of being a new parent, and the sadness and stress of dealing with an ailing father, and Kieran is having a rough go all around, even BEFORE a local murder dredges up past hurts, suspicions, and ills. It’s a painful time unpacking a lot of this, and the emotions are raw and real, but that’s really the strongest aspect of this book.

The two mysteries that are the hearts of “The Survivors” are years apart, but similar in nature. During the storm that upturned Kieran’s life, a local girl went missing. She has connections to Kieran, as she was the younger sister of his friend Olivia, as well as the best friend of his now girlfriend Mia. And it just so happens that during Kieran’s visit, a young woman named Bronte is discovered dead on the beach, reigniting fears and suspicions in the community. The questions are who killed Bronte, is it connected to the past case, and who knows something. I was happy that from the get go it’s made clear that Kieran isn’t really a true suspect, at least in the reader’s eyes, as that would have been a red herring I would have had a hard time dealing with on top of all the other garbage in his life. But that isn’t to say that there aren’t red herrings; because boy are there. The mysteries take a bit of a backseat to Kieran’s inner turmoil and the atmosphere of a small town in disarray, which made it a little hard to be invested in either of them, at least to a level that I would have expected. But all that said, the clues are carefully plotted out, and there were enough curve balls thrown that I was left guessing and left pretty entertained. It was a little slow to be an addictive read, but that was alright in the end.

“The Survivors” is heavy and emotional, and certainly an interesting examination of one man’s baggage. Harper continues to show us her talents as a mystery author, and now we wait to see what she comes up with next!

Rating 7: An emotional mystery about trauma, family, and the darkness in small towns, “The Survivors” is a new entertaining thriller from Jane Harper.

Reader’s Advisory:

“The Survivors” is included on the Goodreads lists “Down By The Sea”, and “Fictitious Australia”.

Find “The Survivors” at your library using WorldCat, or a local independent bookstore using IndieBound!

Kate’s Review: “The Project”

Book: “The Project” by Courtney Summers

Publishing Info: Wednesday Books, February 2021

Where Did I Get This Book: I received an eARC from NetGalley.

Book Description: Lo Denham is used to being on her own. After her parents died, Lo’s sister, Bea, joined The Unity Project, leaving Lo in the care of their great aunt. Thanks to its extensive charitable work and community outreach, The Unity Project has won the hearts and minds of most in the Upstate New York region, but Lo knows there’s more to the group than meets the eye. She’s spent the last six years of her life trying—and failing—to prove it.

“The Unity Project murdered my son.”

When a man shows up at the magazine Lo works for claiming The Unity Project killed his son, Lo sees the perfect opportunity to expose the group and reunite with Bea once and for all. When her investigation puts her in the direct path of its charismatic and mysterious leader, Lev Warren, he proposes a deal: if she can prove the worst of her suspicions about The Unity Project, she may expose them. If she can’t, she must finally leave them alone.

But as Lo delves deeper into The Project, the lives of its members, and spends more time with Lev, it upends everything she thought she knew about her sister, herself, cults, and the world around her—to the point she can no longer tell what’s real or true. Lo never thought she could afford to believe in Lev Warren . . . but now she doesn’t know if she can afford not to.

Welcome to The Unity Project.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

Given how much I loved Courtney Summers’s previous novel “Sadie”, when I saw that her next book was going to be about a cult I was freakin’ stoked. The dark grittiness of “Sadie” kept me unsettled and on edge for a long while after finishing that book, and I figured that “The Project” would be almost darker, if only because of the root of the conflict (and because it sounded like it took a lot of inspiration from NXIVM from the summary, which is all kinds of yikes as more and more details come out about that group).

Once again we have a sister relationship that serves as the beating heart of this novel, a theme that Summers has used before and done very well. I had been a bit worried we’d get a bit more of the same because of it, but the relationship between Lo and Bea is very different from what I had imagined. I thought that Summers did a fantastic job of capturing the trauma and regret of both women, be it of Bea, who left her younger sister in a time of need, or Lo, who has resented the hole that Bea left behind but is also obsessed with finding her. You get both sisters perspectives, it it Lo’s journey as she goes deeper and deeper into The Unity Project, or Bea as she too finds herself drawn in more and more in a different time than Lo. The complexities of their relationship are there, and while we don’t see much interaction between them be it in the present or in flashbacks, you do get a good solid sense for the love and pain they share through their memories and feelings towards each other. It is also interesting seeing them take similar journeys when it comes to the mysterious, and perhaps deeply malevolent, Unity Project, and how they both parallel and yet invert each other. The suspense builds as Lo learns more and more about Bea’s time with Lev and other members, and by the time Lo is making some pretty drastic decisions (some of which I don’t think were QUITE built up to enough, but that’s all I will say because we’re keeping this generally spoiler free), you have been turned about and messed with as a reader about as much as she has as a character because she’s so easy to connect to. And while Bea is more mysterious, you still get a pretty good sense about other aspects of her personality, and how she could get caught up in something like The Project. While you know that things won’t be happily ever after for these sisters by the time the book is done, Summers still makes you ache for both of them on the journeys they are taking in trying to find, or trying to run from, each other.

Now let’s talk about The Project itself. As touched upon above, we are given so much information about them from inside sources, outside sources, and reliable and unreliable threads, that Summers effectively binds a reader up in becoming disoriented. I will say that given that I could see the NXIVM influences (the upstate New York setting, the beverage heiress who is a high ranking member, some of the more violent aspects of the group), there wasn’t really much question in my mind about what this group was ultimately going to be like, but had I not had that context I do think that Summers throws in a lot of things that could question that. She does a good job of showing how predatory cult leaders slowly lull their members into a sense of security, love, and faith, and then twist them and meld them into doing some really disturbing things. Lev is one of the more unsettling antagonists that I’ve encountered in YA literature in awhile, as his charisma and visage of kindness is rarely cracked as the book goes on, unless you know what to look for, just like psychopathic cult leaders in real life. There are Raniere influences here, but also shades of David Koresh and Charles Dederich, though Lev still stands on his own without being too much of a stand in for any one cult leader.

“The Project” is definitely a tragic and unsettling book, but it’s another strong narrative from an author who isn’t afraid to go dark. And it also has little bright spots of potential hope that are much appreciated in tales like this. Summers has a knack for balancing all of this out, and I think this will be another hit for her.

Rating 8: Intense, tragic, and unsettling as heck, “The Project” gets into the cult mentality and shows the power a charismatic leader can have.

Reader’s Advisory:

“The Project” is included on the Goodreads lists “Cults and Communes in Fiction”, and “Cults, Mind Control, and Spiritual Abuse”.

Find “The Project” at your library using WorldCat, or a local independent bookstore using IndieBound!

Kate’s Review: “Possession”

Book: “Possession” by Katie Lowe

Publishing Info: St. Martin’s Press, January 2021

Where Did I Get This Book: I received an eAR from NetGalley.

Book Description: Ten years ago, Hannah’s husband was brutally murdered in their home, and she (conveniently) doesn’t remember a thing about that night. But the police charged someone else—a stranger—and put him away for life. And Hannah packed up her six-year-old daughter and left London behind.

But now her hard-won countryside peace is threatened. Conviction, a viral true crime podcast known for getting cases reopened and old verdicts overturned, has turned its attention to Hannah’s husband’s murder for its new season. They say police framed the man who was found guilty, and that Hannah has more suspicious secrets than just her memory loss: a history of volatility; citations at the clinic where she worked as a psychiatrist; dependencies on alcohol and pills; and a familicidal grandmother, locked away in a Gothic insane asylum until her death. As Hannah loses the trust of everyone she loves, the only person she feels she can confide in is a former colleague, Darcy, who’s come back into her life—but who may have motives of her own. But Hannah can’t tell even Darcy her deepest secret: that she’s still tormented by the memory of her husband and the crater he carved through her life.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

Do you know the feeling you get when you’re reading a book or watching a movie or TV show that has you totally enraptured and interested, and you are barreling towards the end excited to see how it wraps itself up for better or for worse….. And then the ending totally throws a wrench into any previous enjoyment you had of said book or movie or TV show? It’s a feeling that I luckily don’t run into often, but when it does happen I am usually left seething and grumpy. That’s kind of what happened with “Possession” by Katie Lowe. Oh the frustration!

(source)

But let me back up a bit before I go into the rant. “Possession” does have a lot of promising elements, which is why I was speeding through and entertained as I was reading. We have Hannah, an unreliable narrator either because she doesn’t remember the circumstances of her husband’s death, or is hiding the circumstances of her husband’s death. We have the device of a podcast that, while thinking it is searching for truth, is stirring up harassment and stalking of a woman victim, therein weaponizing misogyny under guise of justice. We have a lot of twists and turns, and a lot of great moments of self destruction as the reader looks helplessly on, unsure of whether they SHOULD be feeling bad for Hannah, but feeling bad for her nonetheless, as her life starts to unravel because of this spotlight. All of this works wonders, and Lowe does a really good job of pulling the strings to make the reader feel a certain way.

But the ending. THE ENDING. I’m not going to go into spoilers here, just because if people do want to read it and judge for themselves, I’m not about to make that any less fun or fulfilling. But if you want to go in completely blind, read further at your own risk, as I’m going to disseminate what didn’t work about it. In vague terms, but still, you will have some spoilage just because of this. So “Possession” has the kind of ending that feels like a cheat. We have two moments in the climax. The first feels like one ending, but then we get a huge left turn that completely negates the first moment. It felt like an unnecessary twist, and one that already left a poor taste in my mouth. But at least it would be an ending that, while I may not have liked it much, would have been an ending and a definitive ‘this is how this kind of story ends’ statement. But then, THEN, instead of letting that be the end, we get an epilogue! An epilogue that goes back to elements of the first fake out ending and sets up things to work out in that fashion after all, in spite of the fact that a lot of changes that were made with fake ending two are VERY permanent and it doesn’t quite make the reader (or at least me) feel better about anything that may be being reversed. I just didn’t quite understand why there was a need to do a second fake out ending if that was going to be hinted at being reversed in a hastily thrown together epilogue. Why not just have that first fake out ending be there, and if you want to have some of the consequences of fake out ending two, toss them in BEFORE fake out ending one?

But as you all know, I’ve never liked endings that have giant out of nowhere twists if I feel like they haven’t been earned, so this is very much a ‘your mileage may vary’ situation when it comes to how you may or may not enjoy this book. But for me, “Possession” was a last minute wash.

Rating 5: A tense and well paced thriller that had me totally invested… until the ending derailed a lot my affection.

Reader’s Advisory:

“Possession” is new and not on many Goodreads lists yet, but it would fit in on “Books for Serial Podcast Lovers”.

Find “Possession” at your library using WorldCat, or a local independent bookstore using IndieBound!

Kate’s Review: “Eight Perfect Murders”

Book: “Eight Perfect Murders” by Peter Swanson

Publishing Info: William Morrow, March 2020

Where Did I Get This Book: Audible

Book Description: A chilling tale of psychological suspense and an homage to the thriller genre tailor-made for fans: the story of a bookseller who finds himself at the center of an FBI investigation because a very clever killer has started using his list of fiction’s most ingenious murders.

Years ago, bookseller and mystery aficionado Malcolm Kershaw compiled a list of the genre’s most unsolvable murders, those that are almost impossible to crack—which he titled “Eight Perfect Murders”—chosen from among the best of the best including Agatha Christie’s A. B. C. Murders, Patricia Highsmith’s Strangers on a Train, Ira Levin’s Death Trap, A. A. Milne’s Red House Mystery, Anthony Berkeley Cox’s Malice Aforethought, James M. Cain’s Double Indemnity, John D. Macdonald’s The Drowner, and Donna Tartt’s A Secret History.

But no one is more surprised than Mal, now the owner of the Old Devils Bookshop in Boston, when an FBI agent comes knocking on his door one snowy day in February. She’s looking for information about a series of unsolved murders that look eerily similar to the killings on Mal’s old list. And the FBI agent isn’t the only one interested in this bookseller who spends almost every night at home reading. The killer is out there, watching his every move—a diabolical threat who knows way too much about Mal’s personal history, especially the secrets he’s never told anyone, even his recently deceased wife.

To protect himself, Mal begins looking into possible suspects—and sees a killer in everyone around him. But Mal doesn’t count on the investigation leaving a trail of death in its wake. Suddenly, a series of shocking twists leaves more victims dead—and the noose around Mal’s neck grows so tight he might never escape.

Review: As we say goodbye to the year 2020 (and hope that 2021 is better….), I look back at the complete shitshow that we leave behind and I see ways that I was affected that I hadn’t really thought about at the time. There are many, but for this review I’m going to talk about the lack of audiobooks on my list. In normal times I would probably listen to about one audiobook a month, mostly when driving to work or wherever. But with my job being on hold until the pandemic is better controlled and it’s safer, I haven’t been driving so I really wasn’t listening to things outside of my favorite podcast. But once the weather got a little cooler, I started taking my daughter on walks around the neighborhood, and my audiobook intake rose once more (though with winter being here now I am doing more listening at night before bed). Enter “Eight Perfect Murders” by Peter Swanson, the audiobook I got right before things went to hell. Months after I downloaded it, I finally dove in. Peter Swanson, I’m sorry I waited so long.

In true Swanson form, “Eight Perfect Murders” has a weird mystery at its heart, a narrator who is unreliable and perhaps hiding something from the reader, and a compulsively readable style that made my walks with the kid a bit longer than normal. Our protagonist is Malcolm Kershaw, a bookstore owner who finds himself being questioned in a string of murders, as the murders seem to be mimicking a blog post he made years ago where he selected ‘eight perfect murders’ from mystery fiction. The FBI agent, Gwen, knows that the theory is a bit nutty, but wants his insight after she rules him out as a suspect. Malcolm cooperates, if only to help clear his name, but also because he realizes that this is a cat and mouse game between him and the person who read his post and has started killing people. It’s pretty clear pretty early that Malcolm has some skeletons in his closet, and since Swanson has kind of made the ‘interesting and also kinda likable (or at least easy to root for) psychopath’ a bit of a trope, some aspects of this mystery were kind of predictable. Or if not predictable, not shocking when the reveals were done. I liked Malcolm a lot, actually. I also liked Gwen. And I wanted to know what was happening in the story, be it trying to see who was targeting Malcolm, or what Malcolm may have to hide. And at the end of the day, the big reveal did surprise me, which is the important thing when it comes to a mystery story.

What I liked more about this book is that it’s really a love letter to mystery books and book lovers. Swanson references so many authors, stories, series, and moments within the genre that I had a huge grin on my face basically the whole time I was listening. Swanson very clearly loves this genre and this book was a carefully crafted homage to it. I haven’t read a good number of the stories on the Eight Perfect Murders list, but because of this book I’m definitely going to look into a few of them.

On top of everything else, it is claimed on Goodreads that this is the first in a series that is implied to focus on Malcolm. I won’t go into spoilers here, but I will say that the book ends in a way that I am not totally certain how that is going to work, it it’s true. But if it is true?

(source)

“Eight Perfect Murders” was a fun and engrossing thriller mystery that (for the most part) kept me guessing. Swanson is still an author that I want more people to get on board with. If you’re looking for new authors to try in 2021, he may be a good choice!

Rating 8: A fast paced and thrilling mystery and love letter to books. Though somewhat predictable at times, I am VERY interested to see how/if Swanson will continue this series, as implied…

Reader’s Advisory:

“Eight Perfect Murders” is included on the Goodreads lists “Unreliable Narrators”, and “Books About Books”.

Find “Eight Perfect Murders” at your library using WorldCat, at your library using WorldCat, or a local independent bookstore using IndieBound!

Kate’s Review: “The Good Girls”

Book: “The Good Girls” by Claire Eliza Bartlett

Publishing Info: HarperTeen, December 2020

Where Did I Get This Book: I received an eARC from NetGalley.

Book Description: The troublemaker. The overachiever. The cheer captain. The dead girl.

Like every high school in America, Jefferson-Lorne High contains all of the above. After the shocking murder of senior Emma Baines, three of her classmates are at the top of the suspect list: Claude, the notorious partier; Avery, the head cheerleader; and Gwen, the would-be valedictorian. Everyone has a label, whether they like it or not–and Emma was always known as a good girl. But appearances are never what they seem. And the truth behind what really happened to Emma may just be lying in plain sight. As long-buried secrets come to light, the clock is ticking to find Emma’s killer–before another good girl goes down.

Review: Thanks to NetGalley for providing me with an eARC of this novel!

I am not too proud to admit that while I was an outcast and a weirdo in high school, I was not without my own faults when it came to judging other people, especially girls. It takes a lot of time and effort to try and unlearn the malignant lessons that society teaches you when it comes to how girls are supposed to be and act, and even as a woman in her mid thirties I’m STILL learning. I wish that I had read books at that age that would have helped the process along a bit. The good news is that girls these days can pick up books like “The Good Girls” and get some pretty good insight into how to reject internalized misogyny and rape culture! What I thought was going to be a YA thriller turned into something that had more value than I anticipated when it comes to theme and message.

The strongest aspect of “The Good Girls” is how Bartlett examines the damage that rape culture and misogyny wreaks upon young women no matter what their ‘social standing’ is, and how the damage can manifest in different ways. I think that one of the more popular ways to address it in teen fiction these days is to give a perspective to an ‘outcast’ character who is seen as promiscuous or ‘bad news’ in other ways. We do get that here with Claude the party girl and (deceased) Lizzy the addict, but we also see how it can still be damaging to girls who are seen as ‘good’ or ‘successful’, like cheer captain Avery and ‘good girl’ Emma. I think it’s especially important for this kind of ‘representation’ (for lack of a better term) in YA literature, as those who aren’t targeted in the more obvious ways may be less able to recognize it. I also liked that this book addresses that sometimes people in authority positions, because of their own biases, can stumble and fail when it comes to protecting those who are victimized. Or, even worse, use their position of authority to intimidate others into silence, or perpetuate abuse themselves. I thought that “The Good Girls” tackled these themes really well.

All of that said, in terms of mystery and thrills, “The Good Girls” missed the mark for me. While the characterizations were valuable and felt pretty realistic, they also managed to not work outside the box of the tropes that they fit into. I liked all of the main characters well enough, but none of them felt that different from other iterations of the boxes that they fell into. And when it comes to the mystery of who pushed Emma into the river, and what actually happened to Lizzy and how the two connect, I didn’t find myself raring to find the answer or terribly shocked by how it all played out. Even the smaller mysteries that add into the larger parts didn’t really surprise me, and I called a couple of the reveals pretty early on. Admittedly a couple caught me by surprise, but even then I wasn’t wowed. It just feels pretty run of the mill when it comes to the story itself. Not bad by any means. But also not unique. And at the end of the day, valuable message and explorations aside, I read “The Good Girls” because I was looking for a thriller, which it didn’t really provide.

I think that if you go into “The Good Girls” looking for a character study on the effect of misogyny and rape culture on girls from all kinds of labels, you will find something interesting, and certainly something with an important message that could help YA readers. But in terms of mystery and thrills, it isn’t really anything new.

Rating 6: I really liked the themes that take on rape culture and misogyny, but the story itself didn’t feel much different from other stories that have similar characters and plot points.

Reader’s Advisory:

“The Good Girls” is included on the Goodreads list “YA Mysteries and Thrillers”, and would fit in on “Small Towns with Secrets”.

Find “The Good Girls” at your library using WorldCat, or a local independent bookstore using IndieBound!

Kate’s Review: “The Cousins”

Book: “The Cousins” by Karen M. McManus

Publishing Info: Delacorte Press, December 2020

Where Did I Get This Book: I received an eARC from NetGalley.

Book Description: From the #1 New York Times bestselling author of One of Us Is Lying comes your next obsession. You’ll never feel the same about family again.

Milly, Aubrey, and Jonah Story are cousins, but they barely know each another, and they’ve never even met their grandmother. Rich and reclusive, she disinherited their parents before they were born. So when they each receive a letter inviting them to work at her island resort for the summer, they’re surprised . . . and curious.

Their parents are all clear on one point–not going is not an option. This could be the opportunity to get back into Grandmother’s good graces. But when the cousins arrive on the island, it’s immediately clear that she has different plans for them. And the longer they stay, the more they realize how mysterious–and dark–their family’s past is.

The entire Story family has secrets. Whatever pulled them apart years ago isn’t over–and this summer, the cousins will learn everything.

Review: Thank you to NetGalley for sending me an eARC of this novel!

I don’t know what we did to deserve it, but the book world gave us two YA thrillers by Karen M. McManus this year. Maybe it was to try to balance the scales of this year just a little bit? Whatever the case may be, it’s hard to deny that McManus is a hot commodity in YA thriller publishing, and “The Cousins” is her newest foray into the genre. Had this book come out a little later, it certainly would have been on my list in our upcoming Highlights Post. It wasn’t easy letting it sit on my Kindle as long as I did, but once I dove in I found myself pretty well ensnared.

Like a couple of McManus’s other stories, “The Cousins” involves a group of teenagers who are thrown together under strange circumstances, even though they are not alike in any way, shape, of form. Milly, Aubrey, and Jonah are cousins who never spent time together as kids, as their parents are generally estranged from each other and completely estranged from their grandmother Millicent. We get the perspectives of each cousin, who all have their own secrets, insecurities, and reasons that they want to get back in their grandmother’s good graces. Milly is desperate to know more about her family, if only because her mother has been so cold to her over the years that she wants to know what made her that way. Aubrey wants to please her father, as his indifference towards her that borders into disdain is a constant hurt that has only amplified as of late because of his escalating callousness. And Jonah, well, Jonah is a bit of a mystery. He wants to meet his grandmother, but he has ulterior motives that aren’t as clear as Milly’s and Aubrey’s. Each of these characters had a distinct voice and read like teens coming from the backgrounds that they do, and their authentic personalities were easy to latch on to, even as their various flaws and, in some cases, lies come to light. I wouldn’t say that any of them were super outside of the box from what I’ve come to expect from McManus, but that’s more than okay because I liked all of them. While I expected myself to like Milly the best (who doesn’t love a sarcastic and somewhat privileged protagonist?), it was Jonah whose voice stood out the most. His frustration, resentment, and ultimate softening towards Milly and Aubrey was a nice journey, and he does get a well set up and believable romance to boot. He was just so easy to care for, and I wasn’t expecting that at first. McManus really has a knack for writing characterizations that really click.

The mystery itself, and the sub mysteries within, were also fairly strong, though once again my jaded self was able to figure out a couple a few steps before I probably was supposed to. I wasn’t as interested in the answer as to why Millicent cut her children out, because as far as I was concerned they probably DID deserve it. But as things became to be not as they seemed my expectations shifted a bit, and I was more interested. Again, sometimes the clues to the various mysteries and secrets sprinkled throughout the story were a little obvious and therefore the solutions predictable. But the pace was fast and I was going through quick enough that I didn’t find myself hindered by my abilities to guess what was coming up. I think that there are still a good amount of surprises here that are, indeed, well set up but well shrouded as well. So even if you do find yourself predicting some things, I can almost be positive that you won’t get them all.

“The Cousins” is fun and quick, and should be on the lists of anyone who likes YA thrillers. Karen M. McManus has a lot of talent and I am very excited to see what she comes up with next!

Rating 8: Another fun mystery thriller from Karen M. McManus!

Reader’s Advisory:

“The Cousins” is included on the Goodreads lists “Best YA Mystery/Spy books”, and “YA Suspense/Thriller/Mystery”.

Find “The Cousins” at your library using WorldCat, or a local independent bookstore using IndieBound!

Kate’s Review: “These Violent Delights”

Book: “These Violent Delights” by Chloe Gong

Publishing Info: Margaret K. McElderry Books, November 2020

Where Did I Get This Book: I received an ARC from a librarian friend.

Book Description: Perfect for fans of The Last Magician and Descendant of the Crane, this heart-stopping debut is an imaginative Romeo and Juliet retelling set in 1920s Shanghai, with rival gangs and a monster in the depths of the Huangpu River.

The year is 1926, and Shanghai hums to the tune of debauchery. A blood feud between two gangs runs the streets red, leaving the city helpless in the grip of chaos. At the heart of it all is eighteen-year-old Juliette Cai, a former flapper who has returned to assume her role as the proud heir of the Scarlet Gang—a network of criminals far above the law. Their only rivals in power are the White Flowers, who have fought the Scarlets for generations. And behind every move is their heir, Roma Montagov, Juliette’s first love…and first betrayal.

But when gangsters on both sides show signs of instability culminating in clawing their own throats out, the people start to whisper. Of a contagion, a madness. Of a monster in the shadows. As the deaths stack up, Juliette and Roma must set their guns—and grudges—aside and work together, for if they can’t stop this mayhem, then there will be no city left for either to rule.

Review: Confession time! I don’t really care for Shakespeare’s classic tragedy “Romeo and Juliet”. Even as a teen when I was even more emotional than I am now (shocker!), it never really connected with me. Well, that’s not totally true. I do enjoy Baz Lurhmann’s take on the story, but that’s because it’s SO DAMN OVER THE TOP.

That and John Leguizamo as Tybalt. I mean my GOD. (source)

But I am someone who is open minded to tinkering with the classics, so when I heard about “These Violent Delights” by Chloe Gong it caught my eye. If you take the “Romeo and Juliet” story, set it in 1920s Shanghai, involve two gangs, and have a Juliet who is nobody’s fool, you will almost certainly get my attention. And if you toss a monster into it as well? YA GOT ME.

“These Violent Delights” follows Juliette Cai and Roma Montogrov, two young adults who are heirs to their family gangs, but have a tumultuous and star crossed past. While it’s third person, we do get to alternate between their third person perspectives, seeing their sides of their ultimate falling out, and how hurt, and angry, they both are about it. I was more invested in Juliet’s perspectives, mostly because I felt that Gong really fleshed out her characterization in fascinating ways, not just making her be a love lorn and somewhat passive character. This Juliette is a calculating higher up of a violent gang, and uses her knowledge of Shanghai and her culture along with her Western education to make chess moves in the ongoing conflicts. Through her we also got to see the colonial and imperialist issues that were facing Shanghai at the time, with Western interests establishing themselves via merchants after a number of treaties after warfare. Gong addresses a number of the issues of Western influence and manipulation within this narrative, and having Juliette there to parse it out for the reader was a great device (I was so ignorant about a lot of this that I found that to be the most intriguing aspect of this story). It was also pretty cool to see not just Juliette but her cousins Rosalind and Kathleen using their wits and their own strengths as women to try to keep the Scarlet Gang in control, especially after things in the main storyline go to hell (more on that in a bit).

Roma, however, is part of a Russian family that relocated to Shanghai and that has tried to claim its own stake in the power pie. His conflicts were more family based, and seeing him (and his heavies Marshall and Benedikt, who were GREAT and WONDERFUL and I would totally read a book just about them) try to reconcile his love for Juliette and his loyalty to his family (some of which is forced upon him) wasn’t as interesting as Juliette’s journey. But all of that said, because of these conflicts that both have, some known, some unspoken, their romance is far easier to invest in than their inspirations in the original play. The two characters (as well as the side characters) harken back enough to be adaptations, but stand on their own and breathe new life into the story.

As for the main conflict, that being a monster that is infecting people in Shanghai with an illness that makes them commit suicide, it was a bit out of left field but I liked it enough. I enjoyed watching Roma and Juliette try to solve the mystery, and how the story still followed beats of the original play in subtle ways. This is where more Imperialist issues come into play, and while a less skilled author may have stumbled into some heavy handed moments, for the most part Gong pulls it off that keeps the story flowing and making good points. It did go on a little long for my taste, but a lot had to be covered for world building, as this is the first in a series. Which I will definitely be following, as the cliffhanger was searing with DELICIOUS, DELICIOUS PAIN.

Let’s call this a visual hint on where we leave off. But it has some tweaking I loved. (source)

“These Violent Delights” is a creative and fun historical fiction fantasy romance thriller (whew!) , and has me fully invested in a “Romeo and Juliet” story. Can’t wait to see where we go next.

Rating 7: A creative and unique retelling of a classic tragedy, “These Violent Delights” goes on a LITTLE long, but breathes some new life into “Romeo and Juliet”.

Reader’s Advisory:

“These Violent Delights” is included on the Goodreads list “YA Fiction Set in the 1920s”, and would fit in on “Romeo and Juliet Retellings”.

Find “These Violent Delights” at your library using WorldCat, or a local independent bookstore using IndieBound!