Tag: Short stories

Kate’s Review: “The End”

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Book: “The End” (Black Shuck Shadows) by Kayleigh Dobbs

Publishing Info: Black Shuck Books, November 2023

Where Did I Get This Book: I received a print copy from the author.

Where You Can Get This Book: Amazon | Indiebound

Book Description: A series of micro-collections featuring a selection of peculiar tales from the best in horror and speculative fiction.

From Black Shuck Books and Kayleigh Dobbs comes The End, the thirty-fifth in the Black Shuck SHADOWS series.

Review: Thank you to Kayleigh Dobbs for sending me a print copy of this collection (and for the adorable holiday card!)!

I have warmed up to the concept of short story collections in the past few years, as while I used to be skeptical, I’ve had a pretty good streak of entertaining ones that have come across my reading pile. But I had never heard of the concept of a ‘micro-collection’, until Kayleigh Dobbs sent me an email talking about her newest work “The End”. This newest book is part of a larger series, in which there are a small number of stories in each short story collection, which is, apparently, a micro-collection. Love learning new things! And I loved the idea of “The End”, which has six stories about various ways that the world could come to an end, all of which are supernatural. I was definitely intrigued, and I happily accepting the invite to read and review. And it was not only a new experience, reading format wise, it was also a fun time!

I’m going to do this a little different this time around, as while I usually pick three stories to showcase in a short stories collection, this is a micro-colection, which means there are only six stories total. So I’m going to review each of them, as highlighting half but not the other half feels strange to me. So on we go!

“The Claim They Stake”: A conspiracy theorist discovers that the unassuming elderly neighbor down the street is actually a lizard person. But when he tries to convince people of the truth, he’s met with derision because of his conspiracy theorist ways. Okay, full honesty time here, and it’s more about me than the story itself. Given all the stuff that has gone on in the past eight years, I no longer can stomach conspiracy theory stuff so well, even if it’s used in a satirical way. So while this one was admittedly a fun twist on the idea of conspiracy theorists being seen as crazy when, in this case, he was ACTUALLY CORRECT, it didn’t really click for me. The good news is that after this tale they all got much more palatable to me, so let’s move on.

“Just Like Baking”: Four witches are performing a ritual that has a lot of precise and intricate parts. So when one of them has to bring their little sister along, things start to get a little… muddled. This one was my favorite in the collection because 1) I love witches and anything to do with them, 2) it had serious “The Craft” and “American Horror Story: Coven” vibes, and 3) it was both hilarious at times and scary as hell at others. And the very idea of a witch being forced to bring a younger sibling along against her will is a hoot. Also, I think I MAY have spotted a Dark Willow from “Buffy” reference, and that is ALWAYS going to be a key to my heart.

(source)

“Catch Fire”: A married couple goes to the house of the wife’s sister, who has always been toxic but has always been given second chances by the wife. When they arrive at the dinner party, general toxic familial tension starts to turn into something far more sinister. This one had a dread that eased into building itself up, and I was on the edge of my seat basically the entire time. Watching poor Emily try to make excuses for her awful sister Jen, only to be let down again after so many betrayals was one thing. But the added twist of the story was the perfect metaphor for horribly family dynamics really coming back to bite you in the ass if boundaries aren’t set before it’s too late. Kind of like a Reddit “Just No Family” post to the extreme.

“Dead”: A woman wakes up realizing she is dead, and can see her shambling corpse as it starts to wreak havoc. This was another one of the more amusing stories in the collection, as poor Grace finds herself powerless to be of any help as her zombie self tears through the house and the neighborhood. I absolutely loved how hapless Grace was, as well as the references to the life she was leading up until her death, and how fun to combine ghosts AND zombies into something of a screwball comedy if a screwball comedy involved a zombie apocalypse.

“Omega”: A devout and zealous Evangelical congregation follows their leader Pastor Bob as he performs miracles, whips up devotion, and preaches of salvation. But one last gathering of his flock for what he calls The Reaping promises an eternity of peace in the afterlife, those who follow him find themselves face to face with a more horrible truth. This one was absolutely the scariest story in the collection for me, as it takes the idea of a fundamentalist sect with utmost devotion to its leader, and turns it into something else altogether. It’s religious horror, it’s the horrors of faith, it’s just so damn upsetting and really got under my skin.

“The End”: A meditation on what awaits humans once they reach death goes from philosophical musings to something a bit more jarring and horrifying. This was the last story in the collection, and it was probably the most outside of the box entry as well, with a somewhat second person narrative and an escalation from something theoretical to something cruel, taunting, and steeped in malice. It’s a solid closer to a collection that feels cohesive and bold.

So as a whole, I thought that “The End” was a fun and freaky collection that speaks of the end of the world, however that may look. It’s a quick read and one that I recommend for horror fans who want something breezy and spooky, while also being quite humorous.

Rating 8: An unsettling and at times quite funny micro-collection of stories about, well, The End, “The End” is charming and eerie and a lot of fun!

Reader’s Advisory:

“The End” isn’t included on any Goodreads lists as of now, but it would fit in on “This Is The End…” .

Kate’s Review: “Christmas and Other Horrors”

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Book: “Christmas and Other Horrors: An Anthology of Solstice Horror” by Ellen Datlow (Ed.)

Publishing Info: Titan Books, October 2023

Where Did I Get This Book: I own it.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Hugo Award winning editor, and horror legend, Ellen Datlow presents a terrifying and chilling horror anthology of original short stories exploring the endless terrors of winter solstice traditions across the globe, featuring chillers by Tananarive Due, Stephen Graham Jones, Alma Katsu and many more.

The winter solstice is celebrated as a time of joy around the world—yet the long nights also conjure a darker tradition of ghouls, hauntings, and visitations. This anthology of all-new stories invites you to huddle around the fire and revel in the unholy, the dangerous, the horrific aspects of a time when families and friends come together—for better and for worse.

From the eerie Austrian Schnabelperchten to the skeletal Welsh Mari Lwyd, by way of ravenous golems, uncanny neighbors, and unwelcome visitors, Christmas and Other Horrors captures the heart and horror of the festive season.

Because the weather outside is frightful, but the fire inside is hungry…

Review: We are approaching the end of 2023, and with Hanukkah behind me, Christmas next week, and today being the Winter Solstice, my celebrations are in full swing and about halfway through. I honestly love the Solstice, as I love the darkness that comes with it and the promises of slowly unveiling light as Winter moves through. And given that it’s the holiday season of MANY holidays, I thought that showcasing “Christmas and Other Horrors: An Anthology of Solstice Horror”, Ellen Datlow’s newest edited collection, would be the perfect flair for this festive time. So no matter what you are celebrating this time of year, there is probably a horror tale in here for you to be a sinister holiday treat!

Consider it a Solstice season literary tip! (source)

As usual, I will focus on my three favorite stories, and then I will review the entire collection as a whole.

“His Castle” by Alma Katsu: I have always loved seeing videos of the Welsh tradition of the Mari Lwyd, where wassailers go door to door with a ghostly set up of a horse skull, sheet, and hobby horse to see if they will be invited in for drinks and food in exchange for good luck on whom they visit. Therefore I loved that we got a story centered around that tradition, and that it was written by Alma Katsu, who knows how to bring the creepiness factor up to eleven to whatever she thinks up. Trevor an Cate are spending their holiday in an Air BnB in a small town in Wales, when they get locals at their door doing the Mari Lwyd tradition. They invite the men inside, but tensions start to rise as they converse, as Cate believes they may be targets of the men. But Trevor and Cate have secrets of their own. I loved the building suspense of this story, as you get the sense that Katsu is hiding something from the reader, but I also loved the commentary about the way that land has always been used by the wealthy to their own ends, even if it hurts more working class folk, whether it’s through old aristocratic systems, or properties being bought up by corporations to be turned into luxury vacation homes while locals lose out of owning their own land. I also liked the historical twist in this, but that’s all I will say about it.

“Return to Bear Creek Lodge” by Tananarive Due: I have a note to myself that I need to read more Tananarive Due (side note: I have her newest novel “The Reformatory” on my stack, so look for a review for that in January!), and “Return to Bear Creek Lodge” just continues to emphasize that goal while helping meet it. Her writing style is so evocative and really brings out all the emotional punches as you read. Johnny and his Mom are going to Bear Creek Lodge to see his dying Grandmother for one last Christmas, though Johnny’s last interaction with his Grandmother left him scarred and traumatized. As Johnny comes to terms with the impending loss and what it means, he also starts seeing a creature that seems otherworldly and dangerous, and finds out that he’s not the only one who has encountered this weird beast. This story is weird and alarming, while also having a lot of pathos and insight into generational trauma, the complexities of family dynamics, and the way that racism can damage a person and how that damage transfers down the line. Due mentioned in her author’s note that this story may be expanded upon by her later, and I would absolutely love to read more about Bear Creek Lodge and the monster that seems to live nearby.

“Gravé of Small Bird” by Kaaron Warren: I think this was my favorite story in the collection, as it was so strange and so eerie and felt like “The Wicker Man” meets “The Menu”. Because what a combination! Jackie is a former reality TV cooking show competitor, who made the final two but lost the competition, which led to an outburst that solidified her reputation for being an asshole. When she’s invited to cook for a Twelve Feast Days of Christmas Festival on a remote island steeped in old Christmas and Pagan traditions, she accepts. There she finds out about an ancient tomb that lines up with the solstice sunrise, a tradition involving birds and bones, and a contest in which a woman is chosen to be the Beauty who is supposed to lead the island to a light filled future. Jackie wants to be the Beauty, no matter what, and will do anything to win. This story is so creepy and strange, but I loved the use of vague Pagan rituals, appropriated rites taken by Christians, and all of the descriptions of the amazing and decadent foods, with a menu tradition that possibly inspired “The Twelve Days of Christmas”.

As a whole, this collection was a mixed bag, at least in terms of my thoughts about it. Beyond the three I highlighted there were a couple other strong stories (“Our Recent Unpleasantness” by Stephen Graham Jones and “The Lord of Misrule” by M. Rickert were also very well done), a few that were pretty okay, and a few that just didn’t work for me. I really enjoyed how this collection does touch on SO MANY holidays that occur around the end of the year, or focused on some of the Pagan origins and folklore behind modern traditions, but there were also some stories that felt like they had greater themes in mind and just tacked on the Solstice and holiday aspects in ways that didn’t quite fit. The good news is that it is varied enough as a collection and a fun enough hook that it’s going to be a timely seasonal read regardless.

“Christmas and Other Horrors” is a fun horror anthology to read during this Solstice and holiday season. Cuddle up after your holiday gatherings with this book, horror fans. It’s bound to be a seasonal classic.

Rating 7: There were some that really stood out, some that were fine, and others that didn’t quite click for me, but “Christmas and Other Horrors” is a great seasonal read for the Winter Solstice and all the holidays that occur in its periphery.

Reader’s Advisory:

“Christmas and Other Horrors” isn’t included on any Goodreads lists as of now, but it would certainly fit in on “Holiday Horror Books”.

Kate’s Review: “Out There Screaming”

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Book: “Out There Screaming: A New Anthology of Black Horror” by Jordan Peele (Ed.)

Publishing Info: Random House, October 2023

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: The visionary writer and director of Get Out, Us, and Nope, and founder of Monkeypaw Productions, curates this groundbreaking anthology of all-new stories of Black horror, exploring not only the terrors of the supernatural but the chilling reality of injustice that haunts our nation.

A cop begins seeing huge, blinking eyes where the headlights of cars should be that tell him who to pull over. Two freedom riders take a bus ride that leaves them stranded on a lonely road in Alabama where several unsettling somethings await them. A young girl dives into the depths of the Earth in search of the demon that killed her parents. These are just a few of the worlds of Out There Screaming, Jordan Peele’s anthology of all-new horror stories by Black writers. Featuring an introduction by Peele and an all-star roster of beloved writers and new voices, Out There Screaming is a master class in horror, and—like his spine-chilling films—its stories prey on everything we think we know about our world . . . and redefine what it means to be afraid.

Featuring stories by: Erin E. Adams, Violet Allen, Lesley Nneka Arimah, Maurice Broaddus, Chesya Burke, P. Djèlí Clark, Ezra Claytan Daniels, Tananarive Due, Nalo Hopkinson, N. K. Jemisin, Justin C. Key, L. D. Lewis, Nnedi Okorafor, Tochi Onyebuchi, Rebecca Roanhorse, Nicole D. Sconiers, Rion Amilcar Scott, Terence Taylor, and Cadwell Turnbull.

Review: Thank you to NetGalley for sending me an eARC of this novel!

There is no disputing that Jordan Peele is a super important and super talented voice in horror as a whole right now. Whether it’s his films that are making waves, or his dabbling in TV, or his work in podcasts, Peele is very much a huge influence, and rightfully so. And now horror literature is being brought into that, as Peele is the editor for “Out There Screaming: An Anthology of New Black Horror”, in which he picked authors and stories to bring together for a short stories collection. I was pretty thrilled to see that this was available on NetGalley, and I added it to the slew of short stories collections I read for th past year (it really was a short story collection heavy year for me!). And once I started, it was hard to stop.

“Eye & Tooth” by Rebecca Roanhorse: Serena has reveiwed some of Rebecca Roanhorse’s fantasy titles on here (though we both did “Black Sun” for Book Club), but hey look she does horror too! I actually knew this because she also had a story in “Never Whistle At Night”, but “Eye & Tooth” really stood out to me. Atticus and Zelda are siblings who work as ghost hunters/busters/cleaners of bad energies, and are called to a remote house in Texas by an elderly woman. She says she has a monster problem in her fields. Zelda and Atticus think they can help, but the woman is keeping something from them. I really liked this creature feature story, whether it was the creepiness of the cornfields, the sibling relationship between a psychic brother and a not as clearly gifted sister, or the big twist that was surprising but also a little heartfelt in a way? It was just a really fun tale.

“The Rider” by Tananarive Due: I am ashamed to say that I hadn’t read anything by Tananarive Due until I read this short story, and boy oh boy am I going to rectify that post haste because I think this was my favorite in the collection. During Freedom Summer two sisters are traveling as Freedom Riders to help fight for voting rights and against the Jim Crow South. While traveling on a bus in a remote area, they and the driver are waylaid by a mysterious entity in the middle of the road. Due builds the tension in this perfectly, not just of the thing in the road that upturns the bus ride, but also the tension of being two Black Freedom Riders in the Deep South, as it was a very dangerous position to be in. I was on the edge of my seat until I turned the last page. Just fantastic.

“Dark Home” by Nnedi Okorafor: I’ve read some Okorafor in the past and enjoyed her work immensely, so I was very excited to see what she was going to bring to this anthology and was not disappointed. A Nigerian-American woman returns to her hometown after her father, a beloved member of the community, passes away. During a traditional ritual, she decides to pocket an item to remember him by, which is against tradition. When she returns home, strange things start happening. I really loved this one as it combines dark fantasy and horror elements with aspects of Igbo culture, and creates an unsettling story about traditions, grief, and things that haunt us.

And honestly, the collection as a whole was pretty good! I really loved these three stories, and there were a few that very well could have been in my top three as well (special shout out to “Lasirèn”; I love a scary siren story) because they were so good. There were a few that didn’t work for me as well, whether because of pacing issues or the fact that they veered more towards Science Fiction themes, which only works for me in VERY specific settings. But there are so many voices here with so many perspectives, and so many sub genres to choose from, that any horror fan will probably be right at home while also exploring voices they haven’t had as much experience with. And as mentioned above, the scary things in this collection are not limited to the supernatural; there are lots of real life horrors like racism, classism, misogyny, and the realities of living in the United States as a Black person, both past and present.

It’s really been a year of short stories collections for me, and “Out There Screaming” is one of the last ones of 2023 and it was a great one to almost end on! I hope that Jordan Peele keeps curating anthologies like this, because he has a knack for it. And I hope that we get to see more from some of these authors very soon.

Rating 8: A varied and well rounded collection of horror stories from Black voices and perspectives, “Out There Screaming” is a must read for horror fans.

Reader’s Advisory:

“Out There Screaming” is included on the Goodreads list “Horror to Look Forward to in 2023”.

Kate’s Review: “Never Whistle At Night”

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Book: “Never Whistle At Night: An Indigenous Dark Fiction Anthology” by Shane Hawk (Ed.) & Theodore C. Van Alst Jr. (Ed.)

Publishing Info: Vintage, September 2023

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A bold, clever, and sublimely sinister collection that dares to ask the question: “Are you ready to be un-settled?” Featuring stories by:

Norris Black • Amber Blaeser-Wardzala • Phoenix Boudreau • Cherie Dimaline • Carson Faust • Kelli Jo Ford • Kate Hart • Shane Hawk • Brandon Hobson • Darcie Little Badger • Conley Lyons • Nick Medina • Tiffany Morris • Tommy Orange • Mona Susan Power • Marcie R. Rendon • Waubgeshig Rice • Rebecca Roanhorse • Andrea L. Rogers • Morgan Talty • D.H. Trujillo • Theodore C. Van Alst Jr. • Richard Van Camp • David Heska Wanbli Weiden • Royce Young Wolf • Mathilda Zeller

Many Indigenous people believe that one should never whistle at night. This belief takes many forms: for instance, Native Hawaiians believe it summons the Hukai’po, the spirits of ancient warriors, and Native Mexicans say it calls Lechuza, a witch that can transform into an owl. But what all these legends hold in common is the certainty that whistling at night can cause evil spirits to appear—and even follow you home.

These wholly original and shiver-inducing tales introduce readers to ghosts, curses, hauntings, monstrous creatures, complex family legacies, desperate deeds, and chilling acts of revenge. Introduced and contextualized by bestselling author Stephen Graham Jones, these stories are a celebration of Indigenous peoples’ survival and imagination, and a glorious reveling in all the things an ill-advised whistle might summon.

Review: Thank you to NetGalley for sending me an eARC of this collection!

Up until quite recently I would always preface my review of short story collections and anthologies with some version of ‘I don’t really like short stories collections, but I wanted to try out _______ because of _____’. But in recent years, I’ve been enjoying a good number of the short story collections and anthologies I’ve picked up, and have therein become far more willing to give them a go. Especially if the collection appeals to me for one reason or another. And it is these reasons that I picked up “Never Whistle At Night: An Indigenous Dark Fiction Anthology”, edited by Shane Hawk and Theodore C. Van Alst Jr. Not only have I had greater success with short story anthologies, this one also showcases dark fiction, be it horror, thriller, or dark fantasy, by Indigenous authors. I had read works by some of the authors, but a lot of them were new to me, and I was very eager to hop in and see what the experience was going to be like. And it was intense, but overall positive!

As usual with short stories collections, I will talk about my three favorite stories in the anthology, and then review the work as a whole.

“Kushtuka” by Mathilda Zeller: A young Indigenous woman is pressured to go work for a powerful white man for a dinner party, even though he is manipulative and predatory. But as he and his colleagues feast and put her down, a mysterious creature that looks like her stalks her and the house they are all residing in. This one was one of the stories that was the most straight up horror, with a shape shifting Kushtuka being one threat, but another threat being white people who are more than happy to take advantage of Indigenous people, especially women, when they have power over them. And man, the descriptions of the Kushtuka were TERRIFYING. This was the first story in the collection and it really started it off with a bang.

“Navajos Don’t Wear Elk Teeth” by Conley Lyons: A gay man living in a family summer home for the season meets a mysterious neighbor, with whom he starts an affair. Their relationship becomes intense, and the lover starts to behave in more erratic and violent ways, including showing off a tooth collection with some very strange teeth. This one was just a slow burn of creepiness, with our protagonist finding himself in a frog in a pot of boiling water kind of situation and as unsettling or flat our terrifying things happen and escalate. And there is really just something about a weirdo that collects teeth that really gets under my skin. Throw in some themes about queer identity and the ways that colonialism can appear in unexpected ways, and you have some great symbolism to add to the creep factor.

“Sundays” by David Heska Wanbli Weiden: A recent widower who has been carrying the trauma of sexual abuse at a Catholic boarding school decides that he is going to confront his abuser and take his revenge. While ruminating about his past, his marriage, and the horrific things he experienced at the school, he finds himself face to face with his rapist, and has to make a choice. This one was my favorite of the collection, and it was absolutely one of the hardest ones to read due to the visceral nature and the topics of child sexual abuse and the overall horror stories of the Boarding Schools. Weiden is such a powerhouse of gritty and realistic and DARK thriller stories, and this one was not only very suspenseful, it was also very emotional as it takes on the very real awful realities about the Catholic Boarding Schools that abused and destroyed so many Indigenous families and children. It’s SO upsetting and it’s content warnings all around, but it’s just astounding.

When looking at the collection as a whole, I really liked the variety not only in the types of genres and sub genres that are represented, but also in the writing styles of all the authors and how it reflects their visions and experiences as Indigenous people in the U.S. and Canada in modern society. Some of them were a bit too intense for me, or triggered me for various reasons and that made it so I had a harder time enjoying them, while others sometimes felt a little uneven. BUT, as a whole? It’s pretty good. It has opened my eyes to a number of authors whom I had never heard of and am going to pursue and read more from. For people who like horror, dark fantasy, and/or thrillers, there will almost certainly be something to enjoy in this collection. And I will always promote and showcase stories by Indigenous authors, especially in genres that have been pretty damn white and European in terms of what gets the focus and what gets promoted. What better time than right now to check this out?

“Never Whistle At Night” is another successful anthology experience for me, and it’s a horror and thriller collection that should be sought after by fans of the genres. It has variety and unique perspectives, and I urge people to check it out!

Rating 8: A whole slew of dark tales from so many talented authors, “Never Whistle At Night” is a must read not only for the variety, but the Indigenous voices it showcases.

Reader’s Advisory:

“Never Whistle At Night” is included on the Goodreads list “All Indigenous Peoples 4”.

Kate’s Review: “Here in the Night”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Here in the Night” by Rebecca Turkewitz

Publishing Info: Black Lawrence Press, July 2023

Where Did I Get This Book: I received a print copy from the author.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: The thirteen stories in Rebecca Turkewitz’s debut collection, Here in the Night , are engrossing, strange, eerie, and emotionally nuanced. With psychological insight and finely crafted prose, Here in the Night investigates the joys and constraints of womanhood, of queerness, and of intimacy. Preoccupied with all manner of hauntings, these stories traverse a boarding school in the Vermont woods, the jagged coast of Maine, an attic in suburban Massachusetts, an elevator stuck between floors, and the side of an unlit highway in rural South Carolina.

At the center of almost every story is the landscape of night, with all its tantalizing and terrifying potential. After dark, the familiar becomes unfamiliar, boundaries loosen, expectations fall away, and even the greatest skeptics believe–at least fleetingly–that anything could happen.

These stories will stay with you.

Review: Thank you to Rebecca Turkewitz for sending me a copy of this book!

We are starting to wind down the Halloween Season, as the holiday is next week and the various creepy plans that I have for the month are coming to a head (“Hocus Pocus” night with ladyfriends? Check. “Practical Magic” night with more different ladyfriends? Check. “Lost Boys” party at the local Alamo? CHECK AND MATE!). And as we continue our horror lit journey for the month, we are now coming to a book that felt a little different than my usual horror fare. “Here in the Night” by Rebecca Turkewitz was sent to me by Turkewitz herself (thank you again!), and I was expecting another short stories horror collection with blatant scares, sub genre jumping, and the usual fare for the horror fan who wants smaller tales to read at their own leisure. But when I sat down and started reading, I realized that “Here in the Night” was something far different from what I was expecting, and that it was something very special because of it.

Like I always do, I will highlight my three favorite stories and then review the collection as a whole.

“Warnings”: Members of a school track team run in a desolate area, the warnings of predators and strangers at the back of their minds until something they never thought could happen, happens. This is one of the shorter stories in the collection, more like a flash fiction tale, but I loved the structure, written in a ‘we’ narration, speaking like a chorus and speaking for the track team as a whole and beyond. This story felt like an expanded take on the Calvin and Hobbes quote (which I’m probably butchering) ‘this is one of the things you figure will happen to someone else, but unfortunately we’re ALL someone else to someone else’. It’s scary and sad and sobering, and all achieved in maybe two pages.

“Here in the Night”: On June 12th 2016, Ellie and Jess are returning from a visit to Ellie’s family, and seeking out updates on the Pulse Nightclub massacre as they drive down an isolated country road in rural North Carolina. As their grief and anxiety builds, they question their differences in reactions as well as their differences in upbringings. Almost definitely the most heart wrenching story in the collection, Turkewitz captures the trauma, the grief, and fear, and the questions that were swirling in the queer community after this horrific hate crime happened, examining two women in a relationship who find themselves upset at the world as well as at each other amidst the fear and uncertainty. There’s the slow build of their relationship tension, but then a whole other tension about the potential danger they could be in in the moment, perhaps heightened due to the mass shooting on their minds, which make for some very unnerving beats as well as emotional ones.

“Crybaby Bridge”: Sam is a teenager who has just moved to small town Indiana after an incident in her old community in the big city, and has trouble fitting in with other girls on her basketball team. While at a sleepover they tell her the story of Crybaby Bridge, a haunted spot in town that is supposedly roamed by the ghost of a young woman who drowned her baby and then killed herself, and Sam finds herself drawn to the tale. I love a scary story about urban legends, and “Crybaby Bridge” does a really good job of spinning a familiar tale while subverting it in ways that I didn’t expect. I really loved Sam as a character, as she is so complex and nuanced and could read like a ‘not like other girls’ trope but is so much more. It’s also a great exploration of how urban legends can make villains out of victims and turn them into spectral monsters.

But I had a hard time picking my favorite three stories because I really enjoyed all of them. They are definitely horror stories, but they all flow so smoothly and read like literary ruminations on love, loss, grief, and trauma, and never in a way that felt like it was trying too hard (which can be a big sticking point for me when it comes to the idea of ‘literary’ horror; if you have to hammer home you’re ‘literary’, it just makes you seem like you think you’re more valid than genre horror, and I hate that). Turkewitz can peel back the layers of the human condition and find the scary things, be they real life or supernatural or perhaps ambiguous, usually framed within a female or queer experience. The stories here are effective but never feel over the top, and there were multiple times I said to myself ‘I really like this’ as I finished up one story and moved on to the next. Not a clunker in the bunch, and in my experience that is rare in a short stories collection.

I urge horror fans who are hoping to find something a bit more ruminative to seek out “Here in the Night”. These stories will unsettle you, but they will also bubble up emotions as they tug at your heartstrings. I am spreading the word on Rebecca Turkewitz. Check this book out.

Rating 9: Quite possibly the best short story collection I’ve read this year, “Here in the Night” combines uneasy supernatural horrors with the horrors of the real world, all with a literary flair that makes for an evocative read.

Reader’s Advisory:

“Here in the Night” is included on the Goodreads list “Spooky/Halloween LGBTQ+ Fiction”.

Kate’s Review: “Pre-Approved for Haunting”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Pre-Approved for Haunting: And Other Stories” by Patrick Barb

Publishing Info: Keylight Books, September 2023

Where Did I Get This Book: I received an ARC from the publisher.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A collection of weird, dark stories and millennial anxieties. In this new collection, Patrick Barb explores themes of family found and lost, media consumption and the dangers of runaway nostalgia, the supernatural in our lives, and the impact of violence in both the long- and short-term. From rural backwoods to Park Slope brownstones, Barb’s characters face impossible, awful situations, testing their inner strength and understanding of reality. Covering quiet horror, weird fiction, supernatural horror, slasher horror, topical dark fiction, and more, these stories spotlight supposedly familiar terrors and fears in new and unexpected ways.

Review: Thank you to Turner Publishing and Keylight Books for sending me an ARC of this collection!

Though I do see myself as an avid horror fan (probably more than avid if we are encompassing all of my pastimes and interests), I am always discovering creators that are new to me, either because they are also new, or more likely because I just haven’t tuned into them yet. It’s always fun to have a new horror author end up in my path, and “Pre-Approved for Haunting: And Other Stories” by Patrick Barb (who is also a local author for us Minnesota people!) is the newest example of that. I had never heard of Barb before, but the description of his works in this collection definitely had my attention from the jump. A short story collection is a great way to get a feel for a new to me author, and I can definitely say that this book is a good example of that. Holy varied works, Batman!

As always with short stories collections, I shall focus on my favorite three stories and then review the collection as a whole.

“Casual”: This was a story pretty early in the collection, and it was the first one to make me say ‘okay, this guy knows what he’s doing’. Talk about a twisted take on a pretty well worn concept! Jack and Lizzie are meeting for the first time in person after meeting online, choosing a quiet bar to get to know each other a little bit… and to do their first dual murder together. From the jump you know that these two young people are here to do something terrible, but it’s written in a way that feels like a cozy meet cute between two people who have similar interests and sparkling chemistry. I really liked the subversion, and how even though you know how it’s going to go you can’t help but kind of like the banter and flirtation as they get to know each other, and feel the poignancy of the end.

“I Will Not Read Your Haunted Script”: As a person who enjoys an urban legend, especially ones that involve haunted Hollywood and cursed movies, this one had a lot going for it out the gate. A screenwriter is sick of people approaching them with supposedly haunted and cursed screenplays, as their own notorious script may or may not have cursed an entire production, leaving them the last person involved alive. But this newest one may be the exception, and not because the writer has any say. I love the construction of this one, being somewhat second person from the screenwriter’s POV, and how it vacillates between a rant with exposition, and bits from a screenplay. I loved the frenzied build up and the absolute bonkers unraveling of it all.

“Iggy Crane and the Headless Horse Girl”: I’m pretty certain this was my favorite in the book, as I love anything related to “Sleepy Hollow” and I REALLY loved the way that Barb updated it and made it fit into a modern framework. Iggy Crane is the new riding instructor at the prestigious Sleepy Hollow Girls’ Preparatory Academy. She is drawn to headmistress Cat Van Tussel, but finds some of her students, specifically the Bones Girls Clique, difficult. And when she sees a viral video involving a girl who pretends to be a horse, things get all the stranger. I really, really loved this story, and how Barb takes the ideas of superstition and lore and translates it into viral videos and idle gossip. It feels like “The Legend of Sleepy Hollow” without trying too hard, and I adored how it all lines up with the original tale while still being pretty novel and unique.

As for the collection as a whole, it was probably pretty evenly distributed between the three I loved, then the ones that were pretty good, okay, and not really for me. I did like the overall unease of these tales, and I definitely see the tweaked and twisted take on certain aspects of Millennial nostalgia in a good number of them (I’m specifically thinking of “The Other Half of the Battle”, which, without giving too much away, was making me flashback to both the ‘Pork Chop Sandwiches!’ meme and my G.I. Joe sleeping bag from when I was but a child. MAN did that tap into multiple layers of nostalgia memories). A few were a little much for my triggers and horror boundaries, so it’s probably a good idea to know what your triggers are and know that there will probably be a few content warnings that would be good to be aware of (child harm, some body horror aspects, some gendered horror but not in an exploitative way). At the end of the day there is variety here and it touches upon multiple genres, multiple tones, and multiple entry points for horror fans of all types.

“Pre-Approved for Haunting” is a weird and sometimes nasty collection that is a good introduction to an author I was unfamiliar with. I will be looking for more from Patrick Barb in the future.

Rating 7: A varied and macabre collection of horror stories for many different horror tastes, “Pre-Approved for Haunting: And Other Stories” is a spooky and at times terrifying treat.

Reader’s Advisory:

“Pre-Approved for Haunting: And Other Stories” isn’t on any Goodreads lists as of yet, but it would fit in on “Best Dark Fiction Short Story Collections”.

Kate’s Review: “Loteria”

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Book: “Loteria” by Cynthia Pelayo

Publishing Info: Agora Books, February 2023

Where Did I Get This Book: I received a print copy at ALAAC23.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: The Mexican board game of Lotería is a game of chance. It is similar to our American bingo. However, in Loteria instead of matching up numbers on a game board, players match up images.

There are 54 cards in the Lotería game, and for this short story collection you will find one unique story per card based on a Latin American myth, folklore, superstition, or belief – with a slant towards the paranormal and horrific. In this deck of cards you will find murderers, ghosts, goblins and ghouls. This collection features creatures and monsters, vampires and werewolves and many of these legends existed in the Americas long before their European counterparts.

Many of these stories have been passed over time throughout the Americas, and many have been passed via word of mouth, just like the tales the Brothers Grimm collected. These are indeed fairy tales, but with a much more terrible little slant. Published by Burial Day Books.

Review: Thank you to Agora Books and Cynthia Pelayo for handing out copies of this book at ALAAC23!

There were many highlights of being at the ALA Annual Conference, but one of my most anticipated moments was going to see Cynthia Pelayo speak on a panel about thriller novels. I greatly enjoyed Pelayo’s novel “Children of Chicago”, and after the panel she was kind enough to be signing copies of the sequel “The Shoemaker’s Magician” (look for that one in the future!), as well as her short stories collection “Loteria”. I was happy to get both of them, and was very interested in the concept of “Loteria”. Lotería is a Mexican game involving 54 cards with different images and themes, and Pelayo put together a short story collection that takes inspiration from each of the cards. I mean really, HOW COOL. So I hopped on in, not sure of what to expect, but that ended up being a good thing.

Normally I would do my usual ‘pick the best three stories to talk about then talk about the collection as a whole’, but I feel like that’s a little trickier to do for “Loteria”, as there are more than fifty tales in this book. The stories range from flash fiction to poetry to more short story length tales, and the way that Pelayo connects them to each card while putting unique and original twists on them is really, really neat to see. I did have a few that really stood out, such as “The Woman/La Dama”, which is a La Llorona story involving two tourists who see a strange woman while on vacation, or “Death/La Muerte”, about a man who witnesses a strange funeral procession and is approached by a figure in black. I also really liked “The Hand/El Mano”, which goes into vampires and the legend of the Tlahuelpuchi. I really liked seeing what supernatural elements and twists she would bring to her various stories, and while some were familiar to me there were plenty that I wasn’t as familiar with.

And then there are the stories that are of more human horrors, whether it’s “The Mermaid/La Sirena” with stories of human trafficking, or “The Water Pitcher/El Cantarito”, a story about border patrol agents who have no remorse for the way they help facilitate the pain and suffering of migrants hoping to make a better life in the U.S. The very real human suffering that is found on these pages make for chilling tales, made all the more disturbing and upsetting because you know that there aren’t merely stories of myth, legend, and scary story sharing, but actual things that happen to real people. Pelayo isn’t afraid to be brutal and to make the reader see the brutality up close.

The themes and stories span various sub genres of horror and thriller, and while some are stronger than others, overall it’s a pretty well rounded collection. I also love how Pelayo has centered the Latine experience, as all of these tales take inspiration from Latin American folklore, urban legends, mythologies, and cultures. She also has poetry and verse in this collection, and while I am not as into poetry as other people may be, I do like seeing the versatility at hand here and how she connects it to her themes at hand.

If you want a primer for what Cynthia Pelayo can bring to the horror and thriller table, “Loteria” would be a good collection to pick up and explore!

Rating 7: A mixed collection of dark fantasy and horror tales with a creative hook, “Loteria” is a way for rising star Cynthia Pelayo to show her range across many stories, formats, and sub genres.

Reader’s Advisory:

“Loteria” isn’t on any Goodreads lists as of now, but it would fit in on “Great Reads for Halloween”.

Kate’s Review: “Night of the Living Queers”

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Book: “Night of the Living Queers” by Shelly Page & Alex Brown (Eds.)

Publishing Info: Wednesday Books, August 2023

Where Did I Get This Book: I received an ARC at ALAAC23.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Night of the Living Queers is a YA horror anthology that explores a night when anything is possible exclusively featuring queer authors of color putting fresh spins on classic horror tropes and tales.

All Hallows’ Eve. Samhain. Dia De Los Muertos. Fiesta de Los Aguizotes. No matter its name or occasion, Halloween is more than a Hallmark holiday, it’s a symbol of transformation. NIGHT OF THE LIVING QUEERS is a YA horror anthology that explores how Halloween can be more than just candies and frights, but a night where anything is possible. Each short story will be told through the lens of a different BIPOC teen and the Halloween night that changes their lives forever. Creative, creepy, and queer, this collection will bring fresh terror, heart, and humor to young adult literature.

Contributors include editors Alex Brown and Shelly Page, Kalynn Bayron, Ryan Douglass, Sara Farizan, Maya Gittelman, Kosoko Jackson, Em Liu, Vanessa Montalban, Ayida Shonibar, Tara Sim, Trang Thanh Tran, and Rebecca Kim Wells.

Review: Thank you to Wednesday Books for giving me an ARC of this novel at ALAAC23 and to Alex Brown for signing it!

I am very much the kind of person who is like ‘It’s August? Halloween is going to be here soon!’. I love looking forward to my favorite holiday, and even though it’s still hotter than hell outside and people are still thinking of BBQs and the beach, I’m counting down the days until I can smell leaves and wood fire on the wind and seep up all the witchy spooky stuff of the season. So what better time to read “Night of the Living Queers”, a YA horror collection edited by Shelly Page and Alex Brown, which showcases 13 stories by and about queer BIPOC people? This was one of the books on a Children’s/YA Horror panel I went to at ALAAC23 this summer, and I was lucky enough to hear Alex Brown talk about it, which hyped me up to read it. And once I dove in, I could tell that the hype was real.

As usual, I will talk about my three favorite stories in the collection, and then take on the collection as a whole.

“The Visitor” by Kalynn Bayron: A girl wants to make sure that she is home with her father on Halloween night, as they have their rituals and traditions they do every year. After being tailgated home by a mysterious car, she starts to feel like someone is watching her as she and her Dad wait out the night. This one took a huge swerve in ways that I didn’t anticipate, and it was done in such a well crafted way that I was taken by surprise, and totally thrilled by it. The slow building paranoia of someone maybe lurking outside the house was tense and unsettling, and then the swerve was perfectly executed. That’s about all I can say about it, just know I was impressed and creeped out.

“Nine Stops” by Trang Thanh Tran: A girl who is still mourning her grandmother’s recent death has retreated into the Internet, isolating herself from her loved ones and friends. After going out with friends on Halloween night and taking the subway, she finds a video of a woman talking about her own sister’s death, and begging people to watch all the way through, with deadly consequences if not. I think this was my favorite in the collection, as the dread ratchets up and up until it’s basically unbearable. I also liked the exploration of grief and how it can consume a person, and drive them to do desperate and perhaps horrific things in hopes of finding closure. This one really got under my skin. And who doesn’t love an Internet urban legend as a jumping off point for a horror tale?

“Hey There, Demons” by Tara Sim: When a teenage boy is left to babysit his half sister on Halloween night, he decides that it’s time to take on the poltergeist activity that has been occurring in their new house. But when the way to help take out the ghost is by helping a demon, he finds himself in for more than be bargained for… but perhaps in a more romantic way than he thinks. I did like that there were some cute and fluffy stories in this collection to go with the scares, and I loved this one as we meet somewhat anxious Noah and sassy and snarky demon Kody (a name that he adapts for his adventure with a perplexed human teen). The mythos is solid, the banter is adorable, and I really loved seeing this odd pair take on a poltergeist, as well as a teenage party. Just a hoot!

And as an entire collection, I mostly enjoyed “Night of the Living Queers”! I liked the way that they tied the stories together, with all of them happening on the same Halloween night under a Blue Moon, and how they were still able to do their own thing while having that connection. While some of the stories kind of fell into horror tropes that I don’t really care for (so many surprise ‘and then the ending is totally changed in one moment!’ gotchas), I did think that there were enough sub genres and tones that there is something for horror fans of all kinds. It’s also awesome having so many BIPOC and queer authors writing these stories with these perspectives feeding into the stories. Horror is becoming more diverse, but we still have a ways to go, and this book has a lot of authors who are establishing themselves as valuable voices to the genre. You love to see it.

Halloween is coming up fast, and “Night of the Living Queers” is going to be a must read for the nearing spooky season! Definitely check it out for Hallow’s Eve reading!

Rating 8: A solid and spooky collection of horror stories of all kinds, “Night of the Living Queers” is a varied and entertaining read from some established and up and coming YA horror authors.

Reader’s Advisory:

“Night of the Living Queers” isn’t included on any Goodreads lists as of yet, but it would fit in on “Queer Horror”, and “Great Reads for Halloween”.

Kate’s Review: “The Beast You Are: Stories”

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Book: “The Beast You Are: Stories” by Paul Tremblay

Publishing Info: William Morrow, July 2023

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Paul Tremblay has won widespread acclaim for illuminating the dark horrors of the mind in novels and stories that push the boundaries of storytelling itself. The fifteen pieces in this brilliant collection, The Beast You Are, are all monsters of a kind, ready to loudly (and lovingly) smash through your head and into your heart.

In “The Dead Thing,” a middle-schooler struggles to deal with the aftermath of her parents’ substance addictions and split. One day, her little brother claims he found a shoebox with “the dead thing” inside. He won’t show it to her and he won’t let the box out of his sight. In “The Last Conversation,” a person wakes in a sterile, white room and begins to receive instructions via intercom from a woman named Anne. When they are finally allowed to leave the room to complete a task, what they find is as shocking as it is heartbreaking.

The title novella, “The Beast You Are,” is a mini epic in which the destinies and secrets of a village, a dog, and a cat are intertwined with a giant monster that returns to wreak havoc every thirty years.

A masterpiece of literary horror and psychological suspense, The Beast You Are is a fearlessly imagined collection from one of the most electrifying and innovative writers working today.

Review: Thank you to NetGalley for providing me with an eARC of this collection!

It is always a good reading day when Paul Tremblay comes out with a new book, and my eyes are constantly peeled for a new title by him. I am so pleased that Tremblay is becoming more and more well known, what with the successful adaptation of his novel “The Cabin at the End of the World” hitting theaters this past winter. When I saw that he had a new book called “The Beast You Are” coming out, and that it was a short stories collection of previous works (as well as a novella), my usual nervousness about short stories didn’t even phase me. I trust Tremblay. And I was right to do so, because this is, on the whole, a good collection.

I will do the usual set up of talking about my three favorite stories, and then talk about the book as a whole.

“I Know You’re There”: This is one of the earliest stories in the collection, and it is almost certainly my favorite because of how ambiguous and heartbreaking it is. We follow Silas Chen as he works through the grief of losing his husband David to a sudden death, having found his body upon arriving home from work. As he tells the story to different people, aspects of if change, but one thing remains the same: Silas wasn’t sure if David’s dead body was staying completely still. There is a bittersweetness as well as an unease as we hear multiple iterations of Silas finding his dead husband, and the reader wonders if Silas is lying, or if his grief and sudden solitary life has led to him misremembering due to trauma, but the creepy descriptions of a body perhaps moving just a little bit, in various ways, when one’s back is turned, settled into my brain as I was reading it. As was the wonder about how grief makes it so that perhaps a departed loved one lingers in one way or another. Really unnerving, but also very emotional.

“The Blog at the End of the World”: We read a blog whose owner is talking about a mysterious disease that is making people drop dead, starting from what seems to be the end of the world and working backwards to earlier days when it’s just rumors and whispers, starting from the end and moving back towards the start. Tremblay wrote this one back in 2008, a good twelve years before COVID came into the picture and misinformation spread online like wildfire, so reading this was a bit surreal (and in the story notes he mentions it was surreal revisiting it now) because it almost predicted the way people would talk over each other, sow distrust, and disbelieve each other as things were falling apart around them. I loved the structure of this one, as it does read like a LiveJournal from the mid to late 2000s, and it was pretty neat getting the story told in this epistolary way (there is also a hilarious moment in the comments with a clear spam bot, man do I remember those days!).

“The Dead Thing”: An early teenage girl whose parents have split up due to substance abuse issues notices that her younger brother has come home clutching a box to his chest. When she asks what he has, he tells her that it’s just some dead thing but won’t show her. But something in the box is pulsing, and as he keeps it hidden and she becomes more and more curious, the thing begins to grow… This was one of the bleakest stories in the bunch, and honestly it kind of got to me in a not so good way, but I wanted to include it because 1) the stream of consciousness style really added to the reading experience, setting me on edge almost from the start and capturing the haphazard and spiraling situation at hand, and 2) I kept thinking about the 1980s remake of “The Blob” as I was reading. And that’s probably why it got to me because that movie just…. UGH. If you truly get to me (without triggering me, I should add, because that I DON’T like), I gotta give you props.

The collection as a whole is very broad and varied, with Tremblay doing straight up horror, to dark fantasy, to flash fiction, and beyond. What struck me the most about the stories is that a lot of them feel like they are pushing boundaries and looking to be experimental. There is the aforementioned “The Dead Thing” and its stream of consciousness narrator, or a meta pseudo-“Fangoria” column homage “The Postal Zone: The Possession Edition” that reads like it is the actual Fangoria magazine column ‘The Postal Zone’ (and was actually published in Fangoria, THE LAYERS OF THIS STORY). But the biggest experimentation was the lion’s share of the book, the titular novella “The Beast You Are”, in which Tremblay has created a new world with anthropomorphic animals who are going up against a monster that takes a sacrifice every thirty years. The way that Tremblay goes beyond the expected is what makes this book so interesting, and while some stories didn’t work as well for me as others did, I really did appreciate the way that he went outside the box.

“The Beast You Are” is a strong short stories collection that really shows off Paul Tremblay’s range. How great to see stories new and old gathered in one place, and to see the places the author is willing to go across so many tales.

Rating 8: Creative, bittersweet, experimental, and unsettling, “The Beast You Are” is a varied mix of stories by one of the most interesting horror authors writing today.

Reader’s Advisory:

“The Beast You Are” is included on the Goodreads list “Horror to Look Forward to in 2023”.

Kate’s Review: “Illusions of Isolation”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Illusions of Isolation” by Brennan LaFaro

Publishing Info: French Press, March 2023

Where Did I Get This Book: I received an eARC from the publisher.

Where You Can Get This Book: Amazon

Book Description: Is anyone ever really alone?

When a young man’s wife goes away for the weekend, he lies awake all night wondering what the otherworldly sound in the attic is and why only he can hear it.

After her husband’s death, a mother who interacts with her son exclusively through stationery notes grapples with the strange ways her lost love seems to be haunting them both.

And inch by inch, room by room, a young girl’s home is overtaken by a savage jungle, even while her parents are being gradually replaced by somewhat…wilder housemates.

In this debut collection Brennan LaFaro, the author of NOOSE and SLATTERY FALLS, brings you these stories of creeping dread and much, much more. Contained within are thirteen tales of horror, humor, and heart, (including nine which have never before seen the light of day) and an introduction by the legendary Jonathan Janz.

Is anyone ever really alone? Or are they merely suffering… ILLUSIONS OF ISOLATION

Review: Thank you to French Press for sending me an eCopy of this short stories collection!

One of my favorite things is when a book shows up in my inbox or comes across my path that is unknown, and it catches my eye even though I’m unfamiliar with the author due to the description and hype work done around it. That is really the situation I had with “Illusions of Isolation” by Brennan LaFaro, a collection of horror short stories that were completely new to me. I’m someone who really likes routine and control over many aspects of my life, so taking chances on books, while novel and fun at times, is also a little stressful for me. But reading the description of this book, I knew that I wanted to give it a chance because it just struck me in the right away. And I ended up really enjoying it.

Before we begin, one of the things that I really REALLY loved about this collection is that each story has an author’s note at the end, which provides some context and insight into the story itself. As someone who likes to write for myself on occasion, I always like seeing the process that other authors use when writing their own stories. I found it very enlightening and interesting in this collection, and seeing where LaFaro gets his inspirations and how he crafted these short stories was such a treat. It also provided some good background or thought process information of some of the more disturbing tales (I really liked having it for “Dressed for Success”, the first story in the bunch that has violence within a school setting. It really contextualizes the content so it doesn’t feel exploitative or distasteful). It feels a bit like the author’s notes behind the stories in the “Scary Stories To Tell in the Dark Books” in a way, and I really enjoyed it.

So I’ll tackle this like I do all short stories collections: I will talk about my favorite three stories, and then talk about the collection as a whole.

“Year of the Black Rainbow”: There were a few stories in this collection that used topical issues to help fuel the horror aspects (given that social anxieties influence horror a lot it’s not shock), and “Year of the Black Rainbow” was one of those and my first favorite of the collection. Alex, a non-binary teen whose parents have kicked them out of their home, has found themself alone and living in an unhoused community in an old abandoned hospital. While others have avoided the basement for its strange happenings, Alex has made it their home. But when intruders threaten them, the basement’s reputation comes to the forefront. I love a haunted house story, I love a story about a marginalized person finding a place to call home, and I love a story that has a nice heaping helping of comeuppance for shit heads. And this story has all of that.

“A Shine in the Woods”: Isolation cabin horror is always going to be top notch for me, and if you bring in some really unique elements and I am totally roped in. A family is having a vacation in a winter cabin setting, but something keeps knocking over their garbage cans and making a mess outside. As the snow comes down harder and the unknown threat becomes more pressing, the family starts to wonder if they are going to leave their vacation alive. I’m not going to say any spoilers here, but I LOVED where LaFarro went with this one! I had an idea as to what was maybe going on, but as the tension built and the stakes were raised he went in a completely different direction and I thought that it was so creative and so out there in the best way.

“The Lights”: Break out the tissues for this one folks. A neighborhood nice guy named Gus, known for his kind disposition and his love of the grill, is suddenly rendered catatonic in his backyard chair with a relaxed smile on his face. His wife has kept it secret until neighbors come by concerned, and he only speaks of ‘the lights’. As Gus remains in this entranced state, his wife, and his neighbors, start to realize the impact this quiet but gentle man had on their lives. This one is probably the least horror-esque story in the collection and a bit more Sci-Fi, but I thought that it was so lovely and a glimpse into the way loved ones impact our lives. It’s a bit ambiguous, but the ending is filled with so much genuine, bittersweet pathos that it brought tears to my eyes.

And truly, I thought that all of the stories in this book were pretty well crafted and well imagined. None of them felt like clunkers to me, and I thought that LaFaro really explored a lot of different sub genres and did them justice for the most part. There was definitely something to like about all these stories, and again, the author’s note for EACH story was so, so awesome. The tone could shift from splatter punk brutality to bittersweet pathos and the shift isn’t jarring or distracting. It’s just nice seeing different themes and tonality flowing well in an anthology, especially when there is such a dichotomy and it’s from a single author.

There is definitely something for everyone in “Illusions of Isolation”. I am going to be keeping an eye on Brennan LaFaro going forward, because this collection is filled with lots of goodies.

Rating 8: A well rounded and very strong collection of horror stories that span a number of sub genres and aesthetics, “Illusions of Isolation” really ought to be on any horror aficionado’s radar!

Reader’s Advisory:

“Illusions of Isolation” isn’t on any Goodreads lists yet, but it would fit in on the list “Short Horror/SciFi Collections”.