Tag: horror

Kate’s Review: “Wake Up and Open Your Eyes”

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Book: “Wake Up and Open Your Eyes” by Clay McLeod Chapman

Publishing Info: Quirk Books, January 2025

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: From Vulture’s “master of horror” Clay McLeod Chapman, a relentless and emotionally charged social horror novel about a family on the run from a demonic possession epidemic that spreads through media, for fans of The Last of Us and When Evil Lurks

Noah Fairchild has been losing his formerly polite Southern parents to far-right cable news for years, so when his mother leaves him a voicemail warning him that the “Great Reawakening” is here, he assumes it’s related to one of the many conspiracy theories she believes in. But when his own phone calls go unanswered, Noah makes the long drive from Brooklyn to Richmond, Virginia. There, he discovers his childhood home in shambles, a fridge full of spoiled food, and his parents locked in a terrifying trance-like state in front of the TV. Panicked, Noah attempts to snap them out of it and get medical help.

Then Noah’s mother brutally attacks him.

But Noah isn’t the only person to be attacked by a loved one. Families across the country are tearing each other apart-–literally-–as people succumb to a form of possession that gets worse the more time they spend watching particular channels, using certain apps, or visiting certain websites. In Noah’s Richmond-based family, only he and his young nephew Marcus are unaffected. Together, they must race back to the safe haven of Brooklyn–-but can they make it before they fall prey to the violent hordes?

This ambitious, searing novel from “one of horror’s modern masters” holds a mirror to our divided nation, and will shake readers to the core.

Review: Thank you to NetGalley for sending me an eARC of this novel!

I’m going to preface this review with the following statement: I’ve had a few interactions with Clay McLeod Chapman and he has always been INCREDIBLY kind. He’s always been very genial in the times we’ve chatted, be it at conferences or on social media or in messages exchanged in regards to his books and my reviews. I’ve always found him to be a super kind human being and I’ve enjoyed all the times we’ve spoken/written each other. That being said, he is also one of the authors that I feel PERSONALLY VICTIMIZED BY WHENEVER I READ ONE OF HIS HORROR NOVELS.

Just superimpose his face on Rachel McAdams, I say! (source)

This is in jest, obviously. But Chapman’s books always hit a nerve with me, and always get under my skin, and his newest book “Wake Up and Open Your Eyes” is his scariest one yet. And this is because of a couple reasons. The first being that Chapman is a master of suspense and horror imagery, being more than willing to push the envelope when it comes to the lengths he will take his reader within his stories. He’s usually pretty unflinching and brutal, and unapologetic about it, and that is definitely the case in this book. But the other, and more effective, reason is pretty straightforward this time around: “Wake Up and Open Your Eyes” is a satirical and incredibly gory spin on the way that far right propaganda has seeped into the collective consciousness of a huge percentage of the American public, and in this book it turns them into literal rage possessed zombies that want to destroy everyone and everything with their hate and need for violence. Jesus. Fucking. Christ. This is basically a book that is a manifestation of my mental health crises I had last summer and then again after the Election. So that’s great.

First, though, I want to talk about the straight up horror elements of this book. The basic premise is that a man named Noah, a liberal man living in Brooklyn, as noticed that his parents in Virginia have been becoming more and more obsessed with the right wing cable network Fax News (it’s blatant, and I’ll talk about why I’m fine with that later in the review), parroting talking points and becoming more and more paranoid and hateful. When he goes down to check on them after not being able to get in contact with them, or his brother and his family, he finds his folks basically wasting away watching Fax…. until something switches and the catatonic turn into violent, rage filled zombies. The zombies start attacking all non zombies while shouting ‘WAKE UP AND OPEN YOUR EYES!’ and ‘JUST THE FAX!’. He eventually finds his seven year old nephew and hopes they can make it back to Brooklyn. As far as the zombie-esque horrors go, it’s nasty, it’s violent, and it’s unrelenting. Once we are in an action moment, the pedal is to the metal and it’s VERY violent and gross. He also knows how to build up the tension as we see various characters start to succumb to the indoctrination/possession, with SO MANY nasty body horror moments and gory bits, things that even made me feel a little nauseated as I read (trigger warnings abound here too: animal death, sexual assault, school violence, it’s all here). It’s effective and disturbing, which is the exact right tone for this book.

Chapman doesn’t just limit himself to the low hanging fruit of Fox News and far right cable news (correct as this indictment may be), though, which makes this even more sinister and astute. He also takes on the all too real pipelines of wellness influencers and the Pastel QAnon movement with it’s anti-science/anti-medicine/anti-vax bent (with Noah’s sister in law), as well as the incel and red/black pill movements (with his older nephew). Both of these are mostly centralized online and on social media, and show up in algorithms like snakes in the grass. I think that the Fox News angle is pretty obvious (not that it’s incorrect!), but I know that I’ve had to explain to people about trad wives and the wellness to alt-right pipeline as well as incel bullshit, and how it is radicalizing completely different demographics into far right wing ideology, so to see him have THESE THINGS in this book made the satire that much more powerful. And scary. GOD this book is scary. Because while no, people like my grandfather was when he was alive aren’t mindless violence craving ghouls with no impulse control and a need to murder everyone in their vicinity, there are people who feel like they have lost their loved ones to a sickness of hate, fear, and bigotry, which can be violent and traumatizing in their own ways. Chapman really, really gets that, even if he has it under guise of blood soaked automatons that are killing machines and splattergore moments. And he doesn’t just have grievances for the brainwashed and hate filled, but he also indicts Noah himself (and other go along to get along liberals) as someone who just sat back and let it happen, like so many have done in the face of not wanting to rock the boat or to just be pleasant, until it’s too goddamn late.

Are the horror elements in this book over the top? Maybe. Is it absolutely NOT subtle? Completely. But I think that the time for subtlety has passed us. Chapman has his finger on the pulse of America right now. And I’m writing this as the new president elect is gearing up to take back his power, partly in thanks to these kinds of manipulations, propaganda, and indoctrination that this book has amped up to levels that may be fictional, but are rooted in a very bleak reality. And I’m honestly terrified.

(source)

“Wake Up and Open Your Eyes” is another top notch horror tale from one of the kindest authors I’ve met who still manages to personally victimize me Regina George style with his books (I mean that in the best way). It’s a must read.

Rating 9: Easily one of the scariest books I’ve read in a long time, if only because when you peel back the supernatural and satirical bits you find something that feels very, very real.

Reader’s Advisory:

“Wake Up and Open Your Eyes” is included on the Goodreads list “Horror to Look Forward To In 2025”.

Kate’s Review: “Mr. Jones’s Smoking Bones”

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Book: “Mr. Jones’s Smoking Bones” by Iqbal Ali & Priscilla Grippa (Ill.)

Publishing Info: Iqbal A. Comics, March 2023

Where Did I Get This Book: I received digital copies from the publicist.

Where You Can Get This Book: Amazon | Shopify

Book Description: Barzakh, an Indian man with a grudge against the British Empire, travels to London seeking drugs to alleviate the pain of losing his friend Elisa and to fulfill a personal quest. However, he becomes embroiled in a mystery surrounding the death of a notable gentleman, supposedly caused by a smoking skeleton.

Review: Thank you to Iqbal Ali for sending me digital copies of this comic series!

I’m always really eager to read books and stories about the obsessive way that the Victorians focused on occultism and the mystic sides of death and ghosts. It’s just a topic that has fascinated me for a long time, and the Victorians were so hardcore and weird about it that it adds a whole new layer to the already spookiness of death, ghosts, and hauntings. But it’s rare that I am presented with a tale that turns that on its head and makes it even more compelling, so when I was offered to read Iqbal Ali’s comic series “Mr. Jones’s Smoking Bones” and it did, indeed, have a more interesting hook beyond the usual ‘Victorian Brits love a good séance!’, I was very, very interested to check it out. While Volume One is the most accessible volume of the series, they were kind enough to send much of the storyline as it stands now, and oh wow. It was really, really fun and as unique as I had hoped it would be.

The main setting is Victorian London, where occultism is incredibly popular, the British Empire in India is thriving even as the East India Company is falling away, and India native Barzahk has resentfully arrived in London in the shadow of a personal matter involving his friend Elisa. Elisa, who has recently been murdered and had been a member of a powerful secret society that experimented with traveling to other planes known as The Aether. It’s a mouthful, and it’s only the beginning. I love the occult and mysticism angle, as this stuff was SUPER popular during this time period in England, and Ali uses it really well to craft a creepy horror mystery with wandering ghosts, secret societies, and a mysterious smoking skeleton who has a deadly connection to Elisa and her death. As Barzahk is reluctantly pulled into investigating the deaths of powerful British men connected to Elisa, the Crown, and secret societies, we find lots of classic occult horror moments with a compelling narrative and mystery at its heart. I also really loved that it turns this kind of story on its head, with an Indian man as the protagonist when so many other Victorian occult stories are very western centric. I also loved the flashbacks to Barzahk’s work with Elisa back in India, as we get to see moments involving the horrors of the Raj and the English rule in India and how it affects Barzahk and his community.

And jumping off of that, what I liked the most about this series is the underlying theme on the British Empire in India and the way that the horrors of colonialism rained terrors onto India and its people. Barzahk is our protagonist whose resentment towards England is wholly understandable, and Ali isn’t shy about showing the violence and corruption perpetuated by the Crown as well as The East India Company. I also LOVED the fact that at the end of every issue we get a really comprehensive but easy to digest historical note about Imperial Britain and its relationship with India during the Victorian Era (as well as other pertinent facts like the occult and other facets of British society). I have a vague knowledge of some of the finer details of these things, as I’ve read a fair number of books that tackle themes like this, but I really loved the way that Ali would pull out the historical details as related to the story and highlight them. I felt like I learned a lot about the history and the context, and was able to see how this history informed the story in both broad ways as well as minute ones. As someone who used to work in a history setting with a specific focus on the Victorian Era (mostly in the U.S., but we did address the influence of England on American society as well), I live for these kinds of tidbits and lessons from the past and how it still resonates today.

And finally I quite enjoyed the artwork by Priscilla Grippa. It’s fairly realistic in design, but also has some really creepy depictions of the aether and the ghostly beings that haunt Barzahk as the story goes on.

(Souce: Iqbal A Comics)

Overall I enjoyed “Mr. Jones’s Smoking Bones”. It’s resonant of classic throwback historical comics with an occult twist, but takes it a few steps further to make it all the more unique and all the more unsettling. If you can get it, I highly recommend you do!

Rating 8: A creepy and rich historical horror story that tackles ghosts, trauma, and the evils of colonialism.

Reader’s Advisory:

“Mr. Jones’s Smoking Bones” isn’t on any Goodreads lists as of now, but if you enjoy historical dark fiction/fantasy by by Alan Moore like “From Hell” or “The League of Extraordinary Gentlemen” this would be a good fit.

Kate’s Review: “The Darkest Night”

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Book: “The Darkest Night: 22 Winter Horror Stories” by Lindy Ryan (ed.)

Publishing Info: Crooked Lane Books, September 2024

Where Did I Get This Book: The library!

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: From some of the biggest names in horror comes an Advent calendar of short stories perfect for the darkest nights of the year. Edited by award-winning author and anthologist Lindy Ryan, this horrific anthology will chill you to the bone.

From New York Times bestselling author of Bird Box Josh Malerman, a story of a dark Christmas past in “Children Aren’t The Only Ones Who Know Where the Presents Are Hidden.” From national bestselling author Rachel Harrison, “Thaw,” in which a couple spends their first Christmas together in a cabin—but are they alone, or does something else watch them from the tree line? New York Times bestselling authors, Christopher Golden and Tim Lebbon’s “Wintry Blue” sets an innocent child on the road with a strange and monstrous creature. Bram Stoker Award®-winning screenwriter of Netflix’s Haunting of Bly Manor and The Fall of the House of Usher, in Jamie Flanagan’s “Bruiser,” something sinister stalks the chilling hallways of a nursing home at night. Author of Such a Pretty Smile, Kristi DeMeester, tells a tale of “Eggnog” a Christmas party, an over-friendly female coworker, and an angry wife are the recipe for a deadly cocktail party. Plus stories by Nat Cassidy, Darcy Coates, Clay McLeod Chapman, Tim Waggoner, and many more, with an introduction by George C. Romero and art by renowned British horror artist Mister Sam Shearon.

Review: I am the weirdo during the winter who absolutely LOVES the darkness that comes with the season. It’s probably because I adore the Winter Solistice, as it always feels so eerie and peaceful and filled with wonder, the shortest light day of the year creeping up and enveloping me in the darkness that I so love. I also really love horror stories that match up with a holiday theme, whether it’s Christmas or Hanukkah or Solstice or what have you, so “The Darkest Night” by Lindy Ryan has been on my radar for awhile now. And with Christmas, Hanukkah, and the Winter Solstice upon us in the next week, I thought this would be a great horror anthology to really get into the spirit of the season.

As usual I will highlight my three favorite stories, and then showcase the collection as a whole.

“Children Aren’t the Only Ones Who Know Where the Presents Are” by Josh Malerman : I really need to read more Josh Malerman, because whenever I read anything by him I am almost immediately blown away, and “Children Aren’t the Only Ones Who Know Where the Presents Are” was no exception. This one REALLY freaked me out, and it’s because Malerman knows how to build up a scare. A woman who hates every holiday is driving through the desert, only to find a door that leads to a closet and a horrific memory from her childhood she had long suppressed. Said memory involves what her mother had thought was a mistress skulking through the house, but was something else…. There was just something so unsettling about Malerman’s device as well as the descriptions of the supposed ‘mistress’ that was found inside a closet long ago. It really freaked me out.

“The Warmth of Snow” by Cynthia Pelayo: We all know that I really enjoy Cynthia Pelayo and her talent to bring out the eerie and the beautiful in her writing, and this story really reflected that. A woman lives fairly isolated in a home with her mother, rarely going outside due to a skin condition and fully immersing herself in Shakespeare. With a lot of obsessive tendencies towards “Hamlet”. This one was so strange and felt almost dreamy, with Pelayo’s slow build to a fairy tale that feels like it’s from the darkest of forests and nights. I was just struck by this one and the ending.

“Thaw” by Rachel Harrison: And I also really love Rachel Harrison, and I was most looking forward to her story because of a promise of an isolated cabin in the woods and something skulking in the trees! I mean, YES PLEASE! A couple has taken a vacation to a romantic cabin based AirBnB for Christmas, but the woman can’t stop thinking about certain things he does that may be a little untoward. Oh, and the fact that there is a snowman outside that seems to be moving. Harrison is a guarantee to bring in some feminist themes to her stories, and this one is about red flags in relationships, gaslighting, and also perhaps a killer snowman lurking outside that only the woman is taking seriously. It’s exactly what I would expect from Harrison and it hit on every level.

As a whole, there were a few other stories that really stood out to me, including “The Ladies’ Society for the Dead” by Darcy Coates, “The Body of Leonora James” by Stephanie M. Wytovich, “Eggnog” by Kristi deMeester, and “Being Nice” by Jeff Strand (which was a black comedy for sure and had me cackling AND cringing). The rest of them were a pretty mixed bag, from ones that I thought were fine to ones that really didn’t work for me. I did like seeing how all these authors approached the theme of ‘winter holiday horror’ and came up with some really varied and unique tales for the season.

“The Darkest Night” had some really high ups as well as some downs, but I think this collection has something for everyone. Don’t sleep on this one if you want winter solstice horror reading!

Rating 7: The stories that worked REALLY worked, while there were a few clunkers to make it a bit uneven. That said, it’s great horror reading for the darkest night of the year.

Reader’s Advisory:

“The Darkest Night” is included on the Goodreads list “HO HO HOrror”.

Kate’s Review: “Manmade Monsters”

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Book: “Manmade Monsters” by Andrea L. Rogers

Publishing Info: Levine Querido, October 2022

Where Did I Get This Book: The library!

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Tsalagi should never have to live on human blood, but sometimes things just happen to sixteen-year-old girls.

Following one extended Cherokee family across the centuries, from the tribe’s homelands in Georgia in the 1830s to World War I, the Vietnam War, our own present, and well into the future, each story delivers a slice of a particular time period.

Alongside each story, Cherokee artist and language technologist Jeff Edwards delivers illustrations that incorporate Cherokee syllabary.

Review: A couple years ago I saw the short story collection “Manmade Monsters” by Andrea L. Rogers on my social media feed. It definitely caught my eye, but for whatever reason I never made the move to request it or pick it up. And I don’t even remember why I decided to pick it up recently, I just saw it was available at the library and thought to myself “Oh, I’ve been meaning to read this!” So I grabbed it on a whim (and it actually ended up working out timing wise as I do like to showcase Indigenous authors and novels on Thanksgiving). And I’m happy to say that it was a whim that worked out!

As per usual for a short story collection, I will first review my three favorite stories, and then I will review the collection as a whole.

“Ama’s Boys”: Still love me a feminine rage story, and this story about an immortal predator really understood that particular assignment. A girl who has been a vampire like creature has been wandering in and out of Oklahoma for one hundred and fifty years, targeting young pliable men as her prey, though never wanting to kill, merely feed. But she meets a boy that may have a predatory nature of his own. This was a creepy vampire-y tale that had a bit of a feminist twist, and our narrator Ama is calculating and as ethical as she can be, while slowly realizing that her newest companion is a bit more of a threat than she is used to. I really liked the ending of this one, and also liked the implications of what Ama had been through when she was still human during the times of Manifest Destiny and the genocide that came with it.

“Deer Woman”: I have loved the various Deer Woman mythologies for awhile now, and I’m always excited to see a new interpretation of it, and this one was stellar. Sali, Quanah, and Lisa are best friends and working on an art project at their high school about Deer Woman. When Lisa goes missing, much like Quanah’s cousin Lilli a few years prior, Sali and Quanah try to figure out what happened to her. Bringing in themes such as Missing and Murdered Indigenous Women, misogyny, colonialist attitudes in a more modern era, and some more feminine rage (I clearly am still in a holding pattern with my feelings as of late), this one is eerie and dark, as well as unwavering in its message of pushing back against gender based violence, especially towards Indigenous girls and women.

“I Come From the Water”: This may have been my favorite story in the collection because I found it so hauntingly beautiful on so many levels. A teenage girl still feeling from her father’s death is trying to keep her family from falling apart, when a mysterious alien creature suddenly finds itself trapped in her pool, desperate to find a way home. When these two connect, a journey of salvation, identity, and hope commences. As someone who is a huge sucker for stories that involve humans connecting on a deep level with otherworldly beings (I will once again sing the praises of “Starman”! SEE “STARMAN”!), and the bittersweet dichotomy between teenager Walela and mysterious Sakonige, one a mourning child trying to keep her mother and sister afloat (whilst also grappling with questions about her own sexuality) and the other a lost alien trying to find its way home, really moved me. I am amused that once again my favorite story in a horror collection is probably the one that feels the least like a horror tale. But man. I just loved this one.

As a whole, I think that there were some hits and misses. Definitely more hits than misses, but I do kind of wish that the familial line connection had been a little more apparent outside of some references here and there. But what I did find really impressive was how the stories, though all written by one author, had such different unique voices and approaches that it could have easily been multiple authors in my mind had I now known the contents. I also want to shout out the really lovely artwork by Jeff Edwards, with images accompanying each short story.

I’m glad that I finally picked up “Manmade Monsters”! Sometimes it is worth going back and picking up a book that fell by the wayside for whatever reason.

Rating 8: A well crafted collection of stories passing through a family of Cherokee, “Manmade Monsters” is a subtle Indigenous horror collection that delves into multiple sub-genres and has a very specific perspective that I enjoyed.

Reader’s Advisory:

“Manmade Monsters” is included on the Goodreads lists “Indigenous Voices”, and “Native American Female Authors”.

Serena’s Review: “The Whispering Night”

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Book: “The Whispering Night” by Susand Dennard

Publishing Info: Tor Teen, November 2024

Where Did I Get this Book: Netgalley!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Winnie Wednesday’s future is looking bright. Hemlock Falls is no longer hunting the werewolf, she and Erica Thursday are tentative friends, and Winnie finally knows exactly where she stands with Jay Friday.

With everything finally on track, Winnie is looking forward to the Nightmare Masquerade, a week-long celebration of all things Luminary. But as Luminaries from across the world flock to the small town, uninvited guests also arrive. Winnie is confronted by a masked Diana and charged with an impossible task—one that threatens everything and everyone Winnie loves.

As Winnie fights to stop new enemies before time runs out, old mysteries won’t stop intruding. Her missing father is somehow entangled with her search for hidden witches, and as Winnie digs deeper into the long-standing war between the Luminaries and the Dianas, she discovers rifts within her own family she never could have imagined.

What does loyalty mean when family and enemies look the same?

Previously Reviewed: “The Luminaries” and “The Hunting Moon”

Review: This series has been one of the stranger reading journeys. I really struggled to enjoy the first book, so much so that I had mentally written off the idea of continuing the series altogether. But then I received an ARC for the sequel and thought I’d give it a second chance. While it still wasn’t my favorite, it was also a marked improvement on the first. And, well, here we are, finishing off the trilogy with the release of the third book! And, to continue the trend, I think this one was the strongest of the lot!

Part of the strength of this one comes down to the fact that it is benefitting from all of the leg work done in the first two books. Here, the romance has been thoroughly explored and established, with Winnie and Jay feeling fairly sure of one another. This allows the love story to playout in a supporting role, there as a minor subplot and to bring some heart and humor to the story, but without needing to get bogged down in too much drama or angst.

Further, much of the world-building has been done. Not only are readers familiar with this world, but the first two books set up a number of secrets and reveals that could be finally explored in this last installment, giving this book all of the payoff that was sometimes lacking in the first two books. Further, the action was markedly increased in this book. I’d say there is about twice as much action here than in the second book, perhaps even more. Again, because we don’t need to spend as much time with the drama of the romance, the plot is allowed free reign to run wild!

I also feel like Dennard’s writing style is benefitted most with this more plot-forward type of storytelling. Much of my frustration from the first book (and even the second a little) had to do with the characterization and the drama that played out in these aspects. She also did a good job wrapping up dangling mysteries from way back in the first book, and, for the most part, I think all of these revelations and resolutions landed well.

Overall, this was a very satisfying end to a roller-coaster ride of a trilogy. Now that it is wrapped up, and wrapped up well, I’d definitely feel more confident recommending it to teen readers. I do think it lands solidly in YA, however, and isn’t necessarily one of those YA novels that has great cross-over appeal to adult readers. Nothing wrong with that! But it is worth noting since many adult fantasy fans also check out YA titles.

Rating 8: Full of action and suspense, this book serves as a solid ending to the trilogy, stabilizing the entire series into a worthwhile endeavor for YA readers!

Reader’s Advisory:

“The Whispering Night” can be found on this Goodreads list: October 2024 Horror

Kate’s Review: “Sundown in San Ojuela”

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Book: “Sundown in San Ojuela” by M.M. Olivas

Publishing Info: Lanternfish Press, November 2024

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: When the death of her aunt brings Liz Remolina back to San Ojuela, the prospect fills her with dread. The isolated desert town was the site of a harrowing childhood accident that left her clairvoyant, the companion of wraiths and ghosts. Yet it may also hold the secret to making peace with a dark family history and a complicated personal and cultural identity.

Setting out on the train with her younger sister Mary in tow, she soon finds herself hemmed in by a desolate landscape where monsters and ancient gods stalk the night. She’s relieved at first to find that her childhood best friend Julian still lives in San Ojuela, but soon realizes that he too is changed. Haunted.

Yet she’ll have no other choice than to seek out his help as the darkness closes in.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

I will admit that when I am prepping for ALA I generally find myself more focused on strategy to get ARCs before I look at panels that may be of interest. What can I say, I love getting books. But I usually do find some panels that pique my interest, and this past conference I found one about speculative fiction and indie publishing that was really interesting. One of the speakers was M.M. Olivas, an author I hadn’t heard of before that moment, but whose debut novel “Sundown in San Ojuela” sounded VERY interesting indeed. She described it as a spaghetti western meets the vampire films “Near Dark” and “A Girl Who Walks Home Alone at Night”. HOW COMPELLING. I threw it on my NetGalley list and when the time finally came to read it I sat down and dove in.

The spaghetti western influences are definitely there, as are the vampire films that Olivas mentioned, and I found “Sundown in San Ojuela” to be a multi layered story about homecoming, trauma, and identity in the shadow of colonization. Our horror elements take a lot of inspiration from Latine and Chicano folklore and some of the horror stories that come from that, be it Chupacabras, El Coco, or ancient Aztec gods. Throw in some vampires for good measure and you have yourself a real feast of supernatural suspense, with a woman who can see ghosts at the forefront as she confronts her family’s past in Casa Coyotl where her aunt resided until her death. I always love a character who can see ghosts, and Liz is a great protagonist who I was more than happy to root for as she and her sister Mary return to Aunt Marisol’s home in San Ojuela. I also loved Liz’s connection to Santa Muerte, and how she is already searching for dire answers when she realizes that monsters are everywhere in this town she thought she had left behind. I really enjoyed some of the deeper subtexts of this book, especially in relation to the Latine experience in areas near the border, and the generational traumas and violence that has been passed down since the conquistadors and still expresses itself through racism, oppressive immigration laws, and the way Latine people, both citizen and immigrant, are exploited and cast aside.

But the one downside of this book is how there are a number of shifting POVs, and not just in terms of character perspectives. There are lots of characters that get some focus, it’s true, but my bigger qualm was how we would go from first person to third person to sometimes even second person, which is SUCH a tricky voice even when it’s the main one being focused on. Since we were jumping a lot between these different voice types, I found it jarring and a bit of a jolt, which pulled me out of the writing. Which was too bad because I didn’t want to be taken out of the story at hand, so distractions were frustrating. And there was also a bit of wide net that was cast in this book, with LOTS of action going on with LOTS of characters having LOT to do, and I feel like perhaps it could have been tighter. All that said, it didn’t detract from the story too much!

“Sundown in San Ojuela” was a fascinating horror tale with a lot of clear influences that I really dug. I’m so happy that I went to that panel so that I could hear all about it from Olivas herself, because I’m not sure I’d have found it otherwise!

Rating 7: So many great layers and a unique and twisted horror tale is elevated by Latine folklore, though some of the POV shifts are jarring at times, and it sometimes felt like a wide swath that could have been tighter.

Reader’s Advisory:

“Sundown in San Ojuela” isn’t on any Goodreads lists as of yet, but I kept thinking about Isabel Cañas and V. Castro and their novels as I read this one.

Kate’s Review: “Snow Drowned”

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Book: “Snow Drowned” by Jennifer D. Lyle

Publishing Info: Sourcebooks Fire, November 2024

Where Did I Get This Book: I received an ARC from the publisher.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: There’s a saying on Fall Island: if you’re not careful, the snow will get you.

Gracie Hutchinson has lived on Fall Island her whole life and knows there’s some truth to those words. Fall’s snowstorms have a spooky way of claiming people, making them disappear without a trace or driving them mad. Now, with a hundred-year-storm approaching, most of Fall’s residents have fled to the mainland. But not Gracie. Left behind her with physician father, she braces for landfall.

Gracie’s not the only one left behind. Her classmate Joseph Wescott, descendant of the legendary pioneer who founded Fall Island, has stayed, too. After a chance encounter, the two stumble across something more unsettling than the snow: a ritually mutilated corpse. By night, as the snow begins to fall, it becomes clear that whoever (or whatever) murdered the man they found has their sights set on Gracie.

Seeking refuge at Wescott Manor, Gracie feels safe surrounded by dozens of locals hunkered down in the huge house. But as the storm assaults the island, Gracie discovers secrets that have been kept since Fall was settled. If she can’t uncover the hidden history and terrifying truth about Fall Island before the storm’s end, she’ll be the next to disappear into the snow.

Review: Thank you to Sourcebooks Fire for sending me an ARC of this novel!

Being a Minnesota girl, I know a thing or two about snowstorms. I actually kind of enjoy a nice hardcore blizzard, assuming that I’ve had enough time to prepare for it (i.e. stock up on comfort food, wine, and a bunch of books or movies/TV shows) and that I don’t have to drive in it. It’s probably no surprise, then, that I really like wintery horror stories, so of course I really wanted to read “Snow Drowned” by Jennifer D. Lyle. The description had me thinking of Stephen King’s amazing miniseries “Storm of the Century”, so I thought I knew what I was getting into. But I was wrong, and wrong in a good way.

Unfortunately I can’t really tell you WHY I was wrong because of spoilers, so I will give you other reasons as to why this book worked pretty well for me. The first is that I genuinely enjoyed the slow burn build of the horror and mystery at the heart of Fall Island as a monumental snow storm is approaching. We follow Gracie, a teenager whose family has been on Fall Island for generations, and who has been a bit isolated at home as she and the rest of the island awaits for a huge storm to hit. But when she and Joseph Wescott, the heir apparent to the devout founding family of the town centuries ago, find a body that seems to have been ritually murdered, things start to spiral out of control. I liked seeing Gracie hole up with the Wescotts in their mansion, and how Lyle slowly unfolds that this well regarded and deeply religious family has some dark secrets, and that Gracie is, unfortunately, about to play a key role. The Gothic vibes of the island were well done and the family was unsettling and sinister, and it had me turning the pages looking for more.

In an attempt to avoid spoilers but talk a little about other things that worked, I can say that “Storm of the Century” is accurate, but you have to throw in some folk horror and a family conspiracy edge that harkens to “Ready or Not” and other privileged wealthy antagonists. Lyle holds these things pretty close to the vest, and I was genuinely caught off guard a few times as I read this book. Lyle lays out the clues, and she does it in a way that make perfect sense but still kept me guessing at least part of the time. I also really loved the swerve that we took right before the climax of this action, as I was expecting one kind of sub genre and then got something all the more interesting that had a GREAT pay off. There was a bit of a quibble I had that kind of knocked some points off, and that was the ending wrap up had another swerve moment that made me groan, and then set up for a potential sequel. Would I read the sequel? Possibly! But the initial ending was so satisfying that I wish we hadn’t even laid the groundwork at the last moment.

Winter is coming, folks, and “Snow Drowned” is going to be a perfect horror read for a snowy dark night. A YA horror winner in a genre that sometimes gets a bit rocky in that age group, which I’m always happy to see.

Rating 7: A YA horror that had some solid surprises and scares, though the ending was a bit of a disappointment.

Reader’s Advisory:

“Snow Drowned” isn’t on many Goodreads lists as of now, but it would fit in on “Horror Novels Set (largely) in Winter/Snow”.

Kate’s Review: “It Will Only Hurt For A Moment”

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Book: “It Will Only Hurt For A Moment” by Delilah S. Dawson

Publishing Info: Del Rey, October 2024

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: In this highly atmospheric thriller from the Bram Stoker Award–nominated author of The Violence, a young woman hopes to reinvent herself at an isolated artists’ colony . . . only to be drawn into its dark, twisted past.

Sarah Carpenter is starting over. She’s on the run—leaving behind her unsupportive, narcissistic ex-boyfriend and alcoholic, abusive mother—and headed for a new beginning at Tranquil Falls, a secluded artists’ colony on the grounds of a closed hotel. There, with no cell signal or internet to distract her, she hopes to rediscover her love for pottery and put the broken pieces of her life back together.

But when Sarah uncovers the body of a young woman while digging a hole for a pit kiln, things start to fall apart. Her fellow artists begin to act in troubling ways. The eccentric fiber artist knits an endless scarf. The musician plays the same carousel song over and over until his fingers bleed. The calligrapher grins with ink-stained teeth. Not to mention the haunting dreams Sarah has night after night.

When she discovers glass shards in her clay, Sarah wonders if someone is out to get her—or if she’s losing her grip on reality out here in the wilds, where the pounding of the waterfall never, ever fades. As she investigates the beautiful valley and the crumbling resort looming over them all, she unearths a chilling past that refuses to remain buried . . .

Review: Thank you to NetGalley for providing me with an eARC of this novel!

I gotta say, this Halloween season went by way too fast. I had a Halloween party this past weekend and a number of my friends and I were lamenting that October went by so fast, especially since the election is next week and none of us feel totally ready to see how that is going to shake out. Hell, my anxieties about that has plagued me pretty much all year, no doubt contributing to my near mental breakdown this past summer, some health problems, and the fact that I am SO behind on my reading as we enter the last two months of the year. But the horror I’ve read this month as been great, and I am SO thrilled to end my favorite month with Delilah S. Dawson’s newest novel “It Will Only Hurt for a Moment”. I loved her book “The Violence”, and this new one sounded like a perfect Halloween read. And it definitely scratched not only the scary itch, but also the dread that I’ve been feeling as of late thanks to the pulsing feminine rage this book has. Because same, girl.

Actual footage of me the past month. Months. Years.. (source)

As a horror novel it ticks a lot of the boxes that I really enjoy. Is there an isolated setting? Check. Is there a dark history to said isolated setting? Check. Is there a wide swath of strange characters who could be hiding something? Check. Are there ghosts? Big ol’ check. We follow Sarah, an artist who has been selected to join an artist’s colony/program located in the woods and at the site of an old fancy hotel, who just wants to be able to process some trauma by delving into pottery and having some self reflection time. But her fellow artists start acting strange, she starts having bad dreams, and she finds a long buried corpse that went unnoticed, and who appears to have tried to claw her way out of her coffin. I really enjoyed the way that Dawson slowly pieces together the mystery and slowly turns the dial of tension up so that the scares build and creep up slowly until they burst. The descriptions of the weird things that her fellow artists were doing, or the strange dreams that she was experiencing, were strange and surreal and unnerving to be sure.

But what worked best for me in this was the way that Dawson compares and contrasts the kinds of misogyny and abuse that women have had to contend with throughout history to that which they have to contend with today, peeling back insidious ways that the treatments have, in some ways, become more insidious and clandestine. In the modern time Sarah is reeling from the end of a long term relationship with her boyfriend Kyle, who she had come to realize was manipulative and emotionally abusive towards her. As she looks back at the relationship she sees the way he’s isolate her, how he’s denigrate her interests and separate her from her circle of friends, how he made sure that she was always dependent on him and felt the need to put him before herself. As she starts to learn the dark secrets of Tranquil Falls, and the history of the site and the way that women there were trapped within the confines of the era in which it was at its height, we find out horrors of women who were discarded, silenced, abused, and locked away for treading outside the expectations of their gender. There are some VERY upsetting moments portrayed in this book that could definitely be triggering for some people, so take that into account. But the rage and the fighting back that Sarah does, and the ghosts of the women who were subjected to such madness and violence make their rage and resistance known as well. I found it to both amplify my very present anxieties regarding next week, but to also give it a catharsis in some ways. Shitty men rarely get away with their shittiness in a Delilah S. Dawson novel, and I, for one, really needed to see that play out. Even if it terrified me at times and set me on edge.

“It Will Only Hurt For a Moment” is another stellar horror novel from Delilah S. Dawson, brimming with secrets and understandable anger. It’s not too late to pick it up for one last horror tale for the season.

And with that, Horrorpalooza comes to an end once more. And it feels like the right read to end with this year. I’m still feeling so much dread and terror about how next week’s election is going to go. But it’s good to see that there are other people who are making art to reflect similar feelings. Happy Halloween everyone. I hope that you all have a safe and fun and spooky holiday tonight. I hope that I can leave my personal terrors behind and it stays limited to this most wonderful holiday.

Rating 8: Filled with an eerie build up and many bursts of feminine rage, “It Will Only Hurt for a Moment” is a seething horror novel about misogyny, both old and new.

Reader’s Advisory:

“It Will Only Hurt for a Moment” is included on the Goodreads list “October 2024 Horror”.

Kate’s Review: “All The Hearts You Eat”

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Book: “All The Hearts You Eat” by Hailey Piper

Publishing Info: Titan Books, October 2024

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A visceral and heartbreaking work of gothic horror about small town mysteries, local folklore and the things we leave behind when we’re gone, from the Bram Stoker Award winning author of Queen of Teeth.

What really happened to Cabrina Brite?

Ivory’s life changes irrevocably when she discovers the body of Cabrina Brite on the sands of Cape Morning, along with a mysterious poem. How did she die, and why does it seem she was trying to swim to Ghost Cat Island, the centre of so many local mysteries?

Desperate to uncover the answers surrounding Cabrina’s death, and haunted by her discovery, Ivory begins to see the pale ghost of Cabrina, only to shake it off as a mere hallucination. But Ivory is not alone. Cabrina’s closest friends have also seen a similar apparition, and as they toy with occult possibilities, they begin to unravel the truth behind Cabrina’s death.

Because Cape Morning isn’t a ghost town, but a town filled with ghosts, and Ivory is about to discover just what happens when you let one in.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

We have truly been blessed this past year or so with some great vampire horror. I feel like I’ve read, reviewed, and enjoyed more vampire horror lately than in years past, and I have another title for you to add to the collection of solid vampire lore. I hadn’t read any Hailey Piper before I picked up “All The Hearts You Eat”, though she had been on my radar for a bit with lots of horror people I like really singing her praises. And it seemed this would be the perfect moment to do so.

So first off I want to talk about the vampire mythos in this. I really liked the way that Piper takes it on a creates something super creative and haunting. I was reminded quite a bit of old school vampire legends with transmogrifying powers, but also the heavy air of melancholy and dread that was seen in “Midnight Mass”. I don’t want to give too much away, but the little snippets and glimpses of something supernatural that our characters see are creepy, as are some of the full fledged reveals of what the vampires look like and how they function is so different from what we tend to see in vampire stories as of late. Themes of transformation are abundant, and I really appreciated this take and the scary beats and moments Piper pulls from it all. And the language the Piper uses to describe not only the scary bits but also just the entire atmosphere was so vibrant and rich I was totally swept away by it, like on a wave to Ghost Cat Island.

But what really resonated most with me in this story is how Piper juxtaposes the common emotional themes we see in a vampire story, such as identity, transformation, loneliness, and isolation, with stories of multiple trans characters, whether it’s Cabrina Bright who lost her life and left behind her queer and trans friends (as well as her cold and transphobic politician mother), said friends Xi and Rex who had very different experiences than their now deceased friend when it comes to their queerness and the people who support them, and Ivory, a trans woman who finds Cabrina’s body and is suddenly and understandably obsessed with finding out what happened to the dead girl, and stumbling into some darkness that she never could have anticipated… and wonders if embracing it could possibly be a better reality than the one she is living. Piper fleshes out all of these characters, including Cabrina through her diary, and I felt like I wholly understood all of them and how their trans identities shape the story and their arcs, and how it makes the longing that so many vampires in romanticism laden stories isn’t so hard to understand for these characters because of their gender identities. I found it very bittersweet, but also hopeful in the way it depicts finding the people who make you feel loved and wanted and like you belong.

“All The Hearts You Eat” is a unique vampire story that I greatly enjoyed. It’s time for me to dig into more stories by Hailey Piper.

Rating 8: An eerie and bittersweet vampire tale that takes on identity, transformation, and loneliness in ways that moved me deeply.

Reader’s Advisory:

“All the Hearts You Eat” is included on the Goodreads lists “Queer Horror”, and “2024 Transfem Books”.

Kate’s Review: “The Demon”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Demon” by Victory Witherkeigh

Publishing Info: BookBaby, October 2024

Where Did I Get This Book: I received an eARC via NetGalley from the publicist.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Review: Thank you to Books Forward for sending me an eARC of this novel via NetGalley!

I can’t believe that we are about two thirds of the way through October already. We’ve tackled a few sub genres this Horrorpalooza, from vampires, to ghosts, to serial killers, to the apocalypse, and now we are taking on another popular horror trope: demonic possession. It’s not a trope that I read that much, but if there is a generally tantalizing hook with a story I will give it a go, and “The Demon” by Victory Witherkeigh has that hook: A creature called the Demon has recently possessed the body of the Girl, but cannot remember why it has done so, and now has to figure out what it’s mission is, while also dealing with a true human horror: freshman year of college.

The horror… the horror… (source)

It was a roll of the dice, as it’s a sub genre I’m wary of and it was a book I hadn’t heard of, but that hook, man. I couldn’t pass it up. And the hook was everything I wanted it to be! There were other aspects, however, that didn’t work as well.

First thing I will do is talk about what I did like about this book, and that is the fact that the premise is strong as hell and that a lot of the time we got some really solid moments with this premise in mind. I have always loved a story about an otherworldly being taking on the body/identity of a human and having to learn to live like a human, from Jeff Bridges in “Starman” to the demi goddess character Illyria on the show “Angel” (absolutely rotten than the show was cancelled so shortly after her character debut; I just loved her). So I absolutely loved the way that The Demon is having to not only adjust to living in a human body, but also having to maneuver through college of all things. So many great moments happened with this concept, whether it was the Demon dealing with roommates, student groups, or having to get a prescription for birth control. I also liked seeing the Demon make connections with other humans, be they awkward and romantic, or gentle and familial with one of the few actually okay people in The Girl’s family, namely her grandmother. All of these beats worked really well for me, being a huge sucker for this kind of trope. I also liked the way that Witherkeigh addresses themes like colonialism of the Philippines and racism that comes with that.

On the flip side, I wasn’t aware that “The Demon” was a sequel to another book called “The Girl” until I had started reading it and began to wonder if I was missing some context due to how much info wasn’t really established. Since I hadn’t read the first one in the series, I was definitely missing some context as to the Demon’s motivations, her relationship with Death, and the ins and outs of The Girl’s family and her relationships and their motivations. It was like diving into a story starting in the middle, and that made things confusing. Admittedly this isn’t really the fault of the book as the assumption would obviously be that I WOULD have that context, but in this situation I didn’t. So that isn’t necessarily a ding on the story as a whole, but it did affect my personal experience with it. The other thing was that at times this book did feel a little meandering and unfocused, with a structure that felt a bit like a set of vignettes that had a thread through that could have been stronger and more taut.

So this was a bit of a unique situation and I don’t know if I can fully review “The Demon” as I didn’t approach it with the context that is assumed to be had by a reader. But I did really enjoy the moments of a fish out of water as the Demon tries to survive college.

Rating 6: A really cool premise with some really fun moments, but I definitely missed some context and some of it felt unfocused.

Reader’s Advisory:

“The Demon” isn’t on any Goodreads lists as of now, but it would fit in on the list “Demonic Possession”.