As much as we like books, sometimes we like to check out the movie world as well. And perhaps you thought that this had fallen to the wayside, this movie review thing. Well, not anymore, as how could Kate pass up the chance to talk about one of her favorite horror novels and the movie that took it on. Today Kate reviews “It” with a special guest host, her friend Laura. We talk about our history with the book and Stephen King in general, the propensity for strange tween girls to binge on his stories, and the differences between the movie, the miniseries, and the book that they both took their inspiration from (all while I positioned the camera awkwardly. My bad!). Stay tuned until the end to see our book recommendations if you liked the movie (titles also listed below).
Book: “First Date” (Fear Street #16) by R.L. Stine
Publishing Info: Pocket Books, January 1992
Where Did I Get This Book: The library!
Book Description:Dying for a Date
Chelsea Richards is shy, lonely, and looking for love. She would give anything to finally go on a date. Soon there are two new boys in town, and both ask her out.
Too bad one of them is a crazed killer. Poor Chelsea. Will her first date also be her last?
Had I Read It Before: No.
A NOTE: It was suggested to me that there may be some people who want to read the “Fear Street” series without being spoiled, but also want to know what my thoughts on this books are. Since these recaps are basically a rundown of the whole plot, I’m going to try and meet in the middle. I thought of putting a quick opinion at the front of these posts, but it kind of upset the flow of the narrative. SO, what I’m going to do instead is suggest that those who don’t want to be spoiled for a specific book scroll down down down to the end of this post, and look for my final paragraph, which I will put in bold lettering and which will give my final and non spoiler-y thoughts. Okay. On we go!
The Plot: We start our story at a random Make-Out Point, with a girl named Candy and a black haired leather jacket clad boy named Joe. Candy is stoked that they’re parking and making out together, and Joe is starting to feel smothered by her. She also reminds him of his mother, who he doesn’t remember fondly. He suggests they leave the car, but drops his wallet. Candy finds it, sees his license, and sees that it says his name isn’t Joe, it’s Lonnie. He says it’s a fake license. Then, after an inner monologue about how he’s actually twenty and how he’s feeling smothered, he leads her off and kills her. He then sees a sign for a town called Shadyside, and decides that sounds like his kind of town.
Meet Chelsea. Chelsea plays the sax, has recently moved to Shadyside with her parents, and has a very ‘dry witted’ mother who works in a nursing home with dear old Dad is running his new restaurant. Chelsea works there too, but feels lonely, and laments that she is short, pudgy, ugly, and too shy to get anyone to notice her. She lives on Fear Street, which is ‘creepy’. Her Mom tells her that she’ll adjust and make friends, and then goes off to work. Chelsea decides to go to the house of her only friend in town, Nina. But when she arrives at Nina’s house, Nina and her boyfriend Doug are already on the way out. Poor lonely Chelsea! To make matters worse, on the way home a car of rowdy (read: misogynistic) boys drives up and cat call her. Which then progresses to them grabbing at her, throwing a cigarette at her, and chasing her. She hides in some bushes until they go away, and she wishes she could meet a nice boy. I’m feeling very uncomfortable at this blatant display of rape culture. Ah, the 90s.
At school the next day a shy new boy named Will is seated next to Chelsea. She notices how cute he is with his black hair and dark eyes(?!), but once again laments how SHY she is and won’t talk to him. That evening while working at the coffee shop that night (diner, coffee shop, it’s interchangeable in this book), and daydreaming about Will, another boy with black hair and a leather jacket comes in, running into Chelsea. He sits down, and she thinks about how tough he looks (‘tough’ is the adjective used a few times on this page). They proceed to have an awkward conversation, he says his name is Tim Sparks (but everyone calls him Sparks), and he asks her out to a movie. Brazen, that Sparks. But before she can answer him fully, her Dad says that she needs to attend to restaurant business. Sparks looks PISSED AF, and storms out of the restaurant without his hamburger. Chelsea is kind of sad that he went away, even though she doesn’t know if she would have gone on a date with him because he’s so ‘dangerous’ looking. Then she thinks about Will again, hoping that HE will be her first date. But before she can pine for long, a group of young men enter the diner, try to rob the place, hit Chelsea’s Dad on the head with a lead pipe, and run off.
Poppy Richards is alive, but taken to the hospital where he is declared in ‘serious but stable’ condition. Mrs. Richards tells Chelsea to go home and wait, and to stave off a panic attack Chelsea invites Nina over. Nina comes by happily… but has boyfriend Doug in tow, which means all of her attention is on Doug and not on her friend who is scared to death for her Dad. Some friend you are, Nina! While Nina and Doug make out, Chelsea thinks about Sparks. He sure ran off fast when her Dad showed up. Was he casing the joint? Was he in on the robbery?
Meanwhile Joe/Lonnie/whoever is out for a walk, thinking about class struggle in Shadyside (those snoots in North Hills!) and how much he resents his mother for leaving him to his own devices with a drunken father while taking his sister instead. That’s admittedly messed up. Then he strangles a kitten. Goddammit. We’d gone so long without animal death.
So with her father in recovery for awhile, Chelsea is left to man the diner with Ernie the line cook as her only back up. And Ernie is ever around when he’s needed, let me tell you. As Chelsea daydreams about Will (who has smiled at her and said ‘good morning’ as well! Progress!), two toughs walk into the restaurant right before closing (at 7? odd hours) and start giving Chelsea a hard time. And where is Ernie??? WHO KNOWS. She thinks that they are going to rob the place, but they start sexually harassing her and asking her when she gets off work. Before they can do anything else, Sparks walks in and they back off, leaving. She pours him a cup of coffee, and says that they seemed scared of him, to which he replies ‘they should be’, and ‘it’s dangerous around here’. Now Chelsea is scared of him too (though honestly it seems to me he’s just really bad at flirting). Ernie FINALLY makes his presence known just in time to say he’s leaving, and Chelsea and Sparks are alone. She pours him another refill, and he hightails out of there. She’s both disappointed and relieved he’s gone (girl, get it together), and closes up BY HERSELF before going to see Dad at the hospital. Sparks goes home, laments not asking her out, and trashes his place in a rage.
At school the next day Chelsea and Nina are talking. Nina is mad at Doug for talking to Suki Thomas (YASSS SUKI!!!), and then randomly a giant dog runs past them and out the doors, never to be mentioned again. Chelsea tries to tell Nina about Sparks, but then Nina sees Doug and runs off to meet him. Bitch. Luckily, Will is there, and he and Chelsea start talking! He asks her if she wants to go for a walk, and she says yes. They go for a walk in the woods, and Chelsea is thrilled that she’s going for a walk with a boy, ALONE. He falls behind, and when she turns he’s wrapping a length of GRAY CORD IN HIS HAND?! He says that he just randomly found it, and then asks her to go on a SECRET date with him, and to not tell anybody about it. Though this should be setting off alarm bells, Chelsea is SO EXCITED!!!
Chelsea tells her Mom about her date, and Mom tells her that Dad is now in a semi private room at the hospital. Good news on both fronts. At the diner that night Sparks comes in, and they continue the Dance of the Awkward Flirts, in which Sparks says that he’s a drop out, she says that she’s in the band, and he asks if she plays the tuba. Which insults her because OBVIOUSLY that must mean he thinks she’s fat. When she asks him about work he gets defensive, lies about having an interview at the mill that has been closed for years, and then he asks her out that Saturday. That’s the night of her SUPER SECRET DATE, so she says no, and he leaves, looking angry. Dammit, Sparks. You are so emotionally stunted and so obviously NOT the killer.
It’s date night! Will is taking Chelsea to the movies, though not in Shadyside for some reason, but Waynesbridge. He says he’s had this car forever, but he doesn’t know how to work the defroster. When she asks him about it, he says it’s because he’s a klutz. RIGHT. He almost forgets his wallet in the car, and when she hands it to him he yanks it back in a suspicious manner. She forgets all about it though, and after the movie they go a parking on River Ridge. They can see over the town, and he suggests they go for a walk. He beckons her to the cliff to look at the view, but she balks and says she’s afraid of heights. So they go walking again, and he falls behind and PULLS THE CORD FROM HIS POCKET, READY TO STRANGLE HER. I give Stine credit for not trying to keep up the ‘is it Sparks or is it Will?’ mystery. Before he can strangle her, though, another car shows up. Thank God for horny teenagers. But then Chelsea suggests they go back to her house, as they will be alone. Not so shy anymore, eh Chelsea?
They get to her house and start to make out on the couch. Will pulls out the cord again but Chelsea declares she’s making hot cocoa and walks to the kitchen, blissfully unaware that her cold feet have saved her from death again. Will tries to sneak up behind her and strangle her, but then the doorbell rings!!! COCK BLOCKED AGAIN, JERK! Chelsea goes to the door and sees Nina there, sobbing over her boyfriend. For once it’s good that Nina thought only of herself, because Will gives up and runs out the backdoor.
The next day Will calls and Chelsea asks where he ran off to. He claims he called to her a ‘goodnight!’ before leaving, and asks her out for that evening. She says she can’t, but then suggests he meet her after her shift the next night. He says it’s a date. Then the doorbell rings, and Chelsea is face to face with an FBI agent named Martin. Agent Martin tells her that they are looking for a young man with curly black hair and a good build who may be new to the area. When she asks if he may be dangerous, and he says yes, she rats on Sparks, because OBVIOUSLY he’s the one who it has to be! She tells him everything about Sparks and he thanks her, telling her to be careful. At school the next day she and Nina talk about Will and Chelsea can’t wait to see him that night.
At the diner, Chelsea is worried that Sparks may come in, and is jumpy throughout her whole shift. As it gets close to closing, Ernie disappears AGAIN, and Sparks comes in right at the last minute. Drunk as a skunk, and unfortunately he’s an aggressive drunk who keeps asking her to come here. She freaks and runs for the kitchen, and Sparks follows trying to tell her he was just joking. He manages to burn his hand pretty badly on the stove, and while he’s writhing in pain Chelsea calls Agent Martin and asks if he will come and also send an ambulance. After Sparks is taken away, Chelsea is relieved to see that Will has finally arrived.
They got back to her house, and snuggle on the couch. Chelsea admits that she didn’t keep their date a secret, and that she told Nina all about it. That’s a big wrench in Will’s plan!!! But no matter, he’ll just kill them both. He tells Chelsea to invite Nina over RIGHT NOW so he can meet her, and Chelsea does so straight away. Nina is game. But then the phone rings, and it’s Agent Martin telling Chelsea that Sparks isn’t the guy that they are looking for…. and Chelsea FINALLY puts two and two together. WILL IS THE ONE THEY’RE LOOKING FOR! She tells Martin that he’s in the house with her, and he tells her to just get out and go. She starts to, but remembers that Nina’s coming over! She runs out hoping to intercept Nina or the FBI, but unfortunately she intercepts Will. She tells him she knows who he is, and he attacks her with the cord, wrapping it around her neck until she struggles no more. He assumes she’s dead, and remembers that Nina is coming too, she he drags Chelsea’s body into the house and waits. When Nina arrives he makes small talk, and then attacks her with the cord. He chases her into the kitchen when she pulls free, and hits her with a vase. BEfore he can deal any fatal blows, he gets yanked back, and sees that CHELSEA IS THERE! He has another ‘BUT I KILLED YOU’ moment that Stine and Verhoeven alike are so fond of, and Chelsea fights him off long enough for the FBI to show up and arrest him. Chelsea explains that she plays the saxophone, and can hold her breath for a looooong time.
Chelsea goes to visit poor Sparks in the hospital. His hand is pretty messed up but he’s expected to make a full recovery. After some awkward apologies on both ends, Sparks asks her out on a date. And she says “It’s bound to be better than my FIRST date!”
I mean, probably, but that’s a low bar, Chelsea. (source)
Body Count: 2. Poor Candy right out the gate and that poor sweet kitten. And probably countless other girls off page.
Romance Rating: Uh, 1. Because Will/Joe/Lonnie/Whoever was trying to kill Chelsea the whole time and Sparks is kind of a prick.
Bonkers Rating: 4. The random robbery at the beginning was pretty crazy and unexpected, I suppose, but otherwise it wasn’t very shocking.
Fear Street Relevance: 5. Chelsea lives on Fear Street and we once again get some references to what a kooky place it is. But Will isn’t even from Shadyside, much less Fear Street!
Silliest End of Chapter Cliffhanger:
“She gasped when she saw an enormous, hulking man in a dark trench coat on her stoop. His face was nearly pressed against the glass of the storm door, staring down at her with the coldest eyes she had ever seen.”
… And then it’s the pretty decent and sweet Agent Martin. The only guy we can fully trust in this book who isn’t incapacitated.
That’s So Dated! Moments: Sadly, this was one of the updated “Fear Street” books, and because of that the really dated things were taken out and replaced with new things (a movie starring Will Ferrell… but also the Quaid Brothers, so huh?). But there was one thing: a reference to watching music videos on MTV. May they rest in peace, those music videos.
Best Quote:
“‘Frankly your looks are great. It’s your personality I’m not crazy about,’ her mother said, doing her impression of a stand-up comic.”
DAMN, Mrs. Richards!!
Conclusion: “First Date” was pretty lame and predictable, though some of the characters I had a soft spot for. Up next is “The Best Friend”.
Book Description: One man’s thrilling journey through an enchanted world to find his wife, who has disappeared after seemingly committing an unforgiveable act of violence, from the award-winning author of the The Devil in Silver and Big Machine. Apollo Kagwa has had strange dreams that have haunted him since childhood. An antiquarian book dealer with a business called Improbabilia, he is just beginning to settle into his new life as a committed and involved father, unlike his own father who abandoned him, when his wife Emma begins acting strange. Disconnected and uninterested in their new baby boy, Emma at first seems to be exhibiting all the signs of post-partum depression, but it quickly becomes clear that her troubles go far beyond that. Before Apollo can do anything to help, Emma commits a horrific act—beyond any parent’s comprehension—and vanishes, seemingly into thin air.
Thus begins Apollo’s odyssey through a world he only thought he understood to find a wife and child who are nothing like he’d imagined. His quest begins when he meets a mysterious stranger who claims to have information about Emma’s whereabouts. Apollo then begins a journey that takes him to a forgotten island in the East River of New York City, a graveyard full of secrets, a forest in Queens where immigrant legends still live, and finally back to a place he thought he had lost forever. This dizzying tale is ultimately a story about family and the unfathomable secrets of the people we love.
Review: Victor LaValle is one of our most under-appreciated dark fantasy/horror writers today, and I say this with conviction. Everything I have read by him I have really enjoyed. I was sufficiently creeped out by “The Devil in Silver” and deeply fascinated by his Lovecraft deconstruction “The Ballad of Black Tom”. And now I come to his newest book, “The Changeling”. Changelings, as I’m sure you may know, were a superstition that people back in the day had, in which a fairy or other kind of creature would kidnap a child and leave an imposter, or ‘changeling’, in it’s place. This concept no doubt led to a lot of abuse, cruelty, and murder towards children over the years, specifically those with developmental disabilities. Nowadays we just think of them as folklore, seen in books like “Outside Over There”, or as metaphors like in the movie “The Changeling” with Angelina Jolie. But LaValle has taken the changeling myth and given it a new, dark story that I deeply enjoyed.
One of the many things I liked about “The Changeling” is that it really kept me guessing as I read it. While it’s true that at the end of the day I knew that yes, this HAD to have supernatural elements to it, it also made me think about the very real issue of post-partum depression and the pressure on new parents, mothers in particular, to be great at it right from the start. If this book had been about an untreated mental illness and the tragedies that can happen because of it, LaValle would have told a sensitive and thoughtful story about tragedies that we just don’t like to talk about or acknowledge. Even though it was fantasy, so many elements of it felt incredibly real and plausible, from the horrors of modern technology making us less safe than we can imagine, to the struggles new parents face from family, society, and themselves. He also does a great job incorporating themes of race and gender into this story, with racism and misogyny being underlying and indirect villains towards Apollo and Emma alike. So many real world horrors come into this book and yet all have a dreamy sort of air about them, and it left me feeling under a spell as well as on edge.
There is also a lovely theme in this book that has to do with books and storytelling. Apollo is not only a book dealer, he is greatly attached to a copy of the book “Outside Over There”, one of the few things that his father left for him before he up and vanished. Apollo’s love for this book about a girl who needs to save her baby sister from those that stole her away may seem a bit on the nose for the story, but the other themes of paternal abandonment and parental failure and anxiety are also present. Apollo’s father wasn’t there for him, much like Ida’s father is away. Apollo’s love for his child blinds him when things may not be what they seem, just as Ida’s love for her sister blinded her. Parental failings and anxieties both in “Outside Over There” and “The Changeling” dance between the pages, as Ida has to grow up fast when her mother isn’t there for her emotionally and Apollo has to grow up fast when his mother can’t be there for him physically. Even New York becomes a dreamy fairy world you can’t quite trust, just like the world of Outside Over there, which Ida falls into when she starts her journey going out the window the wrong way. And there are fair reminders in this book that trolls are no longer just mystical creatures that want to eat up children, but are very real dangers in a world where your life is online for the entire world to see. That kind of felt heavy-handed at times, but overall it was just another clever way to update our fairy tale for an NYC setting.
I think that if I had a quibble with it, it would be that it was mostly from a male point of view. I would have liked to have seen some of Emma’s journey as well. I understand that revealing her secrets was another subversion of fairy tales and the roles that women are held to (damsels or witches), but I think that her own path would have been highly enjoyable to read.
A haunting and breathtaking story, “The Changeling” is dark and sad, but also hopeful and vibrant. If you want a modern and dark fairy tale, this book should be one that you put on your ‘to read’ list.
Rating 8: A complex and dark fairy tale, “The Changeling” is a beautiful and striking work of dark fantasy/horror with a modern twist and a relevant commentary.
Sshh. There are a lot of things they want to keep quiet at Shadyside Hospital. In fact, just about every private room holds a private secret of its own.
Poor Laurie Masters. The student volunteer innocently happened to stumble onto the hospital’s sickest secret of all.
Laurie has seen too much—and now the doctors and nurses are taking a close look at Laurie.
What they come up with is a deadly diagnosis. Laurie may not be sick, but she’s getting a prescription anyway—a prescription for horror!
Had I Read It Before: No.
The Plot: R.L. Stine has taken his “Fear Street” books through multiple horror tropes. You have the camping trip, the cabin in the woods, the prom court, the haunted house, and many many more. But with “The Knife”, we are finally treated to the evil hospital trope! We first see our protagonist, Laurie, being chased by a man, and she is worried about the knife that he’s holding. Then we go back a week and the story begins. Laurie and her friend Skye are volunteers at the children’s ward at the Shadyside Hospital, having given up their summer break for garnering karmic points. While Skye is delivering balloons, Laurie looks towards the newest wing that is being built, the Franklin Fear Wing. Yep, named for the Fear Family. Soon Laurie hears crying from another room, and lets herself in to find a crying little boy. She tries to calm him down, but to no avail. She checks his chart (not sure if she’s allowed to do that since she’s a volunteer and not a doctor….?), and finds out that this little boy’s name is Toby, he’s three, and has pneumonia. She decides to just hold his hand and keep him company, which is actually kind of sweet, but is interrupted by a mean nurse named Nurse Wilton, who tells her to get out.
While eating lunch in the cafeteria (and I gag because the meat is described as ‘blue’), Laurie and Skye chat to let us get to know them a bit better. Skye is juggling two boys and thinks that she’s destined to win a car in the hospital raffle. Laurie is dating Andy Price, the son of one of the hospital’s administrators, but he’s a real dud. Luckily for both of them, a handsome man walks into the cafeteria at that moment, and walks right up to their table. He says his name is Rick Spencer (which is gross now because Rick is short for Richard and Richard Spencer these days…. well….. yeah), and he’s a college student who is also volunteering that summer, though he is on the surgical floor. Skye is practically in heat over him, but he seems to be more interested in Laurie. Before Laurie can really gaze into his eyes, a Code Blue goes over the intercom for room 903… Toby’s room!!! Laurie runs off to check on that precious little boy, but when she gets to his room she instead finds Nurse Wilton who tells her the Code was for another room, 503, and kicks her out again. Laurie walks to the nurses station to talk to the kinder, gentler Nurse Girard, who is talking to…. Toby’s MOM!!! She says that she wants her son back. Where he went, I don’t know? Laurie notices Nurse Wilton going into the Fear Wing…. and then sees Rick follow her in. Odd.
That night Laurie is at her house, the one she shares with her Aunt Hillary in the part of town called North Hills. Laurie’s folks were killed in a boating accident when Laurie was a little girl, so now she lives with Hillary who is rarely home because of her job. While reading the phone rings. She answers, but hears nothing but breathing on the line. After hanging up, the phone rings again. This time it’s Rick, who has called to ask her out for that weekend. Laurie politely declines, as she has a date with Andy, and asks how he got her number. He says Skye gave it to him. But once they hang up, Laurie calls Skye, because OBVIOUSLY, and asks if that was true. Skye says nope, and now Rick is a liar as well as a college guy hitting on high school girls.
The next day Laurie finds a note from Hillary saying she’ll be late that night. Then the phone rings again, and this time it’s Dr. Price, Andy’s Dad. He tells Laurie to skip out on work and play tennis with his son instead…. because JUST KIDDING, it was Andy the WHOLE TIME!
Look asshole, some people have responsibilities. (source)
Laurie declines, and says that she’ll see him after work when they go out for pizza with Skye and one of her boyfriends.
At work she buys Toby a teddy bear and intends to bring it to him, but she freaks out when she gets to his room and it’s empty. Because clearly the only answer is that he must have died tragically. In actuality he’s been discharged, and she sees him at the nurse’s station while his Mom talks to Rick. She gives him the bear and tells him to go with his Mom… and Toby says ‘she’s not my Mommy’. Okay, that’s weird, but before Laurie can question it too much his ‘Mom'(?) says it’s time to go, and Toby follows. She asks Rick what they were talking about, and he tells her she was giving her directions to the pharmacy. Laurie isn’t buying it, because he said he was new to the area so HOW COULD HE KNOW WHERE THE PHARMACY IS? The phone at the station rings, and he answers. Laurie starts to leave, but lingers, and sees that after he hangs up, he slips a pack of surgical knives into his pocket!!! Liar AND thief!
Laurie can’t stop thinking about Toby and decides to check up on him. After very illegally going through his file, she gets his address… which is, of course, on FEAR STREET!! She thinks that she can go there under guise of selling raffle tickets for the hospital, though she’s nervous about going to Fear Street alone, because, you know. All the horrible things that have happened there. Before she can make a clean getaway, Nurse Wilton plants herself at desk to the file room. Laurie manages to kind of sneak past, but Wilton sees her anyway and demands that she come back. Laurie, however, runs to the elevator and gets in, only to be kicked off on an unfamiliar floor (as a patient was coding maybe? It’s a plot device). She starts to explore, ignoring the ‘personnel only’ signs, and hides in the first room she can in case Wilton tracks her down. Sadly, it’s a room with a dead body in it….. and then someone locks her inside!! But she manages to get out (because it locks from her side), and once out sees Nurse Wilton and Dr. Price talking. Assuming it’s about her, she gets indignant that Wilton would rat her out…. But honestly, Laurie, you were violating SO MANY HIPAA LAWS THERE.
At the pizza place Laurie tells her friends about her ethics violation and convinces them to go to Fear Street with her. They all get into Andy’s Volvo and drive to Fear Street. Toby’s Mom greets Laurie and Skye with an angry ‘what do you want?!’, and they convince her to buy a ticket. When Toby’s Mom goes to find her purse, they hear crying inside the house. Laurie sneaks in further, and sees Toby on the steps looking a lot thinner and paler than he did earlier. His Mom catches them, throws money at them, and tells them to get the hell out.
The next day Laurie is told that she’s being transferred to another floor on Wilton’s orders. Hoping to convince her otherwise, Laurie hangs around until shift end to try and find her. SHe sees Nurse Wilton sneak into the Fear Wing, and then Rick does so as well. She decides to wait a bit for one of them to come out, but loses patience after probably about five minutes and goes in to find them. As she stumbles around in the dark, she trips over something….. and it’s NURSE WILTON’S CORPSE, WITH A SCALPEL STICKING OUT OF HER NECK! But when she runs to get help and comes back with Skye and Nurse Girard, the body, of course, is gone. They think she’s playing a joke on them. Laurie now believes two things: 1) Rick is the murderer, and 2) It has to do with Toby somehow. She tries to go check the files again, but they’ve up and absconded.
The next day Laurie puts on a disguise and goes back to Fear Street to stalk outside Toby’s house. She sees him at the kitchen table, and then sees him being whisked off with a suitcase into a car and driven away. Though she hears a child’s scream from inside the house, she decides to ignore it (?!?!) and talk to Dr. Price the next day. When driving home she is stopped by a car that blocks her path, and the driver is none other than Rick in a weird Batman tee shirt. Laurie turns around and drives off. She gets home to her empty house and calls Andy, asking to talk to his Dad. He wants to know why, and she lies saying she is doing a project that involves interviewing him. Andy invites her over for a hook up, and she hangs up to call Skye to see if she can crash at her place, as she’s scared to be home alone after the weird stuff she’s seen. She hears footsteps on the steps, and tells Skye never mind, Hillary is home… BUT IT’S NOT HILLARY, it’s some intruder!! But when Aunt Hillary does come home, the intruder runs away. Laurie is convinced it’s Rick, but Hillary says she saw Andy’s car in the street (maybe). Laurie tells her everything, and Hillary says that since she’s working with the Board of Trustees maybe she can talk to Dr. Price. Laurie gets upset and says she thinks she doesn’t need any help, but frankly Laurie…
Rick calls. Asks why she ran away from him on Fear Street. She confronts him about the knives, he tries to brush it off, and so she asks why he was even on Fear Street to begin with and he tells her to stay away from Fear Street, ominously.
Laurie meets with Dr. Price. Tells her that she saw Nurse Wilton’s dead body. He calls the hospital to ask why he didn’t hear about any of this, and tells Laurie that he was told that Wilton is on vacation. Laurie tells him she thinks Toby is in trouble, and to placate her he says that he’ll check the kid’s files. Laurie informs him that the files have gone missing and he tells her he’ll track them down. Later Laurie and Andy are talking about why she was talking to his Dad, and she tries the ‘extra credit’ excuse again, and Andy puts the moves on her and she says nah, which leads to a fight and she dumps his ass. When going to the mall to meet Skye, Laurie conveniently sees Toby and his Mom in the parking lot!! Laurie waves, and Toby waves back, but then he’s shoved into the car by his Mom and they drive away. Laurie hates seeing Toby hurt like that, but instead of calling the cops to report a possible case of child abuse, she resolves to figure it out on her own!
So she calls Toby’s Mom pretending that she has an extra raffle ticket. Toby’s Mom is not convinced and tells her she’s a ‘nuisance’. There’s a slap and a child crying right before hanging up, and so Laurie decides to drive to Fear Street and save Toby herself! To what end, idiot? She sneaks into the house through a window, but is knocked over the head and dragged to the basement where she is tied up by Toby’s Mom. Toby’s Mom goes upstairs to make a phone call, and Laurie overhears that perhaps they have nasty plans for Aunt Hillary! Laurie sees a pair of scissors, and tries to get them. But the someone is coming down the steps.. and it’s Toby! Toby cuts the ropes, and Laurie says that she thought he had been taken away…. and Toby tells her that that wasn’t him, that was his twin brother Terry. Because OF COURSE IT WAS. They sneak up the steps and out of the house and get in her car and drive away. At a payphone Laurie tries to call Hillary to warn her, but can’t get an answer. So she calls the hospital, and gets a message that Hillary left for her: her car won’t start so please come pick her up from her meeting at the hospital, and she will be at the nurses station. So she and Toby rush for the hospital, and on the way they hear a radio report that Nurse Wilton’s body has been found. To make matters worse, Rick’s car is following them!! They get to the hospital and it looks like maybe they lost him.. but as they get into the building Rick pulls in the lost. Laurie and Toby get in the elevator and the doors close JUST AS RICK IS ABOUT TO GET IN TOO.
They get to the nurses station and Laurie leaves Toby with a nice nurse. Hillary isn’t present, and Nurse Girard tells her no one has been by for nearly two hours. Laurie tries to use the phone, but then Rick is there! He’s distracted by Nurse Girard, so Laurie runs into the Fear Wing (of course) to try and hide. While dicking around in there she finds a random trap door, and surmises that’s how Rick moved Nurse Wilton’s body. So Rick enters and we’re back to the prologue, with him grabbing her and her worried about the knife he must have. Turns out he grabbed her to keep her from falling down a broken elevator shaft she almost ran into. Someone else enters the wing, and Laurie screams for help. Rick shoves her away so he can tangle with whomever it is, and Laurie hears a fight. She sees Dr. Price, who tells her she can come out now. She runs to him, jumping over unconscious Rick… But Rick is waking up! And he tells Laurie that it was Dr. PRICE who killed Nurse Wilton! Because Nurse Wilton found out that Dr. Price and Toby’s Mom (not really his MOm!) were selling children in an illegal adoption scheme, and she was blackmailing him! Dr. Price and Rick fight again, and this time it ends with Dr. Price falling down the elevator shaft.
Rick and Laurie leave the Fear Wing and are reunited with Hillary, who explains that Dr. Price thought that she was getting too close to his secret and that’s why he wanted her dead. Rick and Laurie kiss. The end.
Body Count: 2. You get Nurse Wilton and Dr. Price (I think? I have to imagine).
Romance Rating: 4. Rick is fine and he and Laurie are an okay couple with similar interests. But Andy is obnoxious and having her have to spend ANY time with him is upsetting.
Bonkers Rating: 5. A complex conspiracy theory in a hospital that involves selling children and then the fact that there is a set of twins as well gets it a bit of a boost. But it feels more Lifetime Movie, plot wise.
Fear Street Relevance: 8. The wing in the hospital that seems to cause the most trouble is named after Simon Fear. So it’s The Fear Wing, and THAT is pretty great. Also, Toby is being kept in a house on Fear Street.
Silliest End of Chapter Cliffhanger:
“Then she had a sickening new feeling. Something in the room behind her was moving!”
… But nope, it wasn’t. She was alone the whole time.
That’s So Dated! Moments: Laurie and Skye first see Rick and the comparisons to Tom Cruise are thrown around pretty readily and heavily. I’m not so certain seventeen year old girls these days would be making THAT reference when trying to describe a cute boy.
Best Quote:
“He grabbed the front of the shirt, his face filled with mock horror. ‘Get rid of my bleeding knife t-shirt? Are you crazy?’
‘Get rid of it,’ she insisted.
‘But it’s so… so totally cutting edge!’ he cried.”
YEAH YEAH, I LAUGHED, OKAY?
“The Knife” was pretty lame. Less conspiracy, more GHOSTS, dammit! Next up is “The First Date”. I can only imagine how this is going to be.
Book: “Down Among the Sticks and Bones” by Seanan McGuire
Publishing Info: Tor, June 2017
Where Did I Get this Book: the library!
Book Description: Twin sisters Jack and Jill were seventeen when they found their way home and were packed off to Eleanor West’s Home for Wayward Children.
This is the story of what happened first…
Jacqueline was her mother’s perfect daughter—polite and quiet, always dressed as a princess. If her mother was sometimes a little strict, it’s because crafting the perfect daughter takes discipline.
Jillian was her father’s perfect daughter—adventurous, thrill-seeking, and a bit of a tom-boy. He really would have preferred a son, but you work with what you’ve got.
They were five when they learned that grown-ups can’t be trusted.
They were twelve when they walked down the impossible staircase and discovered that the pretense of love can never be enough to prepare you a life filled with magic in a land filled with mad scientists and death and choices.
Review: Last year’s “Every Heart a Doorway” , aYA fantasy novella by Seanan McGuire, completely took me by surprise. It asks the important, but rarely asked, question: what happens when these special, chosen children return from their adventures in other worlds? In that book, we met Jack and Jill, twin girls who had spent years in their own magical land. Like many others at the school, they each had their own struggles adjusting to life back in this reality. Here, we have their back story. And, while I still love the creativity of this series, the fact that I knew the end story for these two did affect my perception of this story. It’s purely a personal problem, however, so all in all, this is a strong second outing for this series.
Like most children who wander into strange worlds, Jack and Jill don’t quite fit into the reality that they were born, too. Their mother, Serena (oh no!) makes a princess out of Jill, and their father, Chester, attempts to turn Jack into the son he wished he had. Growing up within these strict definitions that were chosen for them, it’s no surprise that when they discover a doorway in their attic, they choose to walk forward. The world that awaits is filled with monsters, science, and chaos. But perhaps most frightening and thrilling of all: choices. For two girls who have been told who they are since birth, this new found ability to decide offers temptations and dangers.
The greatest strength of “Every Heart a Doorway” was the clear-eyed approach it took on childhood. It’s all too easy to wrap up childhood in fluffy dreams of nostalgia, to wave away the worries and pains of childhood as nothing more than immaturity. This strength comes to the forefront in this book, a story that is even darker than the original novella. Jack and Jill’s childhood until age 12 in “reality” is one full of struggle against the various constraints of gender. I greatly appreciated the fact that both definitions, the “princess” and the “tomboy” are shown equally for the damages they can inflict. They both demonize a type of behavior in girls in lieu of presenting the “one true way.” It is made clear that the strictness of both and the lack of flexibility in the definition of “girlhood” is the root of the problem with either perception.
I also greatly enjoyed the time spent in the fantasy world, obviously. This world is dark, scary, and the choices presented to the girls have real consequences. As we saw in the first book, both girls are changed by their time in this world, and it was fascinating watching them each slowly develop into the characters we are familiar with from the first book.
This, however, was also where I found myself struggling with this book. I like darkness in my fantasy novels, but I do struggle to fully enjoy stories that end on this same dark note. I think the fact that I knew the events that took place in “Every Heart a Doorway” before reading this colored my perception of certain things and prevented me from fully committing to both of the main characters. I felt like I was almost keeping the story at a distance, because I knew not to get too attached. This is clearly a very personal flaw with the story and one that’s completely tied up in my own reading experience, so take it with a million grains of salt. Because, even saying that, knowing the end result also kept me interested as the girls transformed into the characters I knew, as I said before.
This was a solid second outing in this novella series. I believe there is a third, “Beneath the Sugar Sky,” in line to be published this coming January, and I will definitely be at the front of the line to get my hands on it! Definitely check this book out if you’re a fan of dark fantasy, especially of the classic monster variety!
Rating 7: An excellent dark, fantasy story, both benefiting and, for me, suffering from the fact that we had already been introduced to these characters in the first book in the series.
Reader’s Advisory:
“Down Among the Sticks and Bones” is a new book so isn’t included on any relevant Goodreads lists, but it should be on “The Monster Mash” and “Best Gothic Books.”
Book: “The Secret Bedroom” (Fear Street #13) by R.L. Stine
Publishing Info: Simon Pulse, September 1991
Where Did I Get This Book: ILL from the library!
Book Description:Lea Carson can’t believe it when her family moves into the creepy, old house on Fear Street. Most creepy of all is the secret room up in the attic.
The room has been locked and boarded up for at least a hundred years. A murder was committed in that room, the story goes, and it has been closed up ever since.
Lea knows she should stay away. But she thinks she hears footsteps inside the secret room. And voices.
Someone—or something—is waiting for Lea in there.
Should she open the door?
Can she resist?
Had I Read It Before: Yes
The Plot: Once again, we are introduced to a new student at Shadyside High. This time it’s a girl named Lea, and I have to wonder about enrollment policy at this school. Are kids just joining willy nilly at any time, or are all these things supposed to be happening on the same timeline? Regardless, Lea makes a splash at her new school in week two where she spills chili on the white sweater of class megabitch Marci Hendryx. After getting a severe tongue lashing from Marci, who goes to clean up, Lea gets in help cleaning up her tray from a cute boy. He says his name is Don, and she says that she’s Lea and she just moved to Fear Street. When Don is, of course, shocked, she explains her parents are the predecessors to “Flip This House” and are going to focus on Fear Street. After some more chit chat, Don asks her out, and Lea is excited and says yes! But when she returns to her seat, her new friend Deena (from “The Wrong Number”!) tells her that Don is Marci’s boyfriend and Lea will catch hell if she goes out with him. Don, you’re a creep.
Lea walks home and thinks about the first time she and her parents entered the house. Their realtor, Mrs. Thomas (Suki’s Mom! I love Suki, so this bitch is tops in my book), told them about a boarded up room in the attic after Lea stumbled upon the locked door. Apparently it was a bedroom, but someone was murdered in their and it’s been shuttered ever since. Um, that should probably have been disclosed before they closed on the house, Mrs. Thomas, but perhaps when selling homes of Fear Street you’re encouraged to leave stuff out. Lea’s parents say they’ll just leave it alone. I bet not.
So now it’s Saturday night and Lea is on the phone with Deena, waiting for Don to pick her up. While giving Lea advice, Deena then has to hang up because her friend Jade has arrived (no word on whether or not she’s still dating her rotten half brother). So Lea waits, and waits, and waits… And Don doesn’t show. She calls his house, and Don’s mom says that he’s out with Marci. Ouch, girl. But instead of accepting that she’s been stood up, Lea decides that the thing to do is… CALL MARCI?????
Monday at school Don approaches her and says he’s really sorry about the date thing and that Marci is jealous. While trying to explain himself, Marci shows up, and he runs off to her like the spineless jellyfish that he is. After lunch, Marci approaches Lea at her locker and tells her that she’s sorry. It was a joke that went too far, and to make it up to her she wants Lea to join the school sorority! How nice! She tells Lea that the next meeting is the next day in room 409. But Lea isn’t a dummy, and tells her that the school only has three floors so there ISN’T a room 409!! Boy, she sure was spared some kind of douchey prank a golf pro might pull off.
That next Saturday after a night of watching movies by herself (as even her parents have a social life), Lea decides to go to bed. But again, she hears footsteps above her in the attic. She goes up to investigate, but finds nothing up there. Yet as soon as she turns out the light, the footsteps start again… in the secret bedroom! She presses her ear against the door and calls inside, but then hears a new sound… the sound of blood flowing from the doorway!!! She freaks out and calls Deena (instead of her parents? I know this is before cell phones but did they not leave an emergency number?) and asks her to come over. Then she calls the police. When Deena arrives they go up to investigate, but they find nothing. So have fun explaining THAT to the cops who show up a few moments later. Lea apologizes, saying she thought she heard something, and after both cop and Deena leave, she tries to go back to sleep… But the sounds start again, louder this time.
At breakfast the next day her parents brush off her concerns. That night Lea is thinking about Don, for some reason that I can’t fathom… Yes I can, I was a teenage girl once. But the noises start up again. This continues for the next few nights, and then it even evolves into a voice! Lea dreams that she goes into the attic, and into the bedroom… and finds Marci in there, right before waking up. Marci is truly a jerk so the stress dreams are understandable.
The next weekend Lea, having been blown off by Deena, is all by her lonesome at home again, and when she hears the sounds this time she’s going to investigate. She hears a voice on the other side of the door, but this time she decides she wants to open the damn thing up. Of course, when she tries, a bunch of iron spikes slam through the wood and almost gore her. I just….. WHAT. They pull back into the secret bedroom, and Lea is left dazed. When the phone rings she almost misses it, but she answers, and it’s DON!! Who wants her to meet him at the mall right away!!! Lea, foolishly, thinks that her time has come, and she rushes in the rain to her car and drives over to meet him. I have no idea where her parents are. When she gets to the mall and to good ol’ Pete’s Pizza, she sees Don… and that he’s sitting across from Marci. Lea, the definition of insanity is to repeat an action expecting a different result. This is you to a t. Don says she should sit with them, but Marci shuts that shit down. Lea, after accidentally knocking into a waitress and making a scene, returns home.
Given that the house is still empty but the sounds are still happening, Lea storms up the steps to settle this once and for all. This time when she calls through the door, she hear’s a girl’s voice asking her to open it up. Lea complies, prying the boards off with a hammer, and finds a key in the lock. When she walks in, she finds an ornate bedroom with an old fashioned looking girl sitting on the bed. The girl says that she ‘lives’ there, so that means she’s haunting the place because she’s clearly a ghost. A ghost who wants to touch Lea’s hair. Which is a bit too much, and Lea runs out of the room, slamming and locking the door behind her.
The next day Lea convinces herself that it was all a dream, and goes to play tennis with Deena. Deena agrees that it must have been a dream and then tells her that Marci is spreading rumors about her being a floozy. Fun. That night, while her parents are engrossed in a nature show, Lea tries to go to bed early. But the noises start again, and Lea goes upstairs to investigate. She finds the room and the girl again, and realizes that it wasn’t a dream. The ghost says that her name is Catherine, and that while she knows she’s dead it took her awhile to believe and understand it. She says that she was locked in this room because her parents didn’t want the world to know about her, as she was born out of wedlock. When she tried to escape one day, they killed her, and kept her body up there to rot. Lea isn’t convinced, and Catherine gets angry with her AND wants to touch her hair again. Lea runs out and slams her bedroom door, but doesn’t remember if she closed the door to the secret bedroom. She goes back to look, and all seems locked up and okay… But then in her own room Lea’s stuffed tiger’s eyes start to glow red.
At school the next week, Lea overhears Marci spreading more lies about her, and wonders just why Marci keeps doing this even though she clearly has her beaten into submission. Well, Lea, it’s because girls like Marci are like a dog with a bone and can’t get enough of torturing you because you have been seen as weak, and weakness is easy to exploit and fun too, if you’re a total sociopath. No, I don’t have personal experience. Lea, however, gets the bright idea to use her new ghost friend (?) to teach Marci a lesson (and I am convinced that Ryan Murphy lifted this for “AHS: Murder House”). When she gets home she goes up the secret bedroom and formally introduces herself. Catherine tells her how much she loves her hair, and that she wishes her blonde tresses were dark like hers. Lea, undaunted, asks Catherine if she will help her scare Marci. Catherine agrees, but starts to press her ghostly essence into Lea, explaining that she’d use all her energy if she traveled on her own, and that she should really just hitch a ride in Lea’s body. Lea is a little weirded out, but convinces herself that it’s a legit request.
Lea goes to Marci’s house to confront her, and Marci tries to slam the door in her face but Catherine (who did leave Lea’s body) prevents that from happening. Lea gets into the house and starts to read Marci the riot act, but then Catherine lifts Marci up in the air and drops her. Marci, now freaked out, runs up the stairs in a panic… and runs right through the railing and plunges to the floor. Oops. Lea calls 911 as Marci’s Mom is screaming and sobbing (this was actually way upsetting, thanks Stine), and when the cops arrive Marci is pronounced dead. An officer drives Lea home, and she feels Catherine re-enter her body. When they get home Catherine returns to her attic room and Lea tries to eat dinner, but just has to confront Catherine about how things went down at Marci’s house. She asks Catherine if she pushed Marci, and Catherine just smiles at her, saying that she did Lea a favor and now Lea has to do one for her. Catherine wants to be inside Lea’s body PERMANENTLY. She tries to possess Lea, but Lea fights her off and runs out of the room screaming for her parents. When she tells them everything, they think that she’s suffering from PTSD because she saw Marci fall. Lea tries to show them the attic door she broke into, but it looks all boarded up, as if never touched. Huh?
A doctor recommends bedrest to Lea. As she’s trying to rest up, suddenly Catherine appears and REALLY flips things on its’ head: she says that she’s been messing with Lea the whole time! Lea never actually went into the secret bedroom, that Catherine was ALWAYS in THIS room and that she just planted those memories. When asked why, Catherine says that that secret bedroom is evil and Catherine boarded it up herself one hundred years prior, and the blood and the spikes were to keep Lea out before she just started planting memories. And now they’re going to share this room AND LEA’S BODY!!! Catherine succeeds in possessing her this time. Holy shit, this is getting real.
A few days later Catherine tells Lea that they have some stuff to take care of. I have a feeling it isn’t running to get paper towels from the store. CLea (as I will be referring to them) pulls a long rope out of the closet, and Catherine tells Lea that they’re going to go make Don Jacobs pay. They end up at Don’s house, and right before CLea can strangle him in cold blood, his friends arrive. Lea is able to fend off the control for a bit, and they make a hasty exit. But Catherine tells her that soon Don will be dead and so will his stupid friends. WHAT DID CORY AND GARY DO? The next day Lea realizes that Catherine has left her body for a bit, and thinks that perhaps the key to her salvation is opening up the secret bedroom. She grabs a hammer and gets to work on the boards, but then Catherine shows up to try and stop her. Lea tells her that she won’t be stopped, and she manages to get into the bedroom…. AND FINDS THE LONG DRIED OUT CORPSES OF CATHERINE’S PARENTS ON THE BED!!!! Catherine manages to possess Lea just then, and then the BODIES GET UP AND START SHUFFLING TOWARDS CLEA! ZombieDad wraps his hands around CLea’s neck, and Catherine leaves her body saying they killed her once and now they want to do it again…. But ZombieMom says that it was CATHERINE who was the murderer, who killed THEM and locked them in the bedroom. Suffice to say, the corpse parents start to circle Catherine faster and faster, and when Catherine reaches to Lea for help (ha, yeah right), one of the corpses LITERALLY rips her hand off and tosses it away. I AM LIVING!!! They ghostly family spins and disappears into nothingness, and Lea, presumably, passes out.
She wakes in the hospital some time later and is told she’s been battling a fever that’s left her in and out of consciousness. But Don has been calling to check on her and Deena has been bringing her school work for her to work on when she gets better. So maybe it was all a dream? When she gets home, she does find the attic door all boarded up, and is thinking that yes, it was all a dream. But the she sees one of Catherine’s hair ribbons on her dresser, and she thinks of Marci and the ghost in the secret bedroom. The end.
Body Count: 2. Well, technically one with Marci falling to her doom. But I think that I may count Catherine too, since she was kind of taken out again.
Romance Rating: 3. Don is a total wimp when it comes to his girlfriend, but he and Lea could have some potential now that she’s out of the way (sorry, Marci).
Bonkers Rating: 10. This one has a secret bedroom, a ghost, possession, mind alterations, murder, AND skeletons just drying out in an attic. Seriously, it’s crazy.
Fear Street Relevance: 9! Lea living on Fear Street and the ghosts living in an attic in a Fear Street house are exactly the kind of setting these books need to be as good as they can be.
Silliest End of Chapter Cliffhanger:
“Lea was the first to break the silence. “I don’t believe it,” she said, her hands pressed tightly against her face.”
… and then there’s literally nothing there. Though I have to say, this book had some really SOLID cliffhangers.
That’s So Dated! Moments: Lea is watching “Ghost” on her parents VCR. Also, many descriptions of Lea’s bangs. Also, see below….
Best Quote:
“Patrick Swayze is a real babe, she thought, stretching sleepily. He can come haunt me any time.”
YEP, this one was a really fun and great read. It’s right up there with “Missing” in terms of “Fear Street” faves. The next one up is “The Knife”, and the cover alone makes me think it’s going to be a journey.
Book: “Lights Out” (Fear Street #12) by R.L. Stine
Publishing Info: Simon Pulse, June 1991
Where Did I Get This Book: ILL from the library!
Book Description:Who killed the counselor?
“I could kill you!” screamed Geri Marcus.
Could she? Would she? something is very wrong at Camp Nightwing, and junior counselor Holly Flynn is determined to solve the mystery before it destroys the camp!
The trouble begins with frightening acts of vandalism. After each, a red feather is left behind—signature of the culprit.
Suddenly, one of the counselors is dead. “An accident,” say the police. But Holly knows better—and she knows she’s next. Holly can’t trust anyone now, not even her best friend, as she stalks the camp killer—and hopes that it soon won’t be “lights out” for her!
Had I Read It Before: No.
The Plot: Just so everyone is aware, y’all are getting gifs and images from my favorite camp movies “Wet Hot American Summer” and “Sleepaway Camp” for this one.
Holly Flynn has been conscripted to be a counselor at her Uncle Bill’s summer camp, Camp Nightwing, for the summer. She doesn’t want to be there, as is made clear by her terrible interaction with a spider that wanders into her bunk. But her Mom made her, because she can’t just spend the whole summer on Fear Street, now can she, especially since her summer job at the Dairy Freeze was a bust. And besides, poor Uncle Bill has been having a rough go of it while running this camp. The first year, lightning burnt down the rec hall. Year two, both a flood AND a measles outbreak struck the camp (vaccinate your kids, folks). Year three, a camper was LITERALLY KILLED IN A BOATING ACCIDENT. So this year is kind of it for Uncle Bill, though honestly it sounds like he’s not so good at his job and maybe this just isn’t for him. Holly’s friend Thea is a counselor at the camp as well, but has her main goal for the summer to hook up with fellow counselor John Hardesty. While they talk about Holly’s not so outdoorsy nature, they hear someone call for help. Turns out Uncle Bill managed to overturn a cabinet full of sports equipment upon himself. After Holly and Thea help him out from under it all he comments that it seems like it was oddly loose. As Thea and Holly start to clean it all up, Holly finds a red feather in the bolt hole of the cabinet.
But she can’t dwell too long on it, as she soon finds out that Geri Marcus is one of the counselors at this camp!!! Geri Marcus, who had been Holly’s best friend before Holly moved to Shadyside, but they had a falling out. Geri had been dating at eighteen year old at age fifteen, and Holly had tried to keep it a secret but was caught in a lie. Geri’s parents found out, broke them up, and Geri blames Holly. You know this because of the not so kind look and demeanor she has around Holly. She also meets Debra, the senior counselor in her cabin who is also the arts and crafts and sailing instructor. She also takes an instant disliking to Holly for reasons unknown. But the Holly meets Mick, a handsome counselor who she takes an instant liking to, even though she’s sworn off boys this summer. When she gets back to her cabin, nature rears it’s ugly head as a brown bat is in the room. Holly freaks out, and Debra and Geri walk in and make her feel bad for freaking out.
They go to the counselor campfire that evening. Holly and Mick flirt a little bit more. Uncle Bill reads them the rules of the camp that they need to abide by, but is interrupted by a maniac in a hockey mask, who ends up being another counselor named Kit, a nerdy dude who has a crush on Geri. We also meet a softspoken boy named Sandy who wears polo shirts and Porsche sunglasses, and get a glimpse of the famed John Hardesty, who is antisocial to the max. Uncle Bill reads the rest of the rules, the last one being ‘counselors cannot date campers’. Seems like a no brainer, Bill. Holly and Mick flirt a bit more, and then Holly catches Geri glaring at her from across the bonfire.
The first morning of camp Holly goes for a walk. She meets up with Sandy, who warns her about leeches and to be careful in the water. She then runs into Mick, and they go walking by the lake to look at the canoes… Which have sunk. They pull them out and see that someone has punched holes in them, and Holly finds another red feather. No time to investigate further, though, as the campers are arriving. Holly is late and Debra chews her out for her tardiness. After they round the campers up and take them to their cabin, two of the girls get in a fight about the top bunk. When they both jump on the bed, it collapses. Neither girl is hurt, but Debra still reams Holly out for some reason, just as Geri and Uncle Bill walk in. Uncle Bill commends Debra on her ‘quick thinking’, and it leaves Holly alone to try and figure out what happened. She finds the broken slat, and along with that another red feather.
Holly goes to find Uncle Bill to tell him about the feathers and how she thinks that perhaps it’s a sabotage , but he isn’t interested in listening to her about it and snaps at her to leave him alone to deal with other things. Holly confronts Debra about chewing her out like that in front of other people, and Debra blows her off, saying that Holly won’t get any special treatment, even if Bill is her uncle. Things go from bad to worse at dinner, when Kit runs in and throws a rubber snake on the table. Holly is so scared she hesitates at first, but then is AGAIN chewed out by Debra for just sitting there while the campers are upset. I can’t even with this girl. Thea tells Holly to meet her by the lake that night, because she has some information that could explain some things. When they meet Thea tells her that Geri and Debra are tight, and that is probably why Debra is making Holly’s life a living hell. Also, Mick and Geri had something last summer, but now it seems that Mick may be into Holly. UH OH!! I smell a Judy and Meg situation a la “Sleepaway Camp!”
Nothing says summer camp mean girls like Judy and Meg. (source)
Thea also says that she’s meeting John there, and Holly rightfully leaves before Thea gets into another pathetic John loop. Holly runs into Mick on her walk back, and when he asks her if they can spend more time together she says no. Why she doesn’t tell him that Geri is the goddamn worst, I couldn’t say. Mick gets mad and GRABS HER ARM? I was rooting for you, Mick, but not anymore. He lets her go quickly and stalks off, ego bruised no doubt. As she gets back to her cabin, she thinks she sees someone sneaking out of it. Before she can investigate further, Sandy shows up. They talk for a bit and he seems like a far nicer guy than Mick at this point, as he tells her he’s sorry she’s having a hard time. When she goes back into her cabin, she finds an actual snake on her bed. She screams and wakes everyone up, including Debra, who chews her out AGAIN, calling her ‘worse than useless’. Calm down, Debra.
The next day Holly goes to try and talk to Uncle Bill about the feathers and the snake. But, so concerned with a mixed up order that has left a supply delivery AWOL, Bill, once again, has other things on his mind and downplays her concerns. He asks Holly to just be supportive of him, saying that those feathers are all over the camp. Holly decides that if he won’t listen to her, she’ll have to save the camp herself. She starts to observe the fellow counselors at a camp baseball game, and Mick puts the moves on her since she’s been ‘staring at him all day’. She agrees to meet him that night (WHY?), but when she does he puts the moves on a bit too strong and she demures. Which makes him storm off because HEAVEN FORBID SHE NOT WANT TO KISS HIM YET. And, of course, Geri saw the whole thing, and confronts Holly about trying to steal Mick away.
The next day Holly meets up with Sandy, and when he’s super nice to her she tells him her theory about the feathers, the camp, and the sabotage. He isn’t really convinced, and tells her that maybe she’ll be more comfortable when they co-lead that wilderness hike the next week. Holly isn’t thrilled to be co-leading a hike, but at least Sandy is nice. She runs into Thea, who is having more John Hardesty woes, as he just doesn’t seem interested. THEN she goes to the arts and crafts building to help Debra teach pottery… and one of the campers breaks a pot, which is clearly Holly’s fault. As she’s walking back to her cabin after this terrible day, she is confronted by Kit, who says that since she’s so awful to Geri, he’s going to be awful to her. He then GRABS HER AND PINS HER ARMS BEHIND HER BACK, as Geri and MICK of all people show up with a BUCKET OF LEECHES. They knock her in the creek and toss the leeches on her. After they leave she peels the leeches off and then runs afoul someone yelling ‘no please!’, and finds JOHN by himself. When she questions him, he says she better mind her own business or she’ll be sorry. JESUS CHRIST this camp is filled with sociopaths! She sees Sandy again and he gives her the finalized counselor list for their wilderness trip. Joy of joys, it’s them, Geri, Mick, and Kit.
At dinner that night Holly and Thea are hanging out and Holly realizes that John and Debra aren’t anywhere to be seen. Holly decides to go find Debra so they can eat with their campers together. She isn’t in their bunk, so Holly goes to the arts and crafts building…. AND FINDS DEBRA SLUMPED OVER DEAD ON THE POTTERY WHEEL, HER FACE A BLOODY PULP FROM THE CONSTANT WHIRLING OF SAID WHEEL. Now THIS is good shit, Stine!!! Her necklace is caught in the wheel, so obviously it must have been a horrible accident.
But then of course Holly finds another red feather.
Okay, this is so long and we have so much more ground to cover, and frankly this book isn’t good enough to dwell. So let’s just bullet point it down.
Geri thinks that Holly did it.
Uncle Bill assigns Geri to be the new senior counselor over Holly.
Holly thinks John did it but then maybe it was Mick because she finds feathers in his room.
Uncle Bill says the camp is going to close if one more thing goes wrong. Rebuffs Holly’s theories for the umpteenth time.
The wilderness trip begins.
Turns out John is just being weird because he’s messing around with a fifteen year old camper.
Sandy asks Holly to go canoeing with him.
And it turns out that the whole time it was SANDY because it was his little brother who drowned at the camp on Debra’s watch the previous year!!!!
There’s a showdown in a canoe on the rapids. Holly hits Sandy with a paddle but he perseveres.
There’s a second showdown in a cave involving snakes and Sandy falling down a hill.
Mick helps get her out of the woods and the police come and take Sandy away.
Holly isn’t scared of snakes anymore. THE END.
Body Count: 1, though I have to reiterate that this is by far one of the most gruesome and coolest deaths in this series yet!
Romance Rating: 2. Mick is a friggin’ weirdo and Sandy is murderous. Not to mention John Hardesty is an eighteen year old messing around with a fifteen year old. Look, I have lots of complicated opinions about statutory laws when it comes to applying to mid to late teenagers, but that’s the kind of gap that is a bit too much.
Bonkers Rating: 3. The pottery wheel death was nuts, but everything else was pretty uninspired, filled with “Friday the 13th” and “Sleepaway Camp” rip offs.
Fear Street Relevance: 2. Once again, our main character lives on Fear Street, but none of the action takes place there! This isn’t even on Fear Island or by Fear Lake.
Silliest End of Chapter Cliffhanger:
“The footsteps stopped, then all at once the started again, faster, running. Who could be in the woods at this time of night? Whoever it was was just behind her and getting closer.”
… And it turns out it’s just two campers late for getting back to their bunks.
That’s So Dated! Moments: Amazingly enough, the fact this book takes place at a summer camp means that the usual pop culture and technological references were few and far between. I didn’t find much that was dated at all! Outside of saying that there are only eight “Friday the 13th” movies. “Jason X”, anyone? Oh, and Mick being described as looking like ‘actor Kevin Bacon’. That’s a blatant “Friday the 13th” reference too.
Best Quote:
“What was it about him that was so attractive? Was it that he seemed somehow…. dangerous?”
This one was pretty mediocre and forgettable. Up next is “The Secret Bedroom”, another one from my childhood and one I have fond memories of. Will those memories hold up?
Book: “The Fire Game” (Fear Street #11) by R.L. Stine
Publishing Info: Simon Pulse, 1991
Where Did I Get This Book: ILL from the library!
Book Description:It was just a game…
The first fire started almost by accident. A wastebasket fire in the school library. Jill Franks and her friends found it exciting. And it got them out of school for a few hours.
Who could have guessed that the fire game would quickly spread? That one fire would lead to another? What Jill, and Andrea, and Diane, and the three boys they hung around with would find themselves caught up in the most dangerous—and deadly—game of all?
When one of their fires ends in murder, the game ends—and the real terror begins. All of them realize that someone is playing the game for keeps. Now Jill has no choice. She knows she must find the murderer—before her life goes up in flames!
Had I Read It Before: No.
The Plot: We find ourselves back in Shadyside, after a field trip up to the mountains of Vermont. We join Jill, Andrea, and Diane, three teenagers going to Shadyside High. Diane is new, but Jill thinks that she fits in with her and Andrea because 1) they’re all gymnasts, and 2) Diane is sweet and serious, whereas Jill is flakey and Andrea is a mythic bitch. They’re all lamenting the upcoming geography quiz as they sit in the library, though Andrea is trying to think of a good song for her gymnastics routine instead of studying. Diane mentions that her old friend Gabe is not only a songwriter, he also is moving to Shadyside! And apparently he’s super handsome too. Before they can get more info out of Diane, Max and Nick stroll in. These boys both have crushes on Jill, which pisses Andrea off. Jill, however, isn’t interested. Max and Nick talk about horror movies they watched, and start horsing around. Nick pulls out a lighter and starts playing with it, which makes Diane freak out for reasons unknown to everyone else. A folder accidentally catches fire, and Diane runs away. Andrea snuffs the fire out and drops the folder in a waste basket. They meet up with Diane on the way to math and she apologizes for freaking out…. But then, in math class, smoke wafts into the hallway. Of course the fire wasn’t out, and they set the library on fire! Though no one gets hurt, the geography quiz is cancelled.
They friends all go out after the fire, and they run into Gabe! Boy is he handsome, if not super aloof and elitist about having to move to this small town. But his ears perk up when they mention the fire at school, especially when Andrea takes the blame/credit for it. When Max and Nick ask if he’s ever set a fire before, Gabe doesn’t really answer them, but smiles creepily. It becomes even creepier when at school the next day, he suggests that they set another fire so that they can take the rest of the day off, deliberately this time. Though the friends think that he’s joking at first, he makes it clear that he’s DEAD serious. Diane gets visibly upset and makes an excuse to leave, and when Jill calls after her Gabe dismisses her, saying she’s ‘always been jumpy’. Yeah, Gabe, JUMPY. Andrea, on the other hand, is practically flooding her basement at the concept of setting a fire, and Max grabs the lighter and rushes off. As the others leave the cafeteria, there’s an explosion from the boy’s bathroom.
At this moment it’s solidified that I’m really just reading a book about a bunch of teenage pyromaniacs.
After the attempt of deliberate arson, the friends all meet on the soccer field. Max made it out just in time, and explains that there was a bottle of cleaning solution in the bathroom next to the wastebasket. Diane isn’t pleased, but Andrea is elated. School is cancelled for the rest of the day (that’s it?) and they all go for a picnic and swimming at the cabin that Diane’s parents bought on Fear Island. The boys all have a swim race, and Gabe wins. Andrea makes her interest known, and Diane says she doesn’t care if they date, though doesn’t seem convinced anything will come of it. The friends eat hotdogs and then Diane surprises Gabe with one of his old guitars he gave Diane. As he plays (and is perfect, of course), Jill thinks about how much has changed since he got to Shadyside (a day ago?) and that things have really changed for the better. IIIIIII’M SORRY, he’s a psychopath, Jill! He then holds the lighter under his hand, mesmerized by the flames.
Soon after Jill, Diane, and Andrea are shopping. Andrea keeps grilling Diane for information on Gabe, and Diane talks about how she’s known him since Kindergarten. They pass a pet shop and Jill notices that the cats in the window look like her cat, Mittsy. Oh boy, does this mean Mittsy will be relevant later? Don’t you kill another cat, Stine! The girls go to try on new clothes, but when Andrea tries to go into Diane’s dressing room, Diane freaks out and starts screaming at her. Andrea is shocked. She knew that Diane was modest, but this is nuts! Andrea goes home and after having a pointless conversation with her Mom, she gets a call from Gabe, who asks her out. Even though she thinks that he’s kind of a wackadoo, she also thinks he’s cute, so she says yes. Because bad boys, right?
Sometime after, the group of friends are driving around Shadyside showing Gabe the sights. He’s not too impressed, but when they get to Fear Street his ears perk up enough to only make SOME disparaging comments about it. I assume it’s because he’s evil and feels at home there. They tell him about the time a crazy guy tried to kill people with a chainsaw (“The Wrong Number”), when an old house burnt down after a Halloween party gone awry (“Halloween Party”), and how two kids parents just vanished without a trace (“Missing”, though to be honest they were found pretty quickly…). Gabe thinks that they should go look at the cemetery. He then suggests that it’s time to start another fire, and it’s Nick’s turn. Gabe suggests an abandoned shack in the cemetery, and Nick refuses. Gabe tries to call his bluff, but then decides ‘ah, fuck it’, and sets it ablaze himself. They run off and watch the fire department come at a distance. When they get back to the car, Andrea, pushed to her sexual limits, starts making out with Gabe in the backseat of the car.
Later, Jill, Diane, and Andrea are hanging out watching videos at Andrea’s house. She shows off her new computer, lamenting that the ink in the printer is blue instead of black, but still writes a poem about how horny fires make her. The police are starting to think that there’s a pattern here, and while Jill and Diane are nervous, Andrea is still aroused. Diane says they should stop playing this game, but Andrea refuses to stop saying that it’s way too fun to commit arson. The phone rings, so Jill answers (even though it’s Andrea’s house?) and though the person on the other end says they’re from the fire department, it turns out it’s really just Max playing a trick. Jill hangs up, and demands that they stop the fire game. Andrea finally concedes that they can ‘slow down’ at least. While Diane is in the bathroom (totally happy that the game is going to maybe end), Jill tells Andrea that she has a date with Gabe the next night. Andrea sees it as a challenge.
On the date, Gabe is actually acting like a pretty nice and romantic guy towards Jill. He plays the guitar, opens up about some of his past, and they have a heartfelt conversation. Though when Jill brings up the fact that the girls want to stop the game, he’s dismissive of her and her feelings…. Until they get to Pete’s Pizza and they find that someone has set his father’s car on fire!!!
He and Jill think that Nick must have done it out of jealousy. She calls Nick later that night to ask him why he did it, but he denies it and hangs up on her. Then she calls Andrea to tell her what happened. Andrea is more concerned that the date ended without getting anywhere, but concedes that maybe the game will be done now. That night Jill wakes up to smell smoke, and then finds her cat Mittsy burnt to a crisp!!.. But then it’s just a nightmare, thank GOD, I’m glad no cats had to die for a plot twist this time.
The next day Jill and Nick talk a bit, and he asks her over that night to study together. When she goes to his house, she sees him and Max getting into a car and driving away. Suspicious (And miffed he’s breaking their study date), Jill follows them. They drive to Fear Street, and of course as soon as she turns down the street, her car lurches to a stop and dies. She starts to panic, but is helped by a kind policeman who saw her stranded. He gets her car going again, and she continues to drive. She parks near the cemetery, and gets out to walk on foot… And then sees their car by an old abandoned house… WHICH SOON BURSTS INTO FLAMES!! Jill sees Max and NIck running away from it! She drives to a fire box to alert the authorities, but then drives home. After trying to calm down with yoga and “Three’s Company” re runs, she turns on the news… and finds out that there was a homeless man in the house that burnt down!! Nick and Max are murderers!!
Jill calls Nick to confront him. He balks at first, but then admits that he DID ditch her that night to go to Fear Street with Max, but that they didn’t set the fire! Someone left a note on his doorstep (and Max’s too) telling them to go to Fear Street, and when they got there the fire started. Jill thinks that then it must be Gabe who did it! She calls Diane to go with her to get the note from Nick. But when they get the note, they see that it’s printed in BLUE INK!!!!! LIKE ANDREA’S PRINTER!
SO, Cagney and Lacey go to confront Andrea. Andrea says she didn’t do it and that Jill is only accusing her because her date with Gabe went sour. When they don’t believe her she yells at them to get out and never come back! But then in the middle of the night she calls Jill to ask her to meet her at the gym before school the next morning, because she thinks she may be close to figuring out what’s happening… and that it may involve Gabe! Jill agrees, and the next day she goes to the gym to find Diane there, who says Andrea called her too… BUT THEN THEY FIND ANDREA, AND SHE’S DEAD! Wait, not dead, knocked out. So an ambulance comes to get her. The gym teacher thinks she fell of the balance beam to have hit her head, but they can’t know until she comes to. Jill wonders if Gabe found out that Andrea was on to him, however….
Jill insists that the rest of the group come together, and suggests that perhaps it’s a stranger setting the fires to get to them (though Gabe is still a contender in her mind). It doesn’t go well, as they all start accusing each other of setting the fire and trying to kill Andrea. As Jill is walking home Gabe catches up to her and gives her a ride home. She’s convinced that he’s the one who did it, but doesn’t want him to catch on. He says he has a feeling the fires are done, and that he never should have come to Shadyside or none of this would have happened. I have to agree. Jill, unable to resist his charms in spite of the fact he’s a creep, agrees to go out with him again, especially after he assures her that he’s not interested in Andrea. Jill’s questionable happiness is short lived, as the police show up that night, asking her if she saw anything the night of the fire, since she was in the vicinity. She lies and says no.
Diane invites Jill to her family cabin on Fear Island to unwind. Jill breaks her date with Gabe, and is having a great girls weekend with Diane… Until Andrea calls. Andrea starts to threaten Jill, saying that she knows that it was HER who tried to kill her and that SHE was the one who wrote the note by using her computer!!! But then she says ‘Diane’. SHE THOUGHT JILL WAS DIANE!!! DIANE IS THE ARSONIST/MURDERER! Andrea tells Jill to leave, but after she hangs up Jill can’t find her keys!! So she runs into the woods, but of course gets lost, and of COURSE Diane finds her. When she acts perfectly normal, for whatever reason Jill goes back with her… But yeah, Diane is indeed nutty, and is the one behind all of this. Her motive, of course, is because of Gabe. She tried to take out Andrea for going on a date with him, and set Gabe’s car on fire because she saw him and Jill at a distance. Oh, and also, she is obsessed with fire because, shock and awe, her body is covered in burn scars after she was in a fire when a kerosene lamp exploded when she was a girl. Gabe was so sweet to her when she was recovering, she fell in love with him and has been obsessed with him since. But because of her scars, THEY CAN NEVER BE. Good God. Diane then starts setting the cabin on fire. She is about to set Jill ablaze, but Gabe bursts in, as Andrea told him where he could find them. They all get out of the cabin, and Gabe apologizes for setting off Diane’s psychotic break with his ‘fire game’. The end.
Body Count: 1. I always find it a bit cheap when a homeless person is used as a convenient dead body. Let’s just dehumanize them a bit more, why don’t we?
Romance Rating: 3. I gotta admit that Gabe playing the guitar for Jill was pretty romantic, but then again, he’s also happily stringing along Andrea and Diane to an extent. Also, he’s a complete psychopath.
Bonkers Rating: 2. This was just about a bunch of arsonists being the goddamn worst. Nothing bonkers about that outside of the sheer despicableness of it all.
Fear Street Relevance: 8. The biggest fire with the most dire consequences took place on Fear Street, but more importantly we got a nice little run down of previous “Fear Street” plots in this one! That walk down memory lane easily bumps the number up!
… And then, she isn’t dead. She’s very much alive. Wishful thinking, Diane.
That’s So Dated! Moments: There is a whole scene in which Andrea is showing off her new computer. It’s so amazing it can do calculations, has games, and even a ‘word processor’ on it. It was so quaint and cute. And there is also a scene in which a lime green shirt is the pinnacle of fashion.
Best Quote:
“‘Well I’m not sure about the Undead,’ Jill admitted, ‘but there is something very creepy about Fear Street.'”
It was as if R.L. had to remind us of the premise of this entire series.
“The Fire Game” was really just about a bunch of arsonists with far too much privilege for their own good. I’m hoping that our next book, “Lights Out”, has more responsible (and less sociopathic) protagonists.
Where Did I Get This Book: A free ARC provided by Net Galley.
Book Description:Ten years ago, college student Quincy Carpenter went on vacation with five friends and came back alone, the only survivor of a horror movie–scale massacre. In an instant, she became a member of a club no one wants to belong to—a group of similar survivors known in the press as the Final Girls. Lisa, who lost nine sorority sisters to a college dropout’s knife; Sam, who went up against the Sack Man during her shift at the Nightlight Inn; and now Quincy, who ran bleeding through the woods to escape Pine Cottage and the man she refers to only as Him. The three girls are all attempting to put their nightmares behind them, and, with that, one another. Despite the media’s attempts, they never meet.
Now, Quincy is doing well—maybe even great, thanks to her Xanax prescription. She has a caring almost-fiancé, Jeff; a popular baking blog; a beautiful apartment; and a therapeutic presence in Coop, the police officer who saved her life all those years ago. Her memory won’t even allow her to recall the events of that night; the past is in the past.
That is, until Lisa, the first Final Girl, is found dead in her bathtub, wrists slit, and Sam, the second, appears on Quincy’s doorstep. Blowing through Quincy’s life like a whirlwind, Sam seems intent on making Quincy relive the past, with increasingly dire consequences, all of which makes Quincy question why Sam is really seeking her out. And when new details about Lisa’s death come to light, Quincy’s life becomes a race against time as she tries to unravel Sam’s truths from her lies, evade the police and hungry reporters, and, most crucially, remember what really happened at Pine Cottage, before what was started ten years ago is finished.
Review: First and foremost, I want to extend a sincere thank you to NetGalley for providing me with a free ARC of this book in exchange for an honest review. It means a lot and I greatly appreciate the generosity,
You all know my deep deep love for horror movies, and that I have a serious guilty-ish pleasure for the slasher film genre. There are so many things about it that are kind of grotesque and trite, but I really do enjoy a slash ’em up kind of flick like “Halloween”, “Friday the 13th”, or “Scream”. I think that my love for that subgenre stems from my time as an awkward teenager who was a bit more cautious and shy than some of her lady friends. Because of this, I really related to the “Final Girl” trope that those movies almost always trot out: the virginal good girl who triumphs over evil and is the only one who can vanquish the bloodthirsty villain. The movie “Behind The Mask: The Rise of Leslie Vernon” did a great job of deconstructing the concept of the Final Girl, as did the movie “Final Girls”, and I’ve been aching to read a book about it as well. When Lauren Beukes “Survivors’ Club” didn’t quite get there, my only hope left was “Final Girls” by Riley Sager, and BOY am I THRILLED to say that this book nailed it and gave me everything I needed.
The very scenarios given in this book as the mass killings that the Final Girls endured are so textbook 80s slasher film that I was living a Dayglow glittered fever dream. You have the college kids in a cabin in the woods, the sorority house massacre, and the isolated motel ambush with a killer who is wearing a sack on his head! PERFECTION. But even beyond setting up the perfect slasher scenarios, Sager also painted pictures of how an actual ‘Final Girl’ might endure after the trauma. As much as we love the idea of Nancy Thmpson or Laurie Strode going on to live happy lives, in the real world the consequences would be far more long lasting. Quincy is a complete mess whose outward appearance is a lie to the pain underneath. She has her baking blog and her true blue fiance, but she is addicted to Xanax and unable to let go of Coop, the cop who saved her all those years ago from a killer in the woods. She has distanced herself from other survivors of violent massacres, Lisa and Sam, because while the media loves to lump them together, she just wants to be herself and to live her life. I really loved Quincy for her full damaged self.
The thing that surprised me the most about this book was that it wasn’t the meta and self referential homage that I was expecting it to be, even though it’s set up was one hundred percent spot on for such a novel. Instead there was a serious mystery here, specifically involving Sam. After Lisa, the original and perhaps most ‘with it’ Final Girl is found dead of an apparent suicide, Quincy is approached by the second, Sam, who had been off the grid for years. The mystery at the heart of this book is about Sam’s experiences, as well as Quincy’s. Though I went in thinking that it would be about the two of them teaming up to find a killer, it turned out to be something much different. And then it superseded my expectations AGAIN when it also became a question about Quincy and her experience at a cabin in the woods. The movies like to portray these Final Girl types as innocents caught up in a whirlwind of circumstance, the ultimate Madonnas who are better than the Whores that surround them and therefore they get to live. But Sager poses that perhaps it’s more interesting if they are just complex, well rounded people instead of just a trope, and questions whether being innocent is the absolute only thing you can be to deserve to survive something as brutal as a slasher killer.
I truly enjoyed this book as a fan of the slasher genre, even if it wasn’t the self satisfied wink fest I thought it was going to be. Fans of this genre really need to go out and get their hands on “Final Girls”. Quincy has every right to stand with Laurie Strode, Nancy Thompson, and all those other badass women who take out those who wish them ill, and she can do it while still being damaged.
Rating 9: A great mystery with some excellent character studies, “Final Girls” goes beyond a meta romp for slasher horror fans and is a fabulous and suspenseful summer read.
Book: “Ski Weekend” (Fear Street #10) by R.L. Stine
Publishing Info: Simon Pulse, 1991
Where Did I Get This Book: InterLibrary Loan from the library!
Book Description:Snowbound!
“Red” Porter was a stranger they’d met on their ski weekend. But Ariel Munroe, Doug Mahr and his girlfriend Shannon Harper were grateful he was there when they set out for home on the icy roads. Thank heaven for Red! He spotted the hilltop lodge when they were stranded by the blizzard. He took charge when they stumbled into strange surroundings, scared, tired and looking for refuge. But can he save them when their refuge becomes a trap? Suddenly their hosts are acting very sinisterly. Doug’s car is gone. The phones are dead. And the house is full of guns. If they steal one, maybe they can escape! Until a shot is fired and the real terror begins…
Had I Read This Before: Yes.
The Plot: We start out in a car with a group of friends from Shadyside who are coming home from vacation. We have Ariel, a science minded girl who is also our protagonist. There’s Doug, Ariel’s oldest friend who is kind of a tough guy who makes bad choices. There’s Shannon, Doug’s girlfriend who is pretty bland but very pretty. And then there’s Red. Red is NOT part of this group. You see, the fourth is supposed to be Randy, Ariel’s boyfriend. But they got in a fight over the fact that he wanted to cut the ski weekend short so he could go play basketball. After a blow out argument they had in public (which led to Randy leaving with his car), Red approached Ariel to see if she was okay. After he got along with her and her friends, he asked if they could drop him off in Brockton. I don’t know, but an older guy swooping in on a teenage girl who is vulnerable after a fight isn’t someone I would trust, but here we are. Doug is driving like a maniac in spite of the fact there’s a snow storm falling on them, Red suggests that they turn down a country road, because according to him the plows clear those out before the highways. Horseshit, Red! But these city kids don’t know up from down, so Doug turns down the road, and doesn’t get far before his car dies. Red says he’s overheating the engine, and they should ask one of these farm houses to give them shelter for the night. So they grab their gear and go to ask if they can crash.
The door is opened by a guy straight out of a backwoods horror movie, at least in mannerism and stereotypical personality. He says his name is Lou, and introduces them to his wife, Eva, who sounds like she’s a mouse of a woman to his boonies son of the soil demeanor. He says that they can stay overnight, and tells them to make themselves at home. He also blatantly lusts after Shannon, and let me tell you it’s disgusting. He also tells stories about misfortune that his acquaintances have met in the past, and laughs about it. Amazingly, their phone works, so Doug calls his parents, and when Ariel tries it’s very hard to hear anything. She asks Eva for a cup of tea, and notices that Eva is very quiet and kind of jumpy. Back out in the living room, Lou opens the door and sees that a branch has crashed through the porch roof. The men go outside to move it, and Lou is mad that Doug doesn’t listen very well. I sense the start of a rivalry.
After dinner, Ariel, hoping to escape Lou and his awful stories, asks Eva where she can sleep. After being led to a room, she tries to sleep… But wakes up to the noise of the front door opening and closing. She sees no one has gone outside, but hears footsteps downstairs, though everyone seems to be in bed. She goes to investigate, but chickens out when she hears a lamp crash to the floor. She runs into Red, who tells her he thought he heard Lou and Eva fighting, and Lou hitting Eva. Ariel votes that they should try and bail, but then they start kissing a bit. Which is pretty gross, R.L. It sounds like Red is definitely older than 18. They eventually stop and go back to their separate rooms. No thought as to whether Eva could be hurt. Oh the 90s.
The next morning Ariel wakes up to the smell of bacon. She goes downstairs and finds her friends at the kitchen table, and Lou making them breakfast. When asked where Eva is, he says he’s letting her ‘sleep in’, and I’m suspicious because I don’t remember Eva from my time as a kid reading this book. Doug announces his intentions to check on the car, though Lou berates him for thinking about that because there’s no point until the road crews come. Red and Ariel opt to go with him (WHY SHANNON STAYS BEHIND WITH PREDATORY LOU IS BEYOND ME). They find that the car is gone, and when they do find it it’s been pushed into a ditch. When they return Lou offers to call for a tow, but NOW the phone is dead. Lou freaks out about the phone, and says that while he does have four wheel drive he’s not going to take them anywhere because the snow is too deep. After they beg, he says that he’ll give it a go and tells them to get their things.
WHile they wait for him they have a snowball fight, and when Lou pulls up Ariel notices his plates are from Alabama and not Vermont. Red says that there are lots of cars with out of state plates and it doesn’t mean anything. Lou smells of beer (SO GREAT that he’s driving), and tells Shannon to sit next to him. But the the Jeep also sputters and dies. Lou freaks again and storms into the house, and the gang is getting more worried. That afternoon while Red works on the Jeep and Lou gets more drunk, Ariel goes to find Eva. Eva is NOT dead, but she’s pretty beat up and says that Ariel and her friends shouldn’t be there. Seemingly not so concerned, Ariel goes downstairs just in time for Lou to yank the phone out of the wall. So stable, this Lou. Ariel, Doug, and Shannon play cards, and when Ariel looks out the window SHE SEES A STRANGE MAN IN A SKI MASK! She screams, and Doug and Shannon see him too just before he vanishes. They tell Lou, but Lou is too drunk to care. Red comes in and says he doesn’t know what they’re talking about. Then Lou asks Doug if he works out. I have to assume this is the kind of thing those self proclaimed Alpha guys do. Instead of calling Doug a cuck, he challenges him to a wrestling match. Doug is on the school wrestling team so he agrees, and I’m just flabbergasted. They fight, and Lou smashes Doug in the knee and hits his head against the floor a bunch, until Red pulls him off. Doug is convinced his leg is broken, but Ariel, who wants to be a doctor, reminds him that she did a school project on the knee, and after examining it says it’s just sprained. Lou shrugs it all off.
The gang gathers in Ariel’s room and tries to plot an escape. Red tells them that he heard Lou and Eva conspire to rob them and make it so they can’t leave, and that he found some photos in a drawer of a couple that isn’t Lou and Eva. Come to think of it, Eva doesn’t know the kitchen and Lou’s clothes don’t fit. So this must not be their house!!! Red says that he lied when he said the Jeep was still dead, he just wanted to wait for the right moment to get in it and leave. So they decide to wait Lou out. So after Lou goes to bed around midnight, they wait another hour to sneak out of the house with their things, Doug grabbing a gun. THey go into the barn, ready to go, but then are surprised by a strange man standing in the doorway in the dark. They assume it’s Lou, and Doug fires the gun, shooting him… BUt it’s not Lou!! It’s some random guy! Ski mask guy?? It’s at the very least the man in the photos Red showed them! Lou runs in and says that they just killed Eva’s brother JAKE?!?! Who must have been coming to save them in the storm?! They find a ski mask in Jake’s coat, so he was the guy looking in the window. Which makes NO sense, but everyone buys it. Lou tells them they have to help him hide the body in the basement.
While Lou is telling Eva that her brother is dead, Ariel feels like something is off. She goes into the basement to check out the body. She examines poor dead Jake, and notices that not only is there not a lot of blood, but the body is completely frozen even though he’s only been dead for a short while. Red interrupts her examination, and she says they need to find Doug and Shannon! They find their friends, and Ariel says that she thinks Jake was already dead when Doug shot him. If he’d been alive he would have bled a lot, which he didn’t. And his body wouldn’t be frozen solid yet! I like how brainy Ariel is! Red isn’t convinced, and thinks they should confront Lou. The others outvote him and opt to leave. They run outside, and Ariel tells Red that he doesn’t need the pistol he’s carrying… But he tells them that HE DOES. AND HE POINTS THE GUN AT THEM.
Oh wow, the older guy macking on a teenage girl turns out to be a creep, I’m so shocked. (source)
Red takes them back to the porch and he and Lou tell them the whole scheme: Red was the one in the ski mask (the cover of this book is officially wrong then), the phones have worked the whole time, and not only are Eva and Jake siblings, Red is the THIRD sibling! Apparently Jake stole the inheritance from his siblings, and Lou killed him because of it. Eva, however, tells them that she never wanted this, and JUST CALLED THE COPS ON LOU! While Lou is processing this, Ariel hocks a snowball at him. He drops the gun and Doug tosses it (why he didn’t hold onto it is beyond me). The teens run back to the barn, but realize that Red has the keys to the Jeep! Ariel, always thinking, jumps on a snowmobile and just as Red and Lou are running in, she plows through them and towards the lake. She falls off the snowmobile and skids onto the ice. The guys catch up with her and grab her, but with the police sirens blaring they argue about how to proceed. Lou wants to give up, but Red wants to take her as a hostage. While they fight Ariel runs onto the ice, and Red follows her. But then the ice starts to crack, and Red falls through, as his sister screams on the banks (this is actually way sad). Ariel almost falls through, but Doug saves her. Lou gives himself up. Eva’s life is ruined.
A tow truck comes and is able to get Doug’s car out of the ditch, and it runs just fine now. They’re driving home and Ariel jokes that they should go on another ski weekend next weekend. Doug, as if predicting her bullshit joking in lieu of a trauma, pulls a snowball out of the glove compartment and smashes it in her face. The end.
Body Count: 2. Luke didn’t deserve that, but Red sure did!
Romance Rating: Gotta be 1. Domestic abuse, statutory make outs, attempted murder, and basketball being prioritized over a ski weekend. At least Doug seems to care about Shannon.
Bonkers Rating: 3. I’ll give some credit for the Red twist, but otherwise it’s pretty milquetoast.
Fear Street Relevance: 1! It has nothing to do with Fear Street besides Ariel living there, but she lives there off page! It probably should have been a standalone like “The Babysitter” or “The Snowman”.
Silliest End of Chapter Cliffhanger:
“I started to say something else – but stopped. Doug and I both cried out in surprise when we heard the snap of a gunshot right behind us!”
…. And it’s a mousetrap. PLEASE.
That’s So Dated! Moments: Well besides Red on the cover looking like David Hasselhoff (seriously, look at him), when Lou and Doug are having their awkward and stupid wrestling contest Lou keeps calling Doug ‘Hulkster’. As in Hulk friggin’ Hogan.
“Be a scientist, Ariel, I told myself. Examine the corpse… scientifically.”
Okay, Ariel’s determination to be STEM-y is kind of adorable.
SO, it doesn’t fit in on the “Fear Street” roster at all, but I remember that child me was totally blown away by the Red revelation. “Ski Weekend” is pretty okay, and at least it was memorable all these years later, unlike others I’ve read. Next up is “The Fire Game”!