Tag: horror

Kate’s Review: “Lone Women”

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Book: “Lone Women” by Victor LaValle

Publishing Info: One World, March 2023

Where Did I Get This Book: I received an eARC of this novel from the publisher via NetGalley.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: Blue skies, empty land—and enough room to hide away a horrifying secret. Or is there? Discover a haunting new vision of the American West from the award-winning author of The Changeling.

Adelaide Henry carries an enormous steamer trunk with her wherever she goes. It’s locked at all times. Because when the trunk is opened, people around her start to disappear…

The year is 1914, and Adelaide is in trouble. Her secret sin killed her parents, and forced her to flee her hometown of Redondo, California, in a hellfire rush, ready to make her way to Montana as a homesteader. Dragging the trunk with her at every stop, she will be one of the “lone women” taking advantage of the government’s offer of free land for those who can cultivate it—except that Adelaide isn’t alone. And the secret she’s tried so desperately to lock away might be the only thing keeping her alive.

Told in Victor LaValle’s signature style, blending historical fiction, shimmering prose, and inventive horror, Lone Women is the gripping story of a woman desperate to bury her past—and a portrait of early twentieth-century America like you’ve never seen.

Review: Thank you to One World for sending me a link to an eARC of this novel on NetGalley!

Rejoice, horror fans, for we are once again blessed with a stunning new horror story by Victor LaValle. It has been awhile since I’ve dived into a LaValle book, and I was very, very stoked when “Lone Women” ended up in my inbox. And I was even MORE thrilled when Book of the Month had it as a choice for March, because I DO LOVE A PRINT COPY OF A GREAT HORROR NOVEL! I had high expectations for this novel, following a Black woman named Adelaide who decides to try and homestead in Montana in the early 20th Century, and who has a mysterious steamer trunk she just needs to keep an eye on and keep closed. Because that premise alone is VERY enticing, and when you throw in LaValle, you know it’s going to be even moreso. This man knows how to craft a well done horror tale with lots of subversions, after all.

I can’t really talk too much about the horror aspects of this novel, as I really don’t want to spoil too much because I do think that part of the appeal is the slow reveal and the surprises that come with it. What I will say is that LaValle has once again taken something that we’ve seen before, but turned it on its head and made it feel fresh, unique, and tragic on top of the scary. Adelaide is running from a violent moment that has changed the course of her life, and she is bringing with her the literal baggage that comes with that violent moment, and we have no clue as to what it is. But what we do know is that she is desperate to keep that baggage contained, whether it is the actual bag that she has brought with her, or the trauma that has been inflicted upon her and her family due to the circumstances that fell upon them all. I loved the slow tension of the trunk with the lock, and I also loved the slow burn horror elements that were more steeped in realism. I was just as nervous of Adelaide when she was surrounded by suspicious people whose motives we had no clue about as I was worried about just what it was that she was lugging around in the trunk. And I REALLY loved what exactly it was what was in said trunk, as it reminded me of a specific story that I had enjoyed at one point, but have turned my back on as of late due to questions of ethical consumption of it. And that’s all I will say.

And I won’t tell so as not to ruin it. (source)

But it is also the very gritty and realistically bleak historical fiction aspects of this book that jump off the page. LaValle weaves together a tapestry of not only the American imperialist ideals of Manifest Destiny, but also the way that the American Government would use this to its own advantage, and how it could appeal to a group of Othered women. Whether it is Adelaide due to her race as well as her horrific burden, or neighbor Grace and her son Sam who are functioning as a single mother and child trying to make it together, or Miss Bertie and Fiona Wong who are not only women of color but also two lesbians who have to hide who they are, the idea of being ‘lone women’ and trying to make a life in isolation, as well as while carrying various secrets that may keep them emotionally isolated, was profound as hell. The grim realities of trying to make it in an unfamiliar place with harsh winters, the danger of being a woman alone with strangers passing through, the way that the haves will try and take advantage of the have nots, all of it feels very real and unromantic takes on the idea of the West. This book absolutely feels like a Western, but it doesn’t make it seem like a charming simpler time you may find in a John Wayne movie. It highlights the misogyny, colonialism, and racism of that ideal. And I loved that.

“Lone Women” is another fantastic novel by Victor LaValle that takes on horror themes and tweaks them to feel more resonant and poignant than one may expect. I always love LaValle’s horror works, and this one is, I think, my favorite of the lot.

Rating 9: Breathtaking horror and gritty historical fiction rolled into one, “Lone Women” shows the tenacity of outsider women with secrets, some of which are otherworldly.

Reader’s Advisory:

“Lone Women” is included on the Goodreads lists “The Best Historical Horror Novels”, and “Horror to Look Forward To in 2023”.

Joint Review: “A House with Good Bones”


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Book: “A House with Good Bones” by T. Kingfisher

Publishing Info: Tor Nightfire, March 2023

Where Did We Get This Book: We received eARCs from Edelweiss+ and NetGalley.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: A haunting Southern Gothic from an award-winning master of suspense, A House With Good Bones explores the dark, twisted roots lurking just beneath the veneer of a perfect home and family.

“Mom seems off.”

Her brother’s words echo in Sam Montgomery’s ear as she turns onto the quiet North Carolina street where their mother lives alone. She brushes the thought away as she climbs the front steps. Sam’s excited for this rare extended visit, and looking forward to nights with just the two of them, drinking boxed wine, watching murder mystery shows, and guessing who the killer is long before the characters figure it out.

But stepping inside, she quickly realizes home isn’t what it used to be. Gone is the warm, cluttered charm her mom is known for; now the walls are painted a sterile white. Her mom jumps at the smallest noises and looks over her shoulder even when she’s the only person in the room. And when Sam steps out back to clear her head, she finds a jar of teeth hidden beneath the magazine-worthy rose bushes, and vultures are circling the garden from above.

To find out what’s got her mom so frightened in her own home, Sam will go digging for the truth. But some secrets are better left buried.

Kate’s Thoughts

We are back with another joint review, doing another horror story from T. Kingfisher, and I couldn’t be more thrilled. I really like it when both Serena and I can provide various insights into one book, and Kingfisher may be joining Silvia Moreno-Garcia as one that we both read and review. This time we have “A House with Good Bones”, a haunted house story with dysfunctional family dynamics, insect archaeology, and so many vultures! I can tell you that if you are someone who wants to dabble in horror, but don’t really like feeling the various intense feelings that horror novels can convey, Kingfisher is a good option. This is definitely a haunted house book, but it’s horror-lite, and it’s horror-lite done well!

I enjoyed our protagonist Sam slowly starting to realize that there is something weird going on in her grandmother Gran Mae’s old house, that her mother has now moved into. In life neither Sam nor her mother got along so well with Gran Mae, but now Mom is not only nervous to speak ill of her, she is also following rules that she used to ignore or at least acknowledged were bunk. One can kind of see where this is all going, but that doesn’t make it any less enjoyable. Kingfisher builds up the suspense regarding the weird goings on in the house, be it the vultures that have come to roost on the property, or the sudden ladybug infestation, or the slow recovery of memories of Gran Mae’s weird habits and abusive tendencies when Sam was a child. Kingfisher knows how to balance the suspense and genuinely scary moments with a lot of good humor and quirky characters that make the book a good horror story without more intense elements that could turn some people off. I also liked the way that some of these horror elements manifested, as they felt unique and interesting and outside from how other horror authors may have approached it. I really like how Kingfisher brings in the dark fantasy stuff to spice up the genre a bit, and it always feels like it melds well. And finally I liked the more thematic elements of this story regarding family dysfunction, generational trauma, and the way that parents can sometimes make mistakes that take a toll on their children that may take time to process and heal from. It doesn’t bog down the story with too much melancholy, but I liked that it was an underlying theme.

I enjoyed “A House with Good Bones”! Kingfisher is a great choice for people who want to do horror but aren’t as into visceral or intense scares. It’s a fun and creepy haunted house story to be sure.

Serena’s Thoughts

I second what Kate said: it’s so fun when we get to joint review a book, and T. Kingfisher is another author who intersects well with both of our genres, writing horror and fantasy. Plus, like Kate said, Kingfisher writes the type of horror that is still approachable for those of us who are big fraidy-cats about the very dark stuff. And this book is another perfect example of it!

While I felt like I had a pretty good understanding of where the horror aspects were going, once they actually showed up, they were sufficiently horrific. In particular, the last quarter of the book went into a very creepy place. There were some genuinely freak visuals and the book masters a classic horror trope: the solid ending that feels just off enough to leave you in suspense! But even during these darker moments, there were parts were I was laughing and also feeling strangely sad for the horrible creatures/people. It was a very mixed bag of emotions that worked really well.

I also really liked the themes about family trauma and abusive relationships in families. Again, all of these things were touched on in ways that felt very true to life but never made caricatures of any of the characters involved. Sam was an excellent main character. Her scientific background was unique (lots of interesting tidbits about insects and archeology) and lead her to handling certain scenes with ladybugs with a lot more calm than I would have had, that’s for sure! She also was a great example of casual body positivity. It’s not her entire identity, but she’s comfortable with who she is and how she moves through the world.

Kate’s Rating 8: A creepy haunted house story with family trauma and vultures galore, “A House with Good Bones” is a horror-lite haunted house read that will leave horror fans satisfied.

Serena’s Rating 8: Sufficiently creepy for this fantasy fan while also tackling important themes like family trauma and body positivity.

Reader’s Advisory:

“A House with Good Bones” is included on the Goodreads lists “Suburban Gothic”, and “Horror to Look Forward To in 2023”.

Kate’s Review: “Piñata”

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Book: “Piñata” by Leopoldo Gout

Publishing Info: Tor Nightfire, March 2023

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: A Head Full of Ghosts meets Hereditary in Piñata, a terrifying possession tale by author and artist Leopoldo Gout.

Carmen Sanchez is back in her home country of Mexico, overseeing the renovation of an ancient cathedral into a boutique hotel. Her teen daughters, Izel and Luna, are with her for the summer, and left to fill their afternoons unsupervised in a foreign city.

The locals treat the Sanchez women like outsiders, while Carmen’s contractors openly defy and sabotage her work. After a disastrous accident at the construction site nearly injures Luna, Carmen’s had enough. They’re leaving.

Back in New York, Luna begins acting strange, and only Izel notices the chilling changes happening to her younger sister. But it might be too late for the Sanchez family to escape what’s been awakened…

Piñata is a bone-chilling story about how the sinister repercussions of our past can return to haunt us.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

I love it when a horror novel really gets under my skin. The kind that I can’t really shake while I’m reading it, and the kind that just sits on my consciousness when I’m doing other things or when I have finished it. When I saw “Piñata” by Leopoldo Gout on my various timelines and Goodreads feeds, I decided to request it because it sounded fairly promising. Sure, it was a possession story, which tend to be hit or miss for me, but I do love a good social commentary in my horror, and this one sounded like it had some good potential for thoughtful take downs of colonialism. So I started it, thinking it would be interesting at least. And almost immediately after starting this book, I was deeply, deeply unsettled, and knew I wasn’t going to shake this one for awhile. And it’s not even the supernatural beings in this that did that to me.

For someone who doesn’t usually gel with possession stories, “Piñata” is one of those stories that absolutely works for me because it makes it feel unique, or at least turns it a bit on its head. I really liked following Carmen and her daughters Izel and Luna as they spend time in Mexico, and I loved seeing the slowly building unease as Luna starts to behave strangely after an accident at the Church site on a restoration project that Carmen was working on. From Luna not quite acting right, to weird hallucinations of butterflies and a strange old woman, to ghastly imagery of rage filled demons that torment Carmen and those around her, Gout really knows how to create a visceral horror moment. I also loved the subversion of the more traditional Western possession stories and how it incorporates pre-Columbian folklore and mythology, as it feels less about the Christian idea of demons and more about otherworldly beings with a score to settle.

I’m still very much into reading horror novels that take on greater social themes, and “Piñata” may be one of the more harrowing and upsetting ones that I’ve read. The theme here is that of colonialism, and the way that Indigenous people in Mexico (and the greater Americas) were victimized, abused, and destroyed by Western invaders, and in this book it is specifically the Spanish and the Catholic Church. The prologue alone had me floored and shaking with abject horror and rage, as it really sets up the story of angry spirits in a Mexican church that find themselves awakened and hellbent on revenge. Gout doesn’t shy away from the atrocities that the Spanish and the Church perpetuated against Indigenous groups, and it makes for unrelenting horrors as we see the long lasting effects of the colonizers, not just through a possessed child but also through violence in Mexico, dangerous situations at the border, and racism and colorism. It’s upsetting and it should be upsetting.

The one thing that took me out of this book, however, was the uneven pacing of it. I love a slow burn and slow build in my horror, especially when the slow burn knows how to tap into anxiety and to ratchet up the tension until it is practically at the breaking point. I liked the way that Gout carefully builds up the tension regarding Luna’s possession as well as the visions that our characters are seeing. The problem is that when it all comes to a head, and a LOT has to come to a head, a great majority of it happens practically in the last fourth of the book. And it feels like a lot of whiplash as all the action starts to barrel forth and almost in an out of control way. It then leads to a wrap up climax that almost felt too quick on top of all the REALLY fast things leading up to it. It doesn’t ruin the story by any means, it just makes it feel disjointed.

Uneven pacing aside, I thought that “Piñata” was a disturbing read with a lot of really good themes about colonization and the damage it has done and continues to do. Gout just devastated me out the gate and found the horrors within history and applied it to a modern story, and I really enjoyed it.

Rating 9: So many intense moments and such great commentary about the destruction that Colonialism brought to the Americas. While there are some pacing issues, overall “Piñata” is scary and mesmerizing.

Reader’s Advisory:

“Piñata” is included on the Goodreads lists “Latinx Horror/Fantasy”, and “Men of Color Dark Fiction Writers”.

Kate’s Review: “The Girl from Rawblood”

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Book: “The Girl from Rawblood” by Catriona Ward

Publishing Info: Poisoned Pen Press, March 2023

Where Did I Get This Book: I received a print copy from the publisher.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: At the turn of England’s century, as the wind whistles in the lonely halls of Rawblood, young Iris Villarca is the last of her family’s line. They are haunted, through the generations, by “her,” a curse passed down through ancient blood that marks each Villarca for certain heartbreak, and death.

Iris forsakes her promise to her father, to remain alone, safe from the world. She dares to fall in love, and the consequences of her choice are immediate and terrifying. As the world falls apart around her, she must take a final journey back to Rawblood where it all began and where it must all end…

From the sun dappled hills of Italy to the biting chill of Victorian dissection halls, The Girl from Rawblood is a lyrical and haunting historical novel of darkness, love, and the ghosts of the past.

Review: Thank you to Poisoned Pen Press for sending me a print copy of this novel!

Even though I hadn’t heard of Catriona Ward until I read “The Last House on Needless Street”, that was hardly her first literary and horror story rodeo. Her actual debut novel is “The Girl from Rawblood”, an award winning Gothic ghost story that is now being re-released. I was fortunate enough to receive a copy of the new edition just in time for an out of country trip that ended up with me sitting on an unplanned layover in Phoenix, as I needed reading material to get through the injustice of it all. I do love going back and seeing previously overlooked debuts of authors I like, as usually it’s fun to see the growth. Well in this case, there wasn’t much growth to be had, and I mean that in the good way. In many ways this doesn’t read like a debut, it reads like a seasoned Gothic author.

The brightest bit was the slow build up and world building of ‘her’, the curse that has been tormenting and killing the Villarca Family of Rawblood for generations. I love a rage filled ghost, and this one was giving me serious “The Haunting of Bly Manor” Lady in the Lake vibes. Ward really does have a talent for really freaky and tragic imagery in her stories, and I really liked just how creepy this curse was, mostly because we do get some is it real or is it not unreliability due to flashbacks of the frantic and frenzied Alonso, Iris’s father who has sheltered her in hopes of saving her, when his isolation of her seems just as terrible in her mind. In true Gothic fashion we are left to wonder if perhaps it’s Alonso’s madness due to generational trauma, romantic loss (more on that soon!) and grief that is the real culprit. But ah, this is Catriona Ward, so ultimately this is, indeed, a haunted house story. But there can be many hauntings, both of the past and ghostly kinds.

There is a lot of time jumping and historical fiction genre exploration in this as well, and that is ultimately what bogged the story down for me just a bit. Firstly, though, the good: I do love a historical Gothic novel with lots of melodrama and angst, and lord knows this book is frothing with it. This is Ward’s debut novel, and in a lot of ways it is a VERY impressive debut, as she has a lot going on and generally knows how to juggle all of it. But it is also a bit bloated, at least for me, in how much we are finding ourselves exploring. We have Iris’s story as she tries to push back against her father’s pleas to never fall in love, but we also go back to see Alonso and his medical school friend/forbidden love interest Charles try to approach this curse as though it is hereditary and more illness based, and see how their relationship grows and deteriorates and ends in, you guessed it, horrible tragedy. And THEN we also jump back to previous Villarcas and family members who have lived in Rawblood and the terrible fates that befell them, and I think that the out of order and abrupt jumps and shifts were a bit too jarring for me.

But having said that, it’s great that “The Girl from Rawblood” is being rereleased, because Ward was showing literary prowess with this as her debut, and prowess as a horror author at that. It all started here.

Rating 7: An eerie premise and an unsettling ghost story, “The Girl from Rawblood” is a chilling historical Gothic tale, though at times the jumps in time dragged a bit.

Reader’s Advisory:

“The Girl from Rawblood” is included on the Goodreads lists “Gothic Historical Fiction”, and “Dual Time Mysteries”.

Kate’s Review: “My Dear Henry: A Jekyll & Hyde Remix”

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Book: “My Dear Henry: A Jekyll & Hyde Remix” by Kalynn Bayron

Publishing Info: Feiwel Friends, March 2023

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: London, 1885. Gabriel Utterson, a 17-year-old law clerk, has returned to London for the first time since his life— and that of his dearest friend, Henry Jekyll—was derailed by a scandal that led to his and Henry’s expulsion from the London Medical School. Whispers about the true nature of Gabriel and Henry’s relationship have followed the boys for two years, and now Gabriel has a chance to start again.

But Gabriel doesn’t want to move on, not without Henry. His friend has become distant and cold since the disastrous events of the prior spring, and now his letters have stopped altogether. Desperate to discover what’s become of him, Gabriel takes to watching the Jekyll house.

In doing so, Gabriel meets Hyde, a a strangely familiar young man with white hair and a magnetic charisma. He claims to be friends with Henry, and Gabriel can’t help but begin to grow jealous at their apparent closeness, especially as Henry continues to act like Gabriel means nothing to him.

But the secret behind Henry’s apathy is only the first part of a deeper mystery that has begun to coalesce. Monsters of all kinds prowl within the London fog—and not all of them are out for blood…

Review: Thank you to NetGalley for providing me with an eARC of this novel!

I first read “Strange Case of Dr. Jekyll and Mr. Hyde” in college in my favorite class of all time: “Monsters, Robots, and Cyborgs”. Thank goodness for an unofficial Cultural Studies and Comparative Literature minor! We looked at horror, fantasy, and science fiction stories of the past and present and what they said about cultural and societal anxieties, so of course “Jekyll and Hyde” is ripe for the picking. Think about it: a somewhat obsessive scientist creates a potion that can change him from mild mannered academic to a brutish, cruel, uninhibited psychopath, talk about a great way to talk about the complexities of humankind while creating a suspenseful mystery to explore that. So when I saw that one of the “Remixed Classics” books was going to take on this story, I was VERY excited to see how it was going to be reimagined with newer themes and a more diverse perspective for modern young adult audiences. Suffice to say, “My Dear Henry” by Kalynn Bayron was an anticipated read. And in a lot of ways it lived up to my anticipation.

Bayron reimagines the classic tale of a personified split identity and the calamities that follow, by making our protagonists Henry Jekyll and narrator Gabriel Utterson young adults, Black, and queer, and setting them in a Victorian London that will hold those identities against them. This was immediately resonant and very incisive, and it works so well for the themes of the source material while expanding upon them to make them even more complex. It’s especially clever because there are, indeed, questions as to Robert Louis Stevenson’s sexuality and whether these themes were also hidden in his original “Jekyll and Hyde” idea. To expand upon that and to make Hyde less of a symbol for the uninhibited ‘evil’ of man and instead to make it a symbol of uninhibited ability to be oneself is poignant as hell. As Gabriel and Henry are drawn to each other and fall for each other, the cultural mores at the time makes it so that they have to hide their feelings from others, and when they ARE found out it leads to the path of Jekyll to Hyde, and leads to lots of poignancy and pathos. It makes the “Jekyll and Hyde” story all the more tragic, as this Hyde isn’t a violent madman, he’s a manifestation of love that was criminalized and feared. And to make it even more complex, our main characters are Black, and having Black characters set in Victorian England is a great choice for a few reasons. The first is that it makes the marginalization of Gabriel and Henry even deeper, as the racism in English society has already made them vulnerable, just as it has made their fathers, especially Jekyll Sr. (as he is the one we see more of), all the more intent on stifling their sons because of their already targeted identities. The other is that it is so common to see Black narratives in this time and place ignored or questioned, as if Black people didn’t exist in England during this time period, so to counteract this erasure within this story was really, really enjoyable.

And since it is a remix of an old tale, I do want to talk about how effective of a retelling it was. And I thought that in a lot of ways it succeeded, and in a couple ways it didn’t quite capture it. In terms of successes, it does have the characters and the plot points of the original story, either tweaked, reimagined, or adapted to suit the newer narrative and thematic ideas, and it does this really well. You are definitely reading the Jekyll and Hyde story at the heart of the book, when I’ve seen adaptations that just slap on the idea of a reimagining without actually doing the work to make the new ideas coexist with the old. But I do think that one thing that did let me down about this book was that while it is definitely Jekyll and Hyde, it does give it a whole new flavor that kind of takes the suspense and thrills of the original out of it. It’s very possible that because this story is SO old hat that maybe there aren’t really ways to be held in suspense by it anymore, but I wonder if there could have been a way to make it feel like a thriller and to mine a new kind of suspense? I’m unsure.

Overall, I did enjoy “My Dear Henry” and I liked the directions that Bayron took this classic horror story of identity and repression. It’s an effective reimagining and brings out new ideas from a timeless tale.

Rating 8: A clever remix of “The Curious Case of Dr. Jekyll and Mr. Hyde” that takes on the dualities of identity in a society that doesn’t accept certain people for who they are, though it doesn’t capture the suspense that the original had.

Reader’s Advisory:

“My Dear Henry: A Jekyll & Hyde Remix” is included on the Goodreads lists “Black Queer 2023 Releases”, and “Jekyll and Hyde Retellings”.

Kate’s Review: “She Is a Haunting”

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Book: “She Is a Haunting” by Trang Thanh Tran

Publishing Info: Bloomsbury YA, February 2023

Where Did I Get This Book: I received a finished copy from the publisher.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: A house with a terrifying appetite haunts a broken family in this atmospheric horror, perfect for fans of Mexican Gothic.

When Jade Nguyen arrives in Vietnam for a visit with her estranged father, she has one goal: survive five weeks pretending to be a happy family in the French colonial house Ba is restoring. She’s always lied to fit in, so if she’s straight enough, Vietnamese enough, American enough, she can get out with the college money he promised.

But the house has other plans. Night after night, Jade wakes up paralyzed. The walls exude a thrumming sound, while bugs leave their legs and feelers in places they don’t belong. She finds curious traces of her ancestors in the gardens they once tended. And at night Jade can’t ignore the ghost of the beautiful bride who leaves her cryptic warnings: Don’t eat.

Neither Ba nor her sweet sister Lily believe that there is anything strange happening. With help from a delinquent girl, Jade will prove this house—the home her family has always wanted—will not rest until it destroys them. Maybe, this time, she can keep her family together. As she roots out the house’s rot, she must also face the truth of who she is and who she must become to save them all.

Review: Thank you to Bloomsbury YA for sending me a finished copy of this novel!

Gothic horror is a sub genre that I really enjoy, and a lot of the time the haunted house tale can fall into that definition. But I think that a lot of people fall into the trap of expecting a Gothic haunted house tale to be very Western in style and theme, probably thanks to images of tormented white women lost in the moors as they are haunted by ghosts, ennui, and possibly mental instability. Because of that I’m always eager to read non-Western takes on Gothic haunted house stories, and “She Is a Haunting” by Trang Thanh Tran really caught my eye when a promo of it ended up in my inbox. Given that my knowledge of Vietnamese history is pretty limited, the idea of a haunted French Colonial home in Vietnam REALLY clinched it for me. I was really excited to read this book, and it didn’t disappoint.

The horror elements are on point basically right out the gate. As Lily settles in at the isolated, French Colonial house her Ba has taken on for refurbishing in Đà Lạt, Vietnam, it’s almost immediately off. Lily already doesn’t want to be there, as she harbors a resentment for her father for leaving her family in the States when he returned to Vietnam, as well as his coldness to her when he discovered that she is attracted to girls. So she is already in a suffocating mindset, but then Nhà Hoa, or Flower House, is hot and humid, seems to be infested with dying bugs, and just feels unsettled. Tran gets the unease off on the right foot, and as Jade starts experiencing sleep paralysis and having visions of a ghostly woman inside the house, the tension builds and the horror imagery pops. There were a number of moments and bits in this book that just made me shiver, or even gag a little bit because of the nasty descriptions involving bugs, or food, or a little of both. Jade as a character is a little caustic at times, but she’s well explored enough that I worried about her as things get more and more spooky and disgusting during her investigation of the house and its history.

But it’s the themes of colonialism, racism, and generational trauma that really made this one stand out for me. These kinds of themes make metaphors ripe for the picking, and Tran really emphasizes the terrible ways that French colonialism disrupted and destroyed the lives of Vietnamese people. Nhà Hoa has a dark history that is being romanticized to make for a charming historical bed and breakfast, propping up the French style and story of the family that lived there, but left behind is the story of Jade’s Ba’s family, that worked in the house under terrible conditions, and the mysterious ghost bride whose connection to the house is lost to history. The French family that build the home is remembered fondly, so much so that the investors that Ba has on board for the B and B fawn over the history of the couple that lived there, while the couple was using and discarding the Ba’s ancestors, and because of the exploitation that reverberated through the generations he now feels like he has to keep up a connection to this house and to prop up this history, much to Jade’s horror as she finds the dark history and abuses that occurred in the house. It may not be super unique for a horror story about colonialism to have metaphors regarding an unrelenting haunting and a house that seems to have a constant hunger and need to consume, but Tran’s talent is that they can bring these metaphors to life with the aforementioned well executed horror moments, making the supernatural and real life horrors leap off the page in the most disturbing ways. It’s really well done.

“She Is a Haunting” is scary, uncompromising, and deeply unsettling. Fans of haunted house tales, take note. This is one you are going to want to check out.

Rating 8: Disturbing horror and a searing critique of colonialism, “She Is a Haunting” is scary and unrelenting.

Reader’s Advisory:

“She Is a Haunting” is included on the Goodreads list “Queer Horror”, and “Asian Folklore/Mythology/Influence”.

Kate’s Review: “Aliens: Vasquez”


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Book: “Aliens: Vasquez” by V. Castro

Publishing Info: Titan Books, November 2022

Where Did I Get This Book: The library!

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: A groundbreaking Latinx Aliens novel by a rising star Latina author, featuring the fan-favorite character PFC Jenette Vasquez from the hit movie Aliens and the family she is forced to leave behind.

For the very first time, the canonical background of the breakout Aliens hero Jenette Vasquez, as well as the story of the children she was forced to leave behind as written by the rising Latina horror star V. Castro (Queen of the Cicadas).

Even before the doomed mission to Hadley’s Hope on LV-426, Jenette Vasquez had to fight to survive. Born to an immigrant family with a long military tradition, she looked up to the stars, but life pulled her back down to Earth—first into a street gang, then prison. The Colonial Marines proved to be Vasquez’s way out—a way that forced her to give up her twin children. Raised by Jenette’s sister, those children, Leticia and Ramon, had to discover their own ways to survive. Leticia by following her mother’s path into the military, Ramon into the corporate hierarchy of Weyland-Yutani. Their paths would converge on an unnamed planet which some see as a potential utopia, while others would use it for highly secretive research. Regardless of whatever humans might have planned for it, however, Xenomorphs will turn it into a living hell.

Review: Depending on the day and my mood, it’s a toss up between whether “Alien” or “Aliens” is my favorite film in the franchise (admittedly, I don’t really acknowledge any of the other films in the “Alien” universe because I don’t like any of them). They are such different movies in tone and theme and genre. But the one I revisit the most often is “Aliens”, as I do love the rag tag Colonial Marines who find themselves in a REALLY bad situation with a corrupt company, an traumatized expert, and a LOT of hungry and bloodthirsty Xenomorphs. One of the stand out marines is Vasquez, a tough as nails no nonsense brawler soldier who is one of the only women on the team. I love Vasquez as a character. One of the problems with Vasquez is that she is a Latina woman who is portrayed by a non-Latina in brownface. So when I saw that V. Castro, one of my favorite horror authors writing right now, was going to give Vasquez an origin story and explore her legacy in a new Sci-Fi horror novel, I was THRILLED. If there is any author who can reclaim the character of Jenette Vasquez, Castro is the one who can do it, as her horror stories have a Latine lens and perspective, AND she knows how to craft a gross and balls to the wall horror story. So I dove into “Aliens: Vasquez” with high hopes.

Haaa, look at Hicks in the background just amused as heck. (source)

“Aliens: Vasquez” is not only a deeper look into Jenette’s backstory, but it is also an exploration of her legacy after her death on LV-426 at the Hadley’s Hope Colony vis a vis the lives of her twin children Leticia and Ramón. I loved that Castro decided to go this route, as while the backstory for Jenette is great (more on that in a bit), there is only so much to work with there. So to think of it as the whole Vasquez legacy works very well. For Jenette, we see her upbringing in a close knit family that has a share of tragedy involving disease, poverty, and societal racism. Eventually she is charged with a crime she didn’t commit thanks to a corrupt cop, and has to choose between prison and military service. To make matters more upsetting, she eventually finds herself pregnant while enlisted, and is told that she can either abort, or have the babies and give them up never to be seen again, and both scenarios end with her forced sterilization. Given what he know about American history (and very RECENT history too) with government forced sterilization of non-white disenfranchised people, this is all very chilling. I loved seeing Vasquez go from somewhat ambitious teenager to hardened Marine, and seeing the various injustices that got her there.

But then there are the twins, Leticia and Ramón Vasquez, and that is the real heart of the story. We get to see these twins as they are raised by their loving aunt with no memory of their mother, and how this loss sets them on two very different paths. For Leticia, she wants to follow in her mother’s footsteps and joins up with the Marines, hoping to prove herself a worthy warrior not only for her mother, but for their family’s tradition of women fighters. For Ramón, it means gathering enough power that he will never feel powerless again. We mostly follow Leticia, and I felt like I got to know her better, but what we do get to know about Ramón is well conceived and feels very realistic. I thought that the twins paths were very on point for the overall tale, and also for the “Alien” themes, as while Leticia becomes a commando like other badass women in the franchise, Ramón ends up working at Weyland-Yutani, the corporation whose greed and thirst for power is what gets everyone into the Xenomorph mess in the first place. Let’s just say that it’s up to its old tricks, and Ramón feels a lot like Paul Reiser. I liked seeing them have to come together when things with the Xenomorphs go wrong. Because, of course, it goes wrong.

And let’s talk Xenomorphs. You need to have a solid focus on the Xenomorphs and all the action and body horror nastiness that comes with them, and I think, for the most part, Castro achieves this. There are the required ‘Weyland-Yutani just can’t leave it alone!’ themes, just as there are the really gross parasitic moments of chest bursters, but there are new ideas like what if someone tried to cross breed Xenomorphs with other creatures to create other kinds of horrible bioweapons? It’s disgusting and unsettling as hell, and it felt very in character and in universe. My only qualm was that I almost felt like, when it all comes together with the research, the Xenomorphs, and the twins colliding, it almost wasn’t enough action and climax. That isn’t to say that things earlier should have been scrapped or cut. I would argue that this book should have been longer to explore this confrontation between Xenomorphs, a marine, and an enabler as it all comes to a head. Especially when that marine and enabler are twins.

Overall, this is a very worthy addition to the “Alien” universe and I thought that it was a great reclamation of a character that is well loved in a movie fandom. Fans of “Aliens”, you should read this.

Rating 8: A fun exploration of a fan favorite character that moves her beyond Hollywood dated stereotypes, “Aliens: Vasquez” feels right at home in the “Alien” franchise.

Reader’s Advisory:

“Aliens: Vasquez” isn’t included on any Goodreads lists yet, but it would fit in on “Alien Books & Tie-Ins”, and “Latinx Horror/Fantasy”.

Kate’s Review: “The Spite House”

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Book: “The Spite House” by Johnny Compton

Publishing Info: Tor Nightfire, February 2023

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: Eric Ross is on the run from a mysterious past with his two daughters in tow. Having left his wife, his house, his whole life behind in Maryland, he’s desperate for money–it’s not easy to find safe work when you can’t provide references, you can’t stay in one place for long, and you’re paranoid that your past is creeping back up on you.

When he comes across the strange ad for the Masson House in Degener, Texas, Eric thinks they may have finally caught a lucky break. The Masson property, notorious for being one of the most haunted places in Texas, needs a caretaker of sorts. The owner is looking for proof of paranormal activity. All they need to do is stay in the house and keep a detailed record of everything that happens there. Provided the house’s horrors don’t drive them all mad, like the caretakers before them.

The job calls to Eric, not just because there’s a huge payout if they can make it through, but because he wants to explore the secrets of the spite house. If it is indeed haunted, maybe it’ll help him understand the uncanny power that clings to his family, driving them from town to town, making them afraid to stop running. A terrifying Gothic thriller about grief and death and the depths of a father’s love, Johnny Compton’s The Spite House is a stunning debut by a horror master in the making.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

I love seeing what other horror reviewers and horror minded people are all abuzz about. It’s a nice way to get the fingers on the pulse, and while I’ve had success and failings when it comes to following these trends, I really do like to try and cast a wide net for titles on various social media and online platforms. This is how I came upon Johnny Compton’s “The Spite House”, a debut horror novel about a strange and haunted house that a family moves into. The owner has secrets, but so does the family, consisting of Eric and his daughters Dess and Stacy. All of this combined with the hype made me pretty excited for this book. But I can solidly say that this one was pretty mixed for me.

But I will start with what worked first! Compton really knows how to amp up the suspense factor in this book, in two different ways. The first way is the obvious suspense, which is about the haunted Spite House. I loved some of the really freaky ghost moments in this book, whether it was described imagery inside and outside of the house (spectres through windows, hell yes), and the way that our characters, be it Eric or Dess or whomever, would be in a darkened area in the house and would have a moment that would just make my blood run cold. I love a well done haunted house story, and man oh man does this book have some really well done haunted house moments. The other less obvious suspenseful angle was the mystery as to why Eric, Dess, and Stacy are on the run and trying to be incognito. All the reader knows is that they are driving cross country, trying to stay under the radar, and worried that they are going to be spotted or noticed. Compton takes his time to carefully reveal what is going on here. And let me tell you, when we DID find out what it was? My mind was blown. Part of me was like ‘is this a little too out of left field?’ But the louder part of me was like ‘no, shut up, you love this’. And I did.

But this does kind of segue into the aspects that didn’t work as well for me. The first issue is the pacing of this book. I kind of mentioned above that the reveal of why Eric and his kids are running just blew my mind. And it did. Like, I really liked it. BUT, by the time we got to it, we were a good three fourths into the book, with a lot of teasing and drawing out leading up to it. I appreciate holding cards to the vest, but sometimes curiosity can turn to frustration and impatience. And then things kind of got into a whirlwind right before the end, followed by a bit of a drawn out post-climax. Along with that, there are a lot of perspectives in this book. Some of them we get to see multiple times, which makes sense, we absolutely need to get into Eric’s head, and Dess and Stacy’s heads. But there were also the perspectives of some side characters that we only spent the minimal amount of time with, and it didn’t feel necessary, really. If anything it contributed to the lagging pace.

The above said, overall I thought that “The Spite House” had some really strong bits. I definitely want to see what else Johnny Compton comes out with, because the horror moments are unnerving as all get out.

Rating 6: Eerie and unnerving, “The Spite House” is a tense haunted house story. The pacing could have picked up a bit and the number of perspectives get a bit overdone, but the pay off is mostly worth it.

Reader’s Advisory:

“The Spite House” is included on the Goodreads list “2023 Gothic”.

Kate’s Review: “Don’t Fear the Reaper”

his post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Don’t Fear the Reaper” by Stephen Graham Jones

Publishing Info: Gallery/Saga Press, February 2023

Where Did I Get This Book: I received and eARC from NetGalley.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: December 12th, 2019, Jade returns to the rural lake town of Proofrock the same day as convicted Indigenous serial killer Dark Mill South escapes into town to complete his revenge killings, in this riveting sequel to My Heart Is a Chainsaw from New York Times bestselling author, Stephen Graham Jones.

Four years after her tumultuous senior year, Jade Daniels is released from prison right before Christmas when her conviction is overturned. But life beyond bars takes a dangerous turn as soon as she returns to Proofrock. Convicted Serial Killer, Dark Mill South, seeking revenge for thirty-eight Dakota men hanged in 1862, escapes from his prison transfer due to a blizzard, just outside of Proofrock, Idaho.

Dark Mill South’s Reunion Tour began on December 12th, 2019, a Thursday.

Thirty-six hours and twenty bodies later, on Friday the 13th, it would be over.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

Let me tell you what kind of a human disaster I am. I get so hyped about things that I love, or things that I’m really excited about. But then I get almost bogged down in the anticipation, and if I don’t dive in right away (and if there is a long out deadline or no deadline at all, thanks ADHD), I will probably freeze on it, even if I’m looking forward to it. Enter “Don’t Fear the Reaper” by Stephen Graham Jones, the second book in his Lake Witch Trilogy. I loved “My Heart Is a Chainsaw”, the slasher love letter that had the lovely, funny, and plucky but somewhat tragic Jade Daniels as a protagonist. It was a top 3 read for me in 2021. So when I was approved for “Don’t Fear the Reaper”, I celebrated, overjoyed that I got it…. And then it sat on my Kindle for months. I was so excited I just froze up. I was just so excited I didn’t know what to do with myself. But I did eventually get to it. And my horror loving heart was, once again, blown away by how much Stephen Graham Jones knows this genres, and how well he can make it his own while still paying homage to those who came before. Jade Daniels, I missed you. I’m glad you’re back for more.

You’re doing awesome, Jade!

It’s so good to see Jade again. Though she would prefer to be called Jennifer. In “Don’t Fear the Reaper”, Jade has left prison after having her wrongful conviction in the wake of the “Independence Day Massacre” overturned, and is coming home just wanting to survive and put all of that behind her. Including her love for slashers and the genre. A downtrodden final girl returning in movie two is pretty standard (Sidney Prescott went full morose quasi-Goth for “Scream 2”, after all), and Jade/Jennifer has every reason to be weary given that the system failed her and she’s untrusted by most. Seeing Jade/Jennifer try to suppress her vast knowledge and, in some ways, nature is heartbreaking, and watching her gain more confidence in her knowledge, ability, and destiny is a really satisfying journey for her. And it’s a hoot watching her reunite with Letha, the girl she though was the final girl in “My Heart is a Chainsaw”, and seeing how she, too, has become a horror movie expert in hopes of staying alive. The way they play off each other with this shared passion and knowledge is a treat, and watching them try to piece together their situation as well as the slasher at hand is fun as well as suspenseful. And seeing Letha again, now as a resilient albeit traumatized young mother, was also wonderful. I’m so glad she and Jade/Jennifer got to properly team up.

I could rave about Jade/Jennifer and her amazingness for days. But I also really want to talk about our primary antagonist this time around Dark Mill South. What a perfect idea for a slasher villain (with a little bit of a point to his rage). The origin of his original motive, the Dakota 38 Execution on Boxing Day in Mankato, Minnesota in 1862, is a horrific moment in Minnesota history, and as someone who worked at the historic site Fort Snelling (which served as a prison and the site of a concentration camp for 1000+ Dakota, mostly women, children, and the elderly in the aftermath of the US-Dakota War), I was quite familiar with this moment. I used to teach it to visitors who would come to the Fort, and was almost always saddened/incensed to see that most people were more interested in watching the musket and cannon drills than grappling with some very dark and complex history. I think that for Dark Mill South to be enraged because of this event, and to be revenge killing in the name of it, was a very good literary choice. Lord knows there have been slasher killers who have a point in their rage, that can spill over into a gory conclusion for bystanders, and Dark Mill South feels a lot like that. It adds weight and subverts this ‘he’s not wrong he’s just an asshole’ trope you see in some slasher killers (Jason Voorhees being my favorite of this subtype), as well as subverting other expectations of a named slasher killer. [And if you want more information about the Dakota 38 + 2 and the U.S. Dakota War, the Minnesota Historical Society has some pretty good info, as does Indian Country Today, as does an article about an annual ride to commemorate the prisoners from Minnesota Public Radio. Please read about it. Don’t be like the indifferent visitors I saw every shift.]

And finally, Jones’s reverence for the horror genre, specifically slashers, is once again on full display in this book. There is SO much meta-analysis of the genre, so many references, it’s a true feast for fans of all things horror. I loved seeing the chapter titles, I loved the idea of not only Jade but also now Letha looking to the slashers for guidance, I loved seeing some of my favorites mentioned (Hello “Happy Death Day”!) as well as some not as popular films given a shout out. Jones’s love for slashers is infectious. It’s so fun to hunt for the Easter eggs. And we even have a new voice that is deconstructing slasher tropes between certain chapters. The identity is a secret, so no spoilers here. But I liked that Jones found a way to do it again, even with Jade/Jennifer out of commission. Oh, and there is still a lot of horror movie-esque gore to be had on these pages.

This was well worth the wait. “Don’t Fear the Reaper” is a complex and gory sequel to a complex and gory predecessor, and I now wait on pins and needles to see how Jones brings it all together in the final installment. Long live Jade.

Rating 9: A riveting, scary, and emotional horror tale that both pays homage to and re-writes the rules of slasher stories, “Don’t Fear the Reaper” is a much welcomed return to Proofrock, Idaho, and a wonderful reunion with Jade.

Reader’s Advisory:

“Don’t Fear the Reaper” is included on the Goodreads lists “Slasher Horror Books”, and “Book Riot 2022 #19: Read A Horror Novel by a BIPOC Author”.

Kate’s Review: “One Girl In All The World”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “One Girl In All The World” by Kendare Blake

Publishing Info: Disney Hyperion, January 2023

Where Did I Get This Book: I received an eARC from the publisher via NetGalley.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: Into every generation, a slayer is born. One girl in all the world . . . maybe.

Frankie Rosenberg is the world’s first slayer-witch, but she doesn’t have that slay-life balance figured out just yet. After all, being the newest slayer means that another slayer had to die. Frankie and the Scooby gang are still reeling from the deadly explosion that rocked the annual slayer retreat―and grappling with new evidence that some slayers may have made it out alive. And even though they defeated bloodthirsty vampire the Countess, it doesn’t mean Sunnydale is free from the forces of evil.

Something has reawakened the Hellmouth―and is calling old friends home. Someone is performing demon magic in the shadows, opening portals between dimensions. Everyone has demons to contend with―of the metaphorical and the very real (occasionally very hot) variety. And an oracle warns of a new evil on its way: the Darkness.

Could this be what attacked the slayers? And is it coming for Frankie?

Review: Thank you to Disney Hyperion for sending me an eARC of this book via NetGalley!

Well after that awesome opportunity we had last week with our blog’s Q & A with Kendare Blake, I am now going to talk about the newest book in her “Buffy the Vampire Slayer” Universe set YA Series, “One Girl In All The World”. It took some willpower to not dive immediately into this one once I had finished “In Every Generation”, as the first book that focuses on Frankie Rosenberg, Slayer-Witch, and her 2nd Generation Scoobies was such a hit for me. But I found the right moment with “One Girl In All The World”, telling myself I wouldn’t take it too fast and would just enjoy my time with Frankie, Hailey, Willow, Spike, and everyone else….. Yeah, then I pretty much read three fourths of it in one sitting. Late into the night. So much for self control.

This could be footage of me sitting up in disbelief after looking at the hotel room clock. (source)

When we left off, Frankie and friends Jake, Hailey, and Sigmund had basically formed Scooby Gang 2.0, with Frankie as the Slayer and her pals as her rag tag gang of fighters and supporters. With Buffy and a number of other Slayers still missing and possibly trapped in another dimension, Frankie is just about it for fighting the forces of darkness, and it is clear that the burden is starting to wear on not only her and her friends, but also on her mother Willow and her Watcher Spike. It doesn’t help that someone has seemingly set a beacon to lure any and all demons back to the Hellmouth, so they are all working overtime and are all VERY stressed. I thought that it was a good idea for Blake to show just how hard this would be for these teenagers to have to deal with, magical powers or not, and I liked that there were some very realistic problems with a supernatural twist (like Frankie’s attraction to Hunter of Thrace Grimlock, a morally grey demon that serves as a broody Angel-esque love interest; teenage romance is so messy even if you’re a Slayer-Witch). And even without super powers at play there are still relatable issues, like Hailey feeling torn between her new friends and her Slayer sister Vi, who has returned and is acting a little cagey, or Jake and his newfound feelings for a fellow athlete named Sam, or Sigmund feeling parental pressure to live up to a role he may not be cut out for. And since I really like all of these kids, the suspense isn’t just about whether or not this so called “darkness” is going to put them in danger, but if they are going to crumble because of this huge responsibility that is just exacerbating built in teenage struggles.

But it’s not just Frankie and her friends who are dealing with the weight of all of this. The first and most obvious old favorite is Willow, who has not only lost her best friend, but is also having to deal with her child being put in constant peril by the very nature of her being a Slayer. Willow remembers what it was like for Buffy when the weight of the world was on her shoulders. Now her daughter is carrying that burden. On top of all of that, Willow knows that her magic is a way that she can help Frankie and also Buffy, but there is the pesky fact that she was once consumed by her magic and almost destroyed the world. Blake really nails this stressful line that Willow has to walk, and the fear of not only losing her child, but also of losing herself. And it’s not just Willow who gets in on the angst. Because oh God how Spike is just ACHING for Buffy in this book. My old shipper heart was breaking over and over again. I am someone who can see Spike with Buffy, or Angel, or Faith (haaa I’ve written fan fiction with ALL of those combinations), but when you have an author like Blake who really gets the complex and undefinable but super intimate relationship that Buffy and Spike had by the end of Season 7, I just die. She just GETS it. She gets Spike, she gets Willow, she gets it all.

And Blake continues to give plenty of fan service to old seasoned “Buffy” fans like myself, and for anyone who has watched the series in full and enjoyed it. For one, there are so many references to old episodes and enemies, be it the return of the Sunnydale Swim Team that turned into aquatic monsters, or a reference to the episode where Giles was turned into a demon by a nemesis (oh my God, this moment had me howling with laughter because Spike, natch, was at the heart of it and it was PERFECT, PERFECT I SAY). Blake obviously loves the show and the canon and the characters, and you can really tell she is having a blast while she writes these new stories as she references the source material. But she also weave it into the story at hand so effortlessly that it doesn’t feel out of place or too twee due to fan service. All of these bits fit in with the various scenarios that Frankie et al are dealing with within this new story, and it’s a true joy to watch it all come together.

I’m still loving this series. I don’t know what I’m going to do while I wait for the conclusion. Frankie Rosenberg, you have earned your place as a kickass Slayer.

Rating 9: “One Girl In All The World” continues to reimagine “Buffy” for a new generation, with great, great success. The characters, old and new alike, are still highly enjoyable, and it feels like I’m a teenager watching my favorite show all over again.

Reader’s Advisory:

“One Girl In All The World” is included on the Goodreads list “Buffy The Vampire Slayer”.