Tag: horror

Kate’s Review: “Holly”

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Book: “Holly” by Stephen King

Publishing Info: Scribner, September 2023

Where Did I Get This Book: I own it.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Stephen King’s Holly marks the triumphant return of beloved King character Holly Gibney. Readers have witnessed Holly’s gradual transformation from a shy (but also brave and ethical) recluse in Mr. Mercedes to Bill Hodges’s partner in Finders Keepers to a full-fledged, smart, and occasionally tough private detective in The Outsider. In King’s new novel, Holly is on her own, and up against a pair of unimaginably depraved and brilliantly disguised adversaries.

When Penny Dahl calls the Finders Keepers detective agency hoping for help locating her missing daughter, Holly is reluctant to accept the case. Her partner, Pete, has Covid. Her (very complicated) mother has just died. And Holly is meant to be on leave. But something in Penny Dahl’s desperate voice makes it impossible for Holly to turn her down.

Mere blocks from where Bonnie Dahl disappeared live Professors Rodney and Emily Harris. They are the picture of bourgeois respectability: married octogenarians, devoted to each other, and semi-retired lifelong academics. But they are harboring an unholy secret in the basement of their well-kept, book-lined home, one that may be related to Bonnie’s disappearance. And it will prove nearly impossible to discover what they are up to: they are savvy, they are patient, and they are ruthless.

Holly must summon all her formidable talents to outthink and outmaneuver the shockingly twisted professors in this chilling new masterwork from Stephen King.

Review: It’s finally time for another Stephen King book!! He is and has been my favorite author, ever since I was in middle school, and I am so happy that not only has he continued to write and thrive, but that he’s expanded his stories and genres beyond horror. “Holly” is his newest, and I held off on it for a bit because I wanted to savor it. And once I dropped in, eager to read a new book about Holly Gibney, I had pretty high hopes. And not only were they met, they were exceeded.

I know that Holly Gibney is a bit of a polarizing figure amongst Stephen King fans. King has always had a tendency to have a favorite characters or settings that he likes to bring from story to story, whether it’s Randall Flagg or Castle Rock or Shawshank Prison or Danny Torrence, and Holly is that character right now. And I happen to love it, because I really, really love her as a fellow anxiety prone neurodivergent woman. I love seeing how much she has grown as a character since her debut in “Mr. Mercedes”, and how she has come into her own while still having the challenges that come with being who she is (this book takes place during the Delta wave of the COVID pandemic and man oh man was I like ‘yep, that’s exactly how I was during this time’ whenever she was stressing about groups, masks, and hygiene as she investigates). King places her front and center in this nearly five hundred page book, and she shines like a star as far as I’m concerned. She brings me so much joy through her complexity and quirkiness and tenacity. But King also fleshes out his supporting characters really well, whether it’s returning favorites like Jerome and Barbara Robinson, or new characters like the deeply, deeply sinister Roddy and Emily Harris, whose depravity and cruelty is hidden by a veneer of intelligence and seeming fragility due to their ages. I felt like I knew everything about them by the end of the book, and it chilled me to the very bone.

Which segues perfectly into the horror/thriller elements of this book. King slowly unfolds the grotesque and absolutely horrifying secrets that Roddy and Emily Harris are holding through flashbacks in time to their various victims, and while he doesn’t hold his cards to the vest too long in terms of what they are doing (I won’t spoil it), he still builds upon it in a way that makes for a slow and grueling revelation that really, really disturbed me. Holly Gibney has faced some really nefarious antagonists in her time as a character, but these two really took the cake. And that’s a steep order given that past villains Holly has dealt with include Brady Hartsfield and The Outsider. It is a really good device being able to see Holly slowly but surely piece together the disappearance of Bonnie Dahl and the tangled web and nasty turns that come with it, as a potential body count seemingly grows and she circles the most unexpected of criminals. Sure, I knew what was going on, but seeing Holly (and to extent Barbara and Jerome) play their parts in figuring it out was so enjoyable.

I also thought that King used the time and place of the Delta Wave of 2021 to a chilling and effective degree, as Holly’s mother has just died of COVID after refusing the vaccine which has sent Holly into mourning, and post January 6th anxieties are also still at play. I know some people got up in arms about how overtly political “Holly” seems to be, but I thought that King gave a really good explanation in his author’s notes as to why he felt like he wanted to go in this direction. It also helped contextualize how DIFFICULT everything was at this time, and how it could absolutely hinder this kind of investigation (and how dangerous people will hide their dangerous nature until they feel emboldened). It worked really well for me.

I loved “Holly”. It manages to balance absolutely horrifying beats with genuinely hopeful and endearing ones. It’s top tier King as far as I’m concerned.

Rating 10: I adored this book. It sent chills down my spine, really got under my skin, and also filled me with a certain joy.

Reader’s Advisory:

“Holly” is included on the Goodreads lists “Books That Gave Me Nightmares”, and “Horror 2023”.

Kate’s Review: “The Reformatory”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Reformatory” by Tananarive Due

Publishing Info: Gallery/Saga Press, October 2023

Where Did I Get This Book: I own it.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A gripping, page-turning novel set in Jim Crow Florida that follows Robert Stephens Jr. as he’s sent to a segregated reform school that is a chamber of terrors where he sees the horrors of racism and injustice, for the living, and the dead.

Gracetown, Florida
June 1950

Twelve-year-old Robbie Stephens, Jr., is sentenced to six months at the Gracetown School for Boys, a reformatory, for kicking the son of the largest landowner in town in defense of his older sister, Gloria. So begins Robbie’s journey further into the terrors of the Jim Crow South and the very real horror of the school they call The Reformatory.

Robbie has a talent for seeing ghosts, or haints. But what was once a comfort to him after the loss of his mother has become a window to the truth of what happens at the reformatory. Boys forced to work to remediate their so-called crimes have gone missing, but the haints Robbie sees hint at worse things. Through his friends Redbone and Blue, Robbie is learning not just the rules but how to survive. Meanwhile, Gloria is rallying every family member and connection in Florida to find a way to get Robbie out before it’s too late.

The Reformatory is a haunting work of historical fiction written as only American Book Award–winning author Tananarive Due could, by piecing together the life of the relative her family never spoke of and bringing his tragedy and those of so many others at the infamous Dozier School for Boys to the light in this riveting novel.

Review: After reading a few short stories by horror icon Tananarive Due in 2023, I told myself that I needed to finally pick up one of her novels. I don’t know why I haven’t, as she has always been on my radar. But for whatever reason it just never happened. When her newest novel “The Reformatory” came out, I bought myself a copy on my solo trip to Duluth. It took me a bit to get to it, as I had a stack of books to attend to and whenever I have a book that I have purchased I usually end up letting it sit a bit because of no deadline to read it. But then I did sit down and start reading. And my God. I was completely blown away by what I was reading. I was such a fool for waiting so long to pick it up. I was such a fool for waiting to pick up a book by Due. Because “The Reformatory” is magnificent.

The horror themes in this story are already top tier for me. I love ghosts in general, but I LOVED how Due brought in the folklore of Haints from the low country and the deep South of the United States (it’s been awhile since I’ve been to Savannah, Georgia, but one of the things that really stands out for me is how you see so many specific blue doors in a shade called Haint Blue, as it was thought to ward off Haints). Due really knows how to create terrifying moments in her pacing and descriptions, and with the tormented ghosts of dead children, who died at the hands of a racist and violent institution, being present and haunting said institution, it makes for a perfect metaphor as well as a great ghostly tale. It’s scary and nerve wracking and the high tension moments with the Haints were top tier horror. There were also the less focused on but certainly implied supernatural gifts of Robbie’s sister Gloria. While Robbie can see ghosts and communicate with them at least to a small degree, Gloria has her own talent of being able to get a sense of someone’s future if she is able to touch them or be near them. I am a complete sucker for both of these tropes, and I loved that Robbie and Gloria have different skills that they don’t necessarily want, but have to contend with.

But, unsurprisingly, it’s the realistic horrors of the Jim Crow South that really pack a wallop in “The Reformatory”, as both Robbie and Gloria are having to maneuver their way as Black people (children at that) through a deeply racist and violent society that has targets on their backs, not only because of their skin color, but because of their family name (as their father is on the run for a crime he didn’t commit that he was accused of because of his outspokenness). For Robbie, he is in what is essentially a prison as a child, for the audacious crime of kicking a white teenager who was harassing Gloria. Dozier School for Boys is run by a violent and sadistic warden, with dead children haunting the place that only Robbie can see. The brutal realities of the violent punishments are displayed in full, as Due basically tells the reader that they mustn’t look away from these real horrors that were committed about Black children, whether it’s torture, sexual assault, or murder. Dozier is a relentless prison that Robbie is barely surviving within, and seeing him and other detainees try to survive is enraging and devastating.

On the flip side is Gloria, who is determined to get Robbie out, and is trying to work through the justice system by reaching out to the NAACP, as well as well meaning (but at their heart ignorant) white people who may have the power to help, but have their own reservations. I thought that the dichotomy that Due showed between Robbie living in an overtly racist dangerous situation, and Gloria whose relentless pursuit for justice is putting her in just as much danger, while also displaying the everyday racism and dangers to Black people during this time and in this place. I also really appreciated how she not only took inspiration from her own family history, and also had in story versions of actual historical people, whether it was a reference to Thurgood Marshall or an actual interaction with Harry T. Moore. It’s so well done and so incredibly harrowing, and it’s an important reminder that even if Haints and psychic abilities aren’t real, the violent oppression against Black people at this time (and present times) was, and cannot and should not be washed away or forgotten.

“The Reformatory” is my first 10 Rating of 2024, and it has set an incredibly high bar for any and all books for the rest of the year. It’s phenomenal in every way. I never should have waited so long to read Tananarive Due. Expect more works by her this year, because I’m going to make up for lost time.

Rating 10: An astounding and horrifying horror novel whose darkest moments are less supernatural and more based in fact, “The Reformatory” is a knockout. Absolutely incredible.

Reader’s Advisory:

“The Reformatory” is included on the Goodreads list “Popsugar 2024 #40 – A Horror Book Written by a BIPOC Author”, and “ATY 2024: Chilling Atmosphere”.

Kate’s Review: “Gorgeous Gruesome Faces”


This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Gorgeous Gruesome Faces” by Linda Cheng

Publishing Info: Roaring Book Press, November 2023

Where Did I Get This Book: The library!

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: After a shocking scandal that abruptly ended her teen popstar career, eighteen-year-old Sunny Lee spends her days longing for her former life and cyberstalking her ex-BFF and groupmate, Candie. The two were once inseparable, but that was then—before the tragedy and heartache they left in their wake.

In the here and now, Sunny is surprised to discover that Candie is attending a new K-pop workshop in her hometown. Candie might be there chasing stardom, but Sunny can’t resist the chance to join her and finally confront their traumatic history. Because she still can’t figure out what happened that horrible night when Mina, the third in their tight-knit trio, jumped to her death. Or if the dark and otherworldly secrets she and Candie were keeping had something to do with it . . .

But the workshop doesn’t bring the answers Sunny had hoped for, nor a happy reunion with Candie. Instead, Sunny finds herself haunted by ghostly visions while strange injuries start happening to her competitors—followed by even stranger mutilations to their bodies. In her race to survive, Sunny will have to expose just who is behind the carnage—and if Candie is out for blood once more—in Linda Cheng’s spellbinding sapphic thriller that will have readers screaming and swooning for more.

Review: Happy 2024! I hope that you all had a good New Year Celebration, and that you are not as anxious about the coming year as I am. As the social hangover of the holidays wears off, I’m eager to get into the reviews of 2024, and we are starting off with something a little bit sapphic, a little bit fandom-y, and all kinds of odd in a good way. I saw “Gorgeous Gruesome Faces” by Linda Cheng as a Goodreads ad, and the title alone caught my attention. When I read that it was a horror thriller involving a K-pop competition and a former teen idol trying to start anew, I knew it was absolutely a must read for me. And then you throw in a twist involving some folklore from the Asian Diaspora? What a combination!

I do really like the set up for this book. We have our protagonist Sunny Lee, who used to be a part of a teen TV show that rocketed her and her two cast mates turned friends Candie and Mina into stardom, but whose career has crashed and burned after a massive scandal and the death of Mina. Her friendship (and potentially something more) with Candie crumbled, and she hasn’t seen her since their show ended. Now Sunny has joined a K-Pop competition that Candie has also joined, in hopes of getting back on her feet, and perhaps hashing things out with Candie. It has the set up for a soapy and cutthroat thriller, with past relationships, traumas, and baggage making things that much more tense. I loved the slow building of Sunny trying to connect with Candie again, as well as the way that other contestants start dropping like flies due to supposed accidents and breakdowns. Sunny was an interesting enough character, though I think that I wanted a bit more connection between her and Candie, as their past romance should make the mystery about Candie’s potential culpability and Sunny’s suspicions feel that much more high stakes, but as it was I wasn’t TOTALLY buying it (that said, there is the potential for another book, which could flesh it out a bit more).

When it comes to the dark fantasy and horror elements of this book, it was pretty creative and at times pretty brutal. I really enjoyed some of the descriptions of the way that characters faces would ‘change’, and become uncanny and unsettling, all while sending that person into a full blown panic, to the point of self mutilation and self harm. Body horror can really get under my skin, and in this book I definitely found myself squirming a bit. There is also some solid ‘ghost girl’ imagery, as Sunny starts to see visions of a washed out spectre of a broken girl who looks a lot like her dead friend and former cast mate Mina, whose death has haunted Sunny. I LOVED the descriptions of the stalking ghost, they really set my teeth on edge while feeling like a vengeful spirit from an A-Horror film. But there is also a bit of dark fantasy in here as well, as it draws upon the folktale of The Celestial Maiden and the Woodcutter, in which a goddess is basically held captive by a peasant after he stumbles upon her without her clothing, and hides them from her, rendering her unable to leave the Earth. Cheng really runs with the idea of the ‘held captive’ angle, and uses the concept of her supposed worshipers being given special abilities, but how darkness is always attached to those who use it. It was pretty unique in this regard, and I hope that we just see more and more nods to mythologies that we don’t see as often in modern literature.

I found “Gorgeous Gruesome Faces” to be entertaining and sufficiently creepy. I am absolutely going to check out where it goes from here when the next book in the series comes out.

Rating 7: A creative and at times nasty horror thriller about deities and K-Pop, “Gorgeous Gruesome Faces” is a solid YA thrill ride.

Reader’s Advisory:

“Gorgeous Gruesome Faces” is included on the Goodreads list “Queer Releases November 2023”.

Kate’s Review: “Christmas and Other Horrors”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Christmas and Other Horrors: An Anthology of Solstice Horror” by Ellen Datlow (Ed.)

Publishing Info: Titan Books, October 2023

Where Did I Get This Book: I own it.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Hugo Award winning editor, and horror legend, Ellen Datlow presents a terrifying and chilling horror anthology of original short stories exploring the endless terrors of winter solstice traditions across the globe, featuring chillers by Tananarive Due, Stephen Graham Jones, Alma Katsu and many more.

The winter solstice is celebrated as a time of joy around the world—yet the long nights also conjure a darker tradition of ghouls, hauntings, and visitations. This anthology of all-new stories invites you to huddle around the fire and revel in the unholy, the dangerous, the horrific aspects of a time when families and friends come together—for better and for worse.

From the eerie Austrian Schnabelperchten to the skeletal Welsh Mari Lwyd, by way of ravenous golems, uncanny neighbors, and unwelcome visitors, Christmas and Other Horrors captures the heart and horror of the festive season.

Because the weather outside is frightful, but the fire inside is hungry…

Review: We are approaching the end of 2023, and with Hanukkah behind me, Christmas next week, and today being the Winter Solstice, my celebrations are in full swing and about halfway through. I honestly love the Solstice, as I love the darkness that comes with it and the promises of slowly unveiling light as Winter moves through. And given that it’s the holiday season of MANY holidays, I thought that showcasing “Christmas and Other Horrors: An Anthology of Solstice Horror”, Ellen Datlow’s newest edited collection, would be the perfect flair for this festive time. So no matter what you are celebrating this time of year, there is probably a horror tale in here for you to be a sinister holiday treat!

Consider it a Solstice season literary tip! (source)

As usual, I will focus on my three favorite stories, and then I will review the entire collection as a whole.

“His Castle” by Alma Katsu: I have always loved seeing videos of the Welsh tradition of the Mari Lwyd, where wassailers go door to door with a ghostly set up of a horse skull, sheet, and hobby horse to see if they will be invited in for drinks and food in exchange for good luck on whom they visit. Therefore I loved that we got a story centered around that tradition, and that it was written by Alma Katsu, who knows how to bring the creepiness factor up to eleven to whatever she thinks up. Trevor an Cate are spending their holiday in an Air BnB in a small town in Wales, when they get locals at their door doing the Mari Lwyd tradition. They invite the men inside, but tensions start to rise as they converse, as Cate believes they may be targets of the men. But Trevor and Cate have secrets of their own. I loved the building suspense of this story, as you get the sense that Katsu is hiding something from the reader, but I also loved the commentary about the way that land has always been used by the wealthy to their own ends, even if it hurts more working class folk, whether it’s through old aristocratic systems, or properties being bought up by corporations to be turned into luxury vacation homes while locals lose out of owning their own land. I also liked the historical twist in this, but that’s all I will say about it.

“Return to Bear Creek Lodge” by Tananarive Due: I have a note to myself that I need to read more Tananarive Due (side note: I have her newest novel “The Reformatory” on my stack, so look for a review for that in January!), and “Return to Bear Creek Lodge” just continues to emphasize that goal while helping meet it. Her writing style is so evocative and really brings out all the emotional punches as you read. Johnny and his Mom are going to Bear Creek Lodge to see his dying Grandmother for one last Christmas, though Johnny’s last interaction with his Grandmother left him scarred and traumatized. As Johnny comes to terms with the impending loss and what it means, he also starts seeing a creature that seems otherworldly and dangerous, and finds out that he’s not the only one who has encountered this weird beast. This story is weird and alarming, while also having a lot of pathos and insight into generational trauma, the complexities of family dynamics, and the way that racism can damage a person and how that damage transfers down the line. Due mentioned in her author’s note that this story may be expanded upon by her later, and I would absolutely love to read more about Bear Creek Lodge and the monster that seems to live nearby.

“Gravé of Small Bird” by Kaaron Warren: I think this was my favorite story in the collection, as it was so strange and so eerie and felt like “The Wicker Man” meets “The Menu”. Because what a combination! Jackie is a former reality TV cooking show competitor, who made the final two but lost the competition, which led to an outburst that solidified her reputation for being an asshole. When she’s invited to cook for a Twelve Feast Days of Christmas Festival on a remote island steeped in old Christmas and Pagan traditions, she accepts. There she finds out about an ancient tomb that lines up with the solstice sunrise, a tradition involving birds and bones, and a contest in which a woman is chosen to be the Beauty who is supposed to lead the island to a light filled future. Jackie wants to be the Beauty, no matter what, and will do anything to win. This story is so creepy and strange, but I loved the use of vague Pagan rituals, appropriated rites taken by Christians, and all of the descriptions of the amazing and decadent foods, with a menu tradition that possibly inspired “The Twelve Days of Christmas”.

As a whole, this collection was a mixed bag, at least in terms of my thoughts about it. Beyond the three I highlighted there were a couple other strong stories (“Our Recent Unpleasantness” by Stephen Graham Jones and “The Lord of Misrule” by M. Rickert were also very well done), a few that were pretty okay, and a few that just didn’t work for me. I really enjoyed how this collection does touch on SO MANY holidays that occur around the end of the year, or focused on some of the Pagan origins and folklore behind modern traditions, but there were also some stories that felt like they had greater themes in mind and just tacked on the Solstice and holiday aspects in ways that didn’t quite fit. The good news is that it is varied enough as a collection and a fun enough hook that it’s going to be a timely seasonal read regardless.

“Christmas and Other Horrors” is a fun horror anthology to read during this Solstice and holiday season. Cuddle up after your holiday gatherings with this book, horror fans. It’s bound to be a seasonal classic.

Rating 7: There were some that really stood out, some that were fine, and others that didn’t quite click for me, but “Christmas and Other Horrors” is a great seasonal read for the Winter Solstice and all the holidays that occur in its periphery.

Reader’s Advisory:

“Christmas and Other Horrors” isn’t included on any Goodreads lists as of now, but it would certainly fit in on “Holiday Horror Books”.

Kate’s Review: “Out There Screaming”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Out There Screaming: A New Anthology of Black Horror” by Jordan Peele (Ed.)

Publishing Info: Random House, October 2023

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: The visionary writer and director of Get Out, Us, and Nope, and founder of Monkeypaw Productions, curates this groundbreaking anthology of all-new stories of Black horror, exploring not only the terrors of the supernatural but the chilling reality of injustice that haunts our nation.

A cop begins seeing huge, blinking eyes where the headlights of cars should be that tell him who to pull over. Two freedom riders take a bus ride that leaves them stranded on a lonely road in Alabama where several unsettling somethings await them. A young girl dives into the depths of the Earth in search of the demon that killed her parents. These are just a few of the worlds of Out There Screaming, Jordan Peele’s anthology of all-new horror stories by Black writers. Featuring an introduction by Peele and an all-star roster of beloved writers and new voices, Out There Screaming is a master class in horror, and—like his spine-chilling films—its stories prey on everything we think we know about our world . . . and redefine what it means to be afraid.

Featuring stories by: Erin E. Adams, Violet Allen, Lesley Nneka Arimah, Maurice Broaddus, Chesya Burke, P. Djèlí Clark, Ezra Claytan Daniels, Tananarive Due, Nalo Hopkinson, N. K. Jemisin, Justin C. Key, L. D. Lewis, Nnedi Okorafor, Tochi Onyebuchi, Rebecca Roanhorse, Nicole D. Sconiers, Rion Amilcar Scott, Terence Taylor, and Cadwell Turnbull.

Review: Thank you to NetGalley for sending me an eARC of this novel!

There is no disputing that Jordan Peele is a super important and super talented voice in horror as a whole right now. Whether it’s his films that are making waves, or his dabbling in TV, or his work in podcasts, Peele is very much a huge influence, and rightfully so. And now horror literature is being brought into that, as Peele is the editor for “Out There Screaming: An Anthology of New Black Horror”, in which he picked authors and stories to bring together for a short stories collection. I was pretty thrilled to see that this was available on NetGalley, and I added it to the slew of short stories collections I read for th past year (it really was a short story collection heavy year for me!). And once I started, it was hard to stop.

“Eye & Tooth” by Rebecca Roanhorse: Serena has reveiwed some of Rebecca Roanhorse’s fantasy titles on here (though we both did “Black Sun” for Book Club), but hey look she does horror too! I actually knew this because she also had a story in “Never Whistle At Night”, but “Eye & Tooth” really stood out to me. Atticus and Zelda are siblings who work as ghost hunters/busters/cleaners of bad energies, and are called to a remote house in Texas by an elderly woman. She says she has a monster problem in her fields. Zelda and Atticus think they can help, but the woman is keeping something from them. I really liked this creature feature story, whether it was the creepiness of the cornfields, the sibling relationship between a psychic brother and a not as clearly gifted sister, or the big twist that was surprising but also a little heartfelt in a way? It was just a really fun tale.

“The Rider” by Tananarive Due: I am ashamed to say that I hadn’t read anything by Tananarive Due until I read this short story, and boy oh boy am I going to rectify that post haste because I think this was my favorite in the collection. During Freedom Summer two sisters are traveling as Freedom Riders to help fight for voting rights and against the Jim Crow South. While traveling on a bus in a remote area, they and the driver are waylaid by a mysterious entity in the middle of the road. Due builds the tension in this perfectly, not just of the thing in the road that upturns the bus ride, but also the tension of being two Black Freedom Riders in the Deep South, as it was a very dangerous position to be in. I was on the edge of my seat until I turned the last page. Just fantastic.

“Dark Home” by Nnedi Okorafor: I’ve read some Okorafor in the past and enjoyed her work immensely, so I was very excited to see what she was going to bring to this anthology and was not disappointed. A Nigerian-American woman returns to her hometown after her father, a beloved member of the community, passes away. During a traditional ritual, she decides to pocket an item to remember him by, which is against tradition. When she returns home, strange things start happening. I really loved this one as it combines dark fantasy and horror elements with aspects of Igbo culture, and creates an unsettling story about traditions, grief, and things that haunt us.

And honestly, the collection as a whole was pretty good! I really loved these three stories, and there were a few that very well could have been in my top three as well (special shout out to “Lasirèn”; I love a scary siren story) because they were so good. There were a few that didn’t work for me as well, whether because of pacing issues or the fact that they veered more towards Science Fiction themes, which only works for me in VERY specific settings. But there are so many voices here with so many perspectives, and so many sub genres to choose from, that any horror fan will probably be right at home while also exploring voices they haven’t had as much experience with. And as mentioned above, the scary things in this collection are not limited to the supernatural; there are lots of real life horrors like racism, classism, misogyny, and the realities of living in the United States as a Black person, both past and present.

It’s really been a year of short stories collections for me, and “Out There Screaming” is one of the last ones of 2023 and it was a great one to almost end on! I hope that Jordan Peele keeps curating anthologies like this, because he has a knack for it. And I hope that we get to see more from some of these authors very soon.

Rating 8: A varied and well rounded collection of horror stories from Black voices and perspectives, “Out There Screaming” is a must read for horror fans.

Reader’s Advisory:

“Out There Screaming” is included on the Goodreads list “Horror to Look Forward to in 2023”.

Kate’s Review: “Where the Dead Wait”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Where the Dead Wait” by Ally Wilkes

Publishing Info: Atria/Emily Bestler Books, December 2023

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: William Day should be an acclaimed Arctic explorer. But after a failed expedition, in which his remaining men only survived by eating their dead comrades, he returned in disgrace.

Thirteen years later, his second-in-command, Jesse Stevens, has gone missing in the same frozen waters. Perhaps this is Day’s chance to restore his tarnished reputation by bringing Stevens­­—the man who’s haunted his whole life—back home. But when the rescue mission becomes an uncanny journey into his past, Day must face up to the things he’s done. Abandonment. Betrayal. Cannibalism.

Aboard ship, Day must also contend with unwanted passengers: a reporter obsessively digging up the truth about the first expedition, as well as Stevens’s wife, a spirit-medium whose séances both fascinate and frighten. Following a trail of cryptic messages, gaunt bodies, and old bones, their search becomes more and more unnerving, as it becomes clear that the restless dead are never far behind. Something is coming through.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

It’s now December, and the temperatures here in Minnesota are starting to drop and there are higher and higher changes that snow is going to be in the forecast. I don’t mind winter THAT much, especially around Hanukkah and Christmas, but I will say that by the time we get to the time of year with the holiday season behind us I do start to think that maybe, just maybe, less cold, ice, and snow could be a fun shake up from the norm (though maybe that invites a monkey’s paw situation with climate change, arg, I can’t win). But we aren’t there yet, and cold weather means cold stories are all the more powerful. So I start off the encroaching winter with “Where the Dead Wait” by Ally Wilkes. Because it’s good to remind myself that while a Minnesota winter can be arduous, at least I’m not on a failed polar expedition in the 1800s where starvation, disease, and cannibalism are the outcomes.

I truly believe that Wilkes has a gift for how she writes a story, bringing out evocative and vibrant imager and moments of beauty as well as horror. There were so many moments where a certain turn of phrase or descriptor flowed with a flowery ease that I don’t usually expect from a horror novel. I noticed this while reading Wilkes’s previous novel as well, and it feels like a unique writing style choice for a historical ice horror tale. I also really enjoyed a few of the characters in this book, namely Charles Day, the disgraced captain of a previous polar expedition who is haunted by the things he did to survive (as well as his sexual desires and same sex attractions), and Mrs. Stevens, a self proclaimed medium who brings spiritualist tendencies to the expedition seeking out her husband, who is now lost again on on the previous expedition with Day (and whom Day was very fixated upon). These characters worked for me, as did the themes of the spiritualist movement and the questions of validity that go with it.

But here is where I got a little hung up when it comes to this book. I felt like “Where the Dead Wait” has a LOT of similarities to Wilkes’s previous book., “All The White Spaces”. They are both historical horror books that take place during a doomed polar expedition (one arctic, one antarctic), they involve weird supernatural things in the snow, a conflicted protagonist, and a slow burn of descent into madness and desperation. I think that it’s a well done book in terms of these aspects, but it’s already something we’ve seen from Wilkes, and it was something we JUST saw in terms of the chronology of her novels. I wholly understand having an interest in a specific theme, and I absolutely think that an author has every right to write about what they wish to write about when it comes to that interest. But I did think that coming up so close upon the previous one it felt like more of the same. I think that what adds to this is the double edged sword of Wilke’s writing style. It’s very deliberate and at times flowery with some awesome prose and descriptors, but it can also be slow going because of those things. So yes, I praise it for being an interesting way to write and approach a story like this above, but combining it with other aspects that can weigh the story down makes it not as easy to get through, at least in my experience.

I’m not writing Ally Wilkes off as of now, as “Where the Dead Wait” had some great moments and some meat to it (maybe not the best descriptor, but so it goes). I do hope that perhaps on the next adventure out we’ll go beyond what we’ve seen before.

Rating 6: Definitely compelling with some great imagery and prose, but at the same time it feels a LOT like the author’s previous novel.

Reader’s Advisory:

“Where the Dead Wait” is included on the Goodreads lists “Horror to Look Forward To in 2023”, and “Queer SFF of 2023” (though this is definitely less fantasy and more horror, but still).

Kate’s Review: “Secrets Gnaw at the Flesh”

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Book: “Secrets Gnaw at the Flesh” by C.J. Weiss

Publishing Info: Self Published, October 2023

Where Did I Get This Book: I received an eARC from the author.

Where You Can Get This Book: Amazon | Indiebound

Book Description: A historically malevolent haunted house threatens to end a line of paranormal guardians. Will the family’s latest addition tip the scales in their favor or hurtle them toward their demise?

Garrett Mueller proposes to his girlfriend, Marie Renault. She rejects him, distressing him until he learns why. Her family watches over a haunted house, where every several years a Breach opens to the world of the dead. Everyone related by blood or oath must return, or the Breach widens, endangering the family and world at large. To marry Marie, he must also bind himself to that house.

The Renaults estimate a week until the Breach opens, offering Garrett a short trial period. Despite the risks, he will try it for the woman he loves. The Renaults are professionals when it comes to the supernatural, and they’ve always prevailed. Only, as the week progresses, the family discovers this Breach is shaping up to be one of historically dangerous proportions. Risks mount higher as secrets leak out, threatening to divide the family. And even if Garrett changes his mind, it might be too late to leave.

Secrets Gnaw at the Flesh combines atmospheric haunted house horror with dark family drama, topped with a layer of unsettling worldbuilding. Readers who like smart characters taking on smart foes, deep delves into the supernatural, and twisty psychological narratives will feel right at home. This novel is part of the Virulent Nightmare Origins series and can be read as a standalone or as part of the series in any order.

Review: Thank you to C.J. Weiss for sending me an eARC of this novel!

I was definitely interested in “Secrets Gnaw at the Flesh” by C.J. Weiss, a story about a young man named Garrett, whose proposal to his girlfriend Marie goes awry when she says no. But when she tells him it’s because her family has to hold back supernatural forces from a Breach every few years, and it means dropping EVERYTHING to try and keep these things at bay, Garrett doesn’t really believe her, and agrees to attend the newest Breach period with her family if it means she will give him another chance. That alone sounds interesting and unique. And then when it sounded like family dysfunction and trauma was a huge component a la Mike Flanagan’s “The Haunting of Hill House”, I was all the more intrigued! Bring on the messiness of human relationships to make the ghost problem that much more complicated. So I jumped in and was interested in what I would find.

The ghost mythos and world building is pretty well done in this book! It helps having a newcomer to the Renault Family in Garrett, as him being wholly unfamiliar with The Breach, mekari (aka demonic entities), and all the other supernatural aspects means that he is going to get a crash course that we as the readers get to see first hand. We get a good family connection to The Breach, as well as some creative different subtypes of haunts, be they ghosts or demons, and the ways they can mess with those trying to keep them out. I enjoyed the uncertainty that we were seeing through Garrett, as the assurance is that you will spot a possessed person vis a vis their behavior being off or strange doesn’t REALLY help someone who has just met this family outside of new fiancee Marie. It’s an effective way to build suspense, and it makes the tension build relentlessly at times. There are plenty of moments that come completely out of nowhere as well, and as The Breach gets more and more powerful the horror elements all come to a suspenseful and scary head.

But adding to the tension is the fact that all is not well in the Renault Family during this historical Breach, and that family secrets are starting to come tumbling out as more and more danger comes forth. Not only between immediately family members, but also between lovebirds Garrett and Marie. I will say that I found Garrett to be completely nuts putting EVERYTHING in his life on hold for Marie after they had been together for a kind of brief amount of time, but it kind of works because it shows that he is making a HUGE, unknown commitment for a woman that he doesn’t know all sides of, and how sometimes that can lead to trouble. And trouble comes calling as the Renaults start to turn on each other, lash out, and reveal betrayals that could put all of them in danger as it chips away at their untied front in this ghostly service that leaves the world in the balance. I love a good family drama, so seeing all of these very human problems start to tumble out and cause even more problems was a nice combination. I do like my horror stories to have some nice real world metaphors, and while sometimes this could feel like it stilted the pacing a bit (or just reinforced my disdain at Garrett impetuously going all in on Marie, as well as with her for letting him do so without some fully informed consent until it was too late), it worked well in this. I wish we’d had a little more exploration of all the family members, as some felt more fleshed out than others.

With a good mix of well conceived horror mythology and family drama, “Secrets Gnaw at the Flesh” is a fun and spooky haunted house story. And just remember, your family may have some dysfunction, but at least you don’t have to battle ghosts on top of all that. It’s the little things.

Rating 7: A haunted house story that is also filled with family secrets and drama, “Secrets Gnaw at the Flesh” is a nerve wracking read, and not just because of the ghosts.

Reader’s Advisory:

“Secret’s Gnaw at the Flesh” isn’t included on any Goodreads lists as of now, but I think it would fit in on “Haunted House Stories”.

Kate’s Review: “Never Whistle At Night”

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Book: “Never Whistle At Night: An Indigenous Dark Fiction Anthology” by Shane Hawk (Ed.) & Theodore C. Van Alst Jr. (Ed.)

Publishing Info: Vintage, September 2023

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A bold, clever, and sublimely sinister collection that dares to ask the question: “Are you ready to be un-settled?” Featuring stories by:

Norris Black • Amber Blaeser-Wardzala • Phoenix Boudreau • Cherie Dimaline • Carson Faust • Kelli Jo Ford • Kate Hart • Shane Hawk • Brandon Hobson • Darcie Little Badger • Conley Lyons • Nick Medina • Tiffany Morris • Tommy Orange • Mona Susan Power • Marcie R. Rendon • Waubgeshig Rice • Rebecca Roanhorse • Andrea L. Rogers • Morgan Talty • D.H. Trujillo • Theodore C. Van Alst Jr. • Richard Van Camp • David Heska Wanbli Weiden • Royce Young Wolf • Mathilda Zeller

Many Indigenous people believe that one should never whistle at night. This belief takes many forms: for instance, Native Hawaiians believe it summons the Hukai’po, the spirits of ancient warriors, and Native Mexicans say it calls Lechuza, a witch that can transform into an owl. But what all these legends hold in common is the certainty that whistling at night can cause evil spirits to appear—and even follow you home.

These wholly original and shiver-inducing tales introduce readers to ghosts, curses, hauntings, monstrous creatures, complex family legacies, desperate deeds, and chilling acts of revenge. Introduced and contextualized by bestselling author Stephen Graham Jones, these stories are a celebration of Indigenous peoples’ survival and imagination, and a glorious reveling in all the things an ill-advised whistle might summon.

Review: Thank you to NetGalley for sending me an eARC of this collection!

Up until quite recently I would always preface my review of short story collections and anthologies with some version of ‘I don’t really like short stories collections, but I wanted to try out _______ because of _____’. But in recent years, I’ve been enjoying a good number of the short story collections and anthologies I’ve picked up, and have therein become far more willing to give them a go. Especially if the collection appeals to me for one reason or another. And it is these reasons that I picked up “Never Whistle At Night: An Indigenous Dark Fiction Anthology”, edited by Shane Hawk and Theodore C. Van Alst Jr. Not only have I had greater success with short story anthologies, this one also showcases dark fiction, be it horror, thriller, or dark fantasy, by Indigenous authors. I had read works by some of the authors, but a lot of them were new to me, and I was very eager to hop in and see what the experience was going to be like. And it was intense, but overall positive!

As usual with short stories collections, I will talk about my three favorite stories in the anthology, and then review the work as a whole.

“Kushtuka” by Mathilda Zeller: A young Indigenous woman is pressured to go work for a powerful white man for a dinner party, even though he is manipulative and predatory. But as he and his colleagues feast and put her down, a mysterious creature that looks like her stalks her and the house they are all residing in. This one was one of the stories that was the most straight up horror, with a shape shifting Kushtuka being one threat, but another threat being white people who are more than happy to take advantage of Indigenous people, especially women, when they have power over them. And man, the descriptions of the Kushtuka were TERRIFYING. This was the first story in the collection and it really started it off with a bang.

“Navajos Don’t Wear Elk Teeth” by Conley Lyons: A gay man living in a family summer home for the season meets a mysterious neighbor, with whom he starts an affair. Their relationship becomes intense, and the lover starts to behave in more erratic and violent ways, including showing off a tooth collection with some very strange teeth. This one was just a slow burn of creepiness, with our protagonist finding himself in a frog in a pot of boiling water kind of situation and as unsettling or flat our terrifying things happen and escalate. And there is really just something about a weirdo that collects teeth that really gets under my skin. Throw in some themes about queer identity and the ways that colonialism can appear in unexpected ways, and you have some great symbolism to add to the creep factor.

“Sundays” by David Heska Wanbli Weiden: A recent widower who has been carrying the trauma of sexual abuse at a Catholic boarding school decides that he is going to confront his abuser and take his revenge. While ruminating about his past, his marriage, and the horrific things he experienced at the school, he finds himself face to face with his rapist, and has to make a choice. This one was my favorite of the collection, and it was absolutely one of the hardest ones to read due to the visceral nature and the topics of child sexual abuse and the overall horror stories of the Boarding Schools. Weiden is such a powerhouse of gritty and realistic and DARK thriller stories, and this one was not only very suspenseful, it was also very emotional as it takes on the very real awful realities about the Catholic Boarding Schools that abused and destroyed so many Indigenous families and children. It’s SO upsetting and it’s content warnings all around, but it’s just astounding.

When looking at the collection as a whole, I really liked the variety not only in the types of genres and sub genres that are represented, but also in the writing styles of all the authors and how it reflects their visions and experiences as Indigenous people in the U.S. and Canada in modern society. Some of them were a bit too intense for me, or triggered me for various reasons and that made it so I had a harder time enjoying them, while others sometimes felt a little uneven. BUT, as a whole? It’s pretty good. It has opened my eyes to a number of authors whom I had never heard of and am going to pursue and read more from. For people who like horror, dark fantasy, and/or thrillers, there will almost certainly be something to enjoy in this collection. And I will always promote and showcase stories by Indigenous authors, especially in genres that have been pretty damn white and European in terms of what gets the focus and what gets promoted. What better time than right now to check this out?

“Never Whistle At Night” is another successful anthology experience for me, and it’s a horror and thriller collection that should be sought after by fans of the genres. It has variety and unique perspectives, and I urge people to check it out!

Rating 8: A whole slew of dark tales from so many talented authors, “Never Whistle At Night” is a must read not only for the variety, but the Indigenous voices it showcases.

Reader’s Advisory:

“Never Whistle At Night” is included on the Goodreads list “All Indigenous Peoples 4”.

Kate’s Review: “Where He Can’t Find You”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Where He Can’t Find You” by Darcy Coates

Publishing Info: Sourcebooks Fire, November 2023

Where Did I Get This Book: I received an ARC of this novel from the publisher at ALAAC23.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: DON’T WALK ALONE, OR THE STITCHER WILL FIND YOU.

Abby Ward lives in a town haunted by disappearances. People vanish, and when they’re found, their bodies have been dismembered and sewn back together in unnatural ways. But is it the work of a human killer…or something far darker?

DON’T STAY OUT LATE, OR THE STITCHER WILL TAKE YOU.

She and her younger sister live by a strict set of rules designed to keep them safe―which is why it’s such a shock when Hope is taken. Desperate to get her back, Abby tells the police everything she knows, but they claim their hands are tied.

DON’T CLOSE YOUR EYES, OR THE STITCHER WILL REMAKE YOU.

With every hour precious, Abby and her friends are caught in a desperate game of cat and mouse. They have to get Hope back. Quickly. Before too much of her is cut away. And before everything they care about is swallowed up by the darkness waiting in the tunnels beneath the home they thought they knew.

Review: Thank you to Sourcebooks Fire for giving me an ARC of this novel at ALAAC23, and thank you to Darcy Coates for signing it!

One of my highlights of the now months ago ALAAC23 was meeting Darcy Coates, a horror author that I have enjoyed for about a year and a half now. It was a real joy meeting her at the convention and getting a signed copy of her newest novel, “Where He Can’t Find You”, which is also her first horror novel for Young Adults. While I think that some of her stories definitely have crossover potential (“The Gravekeeper” series is probably the most obvious choice in my mind), it was cool hearing that she was officially making the leap. I waited for the Halloween season before starting it, as I wanted the right ambiance, and it ended up being a good choice. Darcy Coates has done it again, and this time she casts a net over a whole new audience.

I would say that Coates has successfully jumped into the YA genre with “Where He Can’t Find You”. I greatly enjoyed our core cast of characters, a group of teenagers living in a small town that has been plagued with disappearances, followed by brutal murders and dismemberments, all perpetrated by a being known as The Stitcher. While it reads like an urban legend, the residents of Doubtful know that he is real, and group of friends Abby, Rhys, Riya, and Connor all have their reasons for wanting to stop him (or it). I liked getting to know all of these teens and their motivations, and I also liked how Coates loops in new girl Jen into the fold, as she not only serves as a character who is having to adapt to this strange and dangerous small town, but also serves as an effective audience surrogate who learns as the audience does. I really loved Jen and her outsider perspective, as well as her interactions with her policeman father who is thrust into a MASSIVE shitshow right as he starts his new position. It also gave me some horror nostalgia feelings for “It”, as the idea of a group of teens trying to stop a malevolent force that has been destroying a town and causing a rot throughout its history is very much in line with that classic Stephen King tale, while also feeling unique to this world building on its own.

What I liked most about “Where He Can’t Find You” is that Coates doesn’t seem like she feels a need to tone down the horror aspects for a teen audience. This is definitely a YA book, as it follows a group of teens determined to stop someone (or something) from wreaking havoc on their home, and the teenage relationships are at the forefront, but there are still a lot of Coates-esque horror elements that read like one of her adult novels. I wasn’t sure if we would get some of the bloody gore and out there horror things that she is known for in her adult books, but don’t worry; we do. I loved the creativity of the lore of The Stitcher and the way she has crafted a Derry-esque town that is haunted by its violence, and I found myself squirming at some of the descriptions of the sewn back together wrong remains that we encounter in the story. She also brings some of her well known scary imagery to this book, with unease building into terror as suspense tightens and breaks, all of this happening even without some of the more gore heavy moments (though those moments also never go overboard; she really knows how to hit the mark in both the explicitly gross as well as the general sense of creepiness). Coates trusts her audience, and horror loving teens and adults alike will probably find enjoyment in this novel.

“Where He Can’t Find You” is another fun horror novel from Darcy Coates, and it proves that she can jump audiences with ease while continuing her crossover appeal across many ages. If you are still aching for some Halloween reads post Spooky Season, this is one that will do you just fine.

Rating 8: A scary tale with body horror, small town fears, and harkenings to “It”, “Where He Can’t Find You” is a successful foray into the YA horror genre by Darcy Coates!

Reader’s Advisory:

“Where He Can’t Find You” isn’t included on any Goodreads lists as of now, but it would fit in on “YA Missing Persons”, and would be a good companion to “It” by Stephen King.

Kate’s Review: “A Haunting on the Hill”

Book: “A Haunting on the Hill” by Elizabeth Hand

Publishing Info: Mulholland Books, October 2023

Where Did I Get This Book: I received an eARC of this novel from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: From three-time Shirley Jackson, World Fantasy, and Nebula Award-winning author Elizabeth Hand comes the first-ever authorized novel to return to the world of Shirley Jackson’s  The Haunting of Hill House:  a suspenseful, contemporary, and terrifying story of longing and isolation all its own.
 
Holly Sherwin has been a struggling playwright for years, but now, after receiving a grant to develop her play, The Witch of Edmonton, she may finally be close to her big break. All she needs is time and space to bring her vision to life. When she stumbles across Hill House on a weekend getaway upstate, she is immediately taken in by the ornate, if crumbling, gothic mansion, nearly hidden outside a remote village. It’s enormous, old, and ever-so eerie—the perfect place to develop and rehearse her play.
 
Despite her own hesitations, Holly’s girlfriend, Nisa, agrees to join Holly in renting the house out for a month, and soon a troupe of actors, each with ghosts of their own, arrive. Yet as they settle in, the house’s peculiarities are made known: strange creatures stalk the grounds,  disturbing sounds echo throughout the halls, and time itself seems to shift.  All too soon, Holly and her friends find themselves at odds not just with one another, but with the house itself. It seems something has been waiting in Hill House all these years, and it no longer intends to walk alone . . . 

Review: Thank you to NetGalley for providing me with an eARC of this novel!

Happy Halloween, everyone!! This is one of my favorite days of the year, and while I am always sad that the spooky season inevitably comes to an end on this wonderful day, I still look forward to it. Between taking my kid trick or treating and watching the original “Halloween” film, I like making this day special, and this year I have a special final review for Horrorpalooza 2023: “A Haunting on the Hill” by Elizabeth Hand is not only a new haunted house story, it is also an official continuation of Shirley Jackson’s “The Haunting of Hill House”, the formative and influential Gothic horror story about four paranormal investigators in the sinister Hill House. When I heard that there was an authorized sequel that takes place decades after the original, I was very, VERY interested to see what exactly the author was going to do with it. We’ve had some really good interpretations of the Hill House lore in the past few years, and an actual novel sounded ambitious and daunting. But I was very, very satisfied with how it all shook out.

“A Haunting on the Hill” brings new inhabitants to Hill House, set in the modern times. Holly, a playwright who is trying to re-craft an old play about a witch, discovers the empty (but still cared for) mansion while on a drive during a vacation with her girlfriend and creative partner Nisa, and is almost immediately drawn to it. After convincing other members of the play, Stevie (an actor and a close friend) and Amanda (the lead), to join, what begins as a creative endeavor slowly turns into a nightmare. So once again we have four people in Hill House who don’t know just how dangerous it is, with locals and caretakers trying to warn them as their warnings fall unto closed ears, and a house that starts to draw them in. I liked watching the slow spin out as Holly, Nisa, Stevie, and Amanda deal with little things (like things being in one place and ending up in another, or lights being on when they were sure they were off), which then turn into big things (black hares falling down chimneys, or seeing cars barreling towards trees only to have them disappear). Hand takes her time in building up the tension, and adds more tension between the actors who are already on edge for other reasons none of them really want to talk about. She makes it so that the dread is fully taut, and then will let it snap to create genuinely scary moments that feel right out of Shirley Jackson’s playbook.

In terms of how well it blends in with the source material, I think that Hand does a really good job of making this story seem original and unique while still holding some of the tone and themes of “The Haunting of Hill House”. Given that through the original and at least two adaptations (NOT the 1999 adaptation, mind you), one of the main points Jackson was making was that yes, Hill House is haunted, but the people who inhabit it are ALSO haunted by things outside of the mansion. And we get that with our characters in this story, whether it’s Holly aching for success, or singer Nisa, who is rife with her own insecurities while trying to put on a show of great confidence and allure, or actress Amanda who is trying to remake her career after an accident in a previous show that she felt blamed for, or actor Stevie who is still feeling the repercussions of horrific abuse he endured as a tween, vulnerable people come to Hill House and have a slowly building dread as strange thing start to happen. Hand never goes outside of the levels of the original book, slowly upping the ante of suspense with general unease to moments of rapt terror, and it just feels like Jackson’s Hill House is bringing in more victims to keep inside so it doesn’t walk alone. She also manages to pay homage and fit in references to the original text, without feeling like she’s leaning upon it too heavily, or just retelling the tale in a new coating. Hell, she even can explore the less obvious themes of queerness that were hinted at in the original, and bringing in the spirit of Nell and Theo and their complicated relationship through Holly and Nisa. It’s believable as a sequel and it’s worthy of it as well.

“A Haunting on the Hill” is an eerie and unsettling follow up to a beloved horror classic. I felt like it hit the right beats, caught the right tone, and ended up fitting in with the story many know and love.

And with that, on this lovely All Hallow’s Eve, Horrorpalooza 2023 has come to an end! I hope that you have all had a fun and deeply spooky Season of the Witch, and I hope that everyone out there has a fun, safe, and creepy crawly Halloween!!!

Rating 8: An eerie and suspenseful revisit to a classic haunted house story, “A Haunting on the Hill” is a worthy follow up to “The Haunting of Hill House”.

Reader’s Advisory:

“A Haunting on the Hill” is included on the Goodreads lists “Horror of Halloween 2023”, and “Queer Releases October 2023”.