Monthly Marillier: “Heart’s Blood”

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“Monthly Marillier” is a review series that is, essentially, an excuse for me to go back and re-read one of my favorite author’s back catalog. Ever since I first discovered her work over fifteen years ago, Juliet Marillier has been one of my favorite authors. Her stories are the perfect mixture of so many things I love: strong heroines, beautiful romances, fairytale-like magic, and whimsical writing. Even better, Marillier is a prolific author and has regularly put out new books almost once a year since I began following her. I own almost all of them, and most of those I’ve read several times. Tor began re-releasing her original Sevenwaters trilogy, so that’s all the excuse I needed to begin a new series in which I indulge myself in a massive re-read of her books. I’ll be posting a new entry in this series on the first Friday of every month.

Book: “Heart’s Blood” by Juliet Marillier

Publishing Info: Tor/Pan Macmillan UK, October 2009

Where Did I Get this Book: own it!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Whistling Tor is a place of secrets, a mysterious, wooded hill housing the crumbling fortress of a chieftain whose name is spoken throughout the district in tones of revulsion and bitterness. A curse lies over Anluan’s family and his people; those woods hold a perilous force whose every whisper threatens doom.

For young scribe Caitrin it is a safe haven. This place where nobody else is prepared to go seems exactly what she needs, for Caitrin is fleeing her own demons. As Caitrin comes to know Anluan and his home in more depth she realizes that it is only through her love and determination that the curse can be broken and Anluan and his people set free.

Review: This is another of Marillier’s few stand-alone novels. It’s also one of her more straightforward fairytale retellings, this time tackling the beloved “Beauty and the Beast.” I have fairly high-standards for retellings of this classic tale, as the premise sets up a situation that could trend towards an unhealthy romantic relationship (though I don’t buy into the general “Stockholme syndrome” complaint as leveled at every version of the story). But from the author who has delivered favorites on some of my other preferred fairytales….you know I’m going to rave about this one!

As a woman, Caitrin’s work as a scribe would never be accepted. Instead, her work has been passed off as her father’s and used to support their family. But when he passes, Caitrin is left with few options and finds her only refuge in the mysterious and remote Whisteling Tor. There, where strangeness lies around every corner, Caitrin meets Anluan, a young man bearing the terrible curse laid on his home. Each with their secrets and demons, the two find refuge in the blooming relationship between them. But darkness is rising, and soon their fragile bond will be tested.

So, why bother with any pretenses? Obviously, I loved this book. Marillier does have books that aren’t big hits for me, both those are often found in her series. Thinking it over now, I’m not sure there’s a single fairytale retelling of hers that I don’t count as one of my favorites. But “Beauty and the Beast” holds a special place in my heart, so it’s all the better that Marillier nailed this particular tale.

To start with, both Caitrin and Anluan are excellent characters, bringing new takes on the classic “beauty” and “beast.” Caitrin, instead of simply being book-loving, is a scribe who has worked behind the shadow of her father for years and seeks out Whistling Tor as a refuge, rather than a forced-upon-her cage. Anluan is also not a beast in any real understanding of the world. Reclusive and secretive, Caitrin must work to gain his trust, but he doesn’t have the anger issues that often come with the more simplistic takes on “beasts.” He’s also described as living with a form of palsy that struck him as a child and left him with one side of his body weaker than the other. The curse that his family and his home suffers under is much more nuanced than his simply being a “beast.”

I also really liked the magical elements we have in this book. The mirrors in particular were interesting (and a nice callback to the classic “Beauty and the Beast” mirror). Each one has a unique magical elements, and this wide range effects left the story with a lot of wiggle room to explore different parts of each character’s arc. This unknown magic also helped add to the general sense of unease and confusion that Caitrin experiences on Whistling Tor.

I did think a few parts of the story were a bit too predictable. A few characters were so obviously suspicious that you start to wonder early on if they’re red herrings. And then you read on to find out, no, they were just that bad all along and it was just very clear from the start. The curse itself was interesting, but there, too, I wish the story had done a bit more with it. The ending felt a bit sudden and neatly wrapped up, all things considered.

But those are minor quibbles. I really enjoy this story for what it offers on its own and as an interesting interpretation of “Beauty and the Beast.” The original fairytale is recognizable, with nice little winks to various aspects of the fable here and there, but it also feels like a fully fleshed out story on its own. Fans of fairytale retellings should definitely add this to their list!

Rating 8: A refreshingly unique retelling of “Beauty and the Beast” that perfectly balance the old with the new.

Reader’s Advisory:

“Heart’s Blood” is on these Goodreads lists: Beauty and the Beast and Best Adult Fairytale Fantasy.

Kate’s Review: “Locke & Key (Vol. 5): Clockworks”

Book: “Locke & Key (Vol. 5): Clockworks” by Joe Hill and Gabriel Rodríguez (Ill.)

Publishing Info: IDW Publishing, 2013

Where Did I Get This Book: I own it.

Book Description: Tyler and Kinsey Locke have no idea that their now-deceased nemesis, Lucas “Dodge” Caravaggio, has taken over the body of their younger brother, Bode. With unrestricted access to Keyhouse, Dodge’s ruthless quest to find the Omega Key and open the Black Door is almost complete. But Tyler and Kinsey have a dangerous key of their own — one that can unlock all the secrets of Keyhouse by opening a gateway to the past. The time has come for the Lockes to face their own legacy and the darkness behind the Black Door. Because if they don’t learn from their family history, they may be doomed to repeat it, and time is running out!

Colonel Adam Crais’s minutemen are literally trapped between a rock and a hard place; in the first days of the Revolutionary War, they find themselves hiding beneath 120 feet of New England stone, with a full regiment of redcoats waiting for them in the daylight… and a door into hell in the cavern below. The black door is open, and it’s up to a 16-year-old smith named Ben Locke to find a way to close it. The biggest mysteries of the Locke & Key series are resolved as Clockworks opens, not with a bang, but with the thunderous crash of English cannons.

Review: As we know I’ve really been enjoying this re-read of Joe Hill’s dark fantasy horror series “Locke and Key”, though I’ve been saying the whole time ‘I don’t remember when and how a lot of this is all going to come together’. The exposition has been building and building and it’s been getting close to the end of the series and there are still a lot of questions to be answered. I remembered really loving the series overall, but I think that the first time I read this I was like ‘okay, I have two books left and few answers, is this going to pay off?’. Because it has to pay off.

And my God, does it pay off. Everything comes together so perfectly and with such thoughtfulness and intricacy that I was just blown away, even though it is my second time reading this book. Joe Hill’s storytelling prowess is at its best in this volume.

There are two major reveals in this story right when things have started to get dire for the Lockes (even if they don’t realize how dire). Given that Kinsey killed Dodge, and Dodge (or whatever it is) moved its consciousness into Bode’s body without them knowing it, the race is on for the Lockes to discover the truth before Bode/Dodge can find the Omega Key. The first reveal that we see we jump into right away, which is the origin of the keys, Keyhouse, the demon, and how the Lockes are connected to it. And we go all the way back to the Revolutionary War, in which we meet a young locksmith named Ben Locke, who discovers that hidden Minutemen have opened a door deep in a cave that has let an evil out that they are trying to put back and contain. The first time I read this I remember thinking that it went on a little long, but this time I thought that this origin story of the Black Door and the keys was pitch perfect. I loved the setting, I loved the connection to the Locke Family (and the backstory for the Lockes, who were victims of Red Coat tyranny), and I loved how Hill sprang this all on us but still managed to make it feel in depth and well explored. He lays his magical system out bare, and it falls into place with ease.

Our second big reveal is we finally, FINALLY, get to see how Rendell Locke and his friends ran afoul Dodge, as well as explanations as to how back in the day Dodge Caravaggio became the Dodge that we know now, how Ellie Whedon became so broken, and how Erin Voss lost her memories and her consciousness, and how ALL of it relates to the keys. And it’s done in a way that doesn’t feel super exposition-y, as we get another key reveal that allows for Tyler and Kinsey to go back in time to see everything happen, and to get a new perspective on their late father. While I do think that we didn’t get enough exploration of all of Rendell’s friends (specifically his girlfriend Kim; I appreciated that Hill tried to make her complicated, but she just came off as cruel and privileged more than anything else), the backstory itself is so fantastic, so heart wrenching, and so SCARY as a bunch of kids who have been bestowed a monumental responsibility of guarding keys get too complacent… and all hell breaks loose. Good God is this an emotional story arc, as we know how things turned out for a few of our characters, but we didn’t know how they got to that point. Hill makes it so complex, satisfying, and devastating, and it adds compounded grief as two kids who lost their father in a terrible act of violence have to see his biggest mistake that ruined lives as it unfolds. Goddammit, it hurts, and it’s beautiful.

And the artwork continues to be great. I can’t praise Gabriel Rodríguez enough, and he has this way of creating the most grotesque and disturbing images as well as the most tender and joyous.

This image specifically took my breath away. (source)

This penultimate volume is fantastic. We will finish up this re-read with the next and last volume, “Omega”. I’m not sure I’m ready to be emotionally destroyed by it, but it’s time regardless.

Rating 9: Fantastic pay off for all the build up before it, “Locke & Key: Clockworks” is the strongest in the series so far.

Reader’s Advisory:

“Locke & Key (Vol. 5): Clockworks” is included on the Goodreads lists “Best Horror Comics/Graphic Novels!”, and “Best Coming-of-Age Horror Novels”!

Find “Locke & Key (Vol. 5): Clockworks” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Previously Reviewed:

Serena’s Review: “Creatures of the Night”

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Book: “Creatures of the Night” by Grace Collins

Publishing Info: Wattpad Books, July 2021

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Milena’s twentieth birthday, the day she would join the ranks of her village’s hunters, should have been the most exciting day of her life. Being a hunter meant she would be able to help protect her village from the murderous wolves who take human form—the creatures of the night. But a chance encounter with Elias, the enigmatic leader of the creatures, leaves her questioning everything she has ever believed to be true.

Up until now, Elias has managed to protect the creatures of the night and keep the secrets of his past well hidden. Now, as tensions between the groups grow, Elias is forced to make hard decisions: ones that will cost lives. Nobody is safe, especially Milena, the person he is inexplicably drawn to even though it could destroy them both.

Review: Milena has never understood why her caretaker has made her wait until her twentieth birthday to join the rest of the villagers on the hunt when everyone else has participated since they were sixteen. But the day is drawing near, and she hopes that by helping protect her people from the vicious creatures of the night, she will at last be accepted as a member of the village. All is not as it seems however, when she meets the mysterious leader of the creatures of the night. Suddenly, her world is turned upside down and no one is who she thought they were. Including herself.

While this book didn’t really work for me, first let’s discuss where it did succeed. Again, Collins has presented a fairly unique fantasy world to drive her story. Surprising no one, the creatures of the night are your fairly typical werewolves/shifters. But there were also two other fantastical beings, the hollowers and the whispers. Each of these last two were very intriguing, especially the hollowers who are the true villains of the story. I can’t go into much detail about either of these different beings as that would spoil a few of the reveals in the story (you can probably guess a few of the basic points already, but just in case!).

Sadly, I was less thrilled with the characters and the romance of this story. For one thing, the book desription seems to setting up a story that will have POV chapters from both Melina and Elias (this is similar to Collins’ M.O. from some of her other books), but instead we only have Melina’s perspective. And it’s just…bland. It was all the more disappointing because, given her history and set-up, there could have been an excellent story arch for her to traverse. And while there are hints of deeper moments of reflection but, in the end, they never come to much. She’s incredibly passive throughout the story. It’s understandable in the beginning, but again, she fails to grow into anything more as the story continues. She’s not particularly brave or kind or curious. Just a mellow, nice young woman.

For his part, Elias is similarly bland. His mysteriousness quickly loses its appeal and becomes more frustrating than anything else. By the time he does share some of his secrets, it’s too little too late and I was left wondering why he played some of these cards so close to his chest when, if known, they could have made everything a bit easier. Between these two fairly flat characters, there was little room for the romance to bloom into anything truly compelling. To make matters worse, because both characters were fairly noncommunicative (Melina for being a more quiet character and Elias because he’s “mysterious), there wasn’t a lot of dialogue between the two.

Overall, this was an underwhelming story. It also ends on a cliffhanger, which was frustrating given the rest of the story. I’m invested enough to want to find out what happens, but I’m not enthused about the prospects for these two characters unless they both manage to grow personalities.

Rating 7: Not up to my expectations for this author, but not without merit.

Reader’s Advisory:

“Creatures of the Night” is on this Goodreads list: Wattpad Books Publishing.

Serena’s Review: “Crown of Bones”

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Book: “Crown of Bones” by A.K. Wilder

Publishing Info: Entangled: Teen, January 2021

Where Did I Get this Book: audiobook from the library!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Raise. Your. Phantom.

For fans of epic fantasies and sweeping adventures, this ensemble cast will immerse you in a world of unique magic, breathtaking action and unforgettable characters.

In a world on the brink of the next Great Dying, no amount of training can prepare us for what is to come …

A young heir will raise the most powerful phantom in all of Baiseen.

A dangerous High Savant will do anything to control the nine realms.

A mysterious and deadly Mar race will steal children into the sea.

And a handsome guide with far too many secrets will make me fall in love.

My name is Ash. A lowly scribe meant to observe and record. And yet I think I’m destined to surprise us all.

Review: “Fans of epic fantasies and sweeping adventures”: count me in! This one has been on the backburner for a while, but it finally showed up as available as an audiobook from the library so I jumped on it right away. I’ve struggled in the past with some of the audiobook readers that are often chosen for YA novels, and while neither of these narrators were terrible, I still struggled a bit with this book in that format. Both narrators didn’t change their voices or inflection style for different characters, so there were times where I was confused about who was speaking, etc. But on to the review of the actual book!

Ash has always dreamed of being a Savant, an individual with the ability to raise a powerful Phantom that possess unique abilities. Alas, her time came and went and no Phantom appeared. Instead, she’s devoted herself to the life of a scribe, providing support and friendship to the heir of the kingdom, Marcus. His Phantom, though powerful, has always resisted his control. So when he, Ash and a group of other Savants set off on a journey to gain more knowledge and control over their Phantoms, he has high hopes that he can finally come into his own as a true Savant. But along the way, they fall in with a mysterious sailor named Kaylin. Through him, they discover that many forces are moving in the world and perhaps Marcus’s Phantom will be more needed than ever. And Ash…she, too, will be needed.

One of the first things I noticed about this book is its pace. This is a high-action, fast-paced book. The narrative jumps from one action set piece to another with a sort of frenetic energy, and I whipped through the audiobook in only a few days. So from that perspective, the book is very readable and energetic. But once I got done and was able to catch my breath, I did find myself questioning more and more aspects of the rest of the story.

Because it moves so quickly, the story never allows its character to really breathe. The book description sets this up as Ash’s story, but the narrative is actually divided between her, Marcus, and the sailor Kaylin who arrives later into the story but still has a few chapters devoted to his POV. With all of the action and adventure, there’s a lot of room for character growth, but instead the book seems to just jump straight into another scene. It never felt like any of these three characters were truly reacting, absorbing, or being changed by these major events. It was incredibly frustrating, as there were some real character arcs that were hinted at for each of these characters, but we never delved deeper than the very surface level reactions. Ash, for her part, also existed in the background of a lot of the story, which I found particularly frustrating. And we never really were given much to understand Kaylin’s shifting loyalties throughout the story.

The world-building and the magic system were very unique and interesting. This was probably the aspect of the story that held it most together for me. The various ways that the Phantoms could use their powers was intriguing, and I enjoyed seeing them in action throughout the story. But there was also just SO MANY different magical elements added to this story that, again, it started to feel like none of them were sufficiently explained on their own before another thing was added. I don’t fully understand the Mar people or their motivations. The titular “Crown of Bones” was referenced here and there, but again, I don’t fully understand how that is playing into the mythology of this world. There was just so much, but none of it felt like it was organically weaving together or building to a fully-realized world.

Overall, this book was a bit hit and miss. It was a fast, enjoyable read. But on reflection, much of the character work and world-building felt shallow and as if several opportunities were missed throughout. I’m curious to see where the second book goes, however, as a few “reveals” (these were obviously telegraphed from the beginning of the book, which I also thought was a strange decision) might lead to some interesting changes in the narrative. Fans of fast-moving fantasy stories might want to give this a shot, but it’s definitely of the “beach read” variety of fantasy.

Rating 7: Exciting and fast-paced, but missing the heart and reflection that truly makes a story land with its readers.

Reader’s Advisory:

“Crown of Bones” is on these Goodreads lists: Epic High Fantasy/Romance/Mythology in 2021 and We do Bones.

Serena’s Review: “Into the Heartless Wood”

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Book: “Into the Heartless Wood” by Joanna Ruth Meyer

Publishing Info: Page Street Kids, January 2021

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: The forest is a dangerous place, where siren song lures men and women to their deaths. For centuries, a witch has harvested souls to feed the heartless tree, using its power to grow her domain.

When Owen Merrick is lured into the witch’s wood, one of her tree-siren daughters, Seren, saves his life instead of ending it. Every night, he climbs over the garden wall to see her, and every night her longing to become human deepens. But a shift in the stars foretells a dangerous curse, and Seren’s quest to become human will lead them into an ancient war raging between the witch and the king who is trying to stop her.

Review: I’m not sure why it took me so long to get to this book. On the surface, it has tons of things working in its favor for me specifically. The cover is lovely and the story sounds like the exact sort of fairytale fantasy that I absolutely love. But every time I picked it up, I just couldn’t quite get into it. So, this last December I decided to really give it a go. And, while it still isn’t my favorite read ever, at least this time I did manage to get through the entire thing!

Everyone knows the true sirens live not in the sea but in the woods. Deep in the dark forest, a witch weaves a powerful spell to lure men and women beneath the canopy of trees where she can use her magic to feed their souls to the trees themselves. But it turns out that tree-sirens may want more, at least Seren does. When she meets a human, Owen, she begins to understand what it is to be human and longs for a soul of her own. But darker forces are shifting and the clash between the witch and a powerful king is soon to come.

This book is a tough one for me because of two dueling aspects of the story. One that I love. And one that I hate. Let’s start with what I loved. Obviously, I’m here for all of the fairytale fantasies, and this was just the type that I enjoy. The language was lyrical and of that “old-timey” style that I particularly enjoy. There was also numerous nods to English/Welsh folklore that very much reminded me of Juliet Marillier’s work. And really, anything that can be compared to one of my favorite authors has to be good. And yet, here I am giving a middling review to this book. Well, that comes down to what my problem was with the story. Notably, our two main characters and their romance.

Sadly, this was a hardcore instalove story. I mean, these two characters pretty much fall immediately in full-on love by page 60 (unsurprisingly enough, this is about where I fell-off in my reading in previous attempts). For me, instalove like this immediately sucks all of the interest out of the romance of the story. There’s no where for this relationship to go if it starts out at 100% milk. This makes the romance itself read very bland and boring, and it wasn’t helped by the fact that both main character also felt rather flat and uninteresting. I did like that their roles were somewhat reversed, with the heroine coming from a villainous role and the hero having a softer, more open personality.

So, there you have it, a book made of two equally powerful sides of my preference-coin. Love the fairytale story and lyrical quality of writing. Really hated the instalove romance and flat main characters. For those who are less annoyed by instalove, this could be a real win of a story. But sadly, it was enough to bump this one down a few points in my own rating.

Rating 7: Really loved parts of it, really disliked others, so take from that what you will!

Reader’s Advisory:

“Into the Heartless Wood” is on these Goodreads lists: Books To Read In Winter and Magical Forest.

Serena’s Review: “Echoes and Empires”

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Book: “Echoes and Empires” by Morgan Rhodes

Publishing Info: Razorbill, January 2022

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Josslyn Drake knows only three things about magic: it’s rare, illegal, and always deadly. So when she’s caught up in a robbery gone wrong at the Queen’s Gala and infected by a dangerous piece of magic—one that allows her to step into the memories of an infamously evil warlock—she finds herself living her worst nightmare. Joss needs the magic removed before it corrupts her soul and kills her. But in Ironport, the cost of doing magic is death, and seeking help might mean scheduling her own execution. There’s nobody she can trust.

Nobody, that is, except wanted criminal Jericho Nox, who offers her a deal: his help extracting the magic in exchange for the magic itself. And though she’s not thrilled to be working with a thief, especially one as infuriating (and infuriatingly handsome) as Jericho, Joss is desperate enough to accept.

But Jericho is nothing like Joss expects. The closer she grows with Jericho and the more she sees of the world outside her pampered life in the city, the more Joss begins to question the beliefs she’s always taken for granted—beliefs about right and wrong, about power and magic, and even about herself.

In an empire built on lies, the truth may be her greatest weapon.

Review: So, I was sucked into this one by the cover. I’ll even admit that I only barely glanced at the general description before requesting it. That said, had I looked at said description a bit more closely, I might have been a bit more wary. But I also know that a book description isn’t the be all end all of books, and I’ve seen more than one example in the last year where the description completely undersold or misrepresented an excellent story. Unfortunately, this one is pretty much exactly what you’d expect based on its description.

Joss has always lived her life in the spotlight, and until the last year when tragedy struck her family, she’s reveled in it. Still, the show must go on, so Joss dutifully makes an appearance at a grand event. Unfortunately, while there, she gets caught up in a robbery that leaves her in possession of a magical infestation. And in a land where magic is outlawed, she must now creep into the shadowy world of the thieves and outlaws in hopes of curing herself before she is executed. While there, she begins to uncover new truths about her glittering world that throws her entire existence into question.

Sadly, I don’t have a lot of positive things to say about this book. I guess I can say that the writing seems strong enough, and the author was blessedly free of any repetitive word choices or an overly-simplistic style. There was also a fairly high level of action throughout, especially if you’re the type of reader who sees action in some of the smaller, social moments between characters.

Unfortunately, some of that “action” was unnecessary drama. Joss, herself, is introduced as a fairly unlikable main character who is made up of many of the more annoying stereotypes applied to teenage girls. She’s very self-focused, on her looks and her own actions, has made friends with a bunch of “popular girls” who, of course, participate in this the type of sniping and backstabbing that we’ve all seen in one too many teenage movies, and her focus on things like fancy dresses and shopping (while not bad on their own, of course) comes across as frivolous when paired with the rest of her character. The story does go on to reveal much that is wrong with Joss’s view of herself and her world, but for me, it was both too little too late and a bit hard to truly buy any of her changes.

I also had quibbles about how Joss was introduced. The way she talks, interacts with others, and generally carries herself through the world is very much in step with how a 20-something young woman would, decidedly NOT a teenage girl. It read as both unbelievable and, at times, borderline inappropriate. Also, fairly neglectful of her caretakers?

I also had massive, massive eye rolls at romance and the romantic interest. Not only was it all so predictable, but the banter was also very tired and expected. Also, the name “Jericho Nox.” Can’t not mention the ridiculousness of that name. From there, you move on to all of the other non-twists that come through this book. If you haven’t guessed most of them from the book description itself, I’d be shocked.

I was also very confused about the setting of this book. The cover, for one, makes it seem as if it is set in your typical bland, slightly Medieval European setting. But no. There are cars, phones, and a sort of social media apparatus. But also magic that still feels like it would come from one of those second world fantasies. Obviously, urban fantasy exists and that is probably the best subgenre for this. But that, too, didn’t quite fit. I don’t dislike the concept of the world, overall, but as it was, it felt jarring and hard to really place myself within it as a reader.

This book wasn’t really for me at all. Perhaps readers who aren’t as tired of some of these tropes will enjoy it, but I can’t really say anyone should run out and get their hands on it immediately.

Rating 5: Not for me. Too full of tropes and an unlikable main character really hurt it for me.

Reader’s Advisory:

“Echoes and Empires” is on this Goodreads lists: YA Novels of 2022.

Serena’s Review: “The Amber Crown”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Amber Crown” by Jacey Bedford

Publishing Info: Daw Books, January 2022

Where Did I get this Book: Edelweiss+

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: The king is dead, his queen is missing. On the amber coast, the usurper king is driving Zavonia to the brink of war. A dangerous magical power is rising up in Biela Miasto, and the only people who can set things right are a failed bodyguard, a Landstrider witch, and the assassin who set off the whole sorry chain of events.

Valdas, Captain of the High Guard, has not only failed in his duty to protect the king, but he’s been accused of the murder, and he’s on the run. He’s sworn to seek justice, but his king sets him another task from beyond the grave. Valdas doesn’t believe in magic, which is unfortunate as it turns out.

Mirza is the healer-witch of a Landstrider band, valued and feared in equal measure for her witchmark, her scolding tongue, and her ability to walk the spirit world. When she’s given a task by Valdas’ dead king, she believes that the journey she must take is one she can never return from.

Lind is the clever assassin. Yes, someone paid him to kill the king, but who is to blame, the weapon or the power behind it? Lind must face his traumatic past if he’s to have a future.

Can these three discover the real villain, find the queen, and set the rightful king on the throne before the country is overcome?

Review:: Yet another fantasy book with the title “The ‘something’ Crown.” I have another book with a type of crown in the title coming up in a week or so! I don’t know what it is about crowns that seems to be seen as the go-to in fantasy, but I do miss the days of more creative titles. Please, no more “crowns,” “queens,” or “the BLANK of BLANK and BLANK” for a solid five years please. Anyways, that mini rant aside, let’s dive in!

Valdas is in disgrace. As Captain of the guard, his one duty is to protect the monarch, and when the king is killed under his watch, there cannot be a failure more profound. But his duty does not end there, and when he’s tasked with finding the missing queen and heir, he finds himself in mixed company: a healer with powerful magical abilities (something that Valdas didn’t even believe in until it was forced upon him recently) as well as the assassin who seems responsible for the king’s death itself. But who was the power behind the order? And can they save the queen and heir before they, too, are harmed?

One of the reasons I found myself initially intrigued by the premise of this book was how much it sounded like a fairly traditional fantasy story. The world-building and magical system didn’t seem overly complex, and the plot itself followed a fairly standard “group goes on a quest” storyline. Most of these things have a long history behind their “trope-y-ness” because they can be implemented easily to tell fantastic stories (“Lord of the Rings,” anyone?). Sadly, here, there too many other things working against the story for me to really revel in these sorts of classic fantasy features.

To start with what I liked, however. All three main characters were fairly interesting. Each had a decent amount of time given to establish their unique personalities and, more importantly, their motivations going through this journey. All three of them were nuanced characters, none falling neatly inside a black or white box. However, even here, I do wish we had seen just a bit more. It’s hard to really describe what I mean, but, in their own way, each character felt like it fell just short of really coalescing into a complex, compelling character.

On to some of my struggles, first my general problems. For some reason, the writing fell flat for me. The plot itself never truly sucked me in, and I was very aware of the experience of reading the book as I turned the pages (clicked on the Kindle). I just couldn’t fall into the story, and the pacing was a let down at times. Moments that should have landed with more “oomf” rather landed with a “thud,” and the ending was surprising anticlimactic considering the work that had been put into building up the entire situation.

From there, the specifics. While I just got done saying that I generally struggled to connect to the writing, there were also a few specific writing choices that didn’t land right. The author makes an effort to include a diverse cast of characters, and yet it seems to be done in a very clunky way. Instead of simply initially identifying her diverse characters, she routinely described people as “the black fighter” or something like that. The sheer amount of repetition here is maybe partly what did it. There was just something off. I was also turned off by the number of times women’s breasts were described and in ways that are of the more egregious sort. Like, a woman would enter the room and would be described as having her breasts almost popping our of her shirt….Why? How is this detail adding to the scene, characterization, or story? There were also far too many rapes/near rapes/threats of rape in this story. Everyone knows my thoughts on this sort of thing so I’m just not going to go into it again. Suffice to say, rape can be included in a thoughtful, meaningful way. In this case, it was not and just adds up alongside the overuse of sexualized descriptions of women and strange fixation on skin color.

I was very disappointed by this book. I had hopes of diving back into my roots and finding a new “classic” fantasy story. And in some ways I did: sadly it was “classic” in the sense that it felt like it was committing very dated mistakes that, happily, are seen less and less often. Fans of fairly straight forward classic fantasy may like this, but I think there are better options out there in general.

Rating 6: Interesting characters are let down by a strange set of tired “classic” fantasy missteps.

Reader’s Advisory:

“The Amber Crown” isn’t on any Goodreads lists yet, but it should be on: “Books with Crowns.”

Monthly Marillier: “The Caller”

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“Monthly Marillier” is a review series that is, essentially, an excuse for me to go back and re-read one of my favorite author’s back catalog. Ever since I first discovered her work over fifteen years ago, Juliet Marillier has been one of my favorite authors. Her stories are the perfect mixture of so many things I love: strong heroines, beautiful romances, fairytale-like magic, and whimsical writing. Even better, Marillier is a prolific author and has regularly put out new books almost once a year since I began following her. I own almost all of them, and most of those I’ve read several times. Tor began re-releasing her original Sevenwaters trilogy, so that’s all the excuse I needed to begin a new series in which I indulge myself in a massive re-read of her books. I’ll be posting a new entry in this series on the first Friday of every month.

Book: “The Caller” by Juliet Marillier

Publishing Info: Knopf Books for Young Readers, March 2014

Where Did I Get this Book: own it

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Neryn has made a long journey to perfect her skills as a Caller. She has learned the wisdom of water and of earth; she has journeyed to the remote isles of the west and the forbidding mountains of the north. Now, Neryn must travel in Alban’s freezing winter to seek the mysterious White Lady, Guardian of Air. For only when Neryn has been trained by all four Guardians will she be ready to play her role in toppling the tyrannical King Keldec.

But the White Lady is not what she seems. Trapped with Whisper, her fey protector, Neryn is unable to send word to her beloved Flint, who is in danger of being exposed as a double agent. When a new threat looms and the rebellion is in jeopardy, Neryn must enter Keldec’s court, where one false move could see her culled. She must stand up against forces more powerful than any she has confronted before, and face losses that could break her heart.

Previously Reviewed: “Shadowfell” and “Raven Flight”

Review: This series was a bit of a roller coaster ride when I read it the first time, and the same holds true now. The first book was a bit slow and plodding. The second book was much improved and more to my taste. And the last book…was kind of back to being a miss, leaving the trilogy as a whole as probably my least favorite series from Marillier. So with that exciting preview to go on, let’s dive in!

Neryn’s task, to meet and gain the blessing of the four Guardains of the fae, has not been completed, and the powerful and dangerous forces in the land of Alban grow. She must hurry, not only does the entire land depend on her ability to communicate with the Fae, bringing them into the battle to secure their country from its cruel dictator, but her love, Flint, may soon be exposed as a spy. But magic can’t be rushed, and there are secrets to be discovered in the chilly halls of the North.

This book was not my favorite. Part of this has to do with the strange pacing of the story which makes it feel like poorly fit pieces of a puzzle that just won’t lie together. In many ways, the beginning feels like a natural extension of the second book, so much so that it reads a bit strange to find it at the beginning of a completely separate book that rather quickly leaves this type of “magical trial” storyline in the dust. But still, as I greatly enjoyed the second book for this very same storyline, the first part of this book is by far my favorite. I enjoyed the magical mysteries to be found with the northern Guardian, and this small adventure perfectly fit Neryn’s optimism and persistent pluck even in the face of seemingly insurmountable challenges.

However, from there the book goes downhill in my estimation. We move on to a undercover spy game that, on its own, isn’t bad but pairs poorly with the magical adventures that came before it. Again, my lack of investment in Flint and his relationship with Neryn didn’t help, leaving me feeling a bit bored as we made our way through what should have been touching reunions and tense games of cat-and-mouse.

And, sadly, the ending was the worst of it. Not only did I find the manner in which these conflicts were resolved unbelievable, but the entire thing undercut much of the grief and terror we’d seen up to this point. Neryn’s journey, her power, all were useful, of course. There was a brief battle. But in the end, it felt like the rebellion, Neryn, and us, the reader, had been primed for something that simply didn’t happen. And if it was ultimately as easy as this (I don’t think it would be and frankly my eyebrows were exploding off the top of my head, they were raised so high), the entire situation could have been handled sooner and the threat was never that powerful to start.

There was also left only a small, short chapter to really wrap up the remaining storylines. We were given only the briefest glimpses into the possible future for these characters, and it all simply felt like too little tacked on at the very last minute. Given how little of this series showed Neryn and Flint together, this truncated ending for them felt like even more of a let down.

So, yeah. I didn’t love this trilogy when I read it the first time and was curious to see if, perhaps, I just wasn’t in the right mood that go around (though, to be fair, I read these as they came out, so I would have had to be “not in the right mood” for like three years for that to be the case). But, no. This series just wasn’t for me. Neryn was a bit too Mary Sue. The romance lacked the spark I’ve come to expect from Marillier. And the story often felt half-baked. If you’re a fan of her work, maybe check this out. But other fantasy readers are sure to find better entries from this author in her other series.

Rating 6: A disappointing end to a lackluster series. Honestly, with “Wildwood Dancing” as the exception, Marillier is a far better adult fantasy author than YA.

Reader’s Advisory:

“The Caller” is on these Goodreads lists: Most Interesting Magic System and Australian Speculative Fiction.

Kate’s Review: “Locke & Key (Vol. 4): Keys to the Kingdom”

Book: “Locke & Key (Vol. 4): Keys to the Kingdom” by Joe Hill & Gabriel Rodríguez (Ill.)

Publishing Info: IDW Publishing, July 2011

Where Did I Get This Book: I own it.

Book Description: Joe Hill and Gabriel Rodriguez’s Locke & Key unwinds into its fourth volume in Keys to the Kingdom. With more keys making themselves known, and the depths of the Locke family’s mystery ever-expanding, Dodge’s desperation to end his shadowy quest drives the inhabitants of Keyhouse ever closer to a revealing conclusion.

Review: After I set “Locke & Key (Vol. 4): Keys to the Kingdom” down, I realized that I only had two collections left until the end. This re-read has gone by pretty quickly, and it had been long enough that I feel like I’m finding brand new things with each moment I turn the pages. I had been talking a bit about how patient and deliberate Joe Hill has been up until this point, but in “Keys to the Kingdom” things have started to speed up, which means that the intensity has started to build as well. And that has mostly been a positive thing.

Plot progression has picked up again in this volume, and boy does it ever! Hill covers a lot of territory in this collection, but he manages to do it in such a way that it doesn’t feel like it’s bloated, nor does it feel like things are being rushed. He opts to focus on certain things, but does show snippets of the Locke kids battling it out with Dodge over keys, as well as conflicts they are having with each other in the story arc “February”. I liked how it puts in the effort to have development for our characters, but doesn’t get bogged down in EVERY conflict they have with Dodge. We also get to see more backstory to Rendell and his high school friends, as Kinsey, Tyler, and Dodge run into Erin Voss, Rendell’s childhood friend who is now committed to a mental asylum. Kinsey is desperate to know what the connection is to Rendell, Voss, and the secrets they were keeping, while Dodge wants to keep Erin’s mouth shut since in her addled state she still recognizes him as her childhood friend. This also led to a kind of awkward within present context optics plot point, in which Kinsey and Bode use one of the keys to change their race so they can visit Erin, as her rantings make it seem like she is super agitated by the presence white people (let me just say that this isn’t the case, though I won’t reveal what I mean). I definitely understand the way that Hill used it to make a greater point about how Black people are perceived by white people in American society, and there is a moment that I thought was genuinely poignant at the end of the issue, but pretty much putting Kinsey and Bode into magical black face so they can learn a lesson about the humanity of Black people didn’t really land for me. It just felt a bit patronizing. But by the end everything had made a comeback for me, as a significant plot development that signals the last third of this series knocked my socks off. I knew it was coming, but it was still VERY well done, and ups the stakes to the highest levels they’ve been thus far.

And in terms of character development this volume was top notch. For Tyler, he is starting to feel the weight of all the difficult things in his life, and it’s making him overwhelmed and under severe pressure. His only solace is his girlfriend Jordan, whom he is head over heels in love with, and while Jordan obviously cares deeply for Tyler, she is pretty damaged. Which, of course, leads to problems down the line, and Tyler starts to think that being strong is something he can achieve through magic, much like Kinsey tried to extract her fear through the same means. It’s a pretty heavy moment when Tyler feels enough despair over everything that he turns to something that may not work out the way he wants it to. And speaking of Kinsey’s issue, we see all of that coming to a head now too, as having a lack of fear and grief has not only affected her relationship with Nina, it has also started to affect her friendships. Funnily enough, having no fear and no grief has made Kinsey a pretty shitty and selfish friend, and the most interesting part of this entire arc for me is that she recognizes this, but literally cannot bring herself to care because of her actions with the Head Key.

And finally, the art continues to be visceral and gory, but with a bit of a nostalgic twist in one of the stories. The first story, “Sparrow”, involves Bode trying to make friendships but preferring isolation, and he eventually puts himself into the body of a sparrow for a bit of time. And this is all drawn and written in a way that is in tribute to “Calvin and Hobbes”, a comic that has been near and dear to my heart since I was a small child. While it’s true that some of the juxtapositions of the nostalgic and bright Watterson style mixed with the gore and violence of “Locke & Key” is unnerving, I honestly thought that it was super charming and fun to give Bode this kind of adventure with a loving tribute to a cartoonist and storyteller that clearly inspired the Hill and Rodríguez.

“Locke & Key (Vol. 4): Keys to the Kingdom” has left us two thirds of the way into the story of the Locke family, and we are now heading for the final showdown between them and Dodge over the keys in Keyhouse. I know where we are going, and I’m still a little nervous to tread into the places that I know are coming up. But Hill and Rodríguez have something truly wondrous in store, and I’m ready.

Rating 8: Some things come to a head in this volume plot wise, with some social commentary and “Calvin and Hobbes” love thrown into the mix, which is a pretty good combination for the start of the final issues of this series.

Reader’s Advisory:

“Locke & Key (Vol. 4): Keys to the Kingdom” is included on the Goodreads lists “Best Coming of Age Horror Novels”, and “Required Reading Graphic Novels”.

Find “Locke & Key (Vol. 4): Keys to the Kingdom” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Previously Reviewed:

Serena’s Review: “Age of Empyre”

Book: “Age of Empyre” by Michael J. Sullivan

Publishing Info: Grim Oak Press, May 2020

Where Did I Get this Book: own it

Book Description: A door opens. An army of dragons advance. And the fate of the living rests with the dead.

After obtaining the secret to creating dragons, the leader of the Fhrey has turned the tide of war once more—but gaining the advantage has come at a terrible price. While Imaly plots to overthrow the fane for transgressions against his people, a mystic and a keeper are the only hope for the Rhunes. Time is short, and the future of both races hangs in the balance. In this exciting conclusion to the Legends of the First Empire series, the Great War finally comes to a climactic end, and with it dawns a new era in the Age of Empyre.

Previously Reviewed: “Age of Myth” , “Age of Swords”, “Age of War” , “Age of Legend”, and “Age of Death”

Review: I’m not sure why it’s taken me this long to finishing up this series, but…well, it did. I was really enjoying the audiobook versions, and I had half a mind to wait for the library to have a copy. But over a year later, it looked like that wasn’t going to happen, so on to my purchased copy! The last book ended on a pretty big cliffhanger that I still remembered vividly over a year later, so I was pretty excited to see not only how that was resolved but how the entire series was going to be wrapped up.

The war is coming to a head. With the secret to creating dragons now known to the Fhrey, the Rhunes one real advantage has been crippled. But all is not lost and those who set out on a quest into the heartland of the Fhrey people still have hope to cross the realms of the dead. But all who started out will not return, and the future of both races hang in the balance.

This was a bit of a tricky read for me, the first of its kind in this series which, overall, I’ve greatly enjoyed. I did start having a few questions around the midpoint of the series. The author surprised me with some sudden swaps in main characters and removal of other, previously central, figures. For the most part these played well and I remember praising the Sullivan for breaking some tried and true fantasy stereotypes and not getting precious with his characters. But around this point the story also started to feel meandering and lacking in the tight pacing and focus that I saw in the first three books. This was most noticeable in the last book, which had previously been one book that was then cut in two. And it showed. It really felt like the author simply gave himself a page count and then just ended the book when he reached it. Because of that, this book has similar problems in that it feels like the second half of the first book, rather than a story with its own unique arc.

I also struggled with a couple of the character actions (some carried over from the previous book, choices made there that made little sense that then had massive repercussions in this book). It felt like Sullivan had to quickly tie up the many loose ends left, but this resulted in several characters with arcs that, over the entirety of their story told over multiple books, felt ultimately rather pointless. Why were some of these characters even introduced if it feels like their story really didn’t go anywhere in the end? It was very disappointing.

I especially struggled with Persephone’s story. She was one of the strongest characters in the first several books, but in the last few, it feels as if she’s barely on the page. And if she is seen, she feels aimless and without agency. I get that Sullivan is trying to tell the story of many characters, some of whom played bigger roles in certain parts of this grand tale and less in others, so perhaps it was simply the manner in which some of them (particularly Persephone) rose and fell out of prominence felt clumsy. This book also tied up a few characters’ stories in ways that I felt undermined much of their previous journey, making it feel like much of it was for nothing. I can’t name names without spoiling big reveals, but you’ll know them when you see them.

It’s tough, because I still enjoyed the general experience of reading this book. Sullivan has an engaging, approachable style of writing that makes the process of reading his stories fun and easy. It was only when I sat down after the fact and reflected on this series as a whole that I truly began to feel disappointed. I would still ultimately recommend this series and this author to epic fantasy fans. Even though I had some quibbles with this ending, it wasn’t a dumpster fire by any means and was largely satisfying (even if I had personally wanted different endings for a few characters/aspects). I’m excited to check out the other series by this author, however. Technically, they were written before this series but, chronologically, happen afterwards. Should be a fun reading experience!

Rating 7: Solid enough as its own book, but lacking a bit as the conclusion to the series as a whole.

Reader’s Advisory:

Find “Age of Empyre” at your library using WorldCat or at a local independent bookstore using IndieBound!