Tag: Fantasy

Monthly Marillier: “The Dark Mirror”

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“Monthly Marillier” is a review series that is, essentially, an excuse for me to go back and re-read one of my favorite author’s back catalog. Ever since I first discovered her work over fifteen years ago, Juliet Marillier has been one of my favorite authors. Her stories are the perfect mixture of so many things I love: strong heroines, beautiful romances, fairytale-like magic, and whimsical writing. Even better, Marillier is a prolific author and has regularly put out new books almost once a year since I began following her. I own almost all of them, and most of those I’ve read several times. Tor began re-releasing her original Sevenwaters trilogy, so that’s all the excuse I needed to begin a new series in which I indulge myself in a massive re-read of her books. I’ll be posting a new entry in this series on the first Friday of every month.

Book: “The Dark Mirror” by Juliet Marillier

Publishing Info: Tor, September 2004

Where Did I Get this Book: own it!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Bridei is a young nobleman fostered at the home of Broichan, one of the most powerful druids in the land. His earliest memories are not of hearth and kin but of this dark stranger who while not unkind is mysterious in his ways. The tasks that he sets Bridei appear to have one goal-to make him a vessel for some distant purpose. What that purpose is Bridei cannot fathom but he trusts the man and is content to learn all he can about the ways of the world.

But something happens that will change Bridei’s world forever…and possibly wreck all of Broichan’s plans. For Bridei finds a child on their doorstep on a bitter MidWinter Eve, a child seemingly abandoned by the fairie folk. It is uncommonly bad luck to have truck with the Fair Folk and all counsel the babe’s death. But Bridei sees an old and precious magic at work here and heedless of the danger fights to save the child. Broichan relents but is wary.

The two grow up together and as Bridei comes to manhood he sees the shy girl Tuala blossom into a beautiful woman. Broichan sees the same process and feels only danger…for Tuala could be a key part in Bridei’s future…or could spell his doom.

Review: When I was planning out this review series, I can honestly say I forgot about this trilogy in my first run through of scheduling. So, take from that what you will! I can say that this is another of Marillier’s trilogies that leave me with the very hipster opinion of preferring the second book in the series to any other. As you will see, this book wasn’t my favorite, and as much as I do enjoy the second entry in the trilogy, I think it’s this lukewarm start that has me so often forgetting about these books’ existence in Marillier’s catalog of work.

Bridei’s childhood is clearly centered around some greater plan being put to work by the druid Broichan. Mysterious and reclusive, Broichan is not one to explain himself to Bridei, but Bridei does know that when they discover a baby girl at their door, this is definitely not part of the plan. Now, growing up alongside Tuala, Bridei begins to suspect why his teacher was so cautious to begin with. But Bridei himself can’t help but feel a stronger and stronger connection to the young woman, and, soon enough, the fates of an entire people may rest in her hands.

So, this another of my least favorite of Marillier’s works. Many of her strengths are equally present: the lyrical writing, the clear sense of the world and time period, and a flowing style of storytelling that lends even practical scenes a sense of wonder and magic. But some of her most common limitations are also present. That is, a stalled pace, especially in the beginning of the story, and a romance that is hard to become invested in. This latter point is the most puzzling, because her amazing romances are part of the reason I love her so much! But she is one of those authors who seems to either really nail the romance or to miss the mark altogether.

This book leans heavily on the political situation surrounding Bridei’s coming of age and the role he is meant to have in the future of the land. As such, much of the story is very much set in the human world (as opposed to some of Marillier’s more fantasy-focused stories). This isn’t a bad thing on the face things, but the story does feel slow and plodding for the first half or so. It’s a struggle to really put together the pieces that are moving and see much of an actual story arch building in the book itself.

The romance was also very cringe-y at times. It’s a hard balance to write a romance that develops from childhood friendship into romance, especially when there’s a distinct age gap. I think that “The First Girl Child” did very well, but that relied on separating the main characters until the younger of the two, the young woman, was an adult (by the time’s standards). Here, Bridei’s views of Tuala seem uncomfortable at times, given her age. I also felt like the resolution for the romance came on too suddenly in the end, with their feelings for one another going from zero to hundred over the course of one event. It wasn’t bad, but it doesn’t hold up to Marillier’s more complex and swoony romances.

This was only my second time reading this book, and I can say that my original lower opinion stands pretty true. I think I might have disliked it even more than the first time I read it, as I found the romance to be harder to read without feeling uncomfortable this go around. But I do remember liking the second book much more. In fact, I know I’ve read that one more than once, though it’s still be about a decade since I last revisited! I hope it holds up!

Rating 6: A slow, plodding pace isn’t helped by a romance that falls more on the cringe side of the cringe/swoon scale.

Reader’s Advisory:

“The Dark Mirror” is on these Goodreads lists: Wise Women, Witches, Midwives, Healers, and Strong Girls! and Medieval Fantasy Books.

Kate’s Review: “Locke & Key (Vol. 6): Alpha & Omega”

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Book: “Locke & Key (Vol. 6): Alpha & Omega” by Joe Hill and Gabriel Rodríguez (Ill.)

Publishing Info: IDW Publishing, January 2014

Where Did I Get This Book: I own it.

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: The shadows have never been darker and the end has never been closer. Turn the key and open the last door; it’s time to say goodbye.

The final arc of New York Times bestselling Locke & Key comes to a thunderous and compelling conclusion.

Review: I feel like my re-read of “Locke & Key” went by in a flash. It could be because my re-read of “Sandman” was a few volumes longer, but I think that it’s also the fact that Joe Hill has created something that has depth, complexity, and some great horror and fantasy moments that is well packaged and easily digestible. I found myself kind of dreading the end, as I knew that it was going to pack an emotional wallop, but once I picked up “Alpha and Omega”, I basically devoured it in a sitting, taking breaks only to weep into my hands because of said wallop.

I don’t even know where to begin as I review the end of this series. Hill has built up to this moment, and you know that there are going to be a lot of casualties and a lot of collateral damage as Dodge makes his final moves into trying to open the Black Door, but when it centers around graduation night and a high school party in the caves, the stakes are raised to the highest point that the series has seen. It’s up to Tyler and Kinsey to try and stop Dodge, though they have no idea that Dodge has inhabited Bode’s body. So when Dodge does start wreaking havoc, all through the body of a child, it’s just heart-rendering to see. Especially since all the chaos that unfolds involves teenagers, and therefore other children. No one ever said that Hill was sunshine and rainbows, but I had forgotten just how goddamn bleak this last arc is as the horrors unleash and demons do their best to overtake Lovecraft, and perhaps the world at large. It’s a great reveal, it all comes together and makes sense in terms of what we’ve seen so far, and it is a fantastic climactic story arc for this series with awesome horror moments and full fledged mythology. And a whole lot of death, a lot of it coming for characters we have come to care for.

But there are also a lot of wonderful bits of hope throughout this tale. We’ve followed the Locke children (as well as their mother and uncle to lesser degrees), and now we get to see them come to the end of their journey and to live up to the potential of who they are meant to be, as Lockes and as people in general. Tyler and Kinsey have come so far as characters, and through the highs and lows of both I came to just fall in love with them both all over again, just like I did the first time I read it. They are teenagers with a lot of pain in their hearts, and they are messy and damaged, but they are also, ultimately, great people who love their family, even as the family has gone through something terrible and hasn’t figured out how to come through the other side just yet. Hill writes them both as incredibly human, and as such sometimes they just made me want to throttle them, and other times I want to hug them and never let them go. By the time we got to the end of their journeys, Tyler’s in particular, I was a weepy mess.

There are a couple things that don’t work. One is how Hill writes Jordan’s, Tyler’s girlfriend’s, final storyline. I feel like we never really got to fully explore Jordan as a character, as she was relegated to ‘bad girl with a heart of gold who pushes those who care for her away’. We’ve seen it before. She’s more there to give Tyler the ability to learn and grow, and I felt like she deserved more than that. There is also one big moment (no spoilers here) that didn’t really get the explanation I think that it needed, but ultimately these things are minor within the grand scheme of what does end up working. Because so much works.

And one more shout out to Gabriel Rodríguez. His artwork is so fantastic, and there are a lot of moments in this book that have emotional beats that fully rely on the visuals as opposed to what is being said.

Though full disclosure, these days any emotional content with mothers and daughters is going to set me off. (source: IDW Publishing)

“Locke & Key: Alpha and Omega” is a near perfect ending to a fantastic series. I am so glad that I decided to revisit it, as I feel like I got even more out of it this time than I did on my initial read. I imagine I will revisit the Locke Family in the future, as they and the story they have is a wondrous dark fantasy horror creation with so much heart.

And given that there is a crossover story with “Sandman”….. we may be seeing both worlds from some comic re-reads in the near future…

Rating 9: A practically perfect ending that made me weep, “Locke & Key (Vol. 6): Alpha & Omega” brings it all to the finish with emotion, horror, and hope.

Reader’s Advisory:

“Locke & Key (Vol. 6): Alpha & Omega” is included on the Goodreads lists “Best Coming of Age Horror Novels”, and “Graphic Novels That Are Quality”.

Previously Reviewed:

Serena’s Review: “A Kingdom of Flesh and Fire”

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Book: “A Kingdom of Flesh and Fire” by Jennifer L. Armentrout

Publishing Info: Blue Box Press, September 2020

Where Did I Get this Book: from the library!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: A Betrayal…

Everything Poppy has ever believed in is a lie, including the man she was falling in love with. Thrust among those who see her as a symbol of a monstrous kingdom, she barely knows who she is without the veil of the Maiden. But what she does know is that nothing is as dangerous to her as him. The Dark One. The Prince of Atlantia. He wants her to fight him, and that’s one order she’s more than happy to obey. He may have taken her, but he will never have her.

A Choice…

Casteel Da’Neer is known by many names and many faces. His lies are as seductive as his touch. His truths as sensual as his bite. Poppy knows better than to trust him. He needs her alive, healthy, and whole to achieve his goals. But he’s the only way for her to get what she wants—to find her brother Ian and see for herself if he has become a soulless Ascended. Working with Casteel instead of against him presents its own risks. He still tempts her with every breath, offering up all she’s ever wanted. Casteel has plans for her. Ones that could expose her to unimaginable pleasure and unfathomable pain. Plans that will force her to look beyond everything she thought she knew about herself—about him. Plans that could bind their lives together in unexpected ways that neither kingdom is prepared for. And she’s far too reckless, too hungry, to resist the temptation.

A Secret…

But unrest has grown in Atlantia as they await the return of their Prince. Whispers of war have become stronger, and Poppy is at the very heart of it all. The King wants to use her to send a message. The Descenters want her dead. The wolven are growing more unpredictable. And as her abilities to feel pain and emotion begin to grow and strengthen, the Atlantians start to fear her. Dark secrets are at play, ones steeped in the blood-drenched sins of two kingdoms that would do anything to keep the truth hidden. But when the earth begins to shake, and the skies start to bleed, it may already be too late.

Previously Reviewed: “From Blood and Ash”

Review: What should one do after finishing a 600+ page fantasy novel? Jump immediately into another 600+ fantasy novel, of course. Seriously, if I have one major complaint about this series so far, it’s the page length. I’ll go into more of this in the review itself, but man, very, very few books need to be over 600 pages long. Serious epic fantasy series ala Brandon Sanderson, maybe, just because those are such huge worlds with many leading characters. But not much else! Anyways, that’s really neither here nor there. And seeing as I’m back reading the second one despite it’s length, I guess that says something about the author’s ability (or something about me?).

After discovering that almost nothing she believed to be true about herself or her world was in fact true, Poppy’s way forward is murky at best. True, Casteel, a man she once knew only from the legends of a near-demonic being called “the Dark One,” does have plans for her and they involve marriage to himself. But coming from a life where practically no choices were allowed her, Poppy is naturally resistant to again letting another direct her life. However, with her brother caught in the clutches of the evil vampry, Poppy begins to see little way forward in achieving her goal of freeing him without teaming up with the beguiling Casteel.

Like I couldn’t avoid saying in my opening paragraph, this book is again very long. And while I usually start out with the positives of a book, this one thing is such a driving factor of some of my opinions about the book that I can’t resist getting to it first. There is a very good reason that editors exist. Not only can they trim up sections of your story that might be better told in fewer words, but they also perform the important duty of helping authors “kill their darlings” so to speak. In this book’s case, that might have been a few of the many, many very similar bantering scenes between Poppy and Casteel. Yes, this fun dynamic is a major draw for the series, but at a certain point in this book, I began to feel like I was reading the exact same conversation again and again. Even the best banter can’t withstand that type of overexposure.

Cutting out some of these repetitive scenes would also have helped the pace of the story which, again, drags rather heavily towards the middle point of the book. There are some legitimately good action scenes in this book, and to some extent this book is better at interspersing these throughout the story instead of heavily packing it all in the back half like the first book does. But because of some of these repetitive banter scenes, even the increased number of action scenes felt few and far between.

I also struggled a bit with some of the dynamics of the romance at this point in the story. Poppy and Casteel have a fairly prolonged “we’re just pretending” approach to their feelings for each other that gets a bit old and ridiculous quickly. Luckily, the author seems to have a sixth sense for just how far she can push some of these romance tropes, and she does manage to nip this one in the bud before it becomes completely intolerable. Seriously, it was like within 30 pages of me mentally beginning to check out on the romance because of this that she suddenly turned it around. So, well done for that!

I still very much liked Poppy and Casteel. Like I said, the author does seem to have an innate sense for pushing some of tropes right to the edge and for overturning some of the more expected patterns we see in fantasy romance. Casteel is a nice response to some of the overly “alpha” heroes we typically see. He’s still dangerous and capable, but Armentrout perfectly highlights how this sort of character can retain all of his appeal without roughly trodding all over his love interest’s agency. It’s very refreshing. This aspect alone is probably one of my main reasons for continuing this series.

And continue I will! We’ll see how long I go, though, as these books don’t seem to be getting any shorter and the series itself seems to be getting longer and longer (the author recently announced even more books coming in this series). Fans who enjoyed the first book will likely enjoy this one, though I will warn that the pacing is not very much improved and there is a tendency towards repetition with some of the bantering aspects. But I’m still invested enough in this general world and this romantic pairing on their own to keep on for now.

Rating 7: Some repetition in quips and a continuing challenge with pace leave this book falling a bit behind the first book in my enjoyment.

Reader’s Advisory:

“A Kingdom of Flesh and Fire” is on these Goodreads lists: NEW ADULT fantasy & paranormal romance and Enemies to Lover trope in Fantasy and Paranormal.

Serena’s Review: “The First Girl Child”

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Book: “The First Girl Child” by Amy Harmon

Publishing Info: 47North, August 2019

Where Did I Get this Book: from the library!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Bayr of Saylok, bastard son of a powerful and jealous chieftain, is haunted by the curse once leveled by his dying mother. Bartered, abandoned, and rarely loved, she plagued the land with her words: From this day forward, there will be no daughters in Saylok.

Raised among the Keepers at Temple Hill, Bayr is gifted with inhuman strength. But he’s also blessed with an all-too-human heart that beats with one purpose: to protect Alba, the first girl child born in nearly two decades and the salvation for a country at risk.

Now the fate of Saylok lies with Alba and Bayr, whose bond grows deeper with every whisper of coming chaos. Charged with battling the enemies of their people, both within and without, Bayr is fueled further by the love of a girl who has defied the scourge of Saylok.

What Bayr and Alba don’t know is that they each threaten the king, a greedy man who built his throne on lies, murder, and betrayal. There is only one way to defend their land from the corruption that has overtaken it. By breaking the curse, they could defeat the king…but they could also destroy themselves.

Review: February was a fantastic reading month for me. Just hit after hit, loving them all! I think there was only one or two where I was maybe middling on, but the rest were all 4-5 stars from me! This is especially impressive since many of these reads were from authors who were new to me and were books that I had only heard about briefly here and there. That includes this one, a book that I haphazardly added to my TBR list after spotting it on a few fantasy booklists. But, yet again, we have another great one!

“The world is not kind to women.” So says many of the women living their lives out in Saylok, a land of powerful warriors and mysterious druids. So, too, said Bayr’s mother when, after birthing Bayr, nearly alone and friendless, she curses the land to produce no more girl children. Thus the world Bayr grows up in is one of growing desperation as no girls are born year after year and a cruel king leads the land into an uncertain future. That is, until the birth of Alba. Bayr and Alba form an early connection as children, but the hope that came with her birth quickly fades as the years continue without any other girls. As they come to age, powerful forces, both magical and political, become to come to a head and only Bary and Alba can see a future for their land.

Just like “A River Enchanted,” I think this book description is a bit misleading. Yes, Bayr and Alba’s story is central to the book, but they are only two of the main characters. And honestly, they might be the lesser two. We first meet Dagmar, a druid and the brother of Bayr’s mother. It is he who witnesses the curse in the making and takes Bayr under his wing to watch him grow. We also meet Ghost, a woman who has been forcibly taken to this land as Saylok’s men become desperate for the wives who can no longer be found among their own people. Different for both her strange washed-out coloring as well as her foreign upbringing, Ghost makes her way in the shadows of existence before also meeting up with Dagmar.

It is through these two’s tale that we really dive into some of the important themes of the book such as parenthood, devotion, and faith. Both are tested in all of these things throughout the book and handle the various challenges thrown at them in unique ways. Their stories are full of tragedy, but highlight the power of the individual when they put others before themselves and remain steadfast to what they know to be true.

This is definitely a slower book. The story takes place over twenty years or so. As such, you can see why Dagmar and Ghost’s stories are so prevalent. Bayr and Alba are growing up through much of it. But I will give credit to the author for this: I rarely enjoy stories that heavily feature children, and Bayr and Alba are both that through much of the book (Alba’s even a baby during a decent chunk of it), and yet I thoroughly enjoyed the slow exploration of their lives and how they are each shaped by each other and the events going on around them. All of these smaller moments are important as the book builds up to the larger decisions they each must make later in the book.

Again, given this format of the book, the romance of the story was greatly reduced from what I expected going in. That said, while the book wasn’t what I thought it was when I began it, it turned out to probably be a better read because of this change. Instead, the book has a much grander focus, not only on the themes I mentioned earlier, but also on women and feminism. In many ways, this is a fairly traditional fantasy world. Men hold all the power: on the battlefield, on the throne, and in the halls of magic. Fantasy readers will all immediately be familiar with this setting. But the author doesn’t simply go and flip the table on this. Instead, she takes a much more subtle and nuanced route in pointing out the limitations and dangers of women’s lives. She also explores the unique strengths and power that each woman holds as well. By the end, some of these power dynamics have indeed changed, but they did so in a manner that was both believable and satisfyingly

Rating 9: Perfectly executed tragedy reveals the true beauty of the power of love of all kinds.

Reader’s Advisory:

“The First Girl Child” can be found on these Goodreads lists: Amazing Books that are Barely Known and Best Stand-Alone Fantasy Book.

Serena’s Review: “This Woven Kingdom”

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Book: “This Woven Kingdom” by Tahereh Mafi

Publishing Info: HarperCollins, March 2022

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: To all the world, Alizeh is a disposable servant, not the long-lost heir to an ancient Jinn kingdom forced to hide in plain sight.

The crown prince, Kamran, has heard the prophecies foretelling the death of his king. But he could never have imagined that the servant girl with the strange eyes, the girl he can’t put out of his mind, would one day soon uproot his kingdom—and the world.

Perfect for fans of Leigh Bardugo, Tomi Adeyemi, and Sabaa Tahir, this is the explosive first book in a new fantasy trilogy from the New York Times bestselling and National Book Award-nominated author Tahereh Mafi.

Review: I’ve had a lot of luck in the past with books featuring Jinn. Several of my favorite fantasy novels both old (“City of Brass”) and new (“Daughter of the Salt King“) have featured these magical creatures and the, often unique, cultures and mythologies built up around them. So when I saw another fantasy novel coming out with a Jinn main character, I knew I had to read it ASAP!

Working as a lowly house maid, Alizeh is cautiously optimistic that, at last, she will be able to lead a quiet life in the shadows, no one ever knowing who she is. That is, a Queen to the powerful, but oppressed, Jinn who have been dispersed across the land and only await the call of a leader to come together once again. For Kamran, any threat to his father’s reign is one to take seriously. So when he bumps into a house maid with skills that should not belong to one in such a class of people, he immediately senses a spy and threat. As he circles closer to the truth, Alizeh also begins to feel the stirrings of change, much as she wishes to repel it.

This book had everything I look for in the start of a new fantasy trilogy. To begin with, the world felt vast yet understandable. The history was rich and complicated, but presented in an approachable way. I particularly enjoyed the history and legends of the Jinn themselves. We get some early backstory to their existence early in the book, but as the story continues to unfold, we get a closer look at how their current standings in society have affected Alizeh’s existence. Mafi deftly nails how a once powerful race could become reduced to a scrap of people who exist in the shadows, how comprise to end bloodshed does not end oppression and prejudice, and how power struggles can go beyond who has the most force (magic, in this case).

Alizeh was such a great character. Her life is full of struggle and hardship, and yet we see her persevere in the face it all. There were very strong “A Little Princess” vibes from her. We also got to see examples of the power she must keep hidden within herself. And while it gives her advantages, she’s not presented as an over-powered Mary Sue. Instead, we see hardships that have come with her “gift” of being the chosen Queen, pains that tax her daily, both physically and emotionally. Her life has been one of tragedy, and when we meet her, she’s all but given up on any hopes of fulfilling her role, preferring instead to exist in a safe, quiet life in the shadows.

For his part, Kamrad’s life has been much more straight forward and existing in whites and blacks, trusting that his family is on the right side of all conflict. His story is much more that of someone losing the blinders they’ve hid behind throughout their life. The story never shies away from the crippling pain that would come with these sorts of revelations, especially about people who are dear. But with all of this, his story was believable, in that all of these revelations and challenges to his perceptions would result in slow, incremental change. His life has been one of duty, and we see the constant tensions playing within him between this loyalty and his inherent sense of right and wrong.

I also appreciated that the romance of the story was quiet and often in the background of the story. It slowly builds as the story unfolds, but neither character is swept up so much as to forget their own challenges and priorities. It’s the exact sort of start to a grand romance that I look for. There are several books to go and, for the most part, these two barely know each other at this point. There’s still plenty of room to grow, and I’m glad the author didn’t give it all way in the very first book.

The book does end on quite a cliffhanger, so readers should beware of that going in. However, it’s so strongly written and imaginative, that I still very much recommend fantasy fans check it out!

Rating 10: Beautiful and compelling while exploring themes of loyalty, oppression, and the challenge of seeing one’s world as it is.

Reader’s Advisory:

“This Woven Kingdom” is on these Goodreads lists: South Asian Representation and Can’t Wait Sci-Fi/Fantasy of 2022.

Kate’s Review: “Within These Wicked Walls”

Book: “Within These Wicked Walls” by Lauren Blackwood

Publishing Info: Wednesday Books, October 2021

Where Did I Get This Book: I own it.

Book Description: What the heart desires, the house destroys…

Andromeda is a debtera—an exorcist hired to cleanse households of the Evil Eye. When a handsome young heir named Magnus Rochester reaches out to hire her, Andromeda quickly realizes this is a job like no other, with horrifying manifestations at every turn, and that Magnus is hiding far more than she has been trained for. Death is the most likely outcome if she stays, but leaving Magnus to live out his curse alone isn’t an option. Evil may roam the castle’s halls, but so does a burning desire.

Kiersten White meets Tomi Adeyemi in this Ethiopian-inspired debut fantasy retelling of Jane Eyre.

Review: It’s come up on here before, specifically way back when during a joint review of “Jane Steele”, that I really love the book “Jane Eyre” by Charlotte Brontë. The Gothic setting and sensibilities, the tough and clever heroine, the admittedly problematic but still, to me, swoony leading man, it’s a book that I hold near and dear to my heart. I am always on the look out for reimaginings, and while some have been good, others have been not, so it always feels like a risk when I dive in. But I kind of knew from the jump that “Within These Wicked Walls” by Lauren Blackwood was going to work for me, because it was not only a retelling based in a non-Western centric gaze, it had ‘exorcist’ in the description. Our Jane equivalent as an exorcist sent to cleanse a haunted manor? Um, HELL YES.

As mentioned, our protagonist Andromeda, or Andi, is a debtera, a trained religious figure who performs exorcisms of people and places. She was taken in by Jember, a volatile and world weary debtera who has been her only connection to others, though his work has left him bitter, cruel, and sometimes flat out abusive to Andromeda. Her life up until this point has made her determined to succeed on her own, and very standoffish around other people. I makes her an interesting protagonist to follow because not only does she have to prove herself to Jember, but she also needs to show herself that she can do these things that she’s been trained to do. It becomes all the more complicated when she arrives at Thorne Manor, as not only is this house INCREDIBLY cursed by the Evil Eye, it also has an occupant, Magnus Rochester, that Andromeda finds herself very taken with. As Andi finds out just how dangerous the spirits and demons are within Thorne Manor, she also finds out that she can make connections with people, like Magnus, and the mysterious but incredibly kind servant Saba. This makes the stakes for Andi all the higher, and it makes it so she perhaps doesn’t realize just how in over her head she may be, despite her prowess and very well honed talents. I definitely liked her relationship with Rochester, as their banter and even footed wits and personalities was very fun to watch. But I was actually more interested in the complicated and sad relationship that she had with Jember, her mentor. As mentioned their interactions are dark and deeply broken, but Blackwood doesn’t opt for easy, black and white lessons or answers when it comes to their relationship. Jember is not good to Andi, it can’t be denied, but I liked how looking into his work as a debtera and through his past traumas kind of give him a lot of depth and complexity.

I also liked the magical systems at play, as well as the setting. Make no mistake, we are not finding ourselves in the Moors for this book, as we are actually in an alternate timeline (I think?) Ethiopia. But the isolation is still there, as are the questions about one’s own strengths and weaknesses, and the fighting of demons within one’s own spirit (as well as literal demons thanks to the Evil Eye resting squarely on Magnus and his home). I know so little about the culture and debteras, but Blackwood lays out the root of the mythology as well as building a fantasy system on top of it. It leads to some pretty creepy demon stuff, as well as interesting magical components that set this firmly into a ‘dark fantasy’ realm. Blackwood has many moments that were tense and scary, and it all felt really well imagined and focused.

I definitely get some of the critiques I’ve seen that question as to whether or not this can really be considered a retelling of “Jane Eyre”, mostly because I do think that you have to look for the parallels beyond the obvious names of Thorne Manor and Rochester. I do argue that they are there, even if they have been tweaked a little bit. While there isn’t a hidden wife in the attic, there is a hidden relationship. Andi may not be a governess but she is a person from one part of society dropped into a highly dysfunctional upper class setting. The simmering and constantly tested romance is alive and well (and once again very easy to root for). It may not be a clear step by step retelling, but, unlike other retellings I’ve encountered in YA literature, at least it feels like it does have the guts and soul of the source material, as opposed to just using it and trying to force it into the box. Maybe ‘reframing’ is a better word.

Overall I enjoyed “Within These Wicked Walls”. It brought fantastical and creepy layers to a Gothic classic, and it had the spirit of the source material while turning the story into something that is very much its own tale.

Rating 8: Immersive, creepy, and incredibly engaging, “Within These Wicked Walls” is a unique and well done reframing of one of my favorite Gothic novels.

Reader’s Advisory:

“Within These Wicked Walls” is included on the Goodreads lists “Jane Eyre Retellings”, and “2021 Fantasy and Science Fiction by Black Authors”.

Find “Within These Wicked Walls” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Serena’s Review: “The Girl Who Fell Beneath the Sea”

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Book: “The Girl Who Fell Beneath the Sea” by Axie Oh

Publishing Info: Feiwel & Friends, March 2022

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Deadly storms have ravaged Mina’s homeland for generations. Floods sweep away entire villages, while bloody wars are waged over the few remaining resources. Her people believe the Sea God, once their protector, now curses them with death and despair. In an attempt to appease him, each year a beautiful maiden is thrown into the sea to serve as the Sea God’s bride, in the hopes that one day the “true bride” will be chosen and end the suffering.

Many believe that Shim Cheong, the most beautiful girl in the village—and the beloved of Mina’s older brother Joon—may be the legendary true bride. But on the night Cheong is to be sacrificed, Joon follows Cheong out to sea, even knowing that to interfere is a death sentence. To save her brother, Mina throws herself into the water in Cheong’s stead.

Swept away to the Spirit Realm, a magical city of lesser gods and mythical beasts, Mina seeks out the Sea God, only to find him caught in an enchanted sleep. With the help of a mysterious young man named Shin—as well as a motley crew of demons, gods and spirits—Mina sets out to wake the Sea God and bring an end to the killer storms once and for all.

But she doesn’t have much time: A human cannot live long in the land of the spirits. And there are those who would do anything to keep the Sea God from waking…

Review: You all know what I’m going to say at this point. Yes. Again. The beautiful cover has sucked me in! But I’ve also really enjoyed many of the Asian fairytales I’ve read, be they coming from Chinese, Japanese, or other Eastern cultures. This one is Korean, and I was excited to see what Axie Oh had to offer!

Mina is not a chosen bride, one of the young women chosen each year to be sacrificed to the sea in the hope that their sacrifice will calm the Sea God who torments the land with violent storms each year. No, Mina is not this girl. But her brother’s true love is, and in a desperate attempt to save her brother from pain, Mina throws herself into the sea in place of the true bride. Now, wandering in the Spirit Realm, Mina is determined to solve the mystery surrounding the reserved and closed-in Sea God. She is aided by a young man, Shin, who has spent the last century protecting the Sea God from the other ambitious gods who seek to dethrone him during this time of turmoil. Can Mina unwind this puzzle before her soul is lost forever?

This book has been praised with many comparisons to “Spirited Away.” And while I only enjoyed that movie so much, I know that fanatic fans will take this comparison as a true boon for this book. And I do see the comparisons. Here, too, we have a young woman thrust into a mysterious and dangerous land of spirits where forces are moving beyond her control. The world-building in this book was so good. The Spirit Realm felt vibrant and alive (even though it was filled with the spirits of the dead and gods). You could feel the life teaming in the busy market places, the dangerous river of souls, and the various pavilions of gods. And with each god comes a new challenge for Mina, a young woman who is way out of her depth. I loved the magical elements that we explored alongside of her, the various political maneuverings of the gods, the fantastical elements that flew the air and water, and the color spirts who guided her along her way.

The writing was also excellent. The story simply flows, there’s no other way to say it. Things are constantly happening, but the pace never felt frenetic or frantic. Instead, it was perfectly pitched to slow down and land the emotional hits that come with Mina’s interactions with the Sea God and other gods (the goddess of women and children was a particularly crushing moment). But there was also tons of action, with battles between gods vying for the Sea God’s throne and the dangers of an ever-rising river of the dead.

Mina was a fantastic guide through all of this. She starts off as strong as you can get, sacrificing herself to spare her brother the pain of losing his love. And once she discovers the confusion and mysteries that surround the Sea God, she quickly determines to do her best to still end his curse, even if she knows that she is not the true bride. Her persistence, faith, and hope in the face of despair made her incredibly compelling. There were many moments where you could see the temptation to simply give up and take the good things that she could find for herself in this land. But that is not the way of a girl who has already sacrificed her own life for others. Instead, she pushes through adversity all the way to the end, even past the point where others would caution her to accept the state of things.

I also really liked the relationship that was built up between Mina and Shin. It’s a slow-build romance, and their relationship never felt rushed. Part of this is due to the wise decision not to rely on the romantic relationship to carry the entire story. Instead, Mina’s connection to the Sea God and three special spirits who help her on her way (as well as two of Shin’s friends) all help to flesh out the cast into a satisfying collection of various relationships and emotional draws.

I can’t say enough good things about this book! This review is already way longer than usually I write, and that’s because every time I finish a paragraph I think of another aspect of the story that I want to praise! Fantasy fans should definitely give this one a shop! Especially if you’re a fan of Asian fairytales like “Spirited Away.”

Rating 9: Lush, mystical, and full of life in all of its beauties and sorrows.

Reader’s Advisory:

“The Girl Who Fell Beneath the Sea” is on these Goodreads lists: Korean Fantasy Books and Books that inspired or are similar to Miyazaki films.

Book Club Review: “From Blood and Ash”

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We are part of a group of librarian friends who have had an ongoing book club running for the last several years. Each “season” (we’re nerds) we pick a theme and each of us chooses a book within that theme for us all to read. Our current theme is “Romance”, in which we each picked a book that is a romance, or has elements that fit romance tropes to a T. For this blog, we will post a joint review of each book we read for book club. We’ll also post the next book coming up in book club. So feel free to read along with us or use our book selections and questions in your own book club!

Book: “From Blood and Ash” by Jennifer L. Armentrout

Publishing Info: Blue Box Press, March 2020

Where Did We Get This Book: The library!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Romance Trope: Secret Identities

Book Description: A Maiden…

Chosen from birth to usher in a new era, Poppy’s life has never been her own. The life of the Maiden is solitary. Never to be touched. Never to be looked upon. Never to be spoken to. Never to experience pleasure. Waiting for the day of her Ascension, she would rather be with the guards, fighting back the evil that took her family, than preparing to be found worthy by the gods. But the choice has never been hers.

A Duty…

The entire kingdom’s future rests on Poppy’s shoulders, something she’s not even quite sure she wants for herself. Because a Maiden has a heart. And a soul. And longing. And when Hawke, a golden-eyed guard honor bound to ensure her Ascension, enters her life, destiny and duty become tangled with desire and need. He incites her anger, makes her question everything she believes in, and tempts her with the forbidden.

A Kingdom…

Forsaken by the gods and feared by mortals, a fallen kingdom is rising once more, determined to take back what they believe is theirs through violence and vengeance. And as the shadow of those cursed draws closer, the line between what is forbidden and what is right becomes blurred. Poppy is not only on the verge of losing her heart and being found unworthy by the gods, but also her life when every blood-soaked thread that holds her world together begins to unravel.

Kate’s Thoughts

Okay guys, I’m about to blow your mind. I actually enjoyed this fantasy novel. WHAT? I know! I always go on about how fantasy is a really hard genre for me, and admittedly when Serena picked this for book club I groaned. It was long. It was fantasy. It sounded silly. But shut me up, I ended up enjoying “From Blood and Ash”, so thank you, Serena! I will happily eat crow!

I mean, yes, it has kind of a slow start, and yes, it has a lot going on. Probably too much. But I found myself enjoying this book, for a couple of reasons. One, I enjoyed Poppy, our main character. I liked the backstory that was given to her, I thought that her personality was well formed and pushed back against what we can sometimes see with the kind of role she is playing, and I liked that she actually had agency as well as reasons for her various abilities. I also liked a number of the side characters, like Poppy’s friend Tawny, her lady in wait, or her guard Vikter. I felt that Armentrout did her due diligence to give them some personality as opposed to just be players to prop Poppy up. And in terms of the vampire mythology that Armentrout wove in, it wasn’t anything super new, but it was fun enough, and creatively placed into a fantasy dystopia setting.

I am at the very least going to try the next book in the series. I can’t guarantee that I will commit to the entire series, as it’s long and fantasy and I are tenuous. But “From Blood and Ash” was fun.

Serena’s Thoughts

I didn’t realize just how long this book was when I selected it for bookclub! Sorry Kate! I picked it because it was the top rated fantasy romance on Goodreads at one point, and while yes, the premise sounded kind of silly, I thought that all of those high ratings had to be based on something.

Like Kate said, this book definitely has a slow start. There’s a ton of world-building that gets laid out in this story, and as it’s told in first person, much of that world-building is simply given to us by Poppy herself. Usually this would be a pretty negative thing for me, but I think it speaks to the strengths of Poppy’s character that she was so solid and entertaining that I didn’t even mind the way much of this information was delivered. Given how long this book is, Poppy’s compelling inner thoughts and character work are integral in keeping the pace of the story going. The dialogue was also excellent and had me laughing out loud at times.

I completely agree with Kate about the side characters, so I won’t repeat what she said about them. I’ll also definitely second what she said about Poppy defying typical romance heroine conventions at times. She was given enough back story to explain her motivations for learning and doing what she does. And the author gave us early opportunities to put these aspects of Poppy’s character to the test and let us see her in action. There were also a few decisions she made towards the end of the book that were incredibly satisfying and definitely not the sort you typically see from romance heroines in this type of situation.

I’ll also say that I really enjoyed the romance. Hawke was a very swoony hero and, again, defied many of my expectations at different times. There were some fairly predictable twists that came along with him, but I was happy enough with the way the story played out to not be overly concerned that I could guess where it was headed before it got there. I also really liked the twists the author brought to the fantasy aspects of the story. Again, unlike Poppy, the reader will be able to pick up on a few of them right off the bat. But there were additional levels, so to speak, to these traditional fantasy beings that were revealed as the story continued. I will say that with all of this world-building and mythology, the book could definitely have used a map to at least relieve some of the mental burden on the reader trying to keep track of this all!

Kate’s Rating 7 : It had a bit of a slow start and had a LOT going on, but I ended up enjoying this romantic fantasy!

Serena’s Rating 8: Maybe a bit generous as a rating for half one, but we’ll round up with the more satisfying aspects of half two.

Book Club Questions

  1. This book’s romantic trope was “secret identities.” Did you like the way this was incorporated into the book? How did you feel about the reactions of both parties when the secret identities were revealed?
  2. How did you feel about Poppy and Hawke as the romantic heroine/hero? In what ways did they conform to stereotypes? In what ways did they break them?
  3. There was a lot of world-building and fantasy building in this book. Were you able to fully picture this world and society? Did you have any questions about place or people?
  4. The author plays with some staple fantasy characters such as vampires, zombies, and werewolves. Did you like her interpretations of these mythical beings?
  5. Would you read the other books in the series?

Reader’s Advisory

“From Blood and Ash” is included on the Goodreads lists: Sarah J. Maas Clones and Romance, SMUT Action, And The Supernatural.

Next Book Club Book: “Project Duchess” by Sabrina Jeffries

Serena’s Review: “Only a Monster”

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Book: “Only a Monster” by Vanessa Len

Publishing Info: HarperTeen, February 2022

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: It should have been the perfect summer. Sent to stay with her late mother’s eccentric family in London, sixteen-year-old Joan is determined to enjoy herself. She loves her nerdy job at the historic Holland House, and when her super cute co-worker Nick asks her on a date, it feels like everything is falling into place.

But she soon learns the truth. Her family aren’t just eccentric: they’re monsters, with terrifying, hidden powers. And Nick isn’t just a cute boy: he’s a legendary monster slayer, who will do anything to bring them down.

As she battles Nick, Joan is forced to work with the beautiful and ruthless Aaron Oliver, heir to a monster family that hates her own. She’ll have to embrace her own monstrousness if she is to save herself, and her family. Because in this story . . .

. . . she is not the hero.

Review: This book seems to be getting a decent amount of hype, and a lot of reviewers have been rating it pretty highly. That, plus the super cool cover, was enough for me to place a request. But while I can see why it’s been a hit for many, sadly, it wasn’t quite for me.

Joan’s world explodes one day on what should have been a simple date with her crush, Nick. But it turns out that Nick is a famous monster hunter and, what would you know, Joan herself comes from a family of monsters. Suddenly drawn into an age-old war, Joan must quickly learn what she is capable of. In her battle against Nick, she’s joined by Aaron, a young man from a rival monster family. With him comes more questions and, potentially, another foe? Not knowing who to trust, Joan must race to save her family from ruthless forces on either side.

So, there’s a lot going for this book right off the bat. The idea itself is quite interesting. It’s hard to really go into much of the abilities and situation around Joan’s “monstrousness” without getting into some pretty major spoiler territory, but I will say that the main twist to this book took me completely by surprise. The book description does a good job of setting up the stakes of the story without giving away any clues as to how exactly all of this comes to pass. And it’s a pretty big “how.”

For her part, I thought Joan was a fairly compelling heroine. I liked that so much of the story was based around her love for her family and her drive to save them from a dark fate. I did have some quibbles about how this character was handled with her execution of that desire to save her family. She knows literally nothing about this monster world that opens up to her, but she goes in with guns blazing playing with incredibly high stakes. On one hand, I like this type of brash character; but on the other hand, the way she was written didn’t acknowledge just how brash and crazy some of these actions were. She definitely could have used a bit more questioning and investigation of everything involved before diving in so fully. I mean, by the end of the book, even I was left with some questions. For one thing, the term “monster” was a big question mark for me from beginning to the end, and I never felt like much explanation was given as to why that term was used.

I also really didn’t like the so-called “romance.” It’s sold as an “enemies to lovers” romance, something that I’m definitely all for, generally. And we have two options set up with both Nick (the monster hunter) and Aaron (the family rival), and yet I never really connected with the romance with either. There were also some fairly convenient moments towards the end of the book that resolved some of these things in what I felt were fairly unsatisfying ways.

All told, I think this book has a lot of potential to connect with a lot of YA fantasy readers. It’s fast-paced, original, and Joan is a compelling leading lady. I will say that those looking for a solid romance may end up being disappointed by this one. But readers less interested in that aspect might want to give this one a shot!

Rating 7: A major twist carries this book through, but the romance fails to hold up it’s own weight in the equation.

Reader’s Advisory:

“Only a Monster” is on these Goodreads lists: Fantasy Frenemies and 2022 YA Historical Fiction.

Serena’s Review: “A River Enchanted”

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Book: “A River Enchanted” by Rebecca Ross

Publishing Info: HarperVoyager, February 2022

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Jack Tamerlaine hasn’t stepped foot on Cadence in ten long years, content to study music at the mainland university. But when young girls start disappearing from the isle, Jack is summoned home to help find them. Enchantments run deep on the magical Isle of Cadence: gossip is carried by the wind, plaid shawls can be as strong as armour, and the smallest cut of a knife can instill fathomless fear. The capricious spirits that live there find mirth in the lives of the humans who call the land home, but that mischief turns to malevolence as girls begin to go missing.

Adaira, heiress of the east, knows the spirits only answer to a bard’s music, enticing them to return the missing girls. But there’s only one bard capable of drawing the spirits forth by song: her childhood enemy Jack Tamerlaine.

He hasn’t stepped foot on Cadence in ten long years, content to study music at the mainland university, but as Jack and Adaira reluctantly work together it becomes apparent the trouble with the spirits is far more sinister than first thought and an older, darker secret lurks beneath the surface, threatening to undo them all.

Review: There’s another cover for this book listed on Goodreads, as well, so I’m not sure exactly which one will be used when the book comes out (I suspect one cover is the U.S. cover and the other U.K.?) But I preferred this one, so that’s what we have here! The colors are lovely and the flowers speak to an important part of the story itself. It wasn’t the cover I saw when I requested an ARC, however, so what really drew me in was the description itself which made it sound like the kind of fantasy novel that Juliet Marillier would write. And that’s all I needed!

It is a dark and stormy night and Jack Tamerlaine is returning to his island home, a land riddled with magic and mystery. After spending his last years learning music, he never planned on returning. That is, not until he received a summons from his childhood rival and the heir to the land, Adaira. Once home, he discovers a mystery of young girls going missing. But it’s unclear whether magical forces are at work or whether it’s the war-like people who occupy the other half of the island who are behind the disappearances. Adaira’s hopes, however, expand beyond simply recovering the missing girls; she hopes to finally bring together both sides of the island, something that hasn’t been attempted for years after the last try went so badly wrong that it struck at the core of magic itself.

I really loved this book. Right from the very first moment, it starts off with the type of lyrical, atmospheric writing that I love to see in fantasy fiction. There’s something about this style that lends the story a fairytale-like feeling, even if the tale itself is completely original and not drawing from any well-known folktales. Ross’s language was able to fully ground the story in a mystical land where words that are spoken can travel on the wind to ears far away, where powerful beings can be summoned with the right strums of a harp’s strings, and where legends as old as time still live and can be stumbled upon if you take a wrong turn while wandering off the roads.

For all of this excellent world-building, the author was equally good at centering the story around several different characters who had very different arcs and challenges throughout the story. The book description misrepresents the characters at the heart of this story. We do, of course, spend a good amount of time with Jack and Adaira. Jack’s story is one of homecoming, full of memories of people who now, essentially, no longer exist being so changed now after the passage of time. He must learn to reconcile the emotions and views of the child he was when he left with what he sees now: flawed people all trying to do the best they can. Adaira’s story is bit more simple; she’s introduced as a beloved and competent leader of her land and, for 99% of the book, that’s what she remains. There are several twists towards the end that give her story more heft, in hindsight. But I was also fully satisfied with her more straight-forward arc on its own as well. However, while Jack and Adaira are central characters, and their slow-burn romance and attempts to solve the mystery of the missing girls drives much of the story, there are two other characters who also get a decent amount of page time.

Sidra and Torin are two “older” characters, probably in the mid-thirties or so? Together they have raised Torin’s daughter whose mother died shortly after her birth. Through these two, the story dives into some deeper topics involving duty, loss of faith, and the commitments that we have to one another that can lead to love, even if they didn’t start as such. These two other characters were both a surprise but also the firmer foundation upon which the rest of the story worked. While I enjoyed Jack and Adaira, their story was more straightforward and, to some extent, predictable. But through Sidra and Torin, we are able to explore an aspect of love much less often touched upon: the kind that develops slowly, over years, and, like faith itself, relies as much on our decision to love and to believe as anything else.

I strongly recommend this book to fans of fantasy fiction, especially those who enjoy literary fantasy or fairytale fantasies. It’s also a refreshing example of adult fantasy fiction and how you can incorporate the “new love” romance that is typically found in YA fantasy while also touching on themes more often found in adult stories.

Rating 9: Lyrical and atmospheric, this story touches on love of all kinds and delves into all the beauty and pain that can be found there.

Reader’s Advisory:

“A River Enchanted” isn’t on any Goodreads lists yet, but it should be on “Music in Fantasy.”