Tag: 9 Rating

Serena’s Review: “The Hollow of Fear”

363423301Book: “The Hollow of Fear” by Sherry Thomas

Publishing Info: Berkley, October 2018

Where Did I Get this Book: Edelweiss

Book Description: Under the cover of “Sherlock Holmes, consulting detective,” Charlotte Holmes puts her extraordinary powers of deduction to good use. Aided by the capable Mrs. Watson, Charlotte draws those in need to her and makes it her business to know what other people don’t.

Moriarty’s shadow looms large. First, Charlotte’s half brother disappears. Then, Lady Ingram, the estranged wife of Charlotte’s close friend Lord Ingram, turns up dead on his estate. And all signs point to Lord Ingram as the murderer.

With Scotland Yard closing in, Charlotte goes under disguise to seek out the truth. But uncovering the truth could mean getting too close to Lord Ingram—and a number of malevolent forces…

Previously Reviewed: “A Study in Scarlet Women” and “A Conspiracy in Belgravia”

Review: I warned you in our “Highlights” post that a review was coming quickly! Thanks to the lovely Edelweiss, I’ve had access to this title for a while but had been trying to resist reading it until closer to its publication date. Torture indeed. And at this point, after three amazing books (spoiler: I loved this one), it’s such a pleasure to find another series that I can now put full faith into the fact that I’m sure to love future titles as well. Why can’t they all just be out now though?? They should defy space and time and arrive ala Netflix binging. But enough of that, on with the review!

The fallout of the events that took place in “A Conspiracy in Belgravia” are still being felt, most largely by Lord Ingram himself whose world has crumbled after the discovery of his wife’s involvement with the criminal mastermind Moriarty. But a bad situation can always get worse and very much does with the discovery of Lady Ingram’s body on his own property. Of course, Charlotte Holmes would never watch idly as disaster befell her dear friend. But still banished from society and with a gossip-worthy connection with Lord Ingram himself, how can she involve herself in the case in a useful manner? In disguise, of course!

Oh where, oh where to start my crazed ranting! I think part of my love still comes down to the very fact that this series exists and exists as well as it does. I’ve recommended it to a few people lately, including my husband, and his and many other’s responses have often been the same. Something like “…really? but…why?” For some, this is simply because they see no reason to adapt the character once again at all and for others there is a general distrust that a series could effectively gender swap the character while also maintaining its historical setting. And really, these are both legit concerns. In the last several years, though it has been waning a bit recently, it seems the entire world was under a certain “Sherlock” fever, with a new adaptation, either written or on some screen or another, announced every other day. But to these skeptics I say a loud and resounding “nay!” There is always room for another adaptation if and when an author is truly capable of bending these classic characters into something truly new without losing the essence of said characters and stories. And that is what makes Sherry Thomas’s books so amazing.

“The Hollow of Fear” is no exception. By this point, we know that Thomas has tackled the biggest challenge: creating a new version of Sherlock that both rings true to the original but also has enough novel factors to stand alone among other adaptations. And from there, it’s just a matter of releasing said character into another plot and seeing what happens. I think what makes this story stand out in particular is the fact that it is more of a direct sequel to its predecessor than the original. The first two definitely had connected through lines, but could perhaps be read individually. Here, this story directly pulls from the events of the last and is stronger for having a more robust mystery built upon information and puzzles that have been laid down through both books now.

I also enjoyed that the story largely takes place in a small space, Lord Ingram’s estate. We jump here and there to a few places in the surrounding community, but in many ways it reads like a classic mansion mystery where a large group gathers, a murder is committed, and the culprit and method must be sought out amidst the question of how such an event could occur with so many witnesses around.

All of our favorite characters make an appearance though the amount of page time for each is switched around a bit. Here, we spend a lot more time with Charlotte’s sister, Livia and got to see her come a bit into her own, building confidence as she went. We also spend a good amount of time with Detective Treadles, and I particularly enjoyed his storyline here. In the last few books, he’s been a bit unlikable due to his feelings and prejudices about his wife, but here we see him truly have to confront these aspects of himself. In retrospect, I very much enjoy this slow transformation. I think it reads as a much more honest version of this type of change and the moments that lead him to real inner reflection in this book also ring true for what would open one’s eyes about one’s own behaviors and thoughts with regards to these types of prejudices.

Charlotte herself is of course amazing. I very much enjoyed her undercover work, and it was a fun twist to see her more fully interacting with the mystery as the story unfolded. Due to her gender and outcast status, she always had to operate a bit on the sidelines in the past books, and while that lead to some really great moments too, this was a nice change of pace from what could have become a predictable set of events.

Her relationship with Lord Ingram was also further explored, and while I still very much enjoy this building relationship, there were a few things at the end that were particular to this couple that lead me to drop my rating from a full 10. Some of the explanations for past actions I’m not sure truly made sense or were necessary in the grand scheme of things. Instead, they almost read as excuses to include certain parts of the story that were hard to work in otherwise. And then were largely reset again at the end of this book. I’m curious where things will go from here, however, as I don’t think this type of bait-and-switch will work twice, so at some point this complicated relationship is going to need to be dealt with in another way.

The mystery itself was also very good and remains one of the strongest pros of the entire series. Here there were a few moments where I thought I had guessed at crucial information and was feeling quite smug about it only to later discover that, nope, that wasn’t right at all. And while there were a few very satisfying scenes at the end where Charlotte was able to put some self-important police investigators in their place, part of that reveal also relied on one concept that felt a bit too convenient. But, again, that’s a very nit-picky criticism. Because overall, for fans of historical mysteries, this series is turning out to be a must read!

Rating 9: Sherry Thomas continues to make the difficult task of writing a new version of Sherlock Holmes seem “elementary” indeed!

Reader’s Advisory:

“The Hollow of Fear” is a newer title and isn’t on many relevant Goodreads list, but it is on “Historical Mystery 2018.”

Find “The Hollow of Fear” at your library using WorldCat!

 

Serena’s Review: “Age of Myth”

26863057Book: “Age of Myth” by Michael J. Sullivan

Publishing Info: Del Rey, June 2016

Where Did I Get this Book: audiobook from the library!

Book Description: Since time immemorial, humans have worshipped the gods they call Fhrey, truly a race apart: invincible in battle, masters of magic, and seemingly immortal. But when a god falls to a human blade, the balance of power between humans and those they thought were gods changes forever.

Now only a few stand between humankind and annihilation: Raithe, reluctant to embrace his destiny as the God Killer; Suri, a young seer burdened by signs of impending doom; and Persephone, who must overcome personal tragedy to lead her people. The Age of Myth is over. The time of rebellion has begun.

Review: I’m not sure how I’ve missed Michael J. Sullivan for so long. My only excuse is that sometimes I get too mired in YA fantasy specifically (because, c’mon, keeping up with that stuff is a full time job and I’m failing at even that!!). But on a whim I saw that this was available through my audiobook service at the library and decided to check it out. And boy, am I glad I did! It’s like discovering an entirely new shelf (yes, SHELF!!) of good books.

It all began in an instant, when, in a moment of panic and anger, Raithe killed the unkillable, a Fhrey whom he and his people had worshiped as gods for as long as history could be remembered. The domino effects of this decision now lead the human world into a bold new era, one that Raithe himself is reluctant to enter. But others have no choice, like a chieftain’s wife, Persephone, who finds this fight brought to her own door. And a young seer named Suri who only wants to live in the woods with her wise wolf, Mina. Others, too, both in the land of the humans and the land of the Fhrey, begin to feel the ripples of this shocking change to the world order, and suddenly so many find their lives heading in frighteningly new directions.

Wow, I was just blown away by this book. I don’t even know where to begin my gushing! The characters? The story? The world? The amazing audio book narrator? THE FACT THAT THE ENTIRE SERIES IS ALREADY WRITTEN AND SCHEDULED TO RELEASE REGULARLY?

The characters. There are a lot of them. As I’ve mentioned (again and again and, annoyingly, again), I typically prefer stories where we follow one, maybe two, main characters through a story. I often find my level of investment greatly fluctuating between characters when the cast of POVs is much larger, leading me to feel varying levels of interest and tending to skim sections as books go along. Not so, here. While we are originally introduced to Raithe and then Persephone, and while they do likely have the majority of the chapters, the book also introduces several other key characters such as Suri and even a few members of the Fhrey. These last couple of characters, the Fhrey, were the ones I was most concerned about. Were they all going to be enemies? How would their stories actually tie in with the events going on out in the human world? But I shouldn’t have been concerned. While one of these perspectives is essentially that of the villain, both provide important context clues into the cultural dynamics of both peoples and play major roles in the story, especially towards the end.

I particularly enjoyed Persephone’s story, however. Not only was she an interesting character in her own right, she was a rare exception to the type of female perspective we’re used to seeing in fantasy fiction. She’s not a young twenty something who is set up as the perfect romantic interest for the hero or who has unique magical powers. Instead, she’s in her upper 30s, about ten years older than Raithe himself, a wife and a mother. But while these roles are important to her, they do not define her or limit her storyline. Instead, in many ways, Persephone is the driving force of this rodeo and proves to be one of the more competent players in the game. I also super dig the fact that there looks to be the beginnings of some type of romance being set up between her and Raithe and the fact that this is a gender swap as far as the age gap goes.

The story itself is action packed. It’s the very beginning of a 6-7 book series, so we know that this book will mostly be setting the stage for a larger conflict. It also has a lot of world-building and character-introducing to do. So with all of that, it’s truly impressive how many cool action scenes are set throughout the book. We have politics, we have betrayals, we have sword fights, we have magical battles. It’s all there and it’s all great. What’s even better, these action sequences aren’t limited to some grand stand off at the end of the book (though there is that as well, actually multiple even there!). The story is peppered with these little skirmishes, and the book never feels like it is being mired down too much under its own weight of world creation.

The world itself is also very interesting. When I started this book, as I said, I had never read anything by this author. I was also unaware that this is essentially an ancient history prequel to the author’s other large series. (This is now its own problem since I feel like I can’t read those until I finish this one as there might be some spoilers there as to how this all plays out…but this series isn’t even all released yet so that’s even more delay in getting to those!!) But as the groundwork is being laid out in this book, I never felt like this lack of prior knowledge was a hindrance. Some of this is due to the fact that many aspects of this story are familiar to fantasy readers. We essentially have the classic trio of beings: humans, elves, and dwarfs. The magic system itself, while so far only briefly discussed, is also fairly simple and approachable. This familiarity makes it easy to quickly feel connected with the world presented and allows the story devote more time to its characters and plot. While some readers may find these similarities as almost too familiar, not providing enough unique elements to make the series stand out on its own, I, for one, wasn’t bothered by it. If the story is strong, you have solid characters, and it’s clear the author is enjoying the world they built, I say there’s nothing wrong with sticking with the tried and true classic aspects of fantasy fiction.

As I referenced above, one of the unique aspects of Sullivan’s style of writing is that he completes an entire series before beginning to release them. This is so, so refreshing in epic fantasy fiction. I don’t even need to name names or point fingers, we all know the examples. All too often, beginning a new fantasy series feels a bit like rolling the dice. Will this series have massive breaks between books? How many total years am I looking at until I get some resolution? Will the author even FINISH this series? Here, those questions are answered, and I’m so thankful for it. There are a few other authors out there, like Brandon Sanderson, who you can count on to release their books quickly and efficiently, even if they write them one by one. But it’s a whole new level of reassurance to know that a series is already finished when you start. Not only will books come out on a regular schedule, but there’s some satisfaction in knowing the author has already thought through all the various plot points, and that he will not write himself into any corners.

Lastly, this book was read by Tim Gerard Reynolds, who, as always, was absolutely brilliant. He primarily reads for fantasy fiction, and I believe he’s narrated all of Sullivan’s prior books. I look forward to continuing on with this series through the audiobooks.

Whew! A long review for this one, but well worth it given how much I had to praise! If you, like me, have somehow been living under a rock as far as Sullivan’s writing goes, I definitely encourage you to check it out. While I’m loving this series, you may want to avoid the trap I now find myself in and start with his other series that have already been published. Who knows, I may break down and skip to one of those early anyways!

Rating 9: Near perfect! Why bother saying more here when I’ve already raved on forever above?

Reader’s Advisory:

“Age of Myth” is on these Goodreads lists: “High Fantasy Books That AREN’T The Lord of The Rings Or George R. Martin” and “Epic/Heroic fantasy with kick-butt heroes AND heroines.”

Find “Age of Myth” at your library using WorldCat!

 

Book Club Review: “Moonshot: The Indigenous Comics Collection (Vol 2)”

37675578We are part of a group of librarian friends who have had an ongoing bookclub running for the last several years. Each “season” (we’re nerds) we pick a theme and each of us chooses a book within that theme for us all to read. Our current theme is “B-Sides,” where we pick different books from previous authors that we read in the club.

For this blog, we will post a joint review of each book we read for book club. We’ll also post the next book coming up in book club. So feel free to read along with us or use our book selections and questions in your own book club!

Book: “Moonshot: The Indigenous Comics Collection (Vol. 2) by Hope Nicholson (ed.)

Publishing Info: Alternate History Comics Inc., 2018

Where Did We Get This Book: The library!

B-Side Book: “Moonshot: The Indigenous Comics Collection (Vol.1)”

Book Description: The highly anticipated second volume of the multiple award-winning collection is here! MOONSHOT The Indigenous Comics Collection Volume 2 brings you even more original comic book stories, written by Indigenous authors from across North America. Gorgeously illustrated by a mix of award-winning artists, Volume 2 will take you on a stunning journey through this world, and to worlds beyond!

Kate’s Thoughts

If you guys remember, I read “Moonshot Volume 1” a couple years ago, and really really enjoyed it. I loved the artwork, I loved the varied stories, I loved that it gave a platform to voices who we don’t hear nearly enough of in literature. Now we come to “Moonshot Volume 2”, and I knew that while I would like it, it would be hard to top my love for the first collection. And yet “Moonshot Volume 2” did. I think that what I liked more about this one (as much as I loved the first) was that it felt like it tackled more issues within Indigenous communities, such as suicide, addiction, the murder and abuse of Indigenous women, poverty, and water rights. While I found all of th stories strong in their own ways, I had a couple favorites that I will lay out here.

“Worst Bargain in Town” by Darcie Little Badger and Rossi Gifford (Ill.)

This story, originating from Lipan culture, is mostly about cultural appropriation of Native aesthetics and fashion, and how White Culture tries to benefit off of it while taking power and ownership from Native groups. Kat and Laura are two Lipan women who are wary of the new beautician in town, who REALLY wants to cut their hair. Turns out this hairdresser is a demon that is taking the hair she cuts and consuming it, sapping the power from the hair’s owners. I liked that it touched on the issue in two ways. The first and more obvious connection is how the beautician is taking the culture from Indigenous women and benefiting from it. You see this in non metaphorical ways in everyday life, be it buying Native designs from non-Native artists for clothing or decor, or through those people who wear head dresses at outdoor music festivals, etcetera. But the other way goes back to a more direct form of colonialism, as Native Children in America were taken from their homes and sent to boarding schools in an effort to ‘civilize’ them, where their hair would be cut. Given that within the Lipan culture hair is a source of strength, the metaphor in this story is especially chilling. The illustrations, however, are fun and lighthearted, and while one may worry that it may take power away from the story, it doesn’t.

“Water Spirits” by Richard Van Camp and Haiwei Hou (Ill.)

Given the visibility of the NODAPL movement, Water Rights have been a hot topic within the public consciousness as of late. Richard Van Camp’s story concerns a school field trip going to a now defunct mine, and being led on a tour by a Native man who has a lot of knowledge of it’s history and how the mine has changed and affected the community. This story examines the consequences of capitalism at the expense of the environment, and how our Western culture tends to value things that are arguably not as essential (like gold within this mine) as VERY essential things (like water). There is a certain simplicity to this story, as it’s really just a field trip, but the message comes through loud and clear: we are poisoning the Earth because of our capitalistic values, and we won’t be able to come back from it. What really stood out for me in this story, however, was the artwork. It has a very realistic, almost Roto-Scope quality to it, and it’s uniqueness really made it pop off the page.

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I mean just look at it. (source)

But all of the stories are strong. If you haven’t read the “Moonshot” books yet, do yourself a favor and get your hands on them.

Serena’s Thoughts

Unfortunately, I had to return my copy to the library, so I don’t have have a list of the individual story titles and authors in front of me. Instead, my portion of the review will focus on general topics/themes throughout the book.

I’m also in the camp of enjoying this collection more than the first. While I didn’t review it here, I did read it and really liked many of the stories. In this second iteration, it felt like the collection simply felt more comfortable in its skin, more fully embracing its own concept and messages. As opposed to the first collection, many of the stories in this collection delved into topics that are currently heavy hitters in the Native population.

Kate mentioned water rights, but there were also intensely sad (and sensitive) explorations of the high suicide rate that exists in Native nations. I particularly enjoyed (doesn’t feel like that should be the right word about such a sad story) a story about a young man who is experiencing grief at the loss of another boy close to him to suicide. The artwork in this particular story was also gorgeous and worked perfectly with the somber subject matter, painting its images in muted hues of blues and greens.

There were also a few stories that leaned into the science fiction/fantasy angle, and of course I really loved those, too. The art in these were particularly love, with vibrant colors and interesting animation choices for how characters are drawn.

There were a few stories that I did struggle with, however. Particularly the first story in the book. This one picked up seemingly in the middle of a story and also was incredibly short. It was interesting, but also a bit confusing and off-putting. I think it was definitely worth including, but I question choosing to have that story introduce the collection as it isn’t really representative of what’s to come and could turn off the casual browser.

Overall, however, I very much enjoyed “Moonshot Volume 2” and highly recommend it!

Kate’s Rating 9: A fabulous and powerful collection that has a lot of salient points and a lot of heart, “Moonshot Volume 2” is a must read for comics fans.

Serena’s Rating 9: An even stronger outing that the first, “Moonshot Volume 2” leans into contemporary challenges faced by the Native nations.

Book Club Questions

  1. If you have read “Moonshot Vol. 1”, which collection did you prefer more? Why?
  2. There are multiple issues that affect Indigenous Communities that are touched upon in these stories. Did any of these themes have an especially striking affect on you? Which one, and why?
  3. How familiar are you with topics that were discussed in this collection, such as Water Rights, Cultural Appropriation, abuse cycles, etcetera? Did reading these stories make you want to learn more about these things?
  4. Did you feel that the artistic choices and illustrations reflected all of the stories well? Were there any stories where you felt that the art really strengthened it? Or weakened it?
  5. What was your favorite story within the collection? What was it about this story that stood out for you?

Reader’s Advisory

“Moonshot: The Indigenous Comics Collection (Volume 2)” is not included on any Goodreads lists, but it would fit in on “Indigenous Peoples”, and “Graphic Novels & Comics By The Aboriginal, Indigenous and Native People’s of the World”.

Find “Moonshot: The Indigenous Comics Collection (Volume 2)” at your library using WorldCat.

Next Book Club Book: “A Thousand Nights” by E.K. Johnston.

Kate’s Review: “Supergirl: Being Super”

35531016Book: “Supergirl: Being Super” by Mariko Tamaki, Joelle Jones (Ill).

Publishing Info: DC Comics, June 2018

Where Did I Get This Book: The library!

Book Description: She’s super-strong. She can fly. She crash-landed on Earth in a rocket ship. But for Kara Danvers, winning the next track meet, celebrating her 16th birthday and surviving her latest mega-zit are her top concerns. And with the help of her best friends and her kinda-infuriating-but-totally-loving adoptive parents, she just might be able to put her troubling dreams–shattered glimpses of another world–behind her.

Until an earthquake shatters her small town of Midvale…and uncovers secrets about her past she thought would always stay buried.

Now Kara’s incredible powers are kicking into high gear, and people she trusted are revealing creepy ulterior motives. The time has come for her to choose between the world where she was born and the only world she’s ever known. Will she find a way to save her town and be super, or will she crash and burn?

Caldecott Honor and Eisner Award-winning writer Mariko Tamaki (This One Summer) and Eisner Award-nominated artist Joëlle Jones (Lady Killer) combine forces for this incredible coming-of-age tale! This is the Girl of Steel as you’ve never seen her before.

Review: Kara Danvers, aka Supergirl, has recently had something of a pop culture renaissance. The success of the CW show “Supergirl” has had a huge hand in that, as it has brought Kara to the forefront for the past few years. I enjoy “Supergirl” for the most part, and I think that it does do Kara justice, but what we didn’t get from that show was Supergirl’s teenage years, instead putting her solidly in her early twenties when it began. I think that part of the appeal of Supergirl initially was that she is a teenager, and therefore has the usual trials and tribulations that a teenage girl would have (though back when she was first created a lot of that was steeped in sexism of the time). So while I’ve enjoyed the TV version of Kara, and the “Bombshells” version of her as well, I was really hoping to get a new take on a teenage Kara eventually. And my hopes were answered thanks to Eisner Award Winner Mariko Tamaki, who wrote the mini series “Supergirl: Being Super”.

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Exactly. (source)

Mariko Tamaki has been at the graphic novel game for awhile, with one of her more notable books being “This One Summer”. This story is about early teenage girls spending the summer at a cabin, and focuses on coming of age themes as well as learning about some sad truths about the world. It’s a quiet and emotional story, and therefore Tamaki is the perfect person to helm a Supergirl origin story. This version of Kara has loving family and good friends, but her powers have been kept secret from most people in her life. While she understands why they need to be kept secret, we’re told in bits and pieces the cost of hiding her identity from those around her has had in her life. Life is hard enough when you’re a teenager trying to find yourself, it’s even harder when you don’t know where you came from, you don’t know why you are the way you are, and you have to keep it inside. Much like “This One Summer”, “Supergirl: Being Super” has a lot of heartbreaking and poignant themes and moments, with Kara going through loss and and identity crisis at the heart of the story. After a horrific trauma happens to her and the rest of the town, and someone close to her dies, Kara begins to spiral. The pain that she is going through, as well as seeing her parents trying to help her get through it while letting her know her pain is valid and real, led to many a teary eyed moment as I read this book. Kara is flawed and angsty, but she is also bright and friendly and very real, and I loved the arc that she followed in this story.

Tamaki also created a lovely cast of characters to be in Kara’s life. From her parents to her mentors and her friends, the supporting characters are all well rounded and add depth and vibrancy to the story. The two who I would argue are the most important are her two best friends, Liz and Dolly. They are all on the track team together, and their conversations and interactions were all very true to life and familiar to me, as someone who was a teenage girl once. Additionally, I liked that while they are all best friends with similar interests, they are also pretty different as well, having their own unique personalities that contribute different things. And even the antagonists in this book (and there are a few) are so well structured and characterized that the reader can see where they are coming from, and why they do the things that they do, even if they are ultimately terrible things.

And do not worry. Krypton plays a large role in this story too, even if Kara is well beyond her time on that doomed planet. It isn’t a Superman or Supergirl story unless Krypton is involved, and Tamaki made it feel fresh and original.

The artwork is done by Joelle Jones, who I have reviewed here for her “Ladykiller” series. I love Jones’s artwork and style, and I think that she brings such vibrant detail to these characters, as well as making them all so original and unique.

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(source)

I cannot recommend “Supergirl: Being Super” enough. I love the story that Tamaki and Jones have given Kara, and while I know that there are no official plans for Tamaki to continue the story I am holding out hope that DC will beg her to come back and give us more.

Rating 9: A wonderful and fresh origin story for Supergirl, “Supergirl: Being Super” is a great story for fans of Supergirl of all ages.

Reader’s Advisory:

“Supergirl: Being Super” is (maddeningly) not included on many Goodreads lists, but I think that it would fit in on “Comics and Graphic Novels by Women”, and “Comics for Teen Girls (that are not Japanese Manga)”.

Find “Supergirl: Being Super” at your library using WorldCat!

Kate’s Review: “The Outsider”

36124936Book: “The Outsider” by Stephen King

Publishing Info: Scribner, May 2018

Where Did I Get This Book: The library!

Book Description: An unspeakable crime. A confounding investigation. At a time when the King brand has never been stronger, he has delivered one of his most unsettling and compulsively readable stories.

An eleven-year-old boy’s violated corpse is found in a town park. Eyewitnesses and fingerprints point unmistakably to one of Flint City’s most popular citizens. He is Terry Maitland, Little League coach, English teacher, husband, and father of two girls. Detective Ralph Anderson, whose son Maitland once coached, orders a quick and very public arrest. Maitland has an alibi, but Anderson and the district attorney soon add DNA evidence to go with the fingerprints and witnesses. Their case seems ironclad.

As the investigation expands and horrifying answers begin to emerge, King’s propulsive story kicks into high gear, generating strong tension and almost unbearable suspense. Terry Maitland seems like a nice guy, but is he wearing another face? When the answer comes, it will shock you as only Stephen King can.

Review: Goodness gracious, I seriously love Stephen King so much. He’s been one of my favorites since I was in middle school, and twenty years later I’m still always anxious and excited to read books by him that are new (or new to me, as his catalog is extensive and I haven’t read a good portion of it). I camped outside my old library the day that “The Outsider” came out because I knew that it was going to be on the new wall and up for grabs, as opposed to out on request. I finally started it a couple weeks later, when the due date was starting to loom on the horizon, and devoured most of it while in bed with the stomach flu. But honestly, even if I hadn’t been bedridden, I would have devoted most of my day to sitting inside reading “The Outsider” because it is that good. It is THAT good.

“The Outsider” is a combination of writing genres that we have come to know King for: there’s one part of it that is straight up horror, but then there is another that I would classify as a crime procedural not unlike his “Bill Hodges” Trilogy (more on that later, though). While it starts out as a tense crime drama, with our main character Detective Ralph Anderson trying to solve a horrific murder in his small Oklahoma town, it slowly and methodically evolves into a scary story that gave me an unshakable case of the willies. It goes slow, but it builds up the dread in a way that feels as effortless as it does suffocating. As we get to see the perspectives of a number of the players in this story, from the frustrating (a prosecutor who is more interested in his re-election than trying to solve inconsistencies) to the devastating (the family of the boy who was found raped and murdered), we get the full feel for the town and many of its inhabitants and become attached to a number of them as well. With all of the plot reveals with these characters and the case that has torn the town apart, I was almost always taken for a ride and surprised by the various reveals, outcomes, and twists that come to pass. And then the game completely changed, and while I knew it was going to change, it was still a gut punch. And a moment where I had to set the book down and decompress before going forward.

Then there are the horror elements. I feel like we’re kind of getting back to some old school King in this book, as his more recent forays have been more on the gritty crime drama (with a sprinkling of the supernatural) and fantasy sides. This one has some scary imagery and scary moments that go beyond the strange, and the monster of the book, or ‘the outsider’, as the characters start referring to it, jumps off the page in both quiet and violent moments. As the characters grapple with a supernatural threat that many of them don’t even believe in, we see ‘the outsider’ hoping to keep ahead of them, through any means necessary. The inspirations for this new monster are derived from a couple sources, specifically El Cuca, a monster that eats children that is derived from Portuguese, Latin American, and Spanish folklore, and “Dracula”. King, of course, adds his own twists, of course, and the final product is frightful and spooky. And don’t think that I didn’t see what parallels King was drawing back to “Dracula” with this rag tag group of individuals going out to hunt down ‘the outsider’ for a final showdown. It was grinning the entire time. Just when I thought that this delicious mix of horror and crime couldn’t get any better, something amazing happened….. Holly Gibney from the “Bill Hodges” Trilogy showed up.

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And in that moment, overwhelmed by sickness and terrible world events, I was overcome by emotion and burst into tears. (source)

As you might remember from previous reviews on this site, I love Holly Gibney with all my heart. She is determined and strange and anxious and loyal, and when it became obvious that this wasn’t a mere cameo, but a full on lead role in this book, “The Outsider” transcended everything I had expected of it. Holly is the perfect addition to Ralph and his group, as she adds a bit of her general quirkiness and social awkwardness to their no nonsense skepticism, and it makes for a fun combination. It was also a bittersweet tidbit of getting a glimpse into her life post Bill Hodges, and how much she misses him as well as how much he has influenced her. She is still the amazing Holly from the “Bill Hodges” books, but now she gets to stand on her own two feet and step into the spotlight.

I will say, though, that the ending did feel a little rushed once we got to the climax, and while I know that stuck landings are not a guarantee with King, I was hoping that this one would really knock it out of the park. The good news is that the journey getting there was still fabulous, but it was still disappointing that it didn’t quite go the distance that it could have gone given the fabulous lead up. King’s greatest foes are his endings, and we can consider “The Outsider” another casualty in this ongoing battle of stuck vs not stuck.

Overall, “The Outsider” was a great read and another excellent tale of horror from the horror master. King is in the middle of a new golden age of his writing, and I am sure that “The Outsider” is going to endure just as some of his other classics have.

Rating 9: Another triumph from my favorite horror writer of all time.

Reader’s Advisory: 

“The Outsider” is included on “The Definitive Horror Book List”, and “2018 Mystery Thriller Horror”.

Find “The Outsider” at your library using WorldCat!

Kate’s Review: “The Cheerleaders”

30969755Book: “The Cheerleaders” by Kara Thomas

Publishing Info: Delacorte Press, July 2018

Where Did I Get This Book: I received an ARC from NetGalley.

Book Description: There are no more cheerleaders in the town of Sunnybrook.

First there was the car accident—two girls gone after hitting a tree on a rainy night. Not long after, the murders happened. Those two girls were killed by the man next door. The police shot him, so no one will ever know why he did it. Monica’s sister was the last cheerleader to die. After her suicide, Sunnybrook High disbanded the cheer squad. No one wanted to be reminded of the girls they lost.

That was five years ago. Now the faculty and students at Sunnybrook High want to remember the lost cheerleaders. But for Monica, it’s not that easy. She just wants to forget. Only, Monica’s world is starting to unravel. There are the letters in her stepdad’s desk, an unearthed, years-old cell phone, a strange new friend at school. . . . Whatever happened five years ago isn’t over. Some people in town know more than they’re saying. And somehow Monica is at the center of it all.

There are no more cheerleaders in Sunnybrook, but that doesn’t mean anyone else is safe.

Review: I want to extend a special thanks to NetGalley for providing me with an eARC of this book.

I am so, so pleased that the YA Thriller community has someone like Kara Thomas repping it these days. As you all know I’ve had a harder time with YA thrillers in the past, if only because they either aren’t gritty enough, don’t have enough interesting characters, or have predictable and spoon fed mysteries for their audience. While I understand that sometimes straight forward narratives are considered to be more ‘teen friendly’, I also think that it’s refreshing when authors don’t talk down to their teen readers and give them some serious narratives to chew on. And Kara Thomas trusts her readers enough that there is NO talking down to them. After reading her previous books “The Darkest Corners” and “Little Monsters”, I was practically chomping at the bit to read “The Cheerleaders”, her newest thriller mystery. When I finally sat down and began to read it, I pretty much devoured it all in two sittings. Thomas has done it again.

The first thing that really stood out to me about this book was our protagonist, Monica. Monica could at first glance be written off as your typical thriller heroine in novels like this: when we meet her she is in the middle of a medication induced abortion after a fling with an older man who happens to be the new soccer coach at her high school (side note: I super super appreciate the fact that Thomas has an abortion in this book and doesn’t use it as a melodramatic moment or a moment to proselytize to either side: it’s just a fact that Monica has one and that she made that choice without any hesitation). She has been having trouble coping for the past five years ever since her older sister Jen committed suicide, the fifth cheerleader in the five cheerleader deaths that have shaken the town, and has been distancing herself from everyone and succumbing to numbness. I appreciate the fact that while it’s never outwardly stated that Monica is suffering from a deep depression, Thomas makes it clear through her actions. Monica is flawed and Monica has moments where you just want to shake her, but she feels so freaking real that I just longed to hug her. I loved how intrepid she was, and think that she is one of the strongest protagonists I’ve seen in a YA thriller, or ANY thriller, in the past few years.

The mystery, too, was solid and intricate, and kept me guessing up until the end. It’s laid out in two different narratives: there’s Monica’s first person POV, and then a third person POV that follows Jen five years before in the months leading up to her death. Monica is starting to wonder if Jen actually committed suicide, and if all of the cheerleader deaths were as cut and dry as they seemed at the time. This leads her on a noire-like mystery with her own sidekick in Ginny, a neighbor that Monica has never really gotten to know in spite of the fact Ginny has always been around. The mystery surrounding the cheerleaders deaths is well paced and ever suspenseful, and Thomas doesn’t show her hand until she is good and ready to. I was once again left guessing until the end, and even though I had some small inklings of where things were going, I was mostly left surprised by the main mystery, and TOTALLY surprised by another that flits about off to the side, almost unnoticed but always present. The flashbacks to Jen’s story also give us clues that we can piece together while Monica is doing the same, and I really liked seeing Monica pick up on something that we picked up on previously, and vice versa.

And it’s gritty and bleak to be certain. Thomas doesn’t hold back in bringing up hard issues like abortion, statutory rape, violence in schools, and suicide, but they never feel like they’re exploitative, titillating, or over the top. At the same time, they they don’t feel like moments in an after school special either. Again, she trusts her readers to see nuance and darkness and be able to sort it out for themselves without any hand holding or deeper explanation. I think that it’s because of this trust that she knows how to strike the right balance in tone, and to make this book feel realistic and thrilling without having to go to any kind of extremes to send the point all the way home.

“The Cheerleaders” is another great mystery from Kara Thomas. Thriller fans, if you are reluctant to give YA thrillers a try, know that she is not going to let you down.

Rating 9: A suspenseful and well crafted mystery with realistic characters and a responsible handle on important issues, “The Cheerleaders” was a fulfilling read that kept me guessing.

Reader’s Advisory:

“The Cheerleaders” is included on the Goodreads lists “Cheerleading”, and “Best Mystery & Thriller 2018”.

Find “The Cheerleaders” at your library using WorldCat!

Serena’s Review: “Crooked Kingdom”

22299763Book: “Crooked Kingdom” by Leigh Bardugo

Publishing Info: Orion Children’s Books, September 2016

Where Did I Get this Book: own it!

Book Description: Kaz Brekker and his crew have just pulled off a heist so daring even they didn’t think they’d survive. But instead of divvying up a fat reward, they’re right back to fighting for their lives. Double-crossed and badly weakened, the crew is low on resources, allies, and hope. As powerful forces from around the world descend on Ketterdam to root out the secrets of the dangerous drug known as jurda parem, old rivals and new enemies emerge to challenge Kaz’s cunning and test the team’s fragile loyalties. A war will be waged on the city’s dark and twisting streets―a battle for revenge and redemption that will decide the fate of the Grisha world.

Previously reviewed: “Six of Crows”“Six of Crows”

Review: As was established in our bookclub review of this book, I was definitely the side of our blogging duo who loved the first book. I was all the more surprised given the massive burn I’m still nursing from the author’s original Grisha trilogy that I’ve come to see as an example of how even great writing and great characters can fall prey to some unfortunate YA fantasy tropes. But “Six of Crows” seemed blessedly free of the concerns that plagued those original books, and I was so excited after reading it that I immediately ordered this, the second half of the duology. And, I’m pleased to report, that she stuck the landing on this one!

Kaz and crew are in a tight spot. While they pulled off their last crazy stunt, the reward they were promised not only wasn’t forthcoming, but the powerful merchant with whom they had bargained instead kidnapped Inej and tanked the reputation of the entire crew with the other powerful gangs that make up Ketterdam. Now, stuck between a rock and a hard place, the group must not only recover their lost member and loot, but somehow resolve a political situation has the potential the change the world for the worse.

What sold me on the fist book was the strength of this cast of characters. There are a lot of them, and it speaks to Bardugo’s abilities as an author that she was able to balance so many competing personalities and story arcs. Many of those continue into this book, though there are slight shifts in focus. While much of the first book was taken up by slowly revealing Nina and Mattias’s shared past and resolving their ongoing prejudices, here, their romance and role in each other’s lives has settled down more. The fallout of Nina’s use of the highly addictive, powerful stimulant that she used in the last book to save the team at the very end, was an important and captivating arc for her.

Jesper and Wylan, instead, received more word count and chapters than they had had in the first book. Jesper’s own past was delved into, as well as his continued confrontation with his own gambling addition and the ongoing damage that his past poor choices are wreaking on his own life and the lives of those he loves. Wylan, too, further explores his own highly toxic familial relationships and the true horror that lies at the heart of many of his father’s lies. Their relationship, together, is also given more focus, especially as Jesper begins to realize that his crush on Kaz is a dead end and that Wylan may have always been the better match for him.

Of course, for me, Inej and Kaz were my main points of interest. I enjoyed both of these two the most in the first book, and I continued to enjoy their chapters here. I do feel like they each had a bit less, ultimately, due to the increased focus on Jesper and Wylan, however, I still loved what we were given. Inej, specifically, had come to some pretty frank realizations about what she saw for herself in the future by the end of the last book. And here, it was learning how to follow through with two competing desires. She’s also confronted by a mysterious assassin who may actually be even more skilled than the Wraith herself. Kaz, too, still struggles to overcome the lasting effects of his past. His arc didn’t have as many clear points, as it was more a simple continuation of his rise as a force to be reckoned with in Ketterdam. However, his relationship with Inej and the vulnerability that is required to maintain (begin!) it, is a continual point of challenge for him.

As for the plot itself, I very much enjoyed the complicated heist that was put into effect. There were several points that were laid down here and there that later came to play in new and surprising ways. There was just enough made clear to see the building blocks of the plan, but enough was hidden from various characters to have a good number of surprises in store (this is probably another reason why we had fewer Kaz chapters than I’d like, since, by necessity of the plot remaining a mystery, the man who knows it all can’t have a lot of focus). I liked the multiple showdowns that came into play and the ways in which various crew members’ strengths were called upon at different times to solve different problems.

The story was a bit more sprawling than the close-focused mission of the first book and I both appreciated the added complication but also felt a bit more adrift in the middle when the pieces were still being put together. The goal itself was almost too ambiguous to give the action a clear focus. This resulted in some of what should have been compelling action scenes feeling a bit disjointed from the book, as it wasn’t clear until the end how they all added together to get the result.

I also really enjoyed the ending. The story definitely didn’t shy away from some grim choices, and while I know this will disappoint some readers, I felt that these decisions were necessary to reflect the true dangers of the situation at hand. Further, while broad paths were laid before each character, their stories were by no means neatly wrapped up. Instead, we saw glimpses into what could be the future, but they were left so wide-open that there’s room to imagine various outcomes for them all.

Overall, I very much enjoyed this duology. It’s hard to think of many fantasy/heist books (of course, there’s the insurmountable Megan Whalen Turner), so in many ways these stories felt like a breath of fresh air in YA fantasy fiction (is it even YA? This was a question we discussed at bookclub, and I’m not sure of the answer for books like this). If you enjoyed “Six of Crows,” or Megan Whalen Turner’s “Queen’s Thief” series, or other books by Leigh Bardugo, definitely check this one out!

Rating 9: A thoroughly satisfying conclusion to this duology.

Reader’s Advisory:

“Crooked Kingdom” is included on these Goodreads lists: “YA fantasy/sf novels with major LGBTQ Characters” and “Thieves.”

Find “Crooked Kingdom” at your library using WorldCat!

Kate’s Review: “The Last Time I Lied”

36750068Book: “The Last Time I Liked” by Riley Sager

Publishing Info: Dutton Books, July 2018

Where Did I Get This Book: I received an ARC from NetGalley.

Book Description: In the new novel from the bestselling author of Final Girls, The Last Time I Lied follows a young woman as she returns to her childhood summer camp to uncover the truth about a tragedy that happened there fifteen years ago.

Two Truths and a Lie. The girls played it all the time in their tiny cabin at Camp Nightingale. Vivian, Natalie, Allison, and first-time camper Emma Davis, the youngest of the group. The games ended when Emma sleepily watched the others sneak out of the cabin in the dead of night. The last she–or anyone–saw of them was Vivian closing the cabin door behind her, hushing Emma with a finger pressed to her lips.

Now a rising star in the New York art scene, Emma turns her past into paintings–massive canvases filled with dark leaves and gnarled branches that cover ghostly shapes in white dresses. The paintings catch the attention of Francesca Harris-White, the socialite and wealthy owner of Camp Nightingale. When Francesca implores her to return to the newly reopened camp as a painting instructor, Emma sees an opportunity to try to find out what really happened to her friends.

Yet it’s immediately clear that all is not right at Camp Nightingale. Already haunted by memories from fifteen years ago, Emma discovers a security camera pointed directly at her cabin, mounting mistrust from Francesca and, most disturbing of all, cryptic clues Vivian left behind about the camp’s twisted origins. As she digs deeper, Emma finds herself sorting through lies from the past while facing threats from both man and nature in the present. And the closer she gets to the truth about Camp Nightingale, the more she realizes it may come at a deadly price.

Review: I want to extend a thank you to NetGalley for providing me with an ARC of this book!

If you remember, last year I was very excited about a book called “Final Girls” by Riley Sager. Sager kind of came out of nowhere with that book, an homage to the Final Girl trope from horror movies. So you can be sure that when I saw that he had a new one called “The Last Time I Lied” I was going to need to get my hands on it ASAP. The moment I sat down and started it, I was immediately sucked in and had a hard time putting it down, just like “Final Girls” the summer before. So thank you, Riley Sager, for taking me in and refusing to let me go until I found out what happened. AND for making it take place at a summer camp with a scandalous past. Because now I get to use “Wet Hot American Summer” and “Sleepaway Camp” references while I gush about this awesome mystery thriller, as is tradition when dealing with a story about summer camp.

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Me as I think of all the GIFs I could use… (source)

If “Final Girls” was a homage to slasher films, “The Last Time I Lied” is one to Nancy Drew. There are teenage and adult female detectives alike trying to figure out mysteries from missing people, to a mysterious village that may have disappeared, to rumors of a once operational mental asylum. Granted, these mysteries are a bit more amped up in stakes than Nancy Drew ever was, but the parallels are certainly there. This story is told in two separate narratives (this is a really popular narrative form I’m realizing). There is the present day, where our protagonist Emma is a damaged adult who is haunted by her one summer at Camp Nightingale, and thirteen year old Emma while she is attending the camp during that fateful summer where her bunkmates Vivian, Natalie, and Allison disappeared. We see what a mess present day Emma is, and as we explore both timelines we not only get clues about what may have happened to the girls, but what has happened to Emma as well in the years after. Sager did a great job of using this plot structure to its full effect, as there were clues to all the various mysteries across both timelines, some obvious and some not so obvious. As you all know I liked trying to guess what is happening as I read along (more like I can’t help it), and I’m pleased to say that in “The Last Time I Lied” I was pretty much caught unawares, and the moments that I did guess part of a solution, I was missing vital pieces. Sager is even good at pulling off a last moment epilogue twist without supremely pissing me off, and THAT, as you know, is a feat that few an accomplish. I think that Sager did it so well because he knows that you have to set up a foundation for it, and definitely put it all in there even if I didn’t notice it. So when I got to the end I was definitely enthralled.

But on top of an excellent mystery, Sager also writes great characters who feel very real. Emma is such an interesting protagonist because she could fit the usual tropes of ‘damaged woman has to confront her dark past’ that we so often see in these stories, but she rises above them in almost every way. She’s a mess, but she’s not unlikable; on the contrary, she’s very easy to root for. She’s also realistic in how she behaves both as an adult and as a teenager. I found out about halfway through this book that Sager is a man (Riley Sager is a pen name, and the identity behind it was kept close to the vest for “Final Girls”), and I was surprised if only because DAMN does he know how to write teenage girls. I related hard core to thirteen year old Emma, with her shyness, insecurities, and awkward crush on Theo, the oldest son of the camp director, Franny. In fact, every teenage girl that Sager wrote reminded me of girls I knew in my teenage years. It’s a serious talent to know how to genuinely channel the minds and ways of teenagers, and Sager has proven that he has that talent.

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Almost as much talent as THESE GUYS! (source)

In fact, all of the characters are given moments to shine and feel like fleshed out individuals. From Emma’s friend Marc (acting as a faraway Nancy Drew in his own right) to high strung camp counselor Mindy, all of his characters are given moments of humanity and expression, and it makes it so you don’t want ANY of them to be the culprits of the eventual stalking that Emma becomes victim of, and perhaps something even more sinister as well.

“The Last Time I Lied” was an awesome mystery thriller, and Riley Sager is one of the best in the business. If you haven’t already checked out his work, this book could be the place to start. Just be sure that any fond memories of camp you may have are kept safe and far far away. And if you have bad memories of camp, well, perhaps this can give you the perspective of ‘it could have been worse’.

Rating 9: A thrilling and exciting mystery from a stellar voice in horror thrillers, “The Last Time I Lied” kept me guessing, kept me going, and lived up to my high expectations and then some.

Reader’s Advisory:

“The Last Time I Lied” is fairly new and not on any Goodreads lists yet. But I would definitely put it on “Boarding, Private Schools, and Camps”, and “Best Wilderness Horror Stories”.

Find “The Last Time I Lied” at your library using WorldCat!

Kate’s Review: “The Cabin at the End of the World”

36381091Book: “The Cabin at the End of the World” by Paul Tremblay

Publishing Info: William Morrow, June 2018

Where Did I Get This Book: A friend let me borrow it!

Book Description: The Bram Stoker Award-winning author of A Head Full of Ghosts adds an inventive twist to the home invasion horror story in a heart-palpitating novel of psychological suspense that recalls Stephen King’s Misery, Ruth Ware’s In a Dark, Dark Wood, and Jack Ketchum’s cult hit The Girl Next Door.

Seven-year-old Wen and her parents, Eric and Andrew, are vacationing at a remote cabin on a quiet New Hampshire lake. Their closest neighbors are more than two miles in either direction along a rutted dirt road.

One afternoon, as Wen catches grasshoppers in the front yard, a stranger unexpectedly appears in the driveway. Leonard is the largest man Wen has ever seen but he is young, friendly, and he wins her over almost instantly. Leonard and Wen talk and play until Leonard abruptly apologizes and tells Wen, “None of what’s going to happen is your fault”. Three more strangers then arrive at the cabin carrying unidentifiable, menacing objects. As Wen sprints inside to warn her parents, Leonard calls out: “Your dads won’t want to let us in, Wen. But they have to. We need your help to save the world.”

Thus begins an unbearably tense, gripping tale of paranoia, sacrifice, apocalypse, and survival that escalates to a shattering conclusion, one in which the fate of a loving family and quite possibly all of humanity are entwined. The Cabin at the End of the World is a masterpiece of terror and suspense from the fantastically fertile imagination of Paul Tremblay.

Review: Paul Tremblay, you fucked me up again.

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Though I don’t know what I expected because it always comes to this. (source)

I knew that this was going to happen, because he has done this twice before. First with “A Head Full of Ghosts”, a book about a family dealing with a teenage girl’s possible possession, and then with “Disappearance at Devil’s Rock”, a book about a family dealing with a boy’s disappearance. Now he came for me and his readers with “The Cabin at the End of the World”, a book about a family dealing with the threat of a home invasion and an impossible choice they may have to make. As you can see, Paul Tremblay likes to put families through the ringer, and that makes his books not only all the more scary, but it also makes them deeply emotional reads with characters whose pain you feel in the very pits of your stomach. The emotional connection to the characters is one of the things that sets Tremblay above many other horror authors today, and has him up there with Joe Hill, Stephen King, and Caroline Kepnes when it comes to horror and thriller fiction. CLAIM YOUR RIGHTFUL PLACE ON THE THRONE OF AGONY, YOU MAGNIFICENT BASTARD.

This time our family is comprised of Wen and her fathers Eric and Andrew. Wen is an eight year old trans-racial adoptee who is generally happy with her two dads, but has a nagging identity crisis that she can’t quite shake. Eric is an anxious person who has a healthy but somewhat hidden Catholic Faith, and he loves his husband and daughter even though he’s always worrying about her. Andrew is the more easy going of the pair, though a past trauma is always in the back of his mind even as he tries to be as pragmatic and logical as possible. So when they are cornered by a doomsday cult during their cabin weekend, a group of people who all came together by shared visions of the end of the world, they are suddenly forced into a dangerous situation that none of them are at all equipped for. The intruders believe that to prevent the end of days, this family needs to sacrifice one of it’s own. Eric, Andrew, and Wen are all complex characters who make realistic decisions based on who they are as people, from an eight year old child to a man consumed by nerves to a man trying to keep complete zen control of himself. I liked that while we didn’t see much interaction in the present outside of the home invasion, we are told through flashbacks and little hints and interactions just how much they mean to each other. I also appreciated that Tremblay did address the complex intricacies for families with transracial adoptees. While Eric and Andrew definitely do their very best to help Wen connect to her heritage (as she was adopted from China), there are still hints and references to her feeling out of place in her surroundings. It’s a narrative that isn’t seen much in adoption stories, and it was refreshing to show her multilayered feelings on her adoption and life with Eric and Andrew. Eric and Andrew were also well explored in their relationship and their own anxieties about parenting and living as gay men in a world where there is still stigma, no matter how much progress has been made. It was especially interesting exploring Andrew, who encourages Eric to be more relaxed but is still affected by a hate crime that was committed against him years before.

And the antagonistic group itself has some depth and complexity. Leonard, the leader of the doomsday group, takes no joy in the task he thinks he is sent to do. You can tell that he is pained by his ‘mission’, but he is also blinded by his own zealotry and it means that he can’t see the pain that he is causing. There is certainly an ambiguity there with him and his followers/fellow members; Tremblay makes sure to leave a lot of ambiguity about whether the world is actually coming to an end or not, and lets the reader decide if the signs that Leonard is seeing are real, or just coincidences as Andrew believes. But in the same token, it’s hard to know what the greater horror would be: that the end of the world may be coming, and only a terrible sacrifice can stop it…. Or that Leonard and his followers are just out of their minds, and that all of the suffering and torment that falls upon Eric, Andrew, and Wen is just for nothing. The story line and plot is tense as hell, and it wound me up as each new development happened. The brutality that Leonard and his group brings is unrelenting, but never feels tasteless of exploitative. You can see the motivations and fears on both sides, and as some characters begin to question what they are  believing on both sides, the reader also begins to wonder just what is real and what is not. I loved that. Even if it messed me up. Don’t go into this book looking for straight up answers and conclusions: it is more a meditation on faith, family, and zealotry than your run of the mill end of the world tale. And I closed the book and just had to stare at the ceiling for a bit.

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And I mean this in the BEST way possible. (source)

Paul Tremblay is one of our best horror writers out there because he can find the horror in the extreme, and the horror in the all too ordinary. He taps into fears of loss and injustice, and the unknown, and his words will linger with you long after you close the book. He can terrify and devastate you, and if you are anything like me you will look forward to it every single time. “The Cabin at the End of the World” was well worth the wait.

Rating 9: Paul Tremblay has created another disturbing and heart wrenching tale of family, faith, paranoia, and love that scared me and made me cry. “The Cabin at the End of the World” is another winner from a horror maestro.

Reader’s Advisory:

“The Cabin at the End of the World” is new and not included on many Goodreads lists yet, but I think it would fit in on “This Is The End….”, and “A Walk in the Woods”.

Find “The Cabin at the End of the World” at your library using WorldCat!

Serena’s Review: “A Perilous Undertaking”

30008834Book: “A Perilous Undertaking” by Deanna Raybourn

Publishing Info: Berkley Books, January 2017

Where Did I Get this Book: audiobook from the library!

Book Description: London, 1887. At the Curiosity Club, a ladies-only establishment for daring and intrepid women, Victorian adventuress Veronica Speedwell meets the mysterious Lady Sundridge, who begs her to take on an impossible task–saving society art patron Miles Ramsforth from execution. Ramsforth, accused of the brutal murder of his mistress, Artemisia, will face the hangman’s noose in a week’s time if the real killer is not found.

But Lady Sundridge is not all that she seems, and unmasking her true identity is only the first of many secrets Veronica must uncover. Together with her natural-historian colleague, Stoker, Veronica races against time to find the true murderer. From a Bohemian artists’ colony to a royal palace to a subterranean grotto with a decadent history, the investigation proves to be a very perilous undertaking indeed…

Previously reviewed: “A Curious Beginning”

Review: I’ve finally gotten around to writing a review for the second book in this series! Confession: I read this several months ago…But! There have been several more recent releases that I’ve read between then and now that I wanted to get in nearer their publication date, so here we hare. #blogproblems. Anyways, all of that to say, the delay in this had nothing to do with reservations about the series or this book in general, because turns out, I liked this one just as much as the first, maybe even more!

Veronica Speedwell and Stoker have finally settled into a routine and are excited to set out on their first expedition with their wealthy patron. That is until he trips on a tortoise and has to cancel the whole thing, leaving Veronica and Stoker at a loss with how to fill their time. Wouldn’t it be nice if a mystery would fall on their doorstep right about now? And lo and behold, one does! This time with a murder in a close knit of artist friends and a speculation that the man found covered in blood at her feet may be innocent after all. Now it’s up to Veronica and Stoker to not only get to the bottom of all the shenanigans that this group has been getting up to over the years, but also to unravel a complicated knot of possible relationships and motives to hopefully save the life of an innocent man. Or is he?

Man, I’m just enjoying the heck out of these books! Veronica is such a hoot, and she’s even better in this book, now having found a new pursuit at which to aim her talents and intelligence. Stoker plays the reluctant side kick in front of Veronica’s unparalleled enthusiasm, and it sets a great tone for the series going forward. Further, in the midst of the mystery itself, we get some nice added building blocks to both of our main characters. Veronica is still reeling from the revelations about her parentage that she discovered in the last book. It’s not something that can simply be shrugged off, and specific elements of this mystery bring some of these lingering feelings to a head. Stoker, too, is still managing reconciling his complicated history with his past wife with his growing attachment (mostly just partnership, at this point) with another strong-willed woman.

The mystery itself also plays to both of these characters strengths and there were some fun swaps in gender roles that played for a lot of good comedic value. Stoker, for example, ends up being the distraction for fawning admirers while Veronica sneaks around hunting for clues. The pair also find themselves caught up in an underground…um…risque club? Stoker, of course, is horrified. Veronica is curious and enthusiastic. Which leads to even more horror on Stoker’s part.

The cast of possible suspects was large and I enjoyed many of the secondary characters that were introduced through the artists’ group. However, like the first book, I did find the ending a bit rushed and was able to predict the correct villain and their motivation fairly early on. But for me this didn’t dampen my enjoyment of the story. The writing is swift and sure, balancing excellent comedic dialogue with a never-faltering first person narrator.

One last criticism may be that I feel like the relationship between Veronica and Stoker might be moving a bit slowly, but this might just be due to the mental comparisons I can’t help but draw  between this series and the Amelia Peabody series. They are very alike, both with the historical setting and the general temperaments of the two leads. And with that one, we’ve seen how successfully the series moved forward even after the two main characters got married in the very first book. Here, it feels like the author might be shying back a bit out of fear that the romantic suspense is what is driving the story. I don’t believe it is, and I’ve seen how well characters like these can flourish, even if the initial romance has been resolved happily early on. But I just received the third book from the library today, so we’ll see how things progress there.

All told, I enjoyed this second novel just as much as the first. Having already been introduced to these characters and had the partnership between Veronica and Stoker already built, I might even say this was the stronger outing of the two. If you enjoyed the first book, definitely check this one out!

Rating 9: No second book slump to be seen here!

Reader’s Advisory:

“A Perilous Undertaking” is on these Goodreads lists: “Best Victorian Historical Fiction Set In Britain” and “Lady detectives.”

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