Tag: 8 Rating

Kate’s Review: “The Route of Ice and Salt”

Book: “The Route of Ice and Salt” by José Luis Zárate

Publishing Info: Innsmouth Free Press, January 2021 (originally published in 1998)

Where Did I Get This Book: I own it.

Book Description: A reimagining of Dracula’s voyage to England, filled with Gothic imagery and queer desire.

It’s an ordinary assignment, nothing more. The cargo? Fifty boxes filled with Transylvanian soil. The route? From Varna to Whitby. The Demeter has made many trips like this. The captain has handled dozens of crews.

He dreams familiar dreams: to taste the salt on the skin of his men, to run his hands across their chests. He longs for the warmth of a lover he cannot have, fantasizes about flesh and frenzied embraces. All this he’s done before, it’s routine, a constant, like the tides. Yet there’s something different, something wrong. There are odd nightmares, unsettling omens and fear. For there is something in the air, something in the night, someone stalking the ship.

The cult vampire novella by Mexican author José Luis Zárate is available for the first time in English. Translated by David Bowles and with an accompanying essay by noted horror author Poppy Z. Brite, it reveals an unknown corner of Latin American literature.

Review: I think that for a lot of people, if they hear the phrase ‘homoerotic vampire fiction’ they are going to immediately think of Anne Rice (may she rest in peace). After all, “Interview With the Vampire” is at its heart the story of two guy vampire lovers who have a bad marriage and make the mistake of having a baby to try and save it (I am NOT wrong). Louis and Lestat have an undercurrent (and overcurrent) of sexual tension that Rice explores more through Lestat in later books, but it was definitely the formative relationship for gay vampire fiction in modern times. And to be fair, vampire lore is usually pretty charged with sexuality, even going back to Bram Stoker’s grand daddy of vampire tales “Dracula”. That book is horny as hell, something that Francis Ford Coppola took FULL advantage of in his 1990s adaptation. So it’s not really surprising that “The Route of Ice and Salt” by José Luis Zárate takes a mysterious element of “Dracula” and gives it a shot of homoerotic adrenaline, and pulls it off with ease.

I’ll let you decide what that ‘one thing’ is. (source)

“The Route of Ice and Salt” is the story of the Demeter, the ship that transported Count Dracula and his many boxes of Wallachian soil to London, and arrived aport with no crew left and a dead captain, tied to the mast with a rosary in hand. It’s a moment in the original source material that’s really just there to show that Dracula is brutal and has had his fill, so is at full strength when he arrives in England. But Zárate lets us have a look into what happened on the doomed voyage, and creates a story that is both horrifying and absolutely heartbreaking. It’s told through both the Captain’s own thoughts and experiences as well as his ship log, and the first half of the story is a LOT of him fantasizing about the men on his crew, but unwilling to act upon it as he finds his same sex attraction repulsive and monstrous. We slowly find out that he has his reasons to feel that way, as a man he once loved was treated as a monster after being accused of a crime he did not truly commit, which had to do with his sexuality. As the Captain grapples with his attractions, something else, an ACTUAL monster, is stalking the ship, feasting upon the crew in a far more literal and violent way.

Though it took a bit to get there, once we got to the slow progression of crewmen disappearing, while the others slowly realize they are being hunted, I was fully invested not only in how we get to where we end up in the original tale, but how The Captain is going to ultimately make his sacrifice. As well as if he’s going to be able to forgive himself for his perfectly natural attractions (though certainly not at the time; Stoker himself has lots of rumors about his own sexuality that may have subconscious laid out hints within “Dracula”. Like I said, that book is horny as hell). Zárate made the Captain very believable and sympathetic, and once he realizes that he is alone on the boat with a monster, an ACTUAL monster, even though I knew the ending, I still felt a deep attachment to him, in spite of myself. And while MAYBE I thought that I was going into a story that had Count Dracula and the Captain getting it on over and over (please don’t judge me, I will say it again, “DRACULA” IS A SEX FUELED BOOK!!!), what I got was far more satisfying, emotional, and terrifying. The descriptions of the ship at night in the fog, with crewmen’s screams starting and then stopping…. GOD, it set me on edge, and it’s the perfect companion to one of my favorite vampire stories. And not for nothing, this updated version has a FANTASTIC Afterword by Poppy Z. Brite that addresses the transgressive nature of this book, and it gives a lot of great context that I thought was SUPER interesting.

“The Route of Ice and Salt” is sexually charged and scary as hell. It now lives on my shelf next to the source material (all three versions I own), and in my mind it absolutely belongs in the “Dracula” canon.

Rating 8: Haunting and erotic and oh so creepy by the end, “The Route of Ice and Salt” takes the voyage Dracula takes across the sea and turns it into a creepy (and horny) nightmare.

Reader’s Advisory:

“The Route of Ice and Salt” is included on the Goodreads lists “Queer Horror”, and “Books About or Consisting of Vampires”.

Find “The Route of Ice and Salt” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Kate’s Review: “Locke & Key (Vol. 4): Keys to the Kingdom”

Book: “Locke & Key (Vol. 4): Keys to the Kingdom” by Joe Hill & Gabriel Rodríguez (Ill.)

Publishing Info: IDW Publishing, July 2011

Where Did I Get This Book: I own it.

Book Description: Joe Hill and Gabriel Rodriguez’s Locke & Key unwinds into its fourth volume in Keys to the Kingdom. With more keys making themselves known, and the depths of the Locke family’s mystery ever-expanding, Dodge’s desperation to end his shadowy quest drives the inhabitants of Keyhouse ever closer to a revealing conclusion.

Review: After I set “Locke & Key (Vol. 4): Keys to the Kingdom” down, I realized that I only had two collections left until the end. This re-read has gone by pretty quickly, and it had been long enough that I feel like I’m finding brand new things with each moment I turn the pages. I had been talking a bit about how patient and deliberate Joe Hill has been up until this point, but in “Keys to the Kingdom” things have started to speed up, which means that the intensity has started to build as well. And that has mostly been a positive thing.

Plot progression has picked up again in this volume, and boy does it ever! Hill covers a lot of territory in this collection, but he manages to do it in such a way that it doesn’t feel like it’s bloated, nor does it feel like things are being rushed. He opts to focus on certain things, but does show snippets of the Locke kids battling it out with Dodge over keys, as well as conflicts they are having with each other in the story arc “February”. I liked how it puts in the effort to have development for our characters, but doesn’t get bogged down in EVERY conflict they have with Dodge. We also get to see more backstory to Rendell and his high school friends, as Kinsey, Tyler, and Dodge run into Erin Voss, Rendell’s childhood friend who is now committed to a mental asylum. Kinsey is desperate to know what the connection is to Rendell, Voss, and the secrets they were keeping, while Dodge wants to keep Erin’s mouth shut since in her addled state she still recognizes him as her childhood friend. This also led to a kind of awkward within present context optics plot point, in which Kinsey and Bode use one of the keys to change their race so they can visit Erin, as her rantings make it seem like she is super agitated by the presence white people (let me just say that this isn’t the case, though I won’t reveal what I mean). I definitely understand the way that Hill used it to make a greater point about how Black people are perceived by white people in American society, and there is a moment that I thought was genuinely poignant at the end of the issue, but pretty much putting Kinsey and Bode into magical black face so they can learn a lesson about the humanity of Black people didn’t really land for me. It just felt a bit patronizing. But by the end everything had made a comeback for me, as a significant plot development that signals the last third of this series knocked my socks off. I knew it was coming, but it was still VERY well done, and ups the stakes to the highest levels they’ve been thus far.

And in terms of character development this volume was top notch. For Tyler, he is starting to feel the weight of all the difficult things in his life, and it’s making him overwhelmed and under severe pressure. His only solace is his girlfriend Jordan, whom he is head over heels in love with, and while Jordan obviously cares deeply for Tyler, she is pretty damaged. Which, of course, leads to problems down the line, and Tyler starts to think that being strong is something he can achieve through magic, much like Kinsey tried to extract her fear through the same means. It’s a pretty heavy moment when Tyler feels enough despair over everything that he turns to something that may not work out the way he wants it to. And speaking of Kinsey’s issue, we see all of that coming to a head now too, as having a lack of fear and grief has not only affected her relationship with Nina, it has also started to affect her friendships. Funnily enough, having no fear and no grief has made Kinsey a pretty shitty and selfish friend, and the most interesting part of this entire arc for me is that she recognizes this, but literally cannot bring herself to care because of her actions with the Head Key.

And finally, the art continues to be visceral and gory, but with a bit of a nostalgic twist in one of the stories. The first story, “Sparrow”, involves Bode trying to make friendships but preferring isolation, and he eventually puts himself into the body of a sparrow for a bit of time. And this is all drawn and written in a way that is in tribute to “Calvin and Hobbes”, a comic that has been near and dear to my heart since I was a small child. While it’s true that some of the juxtapositions of the nostalgic and bright Watterson style mixed with the gore and violence of “Locke & Key” is unnerving, I honestly thought that it was super charming and fun to give Bode this kind of adventure with a loving tribute to a cartoonist and storyteller that clearly inspired the Hill and Rodríguez.

(source)

“Locke & Key (Vol. 4): Keys to the Kingdom” has left us two thirds of the way into the story of the Locke family, and we are now heading for the final showdown between them and Dodge over the keys in Keyhouse. I know where we are going, and I’m still a little nervous to tread into the places that I know are coming up. But Hill and Rodríguez have something truly wondrous in store, and I’m ready.

Rating 8: Some things come to a head in this volume plot wise, with some social commentary and “Calvin and Hobbes” love thrown into the mix, which is a pretty good combination for the start of the final issues of this series.

Reader’s Advisory:

“Locke & Key (Vol. 4): Keys to the Kingdom” is included on the Goodreads lists “Best Coming of Age Horror Novels”, and “Required Reading Graphic Novels”.

Find “Locke & Key (Vol. 4): Keys to the Kingdom” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Previously Reviewed:

Serena’s Review: “Cold the Night, Fast the Wolves”

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Book: “Cold the Wolves, Fast the Wolves” by Meg Long

Publishing Info: Wednesday Books, January 2022

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: After angering a local gangster, seventeen-year-old Sena Korhosen must flee with her prize fighting wolf, Iska, in tow. A team of scientists offer to pay her way off her frozen planet on one condition: she gets them to the finish line of the planet’s infamous sled race. Though Sena always swore she’d never race after it claimed both her mothers’ lives, it’s now her only option.

But the tundra is a treacherous place, and as the race unfolds and their lives are threatened at every turn, Sena starts to question her own abilities. She must discover whether she’s strong enough to survive the wild – whether she and Iska together are strong enough to get them all out alive.

Review: I’m sure I partly requested this one simply based on the beautiful cover. But I also vaguely read the description and saw “wolf companion” and just auto-requested it. All of this to say, I really had very little idea what this book was actually about when I picked it up, but what an enjoyable surprise it was!

On Sena’s planet, the economy and culture is shaped by one thing and one thing only: the annual race. Dangerous and with low probability of success, the prize at the end, the right to drill for a rare and valuable mineral, still draws racers from around the galaxy. Sena, however, wants nothing to do with it after it claimed the life of her mothers. But when she finds herself in trouble with a gang leader and followed by a half-tame fighting wolf, Sena sees only one path off this desolate planet: she must finish the race and buy her way to freedom.

This book is a bit of a funny thing. A few months ago, Kate and I were guest speakers for an MLIS class and we talked about genre trends in YA. One of the things I touched on that while the fact that fantasy has become incredibly popular in YA fiction, a less discussed aspect is how science fiction in YA has not seen the same bump. This book is a classic example of how publishers not only recognize this fact but continue to work through these trends by misleading their readers. This cover screams fantasy. And then you read the description. Other than one small reference to this taking place on a different planet, you have no indication that it’s not just a straight-forward fantasy novel. But when you read it, it’s clearly a science fiction story!

There is an emphasis on futuristic technology, discussion of interplanetary politics, and themes that are common to science fiction such as the impact of corporations on intergalactic economics and culture. The fantastic creatures that are included are often attributed more to the genetic manipulation of people or to human-influenced changes in the planet’s ecosystem. The language is modern and the setting is clearly set some time in the future, with advanced medicine, transportation, and weapons. It was all excellent and a great example of what science fiction has to offer to fans of YA fiction. Even the author mentions in her afterward how she hopes this book will encourage more readers of YA science fiction. And yet the publishers clearly had so little confidence in this premise that they still felt the need to hide it behind a fantasy cover and a description that doesn’t hint at any of the science fiction elements to be found on the book’s pages.

I really enjoyed Sena as a main character. She was tough, both mentally and physically. But also impulsive, slow to trust, and struggling to process her grief over the loss of her mothers. The race itself, full of action and danger, was a perfect parallel for Sena’s own inner journey to self-acceptance. I also liked that this was a perfect example of a YA young woman noting early in a book that she doesn’t have time for romance and actually following through on that. It’s not just a throwaway line before the heroine proceeds to go all in on a romance the very next second. No, Sena rightly evaluates her life and the dangers and priorities before her and knows that romance is not really an option. It was refreshing and allowed the book to really embrace its focus on her relationship with the wolf Iska and another female friend she picks up along the way.

I did struggle with a few aspects of the story, however. If I had to count the number of times that Sena reflects on “corporations” and “greed,” it would be in the double digits. And yet other than both being bad, the book never goes into anything deeper on either of these two topics. It was fairly shallow, and without any further depth, the repetition of both as talking points quickly became dull and confusing. I felt like the author had more to say about this, but either because she didn’t think it fit in this particular book or because she didn’t think it fit for a YA audience, she never actually delved into anything of substance.

I also struggled with some of the practicalities of the race itself. I could never quite figure out how the set up worked: the weather only permitted the race once a year because of the cold and storms. The same electrical storms also messed with technology that would allow the mining site to be accessed by traditional ships and such. And yet the race is only one way, with racers using drop ships to leave the site? We even have one character show up at the end of the race who travelled directly there from a ship. I think there was some discussion of the race itself being set up by corporations for purposes of profiting indirectly from the equipment needed for purchase from the racers. I might have just missed some of this, but as the book continued, I found myself regularly getting side-tracked by how this all worked.

Overall, however, I really liked this YA science fiction novel. I wish that the publishing industry would give this subgenre more of a chance, but I’m pleased enough to even find a YA science fiction book out there, even if it’s disguised as fantasy! Definitely check this one out if you like science fiction or adventure stories featuring animal companions!

Rating 8: Perhaps missing an opportunity to dig deeper on some of its themes, this book is still an excellent example of what YA science fiction has to offer!

Reader’s Advisory:

“Cold the Night, Fast the Wolves” is on these Goodreads lists: YA sci-fi releases 2020-2023 and All Fictional Wolf Books (NOT WEREWOLVES).

Serena’s Review: “A Song of Wraiths and Ruin”

Book: “A Song of Wraiths and Ruin” by Roseanne A. Brown

Publishing Info: Balzer + Bray, June 2020

Where Did I Get this Book: from the library!

Book Description: For Malik, the Solstasia festival is a chance to escape his war-stricken home and start a new life with his sisters in the prosperous desert city of Ziran. But when a vengeful spirit abducts Malik’s younger sister, Nadia, as payment into the city, Malik strikes a fatal deal—kill Karina, Crown Princess of Ziran, for Nadia’s freedom.

But Karina has deadly aspirations of her own. Her mother, the Sultana, has been assassinated; her court threatens mutiny; and Solstasia looms like a knife over her neck. Grief-stricken, Karina decides to resurrect her mother through ancient magic . . . requiring the beating heart of a king. And she knows just how to obtain one: by offering her hand in marriage to the victor of the Solstasia competition.

When Malik rigs his way into the contest, they are set on a course to destroy each other. But as attraction flares between them and ancient evils stir, will they be able to see their tasks to the death?

Review: I’ve had this book on my TBR list since way back when it first released. And then when I took a second look, BAM! The second book was already out. So that shamed me into making it more of a priority, so here we are. I was able to check out both books from the library at the same time, so we’re going to have a bit of a double feature this week. Let’s dive in!

Torn by grief, Karina, the Crown Princess, is desperate to bring her mother back to life. Not only was the Sultana life cut unnaturally short by assassination, but Karina’s life as the new ruler is a hell of defiant courtiers and a constant fear of mutiny. The only way to return her mother is through a dark spell that requires the heart of a king. And how does a queen find a king? By marrying as quickly as she can. Malik, a young man looking for a brighter future, finds his path forward usurped when his younger sister is captured and the price of her life is the death of the young queen. To do so, he enters a grand contest, the winner of which has been promised said queen’s hand in marriage, the perfect way to get close enough to pull off such a heinous deed. But as the two begin to circle one another, each with the other’s death in their sight, they begin to find their hearts standing in the way of their plans.

This book was a strange mixed bag for me. I had read descriptions of it as a sort of West African “Aladdin” retelling, and I can sort of see that with the caged princess and the young man who comes from nothing but reaches towards a throne. But this expectation didn’t really serve me well, as I don’t think there’s much here that’s too similar to that story. On the other hand, I really enjoyed the West African setting. The descriptions of the clothes, buildings, and, most especially, the food was all excellent and really created a sense of place in which to tell its story. I also liked the West African folklore that we had in the book, and, again, I wish that had been enough without needing “Aladdin” comparisons to somehow familiarize the story to readers who might not have know what to expect. Half the fun of reading is discovering new worlds and new stories, no need to compare them all to something so well-trodden as “Aladdin.”

However, while all of that was good, I struggled to feel truly invested in the story. There was nothing overtly bad about any of it, but it did feel very “paint by numbers” YA fantasy. The writing was very straight-forward and no challenging. There were limited truly imaginative expressions or reflections. And the plot and romance followed the same beaten path that we have seen a million times before in YA romance stories. While I appreciate that publishers are adding more diversity to their catalog, I do wish they’d challenge their authors to push past these tired, very flat stories and writing styles.

I did like the two main characters, however. Malik was allowed to be softer and more emotionally available than the typical heroic male character. And the author explored mental health struggles in Karina’s storyline. Overall, I think this book was just ok. I wish the author had pushed herself to go a bit further, perhaps straying a bit further from the tried and true path. But I did think it was a fun enough read that I’m happy to pick up the second book I already have from the library.

Rating 7: The West African setting and folklore were by far the best parts of a book that otherwise played it rather too safe.

Reader’s Advisory:

“A Song of Wraiths and Ruin” is on these Goodreads lists: Black Heroines 2020 and The Blank of Blank and Blank.

Find “A Song of Wraiths and Ruin” at your library using Worldcat or at a local independent bookstore using IndieBound!

Serena’s Review: “The Liar’s Knot”

Book: “The Liar’s Knot” by M. A. Carrick

Publishing Info: Little, Brown Book Group, December 2021

Where Did I Get this Book: ARC from the publisher

Book Description: In Nadezra, peace is as tenuous as a single thread. The ruthless House Indestor has been destroyed, but darkness still weaves through the city’s filthy back alleys and jewel-bright gardens, seen by those who know where to look.

Derossi Vargo has always known. He has sacrificed more than anyone imagines to carve himself a position of power among the nobility, hiding a will of steel behind a velvet smile. He’ll be damned if he lets anyone threaten what he’s built.

Grey Serrado knows all too well. Bent under the yoke of too many burdens, he fights to protect the city’s most vulnerable. Sooner or later, that fight will demand more than he can give.

And Ren, daughter of no clan, knows best of all. Caught in a knot of lies, torn between her heritage and her aristocratic masquerade, she relies on her gift for reading pattern to survive. And it shows her the web of corruption that traps her city.

But all three have yet to discover just how far that web stretches. And in the end, it will take more than knives to cut themselves free…

Previously Reviewed: “The Mask of Mirrors”

Review: I really enjoyed the first book in this series. It was a fairly massive undertaking: a long book with multiple POV characters and a lot of world-building that needed to be done to set the scene. That said, I felt like the book was fast-going and I was excited to pick up this one, the second in the series. And while this one was a bit slower than the first, I still found myself enjoying it quite a lot.

Lies and secrets crisscross and tangle in Nadezra. And with so many spiders spinning their own webs, knots are sure to form when one too many plots intersect with another. Derossi, Grey, and Ren know all too well the struggle that comes with trying to push forward one’s own agenda when to do so means running across a million others with their own plots and plans. And while steps have been made, each feels their own particular knots begin to slip further and further from their grasp. What truths are out there to be discovered? And will these exposures save or destroy them?

While you definitely got hints of the type of story this series is setting out to be, it really feels like it comes into its own here in the second: world-building, world-building, world-building! The first book had a decent amount of plot action at the heart of the story, what with introducing our main trio of characters and also Ren’s ongoing con. We also were waiting to learn the true identity of the Rook. With both of those plotlines played out, this book was much, much lighter on the action and pacing. This could be a struggle for some readers who want to see a faster moving story, but for those who really like to explore and sink into the details of a unique world and society of people, this is definitely the series for you! I loved all of the intricacies we got to see of the city itself and of the inner workings of the secret societies that exist within it (all, of course, with their own plots and purposes).

I still really liked our three main characters. I will admit, I did start to become frustrated when they began to fall into the traps where as a reader you’re just yelling at them to talk to each other a bit and they’d finally understand what was actually going on! But, of course, that would leak out a lot of the tension of the story early on. I was pleased that the author didn’t push this trope past the point of believability, and our characters would catch on to things here and there when they would have had to be supremely obtuse to continue in ignorance. Sadly, I’ve seen stories play out that way before all too often, so it was a relief to see the author

I really enjoyed this book. With its slower pacing and focus on world-building and the smaller, personal stories of our main characters, it may not be for everyone out there, especially not the more plot-focused readers. But I love this type of immersive fantasy story, and I definitely recommend it to readers who enjoy the same!

Rating 8: A slower story firmly rooted in its dedication to building out an intricate world and filling it with complicated, well-rounded characters.

Reader’s Advisory:

“The Liar’s Knot” isn’t on any Goodreads lists yet, but it should be on “Books with Secret Identities.”

Find “The Liar’s Knot” at your library using WorldCat or at a local independent bookstore using IndieBound!

Kate’s Review: “The Girl from the Sea”

Book: “The Girl from the Sea” by Molly Knox Ostertag

Publishing Info: Graphix, June 2021

Where Did I Get This Book: The library!

Book Description: From the author of The Witch Boy trilogy comes a graphic novel about family, romance, and first love.

Fifteen-year-old Morgan has a secret: She can’t wait to escape the perfect little island where she lives. She’s desperate to finish high school and escape her sad divorced mom, her volatile little brother, and worst of all, her great group of friends…who don’t understand Morgan at all. Because really, Morgan’s biggest secret is that she has a lot of secrets, including the one about wanting to kiss another girl.

Then one night, Morgan is saved from drowning by a mysterious girl named Keltie. The two become friends and suddenly life on the island doesn’t seem so stifling anymore. But Keltie has some secrets of her own. And as the girls start to fall in love, everything they’re each trying to hide will find its way to the surface…whether Morgan is ready or not.

Review: It has been a long time, like a LONG time, since I’ve watched “Splash”, a romantic comedy about an uptight land dweller (Tom Hanks) and a whimsical mermaid (Daryl Hannah), but it was the first thing that came to mind when I read the description for “The Girl from the Sea” by Molly Knox Ostertag. An isolated or lonely person on land finds love with a gentle and kind sea creature? I mean, that’s a trope that is timeless in and of itself. But to make things a little more unique, Ostertag went a bit more in the direction of “The Secret of Roan Inish”, as instead of the tired mermaid being used, we instead are given a story with a selkie, a mystical creature that can take on seal form as well as human form.

“The Girl from the Sea” is a gentle fantasy story, one that charmed me almost immediately and kept a smile on my face as I read. I felt that Ostertag did a really good job of portraying the turmoil within Morgan, and how her relationship with Keltie, a human disguised selkie, helped her open up and accept herself. Keltie is as simplistic and genuine as you would expect her to be, but I thought that Morgan has a lot of nuance and complexity in which she does have her reasons to not come out to her loved ones, but some of it may very well be a bit of projection on her part. Having her encounter with Keltie and be drawn to her, and perhaps start to fall in love with her, is a nice dynamic, as Keltie is incredibly free in herself, while Morgan is not. I also thought that Ostertag was good about showing how complicated coming out can be for a person, even when her friends and family are, for the most part, loving and supportive. Morgan is not only dealing with her own identity and how to express it, but she is also dealing with a recently split up family dynamic, and how that pain is affecting her and her mother and brother. The undercurrent of that trauma is always present, either through Morgan’s insecurities, or through implied anger and aggression issues her brother has been displaying. Morgan has a lot on her plate, and she compartmentalizes in a fairly realistic way.

And on the flip side, there is Keltie. She is a selkie, and while she is free in some ways, there are constraints that could very easily be applied to her life that Morgan could never understand. I thought it was neat that Ostertag took the mythology of the selkie and incorporated it into this story in the way she did. It brings in themes of identity and transformation, but it also makes other themes like environmentalism and conservation relevant to the story at hand. Keltie isn’t as interesting and Morgan, but then, that kind of makes sense, since she is a fantasy creature and therefore has a lot of fantastical elements. She also balances out Morgan, and makes their romance feel all the more sweet.

I really like the artwork. I’ve read other stories by Ostertag, and while I wasn’t as into those tales as I was this one, I have always appreciated her style and aesthetic, and that translates to this story pretty handily.

(source)

“The Girl from the Sea” is a lovely romance about finding the person who accepts you for who you are, realizing they may not be the only ones, and finding out how to accept yourself. It’s gentle and sweet and I highly recommend it for anyone who likes a love story with fantasy flair.

Rating 8: A sweet and emotional love story with themes of transformation and being true to yourself.

Reader’s Advisory:

“The Girl from the Sea” is included on the Goodreads lists “YA Pride Graphic Novels”, and “Gay Pirates and Sea Creatures”.

Find “The Girl from the Sea” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Monthly Marillier: “Raven Flight”

“Monthly Marillier” is a review series that is, essentially, an excuse for me to go back and re-read one of my favorite author’s back catalog. Ever since I first discovered her work over fifteen years ago, Juliet Marillier has been one of my favorite authors. Her stories are the perfect mixture of so many things I love: strong heroines, beautiful romances, fairytale-like magic, and whimsical writing. Even better, Marillier is a prolific author and has regularly put out new books almost once a year since I began following her. I own almost all of them, and most of those I’ve read several times. Tor began re-releasing her original Sevenwaters trilogy, so that’s all the excuse I needed to begin a new series in which I indulge myself in a massive re-read of her books. I’ll be posting a new entry in this series on the first Friday of every month.

Book: “Raven Flight” by Juliet Marillier

Publishing Info: Knopf Books for Young Readers, July 2013

Where Did I Get this Book: own it

Book Description: Neryn has finally found the rebel group at Shadowfell, and now her task is to seek out the elusive Guardians, vital to her training as a Caller. These four powerful beings have been increasingly at odds with human kind, and Neryn must prove her worth to them. She desperately needs their help to use her gift without compromising herself or the cause of overthrowing the evil King Keldec.

Neryn must journey with the tough and steadfast Tali, who looks on Neryn’s love for the double agent Flint as a needless vulnerability. And perhaps it is. What Flint learns from the king will change the battlefield entirely—but in whose favor, no one knows. 

Previously Review: “Shadowfell”

Review: Back when I read this for the first time, I remember being a bit hesitant going into the second book in Marillier’s YA “Shadowfell” trilogy. I had enjoyed the first one for the most part, but there were a few flags (particularly with the romance and some of the heroine’s decision making) that made me nervous to see how this story would continue to unfold over the entire two books left to complete Neryn’s story. Luckily, this book was the breath of fresh air the trilogy needed and went to prove that sometimes the second book is not only NOT the worst in a trilogy but can even help lift the series up beyond its own lackluster start.

Shortly after arriving at Shadowfell, Neryn realizes that it is her destiny to travel beyond its confines in an effort to prove herself capable of wielding the land’s powerful magical forces. To do so, she must convince four magical guardians who have always looked down with much judgement on the foolishness of humans. Travelling alongside her is her companion and warrior friend, Tali. Together, the two must travel to the furthest realms of north, south, east and west in hopes to gain these powerful beings’ blessing and lessons. But will Neryn be strong enough to convince them? And will they, like Tali, see Neryn’s beloved, Flint, as a weakness in her quest to overthrow Keldec?

There were a few things that stood out in my re-read that pointed to why I enjoyed this book so much more than the first. First off, I think the replacement of Flint with Tali as Neryn’s travelling companion works better on many levels. The romance in this trilogy as a whole is probably one of my least favorites of all of Marillier’s many excellent romantic pairings, so frankly, less Flint/Neryn interactions were a win for me. These two need to get their act together, and while they are both better here than in the first book, I still found myself often annoyed with their dramatics.

Tali, on the other hand, instead of highlighting some of Neryn’s more nonsensical moments, spoke the harsh truths that had been missing and had left me eye-rolling my way through the first book. Neryn is still often rather weak-willed and self-focused, all too willing to hesitate and dither over using her powers, more concerned with potentially moral grey areas than with saving the real people before her (or the larger rebel cause as a whole.) Gruff, tough, Tali has no patience for this type of dithering and often lectures Neryn on how Neryn’s Caller abilities are all that give the rebellion a hope of winning and that Neryn will need to harden herself to the fact that people die in wars. Tali was probably my favorite addition to the story. Not only did she say what I was thinking so much of the time, but I always like this type of rough-and-ready character who takes a while to warm up to both the reader and the other characters that surround her.

I also enjoyed the format of this story more than the first. While I like a good journey book as much as the next LOTR fan, “Shadowfell” too often stumbled in its pacing in this area to be successful. “Raven Flight” calls on another favorite fantasy trope: magical tasks. Always love these, and Marillier does an excellent job here. The Guardians we meet are all unique and intriguing, and the challenges they set for Neryn are appropriately grueling. There is one, in particular, that seems to almost break Neryn, and Marillier’s talent as a writer quite deftly portrays the dire straights that Neryn finds herself in.

Overall, I very much enjoyed this second book. It’s quite good on its own, and, honestly, the improvement over the first works to lift it even further in my estimation. I think many fans of Maillier’s work breathed a sigh of relief when this book came out, again reassured that she had not lost her touch.

Rating 8: The de-emphasis on the romance and the addition of the warrior woman Tali greatly increased my enjoyment of this second outing in the “Shadowfell” trilogy.

Reader’s Advisory:

“Raven Flight” is on these Goodreads lists: Best Fantasy Books Under the Radar and Fairy Tale Fantasy with a Touch of Romance.

Find “Raven Flight” at your library using WorldCat or at a local independent bookstore using IndieBound!

Kate’s Review: “Locke & Key (Vol. 3): Crown of Shadows”

Book: “Locke & Key (Vol. 3): Crown of Shadows” by Joe Hill and Gabriel Rodríguez (Ill.)

Publishing Info: IDW Publishing, July 2010

Where Did I Get This Book: I own it.

Book Description: The dead plot against the living, the darkness closes in on Keyhouse, and a woman is shattered beyond repair, in the third storyline of the Eisner-nominated series, Locke & Key! Dodge continues his relentless quest to find the key to the black door, and raises an army of shadows to wipe out anyone who might get in his way. Surrounded and outnumbered, the Locke children find themselves fighting a desperate battle, all alone, in a world where the night itself has become their enemy.

Review: I continue to find myself becoming completely immersed in this re-read of “Locke & Key”, Joe Hill’s fantastic dark fantasy horror series. I think that it had been long enough since I read it that I had forgotten some things that have been nice surprises, which is good. But even the things that I have stark memory of are still hitting me where it hurts. I didn’t remember that it’s a slow build up of actual plot progression in favor of character development, and that is made pretty clear in “Crown of Shadows”.

Dodge is making some moves in this book when it comes to trying to get the keys, though it wasn’t as much as I thought it would be. His first big plot point is dealing with the angry ghost of Sam, who is still trapped in Key House and is PRETTY pissed that Dodge manipulated him. The other is his continued quest for the keys. We are about halfway through the series at the end of this, and while Dodge does have some moments of significance here (outside of Sam’s ire), Hill is still taking his time. The biggest development is a Shadow attack on Tyler, Kinsey, and Bode, in which Dodge uses literal shadow creatures to try and find the keys and take out anything, i.e. the Locke Kids, that stand in the way of that. It’s the first significant battle between Dodge and the kids, with Tyler at the helm for the most part, and I was once again enthralled with the directions Hill took this, even though I’d read it before. It’s a BIG battle, but we still don’t really know what Dodge’s end plan is, and why he wants all these keys. Again, I know that we get there, and I know that Hill is biding his time, but it just surprised me that we still haven’t gotten clarification on that, NOR have we found out much more about where Rendell fits into all of this outside of a couple sinister clues. It’s a slow burn. Hill is good at that, but I just wanted a little more clarity right now as I think it’s going to get a bit hectic, if I remember correctly.

But it’s the subplots involving Nina and Kinsey that really stuck chords with me as I re-read “Crown of Shadows”. When I initially read it, I don’t think that Nina’s plight caught my attention as much as it should have, as when I read it this time I was just shattered for her and where she is. She’s still drowning in the trauma that she has endured due to the brutal murder of her husband, as well as the violent rape committed against her during the home invasion, and now that Duncan is off dealing with Brian’s injury she is adrift with her three children, and her dependence on alcohol is far more obvious to them now. Her agony is compounded by the horrible guilt she feels as a mother who can’t give her children the love and support and protection that they need, and that sends her into an even deeper spiral, which leads to more drinking, and it just keeps cycling. Hill always covers this with empathy and care, and it never felt exploitative to me. He just knows how to tell it the right way. But then we get an interesting development involving her daughter Kinsey. When we left Kinsey in the last volume, she had used the Head Key to remove her sense of fear. We now see that playing out in two ways in “Crown of Shadows”. The first is the obvious way: she isn’t fearful of risky or dangerous situations anymore. In this volume Kinsey finds herself in a couple of dangerous situations. The first is the aforementioned shadow attack at the house, in which she is cool as a cucumber and completely unphased, while the second is when she and her new friends get trapped in a cave with rising water. While the other teens are understandably freaking out, Kinsey is casually trying to figure out a solution. She’s also a bit more adventuresome in her interactions with others, no longer insecure about being around other people. But the less obvious path Hill takes her upon has everything to do with Nina and Nina’s emotional spiral: Kinsey has absolutely no problem telling her mother what a fuck up she thinks she is, completely comfortable to unload on her whenever Nina has a bad moment. Hill ties the idea of empathy to fear, at least it seems that way to me, and that is SUCH a fascinating theme to lay out with these two women, with one who is consumed by it and one who has excised it, and how bad both scenarios are.

“Locke and Key (Vol. 3): Crown of Thorns” may have given Dodge just a little more ground in his quest to get the keys, but the lack of key movement gave the Lockes, especially the women, more time to shine. Things have to be looking up for the Lockes soon, right? I mean, I think I remember the answer to that question, but we’ll see when I go on to “Keys to the Kingdom”!

Rating 8: We get some slow plot progression and some dark but well done character development, and “Locke & Key: Crown of Shadows” continues the moving tale of the Locke Family, and those who are after them.

Reader’s Advisory:

“Locke & Key (Vol. 3): Crown of Shadows” is included on the Goodreads lists “Best Coming of Age Horror Novels”, and “Graphic Novels That Are Quality”.

Find “Locke & Key (V0l. 3): Crown of Shadows” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Previously Reviewed:

Kate’s Review: “You’ll Be the Death of Me”

Book: “You’ll Be the Death of Me” by Karen M. McManus

Publishing Info: Delacorte Press, November 2021

Where Did I Get This Book: I received an eARC from NetGalley.

Book Description: Ivy, Mateo, and Cal used to be close. Now all they have in common is Carlton High and the beginning of a very bad day.

Type A Ivy lost a student council election to the class clown, and now she has to face the school, humiliated. Heartthrob Mateo is burned out–he’s been working two jobs since his family’s business failed. And outsider Cal just got stood up…. again.

So when Cal pulls into campus late for class and runs into Ivy and Mateo, it seems like the perfect opportunity to turn a bad day around. They’ll ditch and go into the city. Just the three of them, like old times. Except they’ve barely left the parking lot before they run out of things to say…Until they spot another Carlton High student skipping school–and follow him to the scene of his own murder. In one chance move, their day turns from dull to deadly. And it’s about to get worse.It turns out Ivy, Mateo, and Cal still have some things in common. They all have a connection to the dead kid. And they’re all hiding something.

Now they’re all wondering–could it be that their chance reconnection wasn’t by chance after all?

Review: Thank you to NetGalley for providing me with an eARC of this novel!

It’s almost guaranteed by now that whenever Karen M. McManus releases a new book, I’m going to have a helluva fun time reading it. So when I saw that “You’ll Be the Death of Me” was coming out at the end of 2021, I was absolutely hyped. And I am so happy to say that this one MIGHT be my favorite of hers yet. Which is high praise, since I enjoyed all of her previous books. And it’s kind of funny that it’s my favorite, because it has a lot of winks to “Ferris Bueller’s Day Off”, a movie that I don’t particularly enjoy outside of Cameron and Jeanie. But that said, one of our main characters is basically a Jeanie, so maybe it’s not surprising after all.

Look, if you don’t like Jeanie Bueller, I don’t have time for you. (source)

“You’ll Be The Death of Me” centers on three former friends. The first is Ivy, a high strung Type A overachiever who tries to be the best at everything because she feels her brother is favored over her due to his intelligence. There’s Mateo, a quiet kid who lives with his cousin and his newly out of work mother, who is dealing with a medical condition that is prohibitively expensive in its treatment. And there’s Cal, a wise ass loner who is pining after someone he shouldn’t be. When they spontaneously decide to ditch out of school one day, they stumble upon the dead body of a classmate. On top of that, they all have a connection to the crime, and they all have dark secrets. The question isn’t so much if any of them did it, as we know they didn’t. The question is who did, and what secrets ARE they hiding that could be related. We alternate between first person perspectives of all the characters, and we get into their personalities as well as the complications of their former friendship that kind of fizzled out over the years, as friendships sometimes do. I had a true affection for all of them as we got to know them, and I thought that they were all pretty realistic in some of the choices they made and how they reacted to the situation they were in. I especially liked Ivy, as her desperation to be a high achiever and her insecurities were very relatable. It’s a character type we’ve seen a couple of times in McManus’s books, and I thought that Ivy was the most well rounded version of the trope in both her character strengths and weaknesses. And I thought that the way she portrayed all of them together felt very real, especially as we slowly find out the reasons that they stopped hanging out. Let’s just say it’s all very mundane, but in a good, true to life way.

And as for the mystery and the various reveals, be they connected to the murder or not, I was genuinely surprised and stumped for basically the most of the book! There are some really good twists and turns in this book, and when I thought that I had something figured out, or pegged something for a red herring, I was never quite on point. We get the clues interspersed with insight into how the community, specifically the school community, starts to theorize and start rumors about what happened, and how dangerous that kind of thing can be in terms of misinformation. And the mystery is quite complex, with threads reaching out to other characters that I didn’t expect, and going to some pretty dark places, involving the opioid crisis and grooming. And McManus made these themes fit into the overall story pretty well, and handled them in responsible and empathetic ways. And the best part? There is the possibility of a sequel that’s been set up here. If it doesn’t happen, that’s fine, of course. But I would absolutely read to see what happens next.

“You’ll Be the Death of Me” is supremely entertaining and a good mystery. With winter setting in, add this to the reading pile to get through these upcoming, colder months!

Rating 9: Supremely entertaining and a well crafted mystery with likable characters. McManus is still a titan in the YA thriller community!

Reader’s Advisory:

“You’ll Be the Death of Me” is included on the Goodreads list “YA Suspense/Thriller/Mystery”.

Find “You’ll Be the Death of Me” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Kate’s Review: “Our Violent Ends”

Book: “Our Violent Ends” by Chloe Gong

Publishing Info: Margaret K McElderry Books, November 2021

Where Did I Get This Book: I received an eARC from NetGalley

Book Description: Shanghai is under siege in this captivating and searingly romantic sequel to These Violent Delights, which New York Times bestselling author Natasha Ngan calls “deliciously dark.”

The year is 1927, and Shanghai teeters on the edge of revolution. After sacrificing her relationship with Roma to protect him from the blood feud, Juliette has been a girl on the warpath. One wrong move, and her cousin will step in to usurp her place as the Scarlet Gang’s heir. The only way to save the boy she loves from the wrath of the Scarlets is to have him want her dead for murdering his best friend in cold blood. If Juliette were actually guilty of the crime Roma believes she committed, his rejection might sting less.

Roma is still reeling from Marshall’s death, and his cousin Benedikt will barely speak to him. Roma knows it’s his fault for letting the ruthless Juliette back into his life, and he’s determined to set things right—even if that means killing the girl he hates and loves with equal measure.

Then a new monstrous danger emerges in the city, and though secrets keep them apart, Juliette must secure Roma’s cooperation if they are to end this threat once and for all. Shanghai is already at a boiling point: The Nationalists are marching in, whispers of civil war brew louder every day, and gangster rule faces complete annihilation. Roma and Juliette must put aside their differences to combat monsters and politics, but they aren’t prepared for the biggest threat of all: protecting their hearts from each other.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

Last year I took a bit of a chance on the book “These Violent Delights”, Chloe Gong’s historical fiction fantasy romance thriller retelling of “Romeo and Juliet”. That’s a true mouthful for a genre description, but it’s the only way to truly describe the wide breadth that this book had. I ended up enjoying it, and found myself waiting anxiously to find out what happened next. Well great news! The conclusion, “Our Violent Ends”, has been released, and let me tell you, the year long wait was worth it. Juliette and Roma are back, and I happily dove into the sweet, sweet agony that was sure to follow.

Me fully ready to watch things go horribly south for all my favorite characters in 1920s Shanghai. (source)

Just as a quick additional refresher, this “Romeo and Juliet” retelling takes place in 1920s Shanghai, as two rival gangs, the Scarlet Gang and the White Flowers, have a blood feud that has led to constant tension and violence. Juliette is the heir to the Scarlet Gang, Roma is the heir to the White Flowers, they had a passionate love affair and in the last book teamed up to try and stop a monster from wreaking pure havoc on the city they love. When we finished the first book, Juliette had just killed Roma’s best friend Marshall, though she hadn’t REALLY killed him, it was all a ruse to keep Roma safe vis a vis his hatred of her.

Plot wise, Gong balances the source material with a lot of new themes and plot points, as well as an update to the time and place that the story takes place. There are still threats from monsters in this one, which makes the Scarlet Gang and the White Flowers have an uneasy truce/team up in hopes that Juliette and Roma can find the vaccine that is rumored to stop the monsters (and of course the tension is off the charts in all kinds of ways). But there are also threats of the time period, like the simmering tensions between the Nationalists and the rising Communists. And we are still dealing with the two gangs having conflicts, which could be ceasing due to a common enemy of the monsters, but is always on the precipice. It’s a lot to cram in there, and while sometimes it felt like it was a little too much (and that we’d gloss over aspects of the plot because of it), overall Gong still managed to have a clear connection to the original play through things that would happen in the story. Even when she would twist some things around to better fit the story that she was telling. These moments were done in such a way that usually felt more true to the circumstances, however, and never like she was just trying to fit square pegs into round holes.

It is still the characters, however, that are the books greatest strengths. While the original cast of “Romeo and Juliet” has a kind of charisma to a degree (I mean, I don’t like the play but I recognize the appeal of the characters), Gong continues to draw far more complexity from her versions of the players. With Roma you have a brooding and brokenhearted Romeo, who is mourning the supposed death of his friend Marshall at the hand of his former lover. With Juliette you have a woman who is being torn up by her feeling of duty to her family as the heir to the Scarlet Gang, as well as her deep love for a man that she had to pretend to betray. And oh how I continued to love this version of Juliette. She gets shit done and isn’t given ANY credit for it, and I loved her inner turmoil even as she has to hold EVERYTHING together to be the strongest player in the whole damn story. It gives both the main characters FAR more pathos than the play did, and I really enjoyed how Gong gave both of them a lot more agency, smarts, and will than their inspirations were ever given. I was actively rooting for both of them, but especially Juliette, who is constantly trying to prove herself as worthy, though as a woman she is never going to be seen as such (and her psychopathic cousin Tyler is given more glory than she ever gets). But it’s also side players that are highly enjoyable, be it Juliette’s cousins Kathleen and Rosalind, or Roma’s younger sister Alisa. For me, though, I LOVED Marshall and Benedikt, the two lovers who have been separated due to Marshall faking his death, and Benedikt’s agony over it. Oh these two. You cannot help but root for them.

“Our Violent Ends” finished out the duology on a perhaps expected but still satisfying high note. Chloe Gong made me into a “Romeo and Juliet” fan, at least the way she tells it, and I definitely recommend checking it out if you want to see a really unique twist on the original tale!

Rating 8: A complex and satisfying end to a truly unique Shakespeare retelling.

Reader’s Advisory:

“Our Violent Ends” is new and not included on any Goodreads lists yet, but it would fit in on “Rewriting Shakespeare (YA Edition)”, and “YA Fiction Set in the 1920s”.

Find “Our Violent Ends” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Previously Reviewed: “These Violent Delights”.