Kate’s Review: “The Honeys”

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Book: “The Honeys” by Ryan La Sala

Publishing Info: PUSH, August 2022

Where Did I Get This Book: I received an ARC from the publisher.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: Mars has always been the lesser twin, the shadow to his sister Caroline’s radiance. But when Caroline dies under horrific circumstances, Mars is propelled to learn all he can about his once-inseparable sister who’d grown tragically distant.

Mars’s genderfluidity means he’s often excluded from the traditions — and expectations — of his politically-connected family. This includes attendance at the prestigious Aspen Conservancy Summer Academy where his sister poured so much of her time. But with his grief still fresh, he insists on attending in her place.

What Mars finds is a bucolic fairytale not meant for him. Folksy charm and sun-drenched festivities camouflage old-fashioned gender roles and a toxic preparatory rigor. Mars seeks out his sister’s old friends: a group of girls dubbed the Honeys, named for the beehives they maintain behind their cabin. They are beautiful and terrifying — and Mars is certain they’re connected to Caroline’s death. But the longer he stays at Aspen, the more the sweet mountain breezes give way to hints of decay. Mars’s memories begin to falter, bleached beneath the relentless summer sun. Something is hunting him in broad daylight, toying with his mind. If Mars can’t find it soon, it will eat him alive.

Review: Thank you to PUSH for sending me an ARC of this novel!

There is something about bees and horror that just kind of goes together. From the classic horror film “Candyman” to the recent “Umma” (I quite enjoyed this one, I don’t agree with the critics scores), there are things you can do with bee imagery that just work in a scary context. I’m actually surprised I haven’t encountered it more in horror fiction, but luckily we have “The Honeys” by Ryan La Sala to tap into this imagery! I hadn’t heard of this book before it ended up on my doorstep, but the premise was definitely eye catching. It sounded a bit like “Heathers” meets folk and prep school horror, and if that isn’t an interesting combination I don’t know what is.

I will say that “The Honeys” is a little slow to start up and really get going, at least in my reading experience it was. We start with a bang, but then it takes its sweet time to build up the unease and high strangeness that is going on at Aspen, and to explore what it has to do with Mars, Caroline, and the Honeys. It just felt a bit like the pacing was uneven, and it had a hard time holding my attention at first because of it. But I will say that once we got into the thick of it, and stuff started happening, it had an iron grip on my attention and it really picked up. The horror elements to this book are so profoundly unique, and also have some really, REALLY creepy and upsetting imagery that felt straight out of an Ari Aster horror movie (funnily enough I mean that in a positive way, given that I don’t really like Aster’s movies too much, but the guy does know how to deliver on horror aesthetic). There was one moment in particular that practically broke my brain for a few moments and I just kind of froze up.

Like Jesus. What the fuck? (source)

What worked even better for me was how La Sala used this story to take on and deconstruct toxic gender norms within a rigid social setting, as Mars is genderfluid and Aspen, while pastoral and somewhat chill, has VERY stringent gender norms, some okay, others quite toxic. The Honeys themselves kind of break stereotypes of femininity, as they are hyper feminine but don’t meet the preconceived and sexist notions of what that means (aka, just because they’re girly it doesn’t mean they are weak, as femininity isn’t a weakness). On the flip side, the hyper masculine boys group at the school is seeping in toxic masculinity, and Mars being genderfluid makes them a target of animosity, but also a target of those who would prefer they go along to get along, given their prestigious status as the child of a Senator. I liked seeing how La Sala explores this through Mars’s eyes, and how even those who mean well towards them and their social acceptance at Aspen are still putting the onus on Mars as opposed to the people who are being cruel. And I don’t want to give spoilers here, but I will say that even the larger plan at the horror thematic center constrains itself to such societal mores, and it is up to Mars and their allies to take their power back. I thought all of this was well done.

So all in all, a slower start but a unique and worthwhile horror read! “The Honeys” is sure to get people talking in YA horror circles.

Rating 7: Kind of a slow start, but once it gets going “The Honeys” is a twisted and creepy horror novel that takes on corrupt powers that be and toxic societal gender constraints.

Reader’s Advisory:

“The Honeys” is new and isn’t included on many Goodreads lists, but it would fit in on “Queer Dark Academia”.

Kate’s Review: “American Vampire (Vol. 2)”

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Book: “American Vampire (Vol.2)” by Scott Snyder & Raphael Albuquerque (Ill.)

Publishing Info: Vertigo, May 2011

Where Did I Get This Book: I own it.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: While trafficking in a bestselling sub-genre, American Vampire introduces a new strain of vampire — a more muscular and vicious species, born of the American West.

It’s Las Vegas circa 1935, and Skinner Sweet and our gal Pearl are about to learn the hard way that the bloodsuckers in Hollywood were nothing compared to what awaits them in Sin City.

In just a few short years, young police Chief Cash McCogan has watched his native city of Las Vegas go from cow-town to wild, glittering boomtown. And when the bodies of prominent businessmen start showing up drained of blood, Chief McCogan finds himself facing a threat much darker and deadlier than anything he could have imagined . . . and the only sure bet in town is that Skinner and Pearl are right in the thick of it.

Review: So “American Vampire”‘s second volume was the one I was most apprehensive revisiting, as I remembered not liking it so much on my initial read. So much so that I kind of stopped the series for awhile. I felt that it dove into some stuff that I had a very hard time with, ultimately, and I knew that while I had to read it again for this revisit, I wasn’t looking forward to it. But a completist I am when it comes to this stuff, and ya gotta judge a series but all of it’s canonical parts. So into “Volume 2” I dove. And it was a better experience this time around to be sure, just putting into the context of the greater storyline! But man, I still really hate that Skinner Sweet. And I think he’s getting off a little easy.

Starting with what I do like about this volume, as it does outweigh the negatives, I love how Snyder has taken another snapshot of a moment in American history, this time being the inception of Las Vegas’s reputation as a party town due to the construction of the Hoover Dam, and adds in some vampire touches that could link to real life ills of American society. This time it’s the idea of progress and innovation, as the dam has brought in a lot of workers, and with workers comes a certain rowdiness that Las Vegas Deputy Cash McCogan is wary of. So when high powered backers involved in the dam start ending up dead, drained of blood, he is approached by a mysterious couple of agents, one of whom is Felicia Book, the daughter of previous hero turned vampire James Book. I loved how we slowly peeled back what Felicia’s deal was, and what kind of group she is working for, as well as her ulterior motives beyond the group because of her connection to their target, Skinner Sweet. And of course Skinner has his disgusting claws planted firmly in Las Vegas’s underbelly. I thought that the mythos building in this issue was good, though some of the plot points introduced were very quickly resolved in ways that felt unsatisfying to me.

I think that my biggest qualms partially go back into my previous qualms with my initial read, though I did find more this time that aggravated me, though my overall dissatisfaction wasn’t as pronounced this time. For one, without going into specifics, Skinner Sweet continues to be the irredeemable worst, and continues to not have any interesting growth or nuance. It’s fine when it’s the first volume and we are just getting to know him, but if we are going to have such a focus on him as the story goes on, it would sit better with me if he was more interesting in his badness. As it is in this volume, he’s either exploiting sex workers as the head of a brothel, continuing his spiteful violence, and creating a pivotal turning point in the series for a few characters through a particularly terrible act that disturbed me as much this time as it did the first time reading it. I did like following our ‘heroes’, deputy Cash McCogan, as well as two mysterious agents for the hush hush group, one of whom being Felicia, but on the flip side there is a VERY serious lack of Pearl in this volume. Given that Pearl is the vampire I actually really like in this series, it was a shame she was kind of sidelined, even if it was rewarding in some ways. The lack of Pearl this time was especially galling. She is far more interesting than Skinner freakin’ Sweet.

But Raphael Albuquerque’s art is still pretty great! I like that this time around he gets to play with some vampire designs that think outside the box!

I mean this is just cool. (source)

I liked the expanded mythos of the vampire hunters, but didn’t like the central focus on Skinner Sweet this time around. But I am excited to revisit where things go next, as I remember liking it more than this foray into the storyline.

Rating 7: Another fun deep dive into vampire connections to American history, though it sometimes feels a bit haphazard in introducing and concluding plot points.

Reader’s Advisory:

“American Vampire (Vol. 2)” is included on the Goodreads lists “Comic Books to Appreciate and Love”, and “Best Horror Comics/Graphic Novels”.

Previously Reviewed:

Kate’s Review: “Zatanna: The Jewel of Gravesend”

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Book: “Zatanna: The Jewel of Gravesend” by Alys Arden and Jacquelin De Leon (Ill.)

Publishing Info: DC Comics, July 2022

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: There’s more to the mobsters, mystics, and mermaids at the last stop on the D/F/Q trains: Coney Island-Stillwell Avenue.

Zatanna’s not your typical New Yorker. She walks her giant rabbit on a leather leash down the boardwalk, lives in a colossal architectural wonder known as the Golden Elephant, had her first kiss in the Haunted Hell Gate ride–and wouldn’t have it any other way.

But the time for having fun in Luna Park comes to an end when a mystic’s quest for a powerful jewel unravels everything Zatanna thought she knew about herself and her beloved neighborhood. Mysteries and magic surround her as she reveals the truth about her family’s legacy, and confronts the illusion that has been cast over her entire life.

From the bewitching mind behind The Casquette Girls, Alys Arden, and with enchanting artwork by Jacquelin de Leon, comes the story of a girl stuck in the middle of a magical rivalry and forced to choose between love, family, and magic without hurting anyone…or worse

Review: Thank you to NetGalley for providing me with an eARC of this graphic novel!

Though I have been fairly into DC for most of my life, I will fully admit that I haven’t encountered too much Zatanna. Sure, she does pop up here and there (I really liked her iteration in the “Bombshells” series), but she just isn’t really a character that I have encountered so much. Which is partially why I decided to pick up “Zatanna: The Jewel of Gravesend”. It was enticing in a few ways from the jump. For one, I love her design on the cover of his graphic novel: the the hat, the colors, everything. I also liked the concept of her being a Coney Island kid both in the sense of where she lives, but also in the sense of being part of a family of performers. I am always looking for more ladies in DC to enjoy, and “Zatanna: The Jewel of Gravesend” was a good primer for this character.

I liked Zatanna as a character in this, as she is very much a genial and intrepid teenage girl who loves her friends, loves her family, and loves her boyfriend. While her father Ezra puts pressure on her to join his magic act, which she isn’t really feeling, she has friends who are fortune tellers and other illusionists. She also has a boyfriend named Alexei who happens to be the son of a notoroious Russian mobster, though Alexei seems to be more tenderhearted than his family reputation. When Zatanna starts seeing strange backwards writing, and then starts to experience magic of her own, things get complicated. I liked the build up to this, as I felt that Alys Arden went at a good pace to build up background before really diving in to the story at hand. I liked the atmosphere of Luna City and Coney Island, and I liked seeing Zatanna deal with coming of age issues, be they pretty run of the mill, or more of the magical kind.

I do think that things get a little rushed in the last third. I mentioned above that I liked the background, and I definitely did, but then I felt that there was a rush to get to the heart of the story, with reveals and twists coming quickly. A lot of the time we didn’t get a moment to let some of these twists breathe, with a moment happening in one panel and then being yanked away only a couple panels later. I’m going to be vague because the moments I’m talking about are pretty spoiler heavy. But it made the focus between set up and conflict feel a bit unbalanced. Which is strange, because this is (apparently) a first volume of a continuing series. I don’t really know why the pacing got so disjointed when it could have been potentially spread out into another volume if need be, but hey, that could just be one reviewer’s opinion.

That said, I really liked the design of this book. I loved how Zatanna looked, and I loved the neon-y goodness of the Coney Island night life and the magical and opulent Luna City community.

(source)

I will probably keep going in the series as we have a true mystery at hand, and I did like this characterization of Zatanna. Plus, the artwork is to die for. I’m hoping the pacing can be a bit more balanced in the next volume, but I am intrigued by where Zatanna is going next.

Rating 7: A fun backstory for an underutilized DC heroine, with a lot of set up for future volumes, and a bit of a rushed conclusion.

Reader’s Advisory:

“Zatanna: The Jewel of Gravesend” is included on the Goodreads lists “DC Comics Female Creators”, and “Magical Fiction for Magicians”.

Kate’s Review: “The Last Comic Book on the Left (Vol.1)”

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Book: “The Last Comic Book on the Left (Vol. 1)” by Ben Kissel, Marcus Parks, & Henry Zebrowski (Eds.)

Publishing Info: Z2 Comics, June 2022

Where Did I Get This Book: I own it.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: RISE FROM YOUR GRAVES
Not a joke, not a gag like a necromancer The Last Podcast on The Left is reviving the tradition of the humor comic magazine except this time as a series of graphic novels. Inside you will see stories edited and curated by your Last Podcast Hosts made to entrance the eyes and titillate the senses. SEE: Detective Popcorn solve the meaning of LIFE! WITNESS: The descendent of Albert Fish! GET AROUSED BY: Very Sexy Mothman! A mix of Comedy and Horror created by some of the best comic writers ,artists, warlocks in this dimension
.

Once read The Last Comic on The Left will change your life maybe for the better.

DISCLAIMER: The Last Comic on The Left has not been funded by an underground satanic cult. All Cryptid portrayals have come with the explicit permission of The Mothman, Sasquatch and Jersey Devil estates. By buying, reading or even looking at this book you are consigning your soul, spirit or any eternal animating entity to the creators of this book which again is not funded by a satanic cult

Review: It’s been a few years, but I am still wholeheartedly into the podcast “The Last Podcast on the Left”. While other podcasts have fallen to the wayside, partially due to not driving as much, partially due to other factors, this one is still a must listen for me, and I will support Ben Kissel, Marcus Parks, and Henry Zebrowski in as many creative endeavors as I can. So of course I was going to pick up “The Last Comic Book on the Left”, the new graphic novel horror anthology inspired by the show, and designed by a number of writers and artists working in today’s comics industry. I preordered it and it took awhile after some delays, but when it did arrive, I dove in.

This is a collection that has a lot of entries, from short stories to ongoing tales to odd artwork that sends up pin ups and ads from old comic anthologies from back in the day. You can tell that all of the contributors have a clear vision that they are putting forth, and it’s a mish mash of varying successes. I actually enjoyed it quite a bit, haphazard as it was. There were a few stand outs for me. My favorite things were the pin up artworks of various cryptids, from the Jersey Devil to Mothman to Sasquatch, designed in ways that make them out to be Playboy centerfolds with sexy designs and insights into their favorite things (the Mothman one was particularly hilarious, as it’s just otherworldly gibberish with the occasional unsettling bits of English). There is also a really interesting story by Noah Van Sciver that starts out as a seemingly graphic history of the Fundamentalist Latter Day Saints, the offshoot Mormon cult that is known for egregious abuses and fanaticism, but instead turns into a meditation on how we tell these stories (this was probably my favorite in the collection; I have been deeply fascinated by the FLDS and I really liked how Van Sciver turned the whole concept of comic histories on its head). There is also a creepy comic that is based on the Sandown Clown Incident, which was just unsettling and tense because of not only the source material, but also the framing of the tale itself with two small children encountering a creepy clown-like figure, the tension building and building into high strangeness discomfort.

But here is the thing. While I think that fans of the podcast (like myself) will find a lot to love in this collection, I’m not sure that there will be a lot of crossover appeal to broader audiences. With the previous LPOTL book being the fantastic “The Last Book on the Left” there was so much great content and context beyond the podcast lore that I felt any fan of true crime could pick it up and enjoy it. “The Last Comic Book on the Left” is definitely a love letter for the fans who have been with the show for awhile, with references to such characters as Detective Popcorn and Scungilli Man that a layman just isn’t going to get. I think it’s super fun, and I think that there will probably be some people who like the weirdness of a lot of it. And a lot of the stories have outside accessibility to be sure. But it does feel niche. I’m okay with niche, however. This comic is written for me as a fan of the show. It’s chaotic and wild. But it’s absolutely a matter of ‘your mileage may vary’ in terms of other readers.

That said, let’s just look at one of my favorite bits of artwork. BEHOLD: SEXY JERSEY DEVIL by artist Sean Van Gorman!

The caption at the bottom sent me into hysterical laughter. (source: Z2 Comics)

It’s out there, it’s nutty, it’s funny and strange. I had a fun time with “The Last Comic Book on the Left”. It fuses the humor of my favorite podcast with some creative graphic novel designs and storytelling.

Rating 7: It’s going to be very niche, I feel, geared towards fans of the podcast, but I enjoyed the chaotic energy this collection was serving.

Reader’s Advisory:

“The Last Comic Book on the Left” isn’t included on any Goodreads lists as of now, but I think it would fit in on “Horror Comics Anthologies”.

Blog Tour: Excerpt of “To Kiss a Wallflower”

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Book: “To Kiss a Wallflower” by Jen Geigle Johnson, Heather B. Moore, & Anneka R. Walker

Publishing Info: Mirror Press, June 2022

Where Did I Get this Book: from the publicist!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: THE WALLFLOWER’S DANCE by Jen Geigle Johnson

Lottie Hughes likes people, as long as they aren’t too close. Does it bother her that no one asks her to dance? Yes, but she’s not sure how to drum up dance partners when she has almost no dowry, no title, and freezes up when anyone tries to talk to her. When she suddenly inherits a huge amount and is the new center of attention all over London, her secret dreams might come true but also her worst nightmares. Suddenly everyone wants to talk to her. Men ask her to dance. And she is inundated with interested suitors. She fights to stay close to the few friends she knows are true. One man saw her before her life changed forever. But does she want to accept his help when he, too, might be insincere?

LETTERS TO A WALLFLOWER by Heather B. Moore

Ellen might be beautiful and considered a diamond of the first water by Society, but she is so very tired of the pressure to marry a titled gentleman so that her beauty won’t go to waste. When her cousin Dinah dares Ellen to attend a ball with no frills and to stand with the wallflowers, Ellen takes on the dare. What’s in the wager for her? The prize cuttings of her aunt’s extraordinary roses. But what Ellen isn’t expecting is Lord Ravenshire to engage her in the most interesting conversation. When she confesses to him of her opposition in marrying for a title, he confesses his distaste of the London scene. They strike a bargain together, one which will either push them apart or lead to a future sweeter than either of them could have imagined.

TO MARRY A WALLFLOWER by Anneka R. Walker

Charlotte Winters is destined to spinsterhood until she turns down an unwanted proposal and everything changes. With gossip rampant, her father attempts to salvage her reputation by betrothing her to another. Soon she is sent off to her aunt’s to meet Lord Templeton, her intended. Anxiety-ridden, Charlotte begs her aunt to let her observe Lord Templeton from afar before their introduction. She never planned to pretend to be her fictional cousin to learn more about him, or to fall in love with Lord Templeton’s friend in the process. Lord Templeton dreads returning to the empty halls of Newcliff Manor. When his father’s old friend, Mr. Winters reaches out for assistance, Lord Templeton finds himself returning home engaged to a woman he has never met. Desperate to learn more about Miss Winters, he befriends her cousin. He wouldn’t have spoken to her, or lied about his identity, if he’d known the quiet woman would sneak into his heart.

Note: Thank you so much to Laurel Ann for reaching out to me with the opportunity to participate in this blog tour! I love working with other bloggers to help promote books that may not get as much attention on their own. It’s also a great way of meeting other bloggers out there who are doing some excellent work! Today, I’m going to feature an excerpt from this book. I’ll likely post a full review at a later date. Enjoy!

Excerpt:

The Wallflower’s Dance

by Jen Geigle Johnson

Chapter One

Despite Lottie’s mother, who wished to know and be known by all and sundry, Lottie was still of the opinion that few people were required for happiness. Three things were needed: her closest friends, a good book, and lovely walks in the park. 

And perhaps a husband. 

Someday. 

If he too preferred little company, books, and walks in the park. 

She brought her brush, thick with paint, over the wood of a new table. She’d found a particular shade of lavender and knew it would go well in her sitting room. The lovely rich color covered the white beneath it completely. 

Lottie smiled. Once this coat dried, she could add embellishments, flowers, a trailing vine of green, whatever she liked.

Her mother peeked her head in the door to her art room. “Lottie.” The higher-pitched energy that exuded from her mother any time of day only felt companionable when Lottie too was full of energy. Which was usually reserved for the late hours of a ball. Something about the middle of the night filled Lottie with adventure. By then, her mother was typically nodding off in a corner somewhere.

“I’m painting, Mother. Come see this shade of purple. It’s like nothing I’ve ever used before.”

To her credit, she stepped into the room and glanced at the painting. “Very nice. Now. If you could take a break, we need to be stunning, absolutely beautiful for a walk in the park.”

Lottie perked up at walk, but when the gleam in her mother’s eyes sharpened and Lottie paid attention to stunning and beautiful as requirements, she knew this was going to be less about walking and more about being seen. “Perhaps you and your friends could go without me this morning? I’m hoping to finish up this coat.” She knew her excuse sounded weak and her mother did too, judging by the dismissive wave of her fingers.

“Oh come, word has it that Prinny will make an appearance, which suddenly turns a casual walk in the park into a major event of the Season. This is your chance for more introductions, more doors opened to you. Who knows, you may even meet a duke!” The wide, hopeful eyes at the doorway were evidence that Lottie was not going to be able to avoid the park. She left her brush in water and stood, wiping fingers on her apron.

“Should I wear the violet?” 

Mother was about to give Lottie’s maid very detailed instructions as to her appearance anyway, so she might as well ask her before choosing a dress herself.

“No, too dark and bold for a walk in the park. Wear a pastel. But a colorful bonnet. Don’t worry, I’ve instructed Dorothea in all the particulars.”

Dorothea, Lottie’s maid, very obviously worked for her mother. She could never be convinced to alter the prearranged instructions on Lottie’s presentation. But no matter. Lottie moved obediently to her bedroom and the preparations began, starting with an intricate hairstyle that would be hidden underneath her bonnet. But Lottie knew better than to discuss her opinion on the particulars. She watched Dorothea in the mirror. Perhaps they would be able to have some entertainment to enliven them both. Entertainment in the form of another maid, reading aloud their latest favorite novel. Lottie’s eyes met Dorothea’s. “Will Penny be able to slip away?”

“I believe so, miss.” Dorothea smiled. She enjoyed the books as much as Lottie, and if Lottie was to be sitting in this chair for hours, they may as well be entertained.

Lottie had discovered the rare occurrence of a servant who knew how to read. Even though she sometimes stumbled, she did less so now that she’d been tasked with the very important assignment of reading to Lottie while she prepared for the day. Penny slipped in through the servants’ entrance. “I’ve just come from the kitchen.” Her mischievous smile made Lottie laugh.

“Are they missing you?”

She waved a hand. “Not at all. Cook has an army of people in there, helping. I’ve finished all my other chores.”

“Excellent and, of course, I called for you. That should help.”

Both servants shared a look, which she took to mean that she had little clout in the servants’ eyes. Well, no matter. “Please start at the beginning.”

Penny nodded, her eyes gleaming with the same hopeful expectation Lottie herself felt. And then she began to read. 

“The Family of Dashwood had long been settled in Sussex.”

Kate’s Review: “The Insane God”


This post may contain affiliate links for books we recommend.  
Read the full disclosure here.

Book: “The Insane God” by Jay Hartlove

Publishing Info: Water Dragon Publishing, May 2022

Where Did I Get This Book: I received an ARC from the author’s publicist.

Where You Can Get This Book: Amazon | Indiebound

Book Description: Nightmare on Elm Street meets The Stand. A meteorite fragment cures a teenaged trans girl’s schizophrenia but leaves her with visions of ancient warring gods annihilating each other in space. As the Earth hurtles toward the cloud that is the shattered bodies of those eternal enemies, their eons-old conflict is rekindled on Earth to divide and destroy humanity. Can she and her brother stop the spread of global disaster?

Review: Thank you to Beverly Bambury for sending me a print copy of this book!

I mean, honestly, you are just tantalizing me when you say that something is “Nightmare on Elm Street” meets “The Stand”. Given that “The Stand” is an all time favorite of mine and I just love a good slasher movie, when I saw that comparison mix for “The Insane God” by Jay Hartlove, I just HAD to see what that meant. I knew I was throwing a bit of caution to the wind, as it was pretty clear that this story, while having those comparisons, was going to be a bit heavier on the Science Fiction than I am used to. But I’m game to experiment when the mood strikes me, and strike me it did.

There are some interesting ideas here to be sure! I loved the idea of space rocks giving people powers and interfering with biological functions like mental illness, and I liked the idea of how people that are touched by these things can have new powers awakened within them. Hartlove has set the stage for some well done suspense and some pretty solid consequences, with cosmic horror elements as well as some trippy surreal horror, like the ability to manipulate and bring things from dreams into the real world (THAT was so “Nightmare on Elm Street”). We also have some good old fashioned suspense regarding people who are raging bigoted assholes, and people who are true believers in one side of a space set feud and who want to bring about destruction on Earth. This leads to a lot of content warnings (specifically some pretty upsetting scenes of transphobia, Islamaphobia, violence due to both these things, and difficult moments involving mental illness and the stigma that can come with it). But we also get a coming of age story in which a teenage girl finds herself a potential savior of mankind, all while grappling with her own identity as a trans woman, a recently cured schizophrenic (due to otherworldly influence), and as a sister. Hartlove melds them all together into a fast paced narrative that has a lot of ideas, and it mostly comes together pretty well!

There is also the fact that our protagonist Sarah is a trans woman, a representation that we are finally seeing more and more of in genre fiction and horror. It’s important to note that Jay Hartlove is not trans, and that as a cis woman I can’t really tell you if Sarah is a good representation of a trans character. That said, I did look into Hartlove’s background and various interviews, and he does have a trans child and a non-binary child, and it’s pretty clear that he has written this story with a hope of giving trans people characters they can seen themselves in. Sometimes it comes off a little clunky and hamfisted, at least to me, and again, I’m not really someone who can judge how well representative Sarah was and whether her experiences ring true or false. But it really does seem like Sarah’s characterization has all the best intentions, and as a character I thought that she was complex and interesting, and was very easy to root for. At the end of the day I liked her a lot. And I hope that we get more trans characters in genre fiction, and more trans authors in the mix to tell those stories.

I think that ultimately this was more heavily Science Fiction in a cosmic sense, which I knew going into it. I always like to give genres that I’m not super into a try, especially if it seems like there could be some crossover interest, and as I mentioned above, describing it as “Nightmare on Elm Street” meets “The Stand” would imply a lot of crossover! And I do get the comparisons, given the creative ways that Hartlove toys with dreaming and cosmic and existential end of world elements with warring factions within the chaos. Still and all, it did get into the Sci-Fi weeds a bit, which will probably work for a lot of people!

“The Insane God” is a bit of an out there Sci-Fi/horror story that I thought was pretty creative. Sure it has some stumbles here and there, but there is so much that feels unique, and it has its heart firmly in place.

Rating 7: Super creative and outside of the box, though maybe a little too heavy on the Sci-Fi for this reader.

Reader’s Advisory:

“The Insane God” isn’t on any Goodreads lists as of now, but I think it would fit in on “Cosmic & Lovecraftian Horror”.

Kate’s Review: “Measuring Up”

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Book: “Measuring Up” by Lily LaMotte & Anne Xu (Ill.)

Publishing Info: HarperAlley, October 2020

Where Did I Get This Book: The library!

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: Twelve-year-old Cici has just moved from Taiwan to Seattle, and the only thing she wants more than to fit in at her new school is to celebrate her grandmother, A-má’s, seventieth birthday together.

Since she can’t go to A-má, Cici cooks up a plan to bring A-má to her by winning the grand prize in a kids’ cooking contest to pay for A-má’s plane ticket! There’s just one problem: Cici only knows how to cook Taiwanese food.

And after her pickled cucumber debacle at lunch, she’s determined to channel her inner Julia Child. Can Cici find a winning recipe to reunite with A-má, a way to fit in with her new friends, and somehow find herself too?

Review: We have once again come upon a whim book, as I was wanting to read more graphic novels on the day that I requested “Measuring Up” by Lily MaMotte and Anne Xu. One of the other graphic novels I read recently was food based, and given how I enjoyed that one I thought I would give this one a try! Especially since it sounded like it had some other themes that it was going to tackle, along with the food.

The coming of age story at the heart of “Measuring Up” is very sweet and gentle. Cici is a preteen girl who finds herself in a new country and culture, and who is nervous about what that means for herself and for her place in the world around her. Her desperation to see her A-má again, who stayed behind in Taiwan, motivates her to sign up for a junior cooking contest, as cooking with her grandmother was a true joy and she is pretty good at it. The story is fairly simple, which makes sense for the middle grade audience, and I thought that Cici’s initial struggles with making friends and her conflicts with her parents regarding her priorities (cooking contest vs studying) were well conveyed in a middle grade narrative. At times it may have felt perhaps a little too simplistic for me, but I’m absolutely not the audience for this story so that doesn’t reflect the story as a whole. As Cici works through the cooking contest and starts to feel more at home, she is also repressing her identity because of how Taiwanese food and culture is viewed in a Western culinary world (more on that aspects in a bit), which drives her to experiment with more Western foods. This is also because of her cooking partner Miranda, whose Italian restaurant owning father has basically told her to focus on Italian food. The contrast between Miranda and Cici could be pretty start, but LaMotte finds ways to show that they may have more in common than they initially realize. Again, simplistic, but ultimately sweet.

Along with the coming of age story we get a tale about a girl who is adjusting to a new culture, while trying to keep her identity as well as finding a new one. As Cici starts to acclimate to her new home, she feels a need to keep her Taiwanese identity close to the vest, partially because of micro aggressions or flat out racism, but also because of her insecurities about herself as a tween girl. LaMotte touches upon preconceived notions of Asian food, from classmates telling Cici her lunch is ‘stinky’ to adults writing it off as low brow or cheap. I thought that LaMotte did a good job of balancing the broader themes within the story itself, and I liked that Cici had moments of pushing back, as well as moments of Cici being pleasantly surprised beyond her expectations. The important moments of Cici having to deal with micro aggressions are explained in a way that will resonate with the target audience, and I liked how Cici not only got to push back against it, but also got to pursue her own identity that may not line up with the one that her parents have laid out for her. It just felt like it all handled some complex issues in an accessible way.

And the drawing style is cute and fits the tone. I liked the way that Anne Xu could bring out emotional moments and feelings even in the simplistic art style that will probably resonate with the target audience. And it also just made me so hungry for basically all of the foods that we were seeing on the page.

(source)

“Measuring Up” was cute and a good fit for middle grade audiences! I know exactly who I would recommend this to, and it will make the reader ready to take on some culinary adventures of their own!

Rating 7: A cute story about cooking, friendship, culture, and finding oneself.

Reader’s Advisory:

“Measuring Up” is included on the Goodreads lists “Comics About Food”, and “Culinary Fiction – Middle Grade”.

ALSO

If you are as disgusted as I am about the striking down of Roe, I’m going to post some links here that will give you information and resources to donate to.

National Network of Abortion Funds

Rewire News Group

National Abortion Federation

Plan C

Serena’s Review: “Juniper & Thorn”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Juniper & Thorn” by Ava Reid

Publishing Info: Harper Voyager, June 2022

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: A gruesome curse. A city in upheaval. A monster with unquenchable appetites.

Marlinchen and her two sisters live with their wizard father in a city shifting from magic to industry. As Oblya’s last true witches, she and her sisters are little more than a tourist trap as they treat their clients with archaic remedies and beguile them with nostalgic charm. Marlinchen spends her days divining secrets in exchange for rubles and trying to placate her tyrannical, xenophobic father, who keeps his daughters sequestered from the outside world. But at night, Marlinchen and her sisters sneak out to enjoy the city’s amenities and revel in its thrills, particularly the recently established ballet theater, where Marlinchen meets a dancer who quickly captures her heart.

As Marlinchen’s late-night trysts grow more fervent and frequent, so does the threat of her father’s rage and magic. And while Oblya flourishes with culture and bustles with enterprise, a monster lurks in its midst, borne of intolerance and resentment and suffused with old-world power. Caught between history and progress and blood and desire, Marlinchen must draw upon her own magic to keep her city safe and find her place within it.

Review: Unlike “For the Throne,” this book isn’t a direct sequel to the “Red Riding Hood’ re-telling that came before it. That said, it does feel kind of funny reading two follow-up books to two versions of the same fairytale that I read exactly a year ago. However, this is only a companion novel, set in the same world as “The Wolf and the Woodsman,” and instead focuses on retelling a different, dark fairytale, “The Juniper Tree.” I didn’t know really anything about this original tale before starting this book, so I was curious to see how things would play out!

Marlinchen’s father is cursed to never be full, no matter how much he eats, and to never feel rested, no matter how much he sleeps. And for their part, she and her two sisters are also cursed along with him and he refuses to let them out of his house. Instead, he uses their various magical gifts to support himself and their home. But Marlinchen dreams of more, of going out beyond the gates of her cursed home. And finally, she does it. There she discovers thrills and mysteries, but most especially, she discovers the ballet and its star dancer, a beautiful, charming young man. But something dark also haunts the streets, and as Marlinchen tries to keep secret her growing connection to the ballet dancer, she begins to suspect that this darkness may be coming from her own home.

So, I have mixed feelings about this book. On one hand, to start with the positives, there is no denying that Reid is a strong, poetic author. She has a knack for turning a phrase in a way that catches the eye and imagination; I re-read several passages throughout the story. She also knows how to unspool a fairytale in a way that feel fresh and new, but still has that undefinable quality that makes it a fairytale at its heart. There’s a balance, always, to be struck between the beauty and pain found in fairytales. But, while she seemed to hit that mark with “The Wolf and the Woodsman,” I’m less sure that the balance is quite right here.

To be fair, on Goodreads this book is tagged as “fantasy” and “horror.” Sometimes these genres can overlap quite a lot, and I generally dismiss the “horror” tag as simply a heads-up that this will be a darker story. And yet, I wasn’t prepared for just how dark this book was. Indeed, it would fully fall under the category of “horror” all on its own. While I’m not typically an avid horror fan, I can read and enjoy it. So it wasn’t the surprising darkness of this book that had me questioning.

Instead, it seemed to be the pointlessness of some of it that bothered me, the sheer shock value for the sake of shock value at the heart of some of the more disturbing scenes. There were more than a few instances when something horrific would happen or be described, but that scene or action never lead to any personal growth, reflection, or even important movement of the plot itself. This is the kind of horror and darkness I can’t get behind. It gives the reader no pay-off for sitting through uncomfortable, dark scenes and instead makes some of it feel performative and ugly in a different way.

To end on another good note, however. I did like the main character and most of her story. Again, there were disturbing aspects of her story that I don’t feel were fully explored or justified to the reader. But, as she does have a distinct arc throughout the story, these I was better able to understand than some of the other horror aspects. The romance, such as it was, felt a bit too insta-love, with the connection forming fast and hard between these two. If anything, it was insta-lust more than love. Again, there was this weird obsession with adding a dirty-feeling shimmer to even the love story.

There’s no denying the high quality of the author’s writing, at this point. But this book did make me question some of her storytelling prowess. I will admit, however, that fans of horror in general might enjoy this more than I did. Fans of the first book may want to check this out, but they should go in with eyes wide open not to take that “horror” tag lightly.

Rating 7: Solid building blocks were undermined by a strange penchant for reveling in the darker aspects of the world, seemingly without much concern for the relevance of such things to the story itself.

Reader’s Advisory:

“Juniper & Thorn” can be found on these Goodreads lists: 2022 Gothic and 2022 Horror Novels written by women.

Book Club Review: “Payback’s A Witch”

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We are part of a group of librarian friends who have had an ongoing book club running for the last several years. Each “season” (we’re nerds) we pick a theme and each of us chooses a book within that theme for us all to read. Our current theme is “Romance”, in which we each picked a book that is a romance, or has elements that fit romance tropes to a T. For this blog, we will post a joint review of each book we read for book club. We’ll also post the next book coming up in book club. So feel free to read along with us or use our book selections and questions in your own book club!

Book: “Payback’s A Witch” by Lana Harper

Publishing Info: Berkley, October 2021

Where Did We Get This Book: The library!

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Romance Trope: Hometown Return

Book Description: Chilling Adventures of Sabrina meets The L Word in this fresh, sizzling rom-com by Lana Harper.

Emmy Harlow is a witch but not a very powerful one—in part because she hasn’t been home to the magical town of Thistle Grove in years. Her self-imposed exile has a lot to do with a complicated family history and a desire to forge her own way in the world, and only the very tiniest bit to do with Gareth Blackmoore, heir to the most powerful magical family in town and casual breaker of hearts and destroyer of dreams.

But when a spellcasting tournament that her family serves as arbiters for approaches, it turns out the pull of tradition (or the truly impressive parental guilt trip that comes with it) is strong enough to bring Emmy back. She’s determined to do her familial duty; spend some quality time with her best friend, Linden Thorn; and get back to her real life in Chicago.

On her first night home, Emmy runs into Talia Avramov—an all-around badass adept in the darker magical arts—who is fresh off a bad breakup . . . with Gareth Blackmoore. Talia had let herself be charmed, only to discover that Gareth was also seeing Linden—unbeknownst to either of them. And now she and Linden want revenge. Only one question stands: Is Emmy in? But most concerning of all: Why can’t she stop thinking about the terrifyingly competent, devastatingly gorgeous, wickedly charming Talia Avramov?

Kate’s Thoughts

I was the book club member to finish off our Romance cycle, and I knew exactly what I wanted us to read when we decided on the theme this time around. I had my eye on “Payback’s a Witch” by Lana Harper around the time it came out, so this was the perfect opportunity. I picked it because I kind of like the whole ‘return to your hometown and discover/rediscover love’ trope, and this one has that, but also Sapphic Witches! How could I NOT pick it?

And for the most part I enjoyed it! I thought that Harper built and created a pretty well done mythology and background for the town of Thistle Grove and the magical people who live there, with a clear history and some clear systems in place. I liked how that combined with the small town politics of low key feuding families as well, and how that enters into our main plot as Emmy returns home to find that her ex has been cheating on Linden, her childhood best friend, with Talia Avramov, her childhood semi-crush, and they decide to prevent him from winning the big tournament that determines the family power in town. It’s rudimentary but that’s fine, because it flows well and is enjoyable as it all plays out.

In terms of characters, I thought that Emmy was fine, but I REALLY loved Talia, her love interest. She checks all my boxes: she’s cool, she’s snarky, she has a heart of gold under a biting exterior, and her family is the family that is basically the necromancing communicators with the dead. I MEAN COME ON! Emmy and Talia have pretty okay chemistry (admittedly there isn’t that much sexytimes in this book, as one member was quite irked by), and while some of their stumbling blocks are a bit silly a little conflict makes a romance more high stakes. And besides, two witches falling in love is always going to get high marks from me.

I enjoyed “Payback’s a Witch” and I absolutely intend to continue in the series! BRING ON MORE AVRAMOVS, PLEASE!

Serena’s Thoughts

I can basically repeat all of Kate’s thoughts and opinions, only tone down the excitement one slot for me. It was still a fun read, but I knew going in that it probably wasn’t going to be totally for me. I think partly because I’m the exact opposite of Kate in my romance trope preferences, with the “home town returnee rediscovers their ex/crush” theme being one of my less favorites. I just have a hard time with all the glossed up nostalgia over home-towns. I haven’t lived in mine for over twenty years now, but I do go back every year. And while I love visiting and have happy memories of the place, I also have no qualms in saying that if I met any of my exes or crushes from when I lived there, I’m sure they would be totally different people, just like I am now.

That said, Talia was an awesome love interest, so regardless of the the trope itself, she worked well as a partner for Emmy. Like Kate, I very much enjoyed her more than Emmy. I had a hard time taking Emmy too seriously, honestly, as I felt her reactions to leaving and then coming home to be overblown. I mean, your highschool ex cheated, like ten years ago, move on! Gain some self-respect and perspective as an adult!

I did like what we got for the magical elements as well. This was a more fun take of the magical families battling than the battle royale that I fairly recently read in “All of Us Villains.” The various families and there different styles of magic was very “four houses of Hogwarts,” but so many things in fantasy are derivative of the bigger titles that that can hardly be a complaint.

Overall, this was a fun quick read. For me, the main character held that book back the most, but she was made up for by her love interest. I probably won’t continue with the series, but fans of fantasy romance, especially those looking for a saphic romance should definitely check this one out.

Kate’s Rating 8: Super fun, super witchy, super creative. I really enjoyed this book and man oh MAN is Talia just the best.

Serena’s Rating 7: Purely subjective rating as this wasn’t really my type of book to begin with, but Talia and the magical houses were definite bonuses.

Book Club Questions

  1. What did you think of the town of Thistle Grove? Did you think it was well conceived?
  2. What were your thoughts on the magical systems and mythology in this book?
  3. Emmy left Thistle Grove with little intention to return, but when she did she made connections with people and places. If you don’t live in your home town anymore, how do you think it would be to return?
  4. Did you like the relationship between Emmy and Talia? What did or didn’t work for you?
  5. The four magical families who run Thistle Grove all have distinct magical abilities and connections. Which family would you want to be a part of?
  6. Were there any characters you’d want to follow in future books in the series?

Reader’s Advisory

“Payback’s a Witch” is included on the Goodreads lists “Sapphic Witchy, Ghostly Books”, and “Popsugar 2022 #16: A Book About Witches”.

Kate’s Review: “From Below”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “From Below” by Darcy Coates

Publishing Info: Poisoned Pen Press

Where Did I Get This Book: I received access to an eARC via NetGalley from the publisher.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: No light. No air. No escape. Hundreds of feet beneath the ocean’s surface, a graveyard waits

Years ago, the SS Arcadia vanished without a trace during a routine voyage. Though a strange, garbled emergency message was broadcast, neither the ship nor any of its crew could be found. Sixty years later, its wreck has finally been discovered more than three hundred miles from its intended course…a silent graveyard deep beneath the ocean’s surface, eagerly waiting for the first sign of life. Cove and her dive team have been granted permission to explore the Arcadia’s rusting hull. Their purpose is straightforward: examine the wreck, film everything, and, if possible, uncover how and why the supposedly unsinkable ship vanished.

But the Arcadia has not yet had its fill of death, and something dark and hungry watches from below. With limited oxygen and the ship slowly closing in around them, Cove and her team will have to fight their way free of the unspeakable horror now desperate to claim them. Because once they’re trapped beneath the ocean’s waves, there’s no going back.

Review: Thank you to Poisoned Pen Press for sending me an eARC of this novel!

Minnesota may not be on any oceans, but we do have Lake Superior, which is so vast and unruly at times that it kind of acts like the sea. Hell, it’s big enough and has enough commercial traffic on it that there have been a fair amount of shipwrecks in its waters, so many that I have a framed poster in our den of the various wreckages on a map of the Great Lakes. I got that poster when I was a tween, so clearly shipwrecks have fascinated me for awhile (fun fact, on a day where the conditions are right, you can see a shipwreck in the waters at the Split Rock Lighthouse, north of Duluth. I ALWAYS try to see it when I go). I was thinking a lot about the shipwrecks in Superior as I read “From Below” by Darcy Coates. But I also knew that, while similar, the wrecks I was thinking of weren’t comparable. The biggest reason is the actual ocean has A LOT more secrets than ol’ gitchi-gami does just by it’s vast unknown depths. The other, more fiction based one is that this shipwreck has some supernatural nonsense going on.

This story is told in two timelines that slowly come together to reveal what happened on the S.S. Arcadia, a ship that disappeared during a voyage sixty years prior and whose wreckage was just discovered way off course. The first timeline is in the present, with a dive team that has been selected to go in and document the wreckage. The other is on that doomed voyage, following the crew and the passengers as things slowly start to go wrong and a strange, choking fog stalks the ship. Which is just the beginning. In the present we have leader Cove and her crew going into the wreckage and finding clues as to what went on…. and as things go from solemn to strange to terrifying, they don’t feel like they can stop because they need the money the dive will bring in. Both timelines build up the dread at a languid pace, tightening the tension bit by bit until things suddenly snap. It goes on a little long and extends a bit more than it needs to, but it has moments of high tension and horror. I enjoyed the present timeline more than the past one, but both use different elements to achieve some well done scares. In the past it’s a frenzy of paranoia and desperation for the crew and passengers as things spiral out of control, and in the modern time it’s a realization that there are things left in this ship that should not be there. Cove is the most interesting character of them all, as she is trying to be a good leader, but also knows that they all need the compensation. It’s a legitimate factor that kept me from wholly disbelieving their choices in staying on (there was another issue near the end that I didn’t buy, but that’s just another byproduct of it going on a little long, which is mostly forgivable).

But Coates doesn’t only rely on the supernatural side of things when it comes to the horror moments in this book. I mean sure, a long lost shipwreck with a mysterious disappearance, and then horrors within, are great themes for a horror novel, and themes I don’t see TOO often (though interestingly enough Serena and I reviewed a novel this year that had those exact themes but in space). And these themes work really well here. But it’s more the real life and realistic moments that had my pulse pounding. Coates goes into some really good detail about deep sea diving, and just how dangerous it is, and a lot of the suspense was built up around a slowly running supply of oxygen, as well as the very real threats of the bends and pressure damage should one try to ascend too quickly. And when you are exploring an underwater ghost ship and find really horrific things inside, how are you NOT going to suck through your oxygen, or try to speed out of there just a little too quickly? Ugh, that really was the stuff that set me on edge. And Coates did a great job of explaining all of it for a layperson so I understood some of the dangers when I may not have initially.

So it seems I may have to go back through Darcy Coates’s catalog to see what else she has written, as “From Below” was super entertaining and definitely freaky. I wasn’t exactly in a rush to go deep sea diving at any point in my life, but this just clinches it.

Rating 7: A claustrophobic and eerie (and at times a bit drawn out) tale of ghost ships and exploration, “From Below” will surely chill horror fans to the bone.

Reader’s Advisory:

“From Below” is included on the Goodreads list “Horror to Look Forward to in 2022”.