Tag: 7 Rating

Kate’s Review: “Bad Summer People”

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Book: “Bad Summer People” by Emma Rosenblum

Publishing Info: Flatiron Books, May 2023

Where Did I Get This Book: I received an eARC from the publisher via NetGalley.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: A whip-smart, propulsive debut about infidelity, backstabbing, and murderous intrigue, set against an exclusive summer haven on Fire Island. None of them would claim to be a particularly good person. But who among them is actually capable of murder?

Jen Weinstein and Lauren Parker rule the town of Salcombe, Fire Island every summer. They hold sway on the beach and the tennis court, and are adept at manipulating people to get what they want. Their husbands, Sam and Jason, have summered together on the island since childhood, despite lifelong grudges and numerous secrets. Their one single friend, Rachel Woolf, is looking to meet her match, whether he’s the tennis pro-or someone else’s husband. But even with plenty to gossip about, this season starts out as quietly as any other.

Until a body is discovered, face down off the side of the boardwalk.

Stylish, subversive and darkly comedic, this is a story of what’s lurking under the surface of picture-perfect lives in a place where everyone has something to hide.

Review: Thank you to Flatiron Books and NetGalley for sending me an eARC of this novel!

Summer is finally here, and for some people that means getting to the beach and reveling in the sand, sun, and surf. While my summer travels aren’t taking me to such a place, I do know a few people who may be going to Fire Island this summer, though more in the capacity that many people think of Fire Island. Honestly, before “Bad Summer People” by Emma Rosenblum ended up in my hands I, too, thought of Fire Island as predominantly a place for the LGBTQIA+ community to party hard. But apparently it’s also a spot where the wealthy and entitled elites also like to spend the summer months. And in this book, those wealthy and entitled elites might just end up murdered amongst all their secrets and lies. And you know what? SIGN ME UP TO READ ALL ABOUT IT!

The mystery is presented right away at the top of the book. A body is found in the sand in a posh Fire Island community called Salcombe. We don’t know who they are, we don’t know how they got there, and we immediately jump back to the start of summer and start to meet our cast of characters, all of whom could be victims or suspects based on the secrets, backstabbing, and resentment and malice that they all feel towards each other. I liked the set up of having different third person perspective chapters of the various players, as they all have unique insights into not only how the mystery is slowly going to come together, but also into their own parts to play in the overall question as to what happened. Like so many suds filled thrillers before it, we get twists, we get turns, some are revealed more deftly than others, and the red herrings and clues pile up at breakneck pace. You add in a bunch of poisonous people who we could either take or leave in terms of their survivability and it’s the kind of book that reads super fast and keeps the reader mostly engaged. It’s at times a little predictable, and at times it’s pretty familiar with it’s tropes and plot reveals, and that these reveals mean for the identity of the victim found at the top of the narrative.

And to be fair, this is definitely more focused on the interpersonal drama and backstabbing than it is the mystery. But that didn’t stop me from having a hell of a fun time whilst reading it. I love me soap opera drama nonsense, and “Bad Summer People” delivered a whole lot of it. We get into the minds of a number of people in Salcombe, from the nasty queen bees of the summer community to outsiders desperate to be insiders to more seasoned residents who are more removed from the dramatics, and they all have a nasty bite that reads like guilty pleasure fun. Whether it’s Lauren, the most popular mom in a dying marriage who starts to seek out attention elsewhere, or Jen, the well loved wife of the community’s golden boy who has some darkness she’s always hidden, or Robert, the new tennis instructor who is desperate to be a part of the wealthy elites, all of our characters are kind of assholes, but it’s really entertaining seeing them all spiral as the summer goes on. Sure, there’s the question of whose body is found on the beach at the start and how it got there, but that sometimes feels a bit incidental. Because of that this may not be the BEST fit for people who are in it for the thriller aspects of the mystery. But for people like me, who also love watching people be dicks to each other on the page, it’s a quick, breezy jaunt, and the perfect beach read.

“Bad Summer People” was lots of fun and would be a great book to take on a beachy trip this summer! Hopefully you won’t be getting into the shenanigans that these characters stumble into, however.

Rating 7: Sudsy and indulgent with some good twists and turns, “Bad Summer People” is a fun and wicked whodunnit that revels in its soap and drama.

Reader’s Advisory:

“Bad Summer People” is pretty new and not on many Goodreads lists right now, but it would definitely fit in on “Beachy Reads”.

Kate’s Review: “The Only Survivors”

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Book: “The Only Survivors” by Megan Miranda

Publishing Info: Scribner, April 2023

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: Seven hours in the past. Seven days in the present. Seven survivors remaining. Who would you save?

A decade ago, two vans filled with high school seniors on a school service trip crashed into a Tennessee ravine—a tragedy that claimed the lives of multiple classmates and teachers. The nine students who managed to escape the river that night were irrevocably changed. A year later, after one of the survivors dies by suicide on the anniversary of the crash, the rest of them make a pact: to come together each year to commemorate that terrible night.

To keep one another safe. To hold one another accountable. Or both.

Their annual meeting place, a house on the Outer Banks, has long been a refuge. But by the tenth anniversary, Cassidy Bent has worked to distance herself from the tragedy, and from the other survivors. She’s changed her mobile number. She’s blocked the others’ email addresses. This year, she is determined to finally break ties once and for all. But on the day of the reunion, she receives a text with an obituary attached: another survivor is gone. Now they are seven—and Cassidy finds herself hurling back toward the group, wild with grief—and suspicion.

Almost immediately, something feels off this year. Cassidy is the first to notice when Amaya, annual organizer, slips away, overwhelmed. This wouldn’t raise alarm except for the impending storm. Suddenly, they’re facing the threat of closed roads and surging waters…again. Then Amaya stops responding to her phone. After all they’ve been through, she wouldn’t willfully make them worry. Would she?

And—as they promised long ago—each survivor will do whatever he or she can do to save one another. Won’t they?

Review: Thank you to NetGalley for providing me with an eARC of this book!

It’s mid May, with Summer hurtling towards us ever faster, and I, for one, am looking forward to a couple travel moments coming up with the season and the reading opportunities that generally come with a vacation. I’m not sure I’ll be making it to a beach before Fall sets in (Lake Superior in Fall really is just the best), but I can at least dream of beach houses with friends and relaxation and maybe get my act together to make it happen. I was thinking about the joys of a beach house getaway as I read “The Only Survivors”, Megan Miranda’s newest thriller. While it’s true that a beach house vacation like this one, what with an uneasy group of people who trauma bonded after a terrible accident in high school, and who go to a beach house every year to commemorate the anniversary, isn’t ideal, the house did sound nice. And admittedly, a slow building thriller on a precarious beach in a familiar but uncomfortable house is a GREAT set up for a mystery. I’m also happy to revisit Megan Miranda, because she’s usually doing interesting things with her thrillers.

“The Only Survivors” has a pretty solid cast of characters, most notably Cassidy, our protagonist who has forced herself to attend the annual reunion of fellow high school tragedy survivors at a beach house on the Outer Banks. The reunion is always tense and tenuous, with the friends vis a vis a horrible traumatic event not totally willing to trust each other but also unable to blow it off completely. Cassidy is the one we get to know the best, as it is from her POV for the most part (outside of the flashback moments where each survivor gets a snippet perspective of what happened the night of the accident), and I did like getting into her head and slowly understanding her turmoil. The other characters were a bit of a mixed bag. I was genuinely intrigued by Grace, a therapist who is very serious and a bit removed, and Hollis, a wellness influencer who just seems put together on the outside, but there were others who were kind of broadly brushed. I was invested enough in all of them to be really curious as to what they are being to cagey about, and I thought that when we did get moments of their personas in the flashbacks that we got to see a bit more depth. Characters play such an important role in this kind of thriller that it’s important to make them engaging, and most of them were engaging enough.

In terms of the mystery itself, I thought that it had some well done elements and some elements we’ve seen before. Or at least I have, as I’ve been reading thrillers for so long I am sometimes more likely to be privy to the ins and outs of various reveals and twists. I really liked the slow burn reveal of what exactly it is these survivors are hiding, and what brings them all together each year over everything else in their lives, including significant life changes (it’s mentioned one character almost missed the birth of his child for this reunion one year, and the way I would have dumped his ass so hard, but I digress). I also liked that we slowly get the clues to what Cassidy and the others had to go through in the immediate aftermath of the accident, and how their situation went from dire to more dire to something that needed to be kept close to the vest, through flashbacks to the accident itself. On the other hand, I also was able to find myself a few steps ahead of a couple of the reveals and twists, and there was once again a last moments twist that I felt was a little ‘eh’, but I CAN say that it wasn’t the kind that felt unearned or out of nowhere. So in the end the mystery itself was pretty serviceable and altogether entertaining.

“The Only Survivors” is the kind of thriller that would be the perfect read for the beach this summer. I just hope that it’s the kind of beach vacation that is not with a group of people that you trauma bonded with, but with those that aren’t potentially going to spill some dark secrets.

Rating 7: Entertaining, suspenseful, “The Only Survivors” is a serviceable thriller that’s the perfect read for the beach.

Reader’s Advisory:

“The Only Survivors” is included on the Goodreads list “Mystery & Thriller 2023”.

Serena’s Review: “A Crown of Ivy and Glass”

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Book: “A Crown of Ivy and Glass” by Claire Legrand

Publishing Info: Sourcebooks Casablanca, May 2023

Where Did I Get this Book: ARC from the author!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Lady Gemma Ashbourne seemingly has it all. She’s young, gorgeous, and rich. Her family was Anointed by the gods, blessed with incredible abilities. But underneath her glittering façade, Gemma is deeply sad. Years ago, her sister Mara was taken to the Middlemist to guard against treacherous magic. Her mother abandoned the family. Her father and eldest sister, Farrin—embroiled in a deadly blood feud with the mysterious Bask family—often forget Gemma exists.

Worst of all, Gemma is the only Ashbourne to possess no magic. Instead, her body fights it like poison. Constantly ill, aching with loneliness, Gemma craves love and yearns to belong.

Then she meets the devastatingly handsome Talan d’Astier. His family destroyed themselves, seduced by a demon, and Talan, the only survivor, is determined to redeem their honor. Intrigued and enchanted, Gemma proposes a bargain: She’ll help Talan navigate high society if he helps her destroy the Basks. According to popular legend, a demon called The Man With the Three-Eyed Crown is behind the families’ blood feud—slay the demon, end the feud.

But attacks on the Middlemist are increasing. The plot against the Basks quickly spirals out of control. And something immense and terrifying is awakening in Gemma, drawing her inexorably toward Talan and an all-consuming passion that could destroy her—or show her the true strength of her power at last.

Review: First off, thanks so much to Sourcebooks Casablanca for sending me an ARC of this book! I was so excited when I received it in the mail, as it’s been sitting pretty high on my wishlist of books to read in 2023. I wasn’t Legrand’s most ardent fan with her YA trilogy (I found that it began to fall into a few too many YA fantasy tropes for my preference), but there was never any question regarding her overall skill as an author. Her writing always came across as supremely confident and competent. That made me all the more excited to check out her first foray into adult fantasy, especially adult fantasy romance! Let’s dive in!

Gemma has grown up with a very priveleged existence: rich, beautiful, and a member of one of the most powerful families in the land. But, at the same time, Gemma has always felt herself to be on the outside looking in. Not only does she not possess any of the magical talent that her family is known for, and that both of her older sisters excel at in their own ways, but magic actively hurts Gemma, causing her to move through life in a very magical world experiencing constant levels of pain. When Gemma meets Talan, a young man who also feels that he exists outside the strictures of society, she finally begins to see a way forward, teaming up with him to hunt a powerful demon who may be the answer to her struggles with magic. But along the way, she begins to suspect that there is much more going on with Talan and the larger world as a whole.

So, I’ll be honest, I’ve had this post started for a few weeks now and every time I pull it up to actually write my review, I become super intimidated and find excuses to do other things. Mostly this is because I’m still not quite sure how I feel about this book! I have some extremely opposing feelings about almost every part of it. But one thing I think I can confidently start with is one of the things I referred to in my introduction: this author knows how to write. I immediately felt drawn into this world and these characters. As the story progressed, the magic and world itself felt as if it was unrolling before me, presenting more and more insights into the world-building that was on a much more grandiose scale than I had originally thought. Regardless of anything else in this review, the appeal of Legrand’s prose is enough to keep me reading this trilogy going forward.

But where my opinions become more divided is with the characters and the pacing of this story. Let’s start with the pacing and plotting. This book was blurbed as “Bridgerton meets ACOTAR.” Maybe I should have know right from there that I would be conflicted about this book! I mean, I really enjoy Bridgerton and I absolutely loathe ACOTAR. And I can confirm that both of those references feel very on point and accurate to what you’ll get if you pick up this book. I’ll even go as far as to say that the ACOTAR aspects were by no means as frustrating to me as ACOTAR itself. Indeed, I very much liked these parts of the story! No, the problem came in a very unique way. The book almost literally feels as if it has been split down the middle by these two comparisons. The first half is Bridgerton, with fantastical balls, social hierarchies, fancy gowns, and romance. And then, boom! The second half hits and we’re full on ACOTAR with magical barriers and fantasy creatures and magical systems. And, again, I enjoyed this half too! The problem is that, overall, it left the book feeling very disjointed and created a jarring reading experience. I was all down for the regency fantasy, and then it was like a bait and switch to suddenly be dropped down into a much more “traditional” fantasy setting. And due to the fact that much of the plot really takes place in the second half, I was left feeling as if the book could have been edited down quite a bit from the Bridgerton stuff of the beginning, as much as I liked it on its own.

Now, to the characters. First, I think that Legrand did an excellent job of portraying the experiences and life of someone who lives with chronic pain. Gemma is very straight-forward with her struggles while also never becoming self-pitying. She is frustrated with her limitations, while also not belittling herself. I also really like the way this aspect of her character plays out over the entire arc of the book. Unfortunately, that was about all I liked about Gemma. I get that the author was very intentionally writing this character as rather frivolous and selfish; indeed, Gemma herself comments on these aspects of her personality. And I think the book used these traits to also do a great job of diving into self-loathing and self-harm. But over the course of the book, while Gemma does experience growth, I still struggled to really like her or feel invested in her story.

But, here comes the other side of the character issue: I REALLY liked both of her sisters. Honestly, fairly quickly into the book I realized that I was mostly reading on for the glimpses we get of these two and trying to piece together the stories we’ll get from them. I was even more invested into the glimpses of what I can only guess will be the central romance for one of the sisters than I was in Gemma’s own romance. There, too, I struggled with Gemma’s story. Talan felt very one-note when he was first introduced. And then as he went on, he had a few scenes that made him incredibly unlikable. The story does go on to make this a fairly central part of the plot, but it’s hard to recover from on the romance front when the author sets the reader on a path of questioning and disliking the romantic hero from the very start.

So, overall, this was a very mixed bag for me. I think, in the end, I didn’t end up loving this book. But, BUT!, on the other hand, I’m supremely invested in the next book in this series and can’t wait to get my hands on it! Given the nature of my complaints with this book, they all feel of the very specific sort that won’t be a problem in the books going forward. Both sisters seem like much more interesting characters than Gemma. The romantic interest/plot for one of them is already laid out and is incredibly appealing. And I think the world-building is now established enough that we won’t have the same plotting/pacing issue going forward where the tone is unclear between Bridgerton or ACOTAR. So, all of this to say, while I did struggle with this book, I do recommend it for fantasy romance readers based on my faith that the trilogy will turn out to be well worth it as a whole.

Rating 7: A very mixed bag for this book specifically, but I was definitely sold on the concept and anxiously await the next entry in the trilogy!

Reader’s Advisory:

“A Crown of Ivy and Glass” can be found on these Goodreads lists: Novels with “Crown” in the Title and Epic High Fantasy/Romance/Mythology in 2023.

Kate’s Review: “We Don’t Swim Here”

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Book: “We Don’t Swim Here” by Vincent Tirado

Publishing Info: Sourcebooks Fire, May 2023

Where Did I Get This Book: I received an ARC from the publisher.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: She is the reason no one goes in the water. And she will make them pay. A chilling new novel for fans of Tiffany D. Jackson, Lamar Giles, and Ryan Douglass.

From the author of BURN DOWN, RISE UP comes a chilling novel told through alternating voices that follows two cousins as they unravel their town’s sinister past, their family’s complicated history, and the terrifying spirit that holds their future captive.

Bronwyn is only supposed to be in rural Hillwoods for a year. Her grandmother is in hospice, and her father needs to get her affairs in order. And they’re all meant to make some final memories together. Except Bronwyn is miserable. Her grandmother is dying, everyone is standoffish, and she can’t even go swimming. All she hears are warnings about going in the water, despite a gorgeous lake. And a pool at the abandoned rec center. And another in the high school basement.

Anais tries her hardest to protect Bronwyn from the shadows of Hillwoods. She follows her own rituals to avoid any unnecessary attention—and if she can just get Bronwyn to stop asking questions, she can protect her too. The less Bronwyn pays attention to Hillwoods, the less Hillwoods will pay attention to Bronwyn. She doesn’t get that the lore is, well, truth. History. Pain. The living aren’t the only ones who seek retribution when they’re wronged. But when Bronwyn does more exploring than she should, they are both in for danger they couldn’t expect.

Review: Thank you to Sourcebooks Fire for sending me an ARC of this novel!

I read “Burn Down, Rise Up” by Vincent Tirado last year, and then I had the pleasure of seeing them speak at ALA Annual last summer. Given that I liked “Burn Down, Rise Up” well enough and really enjoyed their talk on their panel, I was very happy when I was sent “We Don’t Swim Here”, Tirado’s newest YA horror novel that has a small town with secrets premise combined with a healthy fear of water due to a supernatural force. My love for urban legend horror knows no bounds, so I was very excited to read this one. After all, summer is right around the corner and I intend to spend a lot of time at the pool this year, so why not freak myself out about swimming in anticipation?

The most interesting aspect of this book to me was that way that Tirado explores the way that true tragedy can turn into community lore and mythos. Hillwoods is a small town that has what appear to be superstitions and rituals that are in place to appease a supernatural force, the biggest being that swimming isn’t allowed due to a vengeful spirit. But as Bronwyn explores this and pushes against this superstition as an ‘outsider’, the story starts to come to light of what actually happened and how actual historical fact can be twisted and inflated into something else. I don’t want to give anything away as I think that the reveals are worth concealing, but given that many urban legends and local lore probably have some basis in fact, I quite enjoyed the way that Tirado explores that in this book. I also liked the way that they addressed the realities of racism and oppression in a small town community, especially when there are few people of color living there, and how that has manifested over the years in American history.

In terms of the characters and the mystery itself, I thought that Bronwyn and Anais are pretty enjoyable perspectives to follow. They are fairly typical teenagers, and I liked the alternating chapters that shed insight into what it was like for an outsider as well as someone who had lived in the community all her life. That said, I didn’t think that either Bronwyn or Anais were super fleshed out or explored to the degree I would have liked, and their conflicts with each other felt a bit repetitive with Bronwyn seeking answers and Anais refusing to provide any, again and again. There were also a number of references to the various rituals and superstitions of the town that were mentioned in passing, but not really expanded upon. There just felt like there was a lot of potential that didn’t quite get met for me, and while the main thread was entertaining and interesting, there were multiple smaller threads that didn’t really wrap up in satisfying ways.

“We Don’t Swim Here” had enough connections to real life issues and metaphors that the strengths outweigh the weaknesses. I will be very curious to see if Tirado ever goes back to this story with the other rituals and superstitions that were left unanswered. Regardless, YA horror fans should probably check this out.

Rating 7: A horror tale about the crimes of the past and the way that tragedy can be passed down into lore, “We Don’t Swim Here” is entertaining young adult horror, though I would have liked a little more character exploration.

Reader’s Advisory:

“We Don’t Swim Here” is included on the Goodreads list “Latinx Books Releasing in 2023”.

Serena’s Review: “Silver in the Bone”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Silver in the Bone” by Alexandra Bracken

Publishing Info: Knopf Books for Young Readers, April 2023

Where Did I Get this Book: Netgalley!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Tamsin Lark didn’t ask to be a Hollower. As a mortal with no magical talent, she was never meant to break into ancient crypts, or compete with sorceresses and Cunningfolk for the treasures inside. But after her thieving foster father disappeared without so much as a goodbye, it was the only way to keep herself—and her brother, Cabell—alive.

Ten years later, rumors are swirling that her guardian vanished with a powerful ring from Arthurian legend. A run-in with her rival Emrys ignites Tamsin’s hope that the ring could free Cabell from a curse that threatens both of them. But they aren’t the only ones who covet the ring.

As word spreads, greedy Hollowers start circling, and many would kill to have it for themselves. While Emrys is the last person Tamsin would choose to partner with, she needs all the help she can get to edge out her competitors in the race for the ring. Together, they dive headfirst into a vipers’ nest of dark magic, exposing a deadly secret with the power to awaken ghosts of the past and shatter her last hope of saving her brother. . . .

Review: Here I am, still getting sucked in by the covers with hands holding up swords. Not to say that I was swindled by this book, just that I’m a sucker for marketing, even when that marketing is starting to reach max capacity, I’d imagine. However, with this books focus on Arthurian legend, which, of course, heavily features a fabled sword, I guess I can give this one a pass on not just cashing in on the trends. But enough about that, let’s get into the review!

While devoid of any magic herself, Tamsin has grown up in the world of Hollowers, those adventurers who seek out and raids the highly warded crypts of ancient sorceresses. But after she and her brother were abandoned by the Hollower who raised them, she’s had to forge a life for herself however she can. And while participating in a dangerous world that she can only halfway understand would be more than most would choose, Tamsin has another goal: saving her brother who is struggling with an ever more debilitating curse. So when gets wind of an incredibly rare relic that could be the answer to her brother’s curse, Tamsin will do anything to claim it for herself, even going so far as teaming up with the boy who has been her rival for as long as she can remember.

First of all, I want to note how surprised I was to find that this was a contemporary YA fantasy story. I mean, I guess there were no clear indications one way or another, but that cover image sure does look “second world” fantasy to me! The average modern teen isn’t walking around with delicate, silver hand bracelets like that, that’s for sure. So I was fairly taken aback to start this novel and be immediately confronted with cell phones, cars, and the like. I do wish the marketing (either the cover or the book description) had made this more clear, as I had to work hard at the beginning of this read to recalibrate my expectations. It wasn’t an obvious attempt at misrepresenting a book, but I do think the overall affect obfuscates the kind of story readers are actually getting.

Preferences, of course, always lead my to picking up the “second world” fantasy over a contemporary story, so on one hand, I was glad that this book essentially forced my hand into something I wouldn’t typically read. And, overall, I do think it was a fun read. The book is absolutely brimming with new ideas and magical concepts, many of which I thought were very original and intriguing. However, the sheer number of fantastical elements also began to overlap one another in ways that I think began to confuse the issue. I was never quite clear on the history of the sorceresses, or some of the basic details about how their crypts were set up. I think it was meant to read as a combination of something like the tomb raiders of Egyptian burial sites and Arthurian legends. But as I read, I became more and more distracted by some of the details. Just how many of these sorceresses were there? How did they all manage to create these elaborate, curse-riddled hiding places before their deaths? How is there still such a thriving “business” in the raiding of these places? And on top of these questions, there were the curses themselves, the magical items, the potions, the portals. It was just a lot. So, while there was never a lack of ideas, I do think that the story could have used a good polish. A few fewer ideas that were more developed and fleshed out would have been preferred to the overwhelming number of ideas, all of which were very loosely explained.

I did like Tamsin as a character, especially in the first part of the book. I thought her history, her relationship with her brother, and the cobbled together life that she had built for them was interesting and full of nuance. She’s clearly not a perfect character, trying to hold together her small family through sheer force of will, sometimes to the extent that it’s clear she doesn’t fully understand those she loves most. I also really liked the idea that she operated in a magical world that she, being nonmagical herself, couldn’t fully see or experience. Unfortunately, the book chooses to “solve” this problem for her fairly early on, and I thought this was a big turning point to the negative for me. I would have vastly preferred to read a book that held true to that original premise rather than setting up this entire concept only to “magic potion” (quite literally) the entire problem away.

However, I did enjoy the reading experience itself. While I had questions about some of the fantasy elements and was disappointed by the character turn for Tamsin, I thought the pacing and plotting was very solid. It was a fun, fast read, and I think it will appeal to a lot of YA fantasy fans, especially those who like contemporary fantasy. I liked the way the Arthurian elements were woven throughout the book, and I thought for a topic that is very, veeeery well-covered, this book did a good job of standing out from a very crowded room.

Rating 7: Perhaps suffering from a case of a few too many ideas, this book still stands out as a fun, unique contemporary fantasy story that tackles the Arthurian legend in an interesting way.

Reader’s Advisory:

“Silver in the Bone” is on this (and others like it) Goodreads list: YA Releases April 2023.

Book Club Review: “Great or Nothing”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

We are part of a group of librarian friends who have had an ongoing book club running for the last several years. Each “season” (we’re nerds) we pick a theme and each of us chooses a book within that theme for us all to read. Our current theme is retellings and re-imaginings.  For this blog, we will post a joint review of each book we read for book club. We’ll also post the next book coming up in book club. So feel free to read along with us or use our book selections and questions in your own book club!

Book: “Great or Nothing” by Joy McCullough, Caroline Tung Richmond, Tess Sharpe, & Jessica Spotswood

Publishing Info: Delacorte, March 2022

Where Did We Get This Book: The library!

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Retelling/Re-imagining: “Little Women”

Book Description: A reimagining of Little Women set in the spring of 1942, when the United States is suddenly embroiled in the second World War, this story, told from each March sister’s point of view, is one of grief, love, and self-discovery.

In the spring of 1942, the United States is reeling from the attack on Pearl Harbor. While the US starts sending troops to the front, the March family of Concord, Massachusetts grieves their own enormous loss: the death of their daughter, Beth.

Under the strain of their grief, Beth’s remaining sisters fracture, each going their own way with Jo nursing her wounds and building planes in Boston, Meg holding down the home front with Marmee, and Amy living a secret life as a Red Cross volunteer in London–the same city where one Mr. Theodore Laurence is stationed as an army pilot.

Each March sister’s point of view is written by a separate author, three in prose and Beth’s in verse, still holding the family together from beyond the grave. Woven together, these threads tell a story of finding one’s way in a world undergoing catastrophic change.

Kate’s Thoughts

I’m someone who has what is probably an average relationship with the book “Little Women”. I read it once a long time ago, I really like the 1994 film with Winona Ryder, and when I was working at a historic Victorian house I was one of the people who would lead a “Little Women” themed Christmas tour. I’m not super wedded to the book like I am “Anne of Green Gables”, but I like it enough. When I saw that Book Club was going to take on a “Little Women” re-imagining that takes place during World War II, it struck me as a perfect time period to revisit this story of sisters growing up during war time and learning hard life lessons while also finding their places in the world. And I was happy to see that I was right.

“Great or Nothing” is written in four different perspectives from four different authors, one for each March sister. The story plunks us midway through the original tale, with Beth already dead and Jo, Meg, and Amy separated and feeling the distance (especially since they all left on a sour note between the three of them). The surviving sisters take on roles that women could have during WWII that perfectly fit each of them. We have Meg at the home front doing fundraising, planting victory gardens, and teaching children. We have Jo working in a plane factory, doing a whole Rosie the Riveter thing. And we have Amy in London volunteering for the Red Cross, and meeting up with Laurie who is fighting in Europe. Beth also has a perspective, with poetry being used because she’s dead, I guess? Regardless, I really felt like all of these settings were perfect for the various sisters, and I mostly liked how all of the sisters felt like their core characters set in a new time. I think that my favorite was Meg’s, as the home front has always fascinated me with war bonds, fund raising, and advocacy, but I did like Jo’s story of working in a factory and finding romance with a lady war reporter named Charlie (as a true Professor Bhaer fan, I loved how they brought this relationship into this story with a queer twist). That said, I did find it a little bit of a bummer that we were at a point in the story where Meg, Jo, and Amy weren’t really interacting with each other, as that is part of the charm of the original story for me. It seemed like an odd choice, but at the same time since it was four different authors writing each sister, I suppose that makes some sense so as not to step on each other’s toes.

“Great or Nothing” is a really well thought out re-imagining of a classic tale, with a nice blending of voices from different authors to give Meg, Jo, Beth, and Amy March interesting stories in the 20th century.

Serena’s Thoughts

I’m probably similar to Kate in my devotion levels to the original “Little Women.” Enjoyed the book, liked the 90s version of the movie well enough, really liked the recent one that was released a few years ago. But, like Kate, I don’t have any strong emotions attached to it, which in many ways makes it the perfect book for a retelling! If you’re not a devoted fan, you won’t get as mad at changes!

Anyways, the first thing that stood out to me was how much I liked the change in time period. There are a million and one WWII books out there, but this story really took a unique angle at exploring all of the very different ways that women contributed to the war front, both at home and abroad. Not only did this give the reader a wide range of angles on this particular time of history, but all of these choices also worked perfectly with the characters themselves. I was also very impressed with how well the different writing styles of all of the authors worked together. Perhaps….too impressed? If I hadn’t know that this was authored by four different people, I’m not sure I would have guessed, and I’m not sure that’s really for the best. Obviously, cohesion on this sort of project is key, but I also think you lose something from the original goal if every author’s voice is paired down to the point that they’re indistinguishable from each other.

As for the story, I thought it did a good job of hitting the major plot points that fans will look for. That said, I didn’t necessarily enjoy many of these chapters. While I liked the look at the types of work that Meg and Jo were doing, their personal arcs I found more frustrating. Honestly, if I had to hear one more time about the big fight they all got into, I think I would have screamed. In this way, I felt like this book really missed the mark on the overall theme of “Little Women.” Yes, the sisters have their quarrels, but the primary heart of the story is built around the deep bonds they all share. So for this book to spend the vast majority of its time with each sister endlessly reflecting on their broken ties…it just felt like a bummer and a let down of the original premise. This being the case, Amy’s story rose to the top for me as the only one that felt as it had any real action or stakes involved. I enjoyed getting to see her and Teddy’s romance play out more in real-time as well, rather than the off-page romance we get in the original.

Overall, I felt like this book was ok. I didn’t love anything it was doing, but I also didn’t hate any of it. I think Meg and Jo both could have been done better by, but I really enjoyed Beth’s poetry sections and Amy’s plot line. Fans of the original looking for a unique take will likely enjoy this, however.

Kate’s Rating 8: A great new setting for a classic tale of sisters growing up and finding themselves, “Great or Nothing” is a successful “Little Women” retelling.

Serena’s Rating 7: An interesting reimaging with an excellent use of shifting the historical setting, but it still somehow feels as if it misses the mark on the heart of the original story.

Book Club Questions

  1. What did you think of the time period in this retelling? Do you think that World War II fit in with the “Little Women” story?
  2. Each of the March sisters was written by a different author. Did you like any sister more than the others?
  3. Did the Beth sections with the poetry work for you as you were reading? Would you have preferred to see another character’s perspective over Beth’s, like Laurie, or Marmee?
  4. Which of the sister’s plots would you like to be in? The homefront? A factory? Acting as a Red Cross volunteer overseas? Something else?
  5. What is your experience with the original “Little Women” story?

Reader’s Advisory

“Great or Nothing” is included on the Goodreads lists “Book Riot 2022 #21: Read a Queer Retelling of a Classic of the Canon, Fairytale, Folklore, or Myth”, and “YA & Middle Grade Retellings of “Little Women””.

Next Book Club Pick: “The Raven and the Reindeer” by T. Kingfisher

Serena’s Review: “She Who Rides the Storm”

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Book: “She Who Rides the Storm” by Caitlin Sangster

Publishing Info: Margaret K. McElderry Books, September 2021

Where Did I Get this Book: Edelweiss+!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Long ago, shapeshifting monsters ruled the Commonwealth using blasphemous magic that fed on the souls of their subjects. Now, hundreds of years later, a new tomb has been uncovered, and despite the legends that disturbing a shapeshifter’s final resting place will wake them once again, the Warlord is determined to dig it up.

But it isn’t just the Warlord who means to brave the traps and pitfalls guarding the crypt.

A healer obsessed with tracking down the man who murdered her twin brother.

A runaway member of the Warlord’s Devoted order, haunted by his sister’s ghost.

A snotty archaeologist bent on finding the cure to his magical wasting disease.

A girl desperate to escape the cloistered life she didn’t choose.

All four are out to steal the same cursed sword rumored to be at the very bottom of the tomb. But of course, some treasures should never see the light of day, and some secrets are best left buried…

Review: Honesty time: this book has been languishing on my Edelweiss+ TBR pile for quite some time. Mostly it’s just because I’ve been intimidated by the length and never felt confident that I really had the time to slot this one in. But then I strayed across the sequel that is coming out next month, and I knew that if there was ever a time to make this one happen, now what that time! So let’s dive in to this beast of a book!

History does and will repeat, even in the most diligent of societies. So it is in the Commonwealth where once terrible shapeshifters plagued the land with their disturbing magic that fed on souls. And now when a tomb of one of the most powerful of these shapeshifters is discovered, one would think it would be wise to leave it alone. But the Warlord is determined to dig up the past, and so an unwise venture begins. However, four others are determined to gain the treasure rumored to be hidden in the tomb for themselves, each with their own motives and means.

So, as I mentioned above, this book is definitely living up to the “epic fantasy” standard, coming in at a whopping 608 pages. Now, this can often go two ways. Either that page count is necessary and utilized to its full extent to create a vivid, complicated, lived-in world. Or…it can be squandered and leave the reader slogging through pages of exposition. I’m please to say that this is definitely the former. It is slow moving, however, and takes its time showing its hand. This isn’t a criticism, per se, but a warning to readers who make like a faster plot. The book simply begins, plopping readers down in the midst of this world and only revealing facts about it as they come up naturally in this story. As we have four characters’ POVs to get through, the reader really has to be ready to sit back and let these details slip through slowly.

I also liked all four of our main characters. They all had distinct-sounding voices and very different ways of looking at the world. I particularly enjoyed when we jumped from one character’s perspective directly to another’s and seeing how they interpreted the same event in completely different ways. They weren’t all likeable all the time either, making each feel like fully developed individuals. That being the case, however, I also felt a bit detached from them all at times, as well as frustrated. As a reader, we are primed to expect certain things and to look for certain narrative cues. That being the case, it’s hard to not want to shout at characters when they make decisions that we, the reader, know are going to end up going badly! But I will say, to this book’s credit, at least these bad choices made sense based on each character’s priorities and approach to life and were generally coming from a place of wanting to do good, as frustrating as it was to read at times.

This book also ends with a bang. For all that it can be a bit of a slower read (and those 600 pages are no joke), it did manage to keep up a pretty steady pace throughout and then ratchet up right at the end. Indeed, there were several twists and turns that came right at the end that I definitely wasn’t expecting. And this is one of those situations where my delay in reading this has paid off as I now get to go straight into the second one. I’d say this book is probably a good choice for those fantasy fans who enjoy large amounts of world-building, but the heist plot itself was definitely more of a back-burner element than the description implied.

Rating 7: A solid fantasy novel that manages to balance its four characters and sprawling world deftly, though it’s long page count and slower plot could prove challenging for some readers.

Reader’s Advisory:

“She Who Rides the Storm” isn’t on any Goodreads lists, but it should be on Archeology in Science Fiction and Fantasy.

Book Club Review: “The Witch’s Heart”

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We are part of a group of librarian friends who have had an ongoing book club running for the last several years. Each “season” (we’re nerds) we pick a theme and each of us chooses a book within that theme for us all to read. Our current theme is retellings and re-imaginings.  For this blog, we will post a joint review of each book we read for book club. We’ll also post the next book coming up in book club. So feel free to read along with us or use our book selections and questions in your own book club!

Book: “The Witch’s Heart” by Genevieve Gornichec

Publishing Info: Ace Books, February 2021

Where Did We Get This Book: The library!

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Retelling/Re-imagining: Norse Mythology

Book Description: Angrboda’s story begins where most witches’ tales end: with a burning. A punishment from Odin for refusing to provide him with knowledge of the future, the fire leaves Angrboda injured and powerless, and she flees into the farthest reaches of a remote forest. There she is found by a man who reveals himself to be Loki, and her initial distrust of him transforms into a deep and abiding love.

Their union produces three unusual children, each with a secret destiny, who Angrboda is keen to raise at the edge of the world, safely hidden from Odin’s all-seeing eye. But as Angrboda slowly recovers her prophetic powers, she learns that her blissful life—and possibly all of existence—is in danger.

With help from the fierce huntress Skadi, with whom she shares a growing bond, Angrboda must choose whether she’ll accept the fate that she’s foreseen for her beloved family…or rise to remake their future. From the most ancient of tales this novel forges a story of love, loss, and hope for the modern age.

Kate’s Thoughts

While I have a pretty extensive knowledge of Greek Mythology thanks to an obsession with it in grade school, Norse Mythology is pretty outside of my wheelhouse. I know some of the basic things, and have a general working knowledge of the various Gods and the whole concept of Ragnorak, but it’s sparse when compared to other people I’d imagine. So I was going into “The Witch’s Heart” without much idea of what to expect when it came to our protagonist Angrboda, the witch who eventually gave birth to Loki’s monster children who help usher in the apocalypse myth. But that just made me game to give it a shot, especially since it was getting the “Circe” treatment and retelling a story with a character who doesn’t have as much to do in the original myths. And for the most part, I enjoyed “The Witch’s Heart”, but that may be because I had few expetations.

For one thing, I really liked the emotional exploration of Angrboda as a woman used by powerful men, as well as the emotional exploration of her as a mother to her children, as atypical as they may be. And by atypical I mean a half corpse daughter, a wolf, and a serpent. But I really got a sense of her love for all of them and the way that she was desperate to protect them, while also falling for Loki no matter how dysfunctional that relationship was. The way she was written to me made me believe it, even though sometimes I wanted to shake her and be like ‘SERIOUSLY, THIS GUY?’ (so does her huntress friend Skadi, a character that I also found intriguing though I think I needed more of her. Also, damn you Tom Hiddleston for making Loki so damn likable, because this version, while more true to the myth, was a punk). The relatable emotional bits were what really kept me engaged, as I was deeply invested in her relationship with her kids event though I did know that it would all end in tears because of the myths they are based upon. That being said, I also thought that there were bits where it kind of dragged after abrupt tone shifts that didn’t work as well for me. I was far more interested in her being a mother in the forest as opposed to the end of world action that was inevitably going to take place.

Ultimately I was entertained by “The Witch’s Heart”. I’m still into these outside the box retellings of mythological women, and would love to see more that push beyond the obvious Greek stories, so that made this one all the more enjoyable.

Serena’s Thoughts

I’m fairly familiar with Norse mythology. Not an expert, by any means, but I already knew the story being retold here fairly well, as well as the major players involved. That was both a plus and a minus as far as my reading experience goes. Like Kate, I’m really enjoying this current surge of books being published that reimagine or create stories for lesser known characters, often women, from mythology. I also really like the fact that we are venturing beyond the much more popular Greek pantheon.

Angrboda was almost a perfect character for this sort of retelling. She doesn’t have much as far as the original lore, so there was a lot of room to portray her story. And somehow I think the author both did too much and too little. On one hand, the story was very faithful to the major plot points of the Norse story from which it is derived. But almost too much? I would have liked a few more creative interpretations brought in. Also, like Kate said, I think Angrboda’s character was given some interesting themes to cover, especially with regards to her relationship to her children and to her unhealthy relationship with her husband, Loki. But on the other hand, I felt like she was a bit more passive of a character than I would have expected or hoped for from a woman who has birthed literal monsters!

I also agree with Kate that the pacing of this book felt a bit off. The first half is fairly slow with a lot of time spent with Angrboda hanging out in a cave in the woods. The storytelling was also interrupted by lots of banter from Loki. Which, on one hand, I liked a lot of the dialogue, but I also felt like there were times where the author got rather self-indulgent with it. And then there’s a massive tonal shift in the second half where we’re fulling into the world-shifting dramatics.

Overall, I felt like this book was a bit all over the place. Are my expectations unreasonably high from “Circe?” Probably. But was this the best that could have been done with this story or these characters? I don’t think so.

Kate’s Rating 7: A retelling of a source material I have not so much knowledge of that kept my attention and had some emotional moments, though also some dragging ones.

Serena’s Rating 7: A bit uneven in pacing as well as characterization, but something that will likely appeal to readers who are looking for a different pantheon to explore in their mythological retellings.

Book Club Questions

  1. How familiar are you with Norse Mythology? Could you predict how things were going to go based how much you knew about it?
  2. What did you think of Angrboda as a protagonist? What did you like or dislike about her?
  3. What did you think about Angrboda’s relationships in this story, whether it was Loki, Skadi, or her children?
  4. Did you have any thoughts on how Loki was presented and interpreted in this novel?
  5. There have been a lot of marketing comparisons between this book and Madeline Miller’s “Circe”. What did you think of this marketing choice?
  6. The parts of this book were separated out in very deliberate chunks of time and very deliberate themes. Did you have a part you liked the best?

Reader’s Advisory

“The Witch’s Heart” is included on the Goodreads lists “Hot Girl Mythology Books”, and “Loki: God of Mischief”.

Next Book Club Pick: “Great or Nothing” by Joy McCullough, Caroline Tung Richmond, Tess Sharpe, and Jessica Spotswood

Serena’s Review: “Swift the Storm, Fierce the Flame”

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Book: “Swift the Storm, Fierce the Flame” by Meg Long

Publishing Info: Wednesday Books, January 2024

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: After a mission gone awry two years ago, Remy Castell has been desperately searching across worlds to find the friend she failed to save—the friend who changed her life by helping her overcome the brainwashing she was subjected to as a genetically engineered corporate agent.

Since then, she’s been chasing the only lead she has: fellow genopath Kiran Lore, the same secretive ex-squadmate who left her for dead when she compromised that mission. She nearly caught up to him on Tundar before joining the infamous sled race alongside outcast Sena and her wolf companion Iska. Now, all three of them have tracked Kiran back to Maraas, the jungle planet where Remy lost everything. But nothing on Maraas is how it was two years ago. Syndicates and scavvers alike are now trying to overthrow a megalomaniac corpo director, which Remy wants nothing to do with; fighting against corpos is as useless as trying to stay dry in the middle of the giant hellstorm that encircles the planet. But the storm—and the rebellion—are growing stronger by the minute.

When Remy finds Kiran, he doesn’t run away like she expects. Instead, he offers her a deal: help with the revolution and he’ll reunite her with her friend. But can she really trust the boy who betrayed her once before? With the entire planet on the edge of all-out war, Remy will have to decide just how far she’s willing to go to save one girl before the impending storm drowns them all.

Previously Reviewed: “Cold the Night, Fast the Wolves”

Review: I really liked “Cold the Night, Fast the Wolves” when I read it last January. Not only is January the perfect time to hole up inside next to a fire and read about someone else suffering the elements, but who can say no to a book that has a central relationship between a girl and her half-feral wolf? No one, that’s who. That book also introduced us to Remy, a side character who we learn is on the run from the corporation that made her. So I was thrilled when I saw that the author was releasing a companion novel that would focus on Remy’s story.

Remy has been on the run for two years after her ex-squadmate betrayed her and cost her everything she held dear. While running from the corporation that created her, she’s traced her away across the universe to hunt down the man who destroyed the fragile sense of self she had been building. Now, with her friend Sena and Sena’s wolf companion Iska alongside, Remy returns to the planet where it all began. But what she finds is a world transformed from the one she left behind. Still, in the midst of ongoing political and social strife, Remy is hopeful she can finally put her past to rest.

I won’t beat around the bush: I didn’t enjoy this book nearly as much as the first. Which was really too bad. But I can still see the bones of a good book and the strength of the writing that drew me to the first novel. The author is clearly skilled at creating interesting, alternative world environments, complete with their own weather systems, creatures, and societies. This one was just as interesting as the first. Whereas before we explored a brutal tundra world, here we dive into the sticky, hot, humidity of a jungle planet. Even more interesting, the planet is plagued by a massive storm system that circumnavigates the entire world every two weeks or so. This creates a very interesting culture and society where everything in the city is under a constant state of destruction and repair. We also see how this mindset influences who lives where (more protected areas vs less) and what materials they have access to for their construction, affecting how durable the buildings are in any certain community. This was all super interesting, and I really enjoyed everything we got with regards to the world building.

Further, I liked the politics and mystery at the heart of the story with regards to these dynamics. When we get to the motivations of the bad actors, it was all very believable and relatable, touching on some important themes and commentary about class and the environment in our own world. And, while I don’t think it is absolutely necessary to read “Cold the Night, Fast the Wolves” before you read this one, having read that one, I appreciated how the author further fleshed out the role of local syndicates and the interesting balance they strike between their own world’s population and the power of the corporations that essentially rule the universe.

But it all broke down for me with the main character and the love interest. I don’t really think it’s a spoiler to say that said ex-squadmate who “betrayed” her probably has more going on. But if you don’t want more details, suffice it to say that I found Remy’s understanding of this character to be so poor as to be almost laughable. For more details, continue reading!

Basically, this just comes down to a case of telling and not showing. From the beginning, Remy goes on repeated internal rants about her ex-squadmate who was controlling, always putting himself forward and making her look bad on their missions. The problem comes when we are shown flashbacks that make it painfully obvious what is going. Again and again, all we see is a man who clearly loves Remy and is protecting her in every way he can. In one case, he directly takes the blame for something Remy does and ends up in a torture session over it. And somehow…Remy not only doesn’t pick up on these super obvious clues, but spends large chunks of the book telling the reader how bad of a guy Kiran is. And that’s just not a recipe for success. I get having an unreliable narrator. But you have to have a reason for why they’re misleading the reader. And if that reason turns out to be “the protagonist is kind of a dunderhead and oblivious to the point of disbelief” that’s not good look for the protagonist or is incredibly frustrating for the reader.

Unfortunately, some of this obliviousness on Remy’s part showed up in many different ways. Not only is she repeatedly unable to understand how her actions impact others, but she also misreads many other characters’ motivations. It was tough to read, as I thought that Remy’s portrayal in the first book was so solid and interesting. But here, she immediately started to fall into some predictable YA female protagonist stereotypes. And this wasn’t helped by having Sena hanging around through a lot of it, reminding readers of just how likable a main character she was in her book.

Overall, this was kind of a mixed bag for me. My experience of this book really lived and died by my reaction to Remy as a main character. The world-building, writing, and themes were still incredibly strong. I just was too frustrated by Remy through much of it to truly enjoy my read. If you were a fan of the first book, however, I still might recommend a read through here. Your tastes may vary for a main character, and the author still had a lot of good story and commentary to offer with this book.

Rating 7: Excellent world-building and important themes regarding environmentalism and class were undermined by a rather frustrating main character.

Reader’s Advisory:

“Swift the Storm, Fierce the Flame” can be found on this Goodreads list: Upcoming 2023 SFF Books With Female Leads or Co-Leads

Kate’s Review: “All Hallows”

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Book: “All Hallows” by Christopher Golden

Publishing Info: St. Martin’s Press, January 2023

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: With the 80’s nostalgia of Stranger Things, this horror drama from NYT bestselling author Christopher Golden follows neighborhood families and a mysterious, lurking evil on one Halloween day.

It’s Halloween night, 1984, in Coventry, Massachusetts, and two families are unraveling. Up and down the street, horrifying secrets are being revealed, and all the while, mixed in with the trick-or-treaters of all ages, four children who do not belong are walking door to door, merging with the kids of Parmenter Road. Children in vintage costumes with faded, eerie makeup. They seem terrified, and beg the neighborhood kids to hide them away, to keep them safe from The Cunning Man. There’s a small clearing in the woods now that was never there before, and a blackthorn tree that doesn’t belong at all. These odd children claim that The Cunning Man is coming for them…and they want the local kids to protect them. But with families falling apart and the neighborhood splintered by bitterness, who will save the children of Parmenter Road?

New York Times bestselling, Bram Stoker Award-winning author Christopher Golden is best known for his supernatural thrillers set in deadly, distant locales…but in this suburban Halloween drama, Golden brings the horror home.

All Hallows. The one night when everything is a mask...

Review: Thank you to NetGalley for providing me with an eARC of this novel!

I’m a person who holds Halloween in my heart all year round, so it’s not a huge stretch for me to pick up a Halloween themed novel or movie or what have you any month of the year. But I think that there’s just something that hits different if you read a certain book during a certain season, and boy am I kicking myself for not picking up my eARC of “All Hallows” by Christopher Golden during October. I’m by no means saying to delay reading this book until NEXT Halloween (don’t sleep on this book until then, it’s super enjoyable and horror fans should read it ASAP), but man oh MAN is this just the perfect Halloween book. It’s the kind of book that makes you feel like you can feel the crisp air of an autumn night, or that you can smell the leaves and woodsmoke in the air. It just screams Halloween, and that isn’t just because it takes place on Halloween in 1984. The aesthetic of masked children running around for tricks and treats after dark jumps off the page, and it feels like a love letter to my favorite holiday. Especially since some of these masked children are, perhaps, not what they seem.

Sam would fit right in. (source)

In the description there is a comparison to “Stranger Things”, and I think that that is correct in the sense of “Stranger Things” feeling like a 1980s Spielberg/”Goonies”/”Stand By Me” vibe of kids being realistic kids in the face of danger or adventure. More danger, in this case. I really loved all of the kids in this book, as we’d shift from one perspective to another and see how they are spending this momentous Halloween in which all their lives are going to be changed. Whether it’s punk and closeted lesbian Vanessa, or earnest and serious Rick, or kind and a bit downtrodden Julia, all of the kids out on Halloween are grappling with their own baggage even before mysterious masked children they haven’t met before start infiltrating their evenings, and begging them for help to protect them from ‘The Cunning Man’. The neighborhood kids can kind of tell that something is off with these new kids, whether it’s their weird behavior or their vague pleadings, but they know that kids have to stick together, and it makes for a camaraderie that may or may not be a good thing. I loved all of the neighbor kids and got a good feel for them, and I liked the building unease surrounding the stranger children, and not knowing just what their deal was. It did feel like a nostalgic take on childhood friendships at the precipice of everything changing, and I really liked how that affected how we cared about these characters.

The other big component of this book that I really liked was the way that Golden focused in on the ennui, dissatisfaction, and toxic aspects of 1980s suburban life. While the kids are running around on Halloween night, encountering strange masked children, the adults are so focused in on their own dysfunction brought on by their troubled lives and relationships that they are a bit distracted during a dangerous time. Whether it’s Barb, whose husband Donnie is a drunk and a philanderer and whom she has just thrown out, or Tony and Alice, who run the neighborhood haunted attraction and are about to lose their home due to financial issues, to the mysterious Zach and Ruth who are the only childless couple and seem… off, Golden has created some suburban drama that fits in the story’s greater themes of how adults can fail the children in their communities and the consequences that can bring. You could just see how this was all going to come to a head and it was very unnerving.

And finally, the more supernatural horrors. Golden really knows how to create creepy moments, characters, and aesthetics. We don’t know just what the Cunning Man is, and we don’t know why he wants these mysterious children who have just appeared, and as we slowly learn more and more we get some very disturbing and scary beats here and there. And even when we think we know something, Golden will pull the rug out from under us and it will be something else completely. I do think that I could have used a little more world building, or at least mythos building, when it came to the supernatural forces at work. I definitely liked how Golden created a scenario that could so easily be turned upon its head through misdirection and clever hints here and there, but once we did get one of the more surprising reveals thrown out there, I felt like we didn’t really focus too much on what exactly the driving force was and how we got to where we were. I know this sounds strange, but I do want to be vague because I don’t want to wreck or ruin anything, plot wise. It’s worth having all the tricks that Golden is hiding revealed in their own time! I just wanted a bit more explanation on some things.

“All Hallows” is a very twisty horror story that will surely send chills up a reader’s spine. Maybe break out some candy and a Fall themed candle to set the mood while reading it, as it will give you all the Halloween feels and everything that implies.

Rating 7: Creepy and nostalgia driven with some pretty good surprises, “All Hallows” has tricks and treats in store.

Reader’s Advisory:

“All Hallows” is included on the Goodreads lists “Horror To Look Forward To in 2023”, and “Recommended by Seanan McGuire”.