Tag: 6 Rating

Kate’s Review: “Such a Bad Influence”

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Book: “Such a Bad Influence” by Olivia Muenter

Publishing Info: Quirk Books, June 2024

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: For fans of Ashley Winstead, a razor-sharp debut about what happens when one of the first child stars of the social media age grows up . . . and goes missing.

Hazel Davis is drifting: she’s stalled in her career, living in a city she hates, and less successful than her younger sister @evelyn, a lifestyle influencer. Evie came of age on the family YouTube channel after a viral video when she was five. Ten years older and spotlight-averse, Hazel managed to dodge the family business—so although she can barely afford her apartment, at least she made her own way.

Evie is eighteen now, with a multimillion-dollar career, but Hazel is still protective of her little sister and skeptical of the way everyone seems to want a piece of her: Evie’s followers, her YouTuber boyfriend and influencer frenemies, and their opportunistic mother. So when Evie disappears one day during an unsettling live stream that cuts out midsentence, Hazel is horrified to have her worst instincts proven right.

As theories about Evie’s disappearance tear through the internet, inspiring hashtags, Reddit threads, and podcast episodes, Hazel throws herself into the darkest parts of her sister’s world to untangle the truth. After all, Hazel knows Evie better than anyone else . . . doesn’t she?

Review: Thank you to NetGalley for providing me with and eARC of this novel!

Back at the end of last summer a particularly disturbing crime story dropped, in which Youtube Mommy Blogger Ruby Franke and her business associate Jodi Hildebrandt were arrested for six counts of aggravated child abuse against Franke’s two youngest children. Franke and her family rose to fame through her now defunct 8 Passengers YouTube channel, where she would document and monetize family life and wholesome conservative/Mormon values. So it was a shock to many when she was arrested for starving, beating, maiming, and abusing two of the kids that had once been on the channel and in so many people’s lives through a computer screen. It wasn’t a shock for me, though, having been tuned in to the whole swamp that is child influencers on social media for awhile. So it’s no surprise that “Such a Bad Influence” by Oliva Muenter caught my attention, as it’s a thriller that has that very idea as a hook. I had such high expectations for this book, and was very excited to read it. So it’s not too dramatic to say that after riding a high on it for a good three fourths of the novel, the last fourth knocked me back to Earth in a frustrating way.

Firstly though I’m going to talk about the things that I did like about this book, because for the great majority of it I was very, very pleased with what I was reading. For one, I am a huge sucker for missing person books, and “Such a Bad Influence” has a great hook of a very popular influencer named Evie Davis going radio silent mid livestream, and as her silence continues people start speculating she’s actually missing. This is already a winning aspect for me, and you add in a protagonist in the form of her older sister Hazel, who has shunned the spotlight and has worried over Evie even before this moment in time. Hazel’s motivation is totally believable, and while she’s prickly and difficult in some ways I liked her tenacity and her drive to find the younger sister she feels she has failed in many ways. I also really, really liked the themes of the ethics of children being shown online for profit, usually by their parents, and using them as money makers by exploiting their time, image, and very existence when they can’t REALLY consent. And along with that come the strangers who seek out these accounts of underage children who have disgusting ulterior motives, and how the full access to these accounts can enable predation. This is all through the role of Evie and Hazel’s mother Erin, who once posted a tragic video that went viral and rocketed Evie to fame, and with that came her ambitions to become a momager to her now incredibly popular daughter. And all the shady choices that come with a fortune from business ventures, sponsorships, and clicks constant content churning. I’ve been tapped into this ethical debate for almost two years now, when the podcast “Someplace Under Neith” did a whole series on exploitation of children on social media vis a vis influencer accounts, but it has come more to the forefront in society’s eyes due to the aforementioned Ruby Franke/Jodi Hildebrandt case and a long investigative article by the New York Times (which my husband was texting me about the day it dropped, in full horror, and I was like ‘yep, I know all this, why do you think all my social media accounts where I have images of our kid are private/highly vetted?’). There were also some good points about how true crime exploits people as well, but I won’t go into that as much because eh, that’s pretty well worn territory these days as it seems EVERYONE needs to be pointing that out in any story that involves a true crime community angle. We get it, we’re creeps. But I did like the way this story addressed it as it wasn’t as hamfisted as it could have been. All of this was fantastic, and I was really loving this book and the issues that Muenter was touching upon.

BUT. ONCE AGAIN, a really fun and engaging thriller/mystery was, for me, completely derailed by a wholly unnecessary twist ending.

THIS JUST KEEPS HAPPENING LATELY. (source)

Okay, look. I’m not so naive to believe that these kinds of rug yanked out from under you twists aren’t popular with the thriller fanbase. I would probably even be willing to concede that for a lot of people the big surprising twist is a good part of the fun of a thriller, to see how creative an author can be and how their misdirection can surprise a reader. But I am getting sick of it. Nay, I’ve BEEN sick of it. It always feels like it negates everything that came before, especially when there was an already in place solid first ending that was upended with a few paragraphs after a time jump of all things, which just felt like a yadda yadda yadda of a significant plot point. And honestly I didn’t really like that one so much either because it wasn’t super fleshed out to begin with, but at least it felt earned and like everything was building up to it. This damn twist had a couple of hints towards it too I suppose, but it still felt like a cheap final ‘gotcha’ that I really didn’t have the patience for this time around. That’s probably not the fault of the book, but man, I’m just so over this kind of device.

I was bummed that “Such a Bad Influence” had a thud of an ending after a solid and enjoyable rise before the fall. If you like shocking final act game changers by all means check it out for yourself. Far be it from me to ruin that kind of fun for those who enjoy it.

Rating 6: What started as a twisted and entertaining thriller eventually ended with a clunk and an unnecessary twist.

Reader’s Advisory:

“Such a Bad Influence” is included in the Goodreads article/list “Readers’ 54 Most Anticipated Summer Mysteries & Thrillers”.

Blog Tour & Joint Review: “Not in Love”

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Book: “Not in Love” by Ali Hazelwood

Publishing Info: Berkley, June 2024

Where Did We Get This Book: eARC from blog tour!

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Rue Siebert might not have it all, but she has enough: a few friends she can always count on, the financial stability she yearned for as a kid, and a successful career as a biotech engineer at Kline, one of the most promising start-ups in the field of food science. Her world is stable, pleasant, and hard-fought. Until a hostile takeover and its offensively attractive front man threatens to bring it all crumbling down.

Eli Killgore and his business partners want Kline, period. Eli has his own reasons for pushing this deal through – and he’s a man who gets what he wants. With one burning exception: Rue. The woman he can’t stop thinking about. The woman who’s off-limits to him.

Torn between loyalty and an undeniable attraction, Rue and Eli throw caution out the lab and the boardroom windows. Their affair is secret, no-strings-attached, and has a built-in deadline: the day one of their companies will prevail. But the heart is risky business – one that plays for keeps.

Serena’s Thoughts

First of all, I’ve loved being included in these blog tours and truly appreciate the opportunity to participate! I’ve loved most books I’ve read by Ali Hazelwood, up to this point, so I was excited to check this one out! Unfortunately, I have to admit up top that not only was this my least favorite book by Hazelwood so far, but it was a let down of a read for me in most ways. Now, of course, this is a subjective take, especially the things that didn’t work for me, and many of my complaints may work great for others!

First of all, I was disappointed to find that this was a duel POV romance story. Hazelwood has always been a favorite of mine for the simple fact that she writes single POV love stories, something that I always prefer. And, I’m sorry to say, but I think the change in format was for the worse in general. More often than not, I feel like authors end up using duel POV as a crutch when conveying the a love story. Instead of showing the romance building, the narrative simply switches between POVs where both characters simply tell the reader how much they adore the other. And we had much of that here. Gone was much of the nuance and the romantic scenes/action that show the characters growing to love one another.

What’s worse, given the nature of the way this relationship builds, instead of telling the reader how much they each are growing to care for one another, we ended up with a whole lot of inner thoughts about simply wanting to jump into bed with one another. The male POV was especially rough in this arena. I don’t care to repeat the number of times he reflects on how great of a lay Rue is. This is all fine and dandy, but not something I need to be in someone’s head to hear about repeatedly.

I also thought the balance was off in this book between the spice scenes and the emotional development: there was too much of the former and not enough of the latter. Rue, in particular, had an interesting background and I enjoyed learning more about her backstory and watching her come out of her shell a bit. But for his part, Eli felt a bit too much like your standard “golden retriever esque tech bro” type character. He also seemed to immediately fall into instalove/lust with Rue from their very first scene together, which didn’t leave the story anywhere to go for him.

Unfortunately, I didn’t love this book, which I’m so disappointed to report. I’ve really enjoyed Hazelwood’s romances in the past, but many aspects of this were just never going to be for me (the duel POVS, the balance of spice to plot, etc.). Others who like these elements may enjoy this one more.

Kate’s Thoughts

There is a reason that Ali Hazelwood is probably my favorite romance author, and that is because in some ways I know exactly what to expect, but in other ways she knows how to catch me off guard. I usually know a few things about what I’m going to get into with her novels, and that is they are always going to have quirky and science minded protagonists, and there will be some steamy spicy moments. “Not In Love” is no exception to this, and it still works for me for the most part. I really enjoyed our female lead Rue, as she was probably Hazelwood’s most coded as neurodivergent character yet, and I am always going to be ALL about that kind of representation. Especially since she is never put down or made to feel bad for it by those who matter. I wasn’t as big of a fan as Eli, and it’s for the same reasons that Serena lists above. But I DO appreciate that Hazelwood has been experimenting a bit within her sub genre approaches as of late, whether it was a stellar dive into paranormal romance in “Bride” or a tamer and more chaste take on YA romance in “Check and Mate”. In this one she explores kink and BDSM as Rue and Eli do their forbidden lust/romance, and I kept thinking about “Secretary” as I read, which is a good thing because that movie is WILD and oh my GOD JAMES SPADER. Anyway. I have no experience in the BDSM/kink community so can’t speak to how accurate it is, but I like that Hazelwood is expanding her horizons.

But I do find myself agreeing with her frustration with the way the romance progressed as was presented, though in my case it may have more to do with personal preference more than anything else. I have been used to Hazelwood taking her sweet time with the romances in her books, building up the sexual tension and the friendship and intimate aspects to her love birds at.a pace that makes for lots of fun moments and then a HUGE pay off when they do consummate. Well in “Not In Love”, while there is a BIT of a wait, the sexytimes payoff is a bit sooner than a lot of her past books, and for me it felt like we were going off prematurely. Which I fully recognize is a bit of a silly criticism for a forbidden romance/no strings turned more romance. But it’s a tried and true pattern for me and my reading tastes that romances that have a lot of spice too soon don’t connect for me as well as that sweet sweet slow burn, and that’s, of course, incredibly subjective. I know plenty of people who will see this as a huge plus.

So while some parts of “Not In Love” didn’t quite click for me, I did enjoy other aspects of it like I have in previous books by Hazelwood. I still can’t wait for whatever she comes up with next.

Serena’s Rating 6: The duel POV hampered rather than helped the love story, and the spice scenes were not the best and overshadowed the plot.

Kate’s Rating 7: I like that Hazelwood continues to explore different angles and sub genres of romance, and I like how unapologetically neurodivergent Rue is. But as someone who really likes there to be some build up to spice for a slow burn pay off, “Not In Love” went a little too hard too fast for me.

Reader’s Advisory

“Not in Love” is on this Goodreads list: Rom Coms

Kate’s Review: “When She Was Me”

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Book: “When She Was Me” by Marlee Bush

Publishing Info: Poisoned Pen Press, May 2024

Where Did I Get This Book: I received an eARC from the publisher via NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: There’s only one way out of these woods…

Ever since that night, twin sisters Cassie and Lenora have been inseparable. As the sole permanent residents of Cabin Two, their refuge on an isolated Tennessee campground, they manage to stay away from prying eyes, probing questions, and true crime junkies. Just the two of them, Cassie and Lenora against the world. The peace and quiet is almost enough to make them forget what happened all those years ago. Almost.

Until a teenage girl camping at the neighboring cabin goes missing, and the memories come rushing back. As the crime becomes ever more recognizable—they know better than anyone that so-called ‘happy families’ can be anything but—each sister suspects the other knows more than she’s letting on….

Trapped in the isolating, claustrophobic wilderness, Cassie and Lenora must piece together the truth of what happened—and the sinister truth lurking in their own pasts—before it’s too late.

Review: Thank you to Poisoned Pen Press for sending me an eARC of this novel via NetGalley!

What can I say, I love a good cabin the woods story, as I myself love a cabin in the woods. You know, assuming it’s not one of those pesky horror movie ones where everything goes terribly wrong. But I do love a book where there’s a cabin in the woods where everything goes horribly wrong, so of course I was interested in “When She Was Me” by Marlee Bush. The cover is clearly SCREAMING ‘I’m a cabin in the woods and things are about to go wrong!’ It also has twin sisters, a missing girl, some unreliable narrators, and promises of dark secrets. All of this is totally my jam!

To start, I really liked getting into the minds of twin sisters Cassie and Lenora, who have a shared traumatic past and a fierce devotion to one another. A devotion that is probably bordering on unhealthy. We jump between their two perspectives, learning about each other both from their own thoughts, but also sometimes from the other sister’s perception of the narrator at the time. I especially liked how this device made for. both better insight as well as a potential layer of unreliability. After all, Cassie may know more about Lenora than Lenora would like to admit (and vice versa), but there may also be misconceptions each has about the other due to their shared history and shared secrets. Sometimes when this kind of story of siblings, especially with twins, is taken on it can be have mixed results, but this was the strongest aspect of the book for me.

Now the mystery itself. It is definitely easy to read, and entertaining when the reader is in the thick of it. But I will say that it was pretty standard for a thriller, with all the boxes checked that you would expect to be checked (unreliable narrators, an isolated setting that makes for more difficult maneuvering, twist after twist after twist), without really doing too much outside of the box, or doing it in a way that is unique. There are misdirections that I could predict coming (though not to their full resolution or reveal, I will say), and I wasn’t invested in many of the characters outside of Cassie and Lenora, and even then that was more because of their dynamic and not because I was particularly attached to them as characters. It’s serviceable to be sure and I could see it being a perfect breezy beach read, and one that I enjoyed in the moment. But it didn’t really stand out from the litany of thrillers that came before it.

“When She Was Me” is entertaining and an enjoyable read. When I was in it I was in it. But it didn’t wow me as much as I had hoped it would.

Rating 6: It’s a pretty standard thriller, entertaining and addictive, but not really reinventing the wheel.

Reader’s Advisory:

“When She Was Me” is included in the Goodreads article “42 New Reader-Approved Mysteries for Spring”.

Kate’s Review: “Immortal Pleasures”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Immortal Pleasures” by V. Castro

Publishing Info: Del Rey, April 2024

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: An ancient Aztec vampire roams the modern world in search of vengeance and love in this seductive dark fantasy from the author of The Haunting of Alejandra.

Hundreds of years ago, she was known as La Malinche: a Nahua woman who translated for the conquistador Cortés. In the centuries since, her name has gone down in infamy as a traitor. But no one ever found out what happened to La Malinche after Cortés destroyed her people.

In the ashes of the empire, she was reborn as Malinalli, an immortal vampire. And she has become an avenger of conquered peoples, traveling the world to reclaim their stolen artifacts and return them to their homelands. But she has also been in search of something more, for this ancient vampire still has deeply human longings for pleasure and for love.

When she arrives in Dublin in search of a pair of Aztec skulls—artifacts intimately connected to her own dark history—she finds something else: two men who satisfy her cravings in very different ways.

For the first time she meets a mortal man—a horror novelist—who is not repelled by her strange condition but attracted by it. But there is also another man, an immortal like herself, who shares the darkness in her heart. Now Malinalli is on the most perilous adventure of all: a journey into her own desires.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

V. Castro is one of my favorite horror authors, and I had been waiting patiently (maybe not so patiently) for her to take on a vampire story. So when I saw the announcement for “Immortal Pleasures” and that it not only was going to be a vampire story that centers on La Malinche, but that the cover looked like a full on “From Dusk Til Dawn” aesthetic, I rejoiced. Of all of the V. Castro books I’ve looked forward to, this was up there with “The Haunting of Alejandra” (which I also loved). So I dove into “Immortal Pleasures”, eager and filled with anticipation.

So, first thing’s first. I am absolutely going to praise the praiseworthy things about this book, and there are lots of things that I really, really liked. For starters, the concept of the woman who was La Malinche being turned into a vampire with the name Malinalli, and using her immortality to reappropriate the items and objects from the Nahua culture back from Western clutches is PHENOMENAL (especially since Cortés is ALSO a vampire now and they are on a path to run afoul each other again). I am so thrilled that there has been more discussion about the Spanish conquest/invasion in Central and South America in fiction as of late, as I’ve seen this in multiple horror novels in the past couple of years, and what a neat idea to take the figure of La Malinche, the Nahua woman who worked as a translator and advisor for Hernán Cortés during his bloodthirsty mission, and to give her a voice and to give her something of a redemption arc when as of late she has been vilified for her role in advising and enabling Cortés (if you want some background on La Malinche, take a look HERE). Castro is game to dive into the themes of the colonial violence and genocide that the Spanish committed during their invasion and conquest, and to show La Malinche, now Malinalli, as a victim who wants to atone for the role she played, even if it was a role forced upon her as an enslaved woman. So yes, I absolutely love her as a reborn vampire who is traveling the Western world to bring pre-Columbian Meso- American cultures’ artifacts back from museums, universities, and collectors. It makes her powerful, it makes her redemptive, and it makes her complex. I also really like that she is finally in charge of her own sexuality, as when she was alive she was absolutely a victim of rape and sex trafficking as an enslaved woman forced into the role of Cortés’s accomplice. As Malinalli she is able to have agency in her sexuality. And given that there are many sex scenes in this book between her and a horror writer, as well as her and another vampire (whose twist of an identity made me SCREAM with both glee and also confusion but in a good way, I assure you), she takes control of her sexual narrative repeatedly. Also, very explicitly.

But here are the roadblocks that made this book a harder read for me, and it’s mostly a narrative choice in how the story is told. This is not only a first person narrative, with Malinalli telling the reader her story both in past and in present, but it is also done in a way that makes it feel very matter of fact and conversational, which means that the flow is almost ALL telling and very little showing. It felt to me like Castro was going for an Anne Rice “Interview with the Vampire” vibe, which I absolutely appreciate because that’s iconic. But I think that the problem was that it just made for a less interesting narration because again, it was more telling and less showing. I also didn’t feel nearly as much connection to the modern story of Malinalli trying to retrieve two skulls in the United Kingdom as I did to the historical story of her as La Malinche and her start as a vampire. I almost wonder if it’s because her modern story has the meandering paths of her relationship with Colin, the aforementioned horror writer, and the many many sex scenes she has with him. Some bordering on the ludicrous. I like to think that I’m not a prude in any way shape or form, and again, I LOVE giving Malinalli the agency she has in her sex life. But man, there were a LOT of sex scenes that felt superfluous. And oddly written. And Colin himself just wasn’t super interesting to me, and I couldn’t figure out why she was interested in him to begin with. Though that said, she drops him like a hot potato REALLY fast once she meets fellow vampire Alex, but that also felt rushed and hastily resolved. It just felt like a pacing issue, or indecisiveness on what to focus on.

So, overall, “Immortal Pleasures” wasn’t what I wanted it to be. There were aspects I liked, but it felt like a rare stumble from V. Castro in a lot of ways.

Rating 6: The themes and ideas of this book worked so well for me, but the narrative voice and the choices that came with it were a bit too stilted for me.

Reader’s Advisory:

“Immortal Pleasures” is included on the Goodreads list “Horror to Look Forward to in 2024”.

Joint Review: “Ghost Station”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Ghost Station” by S.A. Barnes

Publishing Info: Tor Nightfire, April 2024

Where Did We Get This Book: NetGalley;

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A crew must try to survive on an ancient, abandoned planet in the latest space horror novel from S.A. Barnes, acclaimed author of Dead Silence.

Space exploration can be lonely and isolating.

Psychologist Dr. Ophelia Bray has dedicated her life to the study and prevention of ERS—a space-based condition most famous for a case that resulted in the brutal murders of twenty-nine people. When she’s assigned to a small exploration crew, she’s eager to make a difference. But as they begin to establish residency on an abandoned planet, it becomes clear that crew is hiding something.

While Ophelia focuses on her new role, her crewmates are far more interested in investigating the eerie, ancient planet and unraveling the mystery behind the previous colonizer’s hasty departure than opening up to her.

That is, until their pilot is discovered gruesomely murdered. Is this Ophelia’s worst nightmare starting—a wave of violence and mental deterioration from ERS? Or is it something more sinister?

Terrified that history will repeat itself, Ophelia and the crew must work together to figure out what’s happening. But trust is hard to come by… and the crew isn’t the only one keeping secrets.

Kate’s Thoughts

When Serena approached me asking if I’d be interested in doing another Joint Review of an S.A. Barnes book, I was game. I liked getting both our perspectives on “Dead Silence”, as it is both Sci-Fi and Space horror, and therefore in both our wheelhouses. I enjoyed “Dead Silence”, and reading up on “Ghost Station” was just as intriguing to me based on the description.

If I was mentally comparing “Dead Silence” to “Aliens” and “Event Horizon”, “Ghost Station” read like the sci-fi horror film “Prometheus” to me, with a crew getting in way over their head on a mysterious planet that has sinister secrets. In terms of the things I liked, I really enjoyed Ophelia as our protagonist, as she is both unreliable in a number of ways, but is also very driven for very personal reasons in connection to a dangerous mental disorder known as ERS. I liked not really knowing what her deal was beyond one straight forward incident, and an anxiety and shame about being a part of a notorious corporate family with immense wealth and unscrupulous morals. We slowly get to peel back her layers, and as she and the crew find themselves in a situation that keeps getting more tense and more dangerous, her secrets and their secrets combine to make for a good deal of suspense and mysteries revealed. There is also some nice space horror bits here, and some beats that really unsettled me. Particularly the way that Barnes shows a slow decay of various crew members sanity, for reasons that may not be as obvious as Ophelia would like it to be.

But all that said, this one felt like it was a bit heavier on the Sci-Fi elements this time around, and even though I enjoy Space Horror as a Sci-Fi sub-genre, if you tread a bit too far into the Sci-Fi, my brain just shuts off (this actually happened with “Prometheus” as well). There is no question that this book does have a lot of suspenseful and scary moments in it that worked for me, but they felt a little few and far between. This isn’t to be a criticism of this book because I imagine that this will work very well for the target audience of Sci-Fi aficionados (let’s see what Serena says!), but it just got into the Sci-Fi weeds a bit too much for me as a person who isn’t a fan of that genre.

“Ghost Station” will probably satisfy Sci-Fi fans who like space horror, but for this horror fan who doesn’t usually mess with that genre, it didn’t hit as hard as I’d hoped it would.

Serena’s Thoughts

While I liked this one more than Kate did (probably no surprise, as science fiction is a much-loved genre of mine on its own right, and the horror side of things was the more experimental thing), I also agree with many of her criticisms. For the most part, I enjoyed the science fiction elements we had here. Many of them are fairly standard fair as far as futuristic technology goes, but I thought they were presented and used in interesting ways.

I also thought the horror elements were good. There was definitely the slow build up of dread as Ophelia and the other members of the crew explore and piece together the mystery of what had happened before them. There were some legitimately creepy moments, but not enough to make the book unapproachable to more casual horror readers. That said, I think the horror aspects of the first by this author that we joint read, “Dead Silence,” hit me harder, some even popping up in my head at inconvenient times days later. Whereas with this book, moments were a bit freaky, but it didn’t stay with me in the same way.

I also struggled a bit with the pacing and character development in this one. While I think the slower nature of the building dread worked well on the spooky front, the pace overall seemed to drag, especially in the beginning. I kept wanting to rush ahead for things to start happening, and it seemed to take quite a long time to get to anything substantial. And, while I enjoyed discovering more about Ophelia, who she was and why she made the decisions she did, I also found myself more frustrated by some of her decisions and inner monologues than I did with the lead character in “Dead Silence.”

Overall, I thought this was was a serviceable science fiction horror story, though I don’t think it quite lived up to the high that was the author’s previous work.

Kate’s Rating 6: There are definitely solid horror moments, but this was a little too heavy on the Sci-Fi for me.

Serena’s Rating 7: A bit slow with regards to pacing, but an approachable book overall, especially for the more casual horror/science fiction readers.

Reader’s Advisory

“Ghost Station” is included on the Goodreads lists “Horror to Look Forward to in 2024”, and “Can’t Wait Sci-Fi/Fantasy of 2024”.

Kate’s Review: “This Wretched Valley”


This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “This Wretched Valley” by Jenny Kiefer

Publishing Info: Quirk Books, January 2024

Where Did I Get This Book: I own it.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Four ambitious climbers hike into the Kentucky wilderness. Seven months later, three mangled bodies are discovered. Were their deaths simple accidents or the result of something more sinister? This nail-biting, bone-chilling survival horror novel is inspired by the infamous Dyatlov Pass incident, and is perfect for fans of Alma Katsu and Showtime’s Yellowjackets.

This is going to be Dylan’s big break. Her friend Clay, a geology student, has discovered an untouched cliff face in the Kentucky wilderness, and she is going to be the first person to climb it. Together with Clay, his research assistant Sylvia, and Dylan’s boyfriend Luke, she is going to document her achievement on Instagram and finally cement her place as the next rising star in rock climbing. 

Seven months later, three bodies are discovered in the trees just off the highway. All are in various states of decay: one body a stark, white skeleton; the second emptied of its organs; and the third a mutilated corpse with the tongue, eyes, ears, and fingers removed. But Dylan is still missing. Followers of her Instagram account report seeing disturbing livestreams, and some even claim to have caught glimpses of her vanishing into the thick woods, but no trace of her—dead or alive—has been discovered. 

Were the climbers murdered? Did they succumb to cannibalism? Or are their impossible bodies the work of an even more sinister force? Is Dylan still alive, and does she hold the answers? 

This page-turning debut will have you racing towards the inevitable conclusion.

Review: It’s been a bit since I’ve read a balls to the wall survival/wilderness horror story, which is a shame because I legitimately love this trope and sub-genre with every fiber of my being. “The Blair Witch Project” is my favorite horror movie of all time, and there are plenty of other movies and books and just real life moments of having to survive in a terrifying wilderness that deeply resonate with me. Because of this, I was SUPER interested in reading “This Wretched Valley” by Jenny Kiefer, a debut horror novel that has a team of researchers and climbers going into the wilds of Kentucky for a project, and then are surrounded and tormented and picked off by a mysterious force that dwells within it. Like holy SHIT this is SO MY KINDA THING!

(source)

As far as survival horror goes, this book really checks a lot of boxes for me. As stated above, I love this sub-genre, and this one has so many hints of “The Blair Witch Project” and “The Descent” throughout its DNA that I was absolutely amped. And yes, lots of harkening to the Dyatlov Pass Incident, though I do tend to fall in the ‘it was probably some kind of avalanche’ camp in that regard. Anyway, as our group of campers/researchers/climbers go deep into a mysterious valley in the Kentucky wilderness in hopes of researching the geology of this pristine rock face that has seemingly just appeared out of nowhere. Our scientists are grad student Clay and his research assistant Sylvia, and our climbers are aspiring influencer Dylan and her boyfriend Luke and their dog. So we already have a group that is going in with a greater purpose of differing degrees of fame in mind, and when weird stuff turns to dangerous stuff turns to nightmarish stuff, the paranoia, terror, and desperation starts to tear them all apart. The idea of being lost in the wilderness scares the living daylights out of me, and Kiefer captures that fear and ratchets it up as our group can’t seem to find their way out, as people get hurt, tempers flare, and they all start seeing things that shouldn’t be there, and shouldn’t be possible. Were this a slow burn lost in the wilderness without supernatural elements it would be terrifying on its own, but then the supernatural stuff does enter into it and it is SO well described and SO damn scary. This is one of the gorier horror novels I’ve read as of late, and Kiefer doesn’t hold back so much when it comes to the violence and the visceral imagery. I was both tearing through the pages to find out what happened, but also having to set it down occasionally because of a particularly gross or super messed up moment.

I did have a couple of issues with the book, however. The first is that while I absolutely appreciate Kiefer wanting to keep things a but unknown in terms of what exactly is going on, I think that, interestingly enough, we get into the same pitfall that “Blair Witch” (the requel from a few years ago) fell into. That is, there is SO MUCH WEIRD STUFF going on, but none of it gets even a hint at an explanation. I don’t need full explanations as to everything that is going on in a story like this, on the contrary I generally LIKE ambiguity because sometimes that makes a scary story that much scarier. But this ambiguity didn’t feel focused, and just brushes upon multiple different potential culprits. Nothing is really explained or even hinted at as to what is causing this, and it feels less narratively satisfying and more haphazard and indecisive. The other issue is more to do with the marketing of this book and not with the story itself. The description of the novel mentions that Dylan’s body wasn’t found, and her followers are reporting weird lives from her social media and weird sightings from people in the area, making it sound like this plays a large(ish?) role in the story at hand. In reality, it doesn’t really. I went in thinking there would be some really fun found media themes, but there wasn’t a lot, and that was disappointing. Again, that’s less to do with Kiefer’s story itself and a marketing issue.

So some good things, some not as good things, but overall I did find “This Wretched Valley” to be very disturbing and to be very engrossing. Survival and wilderness horror fans will find a lot to love, and maybe people who are more comfortable with not knowing much about cause in a horror tale will be able to look past the things I had a more difficult time with. I will definitely be looking into more books from Jenny Kiefer in the future!

Rating 7: A gory and deeply disturbing survival horror story that was a page turner, but sometimes a bit too ambiguous for my tastes in some ways, and didn’t really deliver what the description was promising.

Reader’s Advisory:

“This Wretched Valley” isn’t on many Goodreads lists as of now, but it would fit in on “Best Wilderness Horror Stories”.

Book Club Review: “The Cabinets of Barnaby Mayne”

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We are part of a group of librarian friends who have had an ongoing book club running for the last several years. Each “season” (we’re nerds) we pick a theme and each of us chooses a book within that theme for us all to read. Our current theme is Centuries, where we were given a random century and had to pick a book based during that time period.  For this blog, we will post a joint review of each book we read for book club. We’ll also post the next book coming up in book club. So feel free to read along with us or use our book selections and questions in your own book club!

Book: “The Cabinets of Barnaby Mayne” by Elsa Hart

Publishing Info: Minotaur Books, August 2020

Where Did We Get This Book: The library!

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Century: 18th

Book Description: London, 1703. In a time when the old approaches to science coexist with the new, one elite community attempts to understand the world by collecting its wonders. Sir Barnaby Mayne, the most formidable of these collectors, has devoted his life to filling his cabinets. While the curious-minded vie for invitations to study the rare stones, bones, books, and artifacts he has amassed, some visitors come with a darker purpose.

For Cecily Kay, it is a passion for plants that brings her to the Mayne house. The only puzzle she expects to encounter is how to locate the specimens she needs within Sir Barnaby’s crowded cabinets. But when her host is stabbed to death, Cecily finds the confession of the supposed killer unconvincing. She pays attention to details—years of practice have taught her that the smallest particulars can distinguish a harmless herb from a deadly one—and in the case of Sir Barnaby’s murder, there are too many inconsistencies for her to ignore.

To discover the truth, Cecily must enter the world of the collectors, a realm where intellect is distorted by obsession and greed. As her pursuit of answers brings her closer to a killer, she risks being given a final resting place amid the bones that wait, silent and still, in ‘THE CABINETS OF BARNABY MAYNE’.

Kate’s Thoughts

When I worked at the Science Museum of Minnesota, my main gallery was known as the Collections Gallery, which was kind of a mish mash of items on display that didn’t really fit in anywhere else in the museum. We had artifacts from around the world, a few taxidermied animals, some rocks and minerals and sands on display, some items from quack medical practices, and a literal mummy. I loved working in this gallery and a few of my best friends were people who worked there with me. So with my affection for this kind of collection oddity made me very interested in reading “The Cabinets of Barnaby Mayne”, as the idea of a weird collector with a bunch of cabinets filled with random stuff is very much my wheelhouse.

Well, sadly this book didn’t really gel with me. I am not sure what went wrong, as the collection of oddities is great, I love a historical mystery, and I am always game to read a story in a time period I’m not as familiar with (early 1700s? I can’t think of any other books off the top of my head that I have read that are set during that time frame). I am pretty certain that it is just a matter of Your Mileage May Vary, or just not being in the right mind space, but combining some of the more ‘in time period’ language and the cast of suspects all being pretty similar and not very interesting to me, I wasn’t as enthralled with this book. I did like the banter between Cecily and her friend Meacan, and having two women being the main investigators was also enjoyable. But I think that the mystery itself just didn’t catch my attention too well.

If you like cozy mysteries and you like period pieces that perhaps aren’t as covered as much in the genre, this could be a good fit for you! It just didn’t do much for me.

Serena’s Thoughts

I’m much more the sort of reader who would go for this sort of book than Kate, so it’s probably not a surprise that I enjoyed it a bit more. That said, I also didn’t enjoy it as much as I wanted to, so we have a bit of a mixed bag review headed your way. On one hand, I’m very into historical mysteries like this and there were a lot of aspects of this novel that felt fresh when compared to other entries in this subgenre. For example, while I’ve read a million and one Victorian or Regency period historical mysteries, I haven’t read one set in the early 1700s before. That being the case, I enjoyed the exploration of this tenuous point in history in which much of natural science was still very recent and felt almost as mystical as magic itself. I also enjoyed the two main characters, and this was another point in this book’s favor. Not only have the previous books I’ve read that are similar to this all feature a man/woman duo (often with romantic tension of some sort), but here we had two women who were simply friends and nothing more. It was nice to see a different kind of relationship put at the forefront, and like Kate, I enjoyed the interactions between these two the most of anything during my reading experience.

That said, I also agree with some of her criticisms. Like any good mystery, there were a whole host of potential suspects. The problem was that many of them began to run together in my mind, feeling indistinct from each other and each struggling to capture my attention. I also felt that the pacing of the mystery itself was a bit off. More than once, the plot seemed to offer up convenient answers right away to whatever questions our heroines were currently struggling to answer. It felt less like they were solving a mystery and more like they were simply following a very clear breadcrumb trail to its inevitable conclusion.

Overall, I thought this book was ok. It delivers on the core concepts that readers of this subgenre are often looking for, and even brings in a few new areas of interest. However, nothing really rose to the top for me as I read. The heroines, the villains, the mystery itself: serviceable, but not necessarily very memorable.

Kate’s Rating 5: I liked the concept of an oddity collection and I liked exploring this time period, but for whatever reason this one didn’t really click with me.

Serena’s Rating 7: With some interesting new concepts, this will likely appeal to historical mystery readers, though I do think their is room for growth with regards to characterization and the pacing of the mystery itself.

Book Club Questions

  1. This book takes place in the English countryside in the early 1700s. Did the setting feel authentic to you?
  2. What were your thoughts on the portrayals of a society that is just starting to delve into the scientific process?
  3. Did Cecily’s motivation to solve the murder of Barnaby Maybe seem plausible?
  4. Did you like Meacan as a foil to Cecily?
  5. What were your thoughts on the motivations revealed by various players for their various actions throughout the story? How about the motivations of the murderer?
  6. What did you think of Alice’s character?
  7. Do you buy into the Agatha Christie comparisons to this novel? Do you agree or disagree?

Reader’s Advisory

“The Cabinets of Barnaby Mayne” is included on the Goodreads list “Historical Mystery 2020”.

Next Book Club Pick: “The Witch of Blackbird Pond” by Elizabeth George Speare

Kate’s Review: “Dead Girls Walking”

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Book: “Dead Girls Walking” by Sami Ellis

Publishing Info: Amulet Books, March 2024

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A shocking, spine-chilling YA horror slasher about a girl searching for her dead mother’s body at the summer camp that was once her serial killer father’s home—perfect for fans of Friday the 13th and White Smoke.

Temple Baker knows that evil runs in her blood. Her father is the North Point Killer, an infamous serial killer known for how he marked each of his victims with a brand. He was convicted for murdering 20 people and was the talk of countless true crime blogs for years. Some say he was possessed by a demon. Some say that they never found all his victims. Some say that even though he’s now behind bars, people are still dying in the woods. Despite everything though, Temple never believed that her dad killed her mom. But when he confesses to that crime while on death row, she has no choice but to return to his old hunting grounds to try see if she can find a body and prove it.

Turns out, the farm that was once her father’s hunting grounds and her home has been turned into an overnight camp for queer, horror-obsessed girls. So Temple poses as a camp counselor to go digging in the woods. While she’s not used to hanging out with girls her own age and feels ambivalent at best about these true crime enthusiasts, she tries her best to fit in and keep her true identity hidden.

But when a girl turns up dead in the woods, she fears that one of her father’s “fans” might be mimicking his crimes. As Temple tries to uncover the truth and keep the campers safe, she comes to realize that there may be something stranger and more sinister at work—and that her father may not have been the only monster in these woods.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

There are a number of known truths in my world, and one of those truths is that if you make a reference to “Friday the 13th” in relation to another movie plot or story, I’m going to be automatically interested. I have a special place in my heart for Jason Voorhees and those pretty not great but super campy and gory slasher movies, so much so that my Terror Tuesday friend group is slowly working our way through the movie series as group member Michael had never seen any of them. Because of my love, when I was browsing NetGalley for upcoming horror novels, I was immediately intrigued by “Dead Girls Walking” by Sami Ellis. It not only dropped “Friday the 13th” in its description, but also “White Smoke” by Tiffany D. Jackson, one of my favorite horror authors. These two things and a very eye catching cover made me pretty excited to read this book. Which means I was a bit bummed when it didn’t quite rise to the occasion.

But as always I will start with the good! I will say right off that this harkens less to “Friday the 13th” (outside of the summer camp setting) and more to the original “Evil Dead” when it comes to the scares. Which is a-okay with me, because I love both of those franchises but “Evil Dead” isn’t seen nearly as much when it comes to general cultural references to gory slasher and horror films, whereas I feel like even those who don’t know horror are familiar with Jason Voorhees at least in passing. Ellis knows how to craft a horror casualty that feels like it’s coming from a gory slasher movie, and I could definitely visualize those moments in all their bloody glory.

I do love a gorefest at times. (source)

I also really liked how Ellis has paid something of an homage to a sub-genre that is, very often and certainly during its heydey, a very white, cis, and straight playing field, and has subverted it by featuring queer Black girls. At the center of that is Temple, our protagonist whose father has been convicted of being a serial killer, and whose hunting ground was her family property which has now been transformed into a summer camp. Temple gets the job of a counselor in hopes of finally finding her mother’s body, and her prickliness and hidden identity is a clashing point for the campers. Temple herself is a character I liked a lot, because even though she is probably seen as pretty unlikable, her trauma, family history, and inability to process makes that prickly personality completely understandable. And while a lot of the other campers weren’t super well fleshed out, there were a few that I thought had a lot of good character development and background foundation (the one that really comes to mind is Yaya, a queer teenager who is also a devout Christian and knows that the two things can be reconciled). It’s just refreshing seeing a cast of characters that buck the narrow trends of the genre.

But there were a few hiccups that didn’t work for me. The first is that there were some aspects of the plot that felt a little undercooked, and at times confusing. I felt like I really understood Temple and her motivations, but when it came to the lore of her family history, the land that the murders/camp was on, and her parents and their own motivators and even their trains of thought, these things felt brushed over, or in some ways a bit unclear. I know that slasher movies don’t really need that much motivation beyond ‘slasher A has motivation B and kills horny teenagers’, but even in those that have stood the test of time we have a very clear motivation set. Even the aforementioned closer analog “The Evil Dead” compensates for a very loosey goosey motivation by leaning into slapstick humor in the second two of the trilogy (and doesn’t make Ash Williams much more than a poor sap with quippy lines and a constitution that can endure buckets of blood and a chainsaw hand). With Temple being so well rounded, I had hoped that her adversary would be well rounded too, but it felt lacking. Add in a bit of a pacing issue and it knocked points off from the overall read. All of this said, I am not the target audience for this book, and while these things didn’t work for me, I know that I would ABSOLUTELY be recommending this book to my teenage patrons who like their horror on the gory side.

I will be interested in seeing what Sami Ellis does with her next novel. “Dead Girls Walking” was brimming with lots of horror goodness in spite of some missteps here and there, and I hope she keeps bring her perspective to the genre.

Rating 6: I liked the cast of characters and some of the gory bits, but the plot was a little confusing and the background felt a bit off at times.

Reader’s Advisory:

“Dead Girls Walking” is included on the Goodreads lists “Queer Horror”, and “Summer Camp Horror”.

Serena’s Review: “Fathomfolk”

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Book: “Fathomfolk” by Eliza Chan

Publishing Info: Orbit, February 2024

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book: Welcome to Tiankawi – shining pearl of human civilization and a safe haven for those fleeing civil unrest. Or at least, that’s how it first appears.
 
But in the semi-flooded city, humans are, quite literally, on peering down from skyscrapers and aerial walkways on the fathomfolk — sirens, seawitches, kelpies and kappas—who live in the polluted waters below.
 
For half-siren Mira, promotion to captain of the border guard means an opportunity to reform. At last, she has the ear of the city council and a chance to lift the repressive laws that restrict fathomfolk at every turn. But if earning the trust and respect of her human colleagues wasn’t hard enough, everything Mira has worked towards is put in jeopardy when a water dragon is exiled to the city.
 
New arrival Nami is an aristocratic water dragon with an opinion on everything. Frustrated by the lack of progress from Mira’s softly-softly approach in gaining equality, Nami throws her lot in with an anti-human extremist group, leaving Mira to find the headstrong youth before she makes everything worse.
 
And pulling strings behind everything is Cordelia, a second-generation sea-witch determined to do what she must to survive and see her family flourish, even if it means climbing over the bodies of her competitors. Her political game-playing and underground connections could disrupt everything Nami and Mira are fighting for.
 
When the extremists sabotage the annual boat race, violence erupts, as does the clampdown on fathomfolk rights. Even Nami realises her new friends are not what they seem. Both she and Mira must decide if the cost of change is worth it, or if Tiankawi should be left to drown.

Review: This has definitely been a highly anticipated read for me when I was looking forward through my TBR pile for the spring. The book summary lays out a pretty complicated, rich-sounding world that I was excited to dive into, and the cover art seem to paint a picture of the exact sort of romantic, fairytale-like tone that I look for in much of my fantasy. Plus, it was being marketed as an adult fantasy novel, which on its face doesn’t seem like much. But while there are a bunch of adult fantasy novels published all of the time, there aren’t necessarily many that sound like this.

I’ll just get it out of the way now: I didn’t really enjoy this book and probably would have DNF’d it if I hadn’t received an ARC from the publisher. But before we dive into my struggles with the story, let’s start with a few positives. As the book summary hints towards, there is a lot of creativity and detail to the worldbuilding in this book. I don’t know tons about all of the cultures that were drawn upon to create this world, but it was clear the author was pulling from a number of them and blending them into a unique world. I also really enjoyed some of the details that went into the little things, like the descriptions of the street vendors and the foods they would sell. There was definitely an experience, especially early in the book, of wanting to simply walk down these streets to see it all.

That said, as beautiful as the cover art was for the story, it did mislead me a bit about the time period and setting of this book. It clearly is using elements of historical building styles, implying a less modern setting than what we have here. I was surprised to find cable cars and trams and the like as I read further. There’s obviously nothing wrong with this sort of setting, but it did feel like a bit of a bait and switch as far as my expectations went. (To be fair to the book, I didn’t catch some of the book summary clues; so that’s on me for focusing too much on the cover). I’ll also add that while I enjoyed a lot of the details that went into the world-building, as the book continued, the thing as a whole began to a bit disjointed, with everything and the kitchen sink seemingly thrown in the book. As more and more was added, I felt more and more disconnected from what I was truly supposed to be focused on.

None of this was helped by the fact that I didn’t enjoy any of our three main characters. At times annoying, at others incredibly naïve, and at others clearly biased themselves, each character in their own way was fairly unlikable. Again, writing characters who learn and grow can serve as an interesting arc, but between the three, I simply couldn’t find anything to grab onto at any point. I felt like I was just bouncing from one to another in a fairly robotic manner, caring little for who I was reading currently or who I was going to read next. None of them felt truly consistent in their worldviews or even their goals; for a book about sea creatures, I felt out to sea myself as a reader, lost in the flotsam of a plot that didn’t seem to be going anywhere fast.

I also found the pacing to be incredibly slow (often the case for a book that has to establish several POV characters while also building up a complicated world). However, as the story progressed, the pacing never really increased alongside it. It was one of those books that simply felt bland much of the time. There was nothing terrible about the writing, but it also wasn’t engaging and there were some form questions at play with the way scenes would end abruptly or other descriptive elements wouldn’t quite fit.

Overall, I was very disappointed by this book. Most of the time it felt like a chore to read, and I never really found anything that struck my interest or compelled me to want to continue reading. I won’t be continuing with the series, and I can’t strongly recommend this one. If you have a strong interest in Asian folklore, perhaps this is worth checking out, but even then, I think there are stronger examples of books like this out there.

Rating 6: An interesting premise fell apart in the face of a lackluster plot and unlikable lead characters.

Reader’s Advisory:

“Fathomfolk” can be found on this Goodreads list: Asian Mythology Inspired Books

Serena’s Review: “Sun of Blood and Ruin”

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Book: “Sun of Blood and Ruin” by Mariely Lares

Publishing Info: Harper Voyager, February 2024

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: In sixteenth-century New Spain, witchcraft is punishable by death, indigenous temples have been destroyed, and tales of mythical creatures that once roamed the land have become whispers in the night. Hidden behind a mask, Pantera uses her magic and legendary swordplay skills to fight the tyranny of Spanish rule.

To all who know her, Leonora de Las Casas Tlazohtzin never leaves the palace and is promised to the heir of the Spanish throne. The respectable, law-abiding Lady Leonora faints at the sight of blood and would rather be caught dead than meddle in court affairs.

No one suspects that Leonora and Pantera are the same person. Leonora’s charade is tragically good, and with magic running through her veins, she is nearly invincible. Nearly. Despite her mastery, she is destined to die young in battle, as predicted by a seer.

When an ancient prophecy of destruction threatens to come true, Leonora–and therefore Pantera–is forced to decide: surrender the mask or fight to the end. Knowing she is doomed to a short life, she is tempted to take the former option. But the legendary Pantera is destined for more than an early grave, and once she discovers the truth of her origins, not even death will stop her.

Review: So, I went into this one with some trepidation. On one hand, I love the idea of a fantasy re-imaging of “Zorro” with a gender-swapped main character and taking place during the 16th century in the Spanish-colonized part of Mexico. So many parts of that premise have me interested, and, as a massive “Zorro” fan, I’ve been looking for a great version of this story for ages and have yet to find one. But on the other hand, this is one of those examples of a book that definitely suffers from its publication date. In that, it was published several months ago in the U.K. and picked up by various book boxes since then. That being the case, there are a ton of reviews available with readers thoughts on the book. And, unfortunately, they’re largely middling. However, given how excited I was initially and the fact that I often find myself disagreeing with the prevailing take, I still wanted to give this one a shot.

So, right away, I can understand why this book was a struggle for many readers. And while, as you’ll see from my rating, I largely agreed with the general consensus of this book, there are a few points that didn’t work for others that bothered me less. First of all, the book starts out in a very disjointed manner, with lots of jumps in time from the present day and then back in time Leonora’s days training in the jungle. I have no problem being plopped down in books like this, with very little information to start with, but it is a problem point for many readers. I will say, that while this basic structure wasn’t a problem for me, the overall execution of it was not the best. The way it was done severely impacted the pacing of the story, preventing me from connecting with the characters or really finding as solid footing in this world.

This was made more difficult by the need to rather regularly check the glossary at the back of the book to understand what was actually being discussed at times. Here, again, I like glossaries for the most part, but in general, I feel like they should support the story, rather than being required for basic comprehension of plot points of the story. This wasn’t helped by the fact that this is a very political book. I do like political stories, and, knowing less about this particular region and time period, I went into this one excited to learn more. However, again, the actual plotting and progression of the story that explored these ideas was so disjointed that it made the reading experience itself a challenge, and it wasn’t until the mid-point of the story that I really began to place how everyone was interacting with one another.

On top of this, I was disappointed in the “Zorro” aspects of the story. For all that we’re told that the Pantera is this badass vigilante, we get to see very little of this on the page. I was interested in the politics, sure, but I’m a simple woman at heart: I just wanted a bunch of badass Zorro/Pantera fight scenes, and I felt like that was severely lacking.

The writing, overall, was ok. I think the author had more success with her world-building and descriptive prose, however, than with the dialogue. Much of the latter felt stilted and scripted in a way that constantly took me out of the story. This wasn’t helped by the fact that I wasn’t super invested in the heroine or her love interest. There wasn’t anything actively bad about either of these characters, but I also simply didn’t care about their stories or their romance.

Overall, unfortunately, I have to agree that the general consensus for this book was largely right. Perhaps it will find its place with readers who are more interested in a political fantasy story than a “Zorro” story and who aren’t thrown by the slow start. But, sadly, my search for the definitive “Zorro” book continues.

Rating 6: Kind of a mess, with a plot that was all over the place and a main character who spent a lot of time telling us about being a badass vigilante, but less time showing us.

Reader’s Advisory:

“Sun of Blood and Ruin” can be found on these Goodreads lists: Historical Fiction 2024 and 2023 Debuts.