Tag: 6 Rating

Serena’s Review: “The Cursed”

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Book: “The Cursed” by Harper L. Woods

Publishing Info: Bramble, September 2023

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Betrayal.

He was the deception waiting in the night; the truth I never saw coming. After a lifetime of manipulation, I finally learned the truth. I was his puppet―even if I never saw my strings.

Even knowing how deep his betrayal runs, I can’t shake the undeniable connection between Gray and I―the way a single glance from him sets my soul on fire. We are not the same. We’re enemies, poised to battle for the future of the very thing I’d wanted to destroy.

With the Covenant gone, the revenge I thought I wanted is no longer my priority. The witches that remain played no role in my aunt’s death, and the only person standing in the way of righting those wrongs is the very man determined to keep me in his bed.

But the remaining members of the Coven will never forgive me for the role I played in their demise and subjugation, and the worst part of all is that I can’t even blame them for it. I’d been naive, believing my own delusions of grandeur when destiny clearly had other plans for me. Plans that had been set in motion centuries before my birth.

But even that had been a lie, and now it is my duty to do everything in my power to undo it.

To protect my Coven from my husband’s hatred―no matter what the cost.

Previously Reviewed: “The Coven”

Review: As readers will see if they check out my review of “The Coven,” I had a fairly middling reading experience with the first book in this duology. However, as they were being published back to back, essentially, I had placed a review request for both books initially. So, unless I had DNF’d the first book, I was fairly committed to reading and reviewing the second. Alas, here is a case where this commitment sadly lead me astray and into an even more frustrating reading experience.

I’ll begin this review by admitting that this book started off on the wrong foot for me. I, personally, struggle with a few different romance tropes. One of them is the “miscommunication/misunderstanding” trope, and the other is the “betrayal” trope. The latter is particularly egregious when the “betrayal” in question is so obviously not what it seems and then the reader is forced to deal with a lead character who seems to twist their brain in two simply to maintain the righteous indignation of how terrible the betrayal was in the first place. And while the actual betrayal in this book had more substance than other examples that come to mind, it was still a frustrating read. Made all the more so since we spent more time in Gray’s head in this book, so the reader had insights into his feelings and motives that Willow then didn’t have. Making the switch back to her own POV frustrating at times, when she was behind on things the reader already knew.

The plot of this one was also severely lacking. In that if I sat down right now and tried to actually put the events of this book down on a plotting structure, I couldn’t. The first half to three quarters of the story is severely lacking in any plot whatsoever (which is a surprise given some of the massive reveals that came in the first book), and then the final quarter is jammed pack with action. But it was action that was completely disconnected from character motivation or arc. Willow spends the majority of the book hating Gray but then seems to do a complete 180 on him towards the end, for very little real reason.

I also struggled with the romance itself. This book leans in hard to the concept of the “body betraying you” idea. In that many of the romance scenes between Willow and Gray are a bit fraught with mixed messages on her part. Now, I give a lot of leeway to romance books on this front, as this sort of romantic tension is standard for the genre and, frankly, often quite enjoyable to read. But it didn’t work as well here simply because Willow’s stated feelings towards Gray were so extreme. Usually you have the sort of tension when characters are “enemies” in the sense that they profess to just not like one another (or are annoyed/competitive with/etc.). But it works less well when one of the characters is literally saying she wants to kill the other. It’s the kind of extreme contrast that undercuts both sides. On one hand, she’s clearly into him so saying she wants to “kill him” reads as ridiculously out of touch with herself. And on the other hand, if she does want to actually kill him, it makes no sense whatsoever for her to be getting into these romantically physical situations with him.

I really struggled with this book. The first book was notably weak on world-building and had some plotting struggles, and this one doubled down on both of these areas. Both the characters and what should have been exciting plot stakes seemed to drown beneath a frustrating amount of romantic angst and tension. For those who really loved the first book, this may still be a satisfying read. But if you struggled with the first, I think this one will be an even greater let-down, unfortunately.

Rating 6: A severe lack of world-building and plotting leaves this one to wallow in rather shallow characters and a frustrating romance.

Reader’s Advisory:

“The Cursed” isn’t on any relevant Goodreads lists but it should be on Hero Betrays His Heroine.

Kate’s Review: “Strange Folk”

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Book: “Strange Folk” by Alli Dyer

Publishing Info: Atria Books, August 2024

Where Did I Get This Book: I received an ARC from the publisher at ALAAC24.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A woman returns to her estranged, magical family in Appalachia but when a man is found dead in the woods nearby, it seems the family has conjured something sinister in this lush, shimmering, and wildly imaginative debut novel that is perfect for fans of Alice Hoffman, Deborah Harkness, and Sarah Addison Allen.

Lee left Craw Valley at eighteen without a backward glance. She wanted no part of the generations of her family who tapped into the power of the land to heal and help their community. But when she abandons her new life in California and has nowhere else to go, Lee returns to Craw Valley with her children in tow to live with her grandmother, Belva.

Lee vows to stay far away from Belva’s world of magic, but when the target of one of her grandmother’s spells is discovered dead, Lee fears that Belva’s magic may have summoned something dark.

As she and her family search for answers, Lee travels down a rabbit hole of strange phenomena and family secrets that force her to reckon with herself and rediscover her power in order to protect her family and the town she couldn’t leave behind.

Review: Thank you to Atria books for providing me with an ARC of this novel!

One of the panels I attended at ALAC24 was a preview of upcoming thriller titles with the authors at hand to describe their books. One of the books that caught my attention was “Strange Folk” by Alli Dyer, which had not only a fantasy element to the thriller story, but also involved a family of healers in the mountains of Appalachia that has used nature and their powers to help those around their community, as well as stirred up some trouble here and there when using those powers. We all know that this is the exact kind of story I am an absolute sucker for, so I was very excited to read this book, my hopes being pretty high.

In terms of the witchiness themes and lore I did find a lot I liked in this book. I was definitely getting some hints and homages to “Practical Magic” as a reluctant woman from a line of healers and supposed ‘witches’ returns to her Appalachia home with her children after a nasty divorce. Lee’s homecoming and reintegration into the town was really fun to watch unfold, as she starts to reconnect with her grandmother Belva, a well respected healer, and starts to interact with the land again and how it can bind and heal, and sometimes take and harm. I absolutely loved the descriptions of the spells, charms, tinctures, etcetera of the women in this family, and the various rituals that they would partake in in hopes of helping and healing. And the Appalachia setting makes for an even more unique lens, with Lee’s family being mountain folk who have hidden away from general society and made their own way, being trusted by some and feared by others. I honestly kept thinking about Misty Day in “American Horror Story: Coven” with her connection to nature and her more ‘folksy’ (for lack of a better term) traditions. This interpretation of witches really worked for me in this story, as I love a story with powerful women doing magic, or something like it.

But that kind of leads to why this didn’t work as well for me, and that is because unlike in “Practical Magic” I didn’t really become attached to any of the characters at hand. A lot of them had some promising backstories, traits, and personalities, but I never fully enjoyed them and never quite believed that they got to what I was hoping they would be. Whether it was our main character Lee, who had some great build up but then didn’t quite get past the building blocks of her character except to be like ‘oh no I guess we will stay because this is my home’, or her mother Redbud, who was consumed by a guilty conscience and then became a drug addict and traumatized her daughter, we had so many things that could have been explored…. but then just didn’t quite get the exploration I was hoping for. I don’t really need characters like this to be likable, but I at least want them to be interesting even if I can’t really root for them. And I had a VERY hard time with the dynamic between Lee and Redbud, and how it felt like there was probably a lot of grace and forgiveness when all was said and done without the amount of atonement that I REALLY needed from her. And by the time we got some answers and reveals about what was going on, I was more happy that we were wrapping up as opposed to actually getting fulfilling answers.

I had higher hopes for “Strange Folk”, and while the concept, setting, and lore worked for me, I wanted from from our cast of mountain witches and their loved ones. I think it would be a good choice for the upcoming Autumn, however.

Rating 6: A strong premise and some interesting folk lore makes for a cool concept, but I wasn’t as invested in the characters.

Reader’s Advisory:

“Strange Folk” isn’t on many specific Goodreads lists but I think if you like books like “Practical Magic” and other magical family sagas this could be a good match.

Kate’s Review: “49 Miles Alone”

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Book: “49 Miles Alone” by Natalie D. Richards

Publishing Info: Sourcebooks Fire, July 2024

Where Did I Get This Book: I received an ARC from the publisher.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Four days alone in the desert. Except they’re not as alone as they think.

A year ago, Katie and her cousin Aster survived a night that left their world and easy friendship fractured. Desperate to heal and leave the past behind them, they tackle four days of hiking in the Utah backcountry. But the desert they’ve loved for years has tricks up its sleeve. An illness, an injury, and a freak storm leave them short on confidence and supplies. When they come across a young couple with extra supplies on the trail, they’re grateful and relieved―at first. Riley exudes friendliness, but everything about her boyfriend Finn spells trouble.

That night, after some chilling admissions about Finn from Riley, Katie and Aster wake to hear the couple fighting. Helpless and trapped in the darkness, they witness Riley’s desperate race into the night, with Finn chasing after. In the morning, they find the couple’s camp, but Riley and Finn? Vanished. Katie is sure Riley is in trouble. And with help a two-day hike away, they know they are the only ones who can save her before something terrible happens. The clock is ticking and their supplies are dwindling, but Katie and Aster know they have to find Riley before Finn―or the desert―gets to her first.

Review: Thank you to Sourcebooks Fire for sending me an ARC of this novel!

I truly think that Summer, while not a favorite season of mine, has a book vibe that I really like to adhere to. Much like Fall feeling like the perfect ambiance for a horror story or a cozy fantasy, for me Summer feels like the best time to tap into various kinds of thrillers. One of those sub-genres is survival thrillers, especially if they are set in the wilderness. So I was very excited to read “49 Miles Alone” by Natalie D. Richards, which follows cousins Katie and Aster on a wilderness hike that goes pretty sour and they are suddenly in the web of a killer. This is my FAVORITE kind of wilderness survival tale, and I hopped on in ready for a wild ride!

I’ve mentioned before that I’m not an outdoorsy kinda person outside of the occasional hike through a state or national park, or for some landscape photography excursions. Certainly not multiple days of camping or hardcore hiking and off trail backpacking. But I do love seeing that premise used in a survival/wilderness thriller, and “49 Miles Alone” does a great job of highlighting the real dangers of the wilderness even without having a killer in the vicinity. As Katie and Aster start their journey, it’s already tense due to an incident in the near past that left Aster wracked with guilt and Katie traumatized, and things just keep going wrong and make the tension build all the more. Whether it’s weirdos on the trail, or a storm that manifested out of nowhere and makes the trail that much more unpredictable and dangerous, or Aster suddenly falling ill, many small things keep piling up to turn into one big troublesome and dangerous situation. I’ve known people who do this kind of hiking and camping who have BEEN in these sudden life or death situations where you have to make quick decisions that could end very badly, and watching Katie and Aster have to contend with these things on top of Katie’s trauma and Aster’s guilt made for a lot of really well done suspenseful beats.

But the main point of suspension, when Aster and Katie meet a couple on the trail and Katie suspects the man, Finn, to be dangerous, didn’t hit as hard as i had hoped it would. I normally really like this trope of wilderness savvy people meeting dangerous psychos and having to navigate the wilderness with them, as when it’s done well (like in “The River Wild” or “Desolation”, two films I really like) it can be SO nerve wracking. But I think that in this one it gets a little tripped up, partially due to the timing of meeting Finn and his hiking partner/girlfriend Riley, and partially due to not really getting much insight into the two of them outside of some interactions from Aster’s and Katie’s POVs. To make things worse, by the time we do get to the main driving conflict of potentially being hunted down, it felt a bit more rushed as opposed to the slow build of the earlier parts of the book. I also kind of called one of the big twists pretty quickly, which always kind of pulls the wind out of the sails of a thriller.

So it was a bit of a mixed bag. But that said, “49 Miles Alone” has some really good bits of realistic wilderness survival thrills. It’s a good summer read to be sure!

Rating 7: I loved the tense build up of the perils of an unpredictable hike between tension filled cousins, and I wish it had stayed more in that realm as the dangerous killer on the trail was a little underwhelming.

Reader’s Advisory:

“49 Miles Alone” is included on the Goodreads list “YA Novels of 2024”.

Kate’s Review: “Ladykiller”

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Book: “Ladykiller” by Katherine Wood

Publishing Info: Bantam, July 2024

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: When an heiress goes missing, her best friend races to unravel the secrets behind her disappearance using clues left behind in an explosive manuscript…

Gia and Abby have been best friends since they were girls, forever bonded by the tragedy that unfolded in Greece when they were eighteen. In the aftermath, bookish Abby threw herself into her studies while heiress Gia chronicled the events of that fateful summer in a salacious memoir.

Twelve years later, Gia is back in Greece for the summer with her shiny new husband and a motley crew of glamorous guests, preparing to sell the family estate in the wake of her father’s death. When Abby receives an invitation from Gia to celebrate her birthday in September beneath the Northern Lights, she’s thrilled to be granted the time off from her high-pressure job. But the day of her flight, she receives a mysterious, threatening email in her inbox, and when she and Gia’s brother Benny arrive at the Swedish resort, Gia isn’t there. After days of cryptic messages and unanswered calls, Abby and Benny are worried enough to fly to Greece to check on her.

Only, when they arrive, they find Gia’s beachfront estate eerily deserted, the sole clue to her whereabouts a manuscript she wrote detailing the events leading up to her disappearance. The pages reveal the dark truth about Gia’s provocative new marriage and the dirty secrets of the guests they entertained with fizzy champagne under the hot Mediterranean sun. As tensions rise, Gia feels less and less safe in her own home. But the pages end abruptly, leaving Abby and Benny with more questions than answers.

Where is Gia now? And, more importantly, will they find her before it’s too late?

Review: Thank you to NetGalley for providing me with an eARC of this novel!

We are now smack dab in the middle of summer now, and I don’t know about you, dear readers, but I have a LOT of pool time coming up as the temps go up and the family wants to cool off. While I spend a fair amount of time at the pool keeping an eye on my kid, if the husband is there too we split the time, which means I get to read when I’m not on swim duty. Which in turn means that I’m looking for good poolside reads that keep me entertained and keep my interest, the more scandalous the better. “Ladykiller” by Katherine Wood was one such book. You have a missing woman, a Grecian backdrop, a potentially shady new husband, and some long hidden secrets. All of this is the perfect mix for the kind of thriller I want poolside! And while it definitely scratched some itches, overall, unfortunately, I found this one to be a bit hit or miss.

The story structure of this novel is told from two different perspectives, one from the perspective of Abby and the other from Gia. Abby is Gia’s long time friend, who has worked incredibly hard to become an attorney and who had a falling out with the heiress newlywed Gia due to her not approving of the whirlwind romance and fast marriage. Abby and Gia’s brother Benny are supposed to meet Gia for her birthday, but find her missing and not answering her phone. The other perspective is the manuscript from Gia’s newest memoir, which is a record of what was happening on her estate in Greece with her husband Garrett, two strangers they befriended, and the slow realization that Garrett is perhaps not what he seems. Both perspectives round out the mystery, with the reader being able to follow along and to learn things that perhaps one woman may not know of the other, which I always enjoy. It’s also interesting getting their varying perspectives on some of their shared secrets, as Abby has some guilt for past actions, and Gia’s memoir starts to veer into ‘is this unreliable’ territory. I greatly enjoyed these aspects of this book.

All that said, I think that while it’s entertaining in structure, I wasn’t super invested in any of the characters, and wasn’t terribly surprised by many of the twists and reveals as the mystery went on. It follows a pretty well explored formula, and it doesn’t really go outside the expected norms. I found it entertaining as it was going, and I was interested to see how things were going to shake out, but I wasn’t terribly invested in many of the characters and what their outcomes were going to be. I also found some of the choices made by the characters, Abby in particular, to be a bit galling. It just had a lot of potential to really bowl me over as the recipe for that is there. But it never quite came together. But hey, I did find it to be entertaining for the most part, and one I could easily pick up and put down as needed.

“Ladykiller” is a poolside read through and through and one I would recommend to those who are looking for such a thing. There’s still lots of summer left! Add it to your pile you keep in the swim bag.

Rating 6: It’s entertaining for the most part, but the twists and turns were pretty obvious and I wasn’t interested in many of the characters.

Reader’s Advisory:

“Ladykiller” is included on the Goodreads list “Mystery and Thriller 2024”.

Kate’s Review: “Such a Bad Influence”

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Book: “Such a Bad Influence” by Olivia Muenter

Publishing Info: Quirk Books, June 2024

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: For fans of Ashley Winstead, a razor-sharp debut about what happens when one of the first child stars of the social media age grows up . . . and goes missing.

Hazel Davis is drifting: she’s stalled in her career, living in a city she hates, and less successful than her younger sister @evelyn, a lifestyle influencer. Evie came of age on the family YouTube channel after a viral video when she was five. Ten years older and spotlight-averse, Hazel managed to dodge the family business—so although she can barely afford her apartment, at least she made her own way.

Evie is eighteen now, with a multimillion-dollar career, but Hazel is still protective of her little sister and skeptical of the way everyone seems to want a piece of her: Evie’s followers, her YouTuber boyfriend and influencer frenemies, and their opportunistic mother. So when Evie disappears one day during an unsettling live stream that cuts out midsentence, Hazel is horrified to have her worst instincts proven right.

As theories about Evie’s disappearance tear through the internet, inspiring hashtags, Reddit threads, and podcast episodes, Hazel throws herself into the darkest parts of her sister’s world to untangle the truth. After all, Hazel knows Evie better than anyone else . . . doesn’t she?

Review: Thank you to NetGalley for providing me with and eARC of this novel!

Back at the end of last summer a particularly disturbing crime story dropped, in which Youtube Mommy Blogger Ruby Franke and her business associate Jodi Hildebrandt were arrested for six counts of aggravated child abuse against Franke’s two youngest children. Franke and her family rose to fame through her now defunct 8 Passengers YouTube channel, where she would document and monetize family life and wholesome conservative/Mormon values. So it was a shock to many when she was arrested for starving, beating, maiming, and abusing two of the kids that had once been on the channel and in so many people’s lives through a computer screen. It wasn’t a shock for me, though, having been tuned in to the whole swamp that is child influencers on social media for awhile. So it’s no surprise that “Such a Bad Influence” by Oliva Muenter caught my attention, as it’s a thriller that has that very idea as a hook. I had such high expectations for this book, and was very excited to read it. So it’s not too dramatic to say that after riding a high on it for a good three fourths of the novel, the last fourth knocked me back to Earth in a frustrating way.

Firstly though I’m going to talk about the things that I did like about this book, because for the great majority of it I was very, very pleased with what I was reading. For one, I am a huge sucker for missing person books, and “Such a Bad Influence” has a great hook of a very popular influencer named Evie Davis going radio silent mid livestream, and as her silence continues people start speculating she’s actually missing. This is already a winning aspect for me, and you add in a protagonist in the form of her older sister Hazel, who has shunned the spotlight and has worried over Evie even before this moment in time. Hazel’s motivation is totally believable, and while she’s prickly and difficult in some ways I liked her tenacity and her drive to find the younger sister she feels she has failed in many ways. I also really, really liked the themes of the ethics of children being shown online for profit, usually by their parents, and using them as money makers by exploiting their time, image, and very existence when they can’t REALLY consent. And along with that come the strangers who seek out these accounts of underage children who have disgusting ulterior motives, and how the full access to these accounts can enable predation. This is all through the role of Evie and Hazel’s mother Erin, who once posted a tragic video that went viral and rocketed Evie to fame, and with that came her ambitions to become a momager to her now incredibly popular daughter. And all the shady choices that come with a fortune from business ventures, sponsorships, and clicks constant content churning. I’ve been tapped into this ethical debate for almost two years now, when the podcast “Someplace Under Neith” did a whole series on exploitation of children on social media vis a vis influencer accounts, but it has come more to the forefront in society’s eyes due to the aforementioned Ruby Franke/Jodi Hildebrandt case and a long investigative article by the New York Times (which my husband was texting me about the day it dropped, in full horror, and I was like ‘yep, I know all this, why do you think all my social media accounts where I have images of our kid are private/highly vetted?’). There were also some good points about how true crime exploits people as well, but I won’t go into that as much because eh, that’s pretty well worn territory these days as it seems EVERYONE needs to be pointing that out in any story that involves a true crime community angle. We get it, we’re creeps. But I did like the way this story addressed it as it wasn’t as hamfisted as it could have been. All of this was fantastic, and I was really loving this book and the issues that Muenter was touching upon.

BUT. ONCE AGAIN, a really fun and engaging thriller/mystery was, for me, completely derailed by a wholly unnecessary twist ending.

THIS JUST KEEPS HAPPENING LATELY. (source)

Okay, look. I’m not so naive to believe that these kinds of rug yanked out from under you twists aren’t popular with the thriller fanbase. I would probably even be willing to concede that for a lot of people the big surprising twist is a good part of the fun of a thriller, to see how creative an author can be and how their misdirection can surprise a reader. But I am getting sick of it. Nay, I’ve BEEN sick of it. It always feels like it negates everything that came before, especially when there was an already in place solid first ending that was upended with a few paragraphs after a time jump of all things, which just felt like a yadda yadda yadda of a significant plot point. And honestly I didn’t really like that one so much either because it wasn’t super fleshed out to begin with, but at least it felt earned and like everything was building up to it. This damn twist had a couple of hints towards it too I suppose, but it still felt like a cheap final ‘gotcha’ that I really didn’t have the patience for this time around. That’s probably not the fault of the book, but man, I’m just so over this kind of device.

I was bummed that “Such a Bad Influence” had a thud of an ending after a solid and enjoyable rise before the fall. If you like shocking final act game changers by all means check it out for yourself. Far be it from me to ruin that kind of fun for those who enjoy it.

Rating 6: What started as a twisted and entertaining thriller eventually ended with a clunk and an unnecessary twist.

Reader’s Advisory:

“Such a Bad Influence” is included in the Goodreads article/list “Readers’ 54 Most Anticipated Summer Mysteries & Thrillers”.

Blog Tour & Joint Review: “Not in Love”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Not in Love” by Ali Hazelwood

Publishing Info: Berkley, June 2024

Where Did We Get This Book: eARC from blog tour!

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Rue Siebert might not have it all, but she has enough: a few friends she can always count on, the financial stability she yearned for as a kid, and a successful career as a biotech engineer at Kline, one of the most promising start-ups in the field of food science. Her world is stable, pleasant, and hard-fought. Until a hostile takeover and its offensively attractive front man threatens to bring it all crumbling down.

Eli Killgore and his business partners want Kline, period. Eli has his own reasons for pushing this deal through – and he’s a man who gets what he wants. With one burning exception: Rue. The woman he can’t stop thinking about. The woman who’s off-limits to him.

Torn between loyalty and an undeniable attraction, Rue and Eli throw caution out the lab and the boardroom windows. Their affair is secret, no-strings-attached, and has a built-in deadline: the day one of their companies will prevail. But the heart is risky business – one that plays for keeps.

Serena’s Thoughts

First of all, I’ve loved being included in these blog tours and truly appreciate the opportunity to participate! I’ve loved most books I’ve read by Ali Hazelwood, up to this point, so I was excited to check this one out! Unfortunately, I have to admit up top that not only was this my least favorite book by Hazelwood so far, but it was a let down of a read for me in most ways. Now, of course, this is a subjective take, especially the things that didn’t work for me, and many of my complaints may work great for others!

First of all, I was disappointed to find that this was a duel POV romance story. Hazelwood has always been a favorite of mine for the simple fact that she writes single POV love stories, something that I always prefer. And, I’m sorry to say, but I think the change in format was for the worse in general. More often than not, I feel like authors end up using duel POV as a crutch when conveying the a love story. Instead of showing the romance building, the narrative simply switches between POVs where both characters simply tell the reader how much they adore the other. And we had much of that here. Gone was much of the nuance and the romantic scenes/action that show the characters growing to love one another.

What’s worse, given the nature of the way this relationship builds, instead of telling the reader how much they each are growing to care for one another, we ended up with a whole lot of inner thoughts about simply wanting to jump into bed with one another. The male POV was especially rough in this arena. I don’t care to repeat the number of times he reflects on how great of a lay Rue is. This is all fine and dandy, but not something I need to be in someone’s head to hear about repeatedly.

I also thought the balance was off in this book between the spice scenes and the emotional development: there was too much of the former and not enough of the latter. Rue, in particular, had an interesting background and I enjoyed learning more about her backstory and watching her come out of her shell a bit. But for his part, Eli felt a bit too much like your standard “golden retriever esque tech bro” type character. He also seemed to immediately fall into instalove/lust with Rue from their very first scene together, which didn’t leave the story anywhere to go for him.

Unfortunately, I didn’t love this book, which I’m so disappointed to report. I’ve really enjoyed Hazelwood’s romances in the past, but many aspects of this were just never going to be for me (the duel POVS, the balance of spice to plot, etc.). Others who like these elements may enjoy this one more.

Kate’s Thoughts

There is a reason that Ali Hazelwood is probably my favorite romance author, and that is because in some ways I know exactly what to expect, but in other ways she knows how to catch me off guard. I usually know a few things about what I’m going to get into with her novels, and that is they are always going to have quirky and science minded protagonists, and there will be some steamy spicy moments. “Not In Love” is no exception to this, and it still works for me for the most part. I really enjoyed our female lead Rue, as she was probably Hazelwood’s most coded as neurodivergent character yet, and I am always going to be ALL about that kind of representation. Especially since she is never put down or made to feel bad for it by those who matter. I wasn’t as big of a fan as Eli, and it’s for the same reasons that Serena lists above. But I DO appreciate that Hazelwood has been experimenting a bit within her sub genre approaches as of late, whether it was a stellar dive into paranormal romance in “Bride” or a tamer and more chaste take on YA romance in “Check and Mate”. In this one she explores kink and BDSM as Rue and Eli do their forbidden lust/romance, and I kept thinking about “Secretary” as I read, which is a good thing because that movie is WILD and oh my GOD JAMES SPADER. Anyway. I have no experience in the BDSM/kink community so can’t speak to how accurate it is, but I like that Hazelwood is expanding her horizons.

But I do find myself agreeing with her frustration with the way the romance progressed as was presented, though in my case it may have more to do with personal preference more than anything else. I have been used to Hazelwood taking her sweet time with the romances in her books, building up the sexual tension and the friendship and intimate aspects to her love birds at.a pace that makes for lots of fun moments and then a HUGE pay off when they do consummate. Well in “Not In Love”, while there is a BIT of a wait, the sexytimes payoff is a bit sooner than a lot of her past books, and for me it felt like we were going off prematurely. Which I fully recognize is a bit of a silly criticism for a forbidden romance/no strings turned more romance. But it’s a tried and true pattern for me and my reading tastes that romances that have a lot of spice too soon don’t connect for me as well as that sweet sweet slow burn, and that’s, of course, incredibly subjective. I know plenty of people who will see this as a huge plus.

So while some parts of “Not In Love” didn’t quite click for me, I did enjoy other aspects of it like I have in previous books by Hazelwood. I still can’t wait for whatever she comes up with next.

Serena’s Rating 6: The duel POV hampered rather than helped the love story, and the spice scenes were not the best and overshadowed the plot.

Kate’s Rating 7: I like that Hazelwood continues to explore different angles and sub genres of romance, and I like how unapologetically neurodivergent Rue is. But as someone who really likes there to be some build up to spice for a slow burn pay off, “Not In Love” went a little too hard too fast for me.

Reader’s Advisory

“Not in Love” is on this Goodreads list: Rom Coms

Kate’s Review: “When She Was Me”

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Book: “When She Was Me” by Marlee Bush

Publishing Info: Poisoned Pen Press, May 2024

Where Did I Get This Book: I received an eARC from the publisher via NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: There’s only one way out of these woods…

Ever since that night, twin sisters Cassie and Lenora have been inseparable. As the sole permanent residents of Cabin Two, their refuge on an isolated Tennessee campground, they manage to stay away from prying eyes, probing questions, and true crime junkies. Just the two of them, Cassie and Lenora against the world. The peace and quiet is almost enough to make them forget what happened all those years ago. Almost.

Until a teenage girl camping at the neighboring cabin goes missing, and the memories come rushing back. As the crime becomes ever more recognizable—they know better than anyone that so-called ‘happy families’ can be anything but—each sister suspects the other knows more than she’s letting on….

Trapped in the isolating, claustrophobic wilderness, Cassie and Lenora must piece together the truth of what happened—and the sinister truth lurking in their own pasts—before it’s too late.

Review: Thank you to Poisoned Pen Press for sending me an eARC of this novel via NetGalley!

What can I say, I love a good cabin the woods story, as I myself love a cabin in the woods. You know, assuming it’s not one of those pesky horror movie ones where everything goes terribly wrong. But I do love a book where there’s a cabin in the woods where everything goes horribly wrong, so of course I was interested in “When She Was Me” by Marlee Bush. The cover is clearly SCREAMING ‘I’m a cabin in the woods and things are about to go wrong!’ It also has twin sisters, a missing girl, some unreliable narrators, and promises of dark secrets. All of this is totally my jam!

To start, I really liked getting into the minds of twin sisters Cassie and Lenora, who have a shared traumatic past and a fierce devotion to one another. A devotion that is probably bordering on unhealthy. We jump between their two perspectives, learning about each other both from their own thoughts, but also sometimes from the other sister’s perception of the narrator at the time. I especially liked how this device made for. both better insight as well as a potential layer of unreliability. After all, Cassie may know more about Lenora than Lenora would like to admit (and vice versa), but there may also be misconceptions each has about the other due to their shared history and shared secrets. Sometimes when this kind of story of siblings, especially with twins, is taken on it can be have mixed results, but this was the strongest aspect of the book for me.

Now the mystery itself. It is definitely easy to read, and entertaining when the reader is in the thick of it. But I will say that it was pretty standard for a thriller, with all the boxes checked that you would expect to be checked (unreliable narrators, an isolated setting that makes for more difficult maneuvering, twist after twist after twist), without really doing too much outside of the box, or doing it in a way that is unique. There are misdirections that I could predict coming (though not to their full resolution or reveal, I will say), and I wasn’t invested in many of the characters outside of Cassie and Lenora, and even then that was more because of their dynamic and not because I was particularly attached to them as characters. It’s serviceable to be sure and I could see it being a perfect breezy beach read, and one that I enjoyed in the moment. But it didn’t really stand out from the litany of thrillers that came before it.

“When She Was Me” is entertaining and an enjoyable read. When I was in it I was in it. But it didn’t wow me as much as I had hoped it would.

Rating 6: It’s a pretty standard thriller, entertaining and addictive, but not really reinventing the wheel.

Reader’s Advisory:

“When She Was Me” is included in the Goodreads article “42 New Reader-Approved Mysteries for Spring”.

Kate’s Review: “Immortal Pleasures”

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Book: “Immortal Pleasures” by V. Castro

Publishing Info: Del Rey, April 2024

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: An ancient Aztec vampire roams the modern world in search of vengeance and love in this seductive dark fantasy from the author of The Haunting of Alejandra.

Hundreds of years ago, she was known as La Malinche: a Nahua woman who translated for the conquistador Cortés. In the centuries since, her name has gone down in infamy as a traitor. But no one ever found out what happened to La Malinche after Cortés destroyed her people.

In the ashes of the empire, she was reborn as Malinalli, an immortal vampire. And she has become an avenger of conquered peoples, traveling the world to reclaim their stolen artifacts and return them to their homelands. But she has also been in search of something more, for this ancient vampire still has deeply human longings for pleasure and for love.

When she arrives in Dublin in search of a pair of Aztec skulls—artifacts intimately connected to her own dark history—she finds something else: two men who satisfy her cravings in very different ways.

For the first time she meets a mortal man—a horror novelist—who is not repelled by her strange condition but attracted by it. But there is also another man, an immortal like herself, who shares the darkness in her heart. Now Malinalli is on the most perilous adventure of all: a journey into her own desires.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

V. Castro is one of my favorite horror authors, and I had been waiting patiently (maybe not so patiently) for her to take on a vampire story. So when I saw the announcement for “Immortal Pleasures” and that it not only was going to be a vampire story that centers on La Malinche, but that the cover looked like a full on “From Dusk Til Dawn” aesthetic, I rejoiced. Of all of the V. Castro books I’ve looked forward to, this was up there with “The Haunting of Alejandra” (which I also loved). So I dove into “Immortal Pleasures”, eager and filled with anticipation.

So, first thing’s first. I am absolutely going to praise the praiseworthy things about this book, and there are lots of things that I really, really liked. For starters, the concept of the woman who was La Malinche being turned into a vampire with the name Malinalli, and using her immortality to reappropriate the items and objects from the Nahua culture back from Western clutches is PHENOMENAL (especially since Cortés is ALSO a vampire now and they are on a path to run afoul each other again). I am so thrilled that there has been more discussion about the Spanish conquest/invasion in Central and South America in fiction as of late, as I’ve seen this in multiple horror novels in the past couple of years, and what a neat idea to take the figure of La Malinche, the Nahua woman who worked as a translator and advisor for Hernán Cortés during his bloodthirsty mission, and to give her a voice and to give her something of a redemption arc when as of late she has been vilified for her role in advising and enabling Cortés (if you want some background on La Malinche, take a look HERE). Castro is game to dive into the themes of the colonial violence and genocide that the Spanish committed during their invasion and conquest, and to show La Malinche, now Malinalli, as a victim who wants to atone for the role she played, even if it was a role forced upon her as an enslaved woman. So yes, I absolutely love her as a reborn vampire who is traveling the Western world to bring pre-Columbian Meso- American cultures’ artifacts back from museums, universities, and collectors. It makes her powerful, it makes her redemptive, and it makes her complex. I also really like that she is finally in charge of her own sexuality, as when she was alive she was absolutely a victim of rape and sex trafficking as an enslaved woman forced into the role of Cortés’s accomplice. As Malinalli she is able to have agency in her sexuality. And given that there are many sex scenes in this book between her and a horror writer, as well as her and another vampire (whose twist of an identity made me SCREAM with both glee and also confusion but in a good way, I assure you), she takes control of her sexual narrative repeatedly. Also, very explicitly.

But here are the roadblocks that made this book a harder read for me, and it’s mostly a narrative choice in how the story is told. This is not only a first person narrative, with Malinalli telling the reader her story both in past and in present, but it is also done in a way that makes it feel very matter of fact and conversational, which means that the flow is almost ALL telling and very little showing. It felt to me like Castro was going for an Anne Rice “Interview with the Vampire” vibe, which I absolutely appreciate because that’s iconic. But I think that the problem was that it just made for a less interesting narration because again, it was more telling and less showing. I also didn’t feel nearly as much connection to the modern story of Malinalli trying to retrieve two skulls in the United Kingdom as I did to the historical story of her as La Malinche and her start as a vampire. I almost wonder if it’s because her modern story has the meandering paths of her relationship with Colin, the aforementioned horror writer, and the many many sex scenes she has with him. Some bordering on the ludicrous. I like to think that I’m not a prude in any way shape or form, and again, I LOVE giving Malinalli the agency she has in her sex life. But man, there were a LOT of sex scenes that felt superfluous. And oddly written. And Colin himself just wasn’t super interesting to me, and I couldn’t figure out why she was interested in him to begin with. Though that said, she drops him like a hot potato REALLY fast once she meets fellow vampire Alex, but that also felt rushed and hastily resolved. It just felt like a pacing issue, or indecisiveness on what to focus on.

So, overall, “Immortal Pleasures” wasn’t what I wanted it to be. There were aspects I liked, but it felt like a rare stumble from V. Castro in a lot of ways.

Rating 6: The themes and ideas of this book worked so well for me, but the narrative voice and the choices that came with it were a bit too stilted for me.

Reader’s Advisory:

“Immortal Pleasures” is included on the Goodreads list “Horror to Look Forward to in 2024”.

Joint Review: “Ghost Station”

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Book: “Ghost Station” by S.A. Barnes

Publishing Info: Tor Nightfire, April 2024

Where Did We Get This Book: NetGalley;

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A crew must try to survive on an ancient, abandoned planet in the latest space horror novel from S.A. Barnes, acclaimed author of Dead Silence.

Space exploration can be lonely and isolating.

Psychologist Dr. Ophelia Bray has dedicated her life to the study and prevention of ERS—a space-based condition most famous for a case that resulted in the brutal murders of twenty-nine people. When she’s assigned to a small exploration crew, she’s eager to make a difference. But as they begin to establish residency on an abandoned planet, it becomes clear that crew is hiding something.

While Ophelia focuses on her new role, her crewmates are far more interested in investigating the eerie, ancient planet and unraveling the mystery behind the previous colonizer’s hasty departure than opening up to her.

That is, until their pilot is discovered gruesomely murdered. Is this Ophelia’s worst nightmare starting—a wave of violence and mental deterioration from ERS? Or is it something more sinister?

Terrified that history will repeat itself, Ophelia and the crew must work together to figure out what’s happening. But trust is hard to come by… and the crew isn’t the only one keeping secrets.

Kate’s Thoughts

When Serena approached me asking if I’d be interested in doing another Joint Review of an S.A. Barnes book, I was game. I liked getting both our perspectives on “Dead Silence”, as it is both Sci-Fi and Space horror, and therefore in both our wheelhouses. I enjoyed “Dead Silence”, and reading up on “Ghost Station” was just as intriguing to me based on the description.

If I was mentally comparing “Dead Silence” to “Aliens” and “Event Horizon”, “Ghost Station” read like the sci-fi horror film “Prometheus” to me, with a crew getting in way over their head on a mysterious planet that has sinister secrets. In terms of the things I liked, I really enjoyed Ophelia as our protagonist, as she is both unreliable in a number of ways, but is also very driven for very personal reasons in connection to a dangerous mental disorder known as ERS. I liked not really knowing what her deal was beyond one straight forward incident, and an anxiety and shame about being a part of a notorious corporate family with immense wealth and unscrupulous morals. We slowly get to peel back her layers, and as she and the crew find themselves in a situation that keeps getting more tense and more dangerous, her secrets and their secrets combine to make for a good deal of suspense and mysteries revealed. There is also some nice space horror bits here, and some beats that really unsettled me. Particularly the way that Barnes shows a slow decay of various crew members sanity, for reasons that may not be as obvious as Ophelia would like it to be.

But all that said, this one felt like it was a bit heavier on the Sci-Fi elements this time around, and even though I enjoy Space Horror as a Sci-Fi sub-genre, if you tread a bit too far into the Sci-Fi, my brain just shuts off (this actually happened with “Prometheus” as well). There is no question that this book does have a lot of suspenseful and scary moments in it that worked for me, but they felt a little few and far between. This isn’t to be a criticism of this book because I imagine that this will work very well for the target audience of Sci-Fi aficionados (let’s see what Serena says!), but it just got into the Sci-Fi weeds a bit too much for me as a person who isn’t a fan of that genre.

“Ghost Station” will probably satisfy Sci-Fi fans who like space horror, but for this horror fan who doesn’t usually mess with that genre, it didn’t hit as hard as I’d hoped it would.

Serena’s Thoughts

While I liked this one more than Kate did (probably no surprise, as science fiction is a much-loved genre of mine on its own right, and the horror side of things was the more experimental thing), I also agree with many of her criticisms. For the most part, I enjoyed the science fiction elements we had here. Many of them are fairly standard fair as far as futuristic technology goes, but I thought they were presented and used in interesting ways.

I also thought the horror elements were good. There was definitely the slow build up of dread as Ophelia and the other members of the crew explore and piece together the mystery of what had happened before them. There were some legitimately creepy moments, but not enough to make the book unapproachable to more casual horror readers. That said, I think the horror aspects of the first by this author that we joint read, “Dead Silence,” hit me harder, some even popping up in my head at inconvenient times days later. Whereas with this book, moments were a bit freaky, but it didn’t stay with me in the same way.

I also struggled a bit with the pacing and character development in this one. While I think the slower nature of the building dread worked well on the spooky front, the pace overall seemed to drag, especially in the beginning. I kept wanting to rush ahead for things to start happening, and it seemed to take quite a long time to get to anything substantial. And, while I enjoyed discovering more about Ophelia, who she was and why she made the decisions she did, I also found myself more frustrated by some of her decisions and inner monologues than I did with the lead character in “Dead Silence.”

Overall, I thought this was was a serviceable science fiction horror story, though I don’t think it quite lived up to the high that was the author’s previous work.

Kate’s Rating 6: There are definitely solid horror moments, but this was a little too heavy on the Sci-Fi for me.

Serena’s Rating 7: A bit slow with regards to pacing, but an approachable book overall, especially for the more casual horror/science fiction readers.

Reader’s Advisory

“Ghost Station” is included on the Goodreads lists “Horror to Look Forward to in 2024”, and “Can’t Wait Sci-Fi/Fantasy of 2024”.

Kate’s Review: “This Wretched Valley”


This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “This Wretched Valley” by Jenny Kiefer

Publishing Info: Quirk Books, January 2024

Where Did I Get This Book: I own it.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Four ambitious climbers hike into the Kentucky wilderness. Seven months later, three mangled bodies are discovered. Were their deaths simple accidents or the result of something more sinister? This nail-biting, bone-chilling survival horror novel is inspired by the infamous Dyatlov Pass incident, and is perfect for fans of Alma Katsu and Showtime’s Yellowjackets.

This is going to be Dylan’s big break. Her friend Clay, a geology student, has discovered an untouched cliff face in the Kentucky wilderness, and she is going to be the first person to climb it. Together with Clay, his research assistant Sylvia, and Dylan’s boyfriend Luke, she is going to document her achievement on Instagram and finally cement her place as the next rising star in rock climbing. 

Seven months later, three bodies are discovered in the trees just off the highway. All are in various states of decay: one body a stark, white skeleton; the second emptied of its organs; and the third a mutilated corpse with the tongue, eyes, ears, and fingers removed. But Dylan is still missing. Followers of her Instagram account report seeing disturbing livestreams, and some even claim to have caught glimpses of her vanishing into the thick woods, but no trace of her—dead or alive—has been discovered. 

Were the climbers murdered? Did they succumb to cannibalism? Or are their impossible bodies the work of an even more sinister force? Is Dylan still alive, and does she hold the answers? 

This page-turning debut will have you racing towards the inevitable conclusion.

Review: It’s been a bit since I’ve read a balls to the wall survival/wilderness horror story, which is a shame because I legitimately love this trope and sub-genre with every fiber of my being. “The Blair Witch Project” is my favorite horror movie of all time, and there are plenty of other movies and books and just real life moments of having to survive in a terrifying wilderness that deeply resonate with me. Because of this, I was SUPER interested in reading “This Wretched Valley” by Jenny Kiefer, a debut horror novel that has a team of researchers and climbers going into the wilds of Kentucky for a project, and then are surrounded and tormented and picked off by a mysterious force that dwells within it. Like holy SHIT this is SO MY KINDA THING!

(source)

As far as survival horror goes, this book really checks a lot of boxes for me. As stated above, I love this sub-genre, and this one has so many hints of “The Blair Witch Project” and “The Descent” throughout its DNA that I was absolutely amped. And yes, lots of harkening to the Dyatlov Pass Incident, though I do tend to fall in the ‘it was probably some kind of avalanche’ camp in that regard. Anyway, as our group of campers/researchers/climbers go deep into a mysterious valley in the Kentucky wilderness in hopes of researching the geology of this pristine rock face that has seemingly just appeared out of nowhere. Our scientists are grad student Clay and his research assistant Sylvia, and our climbers are aspiring influencer Dylan and her boyfriend Luke and their dog. So we already have a group that is going in with a greater purpose of differing degrees of fame in mind, and when weird stuff turns to dangerous stuff turns to nightmarish stuff, the paranoia, terror, and desperation starts to tear them all apart. The idea of being lost in the wilderness scares the living daylights out of me, and Kiefer captures that fear and ratchets it up as our group can’t seem to find their way out, as people get hurt, tempers flare, and they all start seeing things that shouldn’t be there, and shouldn’t be possible. Were this a slow burn lost in the wilderness without supernatural elements it would be terrifying on its own, but then the supernatural stuff does enter into it and it is SO well described and SO damn scary. This is one of the gorier horror novels I’ve read as of late, and Kiefer doesn’t hold back so much when it comes to the violence and the visceral imagery. I was both tearing through the pages to find out what happened, but also having to set it down occasionally because of a particularly gross or super messed up moment.

I did have a couple of issues with the book, however. The first is that while I absolutely appreciate Kiefer wanting to keep things a but unknown in terms of what exactly is going on, I think that, interestingly enough, we get into the same pitfall that “Blair Witch” (the requel from a few years ago) fell into. That is, there is SO MUCH WEIRD STUFF going on, but none of it gets even a hint at an explanation. I don’t need full explanations as to everything that is going on in a story like this, on the contrary I generally LIKE ambiguity because sometimes that makes a scary story that much scarier. But this ambiguity didn’t feel focused, and just brushes upon multiple different potential culprits. Nothing is really explained or even hinted at as to what is causing this, and it feels less narratively satisfying and more haphazard and indecisive. The other issue is more to do with the marketing of this book and not with the story itself. The description of the novel mentions that Dylan’s body wasn’t found, and her followers are reporting weird lives from her social media and weird sightings from people in the area, making it sound like this plays a large(ish?) role in the story at hand. In reality, it doesn’t really. I went in thinking there would be some really fun found media themes, but there wasn’t a lot, and that was disappointing. Again, that’s less to do with Kiefer’s story itself and a marketing issue.

So some good things, some not as good things, but overall I did find “This Wretched Valley” to be very disturbing and to be very engrossing. Survival and wilderness horror fans will find a lot to love, and maybe people who are more comfortable with not knowing much about cause in a horror tale will be able to look past the things I had a more difficult time with. I will definitely be looking into more books from Jenny Kiefer in the future!

Rating 7: A gory and deeply disturbing survival horror story that was a page turner, but sometimes a bit too ambiguous for my tastes in some ways, and didn’t really deliver what the description was promising.

Reader’s Advisory:

“This Wretched Valley” isn’t on many Goodreads lists as of now, but it would fit in on “Best Wilderness Horror Stories”.