Tag: 6 Rating

Kate’s Review: “What Remains of Teague House”

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Book: “What Remains of Teague House” by Stacy Johns

Publishing Info: Poisoned Pen Press, April 2025

Where Did I Get This Book: I received an ARC from the publisher.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Three siblings reckon with the darkness hidden within their family after multiple graves are discovered behind their childhood home.

When the Rawlins family matriarch unexpectedly dies, all three adult children rush home. What they find is a house bursting with grief, dark memories surfacing around each corner, and multiple bodies buried deep in the woods. The Rawlinses want to believe these discoveries point to a crime long past. But one of the graves behind Teague House is fresh, the earth disturbed just that week—and its inhabitant is a local woman they knew.

Is the youngest Rawlins sibling with something to hide guilty of her murder? Is his sister experiencing false memories of her late father digging near the graves? Why is their aunt in such a rush to leave town after her sister’s funeral?

Enter private detective Maddie Reed, who has her own reasons for being curious about the bodies buried behind Teague House. Detective Reed sets out to unmask a killer—one she may have been hunting all her life.

Review: Thank you to Poisoned Pen Press for sending me an ARC of this novel!

Families hiding secrets are always fun types of thrillers to me. I enjoy a sub-genre of families being terrible and damaging the generations down the line, no matter WHAT the parent genre is, but when you bring murder into it as well as generational trauma that is a topic that has so many possibilities. Because of this love for that kind of drama, I was very interested in reading “What Remains of Teague House” by Stacy Johns. When family secrets involve dead bodies, old AND new, buried on the family property, things have a possibility to get juicy!

I think that some of the strongest things in this book were character based. We followed a few of the characters through third person, and in one case first person, perspective chapters, where we get to follow their parts of the mystery and see how they all fit together. We had perspectives from all three of the siblings, Sandra, Jon, and Robby, as well as past perspectives from Aunt Phil to see the background to Russ and Val (who got a single chapter at the start). I found Aunt Phil’s to be really well done and thought that it was great getting some context for her relationship with Val, giving us insight into Val as well. The sibling perspectives went from fine (Jon and Sandra) to deeply irritating (Robby. It’s by design as he’s a scumbag, but it was grating to have to read his chapters). But the best one, for me, was that of Maddie, who is an investigator who gets privy to what is happening at Teague House, and has her own reasons and connections (potentially) to one of the bodies that has been unearthed. I really enjoyed Maddie’s chapters, as not only was hers the first person perspective, but I also thought that her motivations, backstory, and arc were the most interesting. Her chapters also read like a well done procedural, and I enjoyed seeing her on the trail and getting her information from the Rawlins siblings in hopes of finding justice.

But, along with that, comes why it didn’t work as well for me as I had hoped it would. We had some good build up and pacing for a lot of the novel, but then as we started to get closer to the climax things started to go REALLY fast and felt really rushed and cobbled together. I was left scratching my head a bit about some of the reveals, feeling like some choices were made just to make things shocking without really earning it. On top of that, going back to Robby’s character from above, we had such a frustrating and grating character in this guy that I was actively turned off anytime we were following his perspective. I can usually do fine with immoral characters or people who are deeply unlikable, but that’s only if there is something a bit more interesting about them, and Robby just wasn’t interesting. Just obnoxious. These things sadly derailed my experience, and the other characters couldn’t quite compensate.

I think that “What Remains of Teague House” had its ups and downs. I definitely don’t regret reading it, but it was pretty middle of the road.

Rating 6: I like a family drama, but with some really unlikable characters and a rushed ending this one didn’t live up to my expectations.

Reader’s Advisory:

“What Remains of Teague House” isn’t on any Goodreads lists as of now, but it would fit in on “Family Secrets”.

Serena’s Review: “A Harvest of Hearts”

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Book: “A Harvest of Hearts” by Andrea Eames

Publishing Info: Erewhon Books, March 2025

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Before Foss Butcher was Snagged, she thought no more of the magic-users than did anyone else in her tiny village. Sometimes gorgeous women in impossible carriages rolled into town and took bits of people’s hearts. Everyone knew hearts fueled their magic. But Foss, plain, clumsy, and practical as a boot, never expected anyone would want hers.

True enough, when the only sorcerer in the kingdom stepped from his glossy carriage, he didn’t intend to hook Foss. Sylvester’s riot of black curls and perfectly etched cheekbones caught her eye a moment too long, that was all. Suddenly, Foss is cursed and finds herself stomping toward the grand City to keep his enchanted House, where her only friend is a talking cat and the walls themselves have moods.

But as Foss learns the ways of magic, she realizes she’s far from its only unwilling captive. Even Sylvester is hemmed in by spells and threats. It’s said this sorcery protects king, country, and order for thousands. If Foss wants to free herself—and, perhaps, Sylvester—she’ll have to confront it all . . . and uncover the blight nestled in the heart of the kingdom itself.

Review: I had high hopes for this book based on the unique-sounding summary (plus, who can say no to a cover with an adorable cat silhouette?). Unfortunately, this one started out a bit rough and then never quite recovered. I will talk about some of the good things first though. And primarily among those is the creativity at the heart of the this story. The idea of sorcerers who casually roll through villages and suck up parts of peoples’ hearts to gain power? Super interesting! This book has also been compared to “Howl’s Moving Castle,” and as I don’t think this fully works, there were aspects of the writing that did strike a similar note. Moments of whimsy and small interactions between Foss and Sylvester, some of these did have a certain “Howl’s” vibe to them.

However, for the most part, I didn’t connect with this book. It didn’t start off on a good note, with the very first chapter being essentially a big info-dump from the main character. It was paragraph after paragraph of basic facts about this world. This was made worse by some of the inconsistencies with the writing style for the voice of the main character. She’s meant to be have had a simple upbringing, which the author demonstrated with attempts at “folksy” language. But then some of the exposition would completely conflict with this character style, with Foss conveying information to the reader that it doesn’t seem like she would know (always a challenge with this POV style of writing, but the challenge in and of itself doesn’t excuse the error). Beyond that, this manner of introducing a world and magic system was simply clumsy, at best. From this rocky start, the pacing continued to be a problem, with large lulls happening throughout.

I also struggled to enjoy Foss as a character. I appreciate what the author was attempting to do, creating a character who struggles with self-esteem and self-perception. However, the actual execution of this was, again, very clumsy. Foss would bemoan her own looks and her expectations for a loveless future to such a degree that it felt like she was hitting readers over the head with it. And, from what the reader is given, none of these fears seem based in reality. Yes, people often struggle to view themselves as others do, and this is a believable problem. But the degree to which Foss focused on this aspect of herself was over the top and began to overwhelm any other characteristics she brought to the table.

I was also supremely uninvested in the romance. There wasn’t anything overtly bad here, but Sebastian was such a nothing character that, combined with my struggles with Foss’s self-talk, I couldn’t become invested in their love story. Perhaps others will appreciate these characters more than I did. I think each started with some interesting groundwork, but the story failed to realize them as fully-fleshed out characters.

Overall, this was a very underwhelming read. There were brief moments of light and I think the author could come into her own with future projects. But as it stands now, this book felt underdeveloped with fairly weak characters. Perhaps those fully dedicated to the cozy fantasy subgenre may find this one more appealing than I did, and I’m sure there are readers out there who will enjoy it. Unfortunately, that wasn’t me.

Rating 6: There were some creative ideas at the heart of this story, but weak characters and choppy pacing left me struggling to get through this one.

Reader’s Advisory:

“A Harvest of Hearts” can be found on these Goodreads lists: Realistic Hearts and 2025 Cozy Fantasy Romance.

Kate’s Review: “We Were Warned”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “We Were Warned” by Chelsea Ichaso

Publishing Info: Sourcebooks Fire, March 2025

Where Did I Get This Book: I received an ARC from the publisher.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Everyone knows the legend of Fairport twenty years ago, a shocking murder closed the place down. This year, the ruins will be bulldozed at last. But tonight, it’s not too late to die.

All her life, Eden Stafford has heard the lore about the abandoned beach resort at the edge of ever since the notorious murder there, anyone who sets foot on the property is cursed to die, It’s more than just a over the years, two high school students who dared to explore the ruins of Fairport Village were killed there.

Eden is no stranger to notoriety, having endured a family scandal that’s made her a target at school. So when she reluctantly attends an overnight party at the ruins, she’s on edge—not because of some legend, but because the clique that has made her life hell for years is there, too, including Caleb Durham, the worst of them all.

Yet out of all the things Eden expected to happen that night, finding another student dead at Fairport Village wasn’t one of them.

Though the death is ruled an accident, Eden knows she saw something suspicious at the ruins—and Caleb and her other longtime tormentors did too. Now they’re all being followed by a deadly stranger, and to save themselves, they must work together to uncover the truth about Fairport Village. But after all that’s happened, can Eden really trust Caleb and his friends? Or will they leave her to face a killer alone?

Review: Thank you to Sourcebooks Fire for sending me an ARC of this novel!

One of my favorite things to do when I was working at one of my old library internships was putting together YA displays. I had this internship for half a year and I did about four or five displays, and finding common themes in books, from the obvious to the kind of quirky, was really fun. Whenever I read a YA novel I think about this fun task, and what kind of display said book would fit into. I kept thinking about that as I read “We Were Warned” by Chelsea Ichaso, because man would it have had so many possibilities! Would it have been on a YA Urban Legends display? A “If You Like “Pretty Little Liars…” display (dating myself like crazy here)? Would it have been on a “Creepy Stories By The Seaside” display? It has a lot of potential!

This is probably a great entry for the thriller genre for the target audience, but also has the goods to be entertaining to anyone looking for a quick and snappy read with some decent red herrings and an easy to follow mystery. I love the idea of an urban legend that is possibly true, and the way that it captures how a small town tragedy can take on a life of its own within the minds of the people who live within a community that has head to live with it. I’ve always been a huge sucker for mysteries and horror tales that use this kind of device, and this one had a solid background and a sufficiently eerie setting of an abandoned seaside resort that was the location of a horrific murder and some devastating fallout in the years after (including more murders). I found the mystery to be entertaining and a quick read, and I can definitely see how young adult audiences would be able to relate to Eden and Caleb, and even some of the more morally grey characters like Victoria, Caleb’s close friend and kind of Mean Girl that is Eden’s nemesis (but maybe misunderstood?). I enjoyed the dynamics between these characters and how Ichaso upended expectations for Eden and for me as a reader.

That said, as a 40 year old woman who has read MANY mysteries and thrillers over the years, “We Were Warned” definitely reads like a YA thriller to me. Which is NOT a bad thing at all. I would absolutely put this on a display for chilling thrillers in a YA section of a library, and know exactly who I would recommend this title to. But as a YA thriller, it does have some things that didn’t work for me. For one, Eden is, at times, a bit grating in the constant reminders of how Caleb must hate her and how much she hates him, while it’s pretty clear to the reader (or at least this reader) that there was more to the story on Caleb’s side. It got a bit repetitive to read about her resentment towards him and her assumptions, as it was obvious that wasn’t the case. There were also some twists in here that didn’t work for me, one in particular that followed a familiar ‘one last shock’ routine that almost never clicks with me when it happens in a thriller novel I’m reading. But again, these kinds of things are not necessarily going to hinder the audience that the book is intended for. It’s definitely a ‘your mileage may vary’ situation.

“We Were Warned” has a fun premise and an entertaining mystery. While it was a bit middle of the road for me, I am pretty certain that it will be a good fit for its intended audience!

Rating 6: Entertaining and a fast read to be sure and almost certainly a solid thriller for the audience it is written for, though more seasoned thriller fans may be underwhelmed at times.

Reader’s Advisory:

“We Were Warned” is included on the Goodreads list “YA Novels of 2025”.

Kate’s Review: “The Crash”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Crash” by Freida McFadden

Publishing Info: Poisoned Pen Press, January 2025

Where Did I Get This Book: I received an ARC from the publisher.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: The nightmare she’s running from is nothing compared to where she’s headed.

Tegan is eight months pregnant, alone, and desperately wants to put her crumbling life in the rearview mirror. So she hits the road, planning to stay with her brother until she can figure out her next move. But she doesn’t realize she’s heading straight into a blizzard.

She never arrives at her destination.

Stranded in rural Maine with a dead car and broken ankle, Tegan worries she’s made a terrible mistake. Then a miracle she is rescued by a couple who offers her a room in their warm cabin until the snow clears. But something isn’t right. Tegan believed she was waiting out the storm, but as time ticks by, she comes to realize she is in grave danger. This safe haven isn’t what she thought it was, and staying here may have been her most deadly mistake yet.

And now she must do whatever it takes to save herself—and her unborn child.

A gut-wrenching story of motherhood, survival, and twisted expectations, #1 New York Times bestselling author Freida McFadden delivers a snowbound thriller that will chill you to the bone.

Review: Thank you to Poisoned Pen Press for sending me an ARC of this novel!

Here is a bit of a wild thriller confession on my part (though if you have been reading my reviews for awhile now it won’t be shocking): I haven’t read anything by Freida McFadden. I feel like she’s a pretty popular author in the genre right now, at the very least she is very prevalent with title after title coming out. And she does show up on my various reading feeds pretty often. But I just hadn’t checked her out! Well, until Poisoned Pen Press sent me an ARC of “The Crash”, a novel about a pregnant woman named Tegan fleeing a bad situation… who ends up in a worse situation when her car crashes during a blizzard and she’s ‘rescued’ by an older couple in the middle of nowhere, who say they can give her shelter…. and then imprison her in their basement. Well, I mean, come on. The premise alone is super, super intriguing. And I figured it was high time that I read something by this author that I’d been seeing everywhere. And to be quite honest, once I was done, I wasn’t totally sold.

But first the things that did work for me. I was pleasantly surprised that not only do we get the perspective of Tegan, our pregnant hostage in the basement of a strange couple in rural Maine, we ALSO get the perspective of Polly, the wife of the duo who is the actual mastermind of the kidnapping plot. It was a bold choice, and because we got to see what was going in her mind I was able to see that this was not only having some “Misery” vibes, but also some “Pearl” vibes as well. I say “Pearl” because Polly is both deeply unwell and a bit disturbing, but also sympathetic in a lot of ways, in this case because of her deep grief, trauma, and borderline psychosis due to her infertility when she so desperately wants a child. Is it a little cliché? Sure. Does grief and trauma over not being able to have a baby mean you can kidnap a pregnant woman your husband stumbled upon after a car crash and plot to to take the infant for your own?

Polly, noooooo. (source)

That said, I really enjoyed the Polly sections because I loved the unhingedness of it all. It made it fast paced and a true page turner, the exact kind of read I want for escapism. Polly was a huge reason for that.

But on the other hand, there were a couple of things that didn’t work as well for me. The first was Tegan as a character, as while Polly was very interesting to me, Tegan felt half baked. I just didn’t connect with her as much and thought that she was a lot more two dimensional than I wanted her to be. On top of that, we had some pretty wild twists and turns that felt shallow and only there for shock value, and I don’t want to spoil any of them here because I do want people who want to read it to not go in with all the fun sucked out, but there was one in particular that made me say ‘really?’ out loud once it was revealed. You all know how grumpy I get about books that have massive twists for the sake of twists, and this one had one that I found to be particularly frustrating (I will admit that there was another that I did generally like, though it wasn’t super surprising).

So for my first Freida McFadden novel it was a bit of a mixed bag. I am pretty sure I will be checking out other books by McFadden, because this one was fun for the most part, but I will probably save them for times that I need a quick and not so deep escape.

Rating 6: Pretty entertaining and it has an interesting perspective from that of the main antagonist, but some of the twists were a little too outlandish for my tastes.

Reader’s Advisory:

“The Crash” isn’t on any super relevant Goodreads lists, but it would fit in on “Kidnapped!”.

Kate’s Review: “A Girl Like Us”

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Book: “A Girl Like Us” by Anna Sophia McLoughlin

Publishing Info: Sourcebooks Landmark, February 2025

Where Did I Get This Book: I received an ARC from the publisher.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Succession meets Saltburn in a crackling locked-room thriller of inconceivable wealth, unchecked power, and the secrets poised to bring a powerful family down.

It’s 2004 and former reality TV star and party girl Maya Miller has just married the most eligible bachelor on the planet: Colin Sterling, of the globally famous Sterling family whose history of aristocratic titles and land holdings rival a British royal and whose media empire is comparable to the Murdochs. To some, Maya represents the American dream. To others, a gold digger. But when Colin’s cousin Arianna, the heiress to the family’s immense fortune, is found murdered, Maya is thrust into the spotlight: first as she is revealed to be the next heiress to the fortune, and then as the prime suspect.

Swiftly, the entire Sterling family goes into lockdown at Silver House, the family’s ancestral estate in the English countryside. They’re told it’s for their own safety—but Maya becomes convinced that it’s not to keep threats out, but to keep secrets in. Now, she has no choice but to find and expose the truth hidden within the Sterling family, and why Arianna, a girl she had never met, chose her to take her place. But Maya has secrets of her own. And she knows that in order to survive the Sterlings, she’ll have to beat them at their own game.

Review: Thank you to Sourcebooks Landmark for sending me an ARC of this novel!

You’d think that with the state of EVERYTHING going on right now I would be fully turned off of books about disgusting billionaires with way too much power being full on villainous, and yet it’s still a sub-genre of thrillers that I greatly enjoy (I mean I guess we will see if that continues going forward? Maybe it the stories all end like “Ready or Not”?). Regardless of my existential dread, I picked up “A Girl Like Us” by Anna Sophia McLoughlin in hopes of a soapy and easy to digest escapist thriller with twists and turns and maybe something a little more. I got basically everything except for the last bit.

In terms of mystery, this one is fairly straight forward. We have the uber wealthy steeping in their privilege and cruelty, as well as a newcomer who is dying to fit in but has some salacious secrets of her own, and a mysterious murder and a slew of suspects. It’s the exact kind of thriller that I would associate with a day by the pool or a long plane ride, one that makes the time go fast and keeps the reader entertained. Given how billionaires are really showing their asses lately (or even being fully super villain!) I am always down for a story that puts their terribleness front and center, and with Maya being a bit of a wild card and kind of a villainess in her own ways herself it’s fun to root for a morally grey character against a backdrop of really nasty people with too much money and power. And it just adds more some really soapy moments that felt right out of an episode of “The Bold and the Beautiful” circa the early 2000s when I was watching it in the student union when I was between classes in college. I was entertained to be sure.

But as I said above, by being fairly straight forward it doesn’t really go outside the box of what I’d expect from the genre, and while it’s fun seeing two dimensional villains claw at each other, it also makes for a tale that doesn’t really stand out in the long run. There are some interesting dynamics at play as we follow the perspectives of both Maya in the present and then Arianna in the past through her journal entries, but this too just stuck to familiar pathways and formulas. None of this is a bad thing, necessarily, though I have been finding myself more intrigued and compelled with thrillers that go the extra step. Would I recommend this as a fun read? Absolutely. But that being said, it didn’t wow me in the way that some recent thrillers have.

“A Girl Like Us” is a solid thriller that checks a lot of boxes of the genre. I was entertained, but not blown away.

Rating 6: Entertaining and soapy, but it didn’t really reinvent the wheel when it comes to thrillers.

Reader’s Advisory:

“A Girl Like Us” is included in the Goodreads article “A Month-by-Month Guide to 2025’s Biggest Mysteries and Thrillers”.

Kate’s Review: “Listen To Your Sister”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Listen To Your Sister” by Neena Viel

Publishing Info: St Martin’s Griffin, February 2025

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: For fans of Jordan Peele’s films, Stranger Things, and The Other Black Girl, Listen To Your Sister is a laugh-out-loud, deeply terrifying, and big-hearted speculative horror novel from electrifying debut talent Neena Viel.

Twenty-five year old Calla Williams is struggling since becoming guardian to her brother, Jamie. Calla is overwhelmed and tired of being the one who makes sacrifices to keep the family together. Jamie, full of good-natured sixteen-year-old recklessness, is usually off fighting for what matters to him or getting into mischief, often at the same time. Dre, their brother, promised he would help raise Jamie–but now the ink is dry on the paperwork and in classic middle-child fashion, he’s off doing his own thing. And through it all, The Nightmare never stops haunting Calla: recurring images of her brothers dying that she is powerless to stop.

When Jamie’s actions at a protest spiral out of control, the siblings must go on the run. Taking refuge in a remote cabin that looks like it belongs on a slasher movie poster rather than an AirBNB, the siblings now face a new threat where their lives–and reality–hang in the balance. Their sister always warned them about her nightmares. They really should have listened.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

I’m the oldest daughter in my family, though given it was just me and my younger sister and that I’ve always had various mental health and learning disabilities I’ve contended with I’ve never felt like I’ve been ‘the one who holds it all together’, as many Oldest Daughters do. But my late Aunt Jan was absolutely the prototypical Oldest Daughter, having basically raised my mother (who was the youngest of five) due to a twelve year age gap and the burden of parentification thrust upon her over, and whenever I think about Oldest Daughter stories I always think of her. So when I heard about the general plot of “Listen To Your Sister” by Neena Viel I was very interested in the Oldest Daughter/Sister theme, and then even more so when it was being compared to Jordan Peele movies. What a combination! And I was pretty pleased with what I found.

In terms of the themes and the horror elements of this book, I really enjoyed the way that Viel portrays Calla, one of of three protagonists and eldest sister to her brothers Dre and Jamie, who is a teenager to whom she has been made legal guardian. Calla is clearly overworked, spread too thin, and deeply anxious about having to be a guardian to Jamie, who has been getting into various dust-ups that come back to her (as wholly justifiable as they may be in many cases). I don’t want to give too much away about this book and the horror beats that it possesses, as I think that these things are being held close to the vest for a reason, but I thought that the metaphors for an overburdened eldest child really worked in this book. The horror beats really do harken to the likes of a Jordan Peele movie, and I kept thinking about “Us” as I was reading, though that’s about all I am willing to say in regards to that, fearing I’ve already given too much away. Just know it’s uncanny and a bit freaky at times, but it all fits perfectly into the social commentary that Viel is putting forth.

I also loved the way that Calla, Dre, and Jaime clearly love each other, but are all still SO young and reeling from their traumatic childhoods and the racism that they face every day, and how that makes for difficult processing and damaged relationships in spite of their love for each other. The sibling relationships and the ups and downs that come with them felt very real, and this book has a HUGE heart that I enjoyed but isn’t afraid to put the dysfunction and messiness on display. Viel gives a lot of solid characterization to Calla, Dre, and Jamie, and by seeing the story through all of their eyes I could sympathize with all of them as well as get frustrated with all of them depending on the choices they were making.

I will say that there was a bit of a pacing issue in this book, at least for me, as it lagged a bit in the first half and then REALLY sped up in the second. As someone who tends to have attention issues when it comes to reading, especially when feeling high anxiety (and I mean LATELY that’s been ramping up again), the pacing disparities were noticeable. This may not be the case for all readers, but it was a hiccup for me.

Overall, I enjoyed “Listen To Your Sister”! It’s always great to see new horror voices and I’m going to keep an eye on Neena Viel in the future.

Rating 7: An entertaining horror story about family, generational trauma, and trying to hold it all together that has a lot of good symbolism and metaphors.

Reader’s Advisory:

“Listen To Your Sister” is included on the Goodreads list “Horror Books 2025”.

Serena’s Review: “Wisteria”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Wisteria” by Adalyn Grace

Publishing Info: Little, Brown and Company, August 2024

Where Did I Get this Book: own it!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Blythe Hawthorne has never let anyone tell her what to do—not society, not her overprotective father, and certainly not the man she’s bound herself to, no matter how rude and insufferable he is. In fact, she’s determined to be a thorn in his side for the rest of her days, even as he ensures that her life in his palace is anything but a fairytale. But as Blythe discovers a new side of herself linked to his past, she’ll have to decide if she’s willing to let an unexpected spark ignite…and to discover the truth about who she really is.

Previously Reviewed: “Belladonna” and “Foxglove”

Review: I often use December as a month to check back in to books that published earlier in the year but that I didn’t get around to in a timely manner. And yes, that is the case here. However, it’s also the case that I’ve delayed writing this review because it’s been a challenge to get my thoughts in order, mostly about how disappointing I found this book to be. All the more shocking given the high that was “Belladonna” when I read it two years ago.

That said, there were some positives, and those all came in the first half of the book. Reading this first half, I was having such a blast that I felt confident that we had finally returned to much of what I loved about this series. While “Foxglove” was a bit of a mixed bag, I did very much enjoy a deeper introduction to Blythe as a main character, and she shone here in this first half, with all the spirit and spunk that I came to expect from a woman who had lived through what she had and who had made the choices she did at the end of the last book. I also really loved the “enemies” portion of this enemies-to-lovers romance that we explored in this first section. Aris was such a pill, and it was hilarious. The two had great banter during this section, and I appreciated the slow build of respect he had towards Blythe’s bravery and determination in the face of his ridiculousness and the various challenges placed before them.

Unfortunately, even here, problems began to arise. First and foremost, the contrived nature of the plotting. At the end of “Foxglove,” the reader, Signa, and Death are all aware of the true situation between Aris and Blythe. But then, through sheer authorial shenanigans and contrived magical circumstances, Signa is never given a chance to tell Blythe any of this. I get that this reveal coming early would have materially changed the story, but this is the kind of fact that must be dealt with when plotting out an entire trilogy. The author could have ended the previous book in a way that left Signa and Death unaware, thus removing the need to come up with excuses for them not to inform Blythe. Or perhaps some more believable means could have been constructed to delay the knowledge, but that’s tough, as we saw here. The way it is handled is incredibly plot convenient and there is nothing done to really hide this from the reader.

This problem with plotting carried on through the middle and, especially, the end of the book. Not only do Blythe and Aris go from a fairly good slow burn build to “now we’re instantly in love!” with very little explanation, but the author introduces world-changing new characters halfway through the book. Characters who should definitely have been present, if not at least referenced, in the previous books. Not only did the presence of the new character muddle this story, but it opened a million plot holes in the previous books as well, which is the worst thing you can do in a final book to a trilogy. Additionally, entire subplots are dropped in whole cloth, like Signa’s sudden obsession with uncovering the truth behind her mother’s murder. And, in a similar manner, these new subplots are never truly dealt with or pulled into the main story in any way that justifies their presence in the first place.

And all of this together, bad on its own, is all the worse for only coming up halfway through the last book a trilogy! Which, surprising no one, greatly damaged the end of this book. If I had to come up with a word for it, I’d choose “silly.” Events and choices that are clearly meant to land a significant emotional punch instead induced a massive eye roll. Every bit of it was frustrating and left gaping questions about how any of this really worked. Worse, some of these choices directly conflicted with themes regarding choice and personal agency that had been built up as so important earlier in the book.

Given how much I enjoyed the first book in this series and even the first half of this book, it’s so disappointing having to write this review. Looking back at the entire venture, it feels as if the author had a great idea for a stand-alone fantasy book and then somewhere along the line was pushed into extending it by two books. But there was never a truly good story there to support this decision. I’d still recommend the first book to readers, but I’d probably tell them to just quit before the final few pages and leave it as a single entry story, as this is one of those truly unfortunate situations where the last book retroactively harms the entire story as a whole.

Rating 6: So disappointing. Not great on its own, but it was even more frustrating seeing the affect this book has on some of the characters and story arcs of the previous books.

Reader’s Advisory:

“Wisteria” can be found on these Goodreads lists: Gothic Fantasy Romance and Magic, Adventure, Romance.

Serena’s Review: “The Last One”

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Book: “The Last One” by Rachel Howzell Hall

Publishing Info: Red Tower Books, December 2024

Where Did I Get this Book: ARC from the publicisit!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Thrown into a desolate land of sickness and unnatural beasts, Kai wakes in the woods with no idea who she is or how she got there. All she knows is that if she cannot reach the Sea of Devour, even this hellscape will get worse. But when she sees the village blacksmith fight invaders with unspeakable skill, she decides to accept his offer of help.

Too bad he’s as skilled at annoying her as he is at fighting.

As she searches for answers, Kai only finds more questions, especially regarding the blacksmith who can ignite her body like a flame, then douse it with ice in the next breath.

And no one is what—or who—they appear to be in the kingdom of Vinevridth, including the man whose secrets might be as deadly as the land itself.

Review: I was definitely excited to check this one out when the publicist reached out with a copy! From the looks of things, it seemed like it was going to be the sort of romantasy that leaned more heavily into the action than the romance, something that I typically prefer when it comes to balancing the two. However, while this proved to be correct, other factors involved left this one slipping as my reading continued.

But let’s start with some pros! And first and foremost that comes down to the action! This is a very fast-moving book, chock full of adventure and fight scenes. Right out of the gate, the plot takes off and never really stops. Now, whether the actual story is being advanced with all of this action is another question, but if you’re looking for a fast read, this one should come through for you! I’ll also say that I enjoyed the romance. There wasn’t tons of it, and I think this worked better for the conceit of this book. The MMC knows her past, but she doesn’t, which could lead to a really unfortunate power dynamic. Instead, the love story plays a definite second fiddle and only really moved towards the end of the book. The writing also has a very casual and approachable style of storytelling. Again, this was a specific problem point for me, but it could also be a feature for others, particularly readers who enjoy the very casual voice that you often find in urban fantasy style books.

And look, I enjoy urban fantasy, so once I understood the style of the narration, it was easier to go with it. At the same time, I really have almost zero tolerance for books that have inner monologues where the author actually types out the words “ugh” or “yuck.” It’s a massive pet peeve of mine and immediately throws me out of a book. I can’t seem to ever take a heroine seriously who is written in this style. However, I’m aware that this is an incredibly subjective point, so take from that what you will. That said, I also feel like this mixing of modern language into what feels like a high fantasy book left me feeling very unmoored as to what type of world and setting I was supposed to be picturing. As a fantasy reader who really enjoys worldbuilding, to lose a sense of place in service of quippy modern language is a huge net negative.

From there, while there is a lot of action involved in the book, the pacing was fairly poor. The middle of the book lagged, with very little actually happening of any worth. You’d feel like things should be happening, but then, looking back on the last 50 pages, you’d see that nothing really had. This wasn’t helped by the way the main character’s past was dealt with. She is a character without knowledge of her past and the majority of the book is taken up by this point. Indeed, it began to feel as if the author was intentionally dragging things out in the middle just to prolong this reveal. Which then came at the verrrrry end of the book. And then, by the end, I was left wondering why I had to bother with this book at all? It felt as if I could have read the first few chapters, skipped to the end with the reveal, and then been all set with my prequel chapters out of the way for the next book, the real beginning of the series.

I know this author is quite beloved, so I’m sure there are readers who will gobble this up. Indeed, if you’re a big urban fantasy fan this might work better for you than it will for those who prefer high fantasy. However, I think some of the language decisions and the way the primary conflict regarding her memory was handled ultimately harmed the book.

Rating 6: I can’t get over “ugh” being written out in the first few pages. Sorry, not sorry.

Reader’s Advisory:

“The Last One” can be found on this Goodreads list: 2024 Fantasy and Science Fiction Books by Black Authors

Kate’s Review: “We Did Nothing Wrong”

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Book: “We Did Nothing Wrong” by Hannah Jayne

Publishing Info: Sourcebooks Fire, December 2024

Where Did I Get This Book: I received an ARC from the publisher.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Lia thought of the dark night, of the broken street light.

Had Diana gone out to meet her? Had she been waiting for her, alone in the park? Or had someone been waiting for Diana?

Lia and Diana are the It girls of Empire Hill High. Their lives are perfect….until Diana disappears and the rumors start flying. Everyone thinks Diana is a runaway, including the police. Lia is secretly convinced it’s all a prank. Then she finds a crushed red rose tied with a candy-cane ribbon where Diana went missing. And next to it, a  YOU. It’s the same ribbon Lia’s received on gifts from a “secret admirer.” Did someone come for Diana that night? And will Lia be next?

Review: Thank you to Sourcebooks Fire for sending me an ARC of this novel!

It had admittedly been a little bit of a dry spell for YA thrillers before the past couple of weeks, but with “Heart-Shaped Lies” being spotlighted last week I broke that streak, and now I follow that up with “We Did Nothing Wrong” by Hannah Jayne. If the last YA thriller was a soapy murder mystery, this one is solidly missing person, a sub-genre I enjoy very much. So when I read the description for this one with a missing girl at its heart and a left behind best friend who is frantic (and feeling a little guilty), I was very eager to check it out. And it had some mixed results.

Firstly, however: the good. I will say that by the time we were getting to the last third of the book, the pace really picked up, the red herrings and reveals were flying, and I was quickly charging through because I was so interested in seeing how it was all going to shake out. I’d keep thinking “Diana has to be alive, right?” only for a few minutes later to think “No, Diana’s dead, that has to be it”, and then keep flip flopping as Lia keeps digging in and finding more clues. I liked that Lia was also what I would consider a ‘more realistic’ teen detective, as she has kind of been thrust into it out of desperation for Diana’s sake AND her own guilt about how their relationship had been as of late (namely, cheating with Diana’s boyfriend Eli), and therefore is more harried and chaotic as opposed to calculating and methodical. And finally, I also appreciated how Jayne tackled the role that law enforcement was playing in this story, as they go through the motions looking for Diana, but aren’t REALLY trying too hard, convinced that she’s a runaway and therefore not a priority. It’s a sadly common narrative in real life abduction cases sometimes, and having a story with a not necessarily malevolent investigative team, but certainly an inept and lazy one, was an interesting choice for this book to make, and it was one that worked for me.

But unfortunately, the pacing was a bit off in this book, with a lot of slow but not super engaging build up dominating for a little too long for me. I thought that the book was spinning its wheels for awhile, with a lot of it being Lia dealing with her guilt about her friendship with Diana growing distant, and her poor decision to sort of pursue Eli behind Diana’s back. We get some background throughout of their complicated relationship, one that certainly felt genuine (because as someone who DID have a very complicated relationship with one of my best gal pals in high school it was very relatable). But the ruminating and angsting on Lia’s part was a bit repetitive, and by the time we had finally gotten to the uptick in action and a very satisfying finale I felt that it was a little late getting there.

All in all “We Did Nothing Wrong” was pretty run of the mill. When it finally got going I was entertained, but I think we needed to get there sooner.

Rating 6: Once the pace picked up near the end I became invested, but it took a bit to get there.

Reader’s Advisory:

“We Did Nothing Wrong” isn’t on any Goodreads lists as of now, but it would fit in on the Goodreads shelf “Missing Girls Books”.

Serena’s Review: “The Kiss of the Nightingale”

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Book: “The Kiss of the Nightingale” by Adi Denner

Publishing Info: Tundra Books, October 2024

Where Did I Get this Book: from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: 1890, Lutèce: In this city, Talents are everything: precious gems that gift unrivalled skills to their owners. The most coveted, Elite Talents, are claimed by the aristocracy, passed through generations by blood magic.

Cleodora dreamed of inheriting her father’s Tailoring Talent, but when he died, the magic died with him. Now she’s left with empty promises, a dress shop she can’t keep afloat, and her bed-ridden younger sister.

But everything changes when she meets the dark-eyed Lady Dahlia Sibille. Dahlia offers Cleodora a Singing Talent – a chance to save her beloved sister and rewrite her own fate. From the first instant, Cleodora is bewitched… There’s just one catch: she needs to steal an Elite Talent from the prestigious Lenoir family.

As Lutèce’s nightingale, Cleodora is the star of the opera’s galas and balls, worlds away from the darkness and dust of home. But the handsome yet infuriating Vicomte Lenoir is nothing like she expected.

Soon, the Vicomte’s teasing smiles win her over, even as Dahlia’s seductive whispers linger in her ears. Torn between Dahlia, who gave her everything, and the Vicomte, who holds the price of her freedom, is Cleodora in danger of losing it all? Or can she prove that magic isn’t the only gift that counts?

Review: Anytime a publisher releases a fantasy book set in Paris with an elaborate mask on the cover, you know they’re trying to pull in the “Phantom of the Opera” fans. Works on me every time! Obviously, reading the book summary, we see an even more direct connection with our main character performing at the opera. However, the read-alikes don’t ever directly mention “Phantom” but instead reference Leigh Bardugo and Bridgerton. All of this to say, I wasn’t quite sure exactly what I was going to get when I picked up this book!

Unfortunately, I did struggle a bit with this one. However, I always want to start with some positives, and for this one, that definitely comes down to the overall tone and vibe of this world. As the cover promises, the story takes place in whimsical, lush, and extravagant version of Paris. The author’s writing was particularly strong in these descriptive areas, with a heavy focus on the fashion of this world (unfortunately, I’m one of those readers who needs less as far as these sorts of descriptions go, but for others, this will be a real strength!).

I had a bit of wavering appreciation for the main character. On one hand, I always love stories that revolve around sisterly relationships, and when the story was focused on this, I enjoyed it most. However, as the story progressed, I became more and more frustrated with her decision making and internal thought process. More than once she comes across as incredibly incompetent. I also dislike main characters who are immediately the best at everything, but here we had the other side of the coin. In the same vein, I didn’t particularly enjoy the romance. All of the relationships felt very bland and one-note, and the primary love story never really captured me.

However, my biggest issue came with the world-building. The concept was both too simple and too complicated at times. For one thing, I simply don’t understand why these gems wouldn’t be being stolen all the time by everyone. The story presents Cleodora as this rare being for this approach, but honestly, this is such a basic response to this sort of inequality (where the thing causing the inequality comes down to a basic, material item that is easy enough to steal) that it’s hard to buy that this isn’t a near-universal problem in this world. Beyond that, for being so incredibly powerful, we don’t really see the ways in which a society made of people with these sorts of gifts would be changed from our own. There should be many areas of life that would be directly affected by this. How does law enforcement work? Politics? Wouldn’t corruption being an almost crippling problem within this society?

There were also many nods to “Phantom of the Opera” but not enough to make it anywhere near a direct re-telling. Instead, it walked some strange line where it was clearly influenced by this tale, but also wasn’t interested in following much of the plot of that story. It was odd more than anything else. I’d say, this book would be of most interest to YA fantasy readers who enjoy lush worlds with an emphasis on the descriptions. However, the characters and world-building were on the weaker side.

Rating 6: The writing hits some nice notes with its descriptions of elaborate settings and ballgowns, but the world-building leaves much to be desired.

Reader’s Advisory:

“The Kiss of the Nightingale” can be found on these Goodreads lists: Edwardian Fantasy and Fantasy with a healthy dose of romance.