Serena’s Review: “Our Divine Mischief”

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Book: “Our Divine Mischief” by Hanna C. Howard

Publishing Info: Blink YA, October 2023

Where Did I Get this Book: ARC from the publisher

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: The Goddess Trial is designed to push young people to their edge and mark their coming of age, but Áila LacInis is ready for whatever it brings. She sets sail from her small fishing village to the island of the goddess Yslet, fully expecting a divine encounter, but what she finds is … nothing at all. The goddess is completely absent, and the only thing on the island is a dirty, mangy dog. Suddenly, everything Áila has ever known and believed is upended and her future becomes shrouded in uncertainty.

Hew already completed the Goddess Trial and received the designation of Unblessed. He is an outcast in the village, until he is tasked with assisting Áila through a series of Ordeals the town elders designed to compensate for her failed Trial. For the first time, he has hope he can make something of his life.

Orail isn’t quite sure who or what she is. She remembers little before Áila’s arrival on the island, and now all she knows is that she’ll never leave Áila’s side. But as she begins to realize and remember, she discovers powers—and an identity—she never could have imagined.

Review: I was definitely interested in this book the first time I saw it. There are a lot of similar sounding books floating around in YA fantasy right now, and this one definitely came across as a breath of fresh air. I was even more intrigued when I cracked my copy open and realized that while, yes, this was a dual POV book between the heroine and hero, there was a third POV from the dog, written in a poetry style. What a creative and intriguing choice! Let’s dive in to the review.

This was one of those interesting reads where I enjoyed quite a lot of it, but I think a few style changes or refocusing in certain plot points really would have elevated it to another level. But let’s start with the unequivocal good things first. I enjoyed the world-building we were given here, with its mix of historical fiction based on Irish folklore and its fantasy elements, that of a Goddess who intercedes in her peoples’ lives and gives them their direction. Both of these elements, the historical and the fantasy, were well-balanced. There were moments that read like a fairytale, with Aila undergoing trials with magical solutions, and others that read more like straight historical fiction, with a focus on the political machinations of a foreign prince.

I also really enjoyed Aila as a main character. Her arch is fairly straight forward, but even as her faith in her Goddess waivers, she discovers new strength within herself to face a world that is much more complex that she originally believed. I also really enjoyed the dog, Orail’s, chapters. The use of poetry was very creative as it gave voice to the changing awareness that Orail goes through as she remembers her past, from the simple thoughts of a puppy to the more complex understanding of a fully realized being.

I also enjoyed Hew’s story, but this also gets into what I think held this book back from its full potential. The love story between Hew and Aila was very sweet, and while Hew did have his own storyline, I feel like his chapters ultimately took away from the development of Orail and Aila’s relationship. It’s clear that the author wanted to write a love letter to the relationship between a beloved pet and its owner, and that does come through. But this is a fairly short book, and ultimately, the balance felt off between the three perspectives. Simply removing Hew’s POV chapters, but keeping him as a character with a love story told through Aila’s perspective, would have allowed Orail and Aila’s own story to become more central, which ultimately is more important to the greater arc of the overall story. As it was, Orail’s love and attachment to Aila develops too quickly to truly hit the way it needs to in the climax of the story. By giving more page time to develop this relationship, and keeping Hew as an important character, albeit one without a POV of his own, I think the book could have reached a more successful balance in its ultimate themes and resolution.

Overall, I did enjoy this book. However, it was one of those rather frustrating reads where it had all the right pieces, but it almost feels like the author wasn’t brave enough to write the story that she really wanted. There is an unfortunate trend in YA fantasy where it’s almost expected that if you have a love story, your book must be dual POV for it to be effective. This is absolutely not the case. And beyond that, here, even if the love story is sweet, the relationship between dog and owner is the more important one. You can sense that the author felt this way too, and yet it wasn’t given the prominent position it deserved. It’s one of those cases where I almost wonder if there was publisher pressure to adjust the story. Either way, I’ll definitely check out other books by this author as she has real skill. And even if this one had potential to be stronger, it’s still an enjoyable read as it is written.

Rating 7: A sweet fantasy novel with a truly lovely look at the relationship between a beloved pet and its owner, though this theme was undercut by an unnecessary POV for the love interest.

Reader’s Advisory:

“Our Divine Mischief” can be found on this Goodreads list: YA Novels of 2023

Kate’s Review: “Here in the Night”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Here in the Night” by Rebecca Turkewitz

Publishing Info: Black Lawrence Press, July 2023

Where Did I Get This Book: I received a print copy from the author.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: The thirteen stories in Rebecca Turkewitz’s debut collection, Here in the Night , are engrossing, strange, eerie, and emotionally nuanced. With psychological insight and finely crafted prose, Here in the Night investigates the joys and constraints of womanhood, of queerness, and of intimacy. Preoccupied with all manner of hauntings, these stories traverse a boarding school in the Vermont woods, the jagged coast of Maine, an attic in suburban Massachusetts, an elevator stuck between floors, and the side of an unlit highway in rural South Carolina.

At the center of almost every story is the landscape of night, with all its tantalizing and terrifying potential. After dark, the familiar becomes unfamiliar, boundaries loosen, expectations fall away, and even the greatest skeptics believe–at least fleetingly–that anything could happen.

These stories will stay with you.

Review: Thank you to Rebecca Turkewitz for sending me a copy of this book!

We are starting to wind down the Halloween Season, as the holiday is next week and the various creepy plans that I have for the month are coming to a head (“Hocus Pocus” night with ladyfriends? Check. “Practical Magic” night with more different ladyfriends? Check. “Lost Boys” party at the local Alamo? CHECK AND MATE!). And as we continue our horror lit journey for the month, we are now coming to a book that felt a little different than my usual horror fare. “Here in the Night” by Rebecca Turkewitz was sent to me by Turkewitz herself (thank you again!), and I was expecting another short stories horror collection with blatant scares, sub genre jumping, and the usual fare for the horror fan who wants smaller tales to read at their own leisure. But when I sat down and started reading, I realized that “Here in the Night” was something far different from what I was expecting, and that it was something very special because of it.

Like I always do, I will highlight my three favorite stories and then review the collection as a whole.

“Warnings”: Members of a school track team run in a desolate area, the warnings of predators and strangers at the back of their minds until something they never thought could happen, happens. This is one of the shorter stories in the collection, more like a flash fiction tale, but I loved the structure, written in a ‘we’ narration, speaking like a chorus and speaking for the track team as a whole and beyond. This story felt like an expanded take on the Calvin and Hobbes quote (which I’m probably butchering) ‘this is one of the things you figure will happen to someone else, but unfortunately we’re ALL someone else to someone else’. It’s scary and sad and sobering, and all achieved in maybe two pages.

“Here in the Night”: On June 12th 2016, Ellie and Jess are returning from a visit to Ellie’s family, and seeking out updates on the Pulse Nightclub massacre as they drive down an isolated country road in rural North Carolina. As their grief and anxiety builds, they question their differences in reactions as well as their differences in upbringings. Almost definitely the most heart wrenching story in the collection, Turkewitz captures the trauma, the grief, and fear, and the questions that were swirling in the queer community after this horrific hate crime happened, examining two women in a relationship who find themselves upset at the world as well as at each other amidst the fear and uncertainty. There’s the slow build of their relationship tension, but then a whole other tension about the potential danger they could be in in the moment, perhaps heightened due to the mass shooting on their minds, which make for some very unnerving beats as well as emotional ones.

“Crybaby Bridge”: Sam is a teenager who has just moved to small town Indiana after an incident in her old community in the big city, and has trouble fitting in with other girls on her basketball team. While at a sleepover they tell her the story of Crybaby Bridge, a haunted spot in town that is supposedly roamed by the ghost of a young woman who drowned her baby and then killed herself, and Sam finds herself drawn to the tale. I love a scary story about urban legends, and “Crybaby Bridge” does a really good job of spinning a familiar tale while subverting it in ways that I didn’t expect. I really loved Sam as a character, as she is so complex and nuanced and could read like a ‘not like other girls’ trope but is so much more. It’s also a great exploration of how urban legends can make villains out of victims and turn them into spectral monsters.

But I had a hard time picking my favorite three stories because I really enjoyed all of them. They are definitely horror stories, but they all flow so smoothly and read like literary ruminations on love, loss, grief, and trauma, and never in a way that felt like it was trying too hard (which can be a big sticking point for me when it comes to the idea of ‘literary’ horror; if you have to hammer home you’re ‘literary’, it just makes you seem like you think you’re more valid than genre horror, and I hate that). Turkewitz can peel back the layers of the human condition and find the scary things, be they real life or supernatural or perhaps ambiguous, usually framed within a female or queer experience. The stories here are effective but never feel over the top, and there were multiple times I said to myself ‘I really like this’ as I finished up one story and moved on to the next. Not a clunker in the bunch, and in my experience that is rare in a short stories collection.

I urge horror fans who are hoping to find something a bit more ruminative to seek out “Here in the Night”. These stories will unsettle you, but they will also bubble up emotions as they tug at your heartstrings. I am spreading the word on Rebecca Turkewitz. Check this book out.

Rating 9: Quite possibly the best short story collection I’ve read this year, “Here in the Night” combines uneasy supernatural horrors with the horrors of the real world, all with a literary flair that makes for an evocative read.

Reader’s Advisory:

“Here in the Night” is included on the Goodreads list “Spooky/Halloween LGBTQ+ Fiction”.

Another Take: Fall 2023

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Don’t just take it from us, other readers like these books, too! And we have decided that we would like to showcase other reviewers and bloggers that have their own thoughts and feelings about books that we have loved. Here are a few of the books we’ve enjoyed recently and what other bloggers have to say about them.

Book: “The Water Outlaws” by S. L. Huang

Book Description: Lin Chong is an expert arms instructor, training the Emperor’s soldiers in sword and truncheon, battle axe and spear, lance and crossbow. Unlike bolder friends who flirt with challenging the unequal hierarchies and values of Imperial society, she believes in keeping her head down and doing her job.

Until a powerful man with a vendetta rips that carefully-built life away.

Disgraced, tattooed as a criminal, and on the run from an Imperial Marshall who will stop at nothing to see her dead, Lin Chong is recruited by the Bandits of Liangshan. Mountain outlaws on the margins of society, the Liangshan Bandits proclaim a belief in justice—for women, for the downtrodden, for progressive thinkers a corrupt Empire would imprison or destroy. They’re also murderers, thieves, smugglers, and cutthroats.

Apart, they love like demons and fight like tigers. Together, they could bring down an empire.

Serena’s Review (8 Rating)

Dear Author (B+)

Nerds of a Feather, Flock Together (8 Rating)

Sifa Elizabeth Reads (4 Stars)

Book: “A Study in Drowning” by Ava Reid

Book Description: Effy Sayre has always believed in fairy tales. She’s had no choice. Since childhood, she’s been haunted by visions of the Fairy King. She’s found solace only in the pages of Angharad – author Emrys Myrddin’s beloved epic about a mortal girl who falls in love with the Fairy King, and then destroys him.

Effy’s tattered, dog-eared copy is all that’s keeping her afloat through her stifling first term at Llyr’s prestigious architecture college. So when Myrddin’s family announces a contest to design the late author’s house, Effy feels certain this is her destiny.

But Hiraeth Manor is an impossible task: a musty, decrepit estate on the brink of crumbling into a hungry sea. And when Effy arrives, she finds she isn’t the only one who’s made a temporary home there. Preston Héloury, a stodgy young literature scholar, is studying Myrddin’s papers and is determined to prove her favorite author is a fraud.

As the two rival students investigate the reclusive author’s legacy, piecing together clues through his letters, books, and diaries, they discover that the house’s foundation isn’t the only thing that can’t be trusted. There are dark forces, both mortal and magical, conspiring against them – and the truth may bring them both to ruin.

Serena’s Review (9 Rating)

Before We Go (4 Stars)

KB Book Reviews (4.5 Stars)

Forever Young Adult

Book: “Starling House” by Alix E. Harrow

Book Description: Eden, Kentucky, is just another dying, bad-luck town, known only for the legend of E. Starling, the reclusive nineteenth-century author and illustrator who wrote The Underland–and disappeared. Before she vanished, Starling House appeared. But everyone agrees that it’s best to let the uncanny house―and its last lonely heir, Arthur Starling―go to rot.

Opal knows better than to mess with haunted houses or brooding men, but an unexpected job offer might be a chance to get her brother out of Eden. Too quickly, though, Starling House starts to feel dangerously like something she’s never had: a home.

As sinister forces converge on Starling House, Opal and Arthur are going to have to make a dire to dig up the buried secrets of the past and confront their own fears, or let Eden be taken over by literal nightmares.

If Opal wants a home, she’ll have to fight for it.

Serena’s Review (10 Rating)

Tar Vol on (5 Stars)

Righter of Words

Reading Reality (4.5 Stars)

Book: “Delicate Condition” by Danielle Valentine

Book Description: Anna Alcott is desperate to be pregnant. But as she tries to balance her increasingly public life with a grueling IVF journey, she starts to suspect that someone is going to great lengths to make sure her pregnancy never happens. Crucial medicines are lost. Appointments get swapped without her knowledge. And even when she finally manages to get pregnant, not even her husband is willing to believe that someone’s playing a twisted game with her.

When the increasingly cryptic threats drive her out of her Brooklyn brownstone and into hiding in the cold, gray ghost town that is the Hamptons in the depths of winter, Anna is almost at the end of her rope.

Then her doctor tells her she’s had a miscarriage—except Anna’s convinced she’s still pregnant, despite everything the grave-faced men around her claim. Could it be that her mind is playing tricks on her? Or is something more sinister at play? As her symptoms become ever more horrifying and the sense of danger ever more present, Anna can’t help but wonder what exactly she’s carrying inside of her…and why no one will listen when she says something is horribly, painfully wrong.

Kate’s Review (10 Rating)

What Jess Reads (5/5 Stars)

Lynn’s Book Blog (4.5/5 Stars)

The BiblioSanctum (5/5 Stars)

Book: “What Kind of Mother” by Clay McLeod Chapman

Book: Description: After striking out on her own as a teen mom, Madi Price is forced to return to her hometown of Brandywine, Virginia, with her seventeen-year-old daughter. With nothing to her name, she scrapes together a living as a palm reader at the local farmers market.

It’s there that she connects with old high school flame Henry McCabe, now a reclusive local fisherman whose infant son, Skyler, went missing five years ago. Everyone in town is sure Skyler is dead, but when Madi reads Henry’s palm, she’s haunted by strange and disturbing visions that suggest otherwise. As she follows the thread of these visions, Madi discovers a terrifying nightmare waiting at the center of the labyrinth—and it’s coming for everyone she holds dear.

Combining supernatural horror with domestic suspense into a visceral exploration of parental grief, What Kind of Mother cements Clay McLeod Chapman’s reputation as a “star” (Vulture) and “the twenty-first century’s Richard Matheson” (Richard Chizmar, Chasing the Boogeyman.)

Kate’s Review (Rating 9)

Books, Bones, & Buffy (4/5 Stars)

FanFiAddict

Geeks of Doom (5/5 Open Palms)

Book: “Black River Orchard” by Chuck Wendig

Book Description: It’s autumn in the town of Harrow, but something else is changing in the town besides the season. Because in that town there is an orchard, and in that orchard, seven most unusual trees. And from those trees grows a new sort of apple: Strange, beautiful, with skin so red it’s nearly black.

Take a bite of one of these apples and you will desire only to devour another. And another. You will become stronger. More vital. More yourself, you will believe. But then your appetite for the apples and their peculiar gifts will keep growing—and become darker.

This is what happens when the townsfolk discover the secret of the orchard. Soon it seems that everyone is consumed by an obsession with the magic of the apples… and what’s the harm, if it is making them all happier, more confident, more powerful? And even if buried in the orchard is something else besides the seeds of this extraordinary tree: a bloody history whose roots reach back the very origins of the town.

But now the leaves are falling. The days grow darker. And a stranger has come to town, a stranger who knows Harrow’s secrets. Because it’s harvest time, and the town will soon reap what it has sown.

Kate’s Review (9 Rating)

Tessa Talks Books (4/5 Stars)

Every Read Thing

Books, Bones, & Buffy (4.5/5 Stars)

Book Excerpt: “A Vengeful Realm”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Occasionally we are approached with the opportunity to promote books that may be of interest to our readers. And occasionally in lieu of a full review of the book, we will let it speak for itself by posting an excerpt from it. Enjoy!

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Book: “A Vengeful Realm” by Tim Facciola

Publishing Info: First Torch Books LLC, October 2023

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Peace bought by blood seldom lasts, for vengeance knows no end. The same is true for mortals and Gods alike. Decades, centuries, eras may pass, but the cycle remains. As war and revolution rise again, Zephyrus finds himself at the center of it all. Chosen by the Gods, hailed as a prophet of liberation, and forged as a weapon to break the kingdom and restore balance to the realm, hope rests squarely on his shoulders.

If only he could remember…

Enslaved as a gladiator and thrust into a prince’s game of espionage, Zephyrus has only two clues to help unlock his shattered a prophecy foretelling destruction, and a letter to the enemy king, promising peace. Now Zephyrus must survive the dangers of the gladiatorial arena, the cunning fury of the Prince’s enemies, and the Gods’ torment if he is to find the truth of his identity and fulfill his fate. But to have any hope of breaking the cycle, first he must secure his freedom—and not just from his slavers.

Within this vengeful realm, a queen protecting her kingdom, a prince defending his father, and a gladiator slave haunted by a prophecy each contend for their own brand of freedom. But the Gods have an agenda of their own, and they’ll use any vessel—patrician, plebeian, or slave—to see it done.

The scales must be balanced. By peace. Or by blood.

Excerpt:

“If he wins, he is worthy of training. If he dies, then…” He shrugged. “All in favor?” The cavernous room echoed with cheers.

Zephyrus swallowed the growl forming in his throat. Laeden had given him an opportunity to prove to these people that he was worth more to them alive than dead. It wasn’t fair. It wasn’t right. Yet it was the best he was likely to receive. Again, his life hung on the whims of Gods and the balance of fate, but if he had steel in hand, he had a chance.

Laeden gave Zephyrus the slightest of nods. Another chance to stay alive. 

Fate… what a cruel jape. 

“Who will stand against him?” Cassius’s daughter, Nallia, asked. 

“I will.” Lenox stepped from his position along the wall and descended the stairs to stand before the Cassiuses and the royal family. “Let the Gods guide my blade.”

Zephyrus’s apprehension dissolved, replaced by a wave of determination.

“How fitting,” the queen said. “Let us pray.”

The queen droned on, calling for the Gods of Valencia to guide the true path of the impending match. An omenation they called it, to discern the will of the Gods. But Zephyrus saw it as fate. He was still alive for this purpose: to see Patrus’s murderer put to ground. Wielder, Harbinger, or Herald, he would kill Lenox and avenge his fallen friend.

The queen finished her prayer. The guards undid Zephyrus’s manacles while Lenox drew his sword. 

Let us see whose Gods are stronger. 

Zephyrus—wet, bloody, clad only in a loincloth—stood across from Lenox in his purple-and-gold armor. Eyeing the finely forged steel in Lenox’s hand, Zephyrus didn’t suppose this was going to be a fair fight.

Laeden drew his blade and descended the stairs. “He may wield my sword.”

Cassius stopped him with a raised hand. “He can use mine.” Cassius pulled a cheese knife from a nearby servant’s platter and tossed it into the air. 

The tranquility of the moment shattered as the cheese knife bounced down the steps with the clank of metal on marble. It toppled and spun before coming to a stop at Zephyrus’s feet.

Zephyrus eyed the rounded edge. Even the cheese was safe from such a blade.

Cassius lifted his hand. “Begin.”

Before Zephyrus could seize the dulled knife, Lenox charged. Lenox hacked down with a savage cut intending to cleave him in two. Zephyrus fell back, creating separation. He scuttled across the floor, pulling himself backwards with his hands to regain his footing. His heart throbbed in his ears. A chorus of disgruntled shouts filled the vaulted room, but Zephyrus was only focused on Lenox’s blade, chopping down at him. Sparks flew as steel met marble, narrowly missing Zephyrus’s thigh. He managed to his feet, just in time to avoid Lenox’s second attack. The blade passed mere hairs away from where Zephyrus was. 

“The perfect dodge is just beyond your opponent’s reach,” reminded a familiar voice.

Lenox continued to press, but Zephyrus’s instincts took over. He was no longer the hunted. He was the hunter.

Zephyrus stepped back, allowing the blade to cut the air before him. He moved just enough to dodge, never overextending himself or misjudging the reach of the attack. He continued to back away as Lenox pressed. 

Slash, hack, thrust! 

Zephyrus evaded each but let Lenox believe he was getting closer to finishing the fight. Lenox was not without skill. His footwork precise, his cuts intentional, he struck in an unpredictable pattern, but Zephyrus was better. Zephyrus backed away, retreating up the stairs toward the Cassiuses to keep space between Lenox and himself. 

He will tire. He will make a mistake, and when he does, I will kill him for it. 

Lenox lashed out with more frustration behind each swing. Fighting against an unarmed man, Lenox would want to end the fight quickly, but his haste would be his undoing. Stab, slice, slash, chop! Each cut had more fury behind it. Lenox’s breathing became short, ragged grunts. 

He’s losing patience. Wait for him to rush. Wait… Wait…

Lenox charged. 

Wait…

Zephyrus rolled beneath an overzealous lunge and claimed the cheese knife. Lenox launched, but Zephyrus side-stepped, slashing across Lenox’s cheek. Blood sprayed, causing a red tear to trickle down Lenox’s face. Lenox let out a cry and thrashed with his sword. Again, Zephyrus dodged, slipping his heel just behind Lenox’s. With a slight shove, the armored guard went down with a thud.

“You will die!” Lenox barked, getting to his feet. He slashed low to high, but Zephyrus pivoted out of the way and countered, nicking Lenox’s sword arm in the gap of his leather armor. Lenox followed up with a horizontal slash, attempting to part Zephyrus’s head from his shoulders. Zephyrus ducked under the blow and sliced across the inside of Lenox’s thigh, dropping him to a knee. Grabbing Lenox’s sword arm at the wrist, Zephyrus twisted, forcing the blade from his grasp. He kicked the sword aside and stood over his now-unarmed opponent. 

Blood trickled from Lenox’s wounds, but his pride suffered the greater defeat.

“You killed Patrus,” Zephyrus whispered. “And now you’ll die for it.” He reached the cheese knife back to deliver the final blow. Vengeance is mine. Patrus can rest eas—

His arm froze, suspended in mid-air. He pulled, but he couldn’t move. With all his strength, he tried to slam the cheese knife into Lenox’s neck, but to no avail. A powerful force jerked his arm backwards, spilling him onto the granite slab. 

“I said enough!” The doctore unwound his whip from around Zephyrus’s wrist. Zephyrus tried to locate the cheese knife, but he lost it in his fall. Lenox stood, reclaiming his sword, face red with fury. 

“Stand down, Lenox,” Cassius said. Lenox glared at Zephyrus, shoulders heaving with labored breaths. Zephyrus wasn’t ready for the fight to be over yet. He didn’t need a dull cheese knife to kill. For Patrus! He charged at Lenox.

Serena’s Review: “After the Forest”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “After the Forest” by Kell Woods

Publishing Info: Tor, October 2023

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Ginger. Honey. Cinnamon. Flour.

Twenty years after the witch in the gingerbread house, Greta and Hans are struggling to get by. Their mother and stepmother are long dead, Hans is deeply in debt from gambling, and the countryside lies in ruin, its people starving in the aftermath of a brutal war.

Greta has a secret, the witch’s grimoire, secreted away and whispering in Greta’s ear for the past two decades, and the recipe inside that makes the best gingerbread you’ve ever tasted. As long as she can bake, Greta can keep her small family afloat.

But in a village full of superstition, Greta and her mysteriously addictive gingerbread, not to mention the rumors about her childhood misadventures, is a source of gossip and suspicion.

And now, dark magic is returning to the woods and Greta’s magic—magic she is still trying to understand—may be the only thing that can save her. If it doesn’t kill her first.

Review: Like Mothman, there seems to be a certain trend towards Germanic fairytales this fall. This is the second fantasy book I’ve read that has pulled from German fairytales or been set in Germany. While I enjoyed the focus on Russian fantasy over the last few years, this feels like a natural next step and a refreshing shift in focus. This story, less a re-telling of “Hansel and Gretel” and more an imagined sequel to that tale, was definitely high on my TBR list for this fall. Unfortunately, while it started out strong and I had high hopes, it didn’t ultimately live up my expectations.

When I started reading initially there were a few flags about the writing style that were immediately raised. But as I kept pushing forward, I became invested in Greta’s story and was particularly intrigued by the romantic interest. Unfortunately, as the story continued, Greta somehow became a worse lead and said romantic interest disappeared for long periods of time. When those things started happening, my initial skepticism about some of the writing kicked back in, and I ended up generally having a fairly bad time after that. I’ll start with the character stuff, however..

Greta starts out as an independent young woman who is dealing not only with the aftermath of her traumatic experiences while trapped by a witch with her brother as children, but also struggling to keep herself and Hansel afloat as he continues to gamble their livelihoods away. To aide with this, she uses a spellbook she stole from the witch who captured them so many years ago to create irresistible baked goods. As such, she early on discusses how careful and wary she has always been towards the spellbook, knowing its original owner’s penchant for horror. But as the book continues, somehow Greta becomes actively stupider and decides, nah, this book I’ve gone years knowing is probably dangerous and evil is probably actually totally fine. This is only one example, but it reflects a larger trend: Greta’s story is told in a disjointed and unnatural manner. There is no grand reason for her to suddenly become dumber about this other than the fact that the book needs her to. Decision after decisions is made in this way, not only be Greta, but by the other characters around her.

At one point, she becomes obviously hypocritical about a late reveal in the story, blows up at the love interest and stomps off. She then meets another character who literally walks her through the errors of her thinking. Then she WALKS BACK to the love interest and apologizes and the story progresses from there. It’s such an unnatural and unnecessary scene. It’s paint-by-numbers character development where it doesn’t seem like the author has even taken the time to fully cover over the paint numbers in the design, having one character literally handhold the other through development.

Beyond that, the book packs in so many different themes and fantasy elements that it quickly turns into a muddled mess. Are we supposed to be interested in the dangers of the spellbook? Or, now I see we have shape shifters, is that the main focus? How about witchcraft, women, and Greta’s own slowly revealed powers? Or, here’s a very late introduction of an entirely new villain and magical curse that we must solve! It all became a hot mess quite quickly.

And now working my way backwards to the writing. I will say, before some of these character problems happened and the story twisted itself into a knot of different focal points, the pacing was fast and interesting and the writing style was capable of drawing me in. That said, the very first chapter did introduce me to something that would plague much of the rest of the story. There’s an initial confrontation with a bear, and the way the story is written, the scene jumps from thing to thing so suddenly that I legitimately thought we were starting out with a dream sequence; it had that same disjointed, disconnected style with no transitions that I associate with authors trying to reproduce the ever-shifting nature of dreams. But no, I soon discovered this was meant to be a simple enough scene. However, the lack of transitions between scenes and even moments within a scene was very distracting, and this strangeness carried throughout the book. I never had a good understanding of how much time was passing, or when we were jumping to another time and location, or anything like that, because there was no attempt to naturally transition from place to place, either literally or metaphorically.

Overall, I struggled with much of this book. It was honestly surprising, because even with the confusion about the non-dream-sequence beginning, the writing was fast and compelling and I thought I would enjoy it. But then things quickly fell apart and I was left quite disappointed by the entire experience. That said, if you’re a big fan of fairytale re-tellings, there may be aspects of this story that appeal. I do think the romance was compelling, and the writing was fast and relatable. But if you’re looking for a more serious fantasy fairytale, this isn’t it.

Rating 6: What started out with a lot of promise quickly fell apart with errors in execution and character development.

Reader’s Advisory:

“After the Forest” isn’t on any good Goodreads lists, but it should be on Hansel and Gretel Stories

Serena’s Review: “Starling House”

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Book: “Starling House” by Alix E. Harrow

Publishing Info: Tor, October 2023

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Eden, Kentucky, is just another dying, bad-luck town, known only for the legend of E. Starling, the reclusive nineteenth-century author and illustrator who wrote The Underland–and disappeared. Before she vanished, Starling House appeared. But everyone agrees that it’s best to let the uncanny house―and its last lonely heir, Arthur Starling―go to rot.

Opal knows better than to mess with haunted houses or brooding men, but an unexpected job offer might be a chance to get her brother out of Eden. Too quickly, though, Starling House starts to feel dangerously like something she’s never had: a home.

As sinister forces converge on Starling House, Opal and Arthur are going to have to make a dire to dig up the buried secrets of the past and confront their own fears, or let Eden be taken over by literal nightmares.

If Opal wants a home, she’ll have to fight for it.

Review: This was a book I was always going to read. The cover is right up my alley, of course. But the description of the story with its references to gothic houses and brooding men was also ticking all of the right boxes. On top of all of that, this is the same author who wrote “The Ten Thousand Doors of January,” a book I absolutely adored. Now, all of that said, I was a bit concerned going in due to the fact that this is a contemporary fantasy novel set in our modern world. For whatever reason, I’m very picky about this subgenre of fantasy. But it’s also just a tall task to write a compelling story that introduces magical elements into a world that in every other way is the same as our own. One or the other often is lacking in believability, either the magic or the description of our current society, leading to a disjointed weave where neither element really works with the other. But, frankly, this book served as a relief and reassurance: there ARE contemporary fantasy novels out there that work for me!

There was so much to love about this book, but I think I have to start with the voice of the main character. Yes, the book is broken up between two POVs, but it is not an even split, with Opal narrating the majority of the book. I won’t go off again on my main rants about the success of failure of multi-POV books, but I will note that Harrow takes advantage of an approach that I think vastly helps in this endeavor, and one that is often overlooked by authors. Opal, the primary narrator, tells her story in first person, while Arthur’s chapters are told from third person. Such a simple solution, but one that makes them easily distinguishable from one another without falling into the common trap of writing two voices that sound nearly identical. Third person storytelling is also the dominant form of storytelling across genres for a reason in that it allows a greater lens of commentary and description of events and scenes. So using this method, we are centered in Opal’s very distinctive voice, but through Arthur’s chapters, we are given a wider view of the greater circumstances.

But let’s get back to Opal. First person is a hard writing style to tackle, and one that I feel few authors truly master, often feeling that many books would be elevated form the mundane to the more exceptional had a simple change of tense been employed. But Harrow proves here how successful first person storytelling can be when done right. Opal’s voice is fierce, unique, and so clearly her own from the very start that the reader will immediately feel as if they know the exact type of person narrating the story before many details are even revealed. What’s more, Opal’s narration is clearly that of a somewhat unreliable narrator, which I think is the only honest way to truly do first person narration. When a character can only evaluate people and events from the perspective of their own world-view, their understanding colored by their own insecurities and past experiences, OF COURSE their narration is unreliable! Such is Opal’s story, an honest, and at time heart breaking, look at the harsh realities of poverty and small town life, but one that is also told from the perspective a young woman who has fought every day to make a life for herself and her brother. Opal isn’t a perfect person, but her story is one of self-acceptance, and learning the true nature of trust and family. It’s bracing at times, but ultimately beautiful.

Arthur’s story also covers some deep themes, such as duty, responsibility, choice, and, similar to Opal, family and grief. Of course, tied between them is a lovely slow-burn romance of the exact variety that I prefer. Firstly, their relationship is secondary to the overall story. And secondly, it develops in a natural manner full of small, every day moments and delayed realizations. Beyond these two, the house itself played a very unexpected role. I definitely went into the book expecting a certain type of haunted house story, and while some of this held true, I was also surprised and very pleased with the nuance brought to the house itself. In many ways, it served as an important third character all on its own.

I also loved the setting and overall story. The pacing was steady and gripping from the very start, never once lulling or letting the reader free from its captivating grip. Pieces to the larger mystery are slowly unspooled, all while greater and greater tension brews in the looming conflict between the house, its caretakers, and those who exist beyond it. Every time I felt like I had a good grasp on exactly where this story was going, it would abruptly swerve into an entirely different lane. The end, especially, took a turn I wasn’t expecting at all, but ended up really enjoying.

Honestly, I can’t say enough good things about this book. It’s stayed with me every since I finished it, and it’s definitely been one of those “ruiner” reads where I’ve struggled picking up my next few books because my mind keeps drifting back to this one. This is the sort of book that I think will appeal to a wide range of readers. It is fantasy, of course, but it also has elements of horror and historical fiction. Beyond this, it delves deeply into themes of power, privilege, and rage, topics that I think will interest many readers. And, of course, any fans of Harrow’s work previously should definitely check this one out.

Rating 10: Haunting in the true sense of the word, this book will stick with you long after you’ve finished the last page.

Reader’s Advisory:

“Starling House” can be found on these Goodreads lists: Hansel and Gretel Stories

Kate’s Review: “Find Him Where You Left Him Dead”

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Book: “Find Him Where You Left Him Dead” by Kristen Simmons

Publishing Info: Tor Teen, September 2023

Where Did I Get This Book: I received an ARC at ALAAC23

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Four years ago, five kids started a game. Not all of them survived.

Now, at the end of their senior year of high school, the survivors―Owen, Madeline, Emerson, and Dax―have reunited for one strange and terrible they’ve been summoned by the ghost of Ian, the friend they left for dead.

Together they return to the place where their friendship ended with one find Ian and bring him home. So they restart the deadly game they never finished―an innocent card-matching challenge called Meido. A game without instructions.

As soon as they begin, they’re dragged out of their reality and into an eerie hellscape of Japanese underworlds, more horrifying than even the darkest folktales that Owen’s grandmother told him. There, they meet Shinigami, an old wise woman who explains the rules: They have one night to complete seven challenges or they’ll all be stuck in this world forever.

Once inseparable, the survivors now can’t stand each other, but the challenges demand they work together, think quickly, and make sacrifices―blood, clothes, secrets, memories, and worse. And once again, not everyone will make it out alive.

Review: Thank you to Tor Teen for providing me with an ARC of this novel at ALAAC23!

After not feeling like there was much programming or promotionals for the horror genre at ALAAC in 2022, the conference in 2023 had a LOT of really great horror centered stuff! There were a good amount of horror ARCs available and multiple panels about the genre with authors of the genre giving their insights. During one of these panels I received a signed ARC of “Find Him Where You Left Him Dead” by Kristen Simmons, and after hearing her talk about the book and the inspiration she took from Japanese mythology I was very much interested to see what she did with it. I had pretty high hopes, and, unfortunately, the book didn’t quite live up to them.

But first what I did like. The comparisons to “Jumanji” are absolutely spot on. As someone who has had a special place in her heart for that movie ever since she saw it in theaters (I’ve dated myself), I really like how “Find Him Where You Left Him Dead” brings in a game element that these teens have to play, while steeped in the dangerous beings from Japanese folklore and mythology. And that is a great segue into the other thing that I really liked about this book: the Japanese folklore and mythology! Simmons finds some of the more disturbing yōkai and oni to showcase, which makes for some solid horror scenes. There was one in particular with a creature that was hoping to make clothing out of a very nasty item that really set me on edge. When the yōkai are placed front and center and are tormenting the friend group, it makes for unique and interesting reading. It’s also always cool seeing non-Western mythologies and folktales serve and inspiration for fantasy or horror or any genre that looks to stories of the past to influence stories of today, and seeing authors from those cultures have the opportunities to tweak and tinker with it to tell a new story.

But on the flip side, I had a really hard time investing in and getting into the characters. We have multiple POVs in this book, focusing on the friend group of Madeline, Emerson, Owen, and Dax, who played a strange game with their friend Ian four years prior and then left him behind in a cave and no one has seen him since. Now they join back together to play again after Ian’s ghost visits them all, and they know that they have to finish it or they will be trapped forever. It’s a solid build up, but their voices are pretty flat and not very distinct. Sure, all of them are dealing with their trauma in their own ways, but I never really got invested in any of them, which made the stakes of getting out of this alternate world not very high for me. There were also a lot of times they spoke less like teenagers in conversation and more like lessons the audience is meant to learn, and while I agreed with what they were trying to say, it could come off as stilted and throw off the pace of the book. I think that had we had fewer POVs to jump between and had we really gotten to know them better, they probably would have been more interesting to me, but as they were they were just kind of there. Which was a shame because it made the read not as entertaining as I had hoped it would be.

“Find Him Where You Left Him Dead” was a bit of a letdown. The folklore inspiration was spot on, but the rest of the book was pretty run of the mill.

Rating 6: I really loved the Japanese folklore elements of this horror tale, but the characters in “Find Him Where You Left Him Dead” were a bit flat and made it hard to invest in their fates.

Reader’s Advisory:

“Find Him Where You Left Him Dead” is included on the Goodreads lists “YA Asian Horror”, and “A 2023 Halloween Spooky Reads List”.

Serena’s Review: “Flower and Thorn”

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Book: “Flower and Thorn” by Rati Mehrotra

Publishing Info: Wednesday Books, October 2023

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Irinya has wanted to be a flower hunter ever since her mother disappeared into the mysterious mist of the Rann salt flats one night. Now seventeen, Irinya uses her knowledge of magical flowers to help her caravan survive in the harsh desert. When her handsome hunting partner and childhood friend finds a priceless silver spider lily–said to be able to tear down kingdoms and defeat an entire army–Irinya knows this is their chance for a better life.

Until Irinya is tricked by an attractive imposter.

Irinya’s fight to recover the priceless flower and to fix what she’s done takes her on a dangerous journey, one she’s not sure she’ll survive. She has no choice but to endure it if she hopes to return home and mend the broken heart of the boy she’s left behind.

Review: Rati Mehrotra is a rather hit and miss author for me. I’ve read several books by her over the last few years, often without realizing they were written by the same author. Too often I get sucked in by a great book description before I check who actually wrote the book! And, while none of those books really hit the spot for me, there’s just no denying the creative world-building and storytelling at the heart of these books. Indeed, it was these very concepts that drew me in to begin with! And such was the case here, again. In both matters, unfortunately.

But let’s start with what I did like. As with her other books, the world-building and fantasy elements of this story were quite intriguing. I love a desert setting in my fantasy, and this landscape was utilized well in the descriptions of the life and culture of the people who made it their home. I also really loved the idea of magical flowers, with each having different properties, some more powerful than others, and some much more rare. I enjoyed the descriptions of the life of a flower hunter with dangers of hunting items so highly sought after by many different parties. As the story unfolds, this world felt alive and populated. And while the story is firmly a fantasy novel, I did enjoy the nods towards 16th century India and the inclusion of cultural and historical elements form that time and place.

The story also moves along at a fast clip, with various plot elements popping up within the first few chapters and setting our characters off on their various adventures. But while I could recognize that the story was moving at a fast clip, I did struggle to stayed connected to this story. This has been a problem with all of the books I’ve read by this author and I still struggle to put my finger on exactly what the problem is. Partly, I always have a hard time truly connecting to the main characters. Like the previous books I’ve read, objectively, I could recognize that Irinya was a good leading lady, full of spunk and wit. But I just couldn’t really care about her. Something about the voice and tone of the characters feels slightly removed, holding the reader at a bit of a distance rather than drawing you in.

As for the pacing, I also felt that while the story moved fairly quickly, there were also parts that lingered too long on unimportant scenes and descriptions that didn’t add to the overall story and, instead, threw me out of the book. I found myself repeatedly putting the book down and having to pick it up again and make myself keep going. Not because I was actively disliking it, but simply because it couldn’t manage to hold my attention fully. I also found a lot of the twists and surprises fairly predictable, which didn’t help my struggles to connect to the story.

At this point, I think there is something about this author’s style of writing that just doesn’t connect with me. That said, she does have creative ideas for fantasy novels and if you’re a fan of her work, you’ll likely enjoy this one too!

Rating 7: A unique world with intriguing fantasy elements, but I struggled to connect to the characters or the story.

Reader’s Advisory:

“Flower and Thorn” can be found on these Goodreads lists: Indian Inspired Fantasy Books and South Asian Fantasy.

Kate’s Review: “Edenville”

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Book: “Edenville” by Sam Rebelein

Publishing Info: William Morrow, October 2023

Where Did I Get This Book: I received an ARC from the publisher at ALAAC23.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: An unsettling, immersive, and wildly entertaining debut novel from an exciting new voice in horror for fans of Paul Tremblay and Stephen Graham Jones.

After publishing his debut novel, The Shattered Man, to disappointing sales and reviews, Campbell P. Marion is struggling to find inspiration for a follow-up. When Edenville College invites him to join as a writer-in-residence, he’s convinced that his bad luck has finally taken a turn.

His girlfriend Quinn isn’t so sure—she grew up near Edenville and has good reasons for not wanting to move back. Cam disregards her skepticism and accepts the job, with Quinn reluctantly following along. But there’s something wrong in Edenville. Despite the charming old ladies milling about Main Street and picturesque sunflowers dotting the sidewalks, poison lurks beneath the surface. As a series of strange and ominous events escalate among Edenville and its residents, Cam and Quinn find themselves entangled in a dark and disturbing history. Told with equal parts horror and humor,  Edenville  explores the urban legends that fuel our nightmares and the ways in which ambition can overshadow our best instincts. Sam Rebelein is an exciting, sharp new voice, sure to terrify readers for years to come.

Review: Thank you to William Morrow for providing me with an ARC of this novel at ALAAC23!

One of the books I was on the look out for at ALAAC23 was “Edenville” by Sam Rebelein. It had been showing up in the various horror lit social media circles I like to frequent, and was getting a fair amount of hype. So I was very happy when they did, in fact, have ARCs available, and made sure to get my hands on one (shout out to Serena for snagging it for me). I saved it for October, as it was a highly anticipated horror read and great for a Horrorpalooza review, and when I did finally sit down with it, it was… not what I expected? But not in a bad way!

As someone who isn’t as into Cosmic Horror as a sub genre, I was a little wary going into this one even though I was anticipating it due to the hype. But I thought that “Edenville” was pretty fun as well as SUPER weird, particularly for our protagonists Cam and Quinn, a couple who have moved to Edenville to pursue Cam’s career as an author as a new writer in residence at the local university. Cam’s debut novel was an overall flop, and feeling stung in his failure this opportunity is too good to pass up, even though girlfriend Quinn is quite nervous about it. I always like small towns with sinister secrets, and I felt that Rebelein really captured that aspect of Edenville itself as well as the surrounding area of Renfield County and the urban legends it harbors. The eerie sense that something isn’t quite right in the town, whether it’s the strange residents themselves who are just a little off, or the fact that new writer in residence Cam is seemingly connected to the history of the town in spite of never having been there before, or Quinn having grown up close by and having her own weird previous experiences and knowledge of urban legends that may have some truth, Rebelein makes the unease and uncanniness build up in a well paced way and then completely yanks the rug out from under the reader. Both Cam and Quinn are enjoyable in the parts that they play, with Cam being slowly taken in by his perceived importance and Quinn knowing that something is really wrong, and it makes for high stakes as we barrel towards the climax. There is a lot of pretty gnarly body horror in this book as well, whether it’s Cam’s eyes leaking a viscous goo that sounds suspiciously like it has a semen-like consistency, or some of the moments later in the book that I don’t really want to spoil here because MAN are they gross but kinda fun at the same time. And yes, while this sometimes did go a little far into cosmic horror for my own personal tastes, there was always something to kind of bring me back and ground me.

But what bumped my reading experience up a notch was just how funny this book could be at times. The town of Edenville is definitely sinister and creepy, but there were also a lot of moments that had me cackling, whether it’s snark from the weirdo townspeople, or just off the cuff observations, or even just the satirical look at the pretentiousness of academia and those who strive to excel within that community. This is especially evident with Cam as he aches to fit in within his new academic setting, and deals with other faculty who are less than welcoming (and not just inside the context of this being a horror story; some of the interactions feel VERY real and especially biting), and brushes off things that are VERY wrong in this desperation to be important in the community after feeling like a failure in the past. There were so many things in this book that had me thinking back to the podcast “Welcome to Nightvale”, but if Nightvale was less of a quirky town with supernatural charm and more if it was a deeply menacing community with ill intent. But it had that kind of tone at times that really grabbed the humor amidst all the gore and scares.

Overall, “Edenville” was enjoyable. It could get a little weird for me, but I think that if you want a horror novel that goes places that we don’t see that often, and one that will almost assuredly make you laugh, this could be a good choice!

Rating 7: Supremely weird, sometimes gross, and a lot of the time funny, “Edenville” is an ambitious and wild ride about small town secrets, cosmic horror, and the pitfalls of Academia.

Reader’s Advisory:

“Edenville” is included on the Goodreads lists “Horror to Look Forward to in 2023”, and “2023 Dark Academia Releases”.

Book Club Review: “Snapdragon”

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We are part of a group of librarian friends who have had an ongoing book club running for the last several years. Each “season” (we’re nerds) we pick a theme and each of us chooses a book within that theme for us all to read. Our current theme is song inspirations, where we were given a random song from a random genre and had to pick a book based on the song.  For this blog, we will post a joint review of each book we read for book club. We’ll also post the next book coming up in book club. So feel free to read along with us or use our book selections and questions in your own book club!

Book: “Snapdragon” by Kat Leyh

Publishing Info: First Second, February 2020

Where Did We Get This Book: The library!

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Song Inspiration: “Blasphemous Rumors” by Depeche Mode

Book Description: Kat Leyh’s Snapdragon is a magical realist graphic novel about a young girl who befriends her town’s witch and discovers the strange magic within herself.

Snap’s town had a witch. At least, that’s how the rumor goes. But in reality, Jacks is just a Crocs-wearing, internet-savvy old lady who sells roadkill skeletons online. It’s creepy, sure, but Snap thinks it’s kind of cool, too.

Snap needs a favor from this old woman, though, so she begins helping Jacks with her strange work. Snap gets to know her and realizes that Jacks may in fact have real magic—and an unlikely connection to Snap’s family’s past.

Kate’s Thoughts

Sometimes people can forget that the Halloween season doesn’t have to be all about the scares! There are plenty of non-scary stories that still feel like they fit in in the season, and “Snapdragon” is one of those stories. Why yes there is a witch and why yes there are bones and skeletons, but this middle grade graphic novel about a girl befriending a rumored witch is a very cozy and charming story about friendship and found family, all with a magical twist.

I thought this was a super cute read, with our intrepid protagonist Snap meeting Jacks, a rumored witch who teaches her about taxidermy and also a little bit of magic. I loved the friendship between Snap and Jacks, as Snap is a LOT and Jacks is very patient. I loved getting to know both of them individually but also through them getting to know each other. I really liked the mentor-mentee relationship, and I liked seeing Snap get to know Jacks and, therein, also getting to know herself AND to learn some things about her family’s past through her friendship with this supposed and friendly witch. The themes of friendship and found family were well presented for the audience, as well as themes of general family love and acceptance and love, whether it’s single mothers doing the best they can, or trans kids finding acceptance from their loved ones as well as their friend circles. You have all these things along with humor and some witchy magic and you have a recipe for a very sweet middle grade fantasy tale!

If you are looking for some adorable witchy fun for your middle grader reader, or even yourself, “Snapdragon” is a breezy and not so spooky choice!

Serena’s Thoughts

Overall, I enjoyed this read. Middle grade fiction was never a real favorite of mine, even when I was a middle grader, but I can definitely see the appeal of this book. In many ways, while it covers important and sometimes heavy topics, this is very much a cozy, feel-good fantasy novel. Snap is a fantastic lead character and probably my favorite part of the book. She was simply a fun person to follow through the story!

I also really liked the inclusion of intergenerational relationships. The story focuses on the relationships between many different characters, but this one stood out to me the most as one that we rarely see on the page, let alone in middle grade fiction that is often focused on peer relationships and maybe parents.

That said, I did struggle a bit with this particular art style. I found it rather clunky and difficult to parse facial expressions and other important aspects of the scenes. As a fantasy reader, I also found myself wish there had been a bit more with regards to just how the magic works in this world. I’m all for just going with the flow, but for me, this could have used a bit more fleshing out.

Overall, I think this book would appeal to many middle grade readers. However, if middle grade fiction or graphic novels aren’t your natural wheelhouse, you might feel a bit more disconnected from this one, like I did.

Kate’s Rating 7: A sweet and charming story about being yourself and found family, “Snapdragon” is a nice middle grade novel that could be fun for Halloween reading!

Serena’s Rating 7: A lovely little story that explores themes important to the middle graders while presenting a world of wonder and whimsy.

Book Club Questions

  1. The prompt for this book was “Blasphemous Rumors”, as Jacks has a lot of rumors surrounding her. Can you think of another book or story that has a character with rumors about them that may or may not be true?
  2. What did you think about Snap as a main character?
  3. What were your thoughts on the magical systems in this book? Do you think it was well conceived? Did you need more explanation?
  4. Did you like the artwork and character design in this book?
  5. Were there any side characters that you liked? What was it about them that you enjoyed?
  6. What did you think about Jacks’s backstory and connection to Snap’s family?

Reader’s Advisory

“Snapdragon” is included on the Goodreads lists “Comics for Witches”, and “Witchy Middle Grade & Tween”.

Next Book Club Pick: “Born a Crime” by Trevor Noah