Serena’s Review: “The Queen of Days”

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Book: “The Queen of Days” by Greta Kelly

Publishing Info: Harper Voyager, October 2023

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: For Balthazar and his family of thieves, stealing a statue during the annual celebration of the god Karanis was just a good bit of fun…or a way to stick it to the governor who murdered his parents. And yeah, the small fortune in reward doesn’t hurt—even if his boss also hired the mysterious Queen of Days to join the crew as “the weapon of last resort…”

Whatever that means.

But Bal doesn’t know the ceremony isn’t simply empty words and dusty tradition; it’s true magic. The kind of magic that rips open a portal for the god himself. Only the idol that Karanis planned on using for a body now lies broken at the Queen of Days’ feet. And half of it is missing.

With the aid of a lovable brawler, a society lady turned bomb maker, a disgraced soldier, and a time-eating demon, Bal must hunt down the missing half of the statue if he has any hope of earning his money, keeping his crew alive…and perhaps even saving all of humanity. But as his journey sends him racing through the city—and across realities—he discovers that doing all this might just doom the city.

The city be damned. It’s time to kill a god.

Review: Heaven knows I’ve had an up and down experience with these multi-POV heist books. And yet I keep coming back! I guess it simply feels like one of those situations where if multi-POV is going to work, a heist book is the place to find it! And I’ve read the good, the bad, and man oh man, the ugly. This one stood out, however, in that it has been marketed as an adult high fantasy novel, rather than the typical YA fare that we’ve usually seen. So, let’s see how it stands up to all the other books like this!

I’ll just lead with the bad news: while this wasn’t the bad or the ugly, it was also just on the edge of good for me. In that, I enjoyed this book overall, but the reading experience was also frustrating at times and left me feeling a bit let down in the end. But let’s get into what did work. First off, the writing was strong, vividly depicting the rich world-building that went into this story. It was easy for me to quickly settle myself in this world and look forward to what was to come. I also appreciated the style choice to use both first person and third person to distinguish between a few of the view points. As I mentioned in my review for “Starling House,” I think this “one simple trick” can do a lot to help elevate a multi-POV book into a more interesting reading experience all around.

That said, I’m not sure that the first person style helped with some of the characters themselves. Bal, the leader of the group, reads as the main character of the book, something that the first person tense further emphasizes. However, he was also the most frustrating character, often making choices that seemed to prioritize his own goals while risking the safety of his crew. Using the first person perspective, the reader has an up close and personal look at some of the inner workings of these decisions, and, frankly, that didn’t help matters as he fixated on his ex-fiancé and other similarly frustrating topics. On the other hand, I did enjoy the other characters more, something that was probably helped by the more omniscient view from the third person perspective. Plus, cool magical powers are always a draw!

This was also one of those rather frustrating reads where I was able to get into the book quite quickly but struggled to maintain my focus over the course of the book. Much of the plot and pacing felt very familiar, and I wasn’t truly surprised by any of the twists and turns the story took. Of course, a book doesn’t need to be surprising to be a success, but something about the reading experience felt familiar in a bland way, for me. That said, if you’re a high fantasy reader who really enjoys multi-POV books, this one may be worth checking out!

Rating 7: While the world-building was compelling, I struggled to maintain my interest in a story that felt very familiar.

Reader’s Advisory:

“The Queen of Days” can be found on this Goodreads list: Best books of October, 2023

Serena’s Review: “What the River Knows”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “What the River Knows” by Isabel Ibanez

Publishing Info: Wednesday Books, October 2023

Where Did I Get this Book:

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Bolivian-Argentinian Inez Olivera belongs to the glittering upper society of nineteenth century Buenos Aires, and like the rest of the world, the town is steeped in old world magic that’s been largely left behind or forgotten. Inez has everything a girl might want, except for the one thing she yearns the most: her globetrotting parents—who frequently leave her behind.

When she receives word of their tragic deaths, Inez inherits their massive fortune and a mysterious guardian, an archeologist in partnership with his Egyptian brother-in-law. Yearning for answers, Inez sails to Cairo, bringing her sketch pads and an ancient golden ring her father sent to her for safekeeping before he died. But upon her arrival, the old world magic tethered to the ring pulls her down a path where she soon discovers there’s more to her parent’s disappearance than what her guardian led her to believe.

With her guardian’s infuriatingly handsome assistant thwarting her at every turn, Inez must rely on ancient magic to uncover the truth about her parent’s disappearance—or risk becoming a pawn in a larger game that will kill her.

Review: I’ve been highly anticipating this book ever since I saw it floating around as a title that was releasing this fall. While the author’s previous book wasn’t a homerun for me, I did enjoy it and was excited to see what she had in store next. I also liked the sound of this one, with its mixture of fantasy and historical genres. All of that said, luckily for me I didn’t see the fact that it was also being promoted to fans of “The Mummy” (Brendan Fraiser version!) until after I had read it cuz…yeah, that’s probably one of my favorite movies and this book ain’t that!

This book really didn’t work for me, but as always, I want to start with some positives. First off, I think the true strength of this book comes in the form of dialogue. There were some genuinely funny lines that had me chuckling, and I liked our main characters best in these moments. Once they went back to their internal thoughts, I immediately went back to having problems with the story. I’ll also say that for readers who enjoy will-they/won’t they rather angsty romances, this one might be a good fit. But ultimately, I do think the book struggled in many different arenas.

First off, the pacing of the book was odd. It was one of those strange cases where the action almost started off too quickly. In this instance, I was told quite quickly why I should care about Inez and her concerns, but I wasn’t given enough time with the character to actually establish this myself. Instead, the plot starts off right away and Inez’s decisions immediately come across as foolish as best and downright ridiculous at worst. Foolish decisions can work, but the reader needs to care about the character and understand them as a person to be willing to go along with silly choices without damaging the perception of the character. That said, I’m not sure I was ever going to like Inez, as things didn’t improve as the story continued.

Once she met Whit, Inez became even more difficult to sympathize with. It’s a classic “lust at first sight” situation, and her continued interest in what she soon learns is a man in a committed relationship was pretty unappealing. From a basic structure standpoint, much of the “tension” of the story is built around rather ridiculous inner angst, rather than any actual build-up in the romantic interactions between them. We don’t get any real movement on that front until well past the 50% mark. Whit was fine as a leading man, but he also didn’t strike me as standing out from “classic good looking guy,” complete with all of the stereotypical descriptions that come with that type of character.

Beyond the characters, I also was disappointed with the world-building. There was so much potential to this world, and I was immediately intrigued by the concept of magic that was halfway forgotten and the ties to Egypt and the history of archeology at the time. But…it just kind of went nowhere? Especially the magic. There was never any greater explanation about how any of this worked, why it would ever be forgotten if it was as powerful as it seemed to be, and how any of it really worked together.

Lastly, I have to admit that I was immediately put on my guard in the very first chapter when the writing itself seemed to falter over fairly basic concepts. I can point to two points in the first few pages where the writing actively changes tenses between first person past and first person present and this continued throughout the book. This is just sloppy writing, unfortunately. These weren’t changes used to break between perspectives or chapters, but switches made from one sentence to another. It was incredibly distracting and threw me out of the book each time it happened. Other readers may be less bothered by things like this, so if you’re the sort who doesn’t bat an eye, this may not even be noticeable. But as it significantly impacted my experience of this book, I have to mention it.

I won’t be continuing with this series. And, honestly, given the pacing of the romance and the conclusion of this book, even if I had been enjoying it more, I think I would have struggled to want to continue, as I don’t think this ending lands well at all. Given a quick glance of the Goodreads page, I know that my opinion is a minority opinion, so definitely still give this book a go if you’ve been greatly anticipating it. However, if you love “The Mummy,”… temper your expectations.

Rating 5: Struggles all around: an unlikable leading lady, a strained romantic plot line, and some writing missteps that I just couldn’t get past, unfortunately.

Reader’s Advisory:

“What the River Knows” can be found on these Goodreads lists: Archaeology in Fiction and Palm Trees.

Kate’s Review: “The Intern”


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Book: “The Intern” by Michele Campbell

Publishing Info: St. Martin’s Press, October 2023

Where Did I Get This Book: I received an ARC from the publisher at ALAAC23.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A young Harvard law student falls under the spell of a charismatic judge in this timely and thrilling novel about class, ambition, family and murder.

Madison Rivera lands the internship of a lifetime working for Judge Kathryn Conroy. But Madison has a secret that could destroy her career. Her troubled younger brother Danny has been arrested, and Conroy is the judge on his case.

When Danny goes missing after accusing the judge of corruption, Madison’s quest for answers brings her deep into the judge’s glamorous world. Is Kathryn Conroy a mentor, a victim, or a criminal? Is she trying to help Madison or use her as a pawn? And why is somebody trying to kill her?

As the two women circle each other in a dangerous cat-and-mouse game, will they save each other, or will betrayal leave one of them dead?

Review: Thank you to St.Martin’s Press for providing me with an ARC of this novel at ALAAC23!

Back in October I had the pleasure of interviewing Michele Campbell. I had been approached to do a Q and A and to write a review for her newest book “The Intern”, but the timing, review wise, was tricky, as it was right at the start of Horrorpalooza. But I committed to reviewing the book as soon as Horrorpalooza was over, and when I did sit down with it I tore through this book in probably two days because it ensnared me so thoroughly. There are so many things about “The Intern” that work. This is absolutely my favorite book I’ve read by Michele Campbell, and it’s one of the best thrillers I’ve read in 2023.

I’m not beating around the bush, this was great. (source)

“The Intern” is told through the perspectives of two women. The first is Madison Rivera, an ambitious law student at Harvard Law who is desperate to rise above her difficult childhood and to make something of herself. The other is high powered judge Kathryn Conroy, who is respected in law circles and is Madison’s most liked professor turned boss once Madison becomes her intern. They have alternating sections in the book, with Madison being in the present and Kathryn being mostly in the past, and I liked getting one bit of information from Madison’s experience, and then getting more context and more information from seeing Kathryn’s past experiences. I felt that both women were pretty well rounded and complex, and once it was revealed that we were going to see what was going on in Kathryn’s mind, I knew that this was going to be a bit more than a run of the mill cat and mouse game thriller. Campbell really brought out her layers in particular, as while I anticipated her being a conniving antagonist, she ended up being quite a bit more than a potentially corrupt judge. Madison also had some well explored complications, and I really enjoyed watching her piece things together while also still feeling a certain loyalty to her boss, even when it could put her at odds with doing the right thing. Her ambition and her reasons for that ambition were wholly believable. It made for an interesting dual character study at the heart of the thrills (though Kathryn’s was the one that really drew me in).

And as a thriller this really clicked with me. The mystery has multiple mysteries within in, and as some questions were answered others would arise, all at breakneck speeds that kept me reading this book long into the night or any time I had ANY kind of down time. Campbell places clues in the past and present for the reader and Madison to parse through, while being skillful at misdirection and plot twists that completely caught me off guard. I don’t read that many legal thrillers, but this one has all the makings of a legal conspiracy story along with the elements of sudsier whodunnits, and Campbell balanced the tones of those sub genres with ease and combined them into a story that really grabbed hold. This is top notch stuff, it’s well thought out and well executed and was incredibly satisfying. Even though we get one big issue cleared up right away, there are plenty of other questions at hand to make for a fun and twisty read.

“The Intern” is an enjoyable thrill ride with some fascinating characters. If you are looking for a rollercoaster of a thriller, this is one to put on your list!

Rating 9: A suspenseful story with great twists and great characters, “The Intern” is Michele Campbell’s best novel yet!

Reader’s Advisory:

“The Intern” is included on the Goodreads lists “Legal Thrillers”, and “Chick Noir Novels”.

Serena’s Review: “The King -Killing Queen”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The King-Killing Queen” by Shawn Speakman

Publishing Info: Grim Oak Press, October 2023

Where Did I Get this Book: ARC from the publisher!https://amzn.to/46p7y5w

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: In this first book of a new trilogy author Anna Smith Spark calls “a dark love letter to high fantasy,” a woman discovers her unknown past carries with it a terrible future.

When Alafair Goode lay wounded during his quest to destroy Mordreadth the Great Darkness, a witch magicked and saved the future High King’s life to fulfill his destiny. Thereafter, all born to his line also cannot die, to be only undone by natural death.

Decades later, Sylvie Raventress is the devoted apprentice to the Master Historian stepbrother of the High King. It is a life of scholarly pursuit and privilege where one day she will take her instructor’s place and write her own histories. But beside Alafair’s deathbed, Sylvie and his scions learn a surprising truth—she is no orphan but is his named heir. Worse, when he dies, the witch’s curse is no more, leaving all of them suddenly mortal and vulnerable.

With her siblings loathing Sylvie’s selection and vying for her throne, she must rely on a Fae guide, a disgraced former First Knight, and a cantankerous light-weaver to restore the fracturing kingdom and become High Queen. And yet the thing none of them know is destiny has its own part to play too.

Review: I always love supporting authors who publish through smaller publishers, so I was excited to jump on the opportunity to read and review this book when I saw that it was coming out this fall. The cover is simply gorgeous, and a title like that is sure to catch the eye! While the book description itself sounded a bit generic as far as high fantasy goes, there’s also nothing wrong with going back to the basics if it’s done well! And other than few quibbles here and there, I think this was a solid fantasy read.

Right away, the overall tone of this book will hit nicely for classic fantasy readers. While the word “trope” gets thrown around a lot with much derision, often things only become tropes because some core part of the concept appeals to large swaths of readers. Such is the case with this book. We have family curses, orphans who are long-lost heirs, historic battles between Fae and humankind, and, of course, a good ole political battle between siblings all vying for a throne. All of these elements, while familiar, fit together neatly, pulling the reader into an almost nostalgic story that gallops from one scene of intrigue and danger to the next. The book is on the shorter side, but tons of plot and action is stuffed within the pages that we have.

What stood out most of all, however, was the main character, Sylvie. Not only was it also a breath of fresh air to be reading a fantasy novel that wasn’t comprised of a million and one POVs, but Sylvie herself was a fantastic leading lady. While some of the plot of the book wasn’t overly surprising, Sylvie often was. We are introduced to a fairly reserved, bookish sort of character who envisions a quiet future for herself. However, her ability to morph into a clear-eyed, and at times ruthless, heir to the throne who takes the responsibilities and sacrifices of that role seriously was incredibly impressive. It didn’t read as a character switch, which was also quite impressive. Somehow both versions of Sylvie fit alongside one another well, all anchored by her strong sense of commitment to those she loves and her role in the world. It seems like a strange thing to say, but I was so pleased that the author didn’t back down from some of the more ruthless moments that Sylvie must take part in. She doesn’t quibble, she doesn’t waver. It was refreshing, to say the least, to read a female character coming into power who doesn’t feel the need to apologize for the same decisions that a male counterpart would make without blinking an eye.

All of that said, towards the middle of the book, there were a few writing choices that began to grate on me a bit. There were a few moments that I was thrown out of the book by the repetition of facts or by the writing falling too closely to the “telling” side of things, rather than the “showing.” A few more edits could have potentially ironed out a few of these issues, but still, overall I found this to be a very enjoyable read. If you’re looking for a classic-feeling high fantasy novel, definitely give this one a go!

Rating 8: A jubilant return to classic high fantasy, Sylvie’s story is one of action, betrayal, and the strength it takes to rise to the challenges set before you.

Reader’s Advisory:

“The King-Killing Queen” isn’t on any Goodreads lists, but it should be on Fantasy Royalty.

Kate’s Review: “A Haunting on the Hill”

Book: “A Haunting on the Hill” by Elizabeth Hand

Publishing Info: Mulholland Books, October 2023

Where Did I Get This Book: I received an eARC of this novel from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: From three-time Shirley Jackson, World Fantasy, and Nebula Award-winning author Elizabeth Hand comes the first-ever authorized novel to return to the world of Shirley Jackson’s  The Haunting of Hill House:  a suspenseful, contemporary, and terrifying story of longing and isolation all its own.
 
Holly Sherwin has been a struggling playwright for years, but now, after receiving a grant to develop her play, The Witch of Edmonton, she may finally be close to her big break. All she needs is time and space to bring her vision to life. When she stumbles across Hill House on a weekend getaway upstate, she is immediately taken in by the ornate, if crumbling, gothic mansion, nearly hidden outside a remote village. It’s enormous, old, and ever-so eerie—the perfect place to develop and rehearse her play.
 
Despite her own hesitations, Holly’s girlfriend, Nisa, agrees to join Holly in renting the house out for a month, and soon a troupe of actors, each with ghosts of their own, arrive. Yet as they settle in, the house’s peculiarities are made known: strange creatures stalk the grounds,  disturbing sounds echo throughout the halls, and time itself seems to shift.  All too soon, Holly and her friends find themselves at odds not just with one another, but with the house itself. It seems something has been waiting in Hill House all these years, and it no longer intends to walk alone . . . 

Review: Thank you to NetGalley for providing me with an eARC of this novel!

Happy Halloween, everyone!! This is one of my favorite days of the year, and while I am always sad that the spooky season inevitably comes to an end on this wonderful day, I still look forward to it. Between taking my kid trick or treating and watching the original “Halloween” film, I like making this day special, and this year I have a special final review for Horrorpalooza 2023: “A Haunting on the Hill” by Elizabeth Hand is not only a new haunted house story, it is also an official continuation of Shirley Jackson’s “The Haunting of Hill House”, the formative and influential Gothic horror story about four paranormal investigators in the sinister Hill House. When I heard that there was an authorized sequel that takes place decades after the original, I was very, VERY interested to see what exactly the author was going to do with it. We’ve had some really good interpretations of the Hill House lore in the past few years, and an actual novel sounded ambitious and daunting. But I was very, very satisfied with how it all shook out.

“A Haunting on the Hill” brings new inhabitants to Hill House, set in the modern times. Holly, a playwright who is trying to re-craft an old play about a witch, discovers the empty (but still cared for) mansion while on a drive during a vacation with her girlfriend and creative partner Nisa, and is almost immediately drawn to it. After convincing other members of the play, Stevie (an actor and a close friend) and Amanda (the lead), to join, what begins as a creative endeavor slowly turns into a nightmare. So once again we have four people in Hill House who don’t know just how dangerous it is, with locals and caretakers trying to warn them as their warnings fall unto closed ears, and a house that starts to draw them in. I liked watching the slow spin out as Holly, Nisa, Stevie, and Amanda deal with little things (like things being in one place and ending up in another, or lights being on when they were sure they were off), which then turn into big things (black hares falling down chimneys, or seeing cars barreling towards trees only to have them disappear). Hand takes her time in building up the tension, and adds more tension between the actors who are already on edge for other reasons none of them really want to talk about. She makes it so that the dread is fully taut, and then will let it snap to create genuinely scary moments that feel right out of Shirley Jackson’s playbook.

In terms of how well it blends in with the source material, I think that Hand does a really good job of making this story seem original and unique while still holding some of the tone and themes of “The Haunting of Hill House”. Given that through the original and at least two adaptations (NOT the 1999 adaptation, mind you), one of the main points Jackson was making was that yes, Hill House is haunted, but the people who inhabit it are ALSO haunted by things outside of the mansion. And we get that with our characters in this story, whether it’s Holly aching for success, or singer Nisa, who is rife with her own insecurities while trying to put on a show of great confidence and allure, or actress Amanda who is trying to remake her career after an accident in a previous show that she felt blamed for, or actor Stevie who is still feeling the repercussions of horrific abuse he endured as a tween, vulnerable people come to Hill House and have a slowly building dread as strange thing start to happen. Hand never goes outside of the levels of the original book, slowly upping the ante of suspense with general unease to moments of rapt terror, and it just feels like Jackson’s Hill House is bringing in more victims to keep inside so it doesn’t walk alone. She also manages to pay homage and fit in references to the original text, without feeling like she’s leaning upon it too heavily, or just retelling the tale in a new coating. Hell, she even can explore the less obvious themes of queerness that were hinted at in the original, and bringing in the spirit of Nell and Theo and their complicated relationship through Holly and Nisa. It’s believable as a sequel and it’s worthy of it as well.

“A Haunting on the Hill” is an eerie and unsettling follow up to a beloved horror classic. I felt like it hit the right beats, caught the right tone, and ended up fitting in with the story many know and love.

And with that, on this lovely All Hallow’s Eve, Horrorpalooza 2023 has come to an end! I hope that you have all had a fun and deeply spooky Season of the Witch, and I hope that everyone out there has a fun, safe, and creepy crawly Halloween!!!

Rating 8: An eerie and suspenseful revisit to a classic haunted house story, “A Haunting on the Hill” is a worthy follow up to “The Haunting of Hill House”.

Reader’s Advisory:

“A Haunting on the Hill” is included on the Goodreads lists “Horror of Halloween 2023”, and “Queer Releases October 2023”.

Not Just Books: October 2023

While we do love us some books, believe it not, we do have a life outside of reading. So to highlight our other pop culture interests, on the last Monday of each month, we each will highlight three other “happenings” from the last month. Big events on favorite TV shows, new movies we’ve watched, old movies we’ve “discovered,” etc. Pretty much whatever we found of particular interest outside of the book world during the last month. Share your own favorite things in the comments!

Serena’s Picks

TV Show: “Great British Bake Off”

Yes, it is that time of year again! Time to sit back and relax and enjoy some cozy baking fun watching others making master pieces you’ll never accomplish yourself and scoff ridiculously when they fail as if you could ever do better. As you can see from the poster, this year there is a new host. You never quite know how new hosts will work out, but Alison Hammond has quickly won me over, bringing a high-energy spunk to the show. Of course, my husband and I have picked our two guesses for the winner, and I’m pleased to say that one of his is already out so I’m that much closer to making a come back from my failure last year! We have exciting lives, if you haven’t noticed.

Podcast: “Talkville”

I’m currently re-watching the last few seasons of “Smallville” as I do every few years it seems. I just don’t have it in me to put myself through the 7 seasons of Lana drama, so I always start on season 8 where Lois becomes a main character. That said, I do sometimes wish there was a way of re-visiting those older episodes without having to commit to the long haul. And luckily for me, there’s a re-watch podcast currently running hosted by Tom Welling and Michael Rosenbaum which is the perfect fix! I don’t have to actually re-watch the series, but I do get to revisit the show in this way. I do wish the hosts remembered a bit more about their experiences on the set, however, but I think I’m now just spoiled by the super high quality that is “Office Ladies.”

Paramount+ Show: “The Stand”

Yes, I’m late to the game, but when I was looking around for something appropriately creepy for the Halloween season, I figured now was the time! Somehow I remember my mom letting me watch the 90s version of this story way back when I was fairly little. I only have a few memories of the story, but I do remember being fairly creeped out. I also haven’t read the book, so in a lot of ways, this was completely fresh for me. I definitely enjoyed it (as much as you can for a creepy show like this) and thought the acting was phenomenal, especially Alexander Skarsgard as Randall Flagg. The success of a series like this really lives and dies by the performance of this character, and Skarsgard hit it out of the park, as far as I’m concerned.

Kate’s Picks

Netflix Show: “The Fall of the House of Usher”

There of course needed to be some spooky content on my media consumption agenda for the month of October, and we horror fans were blessed with the premiere of Mike Flanagan’s newest (and probably final) Netflix series, “The Fall of the House of Usher”. Flanagan is such a genius because in his mind he basically said ‘what if I combined Edgar Allan Poe with “Succession” and “Dopesick”?’, and from that we get this incredibly dark, disturbing, and bleak series that I just tore through. Meet the Ushers, the family at the head of Fortunato Pharmaceuticals, which has come under fire for producing one of the most most addictive and deadly painkillers that has fueled the opioid crisis. As the trial starts, patriarch Roderick Usher’s six unscrupulous children start dying gruesome and perplexing deaths, perhaps because of a mysterious woman Roderick and sister Madeline met on a fateful night decades earlier. All of these new versions of the Poe tales, from “Tell Tale Heart” to “Murders in the Rue Morgue” to “The Black Cat” are SO damn creative. It’s great seeing some of Flanagan’s usual suspects (Carla Gugino, Kate Siegel, Bruce Greenwood to name but a few), but it’s Flanagan newcomer Mark Hamill as intimidating Usher lawyer Arthur Pymm that really stood out to me. This is such a clever reimagining of Edgar Allan Poe’s stories, and it ends Flanagan’s Netflix collaborations on a high note.

Max Show: “Our Flag Means Death”

It felt like it took forever for some of my favorite queer pirates to come back, and when “Our Flag Means Death” Season 2 premiered there was much rejoicing in our house. This is one of the shows that my husband and I try to watch together, so we let a few episodes build up so we could binge them once our daughter was asleep for the night. Which led to a lot of impatience on my part because I just wanted to consume any episode as soon as possible. When we left off at the end of Season 1, Captain Stede Bonnet had separated from Blackbeard, leaving the latter heartbroken and then murderous with grief and rage. Now Stede has reconnected with his crew, and finds out that Blackbeard has gone completely crazy and kidnapped Frenchie, Jim, and others to serve under him. Stede hopes for a reconciliation, but Blackbeard may be too far gone. This show is still filled with lots of humor and lots of pathos, and with new characters like Chinese Pirate Queen Zheng Yi Sao and Irish Pirate Anne Bonny we have new faces along with the familiar ones. Interestingly enough, the character who has REALLY stood out for me is Izzy Hands, Blackbeard’s first mate who was portrayed in Season 1 as conniving, but has since gone THROUGH IT and is on a bit of a redemptive arc (and honestly, after seeing how Blackbeard reacted after Stede left, he may have had a point….).

Web Show: “Dimension 20: Dungeons and Drag Queens”

Recently my high school bestie Blake reached out and asked me if I wanted to join an online Dungeons and Dragons game with him and some of his friends, and while I had never played D and D in my life I couldn’t pass up the opportunity to spend time with him. But going in with little to no experience was daunting. Luckily, my close friend David is back in town, so our Sunday night LGBTQIA+ media tradition has started up, and he suggested we watch Dimension 20’s “Dungeons and Drag Queens” series, which would give me an amusing crash course! This limited series joins drag queens Jujubee, Bob the Drag Queen, Monet X Change, and Alaska Thunderfuck as they play D and D with Dimension 20/Dropout regular Brennan, and given that they are all amateurs it makes for informative and HILARIOUS content. Brennan is a very supportive and creative dungeon master who is helping these queens go on a quest to the underworld, and it leads to many fantastic moments of triumph and joy… as well as panic and chaos when things go wrong… sometimes because of very bad decision making on the queens’ parts. I don’t know how much I’ve LEARNED, really, but I do know that I haven’t died yet! So thanks, questing queens!

Serena’s Review: “All That Consumes Us”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “All That Consumes Us” by Erica Waters

Publishing Info: HarperTeen, October 2023

Where Did I Get this Book: copy from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Ninth House meets The Dead and the Dark in this gothic dark academia novel that delves into the human capacity for great love, great art, and great evil.   Magni animi numquam moriuntur. Great minds never die.  

The students in Corbin College’s elite academic society, Magni Viri, have it all—free tuition, inspirational professors, and dream jobs once they graduate. When first-gen college student Tara is offered a chance to enroll, she doesn’t hesitate.?  Except once she’s settled into the gorgeous Victorian dormitory, something strange starts to happen. She’s finally writing, but her stories are dark and twisted. Her dreams feel as if they could bury her alive. An unseen presence seems to stalk her through the halls.  And a chilling secret awaits Tara at the heart of Magni Viri—one that just might turn her nightmares into reality; one that might destroy her before she has a chance to escape. 

All That Consumes Us will pull readers into a hypnotizing, dark reverie that blurs the lines of reality and shows that the addictive nature of ambition—and its inevitable price—always claims its due.  

Review: I’ve really loved this current trend in fantasy towards dark academia. It’s no surprise, but many librarians are just the sort to have fond memories of upper education, so sprinkle in a bit of magic, and you’re really onto something! I also really love this cover, as I think it perfectly conveys the overall tone of this book before you even crack open the book. Unfortunately, the story itself didn’t work for me quite as well as the artwork did.

While I ultimately was left frustrated with this read, let’s start with what I did like. As I was putting together this post, I saw one reviewer compare the overall tone of this book to an episode of “Supernatural.” As a huge “Supernatural” fan, not only do I think this is a massive compliment, I also think it’s fairly spot-on as far as the theme and plot of the book. Like the show, the story builds up a creepy, looming presence that focuses on ghosts, possession, and the main character’s slow realization that she may not be in full control of her own actions. There’s a level of psychological horror that works very well, and the writing was very successful at illustrating the spooky nature of the events going on at the school. I particularly enjoyed the growing sense of paranoia and confusion that builds towards the book’s conclusion.

Unfortunately, the book fell apart with the main character herself. I really tried to like Tara, but things didn’t start off well when she immediately threw off strong “not like other girls” vibes when she meets her roommate and with how she generally presents herself to the reader. And then, throughout the novel, she made decision after decision that I just couldn’t understand. Not only were the decisions themselves incomprehensible, but she would literally flip and flop her mind between one thing and another, sometimes within only a few pages of each other. It made for a frustrating read and left Tara a fairly unlikable character. This could be a case of me simply not being the target audience for a YA character, but I do think teenagers can be written better than this.

I didn’t love this book, but I do think that it will appeal to a lot of YA fantasy readers. The pacing is quick and the writing is solid. If you start out the book and find yourself enjoying Tara, than you’re probably through the woods on what bothered me the most. But if you’re an adult reader who is character focused, this may not be the right read for you.

Rating 7: A lot of atmosphere and a creepy build of tension and paranoia were enjoyable, but I struggled to enjoy the book due to my frustrations with the main character.

Reader’s Advisory:

“All That Consumes Us” can be found on this Goodreads list: Best books of October, 2023

Year of Sanderson: “The Emperor’s Soul”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

“Year of Sanderson” is an on-going, monthly series that will post on the last Friday of each month in which I will cover various Brandon Sanderson-related things. This will largely be comprised of book reviews (some from his back catalog and some from the books being released this year), as well as assorted other topics like reviews of the items in the swag boxes that will be coming out as part of Sanderson’s Kickstarted campaign. Frankly, we’ll just have to see what we get from this series, very much like the Kickstarter itself!

Book: “The Emperor’s Soul” by Brandon Sanderson

Publishing Info: Tachyon Publications, October 2012

Where Did I Get this Book: from the library!

Where Can You Get this Book: WorldCat.org| Amazon | IndieBound

Book Description: Shai is a Forger, a foreigner who can flawlessly copy and re-create any item by rewriting its history with skillful magic. Condemned to death after trying to steal the emperor’s scepter, she is given one opportunity to save herself. Though her skill as a Forger is considered an abomination by her captors, Shai will attempt to create a new soul for the emperor, who is almost dead.

Probing deeply into his life, she discovers Emperor Ashravan’s truest nature—and the opportunity to exploit it. Her only possible ally is one who is truly loyal to the emperor, but councilor Gaotona must overcome his prejudices to understand that Shai’s forgery is as much artistry as it is deception.

Brimming with magic and political intrigue, this deftly woven fantasy delves into the essence of a living spirit.

Review: Aside from his full length novels (and “full length” includes books that are made up of a page count that would equal several books combined!), Brandon Sanderson has also written a good number of short stories and novellas. I’ve read a few of them but wanted to review one that I hadn’t read before for this series. As there is a second “Elantris” book slated to come out sometime in the next few years, I thought it was a good time to check out this novella that, while not directly connected to that book, takes place in the same world.

I guess it should no longer come as a surprise, but it’s always impressive just how much detail Sanderson can pack into his world-building and magic systems. All the more so in this small book! Further more, while close readers will spot the references to “Elantris,” this book stands fully on its own, meaning that the book can’t rely on previous knowledge and must impart everything that needs to be understood in its slim page count. I was impressed by how well all of this lore worked alongside a fairly compact story that also put in a lot of work in the arc of its main character.

I really enjoyed Shai as a main character. She’s a master thief and forger, relying on a very specific and rare power to pull off her feats. In this story, she is tasked with an impossible mission: to forge the soul of the emperor who teeters on death’s door. Not only was this an interesting exploration of what makes up us as people, but Shai’s story was surprisingly heart-touching as she works to gain the trust and understanding of the man in charge of overseeing her progress. This was a unique relationship, in that it wasn’t a romance, but instead was a sweet exploration of learning to understand those we initially perceive as our enemies, whose beliefs and actions we can’t understand ourselves.

The story also moves at a brisk pace, even if much of the action takes place in a small, confined room. However, as the tension builds, the reader is drawn closer and closer to Shai, attempting to understand just what her plan is. And when it all plays out, it’s a thrilling conclusion, more than making up for the slower action to start with. Overall, this was a very satisfying, short read. It perfectly illustrates many of Sanderson’s strengths as an author while also not requiring a commitment to a massive tome on the reader’s part. For those looking for an introduction to Sanderson’s work, this is a great place to start!

Rating 8: Short but effective, this book is a perfect primer for readers looking to get a small taste of the masterful work Sanderson produces!

Reader’s Advisory:

“The Emperor’s Soul” is on this Goodreads list: Original Stories . . . a Breath of Fresh Air and Best Stand-Alone Fantasy Book.

Kate’s Review: “Green Fuse Burning”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Green Fuse Burning” by Tiffany Morris

Publishing Info: Stelliform Press, October 2023

Where Did I Get This Book: I received a copy from the publisher.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: The debut novella from the Elgin Award winning author of Elegies of Rotting Stars. After the death of her estranged father, artist Rita struggles with grief and regret. There was so much she wanted to ask him-about his childhood, their family, and the Mi’kmaq language and culture from which Rita feels disconnected. But when Rita’s girlfriend Molly forges an artist’s residency application on her behalf, winning Rita a week to paint at an isolated cabin, Rita is both furious and intrigued. The residency is located where her father grew up. On the first night at the cabin, Rita wakes to strange sounds. Was that a body being dragged through the woods?

When she questions the locals about the cabin’s history, they are suspicious and unhelpful. Ignoring her unease, Rita gives in to dark visions that emanate from the forest’s lake and the surrounding swamp. She feels its pull, channelling that energy into art like she’s never painted before. But the uncanny visions become more insistent, more intrusive, and Rita discovers that in the swamp’s decay the end of one life is sometimes the beginning of another.

Review: Thank you to Stelliform Press and Beverly Bambury for sending me a print copy of this book!

The first thing about “Green Fuse Burning” by Tiffany Morris that caught my eye was the cover. When this showed up in my inbox with the cover attached to the email, I saw the cover and was just under its spell. The vivid colors, the creepy image, it just grabbed me. I also haven’t read much eco-horror, and it seemed like the perfect opportunity to give it a go with this novella. I went in expecting one thing, but once I was done I realized that it completely upended all my expectations.

Horror wise, I thought that “Green Fuse Burning” had a lot of really well done imagery, and a lot of unique prose choices that make the macabre at times quite beautiful. This is a horror tale that anchors itself in nature and eco-horror, with references to climate change and an eerie and foreboding swamp that draws protagonist Rita into its spell while she tries to work on her art inside an isolated cabin on a lake that has ties to her now deceased Mi’kmaw father. From strange noises at night to standoffish people in town to images of a woman who seems to be made if fiery vegetation, the scares are both deeply unsettling as well as beautifully written (which isn’t TOO shocking as Morris is an award winning poet). The descriptions of the vegetation, the landscape, the gore, it is absolutely what I expect from horror while also being unexpectedly gorgeous. I also really enjoyed how each chapter opened with a description of the various art pieces that Rita creates while in the cabin, that gives the reader and idea of the escalating horror situations that are to come on her journey in the swamp.

But what I liked most about this book is the way that Morris examines grief and loss, and how that not only applies to losing loved ones, but also losing your connection to your heritage through that initial loss. Rita is an Indigenous woman who has a tenuous relationship with her Mi’kmaw heritage and culture, and when her main link, her estranged father, dies, she now feels adrift and as though a part of herself she never really knew has been taken from her with his death. Rita’s journey in the woods on the lake where he grew up has the expected ‘cabin the woods’ beats, but it goes deeper than that and dives into the horrors of this kind of grief. And I also liked how instead of grief being seen as something to be fought or overcome, as some horror stories have done, you get the sense that Rita’s grief isn’t something to be conquered, but something to be accepted and something to sit with. That, too, ties into the colonized nature of Rita’s grief, as within the Western lens (as seen through her white girlfriend Molly), Rita is sent away to process her grief and to come out more artistic and whole, to hide it away until she is done processing it. But as Rita is isolated in the woods and goes through her journey in the swamps and with the Lichen Woman, grief isn’t seen as something to hide, but to, in some ways, embrace.

“Green Fuse Burning” is a meditative and gorgeously written horror story that has moments of intensity, as well as moments of reflection. It’s one of the more unique horror stories I’ve read this year, and I quite enjoyed it.

Rating 8: An unsettling environmental horror that takes on grief and loss, “Green Fuse Burning” is both intense, but also meditative.

Reader’s Advisory:

“Green Fuse Burning” is included on the Goodreads lists “Queer Releases October 2023”, and “Horror To Look Forward To in 2023”.

Serena’s Review: “Our Divine Mischief”

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Book: “Our Divine Mischief” by Hanna C. Howard

Publishing Info: Blink YA, October 2023

Where Did I Get this Book: ARC from the publisher

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: The Goddess Trial is designed to push young people to their edge and mark their coming of age, but Áila LacInis is ready for whatever it brings. She sets sail from her small fishing village to the island of the goddess Yslet, fully expecting a divine encounter, but what she finds is … nothing at all. The goddess is completely absent, and the only thing on the island is a dirty, mangy dog. Suddenly, everything Áila has ever known and believed is upended and her future becomes shrouded in uncertainty.

Hew already completed the Goddess Trial and received the designation of Unblessed. He is an outcast in the village, until he is tasked with assisting Áila through a series of Ordeals the town elders designed to compensate for her failed Trial. For the first time, he has hope he can make something of his life.

Orail isn’t quite sure who or what she is. She remembers little before Áila’s arrival on the island, and now all she knows is that she’ll never leave Áila’s side. But as she begins to realize and remember, she discovers powers—and an identity—she never could have imagined.

Review: I was definitely interested in this book the first time I saw it. There are a lot of similar sounding books floating around in YA fantasy right now, and this one definitely came across as a breath of fresh air. I was even more intrigued when I cracked my copy open and realized that while, yes, this was a dual POV book between the heroine and hero, there was a third POV from the dog, written in a poetry style. What a creative and intriguing choice! Let’s dive in to the review.

This was one of those interesting reads where I enjoyed quite a lot of it, but I think a few style changes or refocusing in certain plot points really would have elevated it to another level. But let’s start with the unequivocal good things first. I enjoyed the world-building we were given here, with its mix of historical fiction based on Irish folklore and its fantasy elements, that of a Goddess who intercedes in her peoples’ lives and gives them their direction. Both of these elements, the historical and the fantasy, were well-balanced. There were moments that read like a fairytale, with Aila undergoing trials with magical solutions, and others that read more like straight historical fiction, with a focus on the political machinations of a foreign prince.

I also really enjoyed Aila as a main character. Her arch is fairly straight forward, but even as her faith in her Goddess waivers, she discovers new strength within herself to face a world that is much more complex that she originally believed. I also really enjoyed the dog, Orail’s, chapters. The use of poetry was very creative as it gave voice to the changing awareness that Orail goes through as she remembers her past, from the simple thoughts of a puppy to the more complex understanding of a fully realized being.

I also enjoyed Hew’s story, but this also gets into what I think held this book back from its full potential. The love story between Hew and Aila was very sweet, and while Hew did have his own storyline, I feel like his chapters ultimately took away from the development of Orail and Aila’s relationship. It’s clear that the author wanted to write a love letter to the relationship between a beloved pet and its owner, and that does come through. But this is a fairly short book, and ultimately, the balance felt off between the three perspectives. Simply removing Hew’s POV chapters, but keeping him as a character with a love story told through Aila’s perspective, would have allowed Orail and Aila’s own story to become more central, which ultimately is more important to the greater arc of the overall story. As it was, Orail’s love and attachment to Aila develops too quickly to truly hit the way it needs to in the climax of the story. By giving more page time to develop this relationship, and keeping Hew as an important character, albeit one without a POV of his own, I think the book could have reached a more successful balance in its ultimate themes and resolution.

Overall, I did enjoy this book. However, it was one of those rather frustrating reads where it had all the right pieces, but it almost feels like the author wasn’t brave enough to write the story that she really wanted. There is an unfortunate trend in YA fantasy where it’s almost expected that if you have a love story, your book must be dual POV for it to be effective. This is absolutely not the case. And beyond that, here, even if the love story is sweet, the relationship between dog and owner is the more important one. You can sense that the author felt this way too, and yet it wasn’t given the prominent position it deserved. It’s one of those cases where I almost wonder if there was publisher pressure to adjust the story. Either way, I’ll definitely check out other books by this author as she has real skill. And even if this one had potential to be stronger, it’s still an enjoyable read as it is written.

Rating 7: A sweet fantasy novel with a truly lovely look at the relationship between a beloved pet and its owner, though this theme was undercut by an unnecessary POV for the love interest.

Reader’s Advisory:

“Our Divine Mischief” can be found on this Goodreads list: YA Novels of 2023