Kate’s Review: “The Crash”

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Book: “The Crash” by Freida McFadden

Publishing Info: Poisoned Pen Press, January 2025

Where Did I Get This Book: I received an ARC from the publisher.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: The nightmare she’s running from is nothing compared to where she’s headed.

Tegan is eight months pregnant, alone, and desperately wants to put her crumbling life in the rearview mirror. So she hits the road, planning to stay with her brother until she can figure out her next move. But she doesn’t realize she’s heading straight into a blizzard.

She never arrives at her destination.

Stranded in rural Maine with a dead car and broken ankle, Tegan worries she’s made a terrible mistake. Then a miracle she is rescued by a couple who offers her a room in their warm cabin until the snow clears. But something isn’t right. Tegan believed she was waiting out the storm, but as time ticks by, she comes to realize she is in grave danger. This safe haven isn’t what she thought it was, and staying here may have been her most deadly mistake yet.

And now she must do whatever it takes to save herself—and her unborn child.

A gut-wrenching story of motherhood, survival, and twisted expectations, #1 New York Times bestselling author Freida McFadden delivers a snowbound thriller that will chill you to the bone.

Review: Thank you to Poisoned Pen Press for sending me an ARC of this novel!

Here is a bit of a wild thriller confession on my part (though if you have been reading my reviews for awhile now it won’t be shocking): I haven’t read anything by Freida McFadden. I feel like she’s a pretty popular author in the genre right now, at the very least she is very prevalent with title after title coming out. And she does show up on my various reading feeds pretty often. But I just hadn’t checked her out! Well, until Poisoned Pen Press sent me an ARC of “The Crash”, a novel about a pregnant woman named Tegan fleeing a bad situation… who ends up in a worse situation when her car crashes during a blizzard and she’s ‘rescued’ by an older couple in the middle of nowhere, who say they can give her shelter…. and then imprison her in their basement. Well, I mean, come on. The premise alone is super, super intriguing. And I figured it was high time that I read something by this author that I’d been seeing everywhere. And to be quite honest, once I was done, I wasn’t totally sold.

But first the things that did work for me. I was pleasantly surprised that not only do we get the perspective of Tegan, our pregnant hostage in the basement of a strange couple in rural Maine, we ALSO get the perspective of Polly, the wife of the duo who is the actual mastermind of the kidnapping plot. It was a bold choice, and because we got to see what was going in her mind I was able to see that this was not only having some “Misery” vibes, but also some “Pearl” vibes as well. I say “Pearl” because Polly is both deeply unwell and a bit disturbing, but also sympathetic in a lot of ways, in this case because of her deep grief, trauma, and borderline psychosis due to her infertility when she so desperately wants a child. Is it a little cliché? Sure. Does grief and trauma over not being able to have a baby mean you can kidnap a pregnant woman your husband stumbled upon after a car crash and plot to to take the infant for your own?

Polly, noooooo. (source)

That said, I really enjoyed the Polly sections because I loved the unhingedness of it all. It made it fast paced and a true page turner, the exact kind of read I want for escapism. Polly was a huge reason for that.

But on the other hand, there were a couple of things that didn’t work as well for me. The first was Tegan as a character, as while Polly was very interesting to me, Tegan felt half baked. I just didn’t connect with her as much and thought that she was a lot more two dimensional than I wanted her to be. On top of that, we had some pretty wild twists and turns that felt shallow and only there for shock value, and I don’t want to spoil any of them here because I do want people who want to read it to not go in with all the fun sucked out, but there was one in particular that made me say ‘really?’ out loud once it was revealed. You all know how grumpy I get about books that have massive twists for the sake of twists, and this one had one that I found to be particularly frustrating (I will admit that there was another that I did generally like, though it wasn’t super surprising).

So for my first Freida McFadden novel it was a bit of a mixed bag. I am pretty sure I will be checking out other books by McFadden, because this one was fun for the most part, but I will probably save them for times that I need a quick and not so deep escape.

Rating 6: Pretty entertaining and it has an interesting perspective from that of the main antagonist, but some of the twists were a little too outlandish for my tastes.

Reader’s Advisory:

“The Crash” isn’t on any super relevant Goodreads lists, but it would fit in on “Kidnapped!”.

Serena’s Review: “Wooing the Witch Queen”

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Book: “Wooing the Witch Queen” by Stephanie Burgis

Publishing Info: Bramble, February 2025

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Queen Saskia is the wicked sorceress everyone fears. After successfully wrestling the throne from her evil uncle, she only wants one thing: to keep her people safe from the empire next door. For that, she needs to spend more time in her laboratory experimenting with her spells. She definitely doesn’t have time to bring order to her chaotic library of magic.

When a mysterious dark wizard arrives at her castle, Saskia hires him as her new librarian on the spot. “Fabian” is sweet and a little nerdy, and his requests seem a little strange – what in the name of Divine Elva is a fountain pen? – but he’s getting the job done. And if he writes her flirtatious poetry and his innocent touch makes her skin singe, well…

Little does Saskia know that the “wizard” she’s falling for is actually an Imperial archduke in disguise, with no magical training whatsoever. On the run, with perilous secrets on his trail and a fast growing yearning for the wicked sorceress, he’s in danger from her enemies and her newfound allies, too. When his identity is finally revealed, will their love save or doom each other?

Review: When I requested this one, I expected a fairly straight forward fantasy romance story. If I was lucky, I was hoping the humor would click and this would nail down the “fantasy romcom” vibes that it was giving off. Not only did those things turn out well, but the book actually explored some really interesting ideas regarding gender roles and romance.

As that’s the most interesting commentary I have to offer on this book, let’s jump straight into it. It wasn’t until about a third or maybe even halfway in that I really began to hone in on the approach the author was taking in her depiction of these characters and the roles they played with regards to one another. It was incredibly subtle, but as I read, more and more I became aware of the fact that Saskia, in particular, was being presented through the lens that we are more accustomed to seeing the romantic hero through.

When thinking of Fabian, she (rightly) sees her self as the more powerful of the pair, thus often focusing on the protective feelings she has towards him. And, similar to the romance heroes we all know and love, she would often internally and out loud make threats to any who would attempt to harm him. Even down to smaller concerns with regards to his feelings and the way others treat him, she very much takes on the role of guardian. Further, when thinking of Fabian, while appreciating all aspects of him, she regards his physical form with the same sort of interest and regard that we expect to see from the male POV more often than not. For his part, Fabian plays a much “softer” role, often focused on caregiver roles, like ensuring that Saskia eats when she gets caught up in her magical work.

Interesting, this role reversal carried over into the spicy scenes as well, with Saskia taking on the more more “dominant” (though I’m not sure that’s quite the right word) role. I won’t go into details of how this all presents, but it’s the kind of thing that you’ll definitely notice if you’ve been catching these gender role swaps throughout the book earlier.

This was such an interesting take on a romantic pairing and really made me think about the sort of actions, behaviors, and even thoughts that I typically think of as “male” in romance novels. Nothing Saskia or Fabian say or do has anything to do with their sex, but it’s also clear that, as a reader, I’m used to seeing certain behaviors from only really the men and others from only really the women. Again, the biggest props of all goes to the subtly with which the author explores these themes. It’s entirely possible to read this book as a fun, romantasy romp and thinking nothing of any of these topics because the story is fun and the characters still read as completely natural and fully fleshed out.

As for the rest of the story, the other big pro that stood out was the humor. I really enjoyed the balance of the comedy with the love story and action portions. It was sprinkled into the story at just the right moments, and I feel like the tone of the comedy worked perfectly with the sort of twisted fairytale we were getting.

Some of the larger plot points were perhaps a bit predictable and derivative, but as the story doesn’t set out to be an overly complex fantasy world, I was happy with what we got. I was also interested in the two other “evil” queens we met. There were moments in this book where I found both to read a bit like caricatures (easy enough to happen with side characters who get very little ultimate page time), but there were also hints to more complexity to be found there once we get to their individual stories. We even get a mini look at what’s to come in the next book at the very end of this one, and I’m definitely looking forward to checking that one out!

Overall, if you’re looking for a fun romantasy read that hits your “Wicked”-deprived heart, this is definitely one to check out!

Rating 8: If you’re having withdrawals from “Wicked,” have I got the book for you! Swoon-worthy and laugh-out-loud funny, this book is a perfect fit for romantasy readers looking for a great twisted fairytale!

Reader’s Advisory:

“Wooing the Witch Queen” can be found on these Goodreads lists: [ATY 2025] Witches, Goddesses, or Nuns and Epic High Fantasy/Romance/Mythology in 2025.

Kate’s Review: “The Vengeful Dead”

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Book: “The Vengeful Dead” by Darcy Coates

Publishing Info: Poisoned Pen Press, February 2025

Where Did I Get This Book: I received an ARC from the publisher.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: How far will she go to save the damned?

Keira is caught in a deadly battle. Her ability to help ghosts move on from the mortal world has made her a threat to Artec, a powerful corporation intent on trapping the tortured dead for profit. They’ve been tracking her for years and now, finally, there’s nowhere left for her to run.

Artec fears Keira and everything she’s capable of. They will stop at nothing to eliminate her―including sending armed men after everyone she holds dear.

Desperate and quickly running out of time, Keira races to hone her abilities as she searches for a way to destroy the twisted organization for good. But at least now she’s no longer alone. Her friends have offered to follow wherever she leads, even if that means a direct strike deep into the heart of Artec’s central base…and to the certain death waiting for them there.

Review: Thank you to Poisoned Pen Press for sending me an ARC of this novel!

It’s been about two years since I started Darcy Coates’s dark fantasy/horror “Gravekeeper” series, and we have now reached the end with the fifth book “The Vengeful Dead”. What started as a story about an amnesiac who can see ghosts in a quirky small town has grown into something more, involving found family, corporate conspiracy, and… well, still a quirky small town. I am always interested to see where a series lands once all is said and done, and I am happy to report that “The Vengeful Dead” was a successful wrap up to a series I’ve enjoyed for the past two years!

As a satisfying wrap up of an ongoing series, I thought that this book really does a good job of not only tying up the Artec arc that has been plaguing Keira since we first met her, it also gave us one last stand alone ghost story, involving an old sanatorium and the ghosts of women who were, perhaps, victimized there. I wasn’t certain that we were going to get one more story where Keira helps ghosts that are unable to move on, be it due to unfinished business or Artec holding them hostage to drain them of their energy, and when it became clear that she was going to have one more mission in that regard I was very pleased. I also thought that the Artec story, which grew and became more fleshed out as the series went on, had a really well done climax and conclusion here. When I started this book I never imagined that Keira’s biggest hardship would involve a corporation trying to exploit resources and beings to create a profit, but man, what a storyline for everything else going on in the world at the moment. Coates had a lot of build up and I had high hopes, and I felt that the way it all wrapped up in “The Vengeful Dead” was deeply, deeply satisfying for this reader who has been all in since Keira first arrived in Blighty four books ago.

But the strongest aspect of “The Gravekeeper” series for me was always the characters, and I was really hoping that we would get a good send off for Keira, Zoe, Mason, Daisy the cat, and all of the quirky (and sometimes villainous) people of Blighty. One of my favorite themes of these books was the way that Keira made herself a found family and found herself in such a kind and loving community, with crabby recluses, charming florists, mysterious coffee shop owners, and others, and to see so many of these characters, main and supporting, have moments to shine and moments to let the readers say goodbye was so heartening. We got nods to previous plot points, we got couples finally officially getting together, and we got to see Keira, Zoe, and Mason work together through the toughest times and keep their bonds alive with heart and humor as well as the freaky moments that come with horror stories. I always found this series to be more on the cozy side because of all of the characters, and while I’m certainly going to miss them, I was so thrilled with all that they were able to do in this last story.

I would love it if Darcy Coates comes back to Keira, Zoe, and Mason in the future. But if this is really goodbye for our “Gravekeeper” Scooby Gang, what a lovely and satisfying ending it was.

Rating 8: An action packed and satisfying conclusion to a charming horror series, “The Vengeful Dead” sticks the landing for sure.

Reader’s Advisory:

“The Vengeful Dead” is included on the Goodreads list “Horror Books 2025”.

Diving Into Sub-Genres: Romantic Fantasy


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Read the full disclosure here.

We each have our own preferred genres of choice. Kate loves horrors and thrillers, really anything that will keep her up at night! And Serena enjoys escaping through hidden doors into realms of magic and adventure. We also read mysteries, historical fiction, graphic novels, etc. etc. And that’s not even counting the multitude of sub-genres contained within each greater genre. In this series, one of us will present a list of our favorites from within a given sub-genre of one of our greater preferred genres.

There is a near constant debate going on right now about the definitions and delineations between what constitutes “romantasy” and what should be categorized as fantasy romance. Part of the problem, I think, comes down to simple word order and what it says about the type of book you’re picking up. As readers will have noticed following this series of posts about subgenres, or about these terms in general, is that the primary genre is always the last word, preceded by some sort of descriptor that gives additional detail into the specifics of the subgenre. So, for fantasy, you have things like urban fantasy or gothic fantasy. Further, for subgenres within romance you see things like dark romance or historical romance. Descriptor followed by primary genre.

Now, if you break apart the term “romantasy” you would get “romantic fantasy,” seeming to indicate that you are reading a fantasy book first and foremost with a dash of romance added in. It should meet all fantasy expectations with more free reign on how the romance is dealt with, as it is the “sub” of the greater “genre.” Unfortunately, this is NOT what “romantasy” means. Instead, it’s the opposite, a subgenre of the romance genre with all the requirements for the romance genre coming in first consideration, with fantasy used only as a support frame for the love story.

This all leaves it very confusing for the readers who are truly looking for the “romance” subgenre of fantasy, instead of the “fantasy” subgenre of romance that is so often being marketed to them. To make matters worse, more and more people are saying that this former option should be called “fantasy romance.” Which, as I just laid out, reads as completely opposite of the way that readers understand and approach genres and subgenres! To those not in the know, “fantasy romance” should be shelved right next to “historical romance” in the romance section; it only makes sense!

As you can see, I’ve labeled this post “romantic fantasy” and I truly think we should push this as the term used for this subgenre. “Romantasy” is so established as a term on its own at this point that I don’t think there would be any confusion regarding the fact that it was originally a combination of these two words. Instead, by using “romantic fantasy” instead of “fantasy romance” we’d be following the traditional rules of categorizing subgenres, thus making it easier for fantasy readers to find their preferred subgenre within this greater whole.

So, all of that said. Here are some “romantic fantasy” books that I think represent the subgenre well. I’ve intentionally tried to pick books that can be seen as the fantasy counterbalance to many of the popular “romantasy” tropes being put out today. Unlike those, these books follow fantasy genre conventions first and foremost, with the romance coming in second fiddle. Per the usual with fantasy, several of these are series, and as such, the romance plays out as slow-burn throughout, with love stories moving only incrementally (if at all!) in some books.

“Wildwood Dancing” by Julier Marillier

Fairie/Fae Romance – Faerie romances are by far one of the most popular sub-subgenres seen in “romantasy” currently. There’s no denying the power of Maas and her influence in this area. On the other side, Marillier is a go-to for any fantasy reader looking for the romance subgenre within. I’m pretty sure every single one of her books would fit within this category. But this one is the closest to the sort of faerie romance that we typically see in “romantasy.” Unlike those, the romantic interest isn’t actually Fae, but much of the story still revolves around faerie, their wonder and danger. A couple other great examples for this with actual Fae romantic interests would be “Emily Wilde’s Encyclopaedia of Faerie” by Heather Fawcett and “Spinning Silver” by Naomi Novik. I highly recommend both of those as well, but I’m using another book by Novik below and I reviewed the latest “Emily Wilde” book just last week!

“Kushiel’s Legacy” trilogy by Jacqueline Carey

Dark Romance/Enemies-to-Lovers – While I don’t read much of it, I know that “dark romance” is another very popular version of “romantasy” currently making the rounds. And it goes without saying that “enemies to lovers” is the current GOAT of tropes. The romantic fantasy comparable option for this one is a no brainer! “Kushiel’s Dart” goes into undeniably dark directions, both in its exploration of lust and sexuality and in the violence of this world. But there is also one of my favorite love stories at the heart of this trilogy as well! Beyond that, it’s political fantasy novel first and foremost, with detailed world-building and a strong focus on the political manipulations and strategizing of the characters that make up the story. Phedre is probably one of my Top 10 favorite fantasy heroines of all time, and that’s saying something considering just how many great ones there are out there!

“The Books of the Raksura” by Martha Wells

Monster Romance – Ruby Dixon and her “Ice Planet Barbarians” is probably one of the most popular examples of this in “romantasy.” There are less human/monster love stories in fantasy (other than the typical urban fantasy fare with vampires and werewolves, but at this point, those barely count as monsters, as bizarre as that is!). But this was a perfect excuse to shine a light on one of Wells’ most over-looked trilogies! The story follows Moon, a shapeshifter who finds out he has a great destiny. As you can see from the cover art on this and the other books, Wells’ characters are wholly unique species with only small nods to humanistic traits. There is a ton of action and adventure to be found in this trilogy, but also a sweet romance at its heart. I’m hopeful that now that Wells’ other back catalog titles are getting re-prints that we’ll see new editions of these soon!

“Scholomance” trilogy by Naomi Novik

Dark Academia/Rivals-to-Lovers – I’ve already mentioned Naomi Novik on this list, as she has several others books that would easily fit within this subgenre (“Uprooted” is another great example that falls more on the fairytale re-telling side of things). But I wanted to highlight this trilogy as comparable titles to the dark academia trend seen a lot in “romantasy.” I love everything about this trilogy, but the stand-out feature is probably the narrator, El, who has one of the strongest voices as a narrator that I can think of. She’s also prickly and stand-off-ish, and her awkward stumble into the central romance is incredibly endearing.

“A Darker Shade of Magic” trilogy by V. E. Schwab

Multi-POVs/Multi-Romances – To be fair, multi-POV books are by far more common in the fantasy genre than in the romance genre. But as I couldn’t really think of any comparable options for why-choose/throuple romances, here we are. There are two lovely romances in this one, but true to the fact that they are fantasy novels first and foremost, neither love story really starts up until the second book. The central one follows Kel and Lila, the main characters of the story. And the second is a M/M romance that kind of came out of nowhere, but turned out to be heart-wrenching all on its own. Beyond that, the trilogy as a whole is so perfectly crafted that I think it’s one of those rare series where each book individually would warrant a “10” rating.

“The Rook and the Rose” trilogy by M. A. Carrik

Slow Burn – I have to say, it’s hard to think of a true slow burn in “romantasy.” But, as I’ve talked about extensively now, as a subgenre of the romance genre, it’s a bit hard to work a slow burn love story into a true HEA romance novel. But slow burns are a staple of romantic fantasy. As many of the above books highlight as well, the love stories often don’t even get truly started until the second book in. So too with this one. Instead, the focus is more on the intricate world-building, various hidden identities, and the careful balance who know s which of the numerous secrets floating around. The first book barely hints at the central romance, but it really blossoms in the second one!

What romantic fantasy books are your favorites? Let us know in the comments!

Serena’s Review: “The Outcast Mage”

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Book: “The Outcast Mage” by Annabel Campbell

Publishing Info: Orbit, January 2025

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: In the glass city of Amoria, magic is everything. And Naila, student at the city’s legendary academy, is running out of time to prove she can control hers. If she fails, she’ll be forced into exile, relegated to a life of persecution with the other magicless hollows. Or worse, be consumed by her own power.

When a tragic incident further threatens her place at the Academy, Naila is saved by Haelius Akana, the most powerful living mage. Finding Naila a kindred spirit, Haelius stakes his position at the Academy on teaching her to harness her abilities. But Haelius has many enemies, and they would love nothing more than to see Naila fail. Trapped in the deadly schemes of Amoria’s elite, Naila must dig deep to discover the truth of her powers or watch the city she loves descend into civil war.

For there is violence brewing on the wind, and greater powers at work. Ones who could use her powers for good… or destroy everything she’s ever known.

Review: I think this book will be one of those odd reads that really works for certain fantasy readers, but then fails to connects to a bunch of others. To start with, the book throws readers into the deep end of an entirely new fantasy world. I’m on the record as very much enjoying this approach to world-building in fantasy, but it’s also a big ask of many more casual readers. For the most part, this approach worked for me here as well. I was more than happy to go along with the story and characters slowly piecing things together as they came.

What didn’t work, however, was that further into the book we did start getting more overt details into these world-building portions. Unfortunately, they often came in long chunks of straight exposition and info-dumping. These larger bits of explanation also came fairly far into the story, meaning that for the readers who would appreciate the straight presentation of facts rather than the immersive nature of the beginning, there’s a decent chance they might have already put the book down by the point they show up.

I also ended up struggling to enjoy many of the characters in this book. For the pros, I very much enjoy mentor/mentee relationships, so I really liked the portions of the book that focused on these two characters. I will also say that there is very little to no romance in this book, so it’s a great option for readers who perhaps feel overwhelmed by the amount of romance in fantasy recently (not me, but I know these readers exist, haha!).

That said, there were simply too many POV characters in this book. I know that I personally have a fairly low bar for the number of characters I want to follow during a book. It typically tops out at around 3, and by far I prefer a single POV altogether. But here there were, I think, 5 or 6 different characters we followed. By necessity, some of those got more page time than others, which often directly influenced my interest in their various stories. However, the sheer overwhelming number of them ultimately decreased my ability to connect to any of them. Beyond that, as I read, it began to be hard to differentiate between them, leaving me unsure of whose story I was finding halfway through a chapter. Again, this is a very subjective take, and I know a lot of fantasy readers enjoy large casts of characters. But it didn’t work for me here.

So this was a bit of a mixed bag for me. I enjoyed the world that was introduced, but there were too many info dumps to make it smooth sailing. And I really like the focus on the mentor/mentee relationship, but there were too many other characters distracting from these two’s stories that I watered down the entire affair. I’ll likely stick around for the next book, as I’m definitely curious to see where the story goes from here.

Rating 7: A lot of potential and a strong central relationship was a bit hampered by shaky world-building and too many POVs to keep up with.

Reader’s Advisory:

“The Outcast Mage” can be found on this Goodreads list: All the New Fantasy Books Arriving in January 2025.

Serena’s Review: “The Forest King’s Daughter”

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Book: “The Forest King’s Daughter” by Elly Blare

Publishing Info: Little, Brown Books for Young Readers, February 2025

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Once upon a time, among the bloodred trees of Thirstwood, a young forest princess became friends with a lonely demon boy. He gifted her an amber ring, a worthless trinket…or so he thought…because no sooner did he slide it onto her finger than the demon queen and forest king declared war.

Years later, Cassia is a crucial force in her father’s army, wielding her ring of light that can blind and disorient hundreds of demons at a time. Then battle-hardened Zeru abducts her, planning to steal the ring back to fix his costly childhood mistake. Exhausted, terrified, and more than a little mistrusting, Cassia is forced to travel with Zeru to a place they both believed only existed in storybooks, one where their childhood friendship slowly rekindles into something much more. But it’s only a matter of time before the war they’ve escaped comes for them, and a hidden threat to forest folk and demons alike grows in the shadows.

From the author of the Frostblood Saga comes the first book in an enchanting, adventure-filled fantasy series about the daughters of the powerful forest king, sure to leave readers breathless and desperate for more.

Review: This was an obvious book request for me! Everything about the summary above sounds like it has been tailored for me. Further, I’ve had a lot of good luck with Little Brown Books and their selection of YA fantasy. They seem to curate an author list that often produces some of my favorites in this genre and reading age. So how did this one turn out? Let’s dive in!

Overall, I enjoyed this one. I did have complaints here and there, but for the most part, this was a fun ride. Right from the start, I enjoyed the writing style, which had the sort of lyrical, fairytale quality that I prefer in fantasy stories like this. The two main characters were also introduced in an interesting way, with the reader first meeting them as children when they are unlikely friends. And then later, after things go terribly wrong, when they are older teens/adults on opposite sides of a war. It was a nice twist on the typical enemies-to-lovers romance plot, with the additional factor of initial friendship and trust from when they were children complicating their perspectives as adults.

I will say, in what would be a bit of a recurring problem throughout, there were some frustrating moments when both Cassia and Zeru made some truly wild leaps of logic and interpretation with regards to their shared history. In fact, one of my primary complaints about the book as a whole was the discordant feeling of these two main characters. For the majority of the book, each are written as highly competent, mature individuals. But then, on a fairly regular basis, they would each come up with the most ridiculous interpretation of the events surrounding them or the other’s motivations of intentions. It was the kind of writing where you could see the authors fingers all up in the narrative. The characters NEEDED to think a certain way to justify the arc of the story and romance. But in any reality, it made no sense to do so. Cassia, in particular, was incredibly naïve, especially about her father, way past the point of believability.

That said, I did actually enjoy the romance itself. When I started the book, I thought I had a pretty good grasp on how things would play out. Instead, the author swooped in with a major jump shift halfway through the book, re-positioning the stakes and, essentially, the world-building of this entire story. And through these changes, the romance itself veered into new and interesting territory. There was a bit of a “cake and eat it too” plot point with regards to Zeru and Cassia’s process of moving through their trust issues, but as the entire concept was so creative, I’ll give it a pass.

There were also some decent twists and turns in the larger conflict between the elves and demons. While some of the villains were plainly obvious from the start, there were a few twists with regards to other characters’ motivations that were revealed closer to the end. The pacing and plotting, overall, was steady throughout, and any moment where I began to become frustrated with some of the character inconsistency was quickly glossed over by another exciting story beat.

This is a solid YA fantasy story, and I think it’s well worth checking out if you’re looking for an original entry in the genre!

Rating 8: A few frustrations with character inconsistency aside, this was a lovely fairytale-like romance story with a surprisingly unique take on several classic fantasy tropes.

Reader’s Advisory:

“The Forest King’s Daughter” can be found on this Goodreads list: Romantasy TBR 2025

Kate’s Review: “The Widow’s Web”

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Book: “The Widow’s Web” by Susan Moore

Publication Info: Bloodhound Books, January 2025

Where Did I Get This Book: I received an ARC from the publicist.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: When her tycoon husband suddenly dies, a woman discovers the sinister secrets of Silicon Valley, in this psychological thriller debut.

When tech mogul Brad Jones is found drowned off the Marin coast, his death is quickly ruled a suicide. But his wife, Dr. Anna Jones, a renowned cyberpsychologist, isn’t convinced. Driven by grief and suspicion, Anna begins to dig into Brad’s past, uncovering some dark details behind Silicon Valley’s elite.

Anna soon crosses paths with Scott and Kristy Lyle, influential figures with connections reaching the highest echelons of the tech industry. The deeper she goes, the more she realizes Brad’s death is tied to a long-buried secret—one that powerful people would kill to protect. Caught between the truth and some dangerous enemies, will Anna risk everything to expose the sinister forces at play?

The Widow’s Web is a gripping psychological thriller that explores ambition, betrayal, and the terrifying reality that our worst enemies may be those we trust the most.

Review: Thank you to SparkPoint Studio for sending me an ARC of this novel!

Well it just so happens that this week the books I’m reviewing are ALL about rich people behaving badly! Just like “A Girl Like Us” on Tuesday, we are now tackling a story that feels way too relevant, and in this case it’s even more so as it is about villainous tech bros in Silicon Valley doing shady things and destroying lives to maintain their power. I miss the days that my associations with that part of Northern California were more about my childhood memories of family trips and beautiful oceans and less about the aforementioned monsters in tech. Yep, “The Widow’s Web” by Susan Moore is a rich behaving badly thriller, but it has less melodrama and more actual nasty and disturbing plot points. Which surprised me in a good way.

As a thriller, “The Widow’s Web” is pretty straight forward on the surface. We have Anna, a psychologist who has been married to her tech mogul husband Brad for years and living a lavish life in Silicon Valley. But when Brad suddenly dies by drowning, she is suddenly plunged into a viper’s nest of lies and secrets involving her husband and fellow tech bro Scott Lyle, and realizes that Brad was hiding horrible secrets from her. We get the clues to the big reveals through modern day investigation from Anna herself, to flashbacks involving Brad and his business dealings, to journalistic digging from a reporter who has ties to Scott Lyle through his wife Kristy, and it all makes for a mystery that is fairly well put together, though well tread territory when it comes to the puzzle pieces and the way they fit together. I did wholly enjoy Anna as a character, as a grieving wife as well as a woman who is trying to protect her son from dark truths as she is finding them out.

But what struck me the most about this book is that, unlike other wealthy people behaving badly books I’ve read recently, Moore decides to take the bad behavior to incredibly dark and sociopathic places. I don’t want to spoil too much, but this book and its reveals don’t feel soapy or fun, and while I love soapy and fun, I appreciate the candor that Moore has put into place in her characters and the absolute depravity that she is calling out, as these tech bros are so rich and powerful that they don’t feel any fear of consequences. Was it a mind fuck to read this kind of story as tech bros are trying to dismantle society as we know it and turn in their techno-dystopic ideals? It sure was! Does it make this book feel all the more relevant and horrifying? YUP, IT SURE DOES. That is what stood out to me about this book. I didn’t expect it to continue fueling my existential dread about everything.

“The Widow’s Web” has familiar beats, but dares to push the envelope in its themes. Because of that, I found it to be compelling and effective.

Rating 7: A twisty conspiratorial thriller that has a sympathetic main character and the gall to go to the darkest places when calling out the sociopaths of the tech industry.

Reader’s Advisory:

“The Widow’s Web” isn’t on any Goodreads lists yet, but it would fit in on “Mysteries Set in Silicon Valley (Fiction)”.

Serena’s Review: “Emily Wilde’s Compendium of Lost Tales”

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Book: “Emily Wilde’s Compendium of Lost Tales” by Heather Fawcett

Publishing Info: Del Rey, February 2025

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Emily Wilde has spent her life studying faeries. A renowned dryadologist, she has documented hundreds of species of Folk in her Encyclopaedia of Faeries. Now she is about to embark on her most dangerous academic project studying the inner workings of a faerie realm—as its queen.

Along with her former academic rival—now fiancé—the dashing and mercurial Wendell Bambleby, Emily is immediately thrust into the deadly intrigues of Faerie as the two of them seize the throne of Wendell’s long-lost kingdom, which Emily finds a beautiful nightmare filled with scholarly treasures.

Emily has been obsessed with faerie stories her entire life, but at first she feels as ill-suited to Faerie as she did to the mortal How can an unassuming scholar such as herself pass for a queen? Yet there is little time to settle in, for Wendell’s murderous stepmother has placed a deadly curse upon the land before vanishing without a trace. It will take all of Wendell’s magic—and Emily’s knowledge of stories—to unravel the mystery before they lose everything they hold dear.

Review: I know I had a bit of a rough patch there, with several reviews back to back that were middling at best and often downright negative. But I did have one shining light through it all, and it was the fact that the third Emily Wilde book was releasing only a few weeks later! And finally, here we are!

The tough thing about writing reviews for series like this is the fact that when you have book after book that hits a home run, you start to run out of things to praise. What do you say when the author already has such a solid hand on the wheel, striking a perfect balance of world-building, immersive character arcs, and thrilling, fairytale-like story features? I guess one thing that can always be said is that by the third book, you know for sure it’s not just a fluke. Heather Fawcett is just this good, and Emily and Wendell are just this great as characters. And the romance is just this well done, even here, in the THIRD book, without a silly break-up or offensively mind-numb “miscommunication trope” in sight!

The strength of the romantic progression seen in this book truly demonstrates the strength of Emily and Wendell as their own established characters. We don’t need contrived plotting to drive the story. Instead, their relationship is tested by very real factors stemming from their own priorities and insecurities. Emily struggles to balance her scholarly ambitions with her new role as an incoming Queen of Faerie. Further, she sees Wendell in a new light, now that he is returned to his homeland, and must reconcile the two versions she knows, finding ways to bring her own wealth of knowledge to the forefront in their political challenges.

For his part, we see a very different Wendell here as well. He is still the lovably frivolous and rather self-centered character that we’ve come to know and adore. However, we also see more flashes of the dangerous aspects of his character. Beyond that, we see a new layer to him, as he comes into his own with the responsibilities of caring for his land, his people, and, of course, Emily (who would insist that she needs to caring for!).

There were so many excellent romantic beats, particularly from Wendell, that hit all of the right notes! Each book has been more romantic than the last, and this one was no exception. I love the way the relationship between these two progressed, while also very much staying the same, with each internally rolling their eyes at the other near constantly, while externally pledging undying support in whatever crazy pursuits they come up with next.

I also really enjoyed the main story we got here. I wasn’t quite sure where this book would go after the events of the second book. In many ways, that felt like the end of an excellent duology. But I was pleased to see that there was still plenty to explore in this world, including a hefty dose of danger and darkness. I will say, that like the two books before it, this one does have strange pacing towards the end.

Pacing is always tough, because it’s hard to explain exactly what is meant when you talk about it. But, on the other hand, a reader will often recognize strange pacing when they see it. And now in all three of these books, there has been this strange feeling of the book leading up to and hitting (perfectly, I might add) the climax of the story around the 75% mark. And then…the book just continues and an entirely new mini-adventure starts up and becomes the true end of the book. I always enjoy the story as a whole, including these final storylines. But they do sit oddly within the greater structure of the story. Perhaps, that initial 75% climax mark just hits too hard? But then, these are always incredibly impactful moments, and to lessen them would be a disservice. So, I’m not sure. Maybe just a strange feature, rather than a bug.

Overall, this one hit it out of the park! I’ve loved every minute I’ve spent with Emily and Wendell in this world, and this third book was no different! If I had to rank them, I’d say that the first one was still the best (as first books almost always are), but then this third one comes in right on its heels. But, as I adored the second book as well, this sort of ranking is ultimately rather meaningless. If you’ve enjoyed this series so far, boy, are you in for a treat!

Rating 9: Like Emily Wilde herself, Heather Fawcett is a force in her field! Everything a reader could hope for from a fairytale fantasy: dark forests, deep curses, and a desperately romantic love story.

Reader’s Advisory:

“Emily Wilde’s Compendium of Lost Tales” can be found on this Goodreads list: New In 2025.

Kate’s Review: “A Girl Like Us”

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Book: “A Girl Like Us” by Anna Sophia McLoughlin

Publishing Info: Sourcebooks Landmark, February 2025

Where Did I Get This Book: I received an ARC from the publisher.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Succession meets Saltburn in a crackling locked-room thriller of inconceivable wealth, unchecked power, and the secrets poised to bring a powerful family down.

It’s 2004 and former reality TV star and party girl Maya Miller has just married the most eligible bachelor on the planet: Colin Sterling, of the globally famous Sterling family whose history of aristocratic titles and land holdings rival a British royal and whose media empire is comparable to the Murdochs. To some, Maya represents the American dream. To others, a gold digger. But when Colin’s cousin Arianna, the heiress to the family’s immense fortune, is found murdered, Maya is thrust into the spotlight: first as she is revealed to be the next heiress to the fortune, and then as the prime suspect.

Swiftly, the entire Sterling family goes into lockdown at Silver House, the family’s ancestral estate in the English countryside. They’re told it’s for their own safety—but Maya becomes convinced that it’s not to keep threats out, but to keep secrets in. Now, she has no choice but to find and expose the truth hidden within the Sterling family, and why Arianna, a girl she had never met, chose her to take her place. But Maya has secrets of her own. And she knows that in order to survive the Sterlings, she’ll have to beat them at their own game.

Review: Thank you to Sourcebooks Landmark for sending me an ARC of this novel!

You’d think that with the state of EVERYTHING going on right now I would be fully turned off of books about disgusting billionaires with way too much power being full on villainous, and yet it’s still a sub-genre of thrillers that I greatly enjoy (I mean I guess we will see if that continues going forward? Maybe it the stories all end like “Ready or Not”?). Regardless of my existential dread, I picked up “A Girl Like Us” by Anna Sophia McLoughlin in hopes of a soapy and easy to digest escapist thriller with twists and turns and maybe something a little more. I got basically everything except for the last bit.

In terms of mystery, this one is fairly straight forward. We have the uber wealthy steeping in their privilege and cruelty, as well as a newcomer who is dying to fit in but has some salacious secrets of her own, and a mysterious murder and a slew of suspects. It’s the exact kind of thriller that I would associate with a day by the pool or a long plane ride, one that makes the time go fast and keeps the reader entertained. Given how billionaires are really showing their asses lately (or even being fully super villain!) I am always down for a story that puts their terribleness front and center, and with Maya being a bit of a wild card and kind of a villainess in her own ways herself it’s fun to root for a morally grey character against a backdrop of really nasty people with too much money and power. And it just adds more some really soapy moments that felt right out of an episode of “The Bold and the Beautiful” circa the early 2000s when I was watching it in the student union when I was between classes in college. I was entertained to be sure.

But as I said above, by being fairly straight forward it doesn’t really go outside the box of what I’d expect from the genre, and while it’s fun seeing two dimensional villains claw at each other, it also makes for a tale that doesn’t really stand out in the long run. There are some interesting dynamics at play as we follow the perspectives of both Maya in the present and then Arianna in the past through her journal entries, but this too just stuck to familiar pathways and formulas. None of this is a bad thing, necessarily, though I have been finding myself more intrigued and compelled with thrillers that go the extra step. Would I recommend this as a fun read? Absolutely. But that being said, it didn’t wow me in the way that some recent thrillers have.

“A Girl Like Us” is a solid thriller that checks a lot of boxes of the genre. I was entertained, but not blown away.

Rating 6: Entertaining and soapy, but it didn’t really reinvent the wheel when it comes to thrillers.

Reader’s Advisory:

“A Girl Like Us” is included in the Goodreads article “A Month-by-Month Guide to 2025’s Biggest Mysteries and Thrillers”.

Book Club Review: “Delicious in Dungeon (Vol. 1 & 2)”

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We are part of a group of librarian friends who have had an ongoing book club running for the last several years. Each “season” (we’re nerds) we pick a theme and each of us chooses a book within that theme for us all to read. Re-visiting some of our past themes, we’re once again reading books that have had film/TV adaptations and then comparing the two mediums. For this blog, we will post a joint review of each book we read for book club. We’ll also post the next book coming up in book club. So feel free to read along with us or use our book selections and questions in your own book club!

Books: “Delicious in Dungeon (Vols. 1 &2)” by Ryoko Kui

Publishing Info: Yen Press, May 2017 & August 2017

Where Did I Get These Books: The library!

Where You Can Get These Books: WorldCat.org (Vol.1) (Vol.2) | Amazon (Vol.1) (Vol.2) | Indiebound (Vol.1) (Vol.2)

What We Watched: “Delicious in Dungeon” Episodes 1 & 2

Book Descriptions: Vol. 1: When young adventurer Laios and his company are attacked and soundly thrashed by a dragon deep in a dungeon, the party loses all its money and provisions…and a member! They’re eager to go back and save her, but there is just one problem: If they set out with no food or coin to speak of, they’re sure to starve on the way! But Laios comes up with a brilliant idea: “Let’s eat the monsters!” Slimes, basilisks, and even dragons…none are safe from the appetites of these dungeon-crawling gourmands!

Vol. 2: With the possibility of starvation as a constant companion, Laios’ party continues advancing deeper into the Dungeon. The adventurers have made it to the third floor but only rotting zombies, ghastly spirits, living paintings, and golems await them–all of them absolutely inedible. After coming this far by adapting and learning how to live off the dubious bounties of the Dungeon, how will they manage when even the meanest monster won’t make a decent meal?

Kate’s Thoughts

It had been a long time since I read any manga before our book club picked “Delicious in Dungeon” Volumes 1 and 2. Like, probably since we read “Sailor Moon” Volumes 1 and 2 a few years ago! I used to read more manga back in the day, but it has admittedly fallen away a bit, so I was eager to pick some up again. Especially since I’ve been doing an online Dungeons and Dragons campaign for the past year or so and this just SCREAMED D & D to me!

And it really did feel like I was reading a D & D campaign as our heroes go into the dungeon to find Laios’s captured sister and find the depths, the creatures, and other adventurers along the way. Not only is the lore of the dungeon expansive and super creative (different levels, different resting spots that have turned into markets and communities), I really enjoyed the many different creatures and how they are broken down and used for food, with thought out recipes and oddly mouthwatering pictures to boot! I also enjoyed seeing the party of varying characters try and maneuver through the monsters and the recipes, whether it’s determined leader Laios who wants to save his sister (and has always been curious about monsters as food for some reason), or anxious spellcaster Marcille, or steady locksmith Chilchuck, or fine dining chef dwarf Senshi (my favorite to be sure). And man, did that food look good even though it was made of slimes, scorpions, chimeras, and other dungeon dwelling beasts.

Will I go on in the series? Probably not. But it was a fun ride to be sure!

Kate’s Rating 7: Creative world building, fun characters, and some delicious looking food make for a fun adventure tale!

Book Club Questions

  1. Have you read manga before? If so, how did this manga compare with the other ones you’ve read in the past?
  2. Did you think that the art style and the structure of it fit the story? Do you think you may have liked this more if it were in a different format, like a long form fantasy novel?
  3. Which character did you connect with the most?
  4. If you watched the adaptation or parts of the adaptation, how did it compare to the source material? Do you think you liked watching it better or reading it better?
  5. Have you played any games that have dungeon quests or themes (like D&D, or any video or board game with dungeons and monsters)? How did those compare to this story?

Reader’s Advisory

“Delicious in Dungeon (Vols. 1 & 2)” are included on the Goodreads lists “Comics About Food”, and “RPG Board Games”.

Next Book Club Pick: “The Princess Bride” by William Goldman