Serena’s Review: “The Beautiful Ones”

335741431Book: “The Beautiful Ones” by Silvia Moreno-Garcia

Publishing Info: Thomas Dunne Books, October 2017

Where Did I Get this Book: e-book from NetGalley

Book Description: In a world of etiquette and polite masks, no one is who they seem to be.

Antonina Beaulieu is in the glittering city of Loisail for her first Grand Season, where she will attend balls and mingle among high society. Under the tutelage of the beautiful but cold Valérie Beaulieu, she hopes to find a suitable husband. However, the haphazard manifestations of Nina’s telekinetic powers make her the subject of malicious gossip.

Yet dazzling telekinetic performer and outsider Hector Auvray sees Nina’s powers as a gift, and he teaches her how to hone and control them. As they spend more and more time together, Nina falls in love and believes she’s found the great romance that she’s always dreamed of, but Hector’s courtship of Nina is deceptive.

Review: Like my recent review of “The Goblins of Bellwater,” I think this book is another example of a poorly written book description. Unlike “Goblins” which read more as contemporary romance, the more true genre focus (historical romance) of this book happens to be one that I enjoy and was particularly in the mood for, thus coloring my reaction to this initial misdirection. Like in that case, however, I do think both of these books would be better received had they been marketed more appropriately to the groups of readers who are true fans of these types of books.

I know that “fantasy” is kind of going through a boom right now, but targeting every book towards that community when there may only be the barest hint of actual fantasy elements in your book, is unlikely to be met with a positive reaction. This book, for example, is presented as if it is going to be a “fantasy apprenticeship” type book, leading the reader to assume much of the book is about Nina learning to navigate her own abilities. Not so. This is much more closely aligned with historical romance fiction with a brief dash of fantasy.

Getting off that soap box and on to the review itself! As I mentioned above, “The Beautiful Ones” ticked many boxes for me, and the fact I was surprised by the story I was getting almost added to my personal enjoyment. Nina is has come to the city to experience her first Grand Season. Under the tutelage of her glittering and popular married cousin Valerie, she soon comes to realize that she does not fit the typical mold of a debutante. Luckily, she meets Hector Auvrey, a performer who has leveraged his own telekinetic powers to raise himself to position and influence. But Hector and Valerie have a history of their own.

The story is told from the perspectives of all three characters, something that I was initially skeptical of (my own personal preference is always to follow one main character), but I quickly grew to love this format. Nina, Valerie, and Hector all have distinct voices and are fully realized characters of their own, each with strengths, weaknesses, and their own agendas. Valerie, in particular, is the type of villainous character who you simply love to hate. And Hector is the perfect example of a flawed hero. Nina, on the other hand, may have read as a bit too perfect, but her naivete and the growth she goes through, particularly in the last half of the story, are enough to keep her from falling into a “special snowflake” category. Further, with Valerie and Hector being as frustrating as they were at times, Nina’s chapters proved a bit of a relief.

We all know my feelings on instalove plot lines (recently I DNF’d “Juliet Immortal” for committing this sin in the most blatant way, choosing to not even review the book on this blog out of sheer and utter frustration). “The Beautiful Ones” seems to be Moreno-Garcia’s answer to this trend. It serves as a perfect rebuttal to all the things that are wrong with an instalove storyline. Not only is the main romance a slow burn story, based on many interactions, and taking place over a full year, but the failures of previous romances that followed the instalove equation are fully explored and the repercussions are serious.

This book is almost completely character driven. There is little action (other than balls and visits to the country side). The fantasy elements of this story are very minimal. You could remove them all together, honestly, and not much would change in this story. There are many scenes of characters simply talking to each other. In this way, it is a slow read, and yet, loving this genre as I do, I blew through it in a day. If you enjoy historical romances, ala Jane Austen, this is the perfect book for you!

Rating 9: A complete and utter surprise with characters you couldn’t help but root for, both to succeed and fail miserably!

Reader’s Advisory:

“The Beautiful Ones” is on these Goodreads lists: “2017 Latinx/Latin American SFF” and “Fantasy of Manners.”

Find “The Beautiful Ones” at your library using WorldCat

Serena’s Review: “The Sweet, Far Thing”

While I make an effort to complete most books I read, every once in a while I come upon one  that I just can’t get through. When I find myself repeatedly putting down a book to the point that attempting to finish it is taking up weeks of my time, I sometimes come to the conclusion that a book is a book, not a life and death contract to read until completion. There are too many books in the world that I will never get to to spends days on end trying to finish a book that I already know will not be my cup of tea.

127459Book: “The Sweet, Far Thing” by Libba Bray

Publishing Info: Delacorte Press, December 2007

Where Did I Get this Book: audiobook from the library!

Book Description: It has been a year of change since Gemma Doyle arrived at the foreboding Spence Academy. Her mother murdered, her father a laudanum addict, Gemma has relied on an unsuspected strength and has discovered an ability to travel to an enchanted world called the realms, where dark magic runs wild. Despite certain peril, Gemma has bound the magic to herself and forged unlikely new alliances.

Now, as Gemma approaches her London debut, the time has come to test these bonds. The Order – the mysterious group her mother was once part of – is grappling for control of the realms, as is the Rakshana. Spence’s burned East Wing is being rebuilt, but why now? Gemma and her friends see Pippa, but she is not the same. And their friendship faces its gravest trial as Gemma must decide once and for all what role she is meant for.

Previously Reviewed: “A Great and Terrible Beauty” and “Rebel Angels”

Review: As I said above, I try to push through most books, and those I can’t, I often choose not to review on this blog. After all, I rarely have much positive to say about the experience (and we do try to include positives in most of our reviews, even for lower rated ones), and…I didn’t finish the book! Can I really accurately speak to the book as a whole in a review? But since I’ve reviewed the previous two books in this trilogy, I didn’t want to leave the series hanging without a conclusion to my thoughts. So here they are.

The thing I most enjoyed about the first book was the juxtaposition of these young girls growing up in a very prim, restrained Victorian boarding school against a wild and mysterious magical backdrop made up of an organization of powerful women who have operated behind the scenes throughout history. Gemma and her friends are challenged to re-think their position in society, their own abilities, and the way they relate to each other and those around them. The magical world was unique and by no means “fluffy,” full of lurking danger and unknowns. By the end of the story, our main characters had learned that they did know all that much in the grand scheme of things, and perhaps there were more important things out there than petty, girl fights. They had lost a friend, discovered a new enemy, and seemingly grown closer, knowing that together they must face the challenges ahead.

The second book squandered all of this excellent set up, dialing back any growth the characters had gone through in the first book, making their decisions and thought processes confusing and frustrating. They still focused on the silly, bickered as if they had learned nothing, casually dismissed warnings, knowing full well the major consequences this type of behavior had lead to before, and generally behaved as if the first book had not happened, other than knowing that magic existed. Beyond this, the author introduced a terrible love triangle and some truly problematic scenes about consent.

So, with this second book as an example, I did not have high hopes going into the third. My only reassurance was that, after the events of the second book which were even more dire and traumatic than the first, there was no way that the author couldn’t address the growth and new outlook on the world that Gemma, Felicity and Anne must now have gained. How wrong I was.

I made it about a third of the way into the book before realizing that nothing had changed. Absolutely nothing. The girls were still caught up in petty nonsense, made decisions that made no sense, and behaved as if nothing had happened in the previous two books now that would influence the choices they made going forward. The author actively walked back on all progress that had been made in book two. I quickly realized that I was simply reading the same book over again.

Pippa was turning to the dark side? Nope, she’s still just there in the Realms, hanging out and making Gemma feel guilty for a decision that Pippa made herself back in book one. Gemma had decided to share the magic with everyone in the Realms? Nope, best to re-debate that decision AGAIN for huge chucks of this book,too. Kartik had decided to support Gemma and the girls? Nope, he’s distancing himself again and, of course, won’t tell Gemma why. Learned that when others much more experienced with the Realms warn you about something then you should really listen? Nope, Gemma will stop listening to others (when did she ever??) and maker her own choices!

It was truly incredible how neatly and quickly the author pulled back any and all progress that had been made in the last book and quickly seemed to start re-writing that book all over again. It was inexplicable to me. That last point, where Gemma once again refused to listen to warnings given to her by those in the Realms, was the point where I put down the book. Gemma does not read as a real person, or at least not one whom I could have any respect for at that point. Somehow she had learned nothing, and I’m not interested in reading another 700 pages about a character who is nothing more than a device for the author to indulge herself in a writing exercise that badly needed an editor.

I can’t speak to the end of the novel, but I’ve read a few reviews that further justify my decision to set it down. I won’t speak to these ending issues, as I didn’t technically get to them myself, but it doesn’t surprise me that the author ended up scrambling to pull things together and then missed the mark. How can you end a story when you haven’t really told a story? A story involves characters who learn, grown, and come out the other side as different people than they went in. That just didn’t happen in this trilogy.

Bray is an author with ideas, but she couldn’t write a single character arc for any of these girls. In a stand alone book (or the first in a series, like in this case), limited abilities with characterization might be passable. But it’s unacceptable for a trilogy. I’m having a hard time thinking of another trilogy that started as promising and then plummeted so steadily over the next two books.

Kate read only the first book in this series and liked it, as did I. For those out there in the same boat? Just stop there. Turns out you’ve already read books two and three as well in one go! Why waste the time re-reading that one again for another 1400 pages?

Rating: DNF

Reader’s Advisory:

“The Sweet, Far Thing” is included on these Goodreads lists “Thickest Books Ever” and “Worst Ending.” Yes, I know those are negative lists, but that’s how I feel about this book and others seem to agree.

Find “The Sweet, Far Thing” at your library using Worldcat!

 

Serena’s Review & Giveaway: “The Goblins of Bellwater”

33973968Book: “The Goblins of Bellwater” by Molly Ringle

Publishing Info: Central Avenue Publishing, October 2017

Where Did I Get this Book: e-galley from NetGalley

Book Description: Most people have no idea goblins live in the woods around the small town of Bellwater, Washington. But some are about to find out.

Skye, a young barista and artist, falls victim to a goblin curse in the forest one winter night, rendering her depressed and silenced, unable to speak of what happened. Her older sister, Livy, is at wit’s end trying to understand what’s wrong with her. Local mechanic Kit would know, but he doesn’t talk of such things: he’s the human liaison for the goblin tribe, a job he keeps secret and never wanted, thrust on him by an ancient family contract.

Unaware of what’s happened to Skye, Kit starts dating Livy, trying to keep it casual to protect her from the attention of the goblins. Meanwhile, unbeknownst to Kit, Skye draws his cousin Grady into the spell through an enchanted kiss in the woods, dooming Grady and Skye both to become goblins and disappear from humankind forever.

It’s a midwinter night’s enchantment as Livy, the only one untainted by a spell, sets out to save them on a dangerous magical path of her own.

Review: First off, thanks to NetGalley for providing me with a copy of this book! I’ve had my eye on it for a while, with its intriguing description mixing goblin trickery, a romantic plot line, and set in my own home region of the Pacific Northwest. It was a quick read and I buzzed through it in one day, however, I did have a mixed reaction to the story as a whole.

The description sums up the plot pretty well, so I won’t re-hash much there. And the portions of the story that stuck to this plot were strong. The goblins themselves were probably the most intriguing part of the story. It was clear that the author had a clear vision and voice for these otherworldly beings, and their magic and mischief jumped off the page with every scene they stole. I loved the mix of the dark, wet forests of the Puget Sound area that are the perfect setting to hide a mysterious and dangerous fae realm. The goblins were tricky, smart, and best of all, viciously witty. We also got much more actual characterization for a few of the goblins than I had been expecting, backstories and all, that added greater depth of meaning to the choices they made and their interactions with humanity, in particular, Kit and his family.

As I said, setting the story in the Puget Sound worked well for this plot line. All too often fae stories always pop up in the typical places like Ireland and Great Britain. But at the same time, the tropes of the area seemed to jump out at me in a kind of grating way. Of course Skye is a barista who loves art and the woods. Of course Livy works for the Forest Services and is first introduced while kayaking around the sound. Of course Kit is a chainsaw sculpture artist in his spare time. It’s just a bit too on the nose.

Reading the description, I remember it mentioning that this was a contemporary romance, so perhaps it’s on me that I focused more on the fantasy elements and assumed the romance was a supporting piece to this story. Especially for the first half of this story, the book is almost purely a romance novel, and not the kind that I enjoy.

Look. I’ve read my share of romance and I’ve read my share of YA romance. This book is in the unfortunate position of existing somewhere between the two. Our main characters are all adults, early to mid twenties (though here’s another problem: Kit and Livy are constantly referring to themselves as “long-time bachelors.” Um. Guys. You’re barely at the mid-point of your twenties! It seems like such an easy fix to write them in their 30s, a choice that I think would have fit their more mature characterization much more naturally). But for some strange reason, the author chose to write about everything before and after the sex scenes themselves. Which would be fine if she was setting out to right a clean novel.  But the before and after descriptions are of the very unclean, erotic variety. Way too many descriptions about condom management, and some pretty smutty imaginings on all characters’ sides. So then to fade to black at the critical moment…just read strange.

Not to mention that there was a noticeable shift in writing style during these romantic subplots. During the fantasy story lines, the authors writing is strong and assured. But the romantic plot lines seemed to stumble around, filled with disjointed sexual language, an unfortunate bout of magically-induced instalove, and just a whole heap of awkwardness where there shouldn’t be any (phrases like “soak up her hotness” and “congenial sex” were used a few times too many for my taste.) It all read as very strange. Kit and Livy’s relationship was definitely the stronger of the two, but even it progressed in a way that didn’t seem to fit comfortably alongside the other subplots. It’s hard to put my finger on just what felt off about all of this, but something did. I will give credit for the author’s choice to make her two women characters older than their love interests, something you don’t often see in romance novels.

Towards the last half to last third of the story, the fantasy elements began to take over the story again, and I felt like the book gained back a bit of its footing, ending on a strong note. All of this to say, I have very mixed feelings about this book. Part of it is a failure of expectations on my end, and a general preference for A.) fantasy stories and B.) romance novels that are going to at least commit to being a romance novel, something this one always seemed to shy away from. But the story also felt awkward at times and uncomfortable in its own skin, some dialogue didn’t land as solidly as one would hope, and all four characters weren’t equally strong, with Kit and Livy washing out Skye and Grady.

The publisher is hosting a massive giveaway for this book, however, so you have the chance to judge for yourself! If you enjoy clean (for the most part??) romance novels with more of a hint of fantasy (rather than fantasy with a hint of romance), you might find yourself enjoying this book more than I did. Never hurts to give it a go! See below for full descriptions of the prizes available. Open to U.S. entrants only and running late into October!

Enter the Giveaway!

 

Rating 5: Right down the middle. I didn’t particularly love it, but I didn’t hate it either.

Reader’s Advisory:

“The Goblins of Bellwater” is on these Goodreads lists: “Best Goblin Books” and “Books about Faery.”

Find “The Goblins of Bellwater” at your library using WorldCat

Prize Descriptions

Grand prize package:

• Signed paperback copy of The Goblins of Bellwater
• $10 Starbucks gift card
• “Flowerwatch” necklace/pocket watch
• Artistic guided journal/sketchbook
• Copy of Brian Froud’s Goblins!


Air prize package:

• Signed paperback copy of The Goblins of Bellwater
• Air-element necklace
• 1 oz of Goblin Market tea from Dryad Tea
Earth prize package:

 

• Signed paperback copy of The Goblins of Bellwater
• Earth-element necklace
• 1 oz of Goblin Market tea from Dryad Tea


Fire prize package:

 

• Signed paperback copy of The Goblins of Bellwater
• Fire-element necklace
• 1 oz of Goblin Market tea from Dryad Tea


Water prize package:

 

• Signed paperback copy of The Goblins of Bellwater
• Water-element necklace
• 1 oz of Goblin Market tea from Dryad Tea

 

The Great Animorphs Re-read #16: “The Warning”

363405Animorphs #16: “The Warning” by K.A. Applegate

Publishing Info: Scholastic Paperbacks, March 1998

Where Did I Get this Book: own it!

Book Description: Jake has made an amazing discovery: a Web site about the Yeerks. Should the Animorphs investigate? If they do, they might walk right into a trap. And if they don’t, they’ll never know if they’re fighting their enemies alone…

Narrator: Jake

Plot: We’re into a section of the series that I only have vague memories of. Yes, I recognized this cover. No, I didn’t remember the craziness within. And now it’s dated craziness as well, so even better! Right away, I had an inkling of what I was getting into when the story started with Jake methodically explaining his online screen name: Bball25. “Bball,” in case you were confused, means basketball! Glad he clarified. The story quickly falls into place after Jake runs an Internet search for the word “Yeerk” and discovers an entire website devoted to discussing the topic.

I’m going to just make a happy little list right here in the beginning of the many, many dated references made in this book.

  • bizarre online screen names
  • Yahoo (as a relevant thing)
  • chain letters
  • chat rooms
  • limits of 10 words typed in chat rooms
  • Internet speeds

And all of that is referenced quite a bit, because the whole story revolves around this website and the Animorphs’ mission to discover how much of it is legit and whether or not it is an elaborate Yeerk trap.

The group decides that while most of the users in the chatroom on this site are the usual Internet crazies, there are a few that seem to actually know what they are talking about. More worringly, one user is concerned that his father may be a Controller and is contemplating confronting him about it. But with nothing but screen names to go on, the Animorphs are stuck. They decide they will need to break into the headquarters of the billionaire techie who owns much of the Internet, essentially, to discover who these users are and whether or not this is a trap or these are real, potential allies. Unfortunately, this headquarters is located far, far away.

To get there, they come up with the rather ingenious plan to morph flies, hop a plane, and simply fly there, free of charge! Perks of being an Animorph, I guess! But this plan quickly falls apart as some of the flight passengers are rather put off by the presence of a swarm of flies on their plane, and Jake gets swatted. The rest of the group has to….gather up pieces of him off the wall, and he barely makes it off the plane to demorph. Breaking into the headquarters, however, does go much more smoothly. For a distraction to allow Marco and Ax (the two most tech-capable of the group) to hack into a database and pull the user info for the chat room screen names, the others morph into their battle morphs and put on a little show for everyone in the building: a grizzly bear with a mop, a tiger with a bucket in its mouth, a hawk flying around above it all. This seems to work, though I do question why they never worried that there might be Controllers working there who would immediately see through this bizarre little scene.

The trip back home goes as well as can be expected, though Jake is still very rattled by his near-death experience. Once home, the team must decide what to do with the list of names they now have: go after the kid who might confront his Dad about being a Controller any day now (Cassie’s primary objective) or break into the mansion of the owner of the website and figure out whether he is a potential ally. Jake decides for the latter, reasoning that the stakes are much higher than the fate of one boy.

Breaking into the mansion, however, proves to be a disaster. The mansion is completely locked down: multiple levels of gates, guard dogs, the works. While in bird morph, they even over hear the guards discussing their boss’s orders to shoot any animals that look “strange.” This just makes their need to know what’s truly going on all the more urgent, so spotting an open window, they decide to fly in, demorph, and check it out. At least, that’s what they want to happen. Turns out that the owner is even more paranoid than they thought and that there are some type of security wards on the windows as well. They only discover this, however, after Rachel has flown threw and lies knocked out (or dead?) in the room within. Ax, too, who was flying close behind her veers away only to get knocked to the ground and dragged off by a guard dog.

The Animorphs are in a state of panic. They weren’t prepared at all for this mission, and it’s showing. Now, down two people, the only goal is to get them back before they’re hurt, killed, or, in Rachel’s case, forced to make the decision to trap herself in morph rather than reveal her human form once two hours have passed.

Desperate, Jake decides the only way in is through. With that in mind, he veers off to The Gardens, quickly acquires a convenient rhino morph, and makes his way back to the group. What follows is a fun little scene of Jake simply smashing his way through everything in front of him. I don’t remember this morph being used too often after this, but the sheer destruction that the rhino leaves in its wake seems to make a good case for its more regular use. The eyesight is pretty bad, though, so I guess that’s why it doesn’t make its way into their regular rotation.

After bashing through everything in his way, Jake and the others finally come face to face with Mr. Fenestre, the billionaire tech wizard himself. They then learn the full truth, and I swear, it’s straight out of a soap opera. Turns out that yes, Fenestre is a Controller (though he implies a sort of partnership between himself and his host body, claiming that with his own superior technical skills, he was able to raise their lives from one of obscurity to the wealth they now both enjoy). But he’s not just any Controller, he’s the “lesser twin” of Visser Three himself. Guys. It’s an evil twin plot line! Though I guess the case could be made for either of them being the “evil” one. Yeerks, however, don’t look kindly on twins, immediately granting one the more privileged life over the other. Not able to make anything of himself and his life in the shadow of his brother, Fenestre turned to making a life for himself in his host body, hence the tech wealth. Visser Three, however, didn’t like this, or any, success by his brother and has been hunting him ever since. Hence why the place is locked down and the guards are to shoot any animal, in case it’s Visser Three in morph.

The Animorphs rightly wonder how he has survived being hunted by Visser Three if he needs to feed in a Yeerk pool once every three days. Fenestre, however, has yet another secret: he’s discovered a way to gain Kandrona rays through another source. Instead of soaking in a Yeerk pool, he simply eats one of his fellow Yeerks, somehow absorbing the Kandrona rays directly from their flesh. So, yes, we now have evil twins AND cannibalism. To do this, he set up the website to attract Yeerk Controllers that he can then track down, extract (you can guess how well this goes for the hosts), and eat at his leisure, thus never needing to leave the fortress that is his house and make himself vulnerable to Visser Three.

The Animorphs are horrified, Cassie most of all at the fate of the human hosts. Jake and the others, however, also see the benefit of a Yeerk who is single-handedly taking out more Controllers than they ever have. Their main priority, however, is still to rescue Rachel and Ax. Fenestre agrees to hand them over and to remain in his mansion forever. Jake warns that if they ever catch him outside of it, they will kill him.

The story ends with the mansion mysteriously burning down days later, though Fenestre does escape alive. Jake doesn’t admit whether this was him, Cassie, or just a happy coincidence that Fenestre is now out in the world again, free to be hunted by them and Visser Three.

Our Fearless Leader: Poor Jake. In all of the other books, we see him as a strong, competent leader who for the most part always makes the right decisions when he needs to. Then we get to his books. And, importantly, we see that these decisions are painful and difficult for him. And, worse, his stories are always the ones where those plans just don’t work so well.

In this book, we got another good look into Jake’s mindset of what it means to be leader and have to make big decisions. We also saw his thought process for what it means in the smaller moments. On the way back from breaking into the tech center, Cassie tells him that it is alright to be afraid and to change the plan from morphing flies due to his near death experience. He ends up getting fairly mad at her saying that the others don’t want him to be the leader who lets them know that it’s ok to be afraid and make different decisions based on that fear. He needs to be the leader that shows that you can push through fear and move forward. He rightly points out that if he began changing missions based on fears, as a group, they would rack up such a list of things that they all had legitimate reasons to fear doing, that they would essentially paralize themselves.

It’s a good moment showing both the thought that Jake has put into his own view of leadership, and showing the weaknesses of Cassie’s view of life. Her empathy is a major strength for the team, but here, we see that her approach is not always right, and Jake fairly harshly calls her out on it.

The last scene where Jake must make a decision about what to do with Fenestre is probably one of the more ethically heavy decision points we’ve seen in the series (the other big one probably being in “The Andalite Chronicles” when they debated flushing the pool of Yeerks into space). As we see with Jake’s ultimate decision, he is beginning to walk down the harsh, but pragmatic, path that many war-time leaders find themselves on. This is good foreshadowing for the Jake we see in the end of the series.

Xena, Warriar Princess: Rachel and Tobias as a pair are the most skeptical of the Yeerk website, both believing it to be a trap and not likely real allies in their fight. Not sure what this says about them both. Other than that, Rachel spends almost the entire last third of the story knocked out as a bald eagle.

A Hawk’s Life: Tobias, as well, is skeptical of the website. This seems pretty in-line with his general less trusting outlook on humanity. He’s the most dedicated to the fight, but he’s the least likely to expect help along the way. I think this makes a lot of sense considering the way he grew up with an aunt and uncle who didn’t care for him at all. Tobias is also probably the most upset when Ax and Rachel are trapped. It’s his best friend and his quasi girlfriend, so this reads true.

Peace, Love, and Animals: In this book, we really see the different perspectives that Jake and Cassie bring to the group. Their conversation about what it means to be a leader was very enlightening both for her own perspective, and, more importantly, to hear Jake’s thoughts on the matter. Further, we see the role of support that Cassie provides Jake. Jake clearly trusts Cassie’s read of people and situations.

However. Towards the end where they learn what Fenestre has been up to, and the fact that the human hosts don’t survive the “extraction” process of the Yeerks from their heads, Cassie goes a bit crazy and tries to attack him. And then the real problems start. She doesn’t agree with the idea of letting him continue, and would obviously rather he die, even if this goes against her general philosophy. This exchange between Jake and her follows:

<What do you expect me to do?> I asked her. <You want to get rid of this
man because he’s evil? Do you want to do it yourself, Cassie?>
<You . . . your morph would do It better,> she said.
<You want me to get rid of him for you?> I asked. <That’s what you want?>

And again! Again I lose all respect for Cassie! Whether I agree with her convictions or not (in this case, she definitely not wrong, though there’s also no right answer here), the fact that she uses the excuse of Jake’s tiger morph “doing it better” to kill this guy rather than bloodying her own hands for her convictions just pisses me off. She’s essentially wanting to dictate the tough choice but make someone else do the dirty work for what that would really mean. It just reads as cowardly and selfish to me. I’d like to think that she burned down the mansion in the end, as a way for making up for this truly horrible moment.

In the end of the book, I did like the fact that she’s the only one who still thought of the boy in the chatroom with the Controller father. She goes to his house in wolf morph and tells him that he can’t trust his father anymore. And this is terrible and soul crushing for her to do, basically taking this child’s faith in his parent away from him to protect him. Another good redeeming moment for her.

But still.

The Comic Relief: At one point, Marco and Jake have a conversation about whether or not they would be able to transition back into “real life” if the war suddenly ended tomorrow. Jake is adamant that this is possible. But Marco, ever the pragmatist, is doubtful that anyone of them could live a normal life after experiencing all they have. And they’re not even halfway through their whole ordeal! It’s even more sad that Jake insists that he could be a “normal boy” again in a book where we’re really beginning to see the toll that leadership is taking on him. The Jake from book 1 would have never imagined leaving a Yeerk Controller alive who is killing human hosts just because he’s also killing off hundreds of Yeerks as well.

E.T./Ax Phone Home: Ax plays a crucial role early in the book with his alien tech skillz. Right when the book started and Jake was searching the Internet for the word “Yeerk,” modern-day me was like “No!!!! They can track that!!” But in the very next scene they discuss taking precautions to mask their presence when searching around the chat room and website, and Ax is able to quickly do this. There are a lot of jabs doled out between him and Marco about the backwards earthlings and their rudimentary technology. And then in the last part of the book, he, too, is trapped and missing for most of it.

Best (?) Body Horror Moment: Jake swatted as a fly! We’ve had a few near-death experiences so far, but the description of just how bad Jake’s situation is…it’s bad. The other Animorphs are literally discussing how to best “scoop” up the remains of his body. As they’re flying away, legs that they are carrying are falling off. They’re concerned that they left behind to much of his body for him to demorph. It’s just terrible.

Couples Watch!: Not a whole lot for either couple. Jake has some good conversations with Cassie, though they are more representative of the different perspectives they each represent in the group than having to do with their relationship. Marco sends a fake message to Jake from “Cassie” in the opening scene which Jake responds to with a funny put-down that he can’t date until his friend Marco gets a girlfriend, which they both know will never happen, so “Cassie” will just have to live with disappointment

However! Jake is with me on the interesting relationship between Marco and Rachel!

Marco and Rachel have a strange sort of relationship. I haven’t figured out whether they pretend they can’t stand each other but secretly like and admire each other, or if they really just can’t stand each other.

If Only Visser Three had  Mustache to Twirl: Of course Visser Three is the evil twin! And of course he’s been a total ass to his lesser Yeerk brother this entire time. And then of course once the guy gets even a little taste of success Visser Three decides that it’s best to just kill the guy off all told. Not that this brother is really a joy either, but it does seem that he is largely a product of his circumstances. He also claims that he is in some type of partnership with his host body, which is something Visser Three would never even contemplate.

Adult Ugly Crying at a Middle Grade Book: There weren’t any overtly tragic moments in this book. But this does feel like the beginning of the end for Jake’s ability to exist outside of his leadership role. He has to make so many very tough decisions in this book. His view of leadership, the fact that he can’t really allow himself to even have human emotions, is so sad. And then to see him slowly start down some highly ethically questionable paths…Marco is more right than he knows: none of them can go back, least of all Jake.

What  a Terrible Plan, Guys!: This whole section exists because of the group’s predisposition for not really planning at all. And here we see the results that, statistically, should probably be more common than we see. They did virtually no scouting of the mansion, and then when they tried to infiltrate it through one of the most obvious routes (the window) things go downhill pretty much immediately. They only escape through sheer luck based on Fenestre having very different goals than almost any other Yeerk Controller who could have been holed up there.

Favorite Quote:

“A ‘mix of truth and lies’ is like the definition of the Internet,” Rachel said. “Equal parts reality and delusion.”

Truer words have never been spoken.

Scorecard: Yeerks 3, Animorphs 7

No score. Not a huge impact either way with this one.

Rating: I really enjoyed this book. I didn’t remember hardly anything about it, but it’s a great combination of funny moments (even more than there were originally with the dated stuff), action scenes (the rhino part is great), and a good introspection into Jake’s philosophy on leadership and where he is headed as a character.

Note: I’m not going to rate these books since I can’t be objective at all! But I’ll give a one sentence conclusion and you can take from that what you will!

Serena’s Review: “River of Teeth”

31445891Book: “River of Teeth” by Sarah Gailey

Publishing Info: Tom Doherty Associates, May 2017

Where Did I Get this Book: from the library!

Book Description: In the early 20th Century, the United States government concocted a plan to import hippopotamuses into the marshlands of Louisiana to be bred and slaughtered as an alternative meat source. This is true.

Other true things about hippos: they are savage, they are fast, and their jaws can snap a man in two.

This was a terrible plan.

Contained within this volume is an 1890s America that might have been: a bayou overrun by feral hippos and mercenary hippo wranglers from around the globe. It is the story of Winslow Houndstooth and his crew. It is the story of their fortunes. It is the story of his revenge.

Review: The fact that this novella is based on a true consideration undertaken by the U.S government, importing hippos to the U.S. to be used alongside cows in meat production, was all it took to land it on my TBR list. The fact that the cover features several characters riding hippos moved it quickly to the top.

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And if the finished result wasn’t all I had hoped it could be, there’s still no denying the pure fun that is delivered with such a unique concept as hippo-riding outlaws!

First for the parts I did enjoy. As I said, the pure genius of this concept is spot on. I mean, who knew about the late, great hippo plan? If anything, this proves that the U.S. government was just as capable of thinking up ridiculous plans back in our earlier days as country as it seems to be now! But Gailey doesn’t just rest the historical wackiness of this plan, she brilliantly conceptulizes what this plan would have looked like if implemented.

The Louisiana territory is largely converted to extensive marshland, as hippos can only travel so far out of water. Various breeds of hippos have emerged, beyond the ones simply raised for meat. Some are faster than others, some larger, some more capable of managing longer distances on dry land. They are imagined to be a combination of a horse and a cow: close traveling companion in some cases, purely a form of meat production in another.

But, let’s not forget, hippos are very much NOT cows. They are strong, faster than they look, and fully capable of enacting their tempers on poor, unaware people who may get in their way. And, like all good plans, the great hippo importation quickly got out of control in this case, leaving wide range of the Mississippi river chocked up by an out-of-control feral hippo population, one that the notorious riverboat crime lord, Mr. Travers, has fully made use of to create his own scary, little kingdom.

Enter our heroes, tasked with a government funded mission to clear out the feral hippo population, once again opening up the river to commercial traffic. Unsurprisingly, Mr. Travers is not on board with this plan.

As I’ve said, the setting and creative use of the hippos was spot on in this story. So, too, the pacing is strong, reading like a charming classic Western adventure story, but with hippos. It’s easy to see these influences play out in many scenes, and in many ways the writing reads like a screenplay for what would surely be a super cool TV mini series.

But this strength is also a weakness. It almost reads too much like a screen play with a few beats hitting just slightly off target. There are moments when the dialogue veers a tad too close to the cheesy, and the descriptions could also seem pedestrian at times, lacking the detail and cohesion.

Which leaves us with our cast of characters. And there are many. We have the leader of our little troop, a man with a dark past tied up with Mr. Travers. A con woman. An assassin. A poisoner/munitions expert. And a man who knows the Mississippi region like the back of his hand. This is a lot of characters, all with big personalities, to be jammed into a short novella that also has a lot of story to tell. Characters would come and go so quickly that the fates that awaited them never really struck any chord. See you later, I barely knew you, I guess?

Further, Bailey attempts to right in a romantic story line, as well. And while I applaud her for her representation of this couple, their romance feels rushed to the point of unbelievability. And, in many ways, this relationship is used as a driving force for the decision-making of several of our characters, which just plays all the weaker for being given so little time to develop.

So, while I loved the conceptualization and adventure of this story, I was left wanting in a few areas. The writing style seemed to slip at points, and the numerous characters often overwhelmed any attachment I could develop for any single one, leaving some of the more important story beats to land flat. However, being a novell, this is a low stakes read, time-wise, so if you’re looking for a fun, quick adventure story unlike any other you’ve probably come across, I’d still recommend checking out “River of Teeth.”

Rating 6: An overwhelmingly large cast and some writing slips prevented me from fully committing to the Western adventure romp.

Reader’s Advisory:

“River of Teeth” is still relatively new and is on only one relevant Goodreads list “Alternate History in 2017.”

Find “River of Teeth” at your library using WorldCat

 

Serena’s Review & Giveaway: “The Stone Sky”

31817749Book: “The Stone Sky” by N. K. Jemisin

Publishing Info: Orbit, August 2017

Where Did I Get this Book: ARC provided by Orbit

Book Description: The Moon will soon return. Whether this heralds the destruction of humankind or something worse will depend on two women.

Essun has inherited the power of Alabaster Tenring. With it, she hopes to find her daughter Nassun and forge a world in which every orogene child can grow up safe.

For Nassun, her mother’s mastery of the Obelisk Gate comes too late. She has seen the evil of the world, and accepted what her mother will not admit: that sometimes what is corrupt cannot be cleansed, only destroyed.

Previously Reviewed: “The Fifth Season” and “The Obelisk Gate”

Review: At this point, I’m honestly baffled by N. K. Jemisin. The fact that the previous two books both won Hugo awards is awe-inspiring enough. But to not miss a single step in a complete trilogy? Crazy impressive. What’s more, as I was reading this book and unpacking the many, many more new layers being added to an already impossibly complex  history and world, I was seriously questioning my own mental capacity to even keep track of it all, let alone write an entire trilogy with all of these details in mind from the first. All of this, she had to have all of this in her mind when she started the first book! These aren’t tiny little breadcrumbs that could be sprinkled in early with only vague ideas for how they are going to be used later. This is an entire history, on top of another history, on top of ANOTHER HISTORY and our slow-revealed narrator, Hoa, has been talking about it all right in front of our faces since the very beginning! I really can’t express my bafflement at the mastery that one needs to possess to juggle this type of storytelling.

But I should probably start a more coherent review at this point. When we finished off “The Obelisk Gate,” Nassun and Essun were set up on opposite sides of a final confrontation that would determine the future of the world. Nassun, broken, hurt, and disillusioned to the point of hopelessness about humanity, sees only one way forward: it can’t be fixed, so let’s just end the bad things. Essun, on the other hand, has only recently begun to see that through all the brokenness, through all the loss of children, family, lovers, and communities, there still might be a way forward, a way to change things and fix what isn’t right.

These two dynamics are so incredibly strong. Through these three books, we’ve seen a lifetime of pain and horror through Essun’s eyes. She has been devastated, horrified, apathetic, furious, and here, in the last, she still manages to find hope. Her time with the comm of Castrima has opened her eyes to a new way of life where orogene and still can live and work together. It’s not perfect by any means, and there are a million fights ahead to make progress, but here, in the end, she sees that fight as one that is worth having and saving.

Nassun sees nothing worth saving, but for Schaffa, and even he is plagued by a life riddled with pain and confusion. Wouldn’t it be best for it all to just end? Her story has been the most tragic in this series. Essun at least has been an adult for the majority of it, and to some extent (while very small at times), she’s had the ability to choose and make a path for herself, even if that path leads into more darkness. Nassun is a child, and while she’s had to grow up much too fast, she still sees the world through eyes of a person whose only lived 11 years on it, and those 11 years have been filled with nothing but abandonment, horror, and no signs that things will ever improve. After killing her father at the end of the last book, Nassun is done. If even a father sees only a monster in his orogene child, then she will be that monster and end it all, for the sake of all monsters everywhere.

Nassun and Essun’s stories are poignant and beautiful, and by setting the two on opposite sides of this fight, as a reader, you’re caught wishing for the impossible. And Jemisin delivers it! The conclusion to these two’s story ended in the only way it could and was immensely satisfying.

But this isn’t only Nassun and Essun’s book. While in the last book we learned much more about the stone eaters and their involvement in this war for the future of the Earth, here we go even farther back in time, back to the great civilization in the past that understood magic just well enough to become greedy, building the Obelisk Gate in an attempt to tap the life magic of the Earth as well and triggering the Shattering. This is Hoa’s origin story, finally. And with it comes, you guessed it, more tragedy and evidence of the brokenness of humanity, the shortsightedness that comes with greed and small lives, and the ever present fear for those who find themselves in power and are frantic to keep it. We learn how and why the Obelisks were created, we learn more about the living Evil Earth itself, we see the history of the Guardians and who they were, and we see that the same terrible choices have been made again and again.

Not only do I not want to spoil the many reveals presented in this book, I’m fairly certain that I need to immediately re-read the entire series to fully appreciate the story that’s been told and finally connect all of the dots of this complicated world. If you asked me to  storyboard this series in chronological order, I’m pretty sure I’d struggle. But that is absolutely no criticism of the book. The best books, in my opinion, are the ones that are so fully alive that you can’t possible fully understand them in one (or even two!) go-arounds.

So hopefully by this time you’ve already read the first two in the series, because here’s your chance to get your hands on the final book in this amazing series! Enter to win a paperback copy of “The Stone Sky!” Giveaway ends Sept. 21 and is open to U.S. entries only. Happy reading!

Enter the Giveaway!

Rating 10: If this doesn’t win another Hugo, I’ll be shocked.

Reader’s Advisory:

“The Obelisk Gate” is on these Goodreads lists: “#ReadPOC: List of Speculative Fiction by Authors of Color” and “Best Picks: Adult Science Fiction, Fantasy and Horror Novels of 2017.”

Find “The Stone Sky” at your library using WorldCat

 

 

 

Serena’s Review: “City of Blades”

23909755Book: “City of Blades” by Robert Jackson Bennett

Publishing Info: Broadway Books, January 2016

Where Did I Get this Book: audiobook from the library!

Book Description: The city of Voortyashtan was once the domain of the goddess of death, war, and destruction, but now it’s little more than a ruin. General Turyin Mulaghesh is called out of retirement and sent to this hellish place to try to find a Saypuri secret agent who’s gone missing in the middle of a mission, but the city of war offers countless threats: not only have the ghosts of her own past battles followed her here, but she soon finds herself wondering what happened to all the souls that were trapped in the afterlife when the Divinities vanished. Do the dead sleep soundly in the land of death? Or do they have plans of their own?

Previously read: “City of Stairs”

Review: It’s been over a year now since I read the first book in this series, “City of Stairs” and in that time the third and final book, “City of Miracles” has been published. I’d like to say I plan my reviews like this, as I have a preference for reading series in a binge-like style and this works best when that series is completed. But the honest answer is that I get distracted by the million other good books out there, so when I am reminded of a good series by a more recent publication…it just a lucky coincidence for my binge-reading style!

That said, “City of Blades” is not a direct sequel to “City of Stairs,” picking up several years after the fact and re-focusing the story on General Turyin Mulaghesh who we met in the first book when she fought off a resurgence of Gods in Bulikov alongside our heroes of that book, Shara and Sigrud. Now, years later, Shara has been elected Prime Minister, Sigrud has been roped into a delegate role, representing his nation of origin, and Mulaghesh has retreated in retirement, suddenly quitting, for unknown reasons, the political atmosphere in which she had been steadily rising. But things are not all well on the Continent and Shara, whose popularity has greatly waned (turns out many people can’t and won’t just forget a past that was ruled by cruel Gods), calls on one of the few people she still trusts to discover what has been going on in the city of Voortystan, the capital city of the late Voortya, Goddess of War. So Mulaghesh is off, albeit grumpily, to a city that is in the midst of a forced transformation to the modern, but whose past is perhaps more close than anyone would have guessed.

I had really and truly forgotten just how excellent this series is. This book, like “City of Stairs” before it,  checks all the boxes for fantasy I love. World-building is excellent. The characters are complicated, interesting, and, importantly, have a wicked sense of humor. The themes are drawn upon using masterful technique.

While Shara’s story was one of a young woman discovering her dreams are not quite what she once thought, Mulaghesh’s story is that of a middle-aged woman who feels that the imprint she’s left on the world is not one to be proud of. Throughout the story, we have a slow reveal of Mulaghesh’s past history with the military, the choices she and her troops were forced to make, and the influence these choices have had on her life since. Throughout this all, Mulaghesh’s voice is strong, surly, and darkly witty.

Her own story ties neatly into a larger discussion of what it means to be a soldier. Voortya, the Goddess of War, and her followers created a complete culture around this question. War was art. War was life. War was at the center of every choice her people made. And now, decades after the Gods have been killed off, is this fact any different?

One thing that particularly stood out as I was reading this, and that makes Bennett’s writing and his characters so excellent is that he never dumbs things down. Not the mysteries or history for the reader: there were many times that I had to stop reading for a bit to re-order my thinking of the timeline of this world, or how this one magical element or another worked again, as it had been explained chapters ago. And, especially, not his own protagonist. All too often I’ll read a story where the heroine fails to ask the most obvious questions. This is, of course, necessary by the author’s thinking to draw out the mystery or the suspense. In reality, all this does is frustrate the reader and make your characters seem stupid. Mulaghesh is a smart protagonist, and it was beyond satisfying that at multiple points in this story, right when I came up with a theory about what was going on, she almost immediately voiced it herself. This might seem like a small thing, but I truly think that when it comes to the general enjoyment of books like this, it is one of the most crucial elements.

The fantasy elements that are tied up with this complicated history of the Continent and their Gods almost played even better in this book than in the first. Here, we have a deep-dive into one specific divinity and how her influence shaped a people and a city. And, as can be expected with this series at this point, the lingering remains of these long-gone Gods are not quite as distant as the people would wish. I particularly loved the way Voortya’s legacy was brought to life in this book. After the first story, there seemed to be only one path laid forth for bringing these Gods’ stories back into this world and I was half-expecting Bennett to simply recycle this process. Oh me of little faith.

Beyond Mulaghesh herself (who is an utter joy), this book saw the return of our protagonists from the first book, as well. Shara makes a few brief appearances, but Sigrud plays a vital role. Alongside these familiar faces, we get an excellent cast of new characters, including Signe, Sigrud’s long-lost daughter who is a brilliant technician and hopes to restore the city of Voortaystan to a place of influence and innovation.

It’s hard to say whether I liked one of these book more than the other. While “City of Stairs” laid forth an enormous new world and history, full of lost Gods and a bright-eyed leading lady, “City of Blades” presents a darker, more intricate look at one city, one God, and one woman who struggles to define herself and to determine what it means to have lived a life full of violence.

While technically you could probably read this book without checking out the first in the series, why would you?? But for those who were wondering where the story could go from there, never fear. “City of Blades” is a worthy successor and now I’ll move right along to “City of Miracles,” thank you very much. Binging commence!

Rating 10: If you love detailed fantasy stories with a strong dose of action and a grumpy but lovable heroine, this is the book for you!

Reader’s Advisory:

“City of Blades” is on these Goodreads lists: “Favorite Epic Grit” and “Best Sci Fi Books with Female Main Characters.”

Find “City of Blades” at your library using WorldCat

The Great Animorphs Re-Read #15: “The Escape”

363355Animorphs #15: “The Escape” by K.A. Applegate

Publishing Info: Scholastic Paperbacks, January 1998

Where Did I Get this Book: own it!

Book Description: Almost nothing could be as bad as finding out your mother is Visser One. The most powerful of all Vissers. The leader of the Yeerk invasion of Earth. But it happened to Marco. And even though he’s been handling it pretty well, he knew there’d come a time when he’d have to face her again. Knowing that the Yeerk in her brain had taken his mother away.

So when Marco, the other Animorphs, and Ax discover that Visser One is overseeing a secret underwater project, they know they have to check it out. But Marco’s not sure if this is a battle he’ll be able to fight….

Narrator: Marco

Plot: In what is now becoming the usual “save the animals” opening scene of many of these stories, we see Marco and crew in the mall on a mission to morph parrots at the Rain Forest Cafe in an attempt to discourage them using live birds going forward. Obviously, this was Cassie’s plan. After making enough of a nuisance of themselves to get the job done (think parrots spewing vulgarities at customers in line), Marco and Jake run into Erek, our friendly Chee insider, on the way out who informs them that the Yeerks are up to no good. It seems that the Yeerks are trying to take over a world populated by psychic water aliens called Leerans. Obviously, this would be disastrous for the Animorphs, since psychic Controllers could see through their morphs instantly. What’s more, the base of operations, located out in the ocean, deep underwater, is being run by none other than Visser One, Marco’s Controlled mom.

They decide to check it out in dolphin morph. Problem being, Tobias with his new morphing ability, doesn’t have a dolphin morph. This leads to a little scene of them all trekking off to The Gardens where Tobias has to dive bomb a dolphin in hawk morph to try and acquire its DNA. He ends up getting his talons stuck in the dolphin’s skin and is only saved from drowning by a well-timed controlled crash by seagull!Marco.

All morphed dolphins, and Ax as a shark, the crew zero in on the underwater compound. They are quickly surrounded by a crew of hammer head sharks. Bizarrely, the sharks seem to be operating as a pack. Marco, having been almost bit in half by a shark back in book 4, is understandably more panicked than the rest and quickly gets out of there, followed by the others.

Knowing they still need to get into the compound somehow, the Animorphs make their way to the new aquatic center in town which has hammer head sharks. They go at night, but through a few mishaps, Ax is spotted by a Controller guard on duty. They attempt to escape, eventually resorting to having Ax tail swipe away the glass holding in the massive aquarium. Marco barely escapes being eaten by a hammer head, subduing it by acquiring its DNA. The others follow suit.

Marco goes a bit nuts about the fact that he was the first to run back when they were dolphins. The appeal of the fearlessness of the shark overtakes him and he foolishly tries to morph shark in the school pool. He’s interrupted by a pair of bullies who start mocking him and taking jabs at his mom. He’s only saved (from attacking them or discovery) by Jake who shows up and calms things down.

Back in the ocean, this time morphed as sharks, the group make their way into the compound, following the other sharks. They find themselves trapped in a queue that is injecting things into the sharks’ heads that they guess is what the Yeerks are using to control the sharks. Unable to escape, they all are injected as well. It’s only later when they demorph and try to morph fly to more easily make their way around the compound that they realize what’s happened: Yeerk trackers/control devices have been implanted into their heads, preventing them from morphing small animals whose skull cavities can’t fit the tracker. Instantly, somehow getting rid of these trackers becomes the new priority.

The group splits up. Rachel, Cassie, and Jake go battle morph to provide a distraction. Ax, Tobias, and Marco make their way further into the compound to try and find a solution. They discover that there is a fail safe built into the compound that would dissolve the trackers if the compound itself was destroyed. Marco gets discovered by Visser One, but is able to trick her into believing that he is a Controller computer technician who was sent to work on the compound. Escaping from her, he re-joins Ax and Tobias. Ax sets the computer to auto-destruct, and the group re-joins the others to fight.

Visser Three conveniently shows up in a massive snake morph. A mad battle takes place between the Animorphs, the Controllers, and Visser Three and Visser One in the background. A Leeran shows up and tries to tell the Vissers that the morphed beings are humans. Visser One dismisses this, thinking the Leeran has confused Marco’s gorilla morph for a human, since the two are closely related.

Visser One manages to suspend the countdown for the self-destruct, prompting Rachel and Ax to go after her. Rachel is about to kill her when Marco yells for her to stop, admitting that Visser One is his mother. Ax knocks Visser One out instead. Still desperate to destroy the compound, Marco throws a chair through the glass wall, cracking it and sending the Yeerks running for cover.  The Animorphs escape, with Marco thinking he sentenced his mother to death, and now knowing that the entire group will know his mother was/is Visser One. As they swim away, Rachel claims to hear a sub whirring away from the area, possibly containing Visser One. Marco accepts the hope this offers, renewing his drive to fight to free his mother in the future.

The Comic Relief: Have I mentioned that I love Marco books? He just has so much depth as a character. Not only is he just as witty as a narrator as he is as a supporting character in the other books, but there are many real issues that he deals with and brings to his stories, the biggest of which is obviously the struggle with his mother.

But here we also had a few other things that he goes through. One has to do with the fact that he ran first from the sharks. It’s a nice call back to the fact that they all never fully recover from the trauma inflicted on them in all of these fights. He was almost bit in half by a shark; that’s bound to stick with you. And the fact that he is then drawn to the fearlessness of the shark as a way to deal with his insecurities about his own bravery is just excellent.

He’s also very self-aware as a character, and the fact that he’s the most analytical of the group is on full display. Both he and Jake have Controllers in their family, but Marco is the only one who has fully thought out what saving this person would really cost (at least as far as we know, Jake hasn’t mentioned most of this). He goes over the fact that if he saved her the Yeerks wouldn’t just let it go:, they’d be tracked, likely discovered, and the all of the other Animorphs would be discovered and the war lost. Knowing this, even though he fights to save her, he doesn’t know how it will ever be possible.

He also is very practical even through all the pain of confronting his mother, constantly fighting the urge to alert her and reassure her that he’s fighting to save her.

And I’m not someone who does emotional, stupid things. Sometimes I wish I were.

Lastly, when it counts, Marco does the right thing, no matter the personal cost. This practical weighing of odds, of personal issues and the good of everyone else, leads him to destroying the compound, not knowing if his mother will make it out alive. I’m not sure any other character could have done this (maybe Rachel, but she would have done it from a very different emotional place).

As I’ve said before and will probably keep repeating, Marco is the character I would aspire to be in this series.

Our Fearless Leader: There are a few notable moments between Jake and Marco. First, when they all go to The Gardens for Tobias to get a dolphin morph, March impetuously decides to snag a ride on a roller coaster while in seagull morph, pulling Jake along with him. It’s a small moment of pure fun between two best friends. And, in a moment of rare vulnerability afterwards, Marco asks Jake whether they’re still the same, even after it all, deep down. (Clearly he’s also thinking about whether his mom is still his mom even after being a Controller for so many years).

The second moment is the reinforcement of the fact that Jake must be known at their high school as the bully repeller. We know that he saved Tobias from bullying, and when Marco is being made fun of by the bullies at the pool, Jake steps in once again. Jake has to be a fairly popular guy at this school, what with all of these good deeds and his ability to control bullies.

Jake also provides most of the support for Marco throughout this book as the only one who knows the truth about Visser One until the end where it becomes more broadly known.

Xena, Warriar Princess: Rachel doesn’t do a lot in this book, other than be gung ho in her usual semi-crazy way. She’s all for it when Marco suggests splitting into groups with one group morphing battle morphs and providing a distraction.

Naturally, Rachel agreeing with me convinced me I was obviously wrong.

Yeah, right Marco! We’ve seen him base too many decisions on what Rachel decides to do to believe this! In the end, it’s also Rachel who “hears” the sub leaving the collapsing compound (obviously Visser One escapes, but it’s never clear whether Rachel really did hear this or is just providing comfort for Marco), providing hope for Marco that his mother escaped. My secret (not secret) alt-universe shipping of these two continues.

A Hawk’s Life: Poor Tobias and the dolphin incident! Not only is the dude already scared of water, but here he has to somehow acquire a dolphin while in hawk morph! And then gets stuck and ends up going on the worst dolphin roller coaster ride of his life. It’s no wonder that after it all, he’s a bit grumpy. And when Cassie starts fretting about how the dolphin is doing, we get this little exchange:

<Well, as long as the dolphin is okay,> Tobias said. <Because I really, really hope the dolphin is okay.>
<Are you going to be sarcastic the rest of the day?> I asked him.
<Yes. I am going to be sarcastic the rest of the day. I nearly drowned. Now I’m going to go become the thing that nearly drowned me. I will be sarcastic until further notice.>

Sarcastic Tobias is a great Tobias.

Peace, Love, and Animals: Jake seems much more willing to go along on these little side missions when Cassie is the one coming up with them… When they’re all morphed as parrots saying ridiculous things to scare off customers, Cassie comes up with:

“Squuaaakkk! We should be flying free in our native habitat!”

Because of course she does. She, along with Marco, proves yet again that she’s one of the two more perceptive members of the group, quickly picking up on Tobias’s lack of enthusiasm to morph dolphin and his fear of water.

E.T./Ax Phone Home: Marco’s introductions of characters are always the best of all the narrators. With Ax, we first meet him when he’s in human morph during the parrot mission, and Marco describes him and his food obsession thusly:

Ax would trade a Cinnabon for the Mona Lisa, straight across.

Ax also has a lot of knowledge about the Leeran race. He hacks the computer in the underwater compound to set it to auto-destruct, all while, of course, making many arrogant Andalite comments about superiority and such.

Best (?) Body Horror Moment: The bit when Marco starts morphing fly and experiencing head pain, only to see Rachel shrinking and the device pushing through her head. Ick.

Couples Watch!: Not a whole lot. Towards the end, when the group is split up in the underwater compound, Tobias is pretty stressed about the delay in accessing the computer, snapping at Ax to hurry up so that they can join Rachel and the others who they can hear fighting in their battle morphs. He’s clearly worrying about her.

If Only Visser Three had  Mustache to Twirl: The Visser drama continues! Visser One and Visser Three’s ongoing bitch fight is always a joy. Here, Marco essentially describes the complete and utter bizarreness of the scenario in the underwater compound when these two run into each other. There’s a massive battle going on all around them between “Andalite warriors” and their Controller underlings, but all they care about is sniping at each other in the middle of the room.

Also, when Marco is in is one-on-one with Visser One posing as a Controller computer technician, he claims that Visser Three killed the other three technicians who were supposedly meant to be accompanying him. Visser One is not at all surprised that this could be the case. Clearly, Visser Three has a bit of a reputation in this area.

Adult Ugly Crying at a Middle Grade Book: Marco books always deliver a big dose of the sads. For some reason, his mother being a Controller always strikes me as more tragic than Jake’s brother. Probably because Marco already grieved her death, and then got her back in the worst way, knowing she’s a Controller for Visser One. Here, when Marco is alone with Visser One, he has to fake being a Controller himself. At one point, the Visser comments that Marco needs to get better Control of his host body; her host is currently screaming and crying in her head, but she still has complete Control. This is so tragic because not only does poor Marco’s mom have to deal with being Controlled by Visser One, but she now thinks her son has been taken as well. This just has to sap away whatever small bits of hope remain to her.

What  a Terrible Plan, Guys!:  It’s not so much a terrible plan, as an “obviously flawed, but necessary course of action.” This is the first time we’re really seeing the challenges posed by Tobias’s new morphing ability and the fact that he needs to acquire DNA as a hawk. So, the dolphin was always going to be a problem. What I don’t get is why the hell they decided to go about this in broad daylight with a park full of people?? In the past, they’ve often snuck into The Gardens at night to get their morphs. So why they would choose to do this, the most obtrusive DNA acquisition they have ever attempted, in the middle of the day is beyond me.  Actual quote from the book right as Tobias is dive-bombing the poor dolphin:

<Um … is this stupid?> Cassie asked, way too late.

Favorite Quote:

This is a really long quote, but it’s probably the one and only quote that I’ve always remembered from this series and even referenced a few time over the years. I knew it was in a Marco book somewhere, so I was thrilled to see it pop up here:

See, I’ve always believed that to some extent you get to decide for yourself what your life will be like. You can either look at the world and say, “Oh, isn’t it all so tragic, so grim, so awful.” Or you can look at the world and decide that it’s mostly funny. If you step back far enough from the details, everything gets funny. You say war is tragic. I say, isn’t it crazy the way people will fight over nothing? People fight wars to control crappy little patches of empty desert, for crying out loud. It’s like fighting over an empty soda can. It’s not so much tragic as it is ridiculous. Asinine! Stupid! You say, isn’t it terrible about global warming? And I say, no, it’s funny. We’re going to bring on global warming because we ran too many leaky air conditioners? We used too much spray deodorant, so now we’ll be doomed to sweat forever? That’s not sad. That’s irony. Note to Alanis: That is ironic. Humor kind of breaks down when the tragedy gets up close and personal.

On a more light-hearted and brief note, Marco had this to say to Erek in the beginning when he and Jake agreed to do something about the Yeerks’ goals to capture the Leerans:

I shrugged. “We like to keep busy. It’s either rescue entire races or play Nintendo.”

Scorecard: Yeerks 3, Animorphs 7

A point for the Animorphs…I guess? I mean, they mostly destroyed the compound to simply undo the head implant situation that they foolishly got themselves into, but it was still a blow against the Yeerks.

Rating: Loved it! There was so much great character building stuff for Marco, and now the secret of his mother is out to the rest of the group, so it will be interesting to see how this plays out going forward.

Note: I’m not going to rate these books since I can’t be objective at all! But I’ll give a one sentence conclusion and you can take from that what you will!

Serena’s Review: “Rebel Angels”

51428Book: “Rebel Angels” by LIbba Bray

Publishing Info: Ember, December 2006

Where Did I Get this Book: audiobook from the library!

Book Description: Ah, Christmas! Gemma Doyle is looking forward to a holiday from Spence Academy, spending time with her friends in the city, attending ritzy balls, and on a somber note, tending to her ailing father. As she prepares to ring in the New Year, 1896, a handsome young man, Lord Denby, has set his sights on Gemma, or so it seems. Yet amidst the distractions of London, Gemma’s visions intensify–visions of three girls dressed in white, to whom something horrific has happened, something only the realms can explain…

The lure is strong, and before long, Gemma, Felicity, and Ann are turning flowers into butterflies in the enchanted world of the realms that Gemma alone can bring them to. To the girls’ great joy, their beloved Pippa is there as well, eager to complete their circle of friendship.

But all is not well in the realms–or out. The mysterious Kartik has reappeared, telling Gemma she must find the Temple and bind the magic, else great disaster will befall her. Gemma’s willing to do his intrusive bidding, despite the dangers it brings, for it means she will meet up with her mother’s greatest friend–and now her foe, Circe. Until Circe is destroyed, Gemma cannot live out her destiny. But finding Circe proves a most perilous task.

Spoilers for “A Great and Terrible Beauty”

Review: Oof, this review, it’s going to be tough. It seems that “Rebel Angels” is widely believed to be the stronger book of the first two in Bray’s “Gemma Doyle” series. But man, I had some problems with this one.

But first, the good. There is no questioning Bray’s strength as a writer. The dialogue is always excellent, the descriptions of Victorian London are spot on. She includes many historical details that keep the atmosphere rich and poignant, and she’s mastered writing her action set pieces, something that was perhaps lacking in the first book. Further, the stakes have been raised in this book. Gemma, Felicity, and Anne have experienced real hardship with the death of their friend Pippa. And Circe, Gemma’s mother’s murderer, seems to circle ever nearer throughout this story. I enjoyed the expansion of both the “real world” setting, moving the story out from the walls of Spence Academy and into the social workings of London itself, as well as that of the Realms. We get to move beyond the perfectly lovely Garden and begin to see that now that the magic is released, things aren’t quite right in this magical land. Further, they might not have been right even before when the Order was in power.

So, there you go. This is a long book (a mark against it, really, since I think Bray could have used an editor to help trim this book up in places), but the writing and general plotting of the story are strong and got me through it. And considering my list of complaints to come, getting through it in a timely manner is actually a big mark in…something’s favor.

First off, the characters. As I said, there were some serious happenings in the first book. Pippa died. Felicity (and Anne in following her) did some truly awful things in the pursuit of power. It was made clear that the Realms weren’t all pretty flowers and magical powers with no strings attached. With this all, characters needed to grow! Other than mourning Pippa’s death, the threesome of girls quickly falls into the exact same pattern of behavior they exhibited in the first book as if they had learned absolutely nothing.

Felicity continues to bully Gemma into making bad decisions with the Realms, behaving as if it is still the free-for-all they had first supposed it to be, as if she hadn’t sacrificed a deer bare-handed in the previous book only to come this close to becoming a dark denizen herself. She routinely advises Gemma to ignore warnings and plays hot and cold with her friendship. You’d think that after coming through together what was experienced in the first book there would be a real foundation of friendship. Instead, we continue to see examples of a “mean girl” who only cares for Gemma when it is convenient. This doesn’t speak well to Gemma’s character either for tolerating such one-sided friendships (Anne has similar issues, siding with Felicity in all of her worst moments and never giving anything back to Gemma to justify Gemma’s continued loyalty).

Further, about half way through the story Bray introduces a dark backstory for Felicity with regards to her family. I have mixed feelings on this as I do think in many ways it was handled very well. But it was also used as a magic wand to somehow excuse Felicity’s behavior, which I don’t agree with. Further, after showing up briefly, there are many implications that are never fully addressed, which leaves the whole situation feeling all too close to a “plot convenience” which doesn’t sit well at all.

Anne has changed not at all. If anything, her character’s uselessness is doubled down upon. She has gained no bravery, no sense of self worth, and has actually actively stepped back into bad behaviors (self harm) that much time was spent on overcoming in the first book. Why was our time wasted then if she wasn’t going to improve at all here? And in this book, I can’t think of a single time when she truly aided the group. She was nothing more than dead weight throughout the entire story, and has now been given almost every negative stereotype a character like her can have, and gained none of the the strengths one would expect from a character moving beyond and through these set backs. Halfway through the book she ends up in a dangerous situation, and I was openly rooting for her to just be written out of the book. Alas, no.

And Gemma. The problems with Gemma aren’t even character problems. For the most part, I still very much like her as a leading lady. Unlike the other two, she has more sides to her that fully flesh her out and make her character arc interesting to follow. And while she does seem to grow throughout this book, there is the same problem from the previous to this: she has learned nothing! She naively believes everything that is told to her by every single person, even when she has explicitly been warned against this. Told not to trust anyone in the Realms? She immediately trusts EVERY SINGLE PERSON SHE MEETS. Oh, here’s a girl who was in the Order before and has made herself “mad” to avoid Cerci? Let’s NOT believe anything she has to say. It’s endlessly frustrating.

What’s more, the story opens with the reader witnessing a scene that explicitly makes it clear that a few characters are set against Gemma from the start. But then we have to go through an entire book watching her naively work with these characters. So not only is Gemma herself frustratingly naive to follow, making all of the wrong decisions for no good reason, but the reader is already set ahead of her, knowing more than she does from the start and yet still stuck in her ignorance. For any canny reader, the “twists” could be spotted a mile away which just makes it all the more frustrating watching Gemma and Co. struggle on. When she finally does realize things, there isn’t any breath of relief. You’re already 100 pages past that stage and simply want to smack her for not getting it earlier. Her following morose is all the more infuriating.

And lastly, the third member of the love triangle (you know it’s bad when the presence of a love triangle hasn’t even made the cut for my list of things to vent about) is essentially a date rapist and THIS IS NEVER ADDRESSED. He tries to get Gemma away from the others at a ball, and when this doesn’t work, he gets her drunk on absinthe, and then lures her to a remote part of the house and begins seducing her. They’re only interrupted by one of her visions which scares him out of it. And then the whole thing is forgotten, other than Gemma being embarrassed by her own behavior mid-vision!

There is zero discussion about this man’s intentions, the wrongness of his drugging her and attempting to seduce her, or anything. He continues to be a romantic interest! For a book, and author, that makes a big deal about talking about feminist and societal issues, I honestly couldn’t believe what I was reading. I kept waiting for the admonitions to role in, for Gemma to realize what a scumbag this guy was, for anything! There was nothing. It was left as if nothing had happened, he had done no wrong, and Gemma’s only concern was the worry that her own behavior would put him off. There’s no excuse for this. For young women reading this book, they are left with a scene like this presented as ordinary, ok, and not worth revisiting other than potentially shaming the girl caught up in it for getting too drunk and putting off the potential husband.

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(source)

So, it’s clear I had a lot of feelings about this book. For as many complaints as I had, I do feel compelled to finish the series, if only to see where Bray ends up leaving her characters in the end. Again, a lot happened in this book and you’d expect some character growth to come out of it, for us to have new versions of the same characters in the next book. But I had that expectation for this book and was utterly disappointed, so I’m not holding out hope. My prediction is that they will all behave the same exact way for way too many pages. I guess we’ll find out.

Rating 4: Complete lack of character growth and some very irresponsible messages leave this book as a disappointment.

Reader’s Advisory:

“Rebel Angels” is included on the Goodreads lists “Victorian YA Novels” and “Private School Paranormals.”

Find “Rebel Angels” at your library using WorldCat!

Previously Reviewed: “A Great and Terrible Beauty”

 

 

Serena’s Review: “The Obelisk Gate”

26228034Book: “The Obelisk Gate” by N.K. Jemisin

Publishing Info: Orbit, August 2016

Where Did I Get this Book: the library!

Book Description: The season of endings grows darker as civilization fades into the long cold night. Alabaster Tenring – madman, world-crusher, savior – has returned with a mission: to train his successor, Essun, and thus seal the fate of the Stillness forever.

It continues with a lost daughter, found by the enemy.

It continues with the obelisks, and an ancient mystery converging on answers at last.

The Stillness is the wall which stands against the flow of tradition, the spark of hope long buried under the thickening ashfall. And it will not be broken.

Previously Reviewed: “The Fifth Season”

Spoiler warning!

Review: “The Obelisk Gate” holds the dubious position of needing to tell the middle of the story. The scene has been set. The characters have been introduced (or, in this case, most of the characters are now realized to be the same person). But we can’t get to the finale yet. Many series in many different media formats have struggled with how to tell this portion of the story. But, as we’ve recently seen with its win of a second consecutive Hugo for the series, “The Obelisk Gate” falls into none of these traps.

And the biggest factor contributing to the avoidance of this “mid series slump” is Jemisin’s decision to double down on her characters. We now have Essun’s full story, knowing her to be the woman at the center of all three storylines in the previous book. With this knowledge, Essun’s struggles to make a life for herself in yet another comm hit that much closer to home. We’ve seen her try and fail, try and fail, always defined and burdened by her own power and the fear and hatred that she and other orogenes inspire in others. Having found Alabaster once again, only to know that she is losing him slowly to strange process in which his body is changing to stone, Essun’s journey in this book is one of self-acceptance. Whether it is wanted or not, Alabaster’s grand mission, to return the Moon to its regular orbit, is falling on her shoulders, the only orogene now living with the power and training to take up this mantle.

Through Essun, and Hoa (our recently discovered narrator and stone eater companion to Essun), the mysteries behind the obelisks, their connection to orogenes, and the history of the long-fought battle between Earth, stone eaters, orogenes, and humans slowly unravels. As I mentioned in the last review, Jemisin is a master at revealing answers to questions slowly and steadily, all too often bringing with these tidbits of information even more questions. This story is not for the impatient. It is for those who wish to bask in an immense, complicated world with a fully-realized, and half-forgotten, history, alongside characters who are often still just as much in the dark as we are.

Further, in this book we are given the added perspectives of Nassun, Essun’s lost daughter, and even a few chapters from Schaffa, the Guardian who tormented and tracked Damaya/Syenite/Essun all those years ago.

Nassun’s story takes us back to the beginning of the first book, with her discovery of her father standing over the body of her little brother whom he had just finished beating to death after discovering his powers. Through Nassun’s eyes, we see a child trying to re-align a world that has fallen into chaos, confusion and fear. To survive, she learns to manipulate those around her (most tragically, her own father), and struggles to understand her own abilities and why she is so hated. Is she a monster? And if she is, is it wrong that she loves what makes her monstrous? Through Nassun, we see what life is like for “undiscovered” roggas, those who must do whatever it takes to simply survive, without the so-called protection of the Folcrum that Damaya/Syenite/Essun grew up within. But Nassun does have  Guardian: Schaffa.

But this is not the Schaffa we knew. To survive the reign of destruction that Syenite brought down around her in grief and rage at the loss of her little family so many years ago, Schaffa commits the sin that no Guardian is ever meant to: a closer deal with Evil Earth himself. Through this process, however, Schaffa both loses pieces of himself but also gains a new sense of self through this loss. This new self fights against the horrors that his kind are meant to inflict on the orogenes, and when he meets a young girl who looks achingly familiar, and whose father is in the midst of slowly rejecting her, he takes her under his wing.

This is at true testament of steady, sure-handed characterization, to take a character as hated as Schaffa was in the first book and to make him sympathetic, even a hero (antihero?) in his own way. Through Schaffa, we see the role that the Guardians could or perhaps more importantly, should have played in the lives of their young charges. He teaches and guides Nassun, and, most importantly, provides the one sure place that she feels safety as her complete self.

As I briefly mentioned above, now that Hoa has become a more fully-understood character in his own right, we also begin to unbury the many layers of stone eater culture and history. Surprising no one, it is all much more complicated than anyone had thought. The fight for the future (the fight for whether there will even be a future) is one that involves many factions, all working to gather support for their own cause. There is a reason that powerful orogenes attract stone eaters…

It is almost impossible to review this book as its own work. In many ways, this series is reading like three long chapters in one book. To discuss this story is to discuss the first and to predict the third. And while this presents a challenges for analyzing this book in the traditional sense (with a beginning, middle, and end), it makes for a sort of comfort going into the last book in the series. After all, the first two chapters has been rock solid (ha!), why on earth (ha!) wouldn’t the last? We’ll find out soon enough! And what’s more, I’ll be giving away a copy of “The Stone Sky” alongside my review so keep an eye out for that coming up soon!

Rating 10: Second verse, strong as the first!

Reader’s Advisory:

“The Obelisk Gate” is on these Goodreads lists: “Post-Science / Next Age Fantasy” and “Speculative Fiction by Authors of Color.”

Find “The Obelisk Gate” at your library using WorldCat