Category: Serena’s Reviews

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “A Feather So Black” by Lyra Selene

Publishing Info: Orbit, March 2024

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: In a kingdom where magic has been lost, Fia is a rare changeling, left behind by the wicked Fair Folk when they stole the High Queen’s daughter and retreated behind the locked gates of Tír na nÓg.

Most despise Fia’s fae blood. But the queen raises her as a daughter and trains her to be a spy. Meanwhile, the real princess Eala is bound to Tír na nÓg, cursed to become a swan by day and only returning to her true form at night.

When a hidden gate to the realm is discovered, Fia is tasked by the queen to retrieve the princess and break her curse. But she doesn’t go with her is prince Rogan, Fia’s dearest childhood friend—and Eala’s betrothed.

As they journey through the forests of the Folk, where magic winds through the roots of the trees and beauty can be a deadly illusion, Fia’s mission is complicated by her feelings for the prince…and her unexpected attraction to the dark-hearted fae lord holding Eala captive. Irian might be more monster than man, but he seems to understand Fia in a way no one ever has.

Soon, Fia begins to question the truth of her mission. But time is running out to break her sister’s curse. And unraveling the secrets of the past might destroy everything she has come to love.

Review: While Disney reigns supreme as far as fairytale movies go, for my sister and I, the collection of favorites wasn’t complete without including “Anastasia” and “The Swan Princess.” And, as far as the latter goes, the original fairytale itself has flown under the radar as far as fiction re-tellings go. I’m not sure I can even think of one off the top of my head? I feel like Mercedes Lackey might have done one at one point, but it’s definitely a lesser told story. All of that to say, I was incredibly excited when I discovered this book coming out this spring. Now, did it live up to admittedly high expectations?

Short answer, yes, yes it did! I loved almost everything about this book in fact! From the main character and her fierce, broken story, to the whimsical but dangerous Fae world that she explores, to the manner in which the story unfolds over an entire year, to the exemplary manner in which the author deals with the love triangle (proof that it’s possible!). On top of this all, the writing was confident and sure throughout, nicely balancing the vicious but beautiful nature of fairytales alongside the intricacies of depicting the complicated familial dynamics at play in Fia’s life. Telling a story that takes place over an entire year, with month-long breaks between trips to the Fae world is a complicated technique. It would be easy for the pace to languish between these trips or to feel as if time is not passing in a natural way. Instead, I was very impressed with the way the author balanced her more obviously exciting trips to the other world alongside the much greater period of time that Fia spends waiting back in the “real world.”

But this decision to draw out the story in this way over an entire year worked in more ways than just form. By giving the story this amount of time to breathe, Fia’s slow understanding about the truths regarding the people around her played out in a believable way. It’s always frustrating when main characters have grown up being told certain things their entire lives, trusting close family members or whomever, and then are told some alternate story by a relatively new source and easily throw off everything they knew before and all other feelings of loyalty or love that would be challenged. It’s just not believable. Instead, here, Fia’s journey is one of excruciating realizations about how she has been used by those around her and how her views of herself have been poisoned from the start.

On top of this, the use of this year-long approach to the story also allowed for the love triangle to play out in a believable way. Again, she didn’t just “get over” her feelings for the prince when she met some dark Fae guy in the other world. I feel like I’ve read that story a million times. No, instead a good chunk of the story is devoted to exploring the relationship between Fia and the prince, thoroughly exploring their complicated history, their wishes for the future, and the realities of their situation. On top of that, the reader can always look forward to the incredibly compelling and increasingly romantic scenes in the Fae world with the Fae lord. Here, too, Fia’s trust and understanding of this character grows naturally. No insta-love here! I will say, my one critique comes towards the end where Fia makes a few fairly questionable decisions and put her relationships with those around her at risk. But, while I was partly frustrated by this, it also was believable that Fia, with her complicated history of trust and deception, would be make some of these decisions. And even here, I really enjoyed the way this particular arc was resolved.

I also really liked the overall plot of the story. Yes, there are definite bits from the original “Swan Princess”/”Swan Lake” story. But this is also a wholly unique story. It was appropriately grim and dark, like all good fairytales are, had confusing curses at its heart all driven by a ticking clock by which they needed to be solved, and explored a complicated world and history between the humans and the Fae world. I was also incredibly surprised by some of the turns it took towards the end. I had a few ideas about a certain things that did play out the way I expected, but others were a complete shock! I can’t wait to read the next book in this series (though this one also concludes in a way that feels satisfying). Readers who enjoy fairytale fantasies should definitely check this one out!

Rating 9: A breath of fresh air in a crowded room of Fae fantasy stories! Dark, whimsical, and romantic, this book has it all!

Reader’s Advisory:

“A Feather So Black” isn’t on any relevant Goodreads lists yet, but it should be on Swan Lake Retellings.

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Sunbringer” by Hannah Kaner

Publishing Info: HarperVoyager, February 2024

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Return to the world of Godkiller in this thrilling sequel to the #1 internationally bestselling fantasy debut, where Kissen and her companions must navigate lands of gods and demons to unravel a dark truth at the heart of their world.

Professional godkiller Kissen and her companions—young noble Inara and knight Elogast—return in a winding adventure in a world overflowing with magic, beauty, and danger.

Previously Reviewed: “Godkiller”

Review: This was definitely one of my most highly anticipated reads for the spring 2024 season. “Godkiller” was one of those great books where I went in with very little knowledge or expectation when I started it and then was blown away by just how much I loved it! It also ended not on a cliffhanger, per se, but on a fairly big action sequences with our characters stumbling to find new ways forward after their initial goals and their plans that were, sometimes quite literally, blown out of the water. So how does this one stand up? Let’s dive in!

I’ll say right from the start that I don’t think this book was quite the high that was “Godkiller.” However, I think that would have been a very high bar to reach, and the goals that needed to be met in this story to lead to the ultimate conclusion in the third book (didn’t know there was going to be a third book until very recently!) also necessitated some of these stumbling blocks. There are a lot of moving pieces, most especially the characters themselves who have to quite literally move from one place to another over a large chunk of space. And, of course, there were some important character beats that had to be hit properly to continue them all along their series-long arcs.

As far as the characters go, Inara largely takes center stage in this book (a bit to my disappointment, as Kissen remains by favorite of the three by far). Her story is very interesting in that she’s a child character, and the book doesn’t shy away from presenting her this way. She can be stubborn, irrational, and sometimes thoughtless about the repercussions of her choices. But she’s also endearing and a girl on the verge of womanhood who finds herself in a disrupted world with very few people on whom she can rely. I also appreciated the fact that the book acknowledged the more tenuous relationship between Inara and Elo. Kissen was the glue that held this group together, and without her, we quickly see these two’s bonds begin to stretch when presented with their differing goals.

Elo’s story was fairly straight-forward, and of the three, felt a bit wayward. He has a clear plot line, but even though action is happening on the page, I felt like the reader was left spinning their wheels during much of his page time. Through him, we also spent a lot of time getting to know various other side characters who, frankly, I just didn’t care about. Worse, the book didn’t really give me reason to care about them; their stories were very must restricted to the minor events of this book, only to, by the end, feel fairly meaningless with regards to the greater story of the trilogy as a whole.

Kissen, of course, was wonderful. She’s simply a more charismatic lead character than Elo or Inara, someone who is fun to read about, pure and simple. Again, however, much of her story felt a bit aimless, especially in the first half. It’s not until the last thirty percent of the book that it becomes clear where her storyline is even going. Once it does, I liked the challenges that Kissen faced when having to re-evaluate her worldview and her role in the future conflict.

As you may have pieced together from these three character explanations, my biggest disappointment for this book was the simple fact that our main three characters spend practically no time together. I’m not sure if Kissen even exchanges any words with Elo?? It’s fairly extreme as far as character separations go, especially for a sequel of a book that had such a strong team dynamic at the center of its story.

That said, while many of my quibbles came down to what felt like “second book syndrome,” I still ended the book on an extremely high note. The story took a few switches that I truly didn’t expect, and the grand scale conflict ahead seems turbulent and morally complicated, the best kind! We had a few important reveals, and I enjoyed the important challenges that our three main characters faced with regards to their views of this world and what the future would look like. They all started in one place, but by the end, each has been significantly challenged to broaden their understanding of what is going on and who they are.

Overall, I think this was a solid sequel. I was disappointed by the lack of time the characters spent together, but I also see the important character beats that they all hit through these more separate adventures. There’s also a great conflict set up at the end that promises a very dynamic and exciting conclusion to the trilogy. Fans of the first book will likely enjoy this one, and I think it’s well worth it just to see where it all goes from here!

Rating 8: A bit of a stumble from the near-perfection of the first book, but still a solid sequel that promises great things to come!

Reader’s Advisory:

“Sunbringer” is on this Goodreads list: Can’t Wait Sci-Fi/Fantasy of 2024

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “A Flame in the North” by Lilith Saintcrow

Publishing Info: Orbit, February 2024

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: An elemental witch and her shieldmaiden journey into a world of ancient myth and unexpected destiny in this sweeping Norse-inspired epic fantasy from New York Times bestselling author Lilith Saintcrow.

The Black Land is spent myth. Centuries have passed since the Great Enemy was slain. Yet old fears linger, and on the longest night of the year, every village still lights a ritual fire to banish the dark.

That is Solveig’s duty. Favored by the gods with powerful magic, Sol calls forth flame to keep her home safe. But when her brother accidentally kills a northern lord’s son, she is sent away as weregild—part hostage, part guest—for a year and a day.

The further north Sol travels, the clearer it becomes the Black Land is no myth. The forests teem with foul beasts. Her travel companions are not what they seem, and their plans for her and her magic are shrouded in secrecy.

With only her loyal shieldmaid and her own wits to reply upon, Sol must master power beyond her imagination to wrest control of her fate. For the Black Land’s army stirs, ready to cover the world in darkness—unless Sol can find the courage to stop it.

They thought the old ways were dead. But now, the Enemy awakens…

Review: This is the second Norse-inspired fantasy I’ve read this month! It’s funny how these trends come and go; even as I go through what I though was a fairly randomly-ordered TBR list, I often find myself reading books with strong similarities to one another. I’ve read a decent amount of fantasy fiction that draws from Norse mythology, and have typically enjoyed them quite a bit, so this was an obvious pick for me. On top of that, I love the idea of taking a typical fantasy duo (the hero and his shield) and switching it to a female heroine/witch and her shieldmaiden. I still enjoy the former as well, of course, but it’s nice to see such variety popping up throughout SFF.

This book is a bit tough to review, simply because some of my struggles with the book came down more to my needing to properly categorize the type of book I was reading. Starting out, it was clear that this book was aiming for a specific sort of high fantasy, the kind that uses dense language, both in the vocabulary chosen and in the longer sentences structures used, and also is playing a long game as far as pacing and plotting go. The story takes its time laying out its world, its characters, and even getting to what seems to be the true action of the story.

As I continued to read, at some point it occurred to me to compare this read to “Lord of the Rings,” and frankly, that kind of saved the experience for me. Both books have a similar dense sort of feeling, the kind that can be overwhelming to begin with, and the sort that then pays off later. Similarly, there were a few world-building aspects that were simply dropped in with very little explanation. For example, at one point they refer to the “All Mother” which, of course, seems like a similar character as Odin the “All Father.” Changes like this are, of course, fine, but then I was left a bit unsure as to where I was supposed to be placing this world. Are we in some sort of alternate world where there is an All Mother instead of an All Father? Or is this our world with magic and this is just changed? Things like this aren’t necessarily a big deal or bad, but it does add to the initial challenge with the point of entry to the story. The reader really has to work for it get dive in.

But this slow pacing did pick up towards the end, and this is where the LOTR comparisons worked even better. If read as the rather slow-paced entry to a grand spectacle, a sprawling series, the dense nature of this book is easier to digest. I also really liked Solveig and her shieldmaiden as characters. The author did a fantastic job with these two, balancing their fierceness with the sort of sly reserve that they would need to employ in the world in which they are living.

This is the kind of book that I would definitely recommend for a specific sort of fantasy reader, those who like epic fantasy and are willing to put in the time with denser language and a slow plot. Readers who want to be immediately drawn in to an action-packed story will likely struggle this one. But, like I’ve said earlier, if you like “Lord of the Rings” and can remember some of the slower parts, especially in “Fellowship,” this book does seem to promise an intriguing series overall!

Rating 7: Tough to get into but well worth it in the end, I think.

Reader’s Advisory:

“A Flame in the North” isn’t on any relevant Goodreads lists currently, but it should be on Vikings and Viking-Inspired Fantasy.

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Where the Dark Stands Still” by A. B. Poranek

Publishing Info: McElderry Books, February 2024

Where Did I Get this Book: ARC from the publisher

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Raised in a small village near the spirit-wood, Liska Radost knows that Magic is monstrous, and its practitioners, monsters. After Liska unleashes her own powers with devastating consequences, she is caught by the demon warden of the wood – the Leszy – who offers her a bargain: one year of servitude in exchange for a wish.

Whisked away to his crumbling manor, Liska soon discovers the sinister roots of their bargain. And if she wants to survive the year and return home, she must unravel her host’s spool of secrets and face the ghosts of his past.

Those who enter the wood do not always return…

Review: Have I mentioned recently my love of dark woods/dark fairytale fantasy books? No? Well, I love them. And this cover is definitely pointing towards that sort of story. Then you look at the book description, and yep, my kind of book! I also enjoy stories where the heroine/hero has a limited amount of time to uncover some sort of mystery or unravel a curse, so this book quickly racked up points of interest for me. And I’m pleased to say that it followed through on almost all of them!

Right away I knew this story was going to work for me (unless something went terrible wrong, like some sort of character assassination midway through the book). The style of writing immediately drew me in, seamlessly merging fast-paced action and lyrical, descriptive passages that set the tone for the world and story itself. Everything felt equally beautiful and dreadful, leaving the reader on tenterhooks, wanting to know more, but feeling Liska’s own sense of increasing wariness and fear as she realizes how little she knows about the myths of her own world. Alongside the writing, the world-building felt complete and immersive. The enchanted castle, woods, and guardian all felt familiar, but the author also put her own twists and turns on everything that it all felt fresh and new.

I also really enjoyed Liska as a central character. Her motivations are clear, and her perseverance and bravery in the face of her ever-changing circumstances made her incredibly sympathetic. Her circumstances and history slowly unfurled as the story continued, hinting at dark secrets in her own past. She also had great chemistry not only with the Lezky but also with a few side characters that showed up a bit further into this book. This latter point, especially, was a bit of a surprise. I wasn’t expecting additional characters so late into the story and am often a bit concerned with this choice, as late characters often have an uphill battle as far as getting good character work in with the limited page count remaining. Luckily, here, we see how it can be done well, with these characters adding important new dimensions to the world and to Liska’s own character arc.

As for the Lezky, I really enjoyed this character. Most especially, I enjoyed the slow-burn nature of his relationship with Liska and the reveals regarding his own complicated history. Their character moments covered all of the bases, from wariness to humor to, eventually, love and caring. I will say, however, that I think this book would have been better served as an adult fantasy novel. Not because there is any explicit, story-wise. More because the Lezkey is a centuries-old being, but because the book is YA, the narrative was struggling to present him as a “boy” for much of the book, which simply rubbed wrong against the character’s own situation and history. I feel like this book is the exact example I’d point to when I talk about the unfortunate habit publishers seem to have where they dub anything that is at all romantic, at all fairytale-like as YA, as if adults are not equally interested in these sorts of stories.

I also feel like the overall tone and execution of the book perhaps might sit better with an adult audience. Not that YA readers can’t appreciate bittersweet and darker tales, but I do worry that this book might not quite find its footing because of this mismatch between reader expectations and reality based on it being marketed as YA. For me, even though this book took a sharper turn into the bittersweet than I typically look for, the overall story and writing as a whole were so strong that I couldn’t help but come away loving it. If you enjoy fairytale fantasy stories and slow-burn romances, definitely give this one a shot! Right now, I feel like it’s flying under the radar, and I really

Rating 8: Whenever you wander into a deep, dark forest, you never know how you might be changed. Reading this book is much the same; you’ll find yourself enchanted, bewitched, and ultimately caught in a spell from which you won’t want to free yourself.

Reader’s Advisory:

“Where the Dark Stands Still” can be found on these Goodreads lists: The Most Beautiful Covers of 2024 and Fantasy Standalone.

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “To Cage a God” by Elizabeth May

Publishing Info: DAW, February 2024

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: To cage a god is divine. To be divine is to rule. To rule is to destroy.

Using ancient secrets, Galina and Sera’s mother grafted gods into their bones. Bound to brutal deities and granted forbidden power no commoner has held in a millennia, the sisters have grown up to become living weapons. Raised to overthrow an empire―no matter the cost.

With their mother gone and their country on the brink of war, it falls to the sisters to take the helm of the rebellion and end the cruel reign of a royal family possessed by destructive gods. Because when the ruling alurea invade, they conquer with fire and blood. And when they clash, common folk burn.

While Sera reunites with her estranged lover turned violent rebel leader, Galina infiltrates the palace. In this world of deception and danger, her only refuge is an isolated princess, whose whip-smart tongue and sharp gaze threaten to uncover Galina’s secret. Torn between desire and duty, Galina must make a choice: work together to expose the lies of the empire―or bring it all down.

Review: Let’s just say, I’m glad this is the cover for the U.S. version of the book. Check out the U.K. one if you don’t believe me! I mean, it’s definitely a statement…but it’s also not the type of cover I’d necessarily want starting out at me from my shelves! However, what truly caught my interest was the promise of a Russian-inspired fantasy world in which two sisters head up a rebel cause. I mean, that checks a pretty decent number of my personal preferences right there. Add in a dash of romance, and yep, I was excited to check this one out!

This book was a very hot and cold affair as far as my changing enjoyment levels throughout the story. It started off great, I will say. I was immediately drawn in to both Sera and Galina’s narration and their different styles. Here, finally, was a case where the two POVs felt distinct but each was enjoyable. I even felt fairly confident that the prickly but powerful Galina was going to be my favorite of the two. However, this strong start didn’t last. Much to my dismay, as the book progressed, we were introduced to a whopping three OTHER POV characters. And five…five is just too many.

And in this case, it was incredibly apparent that at least two of them had no business having POVs at all. We had a fair number of chapters from one of the Queen’s handmaidens, and yet every single chapter we heard from her, she literally went through the same exact story beats: the Queen killed her sister when her sister was a handmaiden, the Queen is violent and may kill her at any moment, she hates the Queen. Rinse and repeat and get ready to hear the same story about six more times, all to conclude in…yeah, nothing really. From there, we also got a handful (maybe three or four? not enough to amount to anything, that’s for sure) of chapters from Sera’s love interest, Vitaly. Again, this character had no arc or story of his own. The entire purpose of his chapters, apparently, was to give readers a glimpse into his mind as he repeated over and over that he was a bad guy, but he’d do anything for Sera. Which…we’d already heard him say aloud several times to Sera herself, thus completely negating any reason to hear directly from this character himself.

Lastly, we also had chapters from the Princess Vasilisa’s perspective. These, at least, were more worthwhile in that Vasilisa has the remnants of an arc to be found, in that she has had a troubled upbringing with her mother, the Queen, and must face the reality of her mother’s violent and unchanging nature. I’ll also say that this character having POV chapters was fairly necessary for this romance. Not for the reasons you’re thinking though! But because if she didn’t, we’d have had about a grand total of three interactions between her and Galina to build up a romance. As it stands, I really struggled with this romance either way. It’s classic instalove, and if you actually add up the time Galina and Vasilisa spend together, it rounds out to a few hours! Total! Before they’re professing love and Galina is insisting to Sera that Vasilisa will turn on her mother and side with the rebels. And she’s right, a few hours was all it did take! It’s all pretty crazy, and the focus on this romance was one of the reasons my interest in Galina’s storyline dropped quickly from my favorite to one I barely cared about.

Sera, instead, became my favorite character and actually took up the bulk of the action of the book. She’s the only one who is truly doing anything much of the time, and almost all of the action scenes come through her storyline. And if we had taken out Vitaly’s unnecessary chapters which I think managed to actually hurt the romance, I would have enjoyed this second chance love story as well.

Honestly, this book was a bit of a hot mess. The world-building and fantasy elements (the idea of gods being caged within people who can then harness their powers) all had a lot of potential. But the story fell apart due to failures of craft. There were moments when the writing was incredibly strong, but others when it felt all over the place. And then, worst of all, the decision to include so many POV characters, especially when so many of them had no real arcs of their own, really hurt the overall book. If things had been kept to just Sera and Galina’s stories, I think the story would have been massively more successful. As it stands, the bones of a good book can be seen in this one, but the author got into her own way too many times for it really come together. If you enjoy large casts of characters, however, you may still want to give this a shot. Sera’s story is still enjoyable, if you go in focusing on that.

Rating 7: I enjoyed one of the main characters a lot; unfortunately, she was one of five POVs, which drastically reduced my overall experience.

Reader’s Advisory:

“To Cage a God” can be found on this Goodreads list: Russian motifs in fantasy

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Fathomfolk” by Eliza Chan

Publishing Info: Orbit, February 2024

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book: Welcome to Tiankawi – shining pearl of human civilization and a safe haven for those fleeing civil unrest. Or at least, that’s how it first appears.
 
But in the semi-flooded city, humans are, quite literally, on peering down from skyscrapers and aerial walkways on the fathomfolk — sirens, seawitches, kelpies and kappas—who live in the polluted waters below.
 
For half-siren Mira, promotion to captain of the border guard means an opportunity to reform. At last, she has the ear of the city council and a chance to lift the repressive laws that restrict fathomfolk at every turn. But if earning the trust and respect of her human colleagues wasn’t hard enough, everything Mira has worked towards is put in jeopardy when a water dragon is exiled to the city.
 
New arrival Nami is an aristocratic water dragon with an opinion on everything. Frustrated by the lack of progress from Mira’s softly-softly approach in gaining equality, Nami throws her lot in with an anti-human extremist group, leaving Mira to find the headstrong youth before she makes everything worse.
 
And pulling strings behind everything is Cordelia, a second-generation sea-witch determined to do what she must to survive and see her family flourish, even if it means climbing over the bodies of her competitors. Her political game-playing and underground connections could disrupt everything Nami and Mira are fighting for.
 
When the extremists sabotage the annual boat race, violence erupts, as does the clampdown on fathomfolk rights. Even Nami realises her new friends are not what they seem. Both she and Mira must decide if the cost of change is worth it, or if Tiankawi should be left to drown.

Review: This has definitely been a highly anticipated read for me when I was looking forward through my TBR pile for the spring. The book summary lays out a pretty complicated, rich-sounding world that I was excited to dive into, and the cover art seem to paint a picture of the exact sort of romantic, fairytale-like tone that I look for in much of my fantasy. Plus, it was being marketed as an adult fantasy novel, which on its face doesn’t seem like much. But while there are a bunch of adult fantasy novels published all of the time, there aren’t necessarily many that sound like this.

I’ll just get it out of the way now: I didn’t really enjoy this book and probably would have DNF’d it if I hadn’t received an ARC from the publisher. But before we dive into my struggles with the story, let’s start with a few positives. As the book summary hints towards, there is a lot of creativity and detail to the worldbuilding in this book. I don’t know tons about all of the cultures that were drawn upon to create this world, but it was clear the author was pulling from a number of them and blending them into a unique world. I also really enjoyed some of the details that went into the little things, like the descriptions of the street vendors and the foods they would sell. There was definitely an experience, especially early in the book, of wanting to simply walk down these streets to see it all.

That said, as beautiful as the cover art was for the story, it did mislead me a bit about the time period and setting of this book. It clearly is using elements of historical building styles, implying a less modern setting than what we have here. I was surprised to find cable cars and trams and the like as I read further. There’s obviously nothing wrong with this sort of setting, but it did feel like a bit of a bait and switch as far as my expectations went. (To be fair to the book, I didn’t catch some of the book summary clues; so that’s on me for focusing too much on the cover). I’ll also add that while I enjoyed a lot of the details that went into the world-building, as the book continued, the thing as a whole began to a bit disjointed, with everything and the kitchen sink seemingly thrown in the book. As more and more was added, I felt more and more disconnected from what I was truly supposed to be focused on.

None of this was helped by the fact that I didn’t enjoy any of our three main characters. At times annoying, at others incredibly naïve, and at others clearly biased themselves, each character in their own way was fairly unlikable. Again, writing characters who learn and grow can serve as an interesting arc, but between the three, I simply couldn’t find anything to grab onto at any point. I felt like I was just bouncing from one to another in a fairly robotic manner, caring little for who I was reading currently or who I was going to read next. None of them felt truly consistent in their worldviews or even their goals; for a book about sea creatures, I felt out to sea myself as a reader, lost in the flotsam of a plot that didn’t seem to be going anywhere fast.

I also found the pacing to be incredibly slow (often the case for a book that has to establish several POV characters while also building up a complicated world). However, as the story progressed, the pacing never really increased alongside it. It was one of those books that simply felt bland much of the time. There was nothing terrible about the writing, but it also wasn’t engaging and there were some form questions at play with the way scenes would end abruptly or other descriptive elements wouldn’t quite fit.

Overall, I was very disappointed by this book. Most of the time it felt like a chore to read, and I never really found anything that struck my interest or compelled me to want to continue reading. I won’t be continuing with the series, and I can’t strongly recommend this one. If you have a strong interest in Asian folklore, perhaps this is worth checking out, but even then, I think there are stronger examples of books like this out there.

Rating 6: An interesting premise fell apart in the face of a lackluster plot and unlikable lead characters.

Reader’s Advisory:

“Fathomfolk” can be found on this Goodreads list: Asian Mythology Inspired Books

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “A Fate Inked in Blood” by Danielle L. Jensen

Publishing Info: Del Rey, February 2024

Where Did I Get this Book: Netgalley!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: A shield maiden blessed by the gods battles to unite a nation under a power-hungry king—while also fighting her growing desire for his fiery son—in this Norse-inspired fantasy romance from the bestselling author of The Bridge Kingdom series.

Bound in an unwanted marriage, Freya spends her days gutting fish, but dreams of becoming a warrior. And of putting an axe in her boorish husband’s back.

Freya’s dreams abruptly become reality when her husband betrays her to the region’s jarl, landing her in a fight to the death against his son, Bjorn. To survive, Freya is forced to reveal her deepest secret: She possesses a drop of a goddess’s blood, which makes her a shield maiden with magic capable of repelling any attack. It was foretold such a magic would unite the fractured nation of Skaland beneath the one who controls the shield maiden’s fate.

Believing he’s destined to rule Skaland as king, the fanatical jarl binds Freya with a blood oath and orders Bjorn to protect her from their enemies. Desperate to prove her strength, Freya must train to fight and learn to control her magic, all while facing perilous tests set by the gods. The greatest test of all, however, may be resisting her forbidden attraction to Bjorn. If Freya succumbs to her lust for the charming and fierce warrior, she risks not only her own destiny but the fate of all the people she swore to protect.

Review: I was really excited when I saw this book was coming out this spring. For one thing, I would have been interested purely on the cover alone. I really like the style of this art, and I think it’s a great example of a cover effectively conveying exactly the sort of book you’ll be picking up. It’s also nice to see character art on a cover that isn’t super cheesy. But, beyond this, I’ve had this author on my TBR list for a while now. I know her “Bridge Kingdom” series is incredibly popular, but I just haven’t managed to getting around to picking it up. So this was a great in for me to start up with this author without having to commit to a multi-book series.

However, this book did leave me with a lot of mixed feelings. I’ll say right off the bat that I’m still very interested in reading this author’s original fantasy series. Reading this book, it’s easy to see that she’s a compelling author, and several of her strengths are just the sort that I look for in my fantasy authors. Her descriptions are clear, her prose runs smoothly, and her dialogue and banter are both funny and earnest. On this last point, I think that too often we forget how important good dialogue is to the appreciation of a story. I’ve read other books where everything else is perfect, but the dialogue itself is written in a way that is either cringey, corny, or simply doesn’t fit with the rest of the vibe of the story. Here, however, I often found myself enjoying the dialogue more than anything else!

There was also strong evidence that the author can write interesting characters. I think the love interest character, in particular, was very effective. I really appreciated that the book was told from a single POV, demonstrating the author’s strong abilities with characterization in that I felt like I understood and knew Bjorn just as well as Freya, even without seeing inside his head. See?? Authors take note! It is possible to write compelling love interests who don’t need chapters to themselves so they can just tell the reader how they’re feeling at all times. You know, showing instead of telling and all of that.

However, on the other side of the character coin, I did struggle with Freya’s character. It was tough, because throughout a lot of the book, I really enjoyed this character and her voice. She had a lot of the bullet point character traits I look for in my heroines, and even had a decent number of action scenes where we got to see these traits at work! But she was also incredibly frustrating to read. About halfway through the book, I found myself continuously putting the book down and trying to understand why I was struggling to remain connected to the story. And part of what I came up with was the fact that Freya’s own story had very few stakes, arc, or motivation Yes, there is action and violence and drama, but Freya herself is only every reacting to the things going on around her. Even worse, while Freya tells us why she’s choosing to allow others to determine her choices, the reader is never given a compelling reason to understand this choice. She must protect her family…but we never see most of her family and those we do see treat Freya terribly in the brief number of pages they have. So, throughout the bulk of the story, we have a character whose entire drive comes down to a choice that makes very little sense to the reader centered around characters the author has made clear are not worthy. It’s fine to write a character who’s been blinded to the realities of those she loves, but we just didn’t get that character work for Freya. She just tells us that she has to protect them…and that’s it. Nothing about why she’s so sure of this belief in the face of their poor treatment. Nothing showing us moments of kindness that she would use to justify her own mistreatment. Just…nothing.

Beyond that, the story was also incredibly frustrating with its central premise. It’s not a spoiler since it’s right there in the book description, but the entire plot is driven around a prophesy that whomever control’s Freya’s fate will reunite the land. Well, I give you approximately one guess to put together the clues of this fate and how exactly it works. Which, fine, I think there is a way to tell a story like this, even if some of its conclusions are obvious to the reader. But it wasn’t just the fact that Freya seemed completely oblivious to the obvious interpretation of this prophesy, it’s the fact that she paired this cluelessness with other wild jumps of logic and assumptions. Throughout the middle portion of the book, she jumps to a pretty crazy assumption, and then, even in the fact of others pointing out this wild leap, and even when she herself acknowledges that she has no real reason to believe this thing other than her own biases, she just…goes right on doing it! And, of course, there are a million clues that makes the reality of the situation obvious to the reader, which just makes Freya’s determined cluelessness all the more frustrating to put up with .

So, that was a fairly big rant. But Freya’s character arc and characterization was a huge struggle for me for much of the middle portion of this book. Which was really frustrating because at other times, I was completely into this world, this plot, and, even Freya herself. There were wild swings in my enjoyment levels; at times I thought I’d be rating this around a 9 and at others, I almost quit. But, overall, I do think there were a lot of strengths to be found in this book. I liked the world-building and the overall plot. And I can see signs that she also knows how to write some fantastic characters. I’m not exactly sure what happened here, honestly. I’ll probably pick up the second book, however, to see where the story goes. And I’m definitely curious about the author’s other books. Was Freya an exception that proves the rule?

Rating 7: There were a lot of good bones to this story, but the main character’s arch was nonexistent for much of the book which ultimately left it feeling a bit flat.

Reader’s Advisory:

“A Fate Inked in Blood” can be found on this Goodreads list: Upcoming Romantasy Releases 2024