Serena’s Review: “How to Steal a Galaxy”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “How to Steal a Galaxy” by Beth Revis

Publishing Info: DAW, December 2023

Where Did I Get this Book: Netgalley!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Ada had no intention whatsoever to continue working for the rebel group that hired her to retrieve the government’s plans for a nanobot climate cleaner if they weren’t willing to pay her for it, but then they offer a different an undercover mission to a charity gala where Rian will be in attendance. Rian, meanwhile, has volunteered his services for the gala believing that the rare items up for auction will attract Ada’s eye. Hoping to catch her in the act and pin her with a punishable crime, Rian has no idea that Ada’s real mission is to convince him to join the rebels. And the rebels have no idea that Ada’s decided that kidnapping Rian is the most efficient means to an end.How to Steal the Galaxy continues the sexy, rip-roaring good time that Beth Revis began in Full Speed to a Crash Landing, with the return of Ada, Rian, and all the tension, twists, and turns that made the first novella so much fun.

Previously Reviewed: “Full Speed to a Crash Landing”

Review: I didn’t plan it this way, I swear, but I somehow ended up scheduling two books by Beth Revis in the same week! To be fair, the first one was a jointly written sequel, so it wasn’t just two Revis books completely. And also also to be fair, there are very few new releases that come out in December, and this one was one of the few titles that I planned on for this month! The entire thing is all the more funny because the first book I read by this author was a YA science fiction book about ten years ago that I…didn’t enjoy. But now, almost a decade later, she’s made her way onto my list of authors to always check out when she releases a new book. And this series of novellas is a perfect example of why that is!

I read the first book in this novella trilogy only a few months ago, but even with some more distance, I’m sure the word that would come to mind when describing it would be “fun.” It told a solid little story, was chock full of adventure, and had an excellent snarky (but complicated!) main character at its heart. And really, it’s that last part that really sold me on the continued success of this series. This book yet again highlights that while Ada can come across as your typical “badass, snarky thief extraordinaire,” her priorities, approach to her work, and sometimes even her own conflicting and tangled moralities, all give her an unexpectedly deep level of characterization for a lead in only two short novellas.

While I think the first book perhaps had more straight action, this one really honed in on the way that Ada works and thinks. This was particularly intriguing when we see her run up against her own limits or when she attempts to explain to others how she draws the lines that she does, what she considers acceptable and unacceptable (always a rich topic for a main character whose career is crime). We do learn more about what drives her, but I was pleased to see the author shy away from the tendency for these sorts of thief characters to quickly veer away from morally grey and fall straight into the typical resistance freedom fighter/Robin Hood re-imagined character that we’ve all read a million times. No, Ada needs to get paid to work.

Of course, we see more of Rian, too, and the development of this romance. Like the first book, I enjoyed the way this romance played out. There is definitely more of it, but it was also never forgotten that these two truly only barely know one another, each having read more about the other from reports than from any true amount of time spent with one another. And, of course, Rian is now aware of Ada’s work and spends the majority of his time throughout this book attempting to thwart her, giving the reader all the enjoyment of watching him fail repeatedly.

For such a short book, I was also impressed by the amount of page time devoted to expanding on the political and social structures of this universe, particularly the ways in which the populations of these other planets view the perils of the original Earth and its struggling population. Without being too heavy handed, Revis does an excellent job of skewering the dangers of leaving crucial projects in the hands of tech billionaires. But at the same time, she takes several swings at the inefficiencies and corruption of government to accomplish the same task. When you write it out, it’s quite dire. But the fact that this book, like the first, is such a fun time is testament to the strength of Revis’s comedic writing and the sheer force of the main character’s personality on the page.

If you can’t tell by now, I had a blast with this book! More so than the first, this set up a lot of moving pieces that are primed to come into play in the next book. And I, for one, can’t wait to see how Ada’s plans all pan out!

Rating 8: Proof that a book can tackle tough topics of climate change, tech billionaires, and corruption while also not skimping on the the comedy, adventure and romance!

Reader’s Advisory:

“How to Steal a Galaxy” can be found on this Goodreads list:Best Science Fiction & Fantasy Books

Serena’s Review: “The Fate of Magic”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Fate of Magic” by Sara Raasch and Beth Revis

Publishing Info: Sourcebooks Fire, October 2024

Where Did I Get this Book: Netgalley!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Fritzi is a champion. After escaping the clutches of Dieter Kirch, the sadistic leader of the witch hunters, Fritzi and Otto have taken refuge among the witches of the Black Forest. Fritzi is finally ready to assume her place on the council as the coven’s goddess-chosen champion. Plagued by distrust and self-doubt, Fritzi throws herself into her duty to serve the goddesses . . . until she uncovers a powerful secret that could mean the very undoing of magic itself.

Otto is a warrior. He swears himself to Fritzi as her bonded protector, certain the peaceful unity of a witch and hunter will heal the wounds he helped make. But as the horrifying plot that threatens the Black Forest’s magic comes to light, Otto will have to face his both his past and what it means to bind himself to a magic he does not fully understand.

Shadows loom. Truths are revealed. And as dangers new and old arise, Fritzi and Otto must stand together against everything that threatens magic—even if the biggest threat might be the very bond they share.

Previously Reviewed: “The Night of the Witch”

Review: As promised, December is full of back catalog titles that released earlier in the year but that I hadn’t gotten a chance to read yet. “The Fate of Magic” has been on my radar all year (so much so that I tried to snag an ARC at ALA, but apparently everyone else had the same idea, so alas for me!). The first book was a great read, full of magic, romance, and an interesting blend between witchy/fantasy elements and historical elements, especially religion in Germany during this time period. While the book ended with the revelation that the big bad hadn’t actually died, it also finished in a vary satisfying manner. That being the case, I went into this one with only one wish: don’t un-do any of the great work that had already been already completed!

And I’m pleased to report that this was an excellent sequel! It built on the concepts that were introduced in the first book and expanded on the world and plot in a way that added to the entire experience. I particularly enjoyed learning more about the three goddesses and their history with the way that magic has interacted with and been available to the human world. There were some interesting twists and turns added, and I loved getting a better understanding of these goddesses as actual characters, something I was definitely not expecting going in. I also appreciated that the book introduces what felt like a significant choice that needed to be resolved by the end of the story. There were no obvious or easy answers, and I liked the way the characters were forced to truly grapple with the trade offs either way.

I also really appreciated the way the romance played out. Other authors take note! It IS possible to continue a romantic plotline after the characters have gotten together without inserting stupid, unnecessary drama. If I never read another last scene in a romantasy book where the couple is immediately broken up by the discovery of some secret or another it will honestly be too soon. Fritzi and Otto are facing real challenges, but their relationship ain’t one of them!

Not only is it nice to see perspective kept in check (again, I hate it when characters obsess over personal problems, often that can be solved with a simple conversation, in the middle of world crises), but it was also nice to actually get to see an established couple work together for an entire book! Honestly, I’m struggling to think of another book/series like this, where the couple is just straight-forwardly together through an entire book and just, you know, goes through the plot without interpersonal drama. Instead, the conflict in their relationship was based around learning how to work together, how to best use the new magical bond between them, and how to balance their own approaches to dealing with problems. You don’t need unnecessary drama and constant bouts of distrust and indecision to keep a romantic plotline interesting!

As far as the plotting and pacing, I think the overall story was good. However, there were moments throughout the book that felt like leaps, with the author simply needing to get the characters from point A. to point B. without much room for exploring how this would really work. There was one moment in particular in the middle of the book where the characters jump through so many logical hoops to get to the right choice that it was honestly a bit baffling. I wish there had been a more graceful way to tie in clues to some of these mysteries, rather than the characters seeming to just pull the solution straight from a bag.

Overall, however, I really enjoyed this book! It was a refreshing read in many ways, especially how the duology approached its romantic plotline. Both Fritzi and Otto were incredible characters on their own, which made the balance between their perspectives work perfectly, and the further deepening of the magical system was very intriguing. There were, perhaps, a few odd moments with some of the plotting points, but nothing that was truly immersion breaking. If you enjoyed the first book, I’d definitely recommend this one! And if you’re a fan of YA fantasy, I think this duology on the whole is an excellent return to form for a genre that often feels a bit tired and thin.

Rating 8: With expanded world-building and increasingly high stakes, this book wraps up an excellent fantasy duology!

Reader’s Advisory:

“The Fate of Magic” can be found on these Goodreads lists: Witchy Season and Baroque Fantasy.

Serena’s Review: “The Scholar and the Last Faerie Door”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Scholar and the Last Faerie Door” by H. G. Parry

Publishing Info: Redhook, October 2024

Where Did I Get this Book: Netgalley!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Camford, 1920. Gilded and glittering, England’s secret magical academy is no place for Clover, a commoner with neither connections nor magical blood. She tells herself she has fought her way there only to find a cure for her brother Matthew, one of the few survivors of a faerie attack on the battlefields of WWI which left the doors to faerie country sealed, the study of its magic banned, and its victims cursed.

But when Clover catches the eye of golden boy Alden Lennox-Fontaine and his friends, doors that were previously closed to her are flung wide open, and she soon finds herself enmeshed in the seductive world of the country’s magical aristocrats. The summer she spends in Alden’s orbit leaves a fateful mark: months of joyous friendship and mutual study come crashing down when experiments go awry, and old secrets are unearthed.

Years later, when the faerie seals break, Clover knows it’s because of what they did. And she knows that she must seek the help of people she once called friends—and now doesn’t quite know what to call—if there’s any hope of saving the world as they know it.

Review: I really loved “The Magician’s Daughter” when I read it a few years ago! Best of all, it took me by surprise, packing a deeper punch into what I had taken as a rather superficial cozy read at first glance. That being the case, I went into this next book by H. G. Parry with fairly high expectations! And while I will say that I think I preferred “Magician’s Daughter” on the whole, this was still an excellent read on its on right.

This is really a book of two halves. The first one starts off as a fairly straight-forward, HP-like dark academia story, following our main character, Clover, as she first comes to her new school, meets a group of friends, and begins uncovering the mysteries of magic that are tightly wound all around them. But then, as the story continues, the book fast-forwards and we see these characters again later in their lives as they must deal with the repercussions of the decisions they made while in school. It was definitely an interesting structure, and one that I hadn’t been expecting, being at first fully immersed in the school days aspects that made up the first half.

But the second half is where the story really starts to shine, especially as a character-driven narrative. Not only do we see these characters at different points in their lives, but we see how their ambitions and goals have directed their paths forward, sometimes in unexpected ways. They are all compelling, but flawed, people who make mistakes, sometimes correcting and sometimes doubling down all the more. I really enjoyed these themes, especially the way the author explored the way that ambition can begin to corrode relationships between people.

The pacing was a bit on the slow side, but I think that this largely worked given the emphasis on characterization and the exploration of the inner workings of these people. The world-building was also good, though some of the details regarding the fantasy elements were a bit slow to arrive, requiring some patience on the reader’s part to trust that answers will come. I don’t want to go into spoilers, but there were some twists and turns that were truly heart-wrenching, and I’d definitely put this one in the “bittersweet” category, for what it’s worth.

Fans of dark academia and especially readers who are looking for character-driven stories should definitely check this one out!

Rating 8: Exploring themes of ambition and its impact on relationships, this book is as heart-wrenching as it is beautiful!

Reader’s Advisory:

“The Scholar and the Last Faerie Door” can be found on this Goodreads list: 2024 Dark Academia Releases

Serena’s Review: “Wisteria”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Wisteria” by Adalyn Grace

Publishing Info: Little, Brown and Company, August 2024

Where Did I Get this Book: own it!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Blythe Hawthorne has never let anyone tell her what to do—not society, not her overprotective father, and certainly not the man she’s bound herself to, no matter how rude and insufferable he is. In fact, she’s determined to be a thorn in his side for the rest of her days, even as he ensures that her life in his palace is anything but a fairytale. But as Blythe discovers a new side of herself linked to his past, she’ll have to decide if she’s willing to let an unexpected spark ignite…and to discover the truth about who she really is.

Previously Reviewed: “Belladonna” and “Foxglove”

Review: I often use December as a month to check back in to books that published earlier in the year but that I didn’t get around to in a timely manner. And yes, that is the case here. However, it’s also the case that I’ve delayed writing this review because it’s been a challenge to get my thoughts in order, mostly about how disappointing I found this book to be. All the more shocking given the high that was “Belladonna” when I read it two years ago.

That said, there were some positives, and those all came in the first half of the book. Reading this first half, I was having such a blast that I felt confident that we had finally returned to much of what I loved about this series. While “Foxglove” was a bit of a mixed bag, I did very much enjoy a deeper introduction to Blythe as a main character, and she shone here in this first half, with all the spirit and spunk that I came to expect from a woman who had lived through what she had and who had made the choices she did at the end of the last book. I also really loved the “enemies” portion of this enemies-to-lovers romance that we explored in this first section. Aris was such a pill, and it was hilarious. The two had great banter during this section, and I appreciated the slow build of respect he had towards Blythe’s bravery and determination in the face of his ridiculousness and the various challenges placed before them.

Unfortunately, even here, problems began to arise. First and foremost, the contrived nature of the plotting. At the end of “Foxglove,” the reader, Signa, and Death are all aware of the true situation between Aris and Blythe. But then, through sheer authorial shenanigans and contrived magical circumstances, Signa is never given a chance to tell Blythe any of this. I get that this reveal coming early would have materially changed the story, but this is the kind of fact that must be dealt with when plotting out an entire trilogy. The author could have ended the previous book in a way that left Signa and Death unaware, thus removing the need to come up with excuses for them not to inform Blythe. Or perhaps some more believable means could have been constructed to delay the knowledge, but that’s tough, as we saw here. The way it is handled is incredibly plot convenient and there is nothing done to really hide this from the reader.

This problem with plotting carried on through the middle and, especially, the end of the book. Not only do Blythe and Aris go from a fairly good slow burn build to “now we’re instantly in love!” with very little explanation, but the author introduces world-changing new characters halfway through the book. Characters who should definitely have been present, if not at least referenced, in the previous books. Not only did the presence of the new character muddle this story, but it opened a million plot holes in the previous books as well, which is the worst thing you can do in a final book to a trilogy. Additionally, entire subplots are dropped in whole cloth, like Signa’s sudden obsession with uncovering the truth behind her mother’s murder. And, in a similar manner, these new subplots are never truly dealt with or pulled into the main story in any way that justifies their presence in the first place.

And all of this together, bad on its own, is all the worse for only coming up halfway through the last book a trilogy! Which, surprising no one, greatly damaged the end of this book. If I had to come up with a word for it, I’d choose “silly.” Events and choices that are clearly meant to land a significant emotional punch instead induced a massive eye roll. Every bit of it was frustrating and left gaping questions about how any of this really worked. Worse, some of these choices directly conflicted with themes regarding choice and personal agency that had been built up as so important earlier in the book.

Given how much I enjoyed the first book in this series and even the first half of this book, it’s so disappointing having to write this review. Looking back at the entire venture, it feels as if the author had a great idea for a stand-alone fantasy book and then somewhere along the line was pushed into extending it by two books. But there was never a truly good story there to support this decision. I’d still recommend the first book to readers, but I’d probably tell them to just quit before the final few pages and leave it as a single entry story, as this is one of those truly unfortunate situations where the last book retroactively harms the entire story as a whole.

Rating 6: So disappointing. Not great on its own, but it was even more frustrating seeing the affect this book has on some of the characters and story arcs of the previous books.

Reader’s Advisory:

“Wisteria” can be found on these Goodreads lists: Gothic Fantasy Romance and Magic, Adventure, Romance.

Serena’s Review: “A Monsoon Rising”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “A Monsoon Rising” by Thea Guanzon

Publishing Info: Harper Voyager, December 2024

Where Did I Get this Book: NetGalley!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: After a lifetime of war, Alaric and Talasyn were thrust into an alliance between their homelands that was supposed to end the fighting; however, being married to their sworn foe feels far from peaceful. Now Talasyn must play the part of Alaric’s willing empress while her allies secretly plot to overthrow his reign. But the longer the couple are forced together, the harder it becomes to deny the feelings crackling like lightning between them. When the time comes to act, can she trust him, or must she ignore her heart for the sake of so many others?

As the master of the Shadowforged Legion, Alaric has trained for battle all his life, but marrying a Lightweaver might be his most dangerous challenge yet. With tensions between nations churning, he needs to focus on the greater threat—the Moonless Dark, a cataclysmic magical event that could devour everything. Only he and Talasyn can stop it, with a powerful merging of light and shadow that they alone can create together. But saving their world from this disaster is a mere preface to his father’s more sinister schemes, and his wife is a burning flame in the darkness, tempting both his loyalties and his desires.

The Hurricane Wars aren’t over. It’s time to choose what—and who—to fight for. The world holds its breath amidst a whirlwind of new magic and old secrets that could change everything.

Previously Reviewed: “The Hurricane Wars”

Review: December is always a slow month for new books. That being the case, I was relying on this sequel as one of my few newly released books to cover (I often devote my other review days during December to catching up on various sequels that I couldn’t fit in during the months in which they came out). I very much enjoyed “The Hurricane Wars” when I read it last year and thought that it did a great job setting up the world and the characters, leaving an intriguing pathway forward for the story to take! But, while I still enjoyed a lot of what this book had to offer, this is one of those titles that I can hold up in the future as an example of “middle book syndrome.”

Let’s start with the good however! Much of what I enjoyed from the first book is still strong here. For one thing, the writing is compulsively readable. While I could step back and have critiques of the pacing, plotting, and some of the character beats, while I was reading it I felt fully immersed. I read it over a few days and largely enjoyed the entire experience. Not a lot really happens in this book (one of my main criticisms) so it speaks to the author’s talent with readability that I never felt bored as I was making my way through the book.

I also still very much enjoyed our main characters and their love story (mostly). One thing that I appreciated the most was the fact that Talasyn and Alaric are following a more traditional “enemies to lovers” path. In that, this book doesn’t easily do away with the fact that these two have been on opposing sides of the war for years, have fully realized histories before they began falling for one another, including loyalties, friendships, and ideologies. None of these could or should be easily set aside just because they meet someone they begin to have feelings for (honestly, I can’t count the number of romantasy titles that really struggle with this aspect of the entire “enemies to lovers” trope. If your characters can get over being “enemies” within the first book, let alone the first half of the book, then they were either A.) never enemies to begin with or B.) are simply poorly written with no actual characterization to them outside of this burgeoning love story). The love story does make progress throughout, but the book also takes place over a few months time, adding another layer of believability to this relationship. But even still, by the end, they are by no means clearly on the same side, even still.

And now, the counter argument to everything I said above: while I appreciate the slow-burn nature of this book, I’m not convinced this needed to be a trilogy. For all that the slower nature of the plot works for the romance, it also doesn’t work for the trilogy as a whole. There were numerous scenes in this book that felt wholly unnecessary or as if they were simply inserted into the story because an editor had pointed out that no actual action had taken place for chapters and chapters, with the focus only being on the characters’ inner thoughts and building love story.

Part of this has to do with how the book has tried to balance two different points of conflict: one is the upcoming apocalyptical event that only Talasyn’s and Alaric’s combined magic can save everyone from and the other is the actual war that they both have been fighting. By essentially saving the entire war conflict for the next book, it made this book’s handling of this huge threat, the Moonless Dark, feel almost like a strange side quest that didn’t really matter.

And then there were even some fairly major reveals and twists in this area that are revealed towards the end, but, again, by the nature of the structure of the trilogy as a whole, I wasn’t quite sure what I was supposed to do with this revelation. It was this big moment, and then it just felt like it landed with a thud and was quickly kicked into the corner to set up the final events for the third book. Was this plotline really necessary? Instead, it felt like this entire set-up only existed as an excuse to make Talasyn and Alaric work together over the course of the first and now this book; I felt like I could see behind the curtain and spied the author wrangling the plot into place only in service of getting the romance from point A to B, not something you ever want to see.

But, as I said, I read this book very quickly and still enjoyed the actual reading experience. If I came away wondering a bit why this had to be an entire book, instead of re-structured into a more tightly plotted duology…well, that’s unfortunately often the case in fantasy fiction these days. That said, the set up for the third book is very good and I’m excited to see where it all goes!

One last note on the romance: while I appreciate the true slow-burn nature of the love story, I truly hope that the betrayals/secrets/lies aspect gets dealt with early in the next book. I’d love to see a significant portion of the plot devoted to these two finally working together. Two books as “enemies” and one book as “lovers/allies” is, for me, the correct balance.

Rating 7: Fans of the first book will likely enjoy this one, and, at its peak it highlights a true commitment to telling an “enemies to lovers” romance. But, on the other hand, there’s very little true plot to be found here.

Reader’s Advisory:

“A Monsoon Rising” can be found on this Goodreads list: Epic High Fantasy/Romance/Mythology in 2024.

Serena’s Review: “The Scarlet Alchemist”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Scarlet Alchemist” by Kylie Lee Baker

Publishing Info: Inkyard Press, October 2023

Where Did I Get this Book: own it!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Zilan dreams of becoming a royal alchemist, of providing for her family by making alchemical gold and gems for the wealthy to eat in order to stay young forever. But for now, she’s trapped in her impoverished village in southern China, practicing an illegal form of alchemy to keep food on the table—resurrecting the dead, for a price.

When Zilan finally has the chance to complete her imperial exams, she ventures to the capital to compete against the best alchemists in the country in tasks she’ll be lucky to survive, let alone pass. On top of that, her reputation for raising the dead has followed her to the capital, and the Crown Prince himself seeks out her help, suspecting a coming assassination attempt.

The more Zilan succeeds in her alchemy, the more she gets caught in the dangerous political games of the royal family. There are monsters lurking within the palace walls, and it’s only a matter of time before they—and secrets of Zilan’s past—catch up with her.

Review: Honestly, this is one of those cases where I didn’t check out a book in a timely manner based on the cover. I really have a hard time with covers that feature models. For some reason, they always make me feel as if the quality of the book itself will be on the lower side. I’m sure I’ve missed out on several winners with this mindset, but I can’t help it! Luckily, I subscribe to a book box that included this book and when I was going through the titles I hadn’t read yet, I decided I should probably give this one a go! And thank goodness I did, since I ended up loving it!

There was so much to enjoy about this book! But one of the things that stood out was the story’s themes of family and sibling relationships. Our main character has been adopted into her aunt and uncle’s family and raised as a sibling of her cousins. With this, comes a lot of baggage about her place. Throughout the story, we see her struggle with feelings of imposter syndrome and a need to justify the love and care she’s been raised with, though from all we see, her aunt and uncle love her like she is their own. More importantly, however, the story follows the close sibling relationship with her cousins. As the plot progresses, these relationships are tested again and again. This isn’t simply a superficial take on the complicated nature of siblings, but instead dives into the warring feelings of love, jealously, and even fear that can make up the deepest bonds.

On the fantasy and world-building side, I very much enjoyed the alchemy in this story. The author does an incredible job of fully fleshing out this magic system, giving it important limits and consequences. Nothing comes for free or easily, and as the story continues, we see the true power and danger of alchemy. At the same time, it’s not an easy answer to every problem. Indeed, half the time it feels as if alchemy itself IS the problem! Towards the end, I was truly wondering how many of these elements were going to be wrapped up. And I’ll be honest: this is the first in a duology, so many of them weren’t! Instead, we were left with a fairly killer cliffhanger in at least one important way!

I also really enjoyed the main character. As I mentioned in the bit about family themes, much of the story centers around Zilan’s feelings about her place in the world. But even as she struggles, her determination and unflinching view of the world carries her through.

There was also a romantic subplot to be found, those this definitely played second fiddle to the rest of the story. I did appreciate the slower build the author gave this element. For example, Zilan meets this character fairly early when he asks her for a huge favor essentially. She blows him off and then literally doesn’t think about him again for many chapters until he shows up in her life again. It’s always refreshing to see a realistic take like this. From Zilan’s perspective, this was some random guy and a brief interaction. There is no reason for her to fixate on him, and, blessedly, she doesn’t! I could go on an entire rant about my feelings about heroines who meet the MMC one time and then seem to devote a significant amount of their inner thoughts to him for the remainder of the book. This is a great example of how to include a romance in what feels like a natural, realistic way. It’s important to Zilan, but by no means the most important thing she is dealing with.

I really loved this book! As I said, it does end on a pretty big cliffhanger in certain ways. Luckily, I have been now rewarded by my own recalcitrance regarding the cover art and don’t have to wait since the sequel came out this fall! I’ll definitely be checking it out soon!

Rating 9: With an intricate magic system and a fantastic lead character, this one is sure to please all YA fantasy fans!

Reader’s Advisory:

“The Scarlet Alchemist” can be found on this Goodreads list: Chinese, Japanese, and Korean Fantasy.

Serena’s Review: “The Last One”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Last One” by Rachel Howzell Hall

Publishing Info: Red Tower Books, December 2024

Where Did I Get this Book: ARC from the publicisit!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Thrown into a desolate land of sickness and unnatural beasts, Kai wakes in the woods with no idea who she is or how she got there. All she knows is that if she cannot reach the Sea of Devour, even this hellscape will get worse. But when she sees the village blacksmith fight invaders with unspeakable skill, she decides to accept his offer of help.

Too bad he’s as skilled at annoying her as he is at fighting.

As she searches for answers, Kai only finds more questions, especially regarding the blacksmith who can ignite her body like a flame, then douse it with ice in the next breath.

And no one is what—or who—they appear to be in the kingdom of Vinevridth, including the man whose secrets might be as deadly as the land itself.

Review: I was definitely excited to check this one out when the publicist reached out with a copy! From the looks of things, it seemed like it was going to be the sort of romantasy that leaned more heavily into the action than the romance, something that I typically prefer when it comes to balancing the two. However, while this proved to be correct, other factors involved left this one slipping as my reading continued.

But let’s start with some pros! And first and foremost that comes down to the action! This is a very fast-moving book, chock full of adventure and fight scenes. Right out of the gate, the plot takes off and never really stops. Now, whether the actual story is being advanced with all of this action is another question, but if you’re looking for a fast read, this one should come through for you! I’ll also say that I enjoyed the romance. There wasn’t tons of it, and I think this worked better for the conceit of this book. The MMC knows her past, but she doesn’t, which could lead to a really unfortunate power dynamic. Instead, the love story plays a definite second fiddle and only really moved towards the end of the book. The writing also has a very casual and approachable style of storytelling. Again, this was a specific problem point for me, but it could also be a feature for others, particularly readers who enjoy the very casual voice that you often find in urban fantasy style books.

And look, I enjoy urban fantasy, so once I understood the style of the narration, it was easier to go with it. At the same time, I really have almost zero tolerance for books that have inner monologues where the author actually types out the words “ugh” or “yuck.” It’s a massive pet peeve of mine and immediately throws me out of a book. I can’t seem to ever take a heroine seriously who is written in this style. However, I’m aware that this is an incredibly subjective point, so take from that what you will. That said, I also feel like this mixing of modern language into what feels like a high fantasy book left me feeling very unmoored as to what type of world and setting I was supposed to be picturing. As a fantasy reader who really enjoys worldbuilding, to lose a sense of place in service of quippy modern language is a huge net negative.

From there, while there is a lot of action involved in the book, the pacing was fairly poor. The middle of the book lagged, with very little actually happening of any worth. You’d feel like things should be happening, but then, looking back on the last 50 pages, you’d see that nothing really had. This wasn’t helped by the way the main character’s past was dealt with. She is a character without knowledge of her past and the majority of the book is taken up by this point. Indeed, it began to feel as if the author was intentionally dragging things out in the middle just to prolong this reveal. Which then came at the verrrrry end of the book. And then, by the end, I was left wondering why I had to bother with this book at all? It felt as if I could have read the first few chapters, skipped to the end with the reveal, and then been all set with my prequel chapters out of the way for the next book, the real beginning of the series.

I know this author is quite beloved, so I’m sure there are readers who will gobble this up. Indeed, if you’re a big urban fantasy fan this might work better for you than it will for those who prefer high fantasy. However, I think some of the language decisions and the way the primary conflict regarding her memory was handled ultimately harmed the book.

Rating 6: I can’t get over “ugh” being written out in the first few pages. Sorry, not sorry.

Reader’s Advisory:

“The Last One” can be found on this Goodreads list: 2024 Fantasy and Science Fiction Books by Black Authors

Serena’s Review: “Murder in Highbury”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Murder in Highbury” by Vanessa Kelly

Publishing Info: Kensington, October 2024

Where Did I Get this Book: ARC from ALA!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Less than one year into her marriage to respected magistrate George Knightley, Emma has grown unusually content in her newfound partnership and refreshed sense of independence. The height of summer sees the former Miss Woodhouse gracefully balancing the meticulous management of her elegant family estate and a flurry of social engagements, with few worries apart from her beloved father’s health . . .   

But cheery circumstances change in an instant when Emma and Harriet Martin, now the wife of one of Mr. Knightley’s tenant farmers, discover a hideous shock at the local church. The corpse of Mrs. Augusta Elton, the vicar’s wife, has been discarded on the altar steps—the ornate necklace she often wore stripped from her neck . . .   

As a chilling murder mystery blooms and chaos descends upon the tranquil village of Highbury, the question isn’t simply who committed the crime, but who wasn’t secretly wishing for the unpleasant woman’s demise. When suspicions suddenly fall on a harmless local, Emma—armed with wit, unwavering determination, and extensive social connections—realizes she must discreetly navigate an investigation of her own to protect the innocent and expose the ruthless culprit hiding in plain sight.

Review: I’m always so nervous when a new Jane Austen re-imaging comes out! Of course, I know I will have to read it, but there is so much potential for failure. Austen’s characters are so classic, her tales so iconic, and her style of writing so specific, that it’s very hard for modern authors to properly capture the certain “je ne sais quoi” of the entire endeavor. I’ve read many failures over the years. At the same time, there have been some true gems as well! So, with much trepidation, I nabbed a copy of this while at ALA over the summer!

Well, before we get into details, I’m pleased to report that this one falls solidly in the “great” category as far as Austen re-tellings go! It does an excellent job of not only recreating the basic essence of the main characters that make up “Emma,” but it also does not fall into the trap of too much fan service. Instead, there is a solid and unique mystery at its heart that holds up well, even without the Austen setting and references!

I’ll get to the mystery in a bit, but first off, the primary concern going into any “Emma” variation is how well the author manages to capture the titular character herself! Emma is one of the most beloved of Austen’s heroines (I imagine much to Austen’s surprise as she is well-known for questioning whether any reader would love this heroine as much as she did), but she is also notoriously difficult to get right. She’s smart, confident, and fiercely defensive of those she loves. But at the same time, she can be thoughtless, impulsive, and quick-tongued.

Here, the author made the wise decision to set the story after the events of the original book. Not only does this allow the story to read fully as its own, but it also allows the author to benefit from the growth that Emma went through in her story. Here, she is a happily married woman. So while many of her traits are the same, they are also tempered with the experience that comes with the lessons she originally learned. Like the original, this character was a blast to follow throughout the story. Her nosiness and enjoyment of theorizing about the lives of others pair perfectly with a would-be amateur sleuth. I particularly enjoyed her growing distain for the men in charge of solving the mystery.

I also really liked the romance between her and Knightley. Obviously, all Jane Austen novels devote very little time to the characters after the love confession or marriage, so one of the primary points of interest in books like this one is getting a sneak peak at what the couple could be like afterwards. And I really like what we got here! Knightley’s loving bewilderment for his wife comes through strongly, as well as Emma’s respect for her husband, even if she often disregards his advice. It’s all very wholesome and works perfectly for the sorts of characters we know these two to be.

As for the mystery itself, I thought it was pretty good. There were a decent number of red herrings, and, as I mentioned earlier, I liked a few of the original characters who were brought into to deal with solving the murder. That said, it did become fairly obvious rather early on who was behind it all and even their motivations. But that still didn’t reduce my enjoyment, as I was happy to just exist in this world and follow Emma along through all of her exploits.

I thought this was a romp of a time and I couldn’t be more pleased to now have two series (I believe this is the first in a series) of Jane Austen mysteries that are managing to capture the spirit of the originals so well! I think most Austen fans will be likewise charmed by this tale!

Rating 8: Who knew that Emma would make an extraordinary sleuth? Besides, herself, of course! A wonderful historical mystery that is sure to please Janeites everywhere!

Reader’s Advisory:

“Murder in Highbury” isn’t on any relevant Goodreads lists, but it should be on Jane Austen Mysteries.

Serena’s Review: “The Kiss of the Nightingale”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Version 1.0.0

Book: “The Kiss of the Nightingale” by Adi Denner

Publishing Info: Tundra Books, October 2024

Where Did I Get this Book: from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: 1890, Lutèce: In this city, Talents are everything: precious gems that gift unrivalled skills to their owners. The most coveted, Elite Talents, are claimed by the aristocracy, passed through generations by blood magic.

Cleodora dreamed of inheriting her father’s Tailoring Talent, but when he died, the magic died with him. Now she’s left with empty promises, a dress shop she can’t keep afloat, and her bed-ridden younger sister.

But everything changes when she meets the dark-eyed Lady Dahlia Sibille. Dahlia offers Cleodora a Singing Talent – a chance to save her beloved sister and rewrite her own fate. From the first instant, Cleodora is bewitched… There’s just one catch: she needs to steal an Elite Talent from the prestigious Lenoir family.

As Lutèce’s nightingale, Cleodora is the star of the opera’s galas and balls, worlds away from the darkness and dust of home. But the handsome yet infuriating Vicomte Lenoir is nothing like she expected.

Soon, the Vicomte’s teasing smiles win her over, even as Dahlia’s seductive whispers linger in her ears. Torn between Dahlia, who gave her everything, and the Vicomte, who holds the price of her freedom, is Cleodora in danger of losing it all? Or can she prove that magic isn’t the only gift that counts?

Review: Anytime a publisher releases a fantasy book set in Paris with an elaborate mask on the cover, you know they’re trying to pull in the “Phantom of the Opera” fans. Works on me every time! Obviously, reading the book summary, we see an even more direct connection with our main character performing at the opera. However, the read-alikes don’t ever directly mention “Phantom” but instead reference Leigh Bardugo and Bridgerton. All of this to say, I wasn’t quite sure exactly what I was going to get when I picked up this book!

Unfortunately, I did struggle a bit with this one. However, I always want to start with some positives, and for this one, that definitely comes down to the overall tone and vibe of this world. As the cover promises, the story takes place in whimsical, lush, and extravagant version of Paris. The author’s writing was particularly strong in these descriptive areas, with a heavy focus on the fashion of this world (unfortunately, I’m one of those readers who needs less as far as these sorts of descriptions go, but for others, this will be a real strength!).

I had a bit of wavering appreciation for the main character. On one hand, I always love stories that revolve around sisterly relationships, and when the story was focused on this, I enjoyed it most. However, as the story progressed, I became more and more frustrated with her decision making and internal thought process. More than once she comes across as incredibly incompetent. I also dislike main characters who are immediately the best at everything, but here we had the other side of the coin. In the same vein, I didn’t particularly enjoy the romance. All of the relationships felt very bland and one-note, and the primary love story never really captured me.

However, my biggest issue came with the world-building. The concept was both too simple and too complicated at times. For one thing, I simply don’t understand why these gems wouldn’t be being stolen all the time by everyone. The story presents Cleodora as this rare being for this approach, but honestly, this is such a basic response to this sort of inequality (where the thing causing the inequality comes down to a basic, material item that is easy enough to steal) that it’s hard to buy that this isn’t a near-universal problem in this world. Beyond that, for being so incredibly powerful, we don’t really see the ways in which a society made of people with these sorts of gifts would be changed from our own. There should be many areas of life that would be directly affected by this. How does law enforcement work? Politics? Wouldn’t corruption being an almost crippling problem within this society?

There were also many nods to “Phantom of the Opera” but not enough to make it anywhere near a direct re-telling. Instead, it walked some strange line where it was clearly influenced by this tale, but also wasn’t interested in following much of the plot of that story. It was odd more than anything else. I’d say, this book would be of most interest to YA fantasy readers who enjoy lush worlds with an emphasis on the descriptions. However, the characters and world-building were on the weaker side.

Rating 6: The writing hits some nice notes with its descriptions of elaborate settings and ballgowns, but the world-building leaves much to be desired.

Reader’s Advisory:

“The Kiss of the Nightingale” can be found on these Goodreads lists: Edwardian Fantasy and Fantasy with a healthy dose of romance.

Serena’s Review: “Echoes of the Imperium”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Echoes of the Imperium” by Nicholas and Olivia Atwater

Publishing Info: Starwatch Press, October 2024

Where Did I Get this Book: Netgalley!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Captain William Blair has taken shady jobs before—what goblin hasn’t? But this shady job has pirates off the port bow and legendary aethermancers knocking at his cabin door. Unfortunately, Wil has sworn an Oath to escort his newest dubious passenger wherever she wants to go… and a goblin must be worth his word.

The ragtag crew of the Iron Rose once survived the fall of an empire—but none of them are interested in revisiting the experience. As the dregs of the Imperium rise again to claw at their heels, Wil and his crew must face the literal ghosts of their past… or else history may well repeat itself.

Review: Something unfortunate seems to have happened with the marketing of this book. In that, I follow upcoming fantasy releases very closely (obviously, I need to for the blog!) and am even more on the look-out for new titles from authors whose books I’ve enjoyed in the past, like Olivia Atwater. But the only reason I became aware of this book was through a note included on the Kickstarter email I received when my order of the special edition of ‘The Witchwood Knot” was shipping out! Of course, I then immediately skipped off to place a request on Netgalley. But with my packed reading schedule, here we are with a review coming out about a month after the book has actually dropped, all because I didn’t hear about this one in a conventional manner!

Olivia Atwater always talks about her husband’s influence and input into her books in her author’s notes, so I’m not surprised to see a book coming out that is now written by them both together. You never quite know how well a book will worked when trying to combine two people’s writing styles, but I think this one turned out well! I can recognize elements of Olivia’s style, but the book is also very different from the one’s she’s written alone.

Overall, the main difference is one of tone. Olivia’s books are often on the lighter side, with a few creepy elements thrown in here and there. This one, however, is much darker in a lot of ways. Right from the start, the authors don’t shy away from putting their characters through the ringer. There was a particularly impactful scene that came within the first 20% of the book that had me surprisingly emotional, especially coming from characters whom I’d only just been introduced to!

One of my favorite parts of this book was the world-building and overall themes of pirate adventures! While the plot was very fast paced (especially in the first half, things slowed down towards the back half), this was definitely a character-based story. Much of the fun of the reading experience was simply following the characters as they got into one type of trouble or another. Pirates are always a good time, but pirates in airships are something else! That said, much of this action does revolve around the characters themselves, so your enjoyment of the book will come down to how invested you become in these people and their stories.

Overall, I very much enjoyed this book! It reminded me a lot of “Treasure Planet” and is definitely a breath of fresh air from the type of fantasy books I more often gravitate towards. That said, while I appreciate the inclusion of an asexual main character, I did find myself missing Olivia Atwater’s lovely romance storylines. But that’s mostly a me issue, as that’s not what this book is or was ever meant to be. I guess I’m mostly just hankering for the next entry in her “Victorian Faerie Tales” series!

Rating 8: All the best of the steampunk genre, this character-driven story is a romp of a ride from start to finish!

Reader’s Advisory:

“Echoes of the Imperium” isn’t on any Goodreads lists but it should be on Flying Ships and Air Pirates.