Category: Kate’s Reviews

Kate’s Review: “The Mad Wife”

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Book: “The Mad Wife” by Meagan Church

Publishing Info: S0urcebooks Landmark, September 2025

Where Did I Get This Book: I received an ARC from the publisher

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: They called it hysteria. She called it survival.

Lulu Mayfield has spent the last five years molding herself into the perfect 1950s housewife. Despite the tragic memories that haunt her and the weight of exhausting expectations, she keeps her husband happy, her household running, and her gelatin salads the talk of the neighborhood. But after she gives birth to her second child, Lulu’s carefully crafted life begins to unravel.

When a new neighbor, Bitsy, moves in, Lulu suspects that something darker lurks behind the woman’s constant smile. As her fixation on Bitsy deepens, Lulu is drawn into a web of unsettling truths that threaten to expose the cracks in her own life. The more she uncovers about Bitsy, the more she questions everything she thought she knew―and soon, others begin questioning her sanity. But is Lulu truly losing her mind? Or is she on the verge of discovering a reality too terrifying to accept?

In the vein of The Bell Jar and The Hours, The Mad Wife weaves domestic drama with psychological suspense, so poignant and immersive, you won’t want to put it down.

Review: Thank you to Sourcebooks Landmark for sending me an ARC of this novel!

I have watched “Mad Men” a couple of times with my husband (I haven’t seen the full series like he has but I’ve seen plenty), and one of my favorite characters is Betty Draper. I like her so much I named one of our kittens after her. I love how messy she is, I love how complex she is, I don’t love how she treats her kids but it fits with her characterization, and I ultimately feel super, super bad for her. Because the great tragedy of her is that she is a person who was forced into a lifestyle she didn’t want as a homemaker with little to no agency (plus all the trauma from her childhood. Cycles keep on cycling!). Which wasn’t uncommon for many of the women in those positions during that time period. I kept thinking about Betty Draper as I read “The Mad Wife” by Meagan Church, which is also about a homemaker being forced to put on a pleasant face and a perfect facade, until it starts to break her.

There is a bit of a mystery here in this historical fiction thriller. Lulu is a 1950s housewife living in an idyllic suburban community, and while her outer veneer is perfection, she feels incredible pressure to keep a tidy house, keep a high standing in the social circle, and to keep her husband and son happy with her support, love, and care. Right around the time she gives birth to her second child, new neighbors move into the neighborhood, and Lulu thinks that something strange is going on with them, especially the wife, Bitsy. It’s a plot ripe for the picking when it comes to domestic thriller, and Lulu is a great protagonist because while we are inside her head and are seeing the strange things she is seeing, she is also more and more unreliable as the story goes on as all of the pressures of idealized 1950s femininity and homemaking start to catch up with her. It makes for some well done suspense and tension, and getting further into Lulu’s unraveling also ups the unease to make it all the more unnerving.

But it’s Lulu’s plight trying to be the perfect wife in a suburban nuclear family that really made this work for me, as we are constantly reminded and shown how little agency she has as a wife, as a mother, and even as a woman just trying to live her life. So much of her identity is wrapped up in perfection that she can just barely achieve (or not achieve, as no one is perfect even when society wants them to be with threat of judgement and shunning if they are not) that when things do start to come undone, not only is she worried about losing her friends, or her marriage, she also has to worry about other horrifying consequences as a ‘hysterical’ woman. There are talks about pills with no real explanation as to what to expect, involuntary psych holds, and even lobotomies for women who are deemed mentally unfit, as well as women who feel so trapped that they end up killing themselves to escape it all. I found myself fearing for Lulu, especially as more details are slowly revealed (one bit which I KIND of saw coming, but still absolutely gutted me). It’s a start reminder that these supposed ‘good old days’ that so many people want to force us back were really not so good for so many people.

“The Mad Wife” is harrowing and a well done thriller tale about a woman who is treading towards the end of her rope. I quite enjoyed it.

Rating 8: A slow burn of unease and a commentary on the housewife ideal from decades ago (as it makes an insidious comeback in modern times), “The Mad Wife” is haunting and suspenseful and a well done domestic thriller.

Reader’s Advisory:

“The Mad Wife” is included on the Goodreads lists “Uncanny 1950s Ladies”, and “Novels about Motherhood”.

Kate’s Review: “The Scammer”

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Book: “The Scammer” by Tiffany D. Jackson

Publishing Info: Quill Tree Books, October 2025

Where Did I Get This Book: I received an ARC from the publisher at ALAAC25

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: New York Times bestselling author Tiffany D. Jackson delivers another stunning, ripped-from-the-headlines thriller, following a freshman girl whose college life is turned upside down when her roommate’s ex-convict brother moves into their dorm and starts controlling their every move.

Out from under her overprotective parents, Jordyn is ready to kill it in prelaw at a prestigious, historically Black university in Washington DC. When her new roommate’s brother is released from prison, the last thing Jordyn expects is to come home and find the ex-convict on their dorm room sofa. But Devonte needs a place to stay while he gets back on his feet—and how could she say no to one of her new best friends?

Devonte is older, as charming as he is intelligent, pushing every student he meets to make better choices about their young lives. But Jordyn senses something sinister beneath his friendly advice and growing group of followers. When one of Jordyn’s roommates goes missing, she must enlist the help of the university’s lone white student to uncover the mystery—or become trapped at the center of a web of lies more tangled than she can imagine.

Review: Than you to HarperCollins for the ARC of this book (and to Tiffany D. Jackson for signing it!)!

It has been a little bit but I am so pleased that Tiffany D. Jackson has a new YA thriller out for the world to read! I had the privilege of meeting her at ALAAC25 this past summer and not only did I get a copy of “The Scammer”, she also signed it for me. I waited for a little bit to pick it up, and when it was finally time I told myself that I would take it slow and savor it. But I ended up reading it in two long sessions over the course of two days. Yep. Tiffany D. Jackson is BACK, baby! “The Scammer” was addictive and everything I had hoped it would be!

“The Scammer” takes some inspiration from the Sarah Lawrence Sex Cult, in which a 63 year old man manipulated his daughter’s friends at Sarah Lawrence to become fully dependent upon him and held a sway over them like so many cult leaders do. But instead of at Sarah Lawrence we find ourselves at an HBCU in Texas, and our protagonist Jordyn is hoping for a fresh start after living with her high strung parents in the wake of her brother Kevin’s tragic death. When Jordyn’s roommate Vanessa asks the other girls if her brother Devonte can crash on their couch they all say yes, and Devonte has lots of ideas and philosophies that sound insightful and mind blowing. And it, of course, starts to spiral as Devonte manipulates, intimidates, seduces, and harms Jordyn’s friends, and expands his reach across campus, turning his ire on Jordyn when she doesn’t fall in line. I love a cult story, and I love the suspense of seeing people fall one by one to a charismatic leader who has dangerous ulterior motives and no conscience. It’s frightening and maddening, especially as people start targeting Jordyn and making her life a living hell when she dares question and push back. There are also some twists her, some of which aren’t super surprising others of which REALLY shocked me, and all of them felt well crafted and earned. As a thriller it’s really enjoyable, and as I mentioned above I couldn’t put it down very easily.

But I also appreciated how Jackson (as she does in so many of her books) layers in social themes to her narrative, particularly themes and issues that the Black community has to deal with, and in this book it’s the way that racism and systemic injustice can make members of the Black community connect with conspiracy theories that have some origins of truth within them but become warped and twisted into something completely different. Lord knows that misinformation and disinformation and conspiracy theories have been flourishing as of late, and I really appreciated Jackson’s nuanced take on those who fall prey to scammers and liars who use them as weapons for their own benefit. It doesn’t excuse the harm that some of these true believers subject Jordyn to, but it does try to unpack it to better understand how this kind of thought can be used to harm others, and I really liked that.

“The Scammer” is another sharp and suspenseful YA thriller from Tiffany D. Jackson! There’s a reason she’s one of my favorite thriller authors, and this book is a top notch return to novels!

Rating 9: A fast paced and incredibly suspenseful thriller from one of my favorite thriller authors!

Reader’s Advisory:

“The Scammer” is included on the Goodreads list “Dark Academia”.

Kate’s Review: “King Sorrow”

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Book: “King Sorrow” by Joe Hill

Publishing Info: William Morrow, October 2025

Where Did I Get This Book: I received an ARC at ALAAC25

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Arthur Oakes is a reader, a dreamer, and a student at Rackham College, Maine, renowned for its frosty winters, exceptional library, and beautiful buildings. But his idyll—and burgeoning romance with Gwen Underfoot—is shattered when a local drug dealer and her partner corner him into one of the worst crimes he can imagine: stealing rare books from the college library.

Trapped and desperate, Arthur turns to his closest friends for comfort and help. Together they dream up a wild, fantastical scheme to free Arthur from the cruel trap in which he finds himself. Wealthy, irrepressible Colin Wren suggests using the unnerving Crane journal (bound in the skin of its author) to summon a dragon to do their bidding. The others—brave, beautiful Alison Shiner; the battling twins Donna and Donovan McBride; and brainy, bold Gwen—don’t hesitate to join Colin in an effort to smash reality and bring a creature of the impossible into our world.

But there’s nothing simple about dealing with dragons, and their pact to save Arthur becomes a terrifying bargain in which the six must choose a new sacrifice for King Sorrow every year—or become his next meal.

Review: Thank you to William Morrow for giving me an ARC of this novel at ALAAC25 and to Joe Hill for signing it!

Ever since I was a kid I have loved dragons. I think it was the dragon in “Sleeping Beauty” that really solidified my hyperfixation at 2 years old, I used to collect dragon figurines, and well into my adulthood I have just loved these creatures. Hell, my absolute devotion to Daenerys Targaryen on “Game of Thrones” even after she did the whole ‘burn King’s Landing to the ground’ thing probably had to do with the fact Targaryens have dragons. And of course “The Hobbit”‘s Smaug has always been a favorite. When I heard that Joe Hill’s newest novel (his first in nearly ten years!) “King Sorrow” had a dragon in it, I was already sold. I mean, it’s one of my favorite authors and one of my favorite magical creatures. And we had waited so long. Let me tell you right now: it was well, WELL worth the wait. And WHAT A DRAGON!

He’s beauty and he’s grace…. (source)

Hill takes the reader on an epic dark fantasy/horror journey in “King Sorrow”, following a group of friends who, in hopes of helping group member Arthur in an hour of desperate need (i.e. he is forced to steal books from his employer by a couple of low life drug dealers, or else his imprisoned mother will be hurt or even killed), summon a dragon named King Sorrow from a mystical book (part of the library collection Arthur has been caring for/stealing from) to dispose of his tormentors. The only issue is that King Sorrow will require a human sacrifice every year. The set up is classic fantasy, but the way that Hill approaches it combines coming of age, shifting friendship themes, trauma, connection, changing technology, and a broad scope of decades to create a masterpiece of dark fantasy/horror. We mostly focus on Arthur at first, but we also get the perspectives of the other friends in the group, whether it’s steadfast and empathetic Gwen, the rage filled and snide Donna, her twin Van who is far more lackadaisical but also addiction prone, the sweet but secretive Alison, or the confident and ambitious Colin. Hill takes his time exploring all of the characters, fleshing them out and giving them time to grow, changing motivations, and evolving connections as the power of King Sorrow either overwhelms or corrupts each of them as they all have to pick a sacrifice every year.

I loved the ethical explorations of this book as well, as many of them try to pick their sacrifices based on the potential for reducing harm and death, though more often than not things never quite work out they way they want them to. I loved seeing all of these characters go through their various journeys, especially Gwen and Arthur, and loved seeing some of them shift from well meaning to downright villainous due to the way that this kind of power will corrupt a person. They are such a well rounded group of characters with nuances, intricacies, and flaws, and I enjoyed all of them (even Donna, who basically represents everything I stand against in terms of her values).

And as for the horror and dark fantasy aspects of this book, it’s no shock that Hill nails every single theme and every single plot point. Not only do I love King Sorrow as a snarky and imposing villain (with a dark sense of humor to book), I also loved the other fantastical beats of this book, whether it’s magic books, literal trolls who then turn into Internet trolls, or magical objects like dragon tears. Hill puts a unique spin on the fantasy beats, and I found myself grinning from ear to ear one moment, then feeling my heart race as we jumped to an extended action or horror sequence. There is an entire extended sequence on a plane where a character is hoping to prevent disaster while other passengers are seeing King Sorrow bolting through the air outside their windows, and the intensity of this section was basically hovering around a 10 the entire time. I also just loved King Sorrow himself. At one point he is described to sound like Quint from “Jaws” and my GOD if that isn’t wholly inspired. He’s scary and menacing but also, at times, incredibly hilarious, and it just captures the essence of a smug and cruel dragon in the perfect way. Hill is truly at his best in this book when it comes to how he can meld horror, thriller, and fantasy together, and this truly feels like an opus. I was amazed that a book that is almost one thousand pages doesn’t feel like it has a wasted moment or page. It’s so well conceived and it kept me fully hooked until I turned the last page.

“King Sorrow” is phenomenal. A masterwork from Joe Hill, who already has so many masterworks to his name. I was completely blown away. This will surely be a top three read of the year for me.

And with that, Horrorpalooza 2025 comes to an end on the highest note possible. Thank you all so much for coming along on this horror based journey, and I hope that you all have a happy, safe, and spooky Halloween!!!

Rating 10: Simply brilliant. A masterwork. I absolutely loved every bit of it.

Reader’s Advisory:

“King Sorrow” is included on the Goodreads list “Horror Books 2025”.

Kate’s Review: “The Brood”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Brood” by Rebecca Baum

Publishing Info: Thomas & Mercer, October 2025

Where Did I Get This Book: I received an ARC from the author

Where You Can Get This Book: Amazon | Indiebound

Book Description: A fascinating blend of horror and magical realism, this spine-tingling thriller explores the complex relationship between women, their bodies, and the natural world.

Cutthroat NYC lawyer Mary Whelton just buried her problematic old mentor. But as she leaves the mourners and protesters behind, the press stays hot on her heels. Desperate to escape, she unwittingly barrels deep into a remote forest in upstate New York. Until a collision—with a buzzing, oozing throng of cicadas—stops her dead in her tracks.

She awakens in a crude cabin, held captive by Girl, a simple, hulking woman who mistakes Mary for her derelict mother and obsesses over a mysterious Brood. While tortured echoes from Mary’s past feed her growing sense of fear, it becomes clear that she’s destined to bear an unthinkable role in the cicadas’ cyclical reemergence. But when Girl’s grisly past comes back to haunt them both, Mary is thrust into a violent battle of wills.

Confoundingly creepy and atmospheric, The Brood peels back the hurt and pain of the female experience, laying bare the messy necessity for transformation and growth.

Review: Thank you to Rebecca Baum for sending me an ARC of this novel!

We are starting to wind down our Horrorpalooza celebration, as Halloween is on Friday and October is almost at its end. I’m always sad when it comes time to wrap up this fun review theme, but don’t worry. We still have two more horror focused reviews for the celebration (and obviously there will be more horror reviews from me because that’s my jam all year round). And I am coming in hot with the second to last entry for Horrorpalooza 2025! Rebecca Baum asked me if I’d be interested in reading her body horror novel “The Brood”, and I was admittedly a bit squeamish at the premise. Body horror freaks me out, and parasitic body horror REALLY freaks me out. But the premise caught my attention, and I wanted to take a chance on it because it sounded quite promising. And I’m glad that I did, because I found “The Brood” to be a well done body horror tale. And VERY disgusting.

This was basically my reaction to so much of this book. (source)

The atmosphere and building dread in this book is top notch. Mary is a high powered attorney who has become a bit of a ruthless ‘fixer’, and after a car crash while leaving a funeral in the remote backwoods she is taken captive by a hulking, strange woman who is only known as ‘Girl’. Girl is convinced that Mary is her long lost mother, and keeps her hostage so a cicada swarm she calls ‘The Brood’ can lay eggs and gestate in Mary’s body. SO, first I want to talk about the backwoods horror, as that is a sub-genre I really like. The isolation, the inability to escape, the lurking cave that may or may not have some kind of greater horror that won’t let Mary leave, it’s all creepy and strange and suffocating. Girl is both foreboding but also sympathetic for a litany of reasons, and as she and Mary (more on her in a bit) interact they spar, butt heads, but also kind of learn to understand each other. She’s more than the stereotypes of your typical ‘backwoods malevolent hillbilly’ trope, and I found her to be a scary AND sympathetic foil for Mary.

Okay. The body horror. With parasitic themes. I will come out and say first and foremost that I have a REALLY hard time with this kind of horror sub-genre, and always have. I full we knew going into this book that this was the kind of thing I was signing up for, and I knew that I was going to have a hard time with it. And I did. SO MUCH PUSS!! But I want to talk about why I still enjoyed(?) it, or at least appreciated it, as a person who has such a huge case of the willies with this kind of thing, and that is that this kind of horror story is always going to be reminiscent of losing bodily autonomy, which especially these days is a real life horror that many face (even if it isn’t cicadas taking over the body) and is terribly relevant. The way that Girl prioritizes the cicada clutch growing in Mary’s body and how that in turn leads to some pretty horrifying moments even beyond the body horror bits (case in point with few spoilers, a hunger strike Mary implements that Girl is QUICK to snuff out. I had to pause my reading for a little bit because man, force feeding is SO brutal and Baum really captures it). It’s scary enough thinking about insects growing under your skin. It’s even worse when it mirrors the way that pregnant people who don’t want to be pregnant are sometimes forced to carry a pregnancy no matter the cost to their bodies and minds. Be warned: this book goes hard. It did for me anyway.

But there was also a surprising undercurrent of ache and sorrow when it comes to Mary’s backstory that slowly bubbles up, and concludes in a way that had me crying for the last couple chapters of the book. Mary is a very cold and damaged woman when we meet her, and she doesn’t REALLY soften at all, at least not in expected ways, as the story goes on and she has to endure her kidnapping, torture, and being a reluctant vessel for an insect clutch in her body. She’s done some terrible things in her frenzy to become successful. But at the same time, we learn that she has a deep, deep trauma due to being abandoned to an orphanage as a five year old, and being abused for a lot of her life, and shows how these things affect her path. Baum is sure not to make excuses for the terrible harm she caused at one point. But she does help the reader understand why she did what she did, and it makes it a nuanced take that has a very emotional resolution.

“The Brood” is probably not for the squeamish, but for those who love some disgusting body horror that doesn’t hold back (and does lean way into the metaphors in an effective way), it will be a gross and enjoyable read.

Rating 8: Disgusting and visceral body horror combined with feminist themes of bodily autonomy make for a nasty but relevant read. It also made me cry unexpectedly!

Reader’s Advisory:

“The Brood” isn’t on any Goodreads lists as of yet, but it would fit in on “Books with Creepy Crawlers”!

Kate’s Review: “Girl Dinner”

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Book: “Girl Dinner” by Olivie Blake

Publishing Info: Tor Books, October 2025

Where Did I Get This Book: I received an eARC from NetGalley

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Every member of The House, the most exclusive sorority on campus, and all its alumni, are beautiful, high-achieving, and universally respected.

After a freshman year she would rather forget, sophomore Nina Kaur knows being one of the chosen few accepted into The House is the first step in her path to the brightest possible future. Once she’s taken into their fold, the House will surely ease her fears of failure and protect her from those who see a young woman on her own as easy prey.

Meanwhile, adjunct professor Dr. Sloane Hartley is struggling to return to work after accepting a demotion to support her partner’s new position at the cutthroat University. After 18 months at home with her newborn daughter, Sloane’s clothes don’t fit right, her girl-dad husband isn’t as present as he thinks he is, and even the few hours a day she’s apart from her child fill her psyche with paralyzing ennui. When invited to be The House’s academic liaison, Sloane enviously drinks in the way the alumnae seem to have it all, achieving a level of collective perfection that Sloane so desperately craves.

As Nina and Sloane each get drawn deeper into the arcane rituals of the sisterhood, they learn that living well comes with bloody costs. And when they are finally invited to the table, they will have to decide just how much they can stomach in the name of solidarity and power.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

I didn’t join a sorority when I was at the U of MN. I absolutely knew that wasn’t going to be my scene. I also didn’t know anyone in any sororities, and I think that the only Greek Life gossip I was up to date on while in school was when one of the frats lost their charter and the rumor was that it had to do with bad behavior involving farm animals (I’m sure this wasn’t true, but man was that rumor all OVER campus for a bit). But while this kind of sisterhood wasn’t for me, I don’t really have any super deep thoughts about it, except that it can be a GREAT theme for a thriller or horror about enmeshed sorority sisters doing nefarious things. So of course I was interested in “Girl Dinner” by Olivie Blake. It sounded like feminist rage meets cults meets… UNIQUE culinary tastes.

I bet not! (source)

This is a book that is a combination of horror and satire, and it mostly blends the two genres pretty well in ways that you might expect. We have two women, one college sophomore Nina who wants to become a member of the most coveted sorority on campus, The House, in hopes that the connections will set her up for life. The other is Sloane, an adjunct professor at the same college who is just getting back to work after having her daughter Isla and taking a break (as is expected of a mother), and whose husband Max seems to mean well but is pretty useless when it comes to being a helpful partner. As they both start making connections with The House, they start to really examine the ways that being a woman in society comes with lots of expectations and scrutiny, and feminist rage starts to simmer a bit as they make moves, covet power, and perhaps start finding nourishment from companionship with like minded women… as well as some interesting meals. I really liked the concept of this book, and I always love a weird cannibal horror story that has some metaphors about the cultural zeitgeist. And I mostly liked what this book was doing with its metaphors and waxings about womanhood, the faux feminism of girlbossing, and the paradox of having it all as a woman when men are just assumed that they have it all with less hoops to jump through. Sometimes, however, the metaphor and satire were laid on PRETTY thick. I find that for me less is more when it comes to the satire, as a little less spoon feeding can go a long way for effectiveness in conveying the point.

But for all the moments that I felt like I was having a lot of metaphors explained to me more than they needed to be, everything was more than made up for when things really kicked into gear in the last third of the book. Twists that are out in the open are revealed! We get weird cult like behaviors and ritualistic creepiness! CANNIBALISM! Things are happening at breakneck speed and I was practically swiping at the speed of light to find out what was going on and what was going to happen! I will not spoil anything here, but I can even say that this book had a twist that actually shocked me, came out of nowhere but had a solid foundation, and felt SO earned that I was absolutely thrilled and went back to re-read it all to make sure that it had, indeed, all fallen into place so seamlessly. As you all may know I usually can’t stand a last second twist, but this one? It was great.

“Girl Dinner” is gruesome in your face satire. I found it to be a fun read with a crazy conclusion. Check it out as this Halloween season starts to wane!

Rating 7: At times it feels a bit over-rought in its metaphors, but the ending is so wild but so well earned that it made up for all of it.

Reader’s Advisory:

“Girl Dinner” isn’t on any super specific Goodreads lists, but it would fit in on “Cannibalism Books”.

Kate’s Review: “Road Trip With a Vampire”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Road Trip With a Vampire” by Jenna Levine

Publishing Info: Berkley, September 2025

Where Did I Get This Book: I received an eARC from NetGalley

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A vampire who can’t remember his past and a witch with secrets of her own hit the road in this zany, cross-country romantic comedy from beloved author Jenna Levine.

Reformed bad witch Grizelda “Zelda” Watson had hoped to never see another vampire again when she slipped away to sunny California for a fresh start. She’d grown tired of them and their nonsense ages ago. But when a vampire with amnesia unexpectedly shows up on her doorstep with a letter from her old friend Reggie, and asks for her help, she can’t say no. Of course, it doesn’t hurt that Peter Elliott is tall and gorgeous, looks great in yoga shorts, and has the kind of dark hair and surly expression Zelda’s been a sucker for for hundreds of years.

Peter isn’t completely harmless—he is fanged, after all—but he’s harmless enough, and soon becomes the only person in Zelda’s new life who knows the truth about what she is. If she can help him decipher the cryptic notes in his journal, the only clues to his lost memories, she might as well try before sending him on his way.

But when an alarming message from Peter’s past coincides with a clear sign that Zelda can’t keep running from her own, they embark on a cross-country road trip for answers—only to find what they’re looking for in each other.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

I had high hopes after “My Vampire Plus One” that the next book in the series by Jenna Levine would focus on the witch Zelda that had been hinted at in the story of Reggie and Amelia. I love vampires, but I may love witches more, and the thought of a bad girl witch turned yoga enthusiast having her time to shine absolutely tickled me. And when I saw that “Road Trip With a Vampire”, the third (and final! SOBS FOREVER!) book in Levine’s Vampire series was focusing on that very topic, I was stoked as hell. And then it was going to be a road trip romance?! SURELY THERE WOULD ONLY BE ONE BED AT THE INEVITABLE HOTEL!!!! I was eager to leap into the book, and my high hopes were pretty well met. Finally a witch was having her time to shine!

Romance novels can be hit or miss for me, and sometimes the tropes that are chosen can be tricky if they feel like they are a bit too well worn or overused in a genre. I know that some people have a pretty hard time with amnesia plot lines, and I also know that witch stuff can sometimes feel twee. But Levine’s characters of Zelda and Peter are both very likable, and I enjoyed learning their back stories through flashbacks, found media (like newspaper clippings about Zelda’s many many antics over the years, sometimes with my beloved Reggie), and their slow melding of storylines through these devices. It made for the tropes that could feel repetitive or cliché easier to swallow.

As for chemistry, I don’t think that it was AS strong as the first two books, but that being said I was ultimately rooting for them to figure it out, even if the conflict that almost always has to happen to tear the couple apart until an inevitable happily ever after was a little shakier this time around. Hell, even the reconciliation aspects felt a bit stalled, and dragged a fair amount to the point I was like ‘okay you two let’s just get it together’. BUT, ultimately I did like them and it was kind of fun having the romance be between a witch and a vampire this time around instead of another vampire and human angle. And the steamy and sexy scenes were pretty good, so that made up for any lagging that was happening in the last fourth of the book (not just sexy blood play, but sexy magic play as well!!!).

We also got to get a bit more outside of the vampire lore from the first two books and had some additional witchcraft world building! I enjoyed seeing Zelda go from her morally grey past as Grizelda, whose mischievousness went a little too far and became a wake up call, to Zelda, a more zen and compassionate yoga instructor who is just trying to make good as best she can. I liked the magic parts, and how she would have to use it in various situations, even when it wasn’t exactly voluntary. Heck, I even would have loved more of it!

I’m sad that this series is ending, but I think that it ends on a pretty good note, wrap up wise. I will be very curious to see what Jenna Levine does next, and definitely think that if you are looking for a charming autumn romance read with a little bit of spooky this is a fun book to pick up.

Rating 8: Another fun and steamy paranormal romance from Jenna Levine, rounding out her vampire romance series and ending it on a cute note.

Reader’s Advisory:

“Road Trip With a Vampire” is included on the Goodreads lists “A Dash of Spice: Autumn Romance Reads”, and “Witchy Fall Vibes”.

Kate’s Review: “The Hunger We Pass Down”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Hunger We Pass Down” by Jen Soofong Lee

Publishing Info: Erewhon Books, September 2025

Where Did I Get This Book: I received an ARC from the publisher at ALAAC25

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Single mother Alice Chow is drowning. With a booming online cloth diaper shop, her resentful teenage daughter Luna, and her screen-obsessed son Luca, Alice can never get everything done in a day. It’s all she can do to just collapse on the couch with a bottle of wine every night.

It’s a relief when Alice wakes up one morning and everything has been done. The counters are clear, the kids’ rooms are tidy, orders are neatly packed and labeled. But no one confesses they’ve helped, and Alice doesn’t remember staying up late. Someone–or something–has been doing her chores for her.

Alice should be uneasy, but the extra time lets her connect with her children and with her hard-edged mother, who begins to share their haunted family history from Alice’s great-grandmother, a comfort woman during WWII, through to Alice herself. But the family demons, both real and subconscious, are about to become impossible to ignore.

Sharp and incisive, The Hunger We Pass Down traces the ways intergenerational trauma transforms from mother to daughter, and asks what it might take to break that cycle.

Review: Thank you to Erewhon Books for providing an ARC of this novel at ALAAC25!

I know that there are probably a fair number of people who are getting a bit tired of horror that acts as metaphors for trauma and grief, but I do not share their concerns. I’m still all about horror being used to tell stories about the human experience in creative ways, and I don’t see myself getting bored of it any time soon. This is one of the reasons I was definitely interested in reading “The Hunger We Pass Down” by Jen Soofong Lee, a new ghost story that examines a couple generation of Chinese-Canadian women who have been dealing with a lot of tragedy and loss, possibly because of a family curse that has been passing down since World War II. I was excited to read it, but I can also tell you that I wasn’t prepared for the emotional wallop it was going to bring.

The idea of a cursed family standing in for generational trauma is always going to be catnip for me, and “The Hunger We Pass Down” is a solid example of that. We have the Chow Family, with mother Alice still dealing with the fallout of her divorce as she tries to care for her kids Luna and Luca while also running a successful online business. She feels stretched thin, but starts to find the house tidied up and her online orders ready to go though she has no memory of doing any kind of work towards any of it. We also follow up the family line, going all the way back to World War II Hong Kong where her great grandmother Gigi was being used as a comfort woman for Japanese soldiers, abused, held against her will, and raped. Which is where the family curse starts. As a horror story we have ghosts, we have doppelgangers, and we have lots of loss, violence, and tension. Lee handles the dread well, and the descriptions of the various spirits and spectres were pretty unsettling, even terrifying at times. I kept thinking of myths of vengeful spirits who take out rage on anyone in their way, and Lee really creates something truly scary here.

And as mentioned above, I do like the metaphor we have at hand, and I found that to be a strong element of this book as well. The trauma of captivity and sexual abuse and rape is something that Gigi has to endure as a ‘comfort woman’ in Hong Kong, and the generational trauma passes down throughout the generations from mother to daughter. What really struck me is that this is also a very heavy family saga, and the bleakness of the way that violence can rewire a persona and keep cycles going just oozes off the page. It’s deeply emotional and it just works, even if I found it a very hard read at times. It’s a well done story to be sure, but man you really need to steel yourself for it. I also found the ending a little bit abrupt, and while it absolutely made sense for what the overall theme was, it still kind of felt like there could have and maybe should have been more. These aren’t bad things, but I was a LITTLE unsatisfied, and had I realized this was more literary I probably could have better prepared myself for it, emotionally.

“The Hunger We Pass Down” is emotional and creepy, and it’s filled with lots of real world terrors to round out the ghostly ones. I found it to be well done, and very, very sad.

Rating 7: A bleak and emotional family saga about multiple generations of women and curse passing from mothers to daughters, “The Hunger We Pass Down” is scary, but more sad than anything else.

Reader’s Advisory:

“The Hunger We Pass Down” is included on the Goodreads list “She’s Not Feeling Good at All: Sad Female Characters”.

Kate’s Review: “The Mean Ones”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Mean Ones” by Tatiana Schlote-Bonne

Publishing Info: Creature Publishing, September 2025

Where Did I Get This Book: I received an ARC from the publisher at ALAAC25

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: So what if Sadie hears talking dead animals and a strange, comforting male voice in her head? The therapist insists these are just symptoms of PTSD. It makes sense considering that she hid under the bed and watched as her best friends were slaughtered.

But the murders were seventeen years ago, back when her name was Sabrina. Now, she’s Sadie: a perfectly normal 29-year-old. She works as a physical therapist assistant and lifts weights with her boyfriend, Lucas, who’s the sweetest, most considerate man—as long as he’s not angry. But when Lucas spontaneously agrees to join a couples trip to a cabin in the woods, the visions get worse, a strange figure stalks her during the night, and that male voice in Sadie’s head keeps calling, asking her to do things she’s never fathomed.

Sadie’s not sure if it’s her paranoia or something else entirely . . . But she is sure of one thing—this time, she’s not going to sit idly by as everything starts to unravel.

Review: Thank you to Creature Publishing for giving me an ARC of this novel at ALAAC25!

Back in June when Serena and I were in Philadelphia for the ALA Annual Conference I found myself circling and flagrantly stalking the Creature Publishing table, as they only had the table for a limited time, and I was DETERMINED to seek them out. Specifically for the book “The Mean Ones” by Tatiana Schlote-Bonne, as not only had it been getting some pretty solid hype, it also promised to have “Midsommar” and “Yellowjackets” vibes. True, I didn’t really like “Midsommar”, and I haven’t watched “Yellowjackets”, but the vibes of both? I’m INTO THOSE VIBES! It took a few awkward circles (as well as a few polite ‘no, I’m looking for this specific publisher, thanks’ to a few well meaning reps at tables surrounding the area) but I finally got my hands on a copy, and had high, HIGH hopes that it would be as awesome as I was hoping it would be. And whaddaya know? It was even MORE awesome!

Oh I just loved this. I’m appreciating folk horror more and more as time goes by, and weird entities in the woods and cult horror really tick off so many boxes for me. “The Mean Ones” definitely has both at hand, and I thought that Schlote-Bonne was great at building up a slow suspense both in the present with Sadie (though when she was a child her name was Sabrina) as an adult on a camping trip with her dodgy boyfriend Lucas and his friends, and also in the past with Sadie/Sabrina as a tween at camp with her best girl friends who are also not terribly kind to her. But both in the past and present she has been hearing things and seeing things, and while she tries to ignore it and just be normal it just keeps building up until something horrifying happens. Like friends Allie and Blakely being brutally murdered in front of Sadie/Sabrina by something sinister. The mysteriousness of what is going on in the woods, what Sadie/Sabrina is seeing and hearing, and what really happened to her friends and herself at camp is so well done and so well paced, and some of the moments of horror really unnerved me. There’s just something about a oh so wrong looking deer in the distant brush that just FREAKS me out in the best way. I’m trying to be vague because this is so good and it’s best to go in with as little info as possible, but at the end of the day if you like folk horror, this will surely be up your alley.

But it’s also the very real, relatable human aspects of Sadie/Sabrina and the way that she is pushed and mistreated by the people who are supposed to care about her that will probably resonate with readers. I really liked her as a protagonist, finding her to be relatable in a lot of ways as lord knows I’d been the odd girl out or picked on in my adolescent female friendships, and Sadie/Sabrina was REALLY familiar in her choices, anger, and pain. She has suffered from so much trauma that she has tried to mold herself into someone normal, but in doing so has become a people pleaser not unlike her time as a third wheel in her friendship with only friends Allie and Blakely, who treated her pretty poorly in ways that tween and teenage girls can sadly fall into when it comes to clique behavior. It makes for a protagonist you want to root for, and as we learn more about her and how she has been coping and twisting herself up, we also see a woman that could be so much more… though perhaps in a ‘good for her’ kind of way that we have seen in films like “The Witch” and “Midsommar”. Feminine rage has its moment along with the folk and cult horror aspects, and Schlote-Bonne pulls it off handily. I loved every bit of Sadie/Sabrina’s character arc.

“The Mean Ones” is one of the best horror novels I’ve read this year. I am so glad I stalked the publisher’s table at ALAAC, and I will absolutely be checking out Tatiana Schlote-Bonne’s other books.

Rating 10: Spectacular folk and cult horror with shades of feminine rage, “The Mean Ones” is a knock out.

Reader’s Advisory:

“The Mean Ones” is included on the Goodreads list “God Forbid Women Do Anything”.

Kate’s Review: “The October Film Haunt”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The October Film Haunt” by Michael Wehunt

Publishing Info: St. Martin’s Press, September 2025

Where Did I Get This Book: I received an ARC from the publisher at ALAAC25

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Horror Movie meets the scope and emotion of Stephen King in this heart-pounding, magnetic tour de force about a woman pulled into a cult horror film that is determined to have a sequel, by critically acclaimed author Michael Wehunt.

Ten years ago, Jorie Stroud was the rising star of the October Film Haunt – a trio of horror enthusiasts who camped out at the filming locations of their favorite scary movies, sharing their love through their popular blog. But after a night in the graveyard from Proof of Demons – perhaps the most chilling cult film ever made, directed by the enigmatic Hélène Enriquez – everything unraveled.

Now, Jorie has built an isolated life with her young son in Vermont. In the devastating wake of her viral, truth-stretching Proof of Demons blog entry — hysteria, internet backlash, and the death of a young woman — Jorie has put it all, along with her intense love for the horror genre, behind her.

Until a videotape arrives in the mail. Jorie fears someone might be filming her. And the “Rickies” – Enriquez obsessives who would do anything for the reclusive director – begin to cross lines in shocking ways. It seems Hélène Enriquez is making a new kind of sequel…and Jorie is her final girl.

As the dangers grow even more unexpected and strange, Jorie must search for answers before the Proof of the movie’s title finds her and takes everything she loves.

This riveting and layered horror novel unleashes supernatural terror in a world where truth can be manipulated, and nothing is as it seems. Beautiful and horrifying, with an unforgettable cast of characters, The October Film Haunt will shock and delight readers all the way to its breathless final page.

Review: Thank you to St. Martin’s Press for providing me with an ARC of this novel at ALAAC25!

Before I head out to the Annual American Library Association Conference every year I make a list of titles that I am going to keep an eye out for. Usually it’s from authors that I love, or hyped up titles that I keep seeing across my feeds, but there are also dark horse selections of books that may not be getting much attention, but I still keep stumbling upon. “The October Film Haunt” by Michael Wehunt was one such book, as it’s a debut and I hadn’t seen MUCH about it around the time I was plotting out my searches. But the premise of a horror film aficionado content creator getting too involved in a cursed film urban legend (that may actually be a REAL creature lurking in some woods) was tantalizing to say the least. It only sweetened the deal when the rest of the plot involved a zealous and potentially dangerous cult following radicalized by Internet lore and connection. Scary AND a bit timely? Oh yes, I was interested, and was stoked when I snagged a copy at the conference.

I love a cursed film urban legend, and the foundation of “The October Film Haunt” has a really well developed and creepy one to hold up the rest of the tale. It feels a little like “Slenderman” meets the original “Blair Witch Project” (at least with it’s wild ‘this may have actually happened’ marketing), with a cult horror film rumored to be real inspiring a tragedy with people who were too engrossed with the lore, as well as questions about culpability of content creators who feed into the mythos and hysteria for their own gains only for it to spin completely out of control. Our former horror content creators Jorie and Beth are brought back together after a falling out due Internet backlash in the wake of their content about the cult film “Proof of Demons” by mysterious director Hélène Enriquez, possibly contributing to a girl’s death, mostly because they feel like someone or someones are watching them, stalking them, and coming after them. The slow dread as they are stalked and harassed is effective and chilling, as is the slow build up of the “Rickies” who are after them. I also just loved the creep factor of the way that Wehunt explores the way that the Internet can stir up an almost shared psychosis and cult-like mentality that can make people do scary and murderous things (something that has felt all too relevant as of late). And hey, I really enjoyed the lore of the Pine Arch Creature. I was a Slenderman fan back during the Marble Hornets days so it’s kind of fun to see how much he has endured as a modern folk legend, even if he feels played out by many at this point.

This was more literary than I was anticipating. That isn’t necessarily a bad thing, mind you, as I love it when horror stretches beyond the genre limits than is usually expected (hell, I absolutely loved the book “Reprieve” which was SUPER literary with a horror backdrop). And I do like that it kind of matched the surrealistic and disjointed paranoia that Jorie and Beth are experiencing as they are getting more and more engulfed in their past actions catching up to them and being possibly targeted by a group of zealous fans. But I will also acknowledge that sometimes it made for the story hard to follow, or could throw off the pacing, especially when we would jump to perspectives of other characters and get snippets of their actions and motivations within the same surrealistic and disjointed style. I think that had there been a faster pace with the story in general when we were in the Jorie and Beth sections (or even the interludes, which I almost always really enjoyed) it could have been easier to swallow, but as it was I found the book a bit trickier to get through because of the choppy pacing and weirdness as a whole. And for horror fans who aren’t as into a literary style when it comes to reading, I could see this being a very cumbersome read. It’s just good to have expectations managed going into it, I think.

“The October Film Haunt” is dark and strange, and it probably won’t be for everyone. I appreciated what it was trying to do, and if you like some experimental literary edge to your horror stories, it may be worth checking out.

Rating 6: A strong premise, well done lore building, and some great introspection about groupthink has the makings of a creepy literary horror tale, but be warned that sometimes it gets in the weeds a little bit. Overall, an interesting horror story that is sure to spark debate!

Reader’s Advisory:

“The October Film Haunt” is included on the Goodreads list “Lost Films & Cursed Movies”.

Kate’s Review: “Play Nice”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Play Nice” by Rachel Harrison

Publishing Info: Berkley, September 2025

Where Did I Get This Book: I received an eARC from NetGalley

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A woman must confront the demons of her past when she attempts to fix up her childhood home in this devilishly clever take on the haunted house.

Clio Louise Barnes leads a picture-perfect life as a stylist and influencer, but beneath the glossy veneer she harbors a not-so glamorous secret: she grew up in a haunted house. Well, not haunted. Possessed. After Clio’s parent’s messy divorce, her mother, Alex, moved Clio and her sisters into a house occupied by a demon. Or so Alex claimed. That’s not what Clio’s sisters remember or what the courts determined when they stripped Alex of custody after she went off the deep end. But Alex was insistent; she even wrote a book about her experience in the house.

After Alex’s sudden death, the supposedly possessed house passes to Clio and her sisters. Where her sisters see childhood trauma, Clio sees an opportunity for house flipping content. Only, as the home makeover process begins, Clio discovers there might be some truth to her mother’s claims. As memories resurface and Clio finally reads her mother’s book, the presence in the house becomes more real, and more sinister, revealing ugly truths that threaten to shake Clio’s beautiful life to its very foundation.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

I remember being a teenager and reading about The Amityville Horror case, not the actual book itself (though I DID read that years later), but in some random haunted house book. For the unfamiliar, the run down is that a young family moved into a house on Long Island that had been the site of a mass murder years before (committed by the oldest son of the Defeo family, Ronny). The Lutzes started experiencing horrible things, then moved out after not even a month because it was SO HAUNTED. I also remember renting the original film with Margot Kidder and James Brolin and watching it on the tiny TV in the basement of my childhood home, eating take out tacos and banished away because I was the only horror fan in the family.

And I remember finding out as an adult that it was all bullshit, made up by the Lutz Family as well as the lawyers for Ronnie Defeo. It’s a fun story, but it’s built on lies. “Play Nice” by Rachel Harrison clearly has some influences from and shades of “Amityville”, and the description made me REALLY excited to read it, especially since I have genuinely enjoyed every horror novel that Harrison has written. And “Play Nice” is now my favorite of her books, because not only does it have shades of “Amityville”, it is also a very emotional story about unpacking family trauma and long festering family dysfunction.

This basically sums up a solid chunk of the problems this entire family has in this book (source)

Our main character is Clio, a free spirited influencer who has tried to build a carefree and adventurous life after a difficult childhood, where she and her sisters Lena and Daphne and mother Alex moved into a house after her parent’s divorce that Alex claimed to be haunted by a demon. She even wrote a book about it that became a cult hit. The problem is that Clio and her sisters remember it differently, with an abusive alcoholic mother terrorizing them until she lost custody, and they cut off contact. Until her death. Clio, being the youngest, remembers the least, and while her sisters refuse to attend the funeral, Clio does, and then inherits the house from her childhood. She thinks fixing it up would be a good content opportunity and moves in. And then it all starts to unravel. So this could very easily be solely a haunted house story, as Harrison gets back to her early horror roots with “Play Nice”. It has genuinely horrifying moments, descriptions, and a slow building up dread that makes the reader want to keep reading… while also being very, very unnerving and creepy. I loved having both Clio’s present day experiences as well as the excerpts from the book (with personalized annotations from Alex for Clio, exposing the untrue things with a bitter commentary). As a straight up horror story it works really well.

But Harrison has always been someone who likes to tap into the messiness of being a woman in modern society and the way they aren’t allowed to be imperfect without scrutiny, and in “Play Nice” we REALLY dive into imperfect women who are complicated, maddening, but so well rounded because of it. This is not only a haunted house story, it’s also a story about childhood trauma, unclear memories, deep familial dysfunction, and trying to parse out truth from lies that others tell and that we tell ourselves. Clio is such a fascinating main character because I genuinely had a difficult time with her, but wholly understood why she is the way she is. Harrison has created an honest and sometimes painful story about a woman trying to uncover darkness within her family, and there are few clear answers and a whole lot of nuance, which I really appreciated. Alex is monstrous in a lot of ways, but it’s also not as simple an explanation as, say, a demonic presence that would explain everything. I thought that at times it was a very raw story, and it packs a wallop because of it.

“Play Nice” is Rachel Harrison’s best horror novel yet. It’s scary and deeply emotional, and I highly recommend it for Halloween.

Rating 9: Harrison effortlessly creates a haunted house story that tackles family dysfunction, childhood trauma, and the demons that haunt us, not matter what kind that may be.

Reader’s Advisory:

“Play Nice” is included on the Goodreads lists “Ultimate Female Horror Authors”, and “Horror Books 2025”.