Category: Kate’s Reviews

Kate’s Review: “Burn the Negative”

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Book: “Burn the Negative” by Josh Winning

Publishing Info: G.P. Putnam’s Sons, July 2023

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Some remakes aren’t just a bad idea…they’re deadly.

Journalist Laura Warren is mid-flight to LA when she learns that the streaming series she’s about to report on is a remake of a ‘90s horror flick. A cursed ’90s horror flick. The one that she starred in—and has been running from her whole life.

As a child star, Laura was cast as the lead in The Guesthouse. She played Tammy Manners, the little girl with the terrifying gift to tell people how the Needle Man would kill them. But her big break was her last, as eight of her cast and crew mates died in mysterious ways, and the film became infamous—a cult classic of fictional horror that somehow summoned the real thing. Hoping to move on from all the negative press, Laura changed her name and her accent, dyed her hair, and moved across the Atlantic Ocean. But some scripts don’t want to stay buried.

Soon after landing, Laura finds a yellow dress just like the one she wore in the movie. Then the words “She’s here” scratched into the wall in an actor’s trailer. And then people working on the series start dying. It’s all happening again, Laura’s worst nightmare brought to life, and she finds herself on the run with her sister and a jaded psychic, hoping to find answers—and to stay out of the Needle Man’s lethal reach.

An homage to slasher films with a fresh take on the true price of fame, Burn the Negative is a twisty thriller best read with the lights on.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

We all know that of all the great horror film sub genres out there, I have a special place in my heart for a good old fashioned slasher film. I like the melodrama, I like the over the top nonsensical Savini-esque violence, I like the bursts of terror that come out in jump scares that then make me laugh in spite of myself. I also like weird real life strangeness, unexplained things or potential supernatural events. And when those two things come together, well that’s even better. So of course I was interested in “Burn the Negative”, a new horror slasher novel by Josh Winning about a cursed movie called “The Guesthouse” that is being revamped into a series called “It Feeds”, and how the old protagonist went into hiding to escape the notoriety only to be sucked back in. I mean that just screams “KATE, READ THIS!” And in a lot of ways it did everything that I wanted it to… Until it committed one of my most loathed sins of the slasher genre…

But let’s start with the positives! As there are a good amount! “Burn the Negative” is such a fun homage to not only slasher movies, but the lore around certain slasher movies that are supposedly ‘cursed’ films due to the terrible things that happened to various people involved in the productions. “It Feeds”/”The Guesthouse” has vibes akin to “Poltergeist” or “The Exorcist”, both horror movies that are beloved in the genre but have some really sad connections (“Poltergeist” especially: the actresses who played the daughters both died young, Dominque Dunne was murdered by her ex-boyfriend and Heather O’Rourke died of congenital stenosis). Everyone loves the idea of a cursed movie because of the high strangeness and lore of the unexplained, and “Burn the Negative” really runs with it. It also very much feels like a slasher movie, with lots of wacky deaths, a protagonist with secrets and a rough past, and a genuinely freaky “Needle Man” that has perhaps taken on a life of itself after being a horror movie villain whose actor was never actually publicly identified. I would absolutely watch this if it were a horror movie, and it was a quick and engaging read that had me hooked.

I also liked the other aspects of this plot, specifically those regarding Laura, the child star of the film who changed her name from Polly due to the notoriety, and her traumatic childhood as a child actress with an overbearing stage mom. Having this added layer to her character made her all the more easy to invest in, as man can this woman EVER catch a break? But it’s also something that feels like a real life horror to add to the supernatural ones, whether it’s the abuse that Laura/Polly endured from her zealous mother, or the way that it put a wedge between her and her younger sister Amy, or the way that adults involved with the film saw the difficulties she was having but ignored in favor of production, these things were almost more upsetting that The Needle Man.

But. BUT. We once again get a book that feels a need to do a final ‘gotcha’ kind of ending that yanks the carpet out from under the reader. And readers, we all know how I feel about such endings. I do appreciate that with a horror novel that is paying homage to/deconstructing slasher movie tropes and themes, the temptation to do a very slasher-y ending with a ‘but you were never REALLY safe’ is probably very, very present. But I’ve never liked stories that imply safety and release, only to make the antagonistic force come back for a ninth inning reappearance/victory. And I think that the reason it really cheesed my grits in this book is because there ARE a lot of other real life themes and metaphors like child exploitation, toxic parents, trauma, and self hate that it just felt especially galling to me. Sadly this was a situation where I was very ready to give this a pretty high rating, but the frustrating ending bumped it down a bit in my mind.

Hard pass on rugs being pulled out from under me. (source)

“Burn the Negative” is a clear love letter to slasher movies, and a fun take on the dark side of childhood fame and fortune. I wish it had stuck the landing a bit more. I’m interested in seeing what else Josh Winning has to offer horror literature, because there was a lot to like at the end of the day.

Rating 7: A fun homage to horror movies and a take on childhood fame and Hollywood pitfalls, though the ending was a bit hackneyed.

Reader’s Advisory:

“Burn the Negative” isn’t on any Goodreads lists yet, but I think it would fit in on “Slasher Horror Books”.

Kate’s Review: “The Beast You Are: Stories”

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Book: “The Beast You Are: Stories” by Paul Tremblay

Publishing Info: William Morrow, July 2023

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Paul Tremblay has won widespread acclaim for illuminating the dark horrors of the mind in novels and stories that push the boundaries of storytelling itself. The fifteen pieces in this brilliant collection, The Beast You Are, are all monsters of a kind, ready to loudly (and lovingly) smash through your head and into your heart.

In “The Dead Thing,” a middle-schooler struggles to deal with the aftermath of her parents’ substance addictions and split. One day, her little brother claims he found a shoebox with “the dead thing” inside. He won’t show it to her and he won’t let the box out of his sight. In “The Last Conversation,” a person wakes in a sterile, white room and begins to receive instructions via intercom from a woman named Anne. When they are finally allowed to leave the room to complete a task, what they find is as shocking as it is heartbreaking.

The title novella, “The Beast You Are,” is a mini epic in which the destinies and secrets of a village, a dog, and a cat are intertwined with a giant monster that returns to wreak havoc every thirty years.

A masterpiece of literary horror and psychological suspense, The Beast You Are is a fearlessly imagined collection from one of the most electrifying and innovative writers working today.

Review: Thank you to NetGalley for providing me with an eARC of this collection!

It is always a good reading day when Paul Tremblay comes out with a new book, and my eyes are constantly peeled for a new title by him. I am so pleased that Tremblay is becoming more and more well known, what with the successful adaptation of his novel “The Cabin at the End of the World” hitting theaters this past winter. When I saw that he had a new book called “The Beast You Are” coming out, and that it was a short stories collection of previous works (as well as a novella), my usual nervousness about short stories didn’t even phase me. I trust Tremblay. And I was right to do so, because this is, on the whole, a good collection.

I will do the usual set up of talking about my three favorite stories, and then talk about the book as a whole.

“I Know You’re There”: This is one of the earliest stories in the collection, and it is almost certainly my favorite because of how ambiguous and heartbreaking it is. We follow Silas Chen as he works through the grief of losing his husband David to a sudden death, having found his body upon arriving home from work. As he tells the story to different people, aspects of if change, but one thing remains the same: Silas wasn’t sure if David’s dead body was staying completely still. There is a bittersweetness as well as an unease as we hear multiple iterations of Silas finding his dead husband, and the reader wonders if Silas is lying, or if his grief and sudden solitary life has led to him misremembering due to trauma, but the creepy descriptions of a body perhaps moving just a little bit, in various ways, when one’s back is turned, settled into my brain as I was reading it. As was the wonder about how grief makes it so that perhaps a departed loved one lingers in one way or another. Really unnerving, but also very emotional.

“The Blog at the End of the World”: We read a blog whose owner is talking about a mysterious disease that is making people drop dead, starting from what seems to be the end of the world and working backwards to earlier days when it’s just rumors and whispers, starting from the end and moving back towards the start. Tremblay wrote this one back in 2008, a good twelve years before COVID came into the picture and misinformation spread online like wildfire, so reading this was a bit surreal (and in the story notes he mentions it was surreal revisiting it now) because it almost predicted the way people would talk over each other, sow distrust, and disbelieve each other as things were falling apart around them. I loved the structure of this one, as it does read like a LiveJournal from the mid to late 2000s, and it was pretty neat getting the story told in this epistolary way (there is also a hilarious moment in the comments with a clear spam bot, man do I remember those days!).

“The Dead Thing”: An early teenage girl whose parents have split up due to substance abuse issues notices that her younger brother has come home clutching a box to his chest. When she asks what he has, he tells her that it’s just some dead thing but won’t show her. But something in the box is pulsing, and as he keeps it hidden and she becomes more and more curious, the thing begins to grow… This was one of the bleakest stories in the bunch, and honestly it kind of got to me in a not so good way, but I wanted to include it because 1) the stream of consciousness style really added to the reading experience, setting me on edge almost from the start and capturing the haphazard and spiraling situation at hand, and 2) I kept thinking about the 1980s remake of “The Blob” as I was reading. And that’s probably why it got to me because that movie just…. UGH. If you truly get to me (without triggering me, I should add, because that I DON’T like), I gotta give you props.

The collection as a whole is very broad and varied, with Tremblay doing straight up horror, to dark fantasy, to flash fiction, and beyond. What struck me the most about the stories is that a lot of them feel like they are pushing boundaries and looking to be experimental. There is the aforementioned “The Dead Thing” and its stream of consciousness narrator, or a meta pseudo-“Fangoria” column homage “The Postal Zone: The Possession Edition” that reads like it is the actual Fangoria magazine column ‘The Postal Zone’ (and was actually published in Fangoria, THE LAYERS OF THIS STORY). But the biggest experimentation was the lion’s share of the book, the titular novella “The Beast You Are”, in which Tremblay has created a new world with anthropomorphic animals who are going up against a monster that takes a sacrifice every thirty years. The way that Tremblay goes beyond the expected is what makes this book so interesting, and while some stories didn’t work as well for me as others did, I really did appreciate the way that he went outside the box.

“The Beast You Are” is a strong short stories collection that really shows off Paul Tremblay’s range. How great to see stories new and old gathered in one place, and to see the places the author is willing to go across so many tales.

Rating 8: Creative, bittersweet, experimental, and unsettling, “The Beast You Are” is a varied mix of stories by one of the most interesting horror authors writing today.

Reader’s Advisory:

“The Beast You Are” is included on the Goodreads list “Horror to Look Forward to in 2023”.

Kate’s Review: “Dead of Winter”

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Book: “Dead of Winter” by Darcy Coates

Publishing Info: Poisoned Pen Press, July 2023

Where Did I Get This Book: I received an ARC from the publisher.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: From bestselling author Darcy Coates comes Dead of Winter, a remote cabin in the snowy wilderness thriller that will teach you to trust no one. There are eight strangers. One killer. Nowhere left to run.

When Christa joins a tour group heading deep into the snowy expanse of the Rocky Mountains, she’s hopeful this will be her chance to put the ghosts of her past to rest. But when a bitterly cold snowstorm sweeps the region, the small group is forced to take shelter in an abandoned hunting cabin. Despite the uncomfortably claustrophobic quarters and rapidly dropping temperature, Christa believes they’ll be safe as they wait out the storm.

She couldn’t be more wrong.

Deep in the night, their tour guide goes missing…only to be discovered the following morning, his severed head impaled on a tree outside the cabin. Terrified, and completely isolated by the storm, Christa finds herself trapped with eight total strangers. One of them kills for sport…and they’re far from finished. As the storm grows more dangerous and the number of survivors dwindles one by one, Christa must decide who she can trust before this frozen mountain becomes her tomb.

Review: Thank you to Poisoned Pen Press for sending me an ARC of this novel!

Back in the spring I took my solo trip up to Duluth, Minnesota, a city on Lake Superior that is definitely one of my happy places. It was late April, but let me tell you, it felt like winter. There was snow, it was about thirty degrees, and driving into the city felt like I was driving into a blizzardy tundra for the last ten miles of my drive. But that backdrop was perfect for one of the books that I brought withe me, Darcy Coates’s new horror novel “Dead of Winter”. I’ve really enjoyed pretty much everything I have read by Coates, and her more recent reads have been the “Gravekeeper” series, which is a bit more on the tamer side of horror. Sure, ghosts and those who can see them are creepy, but it was more of a cozy horror tale. So settling into “Dead of Winter” was interesting, given that the pretty early on we get a very graphic description of a decapitated head pinned to a tree. I cackled to myself and thought ‘oh that’s right, Coates can also go hard’. And that was a good omen for things to come, because “Dead of Winter” was a hoot and a half.

It was so fun to jump from the more dark fantasy/horror lite feel of the “Gravekeeper” books to this more hardcore/familiar to me Coates aesthetic of bloodbath and nightmare fuel. The horror elements merge well with the thriller ‘whodunnit’ aspects, with a familiar trapped in isolation with a killer trope combined with some slashery goodness. It’s a fast and fun read, with some pretty wicked gory moments and a no holds barred take on picking off the strangers in the cabin, therein culling the suspect pool in crazier and crazier ways. Coates ratchets up the suspense and gives us a lot of red herrings to the mystery aspect, and creates kills that feel like they are right out of any decent slasher movie. From decapitations to scattered teeth to frozen corpses, the visceral scares are continuous and always on point. Again, it was a real trip reading some of these really gory moments after the tamer “Gravekeeper” books, but it just goes to show that Coates contains horror multitudes and can achieve the vision she is going for across the board.

When looking at the thriller elements, this classic locked room set up is familiar but still engaging. Christa is our protagonist who is isolated in a winter snowstorm in a hunting cabin with strangers, and as they start dying one by one she has to figure out who is killing them and what their motive could be. It’s pretty old hat in how it is revealed and approached, and I had pretty easily figured it all out about halfway through. That isn’t to say that my conviction didn’t waver, however, as there were a few red herrings that did make me question my theories. Ultimately I could guess what was going on, but it didn’t really detract from my enjoyment of the book overall. Part of that is because I did like Christa as our main character and liked seeing her piece together all of the pieces. The other part is that, at the end of the day, approaching this like all my favorite 80s psycho killer movies, the journey through is the more important part than the ultimate solution. It didn’t matter that I knew who did it almost from the jump. It was a wild ride and that is exactly what I want from a book that reads like a slasher movie.

We are fully into the summer season now, and if you are a horror or thriller fan that wants a fun and bloody beach read, look no further than a snow ridden hunting cabin. Darcy Coates, you continue to impress me, and “Dead of Winter” should be on any horror lover’s list.

Rating 8: A fun and straight out of a movie slasher thriller that is the perfect summer read in spite of the cold setting.

Reader’s Advisory:

“Dead of Winter” is included on the Goodreads list “Horror to Look Forward to in 2023”.

Kate’s Review: “Harvest House”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Harvest House” by Cynthia Leitich Smith

Publishing Info: Candlewick Press, April 2023

Where Did I Get This Book: The library!

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Deftly leading readers to the literary crossroads of contemporary realism and haunting mystery, Cynthia Leitich Smith revisits the world of her American Indian Youth Literature Award winner Hearts Unbroken. Halloween is near, and Hughie Wolfe is volunteering at a new rural attraction: Harvest House. He’s excited to take part in the fun, spooky show—until he learns that an actor playing the vengeful spirit of an “Indian maiden,” a ghost inspired by local legend, will headline. Folklore aside, unusual things have been happening at night at the crossroads near Harvest House. A creepy man is stalking teenage girls and young women, particularly Indigenous women; dogs are fretful and on edge; and wild animals are behaving strangely. While Hughie weighs how and when to speak up about the bigoted legend, he and his friends begin to investigate the crossroads and whether it might be haunted after all. As Moon rises on All Hallow’s Eve, will they be able to protect themselves and their community? Gripping and evocative, Harvest House showcases a versatile storyteller at her spooky, unsettling best.

Review: One of the most confounding book moments of 2023 thus far was I was having a hell of a time remembering a certain book that ran across my timeline. I am the kind of person who, when I see a book in passing that sounds interesting but doesn’t REALLY process in my brain so well, tells myself that SURELY I don’t need to make note of said book, because surely I will remember it. That’s what happened with “Harvest House” by Cynthia Leitich Smith. I saw it on Goodreads, thought ‘oh that sounds neat’, and then kept scrolling… and couldn’t remember it for a good long while. But eventually I did find it and tossed it on my request list, post haste! A Halloween haunted house attraction mixed with an actual ghost story with themes of Indigenous issues in the United States sounded really promising. The latter part of that description worked well, but the former? Not as much as I had hoped.

Like most of the time I will start with the things that did work. I really appreciated how Smith brings up themes of racism and appropriation towards and from Indigenous groups in American society, especially within a Halloween context. Lord knows every year the message ‘my culture is not a costume’ is ever relevant as you see people STILL dressing up in offensive Indigenous stereotypes and using imagery that is important to the culture said people are not a part of. I liked that our protagonist Hughie was grappling with this while volunteering at a town haunted house attraction, that wants to use a local legend of the ghost of an Indigenous girl as one part of the experience, as well as an ‘Indian burial ground’. Hughie is deeply uncomfortable with this, and his boss, Ms. Fischer, just doesn’t understand why these depictions are offensive and insensitive, and this part of the book is a great way to work through why these things are as such. I also kind of liked that Ms. Fischer, while completely clueless, wasn’t a moustache twirling villain, as it approaches the topic in a way that shows that sometimes this kind of racism comes from ignorance as opposed to malevolence, but still needs to be called out. The more contemporary YA elements of this book really clicked with me.

But here is the flip side of all that. I definitely picked this book up in part because I like books that have relevant things to say when it comes to social issues, but I ALSO picked it up because it sounded like it was going to be, ultimately, a ghost story with some horror-centric moments that weave in and out with the messages at hand. But unfortunately, I didn’t feel like the horror elements of “Harvest House” were prevalent enough. We do get some good first person perspective moments from Celeste, the ghost of an Indigenous young adult who is haunting The Crossroads, but it took until probably the last fifth of the book for there to be actual solid interactions between the ghost moments and Hughie. We do get a second hand account of another character encountering something strange at the Crossroads (with description of an online video), but it doesn’t last long, and then there are no more ghostly interactions until much later. It just didn’t feel like there was enough horror throughout the novel. I would say that perhaps removing the ghostly stuff and just stuck with the mystery about what happened at the Crossroads as the sole focus, but even that was abruptly wrapped up in one scene which felt more like an afterthought than anything else. I really just wanted more.

So while I really liked the social justice themes that were in this book, “Harvest House” felt less like a horror novel and more like a contemporary story with some supernatural stuff tacked on. A bit of a disappointment on the horror front, but still a read with some important points to make.

Rating 6: I liked the themes and I liked the messages about racism, appropriation, and misogyny, but for being a horror story it didn’t have the amount of horror that I would have liked.

Reader’s Advisory:

“Harvest House” is included on the Goodreads list “BIPOC Boy MC in YA Fantasy/SciFi/Mystery”.

Kate’s Review: “Dark Spaces: Good Deeds #1”


This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Dark Spaces: Good Deeds #1” by Che Grayson & Kelsey Ramsay (Ill.)

Publishing Info: IDW, May 2023

Where Did I Get This Book: I received an eARC from the publisher.

Where You Can Get This Book: Comixology

Book Description: Scott Snyder’s Dark Spaces anthology line returns with an all-new story and creative team! In search of a fresh start, teenager Cheyenne Collins and her mother, Rebecca, move to St. Augustine, Florida, where they cross paths with Jean McKnight, a disgraced big-city journalist determined to pay her dues and rebuild her career, starting with a fluff piece on the town’s upcoming 450th anniversary celebration.

When the quaint community’s festivities give way to bloodshed and Cheyenne is the sole witness, Jean begins an investigation and the women find themselves at the heart of a supernatural conspiracy linked to St. Augustine’s colonial past. Together, they vow to expose the town’s historical sins, but the deeper Jean digs, the less clear it Who is Cheyenne Collins, and when does a quest for truth become a thirst for vengeance? Rising talents Che Grayson ( Urban Legends) and Kelsey Ramsay (Joan Jett and the Black Hearts, I Love Rock-n-Roll) team up for an eerie historical thriller about obsession, power, and redemption in Dark Spaces: Good Deeds!

Review: Thank you to IDW for sending me an eARC of this comic!

It is VERY rare that I review a comic in its single issue release format, as I much prefer to have the full story context in place in volume form. Volumes usually contain an arc within a story, or if its a limited series it can be contained in a full on graphic novel in one sitting. But when IDW sent me an email and some promotional pages for “Dark Spaces: Good Deeds #1” by Che Grayson, I was intrigued enough that I decided to take a chance on a single issue review series. Weird small town secrets, an eager to prove herself reporter, and something odd going on, all while simmering in a dark colonial past that leaks into the present? Oh yeah, this has the potential to be great, and “Good Deeds #1” is a great start!

We have a solid set up for our first issue, which is laying the groundwork for what is to come. The first storyline is that of Rebecca and her teenage daughter Cheyenne, who have recently moved to St. Augustine, Florida. They have bought an old abandoned diner, sold to them by a local named Mr. Foster, and they want to start over after having moved around a lot. The other thread is that of Jean, a journalist who, due to an unnamed mistake, has led her to lose credibility in the journalism community. So when she is offered a job to write a puff piece about the anniversary of the founding of St. Augustine, she takes the offer, and expects to have an easy, if not super satisfying, story to help rebuild her career. We have this well done juxtaposition of Jean meeting with the town leaders, who are bragging about how wonderful their community is, with new girl Cheyenne being bullied as an outsider by her very insular new class mates. Grayson, as I said, is laying a lot of groundwork here, and they do a very good job of showing the spun facade of the town the leaders want to present to Jean, all while weird and disturbing things are happening to Cheyenne at the hands of the townspeople. We don’t know what the issues with the townsfolk are and why they are being so secretive, and the unease builds and settles in in a very creepy way.

And then we get a whole other question by the end of the issue (no spoilers here!), that ties back to Cheyenne and Rebecca. Because the citizens of St. Augustine aren’t the only ones being a little bit cagey. I love the way that Grayson peels this back as well, and it feels done in a very deliberate way while happening all within the limited pages of a single issue comic. The climax of this issue alone is enough to make me want more, but there have been so many well placed questions as well as interesting characters that I am definitely hooked and wanting more. Especially since you can tell that there are going to be some complexities as to what is going on with this community, as it boasts of it’s colonial past while hostility is being thrown towards POC outsiders.

And finally, I really liked the artwork for this! Kelsey Ramsay makes good use of color, and I liked how some of the art is designed in a way that looks realistic, but also a bit odd and strange when it fits the scene.

(source: IDW)

All in all, “Dark Spaces: Good Deeds #1” is off to a promising and solid start! I will definitely be checking out where this goes next, as there are many questions I need to know the answer to.

Rating 8: A tantalizing and creepy start to what is sure to be a dark and layered series, “Dark Spaces: Good Deeds #1” has me hooked.

Reader’s Advisory:

“Dark Spaces: Good Deeds #1” isn’t on any Goodreads lists yet, but it would fit in on “Superheroes, Comics, and Social Justice” (admittedly we are early in the story so broader themes aren’t quite as clear yet).

Kate’s Review: “American Vampire: 1976”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “American Vampire: 1976” by Scott Snyder, Rafael Albuquerque (Ill.), & Francesco Francavilla (Ill.)

Publishing Info: DC Comics, November 2021

Where Did I Get This Book: I own it.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: America is broken. Trust between the government and the American public has crumbled. Paranoia reigns supreme.

Skinner Sweet has exhausted all efforts to regain his lost immortality. With his powers and purpose gone, he is now determined to go out with a bang. At a seedy motorcycle rally in the desert where he’s closer than ever to his death wish, Pearl Jones and a shocking partner track him down for one last, desperate mission. The force known as the Gray Trader and its minions are tunneling through the bowels of the world to unleash hell on Earth–just in time for America’s bicentennial. With catastrophe looming, it’s up to Skinner and Pearl to reconcile and change the course of history–or die trying.

Review: Well folks, we have come to the end of another comic re-reading/comic completion hybrid, as “American Vampire: 1976” is the end of the road for the “American Vampire” series by Scott Snyder. There was a pretty substantial gap between “Volume 8” and “1976”, just as there was a gap in the real comics release of the series. I don’t know what caused the wait, but I remember part of my reason for kind of giving up on the series the first time around was due to the fact I knew it didn’t have an ending. Well, now it does, and to me it seemed like there were a few things that needed to be addressed in order to stick it. And…. I think that it mostly did, with a couple stumbles…

We have jumped forward to 1976, and our characters have scattered to the wind since we left them. Skinner Sweet, having been rendered mortal after his last tangle with the Gray Trader a decade prior, has accepted that he can’t regain his immortality and has decided to become a stuntman in hopes of going out in a blaze of glory. So when he’s approached by Pearl with one more mission, we find out what all our vampires have been up to leading up to the American Bicentennial. Pearl is barely holding things together with the VMS, Felicia is on a mission to save Gus from the Gray Trader who has taken him hostage, Travis Kidd blames himself for the loss of Gus, and we find out that Jim Book has returned to the fold and has been Pearl’s partner for a number of years. Oh, and Mimiteh has come back as well (and HOORAY, she isn’t just a stereotype AND he has clothing this time around). I loved that this took place in 1976, in a year that American was celebrating its history in the face of a lot of bleakness (the loss of the Vietnam war, post-Watergate disillusionment, etc), and as the VMS has to try and stop an apocalypse that is going to happen during the Bicentennial celebration. It’s a great tone, and a great way for the story to wrap up as America has it’s own, in a way, reflection moment. And the big last showdown with the Gray Trader and it’s final push to destroy the world was well thought out and had high stakes and lots of suspense.

There are a lot of characters that we need to tackle, and, for the most part, many of them get some good page time and a fair amount of focus. I loved seeing Pearl rally the troops, I enjoyed seeing Skinner being pulled in again as he’s trying to, maybe finally, be able to get his immortality back, and I liked seeing Travis Kidd have more growth and depth as he grapples with how he failed Felicia and Gus. But that does lead to one of the pitfalls here, as one of the characters who is a bit shafted is Felicia, as it felt like she was just a frenzied grieving mother as she worries about Gus’s well being. Sure, she gets some pretty okay moments, but she didn’t feel like Felicia, and since we were at the end of the road I really wanted more in saying goodbye. It ended up feeling abrupt and lacking for my favorite character in the series.

There was one other big stumble for me in this final collection as we wrap up this story, and I need to go into detail to explain the problem I had with it. SO, therefore I am going to have to tell you to skip to the last paragraph if you don’t want to know and give you a

SPOILER ALERT! (source)

So a few volumes back, it was revealed that Jim Book, the original hero who was the lawman pursuing Skinner Sweet back in the day after being his foster brother in childhood, was actually still ‘alive’ and was also a vampire from the American strain. It took this long for him to come back, and I was actually pretty amped to see him because I was excited to see him confronting Skinner, but more I was anticipating seeing him meet his daughter Felicia. And for awhile I was riding high on his presence, because it added a new interesting layer to Skinner, as his foil, who was not only an enemy but also his dearest friend and in some ways brother, was back in his life after so much baggage… But. BUT. Not only did we not get any pay off with Jim meeting his daughter Felicia (HONESTLY, HOW DARE THEY SIDELINE HER SO MUCH?)… Jim ends up betraying the VMS and has been evil and siding with the Gray Trader the whole time!!!!! WHAT THE FUCK?! What a frustrating and unearned heel turn for this character! And it felt like it was done 1) because it’s shocking and a HUGE blow and twist for the VMS, and 2) it just props up Skinner more as a hero because if Jim freaking BOOK is bad, then Skinner is going to look good by comparison, and you know what?

(source)

Am I being perhaps a little to precious about Jim Book as a character? Yeah, maybe. But it was also pretty damned rushed after a long delay to bring him back into the fold. There was a missed opportunity there because it would have been far more interesting for Skinner’s final push for potential redemption to be about his foster brother as opposed to his love for Pearl (especially since it made Pearl’s final story a bit too intwined with Skinner when she can stand on her own, thankyouverymuch).

Okay I complained a lot but for the most part I did enjoy “American Vampire: 1976”, I swear! The series had a lot to address and wrap up, and I thought that Snyder did justice to most of his characters and plot lines. And what a great moment in time for the story to end. I will miss Pearl, Felicia, Gus, and, God help me, even Skinner freakin’ Sweet. “American Vampire” is a great series, and I’m glad I finished it.

Rating 7: Overall this is a solid conclusion to an enjoyable series. “American Vampire: 1976” has some stumbles, but it’s nice to see Pearl, Skinner, Felicia, and others go out with a bang.

Reader’s Advisory:

“American Vampire: 1976” isn’t included on any Goodreads lists as of now, but it would fit in on “Recommendations for Buffy Fans” (though the entire series should probably be on that list too).

Kate’s Review: “Fence: Vol. 1”

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Book: “Fence: Vol. 1” by C.S. Pacat & Johanna the Mad (Ill.)

Publishing Info: BOOM! Box, July 2018

Where Did I Get This Book: The library!

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Nicholas, the illegitimate son of a retired fencing champion, is a scrappy fencing wunderkind, and dreams of getting the chance and the training to actually compete. After getting accepted to the prodigious Kings Row private school, Nicholas is thrust into a cut-throat world, and finds himself facing not only his golden-boy half-brother, but the unbeatable, mysterious Seiji Katayama…

Through clashes, rivalries, and romance between teammates, Nicholas and the boys of Kings Row will discover there’s much more to fencing than just foils and lunges. From acclaimed writer C.S. Pacat (The Captive Prince) and fan-favorite artist Johanna the Mad.

Review: This is quite possibly going to come as a bit of a shock to you, dear readers, but when I was a sophomore in high school, I was on our school fencing team. Yes, I went to the kind of school that had a fencing team, but if I’m being honest with myself I was really only on the fencing team because a few of my friends were on it, I wasn’t actually cut out for it (and once I was consistently cast in plays and could just do theater to negate the sports requirement, that problem was solved). And given that at the time I was in multiple therapies for mental health and learning disability/neurodivergence related reasons, I was barely ever actually fencing. The team still gave me the E for Effort Award at the end of season, probably out of pity. But I retained enough knowledge that when I finally picked up “Fence: Vol. 1” by C.S. Pacat I was thrown into a bit of a nostalgia spin. I had read the first “Captive Prince” book by Pacat, and it wasn’t really my cup of soup. But “Fence” sounded promising, so I requested it, and what do you know? It was super entertaining.

Since this is the first volume in the series, it’s laying a lot of the groundwork and foundation for the ultimate theme and plot of the story as a whole, and I felt like Pacat did a good job of setting the stage. We are mainly following Nicholas, a passionate and determined fencer whose motivation is based on the fact his absent father is former fencing champion Robert Coste, whose snubbing left Nicholas and his mother growing up with little money and lots of struggles. He is now at King’s Row School, on a scholarship, and has a huge chip on his shoulder as an outsider whom the others are underestimating. It doesn’t help that Seiji Katayama, another fencing prodigy who humiliated Nicholas at a previous tournament, is there… and his roommate. Pacat does the due diligence of creating this rivalry between the two of them, all while putting them in a forced proximity situation that just builds their rivalry and the tension… I mean, I kind of know where this is ultimately going to go, but it’s early and there is more to do before we start getting into tropes. I liked meeting Nicholas and seeing his background slowly revealed, and I completely bought the ambition and resentment he was giving with the clues and context put in place. As he starts the process of trying out for the fencing team with an épée blade (that was MY blade), with his dreams and scholarship on the line, we end with the stakes being very high indeed.

In terms of the other characters, we’ve gotten a bit of a taste of the other team members and wannabe team members. Seiji is the obvious supporting character, as Nicholas’s nemesis, and as of now he’s still a little bit mysterious to Nicholas and the reader as well. I liked seeing the various characters and their types, whether it’s the sweetheart Bobby, the no nonsense Harvard, or the playboy Aiden, we have a dynamic group that is going to almost certainly play off of each other and create drama, and I enjoyed most of them as they have been presented to us now. There are hints about other people coming into play later, mostly Nicholas’s ‘legitimate’ half brother Jesse, captain of the rival school’s fencing team, but as of now we are still dealing with the King’s Row team and the discord in place there. Try outs are just getting started when this book ends, and I really have no idea what is going to happen with the team, as not everyone can make it. I’m already attached to a few of these characters and I need to know what happens next.

And finally, I like the art style that Johanna the Mad brings to the series. It feels a bit like an homage to sports manga, with a mix of cartoonish images as well as more realistic ones.

(Source: BOOM! Box)

“Fence: Vol. 1” is a promising start to this sports series. I am VERY interested to see where things go for Nicholas, Seiji, and the fencers of King’s Row. Who’s going to get the pity driven E for Effort Award, what’s what I want to know!

Rating 8: A well laid foundation and an intriguing and original premise makes “Fence: Vol. 1” a solid start to a sporty and maybe romantic series.

Reader’s Advisory:

“Fence: Vol. 1” is included on the Goodreads lists “Fencing Fiction”, and “Graphic Novels: Featuring LGBTIQ+ Themes”.

Kate’s Review: “The Only One Left”


This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Only One Left” by Riley Sager

Publishing Info: Dutton, June 2023

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: “At seventeen, Lenora Hope Hung her sister with a rope“

Now reduced to a schoolyard chant, the Hope family murders shocked the Maine coast one bloody night in 1929. While most people assume seventeen-year-old Lenora was responsible, the police were never able to prove it. Other than her denial after the killings, she has never spoken publicly about that night, nor has she set foot outside Hope’s End, the cliffside mansion where the massacre occurred.

“Stabbed her father with a knife, Took her mother’s happy life“

It’s now 1983, and home-health aide Kit McDeere arrives at a decaying Hope’s End to care for Lenora after her previous nurse fled in the middle of the night. In her seventies and confined to a wheelchair, Lenora was rendered mute by a series of strokes and can only communicate with Kit by tapping out sentences on an old typewriter. One night, Lenora uses it to make a tantalizing offer—”I want to tell you everything”.

““It wasn’t me,” Lenora said. But she’s the only one not dead“

As Kit helps Lenora write about the events leading to the Hope family massacre, it becomes clear there’s more to the tale than people know. But when new details about her predecessor’s departure come to light, Kit starts to suspect Lenora might not be telling the complete truth—and that the seemingly harmless woman in her care could be far more dangerous than she first thought.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

One of my literary time stamps during the year is that if it’s summer, Riley Sager will probably have a book coming out. I have been reading Sager since his debut thriller “Final Girls”, and have found all of his thrillers to be very, very entertaining with a lot of well done twists and shocks that catch me off guard a good amount of the time. I’m always on the look out for his new titles, and when I saw “The Only One Left” pop up on NetGalley I immediately requested it, thinking about how summer was on the way. The description is a bit retro with an 80s setting, with some Lizzy Borden and “Dolores Clairborne” vibes, all of which just snags my attention. And like all Sager books, it’s another twisted winner.

“The Only One Left” is a thriller that unravels the mystery through multiple avenues and perspectives. Our first perspective is that of Kit, a newly reinstated caregiver whose suspension has put her on thin ice with her company and her father. She is assigned to care for a notorious recluse named Lenora Hope, who is believed to have killed her entire family in 1929 (but never charged due to lack of evidence), but is now wheelchair bound, paralyzed, and unable to speak due to a number of strokes. Facing few employment choices, Kit goes to live at the Hope estate, which is isolated on some cliffs above the Atlantic Ocean. As Kit cares for Lenora, and gets to know the staff and learn the history of the Hope family, she wonders if Lenora is who everyone thinks she is.. or if she’s much worse. The other perspective is the writings of Lenora, who is writing what happened to her in the months leading up the murders. There are so many smaller mysteries intertwined with the bigger overarching mystery, with questions about Kit as a caregiver, questions about what the strange noises she hears at night are, questions about why the staff has stayed for so long, and questions about what happened to the former caregiver, who seemingly ran off in the night. With so many mysteries, there are bound to be hits and misses, and while I guessed a few of the surprises and reveals, I was also completely caught off guard by others. Sager knows how to divert attention, knows how to distract the reader, and knows how to bring together so many threads that seemingly have no meaning, only for them to be significant and surprising.

In addition I really enjoyed how we had two unreliable in their own ways perspectives, whether it’s disgraced caregiver Kit, or potential murderer Lenora, and the suspense builds up in a consistent and well paced way that had my head swimming at times. I loved getting into both their heads through their perspectives, and really liked how I would be thinking one truth about each of them one moment, and then second guessing myself another moment. Even the supporting characters in both perspectives would surprise me, as they felt like they had their own secrets to discover, while also being interesting and complex in their own right. And being significant in ways I never could have guessed until the very moment of reveal!

One quibble I did have with this book was that Sager does the thing that I don’t care for, and completely shifts the ending in last couple of pages in a way that changes everything for one last big twist. You all know that this kind of story choice just drives me nuts, and while Sager opts to do it in a way that isn’t as nihilistic as other authors have approached such a ninth inning twist, it still felt a bit too far. We had a pretty good ending in place. To totally upend the conclusion always feels hollow to me, even if it is a bit more of a positive surprise. On top of that it’s very much a telling versus showing reveal, and that can work sometimes, but as a giant info dump to completely change the conclusion it just adds to my frustration.

Overall, I love having a new Riley Sager to read every summer, because his books always entertain and find ways to surprise me. “The Only One Left” is another fun thriller that you can take to the pool or the beach and have an enjoyable reading experience!

Rating 8: Another entertaining thriller from Riley Sager just in time for vacation season! The end feels a little bit tacked on, but generally it’s an enjoyable and twisty tale.

Reader’s Advisory:

“The Only One Left” isn’t on many Goodreads lists as of now, but it would fit in on “What A Strange Family”.

Kate’s Review: “Night’s Edge”

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Book: “Night’s Edge” by Liz Kerin

Publishing Info: Tor Nightfire, June 2023

Where Did I Get This Book: I received an ARC from the publisher.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Liz Kerin’s Night’s Edge is a sun-drenched novel about the darkest secrets we hide and how monstrous we can be to the ones we love most.

Having a mom like Izzy meant Mia had to grow up fast. No extracurriculars, no inviting friends over, and definitely no dating. The most important Tell no one of Izzy’s hunger – the kind only blood can satisfy.

But Mia is in her twenties now and longs for a life of her own. One where she doesn’t have to worry about anyone discovering their terrible secret, or breathing down her neck. When Mia meets rebellious musician Jade she dares to hope she’s found a way to leave her home – and her mom – behind.

It just might be Mia’s only chance of getting out alive.

Review: Thank you to Tor Nightfire and Wunderkind PR for sending me an ARC of this novel!

Vampires hold near and dear places in my horror heart, though I am very picky about the way these stories are told. I’m glad that we are kind of past the ‘vampires as super romantic supernatural lovers’ stories from the early 2000s, just as I am always glad to see creators mine within the numerous metaphors you can take from this specific horror tale. So I was very interested when “Night’s Edge” by Liz Kerin ended up in my mailbox for a few reasons. The first is that Tor Nightfire is pretty damn reliable when it comes to horror fiction, so any title they have is sure entertain. The second is that the description is very much a mother/daughter tale, with darker “Rapunzel”-esque implications. And the third is that any unique take on vampires is going to catch my attention. Boy, was did this book live up to my interest and expectations. “Night’s Edge” is fantastic, scary, and heartbreaking.

First off, the vampire (known as Saras) world building is superb in this book. Kerin takes some of the bare bones of vampire mythos (blood thirst, vulnerability to the sun and various elements) and sends them through the lens of a modern disease that has changed and terrified modern real world societies. We get a fabulous background of the Sara epidemic in a very easy to follow and engaging info drop through the eyes of Mia, a young woman whose mother Izzy has been infected and turned into a being that relies on blood to survive, and we get some good explanations as to how a society would have to adapt to dealing with Saras, usually in ways that would isolate them away and are potentially punitive (ie scanned for it before being able to enter a building, or being sent away to facilities that are secretive and perhaps more like prisons). It makes it so that you can absolutely understand why a person like Izzy, who is a single mom with a child who depends on her, would want to hide her condition, and how hiding it makes her life and Mia’s life that much more difficult, stressful, and dangerous, especially as Mia gets older and starts to come into her own. We get the vampire goods with this approach, but we also get to see it within the context of modern society that is trying to grapple with it, and that has led to more problems as more and more Saras start to become angry, isolated, and feral due to their inability to properly feed and keep themselves under control. Think “True Blood” if the fake blood supplement never came to be.

And it’s really the mother daughter dynamic between Izzy and Mia that brings out all the complicated and heart wrenching feelings in “Night’s Edge”. Izzy was changed into a Sara by a crappy boyfriend named Devon, whose poisonous influence on her could be due to his Sara nature where he’s trying to survive and has turned hardened and cynical… or it could be that he’s just another shithead dude who mistreats the women in his life (I feel like it’s probably the latter). And even after they leave Devon behind (though these shitty guys just won’t stay away, will they?), her being a Sara has transformed and damaged her relationship with Mia because Mia has to give up so much to keep Izzy safe, and Izzy doesn’t seem very grateful. She has to keep other people at arm’s length lest they find out at rat them out. She can’t live a normal life on her own due to the reliance her mother has on her. And, most grotesque of all, she has to give Izzy blood from her body every night to keep her from going fully feral. The codependency is there, but the emotional abuse is apparent as well. I love how I completely feel awful for Izzy because she had no say in this. BUT, at the same time, Kerin makes no excuses for the way she manipulates her daughter to keep herself safe and comfortable without thinking about the sacrifices, like LITERAL BLOODLETTING, her child is making for her. It’s so complex and so upsetting and you root for Mia so much, especially as she starts to want more for herself when she meets the charismatic musician Jade, but also has no idea how to function without her mom. It just killed me as I was reading it, especially since I am a mother with a daughter and this kind of thing just cuts to the bone a little more these days.

AND THERE IS GOING TO BE A SEQUEL! Which is good, because this ends on a note that was a sucker punch, but also opens up the door for more. And I can’t wait to see where Kerin takes the next phase of this story, because “Night’s Edge” is phenomenal. Simply phenomenal. READ THIS BOOK!

Review 10: A visceral, scary, and devastating story about vampires, toxic relationships, codependency, and mothers and daughters that hit me right in the feelings over and over again.

Reader’s Advisory:

“Night’s Edge” is included on the Goodreads list “Horror to Look Forward To in 2023”.

Kate’s Review: “How to Kill Men and Get Away With It”

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Book: “How to Kill Men and Get Away With It” by Katy Brent

Publishing Info: Harper Collins, June 2023

Where Did I Get This Book: I received an ARC from the publisher.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Meet Kitty Collins.

FRIEND. LOVER. KILLER.

He was following me. That guy from the nightclub who wouldn’t leave me alone. I hadn’t intended to kill him of course. But I wasn’t displeased when I did and, despite the mess I made, I appeared to get away with it.

That’s where my addiction started…

I’ve got a taste for revenge and quite frankly, I’m killing it.

A deliciously dark, hilariously twisted story about friendship, love, and murder. Fans of My Sister the Serial Killer, How to Kill Your Family and Killing Eve will love this wickedly clever novel!

Review: Thank you to Harper Collins for sending me an ARC of this novel!

I’m going to get on my soapbox a minute, but I promise it won’t last long and I promise it has a point. I get frustrated by the literary box that the concept of ‘women’s fiction/chick lit’ gets put in. It’s pretty silly that sometime’s a book that centers on a woman and perhaps more emotional themes (love, loss, self exploration) is given this label, especially when that label can imply ‘less than’ to certain subsets of readers. That said, I do enjoy the occasional women’s fiction book, which has a pretty predictable formula and a general sense of comfort around it. So when I started reading “How to Kill Men and Get Away With It” by Katy Brent, I smirked to myself. Because this book has very women’s fiction-esque themes, but centers upon a woman who, when she isn’t cavorting with her friends or living a lavish lifestyle, is killing men who have been abusers in their past and present. Sometimes in very graphic ways. And if that doesn’t satirize the preconceived notions of women’s fiction, I don’t know what does!

I would say that if you threw “Sex and the City”, “Dexter”, and “Promising Young Woman” into a blender and hit the on button, you would more or less get “How to Kill Men and Get Away With It”. Which is, on the whole, a rather charming concept for those who enjoy twisted thrills with some black humor to boot. It makes for a pretty fun read, with a fizzy humor and sarcastic bite that firmly places the power in a character who doesn’t want to deal with victimization, whether it’s towards herself, her friends, or women as a whole, any longer. And goes to extreme means to stave it off. Kitty is an interesting protagonist in that she is oozing with privilege due to her wealth, beauty, and social clout due to her successful influencer lifestyle, but covertly slaughters men she as discovered or deemed to be predators while hiding behind these things. Her first person perspective can be a little twee and repetitive at times, and I’m not sure that we really delve too far into her character so as to make her deeply complex, but as the story stands she’s enjoyable and just a bit wicked in a very fun way. There is definitely something cathartic about seeing crappy abusive dudes getting bumped off, so while Kitty could definitely have had some room to grow and evolve, it’s escapist fun at the end of the day and that’s just fine.

There is also a mystery at hand, as Kitty, being a well loved and well known influencer, has a stalker that is lurking about. A stalker who seems to know that Kitty is out and about slaughtering shitheads and has been holding it over her head. I liked having this added layer of stakes for Kitty, as it does make things all the more complicated for her. I also found myself genuinely surprised by some of the reveals and twists that came along with this subplot, as it goes from general ‘oh geeze, stalkers are always a problem’ to ‘oh boy, the stalker knows what she’s up to!’. I was a little surprised that Kitty herself didn’t seem super concerned about it, viewing it more as a nuisance that this anonymous person being in her business than someone who could very easily turn her in or at least tip someone off about her. I’m not certain if this was supposed to be reflective of Kitty’s general sociopathy, or that it was a point that could have used more development, but it was always present and it added to the overall tension.

“How to Kill Men and Get Away With It” is the kind of quippy and engaging thriller that will certainly appeal to fans of the genre who also like a little bit of sudsy ‘chick lit’ to be in their reading piles. As someone who fits that description, I found it to be a pretty fun read for summer.

Rating 7: Witty and banter filled with some fun satire, “How to Kill Men and Get Away With It” has a dark premise and fizzy execution.

Reader’s Advisory:

“How to Kill Men and Get Away With It” is included on the Goodreads lists “Not a Handbook”, and “[ATY 2023]: Murder!”.