Category: Kate’s Reviews

Kate’s Review: “Tiny Threads”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Tiny Threads” by Lilliam Rivera

Publishing Info: Del Rey, September 2024

Where Did I Get This Book: I received an ARC from the publisher at ALAAC24.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A young woman gets her dream job working for a famous designer—and discovers the dark side of the glamorous world of fashion—in this gorgeously sinister novel of supernatural suspense.

Fashion-obsessed Samara finally has the life she’s always dreamed of: a high-powered job with legendary designer Antonio Mota. A new home in sunny California, far away from those drab Jersey winters. And an intriguing love interest, Brandon, a wealthy investor in Mota’s fashion line.

But it’s not long before Samara’s dream life begins to turn into a living nightmare, as Mota’s big fashion show approaches and the pressure on Samara turns crushing. Perhaps that’s why Samara begins hearing voices in the dark in her room at night—and seeing strange things that can’t be explained away by stress and anxiety, or by the number of drinks she consumes every night.

And it may not only be Samara’s unraveling psyche, because she soon discovers hints that her new city—and the house of Mota—may have been built on a foundation of secrets and lies. Now Samara must uncover what hideous truths lurk in the shadows of this illusory world of glamor and beauty, before those shadows claim her…

Review: Thank you to Del Rey for providing me with an ARC of this novel!

Whenever we go to ALAAC I always come with a list of titles that I am looking for. I resign myself to the fact that my desired titles aren’t always going to overlap with what is available, but this past year I had a pretty good ven diagram of things I wanted and things that were available. One of the books I was on the hunt for was “Tiny Threads” by Lilliam Rivera, partially because Cynthia Pelayo had been singing its praises (and I really enjoy her books), and partially because I LOVE a dramatic interpretation of the fashion industry. If it has horror elements, I’m even more sold. So when it was available I was very, very pleased. I went into it expecting a full on horror story. I found something a little different, but in a positive way.

This wasn’t as scary as I had hoped that it would be, but what it lacked in obvious scares it made up for in a good old fashioned feminine rage story and a psychological spiral of our main character, who keeps hearing ‘rats’ in her new aparment’s walls at 2am. We follow Samara, who has moved from New Jersey to California after she is hired by the iconic (but recently struggling) fashion designer Antonio Mota to work as a fashion promoter in his fashion house. What should be a dream job and an amazing opportunity is not so much, as Samara soon realizes that Mota is an abusive narcissist, there are many divisions in the company, and her new home in Vernon, California, is being disrupted by a hostile work environment and strange noises that keep her awake at night. The pressure and the lack of sleep make Samara more inclined to turn towards a bottle as she desperately tries to help throw together a make or break fashion show, and she has started seeing strange and disturbing images of a woman, as well as the name ‘Piedad’ everywhere. It’s pretty clear to this seasoned horror reader what Rivera was setting up, but the execution of watching Samara spiral into deeper and deeper madness (or is it a horrifying enlightenment?) was intense and nerve wracking. Rivera also examines through Samara, as well as other Latine women characters, a hostile racism and misogyny that is seeping at every turn, whether it’s Antonio’s abuses, or the history of the town and how it has used brown skinned women as worker bodies that are expendable, or how powerful white people take advantage of them in all kinds of ways.

I am also a huge sucker for drama filled stories that take on the fashion industry. I am by no means a fashionista, as you can usually find me wearing jeans, band tees, hoodies, and pajama pants, but I am very fascinated by fashion and beauty and the industries that promote those concepts up (and profit off of them). I enjoyed the way that Rivera portrayed Mota fashion house as a place that creates gorgeous and decadent clothing that is envied and coveted by many, but how how it also rings their employees dry, and how at the end of the day it is a capitalistic machine that is out to make money and to convince the masses that they should be spending their money on their designs. Even the setting of Vernon, California, is the perfect vehicle for this, as it’s a small town that was built on corporate need and greed, and sustains itself through this while also reeking of it (literally; there is a meat processing plant that stinks the community up and is hard to ignore). “Tiny Threads” does a great job of juxtaposing the beauty ideals that the fashion industry pushes forth with the mass production corporate greed that ultimately brings harm to many who work within that system, and how they aren’t so dissimilar be it fashion or meat packing and slaughterhouses. I found it compelling and haunting.

“Tiny Threads” is a great adult debut for Lilliam Rivera, and an incredibly psychological horror tale that has just as many real world scares as it does supernatural ones. Highly recommended!

Rating 8: Intense and angry, “Tiny Threads” is a psychological ghost story that takes on misogyny, violence, racism, and the fashion industry.

Reader’s Advisory:

“Tiny Threads” is included on the Goodreads list “2024 Mystery Thrillers Crime to Be Excited For”.

Kate’s Review: “The Lightning Bottles”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Lightning Bottles” by Marissa Stapley

Publishing Info: Simon & Schuster, September 2024

Where Did I Get This Book: I received an ARC at ALAAC24.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: The author of New York Times bestseller and Reese’s Book Club pick Lucky returns with a love letter to rock ‘n’ roll and star-crossed love, following Jane Pyre’s road trip around Europe as she attempts to find out what really happened to her partner in love and music, who disappeared without a trace years earlier, leaving Jane to pick up the pieces.

Jane Pyre was once one half of one of the most famous rock ‘n’ roll duos in the world, The Lightning Bottles. Years later, she’s perhaps the most hated (and least understood) woman in music. She was never as popular with fans as her bandmate (and soulmate) Elijah—even if Jane was the one who wrote the songs that catapulted The Lightning Bottles to instant, dizzying fame, first in the Seattle grunge scene, and then around the world.

But then Elijah disappeared and everything came crashing down. Even now, years after Elijah vanished, Jane is universally blamed and reviled by the public. In an attempt to get some peace and quiet, Jane rents a house in a remote part of Germany where she knows she won’t be disturbed. But on the day she arrives, she’s confronted by her new next-door neighbor, a sullen teenaged girl named Hen who just so happens to be a Lightning Bottles superfan—and who claims to have a piece of information that might solve the mystery of what happened to Elijah, and whether he is, in fact, still alive and leaving messages for Jane after all these years.

A cross-continent road trip about two misunderstood outsiders brought together by their shared love of music, interwoven with flashbacks to the beginnings of Jane and Elijah’s love story and meteoric rise, The Lightning Bottles is a love story, a celebration of rock ‘n’ roll, and a searing portrait of the cost of fame.

Review: Thank you to Simon & Schuster for providing me with an ARC of this novel!

I was a bit young to really get into the grunge era of music, but I do remember some of my elementary school classmates listening to Nirvana, and some of my tween friends worshiping Kurt Cobain in middle school a few years after his death. But by high school I was very much aware of Kurt Cobain and Courtney Love and their short lived, dramatic, but ultimately true romance, in part due to the fact I was hyperfocusing on The Sex Pistols and there were lots of comparisons between Sid and Nancy and Kurt and Courtney. So I was very familiar with the pop culture zeitgeist around that when I heard a description of “The Lightning Bottles” by Marissa Stapley at the Simon & Schuster Fall Preview panel at ALAAC24. I loved the idea of a road trip mystery as a former rock star goes on a journey to perhaps find her husband and musical partner who disappeared, and to come to terms with the way that fame shaped and in some ways destroyed them both. Especially since it sounded like it was going to perhaps do some unpacking of Kurt and Courtney through the characters of Elijah and Jane.

I had been expecting more of a mystery, but what I got was basically “Eddie and the Cruisers” meets Kurt and Courtney. And that’s not too much of a complaint! I do enjoy the idea of a mystery of a beloved rockstar disappearing, and his controversial wife/bandmate going on a journey to try and see if he is still alive (with scrappy teenager in tow), and “The Lightning Bottles” does deliver an interesting plot with lots of twists and turns. But this book is more about artistry, the price of fame, and how sometimes love isn’t enough to keep two damaged people from causing more damage towards each other. Stapley definitely takes inspiration from Nirvana frontman Kurt Cobain and his marriage to Hole frontwoman (and perhaps one of the most hated women in music) Courtney Love, but Elijah and Jane, Jane especially, stand on their own two feet. I liked learning their love story through the flashbacks and the transcripts of their chat room conversations, and while I don’t think I got to know Elijah as much as I did Jane (which is to be expected given it’s really her story at its heart), I REALLY got to know Jane, and I really loved Jane by the end. I do wish that there was a little bit more mystery at the forefront though. Even “Eddie and the Cruisers” had some tense moments in regards to what happend to Eddie, even if it was ultimately about Tom Berenger rediscovering himself.

And that may be my one complaint in this book; Stapley may be a little TOO forgiving of Jane, and in turn perhaps her inspiration (an author’s note makes it fairly clear that Stapley really wanted to champion Courtney Love). Please don’t misunderstand me, I absolutely believe that a lot of the animosity towards Love, especially when it comes to Kurt Cobain, is unfair, unfounded, and steeped in misogyny, especially since we’ve seen this kind of thing before in rock and roll narratives of a horrible woman ruining a band when that’s just not founded at the end of the day (Yoko Ono comes to mind). I love that Stapley wanted to be sure to show that Jane was so wholly misunderstood, and that it was very unfair that Elijah’s problems were never laid upon Elijah and only on Jane. Especially when those problems were causing JANE problems in her own right. But that also makes Jane a little less interesting by making her flaws easily explained away, when her real life counterpart is VERY flawed for reasons that go waaaay beyond the bullshit she had to endure in regards Cobain. And I felt that by denying Jane some flaws that had some bite, it denied her some more complexity that she probably could have used.

As a whole I enjoyed “The Lightning Bottles”. It’s a love letter to a musical era, it’s an enjoyable love story, and it has some emotional beats that caught me off guard.

Rating 7: I was expecting more of a mystery but instead found a compelling love story about fame, music, and the highs and lows of being in love as an artist on the verge of greatness, or tragedy.

Reader’s Advisory:

“The Lightning Bottles” isn’t on many Goodreads lists yet, but it would fit in on “Best Rock and Roll Novels”.

Kate’s Review: “Dearest”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Dearest” by Jacquie Walters

Publishing Info: Mulholland Books, September 2024

Where Did I Get This Book: I received an ARC from a panel at ALAAC24.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A new mom in need of help opens her door to her long-estranged mother—only to invite something much darker inside—in this “fast-paced and frightening debut” (Rachel Harrison) about the long shadows cast by family secrets, perfect for readers of Grady Hendrix or Ashley Audrain.

Flora is a new mom enamored of her baby girl, Iris, even if she arrived a few weeks early. With her husband still deployed, Flora navigates the newborn stage alone. But as the sleepless nights pass in the loneliness of their half-empty home, the edges of her reality begin to blur.

Just as Flora becomes convinced she is losing her mind, a surprising guest shows up: Flora’s own mother, to whom she hasn’t spoken in years. Can they mend their fraught relationship? Or is there more Flora’s mother isn’t telling her about the events that led to their estrangement?

As stranger and scarier events unfold, Flora begins to suspect the house is not as empty as she once thought. She must determine: is her hold on reality slipping dangerously away? Or is she, in fact, the only thing standing between a terrifying visitor and her baby? 

Review: Thank you to Mulholland Books for providing me with an ARC at ALAAC24!

I’ve touched on here about those early days of being a new Mom and how stressful it can be. I was actually very lucky during those first few months of being a new parent, as I have a great support system in town, my husband was able to take a fair amount of time off of work, and we were able to split care up pretty evenly between us (though once COVID hit a few months after she was born the isolation and stress did get to be a bit much!). But I know that I was very lucky, and that even though it wasn’t easy, it wasn’t a nightmare, like it can be for some. I love that more books are talking about this, especially horror novels, and “Dearest” by Jacquie Walters is one of the newest to take motherhood and turn it into a horror story.

There is a bit of a supernatural bent to this book that I don’t really want to spoil, but I will say that this was surprisingly the weaker thread of the novel. That’s not to say that it was bad or poorly done. I did enjoy the way that Walters brought in these elements and how she built it up, specifically an element regarding sleep paralysis and Night Hags, and how she wove them into the story at hand. It also led to a pretty well done twist that I didn’t see coming at all, which made me go back and look for the clues. But I do think that it undercut the power of the horrors that were about Flora dealing with a newborn as a new mom while also dealing with her estranged mother whom she called for help, and who has always had a cruel streak that is popping up again as they reunite.

But what really worked for me were the themes of postpartum depression, the stresses of new parents, specifically mothers, and generational trauma that can fester and pass down from person to person. I found Flora’s experiences as a newly postpartum mother with a newborn and little to no support (as her husband is deployed and delayed getting home) to be heart wrenching, incredibly tense, and in some ways pretty relatable. Walters shows how much it can be a struggle, and how mothers feel like they aren’t supposed to see it as a struggle and therefore it just gets worse and worse until, in some very tragic instances, the unthinkable happens. She also puts very realistic problems like the pressures to breastfeed (even with painful infections), the way that some people dismiss a mother’s stress, the sleep deprivation, and the societal pressures to be a perfect loving mother from the jump, at the forefront and pulls out the tension and the horrors of simply being a new mother in a culture that doesn’t offer as much support as it could. Add in the way that Flora’s mother, whom she reaches out to in desperation, needles, picks at, and has damaged her adult daughter, and it made this reader very, very tense. I’ve said it many times in the past couple of years, but with many women in this country being forced into pregnancies and motherhood due to a lack of reproductive rights, these kinds of stories are especially chilling these days.

Overall I enjoyed “Dearest”. I would have liked a little more, but it’s another effective horror story about motherhood.

Rating 7: A haunting tale of motherhood, generational trauma, and how a lack of support can drive a mother to do things she’d never dream of, “Dearest” is a tense book that felt all too real at times.

Reader’s Advisory:

“Dearest” is included on the Goodreads list “September 2024 Horror”.

Kate’s Review: “This World Is Not Yours”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “This World Is Not Yours” by Kemi Ashing-Giwa

Publishing Info: Tor Nightfire, September 2024

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: This World is Not Yours by USA Today bestseller Kemi Ashing-Giwa is the perfect blend of S.A. Barnes’ space horror and Cassandra Khaw’s beautiful but macabre worlds. An action-packed, inventive novella about a toxic polycule consumed by jealousy and their attempts to survive on a hostile planet.

After fleeing her controlling and murderous family with her fiancée Vinh, Amara embarks on a colonization project, New Belaforme, along with her childhood friend, Jesse. The planet, beautiful and lethal, produces the Gray, a “self-cleaning” mechanism that New Belaforme’s scientists are certain only attacks invasive organisms, consuming them. Humans have been careful to do nothing to call attention to themselves until a rival colony wakes the Gray.

As Amara, Vinh, and Jesse work to carve out a new life together, each is haunted by past betrayals that surface, expounded by the need to survive the rival colony and the planet itself.

There’s more than one way to be eaten alive.

Review: Thank you to NetGalley for providing me with an eARC of this novella!

When “This World Is Not Yours” by Kemi Ashing-Giwa ended up in my inbox, the cover alone caught my attention. I mean dang, look at that cover. The expression on that person’s face! And looking more into the story itself, I was absolutely intrigued by the premise of a space colony with a strange ecosystem, and a ‘toxic polycule’ (we all know that I LOVE that kind of drama). And the phrase ‘There’s more than one way to be eaten alive’? GIVE IT TO ME NOW. Suffice to say, I was going into this novella with some high hopes.

First the highlights. I am always game for a sci-fi/space horror tale that brings up some of the perils of colonialism, especially on an unfamiliar planet with an unfamiliar ecosystem and with mechanisms that aren’t fully understood. This is one of the reasons I loved “Annihilation”, and the Gray and New Belaforme colony really reminded me of that novel in a number of ways. Secondly, the space horror in this book is unrelenting, it builds some good tension, and when the tension breaks it is GORY AS HELL and in the best and most horrifying ways possible. First with the tension bit. There was one moment where someone was literally swimming in The Gray and I am pretty sure I clamped my hand over my mouth because I knew that could NOT be a good idea, but Ashing-Giwa takes her sweet time in pulling out all she can from the suspense. And then when we do finally get a pay off for it, and the tension breaks into a gory, terrifying mess?

It was disgusting and absolutely nasty. Which is exactly what I want from space based body horror. ( source)

All of this was spot on.

That being said, and this is in a lot of ways a ‘me’ issue, I wasn’t as enthralled with the Science Fiction stuff. I am at the point where I need to just tell myself ‘look Kate, even if it’s Space Horror, Sci-Fi isn’t your thing’ and maybe not take it on. And in “This World Is Not Yours” we get a lot of that, with colonies, space intrigue, Science Fiction scenarios involving populations and ecology, and lots of references to tech that kind of made me skim the pages a bit. I will reiterate that these are all things that are to be expected in this genre, and people who like that will probably like how it is done in this. So that negative aspect is probably on me. But along with that I didn’t feel like I really got to know our characters as much as I would have liked, especially Jesse, one of the cornerstones of the polycule that has been forced upon our main characters. I understood his connection to Amara, but the connection to Vinh was more talked about than really demonstrated. I think to buy some of the high stakes moments at the end I needed more from Jesse. I also needed more development of Vinh’s assigned husband Henry, because Amara REALLY hates him and I understood why she would hate him as a jealous wife, but he seemed pretty bland until there were a couple of hail Mary moments of terribleness that felt like they were there to be like SEE THIS IS WHY YOU SHOULD HATE HIM that didn’t feel super earned. On top of that, Amara and Vinh as the couple we are supposed to be rooting for didn’t really click with me. But this could have been solved had we explored them more, and I think that we probably needed more pages to do so.

So all in all “This World Is Not Yours” was a bit mixed for me. The space horror at its peak was fantastic. But it wasn’t as centered as I had hoped it would be.

Rating 6: When the space horror was in full force it was terrifying. But a lack of character development and a little too much Sci-Fi made this not the home run I had hoped for.

Reader’s Advisory:

“This World Is Not Yours” is included on the Goodreads list “Queer Polyamory”.

Kate’s Review: “The Night Guest”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Night Guest” by Hildur Knútsdóttir & Mary Robinette Kowal (Translator)

Publishing Info: Tor Nightfire, September 2024

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.0rg | Amazon | Indiebound

Book Description: Hildur Knutsdottir’s The Night Guest is an eerie and ensnaring story set in contemporary Reykjavík that’s sure to keep you awake at night.

Iðunn is in yet another doctor’s office. She knows her constant fatigue is a sign that something’s not right, but practitioners dismiss her symptoms and blood tests haven’t revealed any cause.

When she talks to friends and family about it, the refrain is the same ― have you tried eating better? exercising more? establishing a nighttime routine? She tries to follow their advice, buying everything from vitamins to sleeping pills to a step-counting watch. Nothing helps.

Until one night Iðunn falls asleep with the watch on, and wakes up to find she’s walked over 40,000 steps in the night . . .

What is happening when she’s asleep? Why is she waking up with increasingly disturbing injuries? And why won’t anyone believe her?

Review: Thank you to NetGalley for providing me with an eARC of this novel!

Earlier this summer I went into the doctor for some weird symptoms that seemed to come out of nowhere. I was experiencing head spinning and elevated heart rate at times, mostly when driving, and I was worried that something was wrong. But after running tests and even putting me on a heart monitor for two weeks, the doctor wasn’t able to find anything out of the ordinary (and the symptoms generally resolved), and I ended up having to basically chalk it up to anxiety (and given that I had a massive anxiety episode a couple months later that was probably the case). But in the moment I was very stressed about symptoms that weren’t really explainable no matter how supportive my provider was (and she was!). So there were some aspects of “The Night Guest” by Hildur Knútsdóttir that were personally very relatable to me, what with the question of medical mysteries and the stress that comes with it. Luckily I can say that the relatability ended there, as this novel was supremely, SUPREMELY, creepy, and just got creepier as it went on.

I loved how weird and creepy this book is. We are following the perspective of Iðunn, a woman living in Reykjavik who has been exhausted and feeling poorly, although her medical tests are coming up without any answers. But after she buys a watch with step counts, and the counts over night are in the tens of thousands in spite of her thinking she’s asleep, the first person POV novella slowly spirals as she becomes more and more incoherent and unhinged. Knútsdóttir really captures a deeply disturbing tone, starting with the already kind of upsetting (but also too real) scenario of a woman dealing with medical issues that no one else can really explain, and how hopeless that can feel, and going deeper and deeper int weird territory as phantom steps, weird injuries, and other odd things begin popping up that feel connected to Iðunn. Since it’s in the first person we really get into Iðunn’s mind and slowly learn her backstory as her perspective is crumbling more and more. I absolutely loved how bananas this descent was, and how we do learn things about her and her background and part of what may be driving her mental state as these bizarre things are happening to her. It’s very much an unreliable narration story, but Knútsdóttir hits the exact right notes to make it abjectly horrifying the longer is goes on until even the reader feels like they are going mad.

One qualm? I did find the ending to be a little confusing and perhaps a little too quick. There is always a risk of going too deep into the weeds with an unreliable narrator that is perhaps losing their mental faculties, and I think that’s what may have happened here. It’s a hard balance to strike when trying to keep a consistent tone to a character, but also having to maybe explain SOMETHING as the story wraps up. I didn’t feel like we really got that there, though I do understand that it may be a bit difficult to do so with the trajectory that Iðunn took and where she was by the ending. But that being said, it kind of made the ending more of a thud than a stuck landing.

But at the end of the day I found “The Night Guest” to be really weird and unsettling in a really good way. Should more of Knútsdóttir’s works be translated I would definitely seek it out, what a strange and unique story this was.

Rating 7: Super creepy and very unnerving, but a frantic and confusing ending bumped my score down just a little bit.

Reader’s Advisory:

“The Night Guest” is included on the Goodreads list “Horror to Look Forward to in 2024”.

Ripley’s Reviews: “The Talented Mr. Ripley”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.


“Ripley’s Reviews” is an ongoing series where I will review every book in Patricia Highsmith’s “Ripley” Series, as well as multiple screen adaptations of the novels. I will post my reviews on the first Thursday of the month, and delve into the twisted mind of one Tom Ripley and all the various interpretations that he has come to life within. Up first is the first book in the series, “The Talented Mr. Ripley”.

Book: “The Talented Mr. Ripley” by Patricia Highsmith

Publishing Info: Coward-McCann, January 1955

Where Did I Get This Book: I own it.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: It’s here, in the first volume of Patricia Highsmith’s five-book Ripley series, that we are introduced to the suave Tom Ripley, a young striver seeking to leave behind his past as an orphan bullied for being a “sissy.” Newly arrived in the heady world of Manhattan, Ripley meets a wealthy industrialist who hires him to bring his playboy son, Dickie Greenleaf, back from gallivanting in Italy. Soon Ripley’s fascination with Dickie’s debonair lifestyle turns obsessive as he finds himself enraged by Dickie’s ambivalent affections for Marge, a charming American dilettante, and Ripley begins a deadly game.

“Sinister and strangely alluring,” (Mark Harris, Entertainment Weekly) The Talented Mr. Ripley serves as an unforgettable introduction to this smooth confidence man, whose talent for self-invention is as unnerving—and unnervingly revealing of the American psyche—as ever.

Review: As mentioned in my intro to this new blog series, I first discovered Tom Ripley and “The Talented Mr. Ripley”, the first in Patricia Highsmith’s “Ripliad” when I was a teenager on Spring Break. It ended up being the perfect beach read, and I was totally immersed in the story of a con artist turned murderer usurping the life on an unsuspecting heir apparent on an Italian extended holiday. There has been a bit of a renaissance of creepy protagonists behaving badly all for the entertainment of a joyful audience, and clearly I picked this up all those years ago and it has followed me ever since. I was curious what revisiting it would be like as an adult with a healthy love of thrillers and despicable antiheroes, and baby, Tom Ripley still wows after all this time.

Cheers you sick bastard (also we will get to THIS specific Ripley in a few months). (source)

As a thriller it is taut and suspenseful and well paced, as we start off in New York and meet Tom Ripley, an aimless twenty something who finds himself asked by a wealthy patriarch to go and fetch his son Dickie Greenleaf, whom Ripley knew in passing and has been gallivanting in Italy on his father’s dime. Ripley and Dickie were barely acquaintances, but a free trip to Europe is too good to pass up, and once Tom arrives he is completely enamored with Dickie and his lifestyle. What starts as an awkward friendship between Tom and Dickie (and Dickie’s quasi-gal pal Marge) slowly turns into Ripley coveting everything Dickie has, which leads to murder, more murder, and identity theft and fraud. Highsmith approaches this with a very matter of fact tone that was in some ways a bit disturbing, but also knows how to eek out all of the tension as Tom does more nefarious things, and flirts more and more with danger as the authorities start to catch on that something is wrong. It’s cat and mouse and part of the suspense is not whether Ripley will get away with it, but whether he is going to be caught. And while that sounds like the same thing, it isn’t really. Because Highsmith lays this out in such a way that it is very likely that the reader will perhaps be more hopeful that he gets away with it.

How is this possible? Well, we of course have to talk about Tom Ripley and the way that Patricia Highsmith presents him to her readers and the audience. He was far more calculated and cold than I remembered him being, basically from the jump being portrayed as a con artist at best (as when he is approached by Dickie’s father to set forth to Italy he is running petty IRS scams on unsuspecting rubes) who sees an opportunity to live off the elite, and then revealing his sociopathic nature as the story goes on. I don’t particularly find Ripley charming or even likable, but Highsmith does write him in a way that managed to still make me kind of want to see how far he could go because she drew him out so well in her characterization. And having read it previously and knowing there are a few more books in the series, knowing he was going to get away with it was galling… but also a little satisfying. Come on, it’s not like the thriller genre doesn’t produce villainous protagonists all the time these days, and Ripley was certainly one of the first, and he still holds up. In this book it’s just a bit of a wicked thrill to see how he slowly takes over Dickie’s life and wealth, even if Dickie (and Ripley’s other victims) certainly don’t deserve it. Highsmith absolutely achieved what she set out to do with this character. I am more than happy to keep following him and see what terrible shenanigans he gets into going forward, because now I am wholly unaware. Bring it on, Tom.

“The Talented Mr. Ripley” was as enjoyable this time around as it was when I was a teenager, and it is a clear foundational work for the modern thriller. It gets under the skin but makes you want to know more. What a ride this ongoing series is going to be. Next up is Book 2 in the series, “Ripley Under Ground”.

Rating 8: A game changer for the Thriller genre and a deep dive into a highly despicable (yet highly entertaining) psychopath and his thought processes, “The Talented Mr. Ripley” still stands tall after all this time.

Reader’s Advisory:

“The Talented Mr. Ripley” is included on the Goodreads lists “Thrillers You Must Read!”, and “I Like Serial Killers”.

Kate’s Review: “Haunt Sweet Home”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Haunt Sweet Home” by Sarah Pinsker

Publishing Info: Tordotcom, September 2024

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: On the set of a kitschy reality TV show, staged scares transform into unnerving reality in this spooky ghost story from multiple Hugo and Nebula Award-winning author Sarah Pinsker.

“Don’t talk to day about what we do at night.”

When aimless twenty-something Mara lands a job as the night-shift production assistant on her cousin’s ghost hunting/home makeover reality TV show Haunt Sweet Home, she quickly determines her new role will require a healthy attitude toward duplicity. But as she hides fog machines in the woods and improvises scares to spook new homeowners, a series of unnerving incidents on set and a creepy new coworker force Mara to confront whether the person she’s truly been deceiving and hiding from all along―is herself.

Eerie and empathetic, Haunt Sweet Home is a multifaceted, supernatural exploration of finding your own way into adulthood, and into yourself.

Review: Thank you to NetGalley for providing me with an eARC of this novella!

Well, Summer is pretty much over, and while I do admit I will miss the pool and other outdoor activities as the temperatures drop, Autumn is my favorite season and it’s no contest. I am also one of those weirdos who decides that Halloween Season begins the moment that Labor Day ends, and what better way to celebrate that than with a spooky book? And if you are looking for a spooky book that isn’t TOO spooky, well then do I have a good title for you: “Haunt Sweet Home” by Sarah Pinsker! Are you kind of interested in getting in the Halloween mood, but don’t want to dive in too deep, either because you aren’t a lunatic like I am or because you like your horror a little on the lighter side? Then look no further.

This is a novella, so it’s a pretty quick read, but for being quick it hit all of the correct beats and parsed out an engaging and at times eerie ghost story while also effectively taking on mediocre reality TV shows. I never got into home improvement shows, but I do have some experience with ghost hunting TV, and “Haunt Sweet Home” nails the false pretenses of reality TV and the way it can manipulate those who participate and those who consume. We follow Mara, a twenty something who hasn’t found her lot in life yet and is convinced to join her cousin’s incredibly successful reality TV show where he not only renovates and makes over houses, but also investigates hauntings. Mara becomes a lower rung PA and finds out how the sausage gets made on a show like this, but also encounters some strange, and perhaps otherworldly, characters along the way. It’s a ghost story that has a genuine self discovery theme, and I found it to be honest about the frustrations of not knowing your path as well as honest about the faux imagry of reality TV. I especially liked the way that Pinsker frames the novella with excerpts of pivotal episode transcripts for “Haunt Sweet Home”, and how they seem to show one thing, but then slowly reveal something else as the story goes on. As someone who doesn’t watch a lot of reality TV but is also deeply fascinated with the genre and how produced it actually is I really enjoyed the peek behind the curtain here.

And while I didn’t find this book particularly scary, I don’t think that being scary was the goal. And that worked in its favor, as the coziness of this tale is hard to deny and the journey of self discovery is pretty well done. Mara’s encounters with the supernatural are pretty clear if you know what to look for from the jump, and even when they are revealed its less a surprise and more of a puzzle piece that helps explain her motivations going forward, and a fairly enjoyable arc for our somewhat aimless protagonist. It’s the kind of spooky-esque read that would be perfect for people who don’t really like super scary stories, but want something to pick up during Autumn as the leaves turn and Halloween creeps up upon us. Mara had a tendency to be a bit frustrating at times, but I don’t think that was unintentional, and because of that it worked pretty well for the narrative.

Overall, if you want a more gentle and cozy horror tale for the upcoming spooky season, “Haunt Sweet Home” is a pretty good option. It’s quick, it’s charming, it has vibes for the Halloween fiends who want gentler fare for sure.

Rating 7: An introspective ghost story about bad reality TV and self discovery, “Haunt Sweet Home” is a quick read perfect for the upcoming Autumn season.

Reader’s Advisory:

“Haunt Sweet Home” isn’t on any Goodreads lists as of yet, but it would fit in with other Cozy Horror books.

Ripley’s Reviews: An Introduction and Brief History

“Ripley’s Reviews” is an ongoing series where I will review every book in Patricia Highsmith’s “Ripley” Series, as well as multiple screen adaptations of the novels. I will post my reviews on the first Thursday of the month, and delve into the twisted mind of one Tom Ripley and all the various interpretations that he has come to life within.

I remember when I was a teenager my family took a trip to California to visit relatives for Spring Break. It was around the time that the film “The Talented Mr. Ripley” had come out, and while I hadn’t seen it yet, the concept intrigued me enough that I got myself a copy of the book specifically for that trip. I have memories of reading it on the beach whilst staying in a house that our families had rented in the small tourist town of Capitola, and how enthralled I was by the story of a man slowly usurping another man’s identity and the murder and intrigue that went along with it. Recently, Netflix put together a new adaptation of the original novel called “Ripley”, which stars Andrew Scott as the sociopathic chameleon, and when that dropped I had an idea: not only was I going to revisit the original story, I was also going to read the whole series. AND watch as many adaptations as I could find. Thus, the “Ripley’s Reviews” series came to be.

Patricia Highsmith: The Creator

Patricia Highsmith is the author of the “Tom Ripley” series, whose works have been adapted over the years with not only “The Talented Mr. Ripley” and all of those forays, but also with the movie “Carol” which is based on her book “The Price of Salt”, and “Strangers on a Train”, one of Alfred Hitchcock’s earlier films. She was born in Texas in 1921, was abandoned by her mother and stepfather to live with her grandmother, and went to Barnard College, which was also when she started submitting her stories to various publications. She struggled with alcoholism, self loathing (as she was a queer woman living with internalized homophobia), and wasn’t exactly known as a genial or well liked person. But she was highly regarded as a very talented writer, and with the successes of “Strangers on a Train” and “The Price of Salt” she made her mark in the writing world. And then in 1955 she wrote “The Talented Mr. Ripley”, which became her arguably most well known work, as well as a character that had unsettling parallels to her own psyche. Her whole point was to make her readers root for a villain, and thus Tom Ripley was born.

Tom Ripley: The Impact

Tom Ripley is the main character in Highsmith’s “Tom Ripley” series, which she liked to call “The Ripliad”. His first appearance was in the aforementioned first book in the series “The Talented Mr. Ripley”, and was followed with four more books: “Ripley Underground”, “Ripley’s Game”, “The Boy Who Followed Ripley”, and “Ripley Under Water”. Tom Ripley is a con artist, who can seamlessly insert himself into unsuspecting people’s lives and slowly take them over. The first book in the series, and the most well known by the public, has Ripley starting his ‘adventures’ when he is hired by the wealthy Herbert Greenleaf to retrieve his cad of a son Dickie from an extended holiday in Italy, as Tom and Dickie once ran in a similar circle.

Once there, Tom becomes obsessed not only with Dickie, but also with the life of opulence and privilege he is living. Tom Ripley is a devious antihero who does despicable acts, but is one of those characters that is so fascinating to follow BECAUSE of how despicable they are. Recent character sensations who fit this mold are absolutely Joe Goldberg from “You” (both series by Caroline Kepnes and Netflix show), as well as Oliver from “Saltburn”, who obsess, covet, and kill all while the audience feels scandalized and enthralled. His impact on the Thriller genre is huge, and he was also one of those characters that felt completely real and in control of the narrative to the woman who created him.

Adaptations: Ripley and Beyond

“Ripley” is the newest adaptation of “The Talented Mr. Ripley”, but Andrew Scott is obviously not the first to step into the shoes of this malicious yet ever so intriguing imposter murderer. Matt Damon played him in 1999, which is very well known. But the adaptations don’t start there. In 1960 the French director René Clément made the film “Plein Soleil” (“Purple Noon” in English), starring Alain Delon as Ripley. And even more interesting to me, DENNIS HOPPER of all people played him in the 1977 film “The American Friend” which adapts the third book in the series “Ripley’s Game” for the screen. Which was then adapted again in 2002 starring John Malkovich as Ripley. It will be entirely dependent on how many of these films I can actually find, but I intend to watch and review as many of them as possible, as well as the Netflix series.

I am quite excited to jump back into the world of Tom Ripley and to go fully into the series instead of stopping at the first. My review for “The Talented Mr. Ripley” will go up in a week from now, and I invite you all to follow me on this journey into the stories of one of the most enduring thriller villains, and antiheroes, of the genre. I hope that you will join me as I jump into what will surely be a strange, disturbing, but really fun adventure as I go into the many worlds of Tom Ripley! -KATE

Sources:

Kate’s Review: “Practical Rules for Cursed Witches”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Practical Rules for Cursed Witches” by Kayla Cottingham

Publishing Info: Delacorte Press, August 2024

Where Did I Get This Book: I received an ARC from the publisher at ALAAC24.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Magic is in Delilah Bea’s blood. Her absentee father is the world’s most famous cursebreaker, while all the women in her family are fated to never find true love. So when Delilah graduates her magical training and must complete her Calling, she has the perfect task in mind—to break the Bea family curse.

But Delilah’s Calling is hijacked by Kieran Pelumbra, a member of the wealthiest and most powerful family in the country, and breaking his curse suddenly becomes her official assignment. Every generation, a pair of Pelumbra twins are doomed, with one twin draining the other of their life and magic. Each day, Kieran grows weaker while Briar gets closer to…something monstrous.

As Delilah and the twins set out on their quest, they quickly realize that breaking the Pelumbra curse isn’t going to be simple. For one, the Pelumbra family doesn’t actually want their curse broken—and they’ve sent hunters after them to ensure they fail. Secondly…it’s Briar. There’s just something about her that gets under Delilah’s skin and makes her want to kiss the perpetually grumpy look off her face. But with time running out for the twins and Delilah’s own curse getting in the way, they may not stand a chance of finding their Happily Ever After.

Review: Thank you to Delacorte and Penguin Random House for giving me an ARC at ALAAC24!

One of the books that I was very much on the hunt for at ALAAC24 (there were many, mind you) was the newest novel from Kayla Cottingham. I really enjoyed their previous two YA books, which were both horror stories with some Sapphic romance themes, and I found them both to be engaging and well done. When I heard that their next book, “Practical Rules for Cursed Witches”, was going to be witch centered I was very excited, for obvious reasons to those who know me. What I didn’t expect was that it was going to be a departure from the horror genre completely, and instead would be a cozy fantasy romance. It didn’t make me less excited, but it did make me wonder if my expectations were going to be a bit dashed. And the answer to that is ‘yes’. But not in a bad way!

The first thing that stood out for me is that even though I don’t usually gravitate towards fantasy, the coziness of this one really worked for me. It’s not too shocking given that I have liked other cozy fantasies as of late like “Legends and Lattes”, and much like that one this book just felt really comforting and filled with a certain whimsy. Our protagonist is Delilah, a young witch who wants to make her Calling (a final trial to fully come into her powers) about breaking her family curse (in which the women in her family are doomed to be forgotten by their romantic partners), but has it hijacked by Kieran Pelumbra, who has his own family curse he wants rid of. Delilah is the daughter of a well known Cursebreaker (though she never met him), and Kieran wants her to break the curse that is siphoning his powers to his estranged twin Briar. I’m already into it in terms of the basic groundwork, and Cottingham easily builds this magical world and all of its systems, making all of it easy to f0llow and easy to invest in. The magical society is well established and I really enjoyed all of the witchy moments in this book.

I also really liked the ‘found family’ aspects of this story, as well as the way that Cottingham writes the romance between Delilah and Briar. It checks a lot of boxes for my romance preferences, as I really liked the antagonism between the two at the start and how they slowly start to understand each other because it makes for a very satisfying pay off. Cottingham’s biggest strength in their works is how well they piece together characters and relationships, and I so loved seeing this group of friends come together to try and save Kieran and Briar from their family curse, and finding connections with each other along the way. These kinds of themes are the things that really make fantasies work for me, and this one is SO sweet and so charming. It strikes me as the kind of book you would want to read in the Fall when you are trying to find some of the homier and cozier aspects of the season, and I’ve said ‘cozy’ so many times because this is just the epitome of that for me. And while it’s true that this being a fantasy story means that it does have personal drawbacks for me as a reader, I know so many people who love the genre who would probably love this book. I’m thoroughly impressed that Cottingham jumped so easily from horror to this story.

“Practical Rules for Cursed Witches” is a sweet novel that showcases Kayla Cottingham’s talents as an author beyond their usual genres (or at least the genres I’m used to). I love being surprised by a book and this one really achieved that.

Rating 7: A charming cozy fantasy romance from a YA author I really enjoy, “Practical Rules for Cursed Witches” is the perfect read if you want a cozy fall book!

Reader’s Advisory:

“Practical Rules for Cursed Witches” is included on the Goodreads lists “Sapphic Fiction 2024”, and “August 2024 Romantasy Releases”.

Kate’s Review: “Strange Folk”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Strange Folk” by Alli Dyer

Publishing Info: Atria Books, August 2024

Where Did I Get This Book: I received an ARC from the publisher at ALAAC24.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A woman returns to her estranged, magical family in Appalachia but when a man is found dead in the woods nearby, it seems the family has conjured something sinister in this lush, shimmering, and wildly imaginative debut novel that is perfect for fans of Alice Hoffman, Deborah Harkness, and Sarah Addison Allen.

Lee left Craw Valley at eighteen without a backward glance. She wanted no part of the generations of her family who tapped into the power of the land to heal and help their community. But when she abandons her new life in California and has nowhere else to go, Lee returns to Craw Valley with her children in tow to live with her grandmother, Belva.

Lee vows to stay far away from Belva’s world of magic, but when the target of one of her grandmother’s spells is discovered dead, Lee fears that Belva’s magic may have summoned something dark.

As she and her family search for answers, Lee travels down a rabbit hole of strange phenomena and family secrets that force her to reckon with herself and rediscover her power in order to protect her family and the town she couldn’t leave behind.

Review: Thank you to Atria books for providing me with an ARC of this novel!

One of the panels I attended at ALAC24 was a preview of upcoming thriller titles with the authors at hand to describe their books. One of the books that caught my attention was “Strange Folk” by Alli Dyer, which had not only a fantasy element to the thriller story, but also involved a family of healers in the mountains of Appalachia that has used nature and their powers to help those around their community, as well as stirred up some trouble here and there when using those powers. We all know that this is the exact kind of story I am an absolute sucker for, so I was very excited to read this book, my hopes being pretty high.

In terms of the witchiness themes and lore I did find a lot I liked in this book. I was definitely getting some hints and homages to “Practical Magic” as a reluctant woman from a line of healers and supposed ‘witches’ returns to her Appalachia home with her children after a nasty divorce. Lee’s homecoming and reintegration into the town was really fun to watch unfold, as she starts to reconnect with her grandmother Belva, a well respected healer, and starts to interact with the land again and how it can bind and heal, and sometimes take and harm. I absolutely loved the descriptions of the spells, charms, tinctures, etcetera of the women in this family, and the various rituals that they would partake in in hopes of helping and healing. And the Appalachia setting makes for an even more unique lens, with Lee’s family being mountain folk who have hidden away from general society and made their own way, being trusted by some and feared by others. I honestly kept thinking about Misty Day in “American Horror Story: Coven” with her connection to nature and her more ‘folksy’ (for lack of a better term) traditions. This interpretation of witches really worked for me in this story, as I love a story with powerful women doing magic, or something like it.

But that kind of leads to why this didn’t work as well for me, and that is because unlike in “Practical Magic” I didn’t really become attached to any of the characters at hand. A lot of them had some promising backstories, traits, and personalities, but I never fully enjoyed them and never quite believed that they got to what I was hoping they would be. Whether it was our main character Lee, who had some great build up but then didn’t quite get past the building blocks of her character except to be like ‘oh no I guess we will stay because this is my home’, or her mother Redbud, who was consumed by a guilty conscience and then became a drug addict and traumatized her daughter, we had so many things that could have been explored…. but then just didn’t quite get the exploration I was hoping for. I don’t really need characters like this to be likable, but I at least want them to be interesting even if I can’t really root for them. And I had a VERY hard time with the dynamic between Lee and Redbud, and how it felt like there was probably a lot of grace and forgiveness when all was said and done without the amount of atonement that I REALLY needed from her. And by the time we got some answers and reveals about what was going on, I was more happy that we were wrapping up as opposed to actually getting fulfilling answers.

I had higher hopes for “Strange Folk”, and while the concept, setting, and lore worked for me, I wanted from from our cast of mountain witches and their loved ones. I think it would be a good choice for the upcoming Autumn, however.

Rating 6: A strong premise and some interesting folk lore makes for a cool concept, but I wasn’t as invested in the characters.

Reader’s Advisory:

“Strange Folk” isn’t on many specific Goodreads lists but I think if you like books like “Practical Magic” and other magical family sagas this could be a good match.