Kate’s Review: “The Salt Grows Heavy”

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Book: “The Salt Grows Heavy” by Cassandra Khaw

Publishing Info: Tor Nightfire, May 2023

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: From USA Today bestselling author Cassandra Khaw comes The Salt Grows Heavy, a razor-sharp and bewitching fairytale of discovering the darkness in the world, and the darkness within oneself.

You may think you know how the fairytale goes: a mermaid comes to shore and weds the prince. But what the fables forget is that mermaids have teeth. And now, her daughters have devoured the kingdom and burned it to ashes.

On the run, the mermaid is joined by a mysterious plague doctor with a darkness of their own. Deep in the eerie, snow-crusted forest, the pair stumble upon a village of ageless children who thirst for blood, and the three ‘saints’ who control them.

The mermaid and her doctor must embrace the cruelest parts of their true nature if they hope to survive.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

I know that my Dad took my preschool self to see Disney’s “The Little Mermaid” in the theater, and while it’s not a top tier Disney film for me, I enjoy it enough (fun fact: it’s my Dad’s favorite Disney movie). I never sought out the original Hans Christian Andersen story, but I am kind of familiar with the general concept and how different and how much bleaker it is than the more palatable for children Disney version. I never really thought about what it would be like to make it even bleaker, but author Cassandra Khaw apparently did, because “The Salt Grows Heavy” takes “The Little Mermaid” and turns it into a full on balls to the wall body horror novella. Like, FULL ON BODY HORROR GORE AND VISCERA. WORK, ARIEL.

Pretend that the water is blood and guts and you aren’t even halfway there. (source)

Now this all sounds super promising, and between that and the cover (I LOVE THE COVER) I had high hopes for this novella. Unfortunately it was a bit of a mixed bag.

But first, what I liked! WHAT AN OUT THERE AND FREAKY CONCEPT! I love the way that Khaw has taken the story of “The Little Mermaid” and twisted it into something so visceral, so splatterpunk, so disturbing and gory. Our protagonist mermaid has fled the kingdom she married into with a mysterious Plague Doctor after her children with the prince have destroyed the city and all who live there. The original tale makes a victimized mermaid a lovelorn waif, while Khaw makes her into a vengeful, held against her will and now broken free with much blood behind her heroine. This story is one of the goriest I have ever read, so graphic that when I was reading it in a public place I had to set it down a few times just to swallow back disgust. In a good way! Body horror gets under my skin, and sometimes it puts me off, but even though this was so gross and nasty and relentless, it really worked well for me.

But what didn’t work as well was how flowery and overwrought the language felt at times. It’s a creative choice and I have to respect it, and I do admit that sometimes there were moments where I really did love the beauty of the language and descriptors that were used. But I have always had a very difficult time with very flowery and complex and ornate language in the stories I read for whatever reason. It makes it easier for me to get lost, and easier for me to find my eyes glazing over. I also think that we jumped in at a point that felt a bit more like the middle of a story versus a clear beginning, and because it’s a novella we had to speed through the place where we were at to resolve everything, which meant that there could have been more world building and more detail. And I do wish that we had spent some time with the mermaid and the horrible prince, to really see a full subversion of “The Little Mermaid” instead of a subversion of what felt more like a sequel to the tale that we know.

So while I was a bit disappointed in “The Salt Grows Heavy”, I had a fun time being absolutely disgusted with some of the body horror stuff in this book. If you don’t have the same hang ups with flowery writing styles that I do and love body horror, this book would probably be a good fit!

Rating 6: I loved the concept, and I really liked some of the creative aspects of twisting “The Little Mermaid” into a body horror gore fest. But the purple prose is a bit much, which is, admittedly, more reflective of my personal preferences.

Reader’s Advisory:

“The Salt Grows Heavy” is included on the Goodreads lists “Queer Horror”, and “Horror to Look Forward To In 2023”.

Beach Reads: Summer 2023

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Back for 2023, here is a list of some more favorite beach reads! Perhaps a little early, but Memorial Day is the traditional kick off to Summer, after all, and that’s just a week away. “Beach read” is a very fast and loose term for books people read over the beautiful summer months when we really should be outside “doing things” but are instead reading…maybe outside. Some people see these months as an opportunity to slog through long classics (we’re looking at you “Moby Dick”) before the busy-ness of the fall starts up, but for the sake of this list, we’re limiting our choices to fast paced, mostly feel good books (though there’s some obvious leeway here for Kate’s horror tastes!) that could be easily brought along on vacations. So, still a very loose definition, but hey, we had to start somewhere! We will select one title for each of the genres we most read.

Serena’s Picks

Fantasy Title: “Emily Wilde’s Encyclopaedia of Faieries”

I actually had a really hard time narrowing down my choice for the fantasy genre on this list. I guess I was really in the mood for “cozy fantasy” last year, as there were several that popped up as good options for this one. But, ultimately, I landed on this one. It just hits all of the right vibes for what I look for in a beach read style fantasy novel. The titular character, Emily Wilde, has a great narrative voice. There are quirky side character galore. And there’s a love slow burn romance at the heart. It’s also a refreshing take on fairytales and Fae fantasy stories. It uses a lot of familiar concepts and plots, but the way everything is woven together works perfectly. It’s also a nice, stand-alone story in a genre that’s full of series (though, to be fair, there is a second book coming out this winter, but that in no way undercuts the fact that this is already a stand-alone story on its own).

Science Fiction Title: “Eversion” by Alistair Reynolds

Science fiction is often the genre where I’m most likely to run into the same problem Kate does for many of her books: the genre doesn’t necessarily lend itself well to the “coziness” of what we usually think of when we talk about beach reads. Space is scary in its vastness and its unknowns. So, while I can’t say that “Eversion” doesn’t have its legitimately creepy aspects, I can say that they don’t rise beyond what you often find in science fiction. It’s also just a super fun and interesting read. The story is woven together with a series of jumps forward and backward in time where both the reader and the main character is left trying to piece together what exactly is real and what is happening altogether. Every time I thought I had it figured out, another layer would be pulled back, and I’d have to start all over again! But that was the fun of it all! My husband also really liked this one, so consider this a double recommendation!

Mystery Title: “A Study in Charlotte”

I haven’t reviewed this one on the blog, but Kate gave it to me for Christmas several years ago, and I really enjoyed it. As you can probably guess from the title, this is yet another Sherlock Holmes retelling with the famous detective being reimagined as a young woman named Charlotte. Is it confusing now having this series and the “Charlotte Holmes” series by Sherry Thomas? Yes, yes it is. This one, however, is a YA story, the Charlotte we have here is actually a many-generations-down relative of the original Sherlock, and the story is set in contemporary times. It’s a really fun version of the story, and definitely a fun little mystery to enjoy while relaxing this summer.

History Title: “The Monsters We Defy”

I always struggle with this category. I always want to recommends books for this list that I have personally read and enjoyed. And the reality it, as far as historical fiction goes, I read very little straight “historical fiction.” It’s always a combined with other genres I enjoy, often mysteries. But I also read a lot of historical fantasy fiction, so that’s what I went with here. Yes, there are fantastical elements to this book, but I do think the historical setting and commentary is by far the predominant feature. The story takes place during the Jazz Age of 1925 in Washington, D.C. The story follows a young woman who puts together a ragtag group to pull off a heist. And yes, one the members is a jazz musician who uses their abilities to hypnotize everyone who uses the music.

Kate’s Picks

Horror Title: “The Whispering Dead” by Darcy Coates

I figure that perhaps a person going to the beach for a relaxing day or a full vacation may not be super into something incredibly scary or disturbing, so “The Whispering Dead” by Darcy Coates is probably a good choice. Keira comes to in a strange town with no memories of who she is, but with the distinct impression that she is being hunted. When she takes refuge and hides in an abandoned cemetary groundskeeper’s home, she realizes that she can see ghosts, and that they want her help in passing on. It has entertaining characters, whether it’s amnesiac medium Keira, or quirky Zoe, the earnest but kind of paranoid barista who becomes her best friend, “The Whispering Dead” has some creepy ghostly moments and an engaging supernatural mystery, but never full goes into terrifying material that may waylay an enjoyable day in the surf!

Thriller Title: “The Wife Who Knew Too Much” by Michele Campbell

When it comes to breakneck thrillers that have a lot of soap and suds (which is my favorite kind to take on vacation), Michele Campbell is an author who usually delivers and makes for a fun read, and “The Wife Who Knew Too Much” is making the list this year. It has everything: lost loves, the cold elites, a dead wife, and a mistress who is pulled in perhaps because her lover isn’t being fully honest with her. Tabitha, a working class girl who worked at a country club one summer, fell in love with wealthy golden boy Connor, but it ended in heartbreak. When they meet up again later in life he is married but claims it’s pretty much over and that his wife is a manipulative and vicious person. But when his wife ends up dead, and she leaves a note that implicates Connor, as well as a mysterious and damning ‘her’, Tabitha realizes she may be in far too deep. Drama and danger, this is absolutely a page turner for a relaxing vacation.

Graphic Novel Title: “Cryptid Club” by Sarah Andersen

I know that with my distractibility and antsiness, especially on a trip, I may need a book that I can put down and pick up easily, and “Cryptid Club” by Sarah Andersen not only fits that bill, but also has one of my special interests at its heart: CRYPTIDS!! This collection of comics about cryptids like Bigfoot, the Loch Ness Monster, and my very favorite cryptid Mothman, is both a fun set of stories about urban legends that have captured weirdoes imaginations, while also letting them explore the social anxieties of these beings and how they are so much like us with very human problems. Andersen is charming and hilarious, and I love seeing where she takes these legends and makes them so, so funny and also relatable. And since it’s comic strip form, it’s easy to take a break to jump in the water for awhile.

Non-Fiction Title: “Trixie and Katya’s Guide to Modern Womanhood” by Trixie Mattel and Katya Zamolodchikova

I’ve been watching “Drag Race” for 10+ years, and while every season has successful and popular queens, Season 7 gave us the comedic duo of Trixie Mattel and Katya Zamolodchikova, whose banter, chemistry, and humor launched them into the pop culture stratosphere with web shows and traveling shows. And now books! Their first book, “Trixie and Katya’s Guide to Modern Womanhood” is a parody on women’s centered self help books, but also has essays and conversations about their friendship, their experiences in drag and their other artful pursuits, and the importance of self love and self fulfillment. And it’s also, of course, incredibly funny as they ruminate, satirize, and go off on tangent after tangent. I found this book funny and quick, and given that there are so many attacks on drag and LGBTQIA+ culture it’s all the more important to lift up these voices and experiences. It’s just a bonus that this one is such a laugh riot.

Serena’s Review: “Atalanta”

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Book: “Atalanta” by Jennifer Saint

Publishing Info: May 2023, Flatiron Books

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Princess, Warrior, Lover, Hero

When Princess Atalanta is born, a daughter rather than the son her parents hoped for, she is left on a mountainside to die. But even then, she is a survivor. Raised by a mother bear under the protective eye of the goddess Artemis, Atalanta grows up wild and free, with just one condition: if she marries, Artemis warns, it will be her undoing.

Although she loves her beautiful forest home, Atalanta yearns for adventure. When Artemis offers her the chance to fight in her name alongside the Argonauts, the fiercest band of warriors the world has ever seen, Atalanta seizes it. The Argonauts’ quest for the Golden Fleece is filled with impossible challenges, but Atalanta proves herself equal to the men she fights alongside. As she is swept into a passionate affair, in defiance of Artemis’s warning, she begins to question the goddess’s true intentions. Can Atalanta carve out her own legendary place in a world of men, while staying true to her heart?

Full of joy, passion, and adventure, Atalanta is the story of a woman who refuses to be contained. Jennifer Saint places Atalanta in the pantheon of the greatest heroes in Greek mythology, where she belongs.

Review: While nothing has quite reached the high that was “Circe” when we read that for bookclub last year, I’m still feeling fairly positive about Greek retellings as a whole. There are just so many great female characters in that pantheon and collection of stories that are only mentioned briefly but who hint at fascinating, untold histories. Such is the case with Atalanta, a character who is only briefly mentioned as a member of the Argonauts and then has some brief adventures as a runner until, predictably, she’s tricked by a man into marriage and they both suffer tragedy at the hands of the gods. So…there’s a lot of small mentions, but not much of an overall arch. All of this to say, I was incredibly excited to see that Jennifer Saint was giving this powerful woman a story all of her own!

Left for dead on the side of a mountain as an infant, Atalanta’s life seemed destined to be short and cruel. But instead, the goddess Artemis takes her under her wing, raising her to become a powerful huntress. As a grown woman, Atalanta begins to long to test her skills in a human world that she has only ever seen from a distance. So when Artemis tasks her to join the heroic quest of Jason and his Argonauts, Atalanta is eager to join the adventure and bring glory to her goddess. As she journeys, she begins to understand that what makes a hero may be very different than what she had previously suspected. And that, as women, she and the other women she meets bring their own form of power in a world that often sees them shunted to the side.

So, I won’t skate around the main point: I loved this book! As I said, it’s been fairly hit and miss for me with these retellings from the perspectives of lesser known female characters from various pantheons. And when we read “The Witch’s Heart” for bookclub, it began to highlight one of the things I was starting to struggle with. While “Circe” was a powerful look at womanhood and motherhood, after reading a few other similar titles, I began to feel like they were all telling similar versions of these women’s experiences. And, yes, these are important insights into the challenges, joys, and sorrows of the life of these women. But, as with any good thing, too much of one version of any character can begin to feel reductive. So, into this landscape, Atalanta arrived like a breath of fresh air.

In Atalanta, we find a powerful woman who never questions her own value, even when faced with the doubters of the world. She remains confident in her abilities and is determined to gain glory for her goddess, not to just prove men wrong, but because it is simple what she desires to do. Atalanta joins a crew of men and sets out to live a life just as unrestrained as those around her, unwilling to be limited by false chains that others would place upon her based on her sex. I loved the fact that the author forego the tendency to force her powerful female character to suffer an onslaught of self-doubt in the face of ugliness from the world.

Not only was she an excellent character in all of these ways, but as the story progresses and the adventures take us through the lives of other Greek female characters, Atalanta provides a running commentary on the way these women’s lives are shaped by the men around them. And while poignant, the book never feels preachy about any of these points.

I also really appreciated the way this book dealt with the romance and motherhood aspects of Atalanta’s story. Here, the book really makes a name for itself as different than the other books in this genre that I have read. There are two romances in this story, and I very much appreciated the different ways that Atalanta experienced these relationships. They both do important work to further highlight Atalanta’s story as a human’s story, not just a woman’s. She, too, like the men around her, can enjoy a romance without wishing to tie her life to another. But then her experiences of pregnancy do focus in on the way that the biological reality of women is very different. However, again, I enjoyed this different experience of motherhood. Here we have a woman who never wished to have a child, who is not swept away by a magical sense of attachment when her baby arrives. Instead, she feels responsibility and duty to do best by this child, but recognizes that the best life for both her son and herself may be one apart from one another. I really liked this different approach, and it felt true to the character we had been reading about up to this point.

The last part of the book is devoted to the famous race that Atalanta takes part in. Here, too, I liked the subtle changes the author made to not reduce Atalanta’s agency in her own story. I also really liked the way the end of the story was dealt with, providing a unique, and, again, true-feeling conclusion to this heroic woman’s tale. I will say, however, that the last quarter of the story did feel a bit rushed. Overall, if I had one qualm about the book, it would be the pacing. In some ways, the story feels very much like it is ticking away at the bullet point references to Atalanta that we have from the original stories. But, again, I enjoyed this character and the highlighted experiences of the various women included too much to have many complaints about pacing and a rushed ending. This is a must-read for any fans of fantasy stories like “Circe” that feature strong, female characters.

Rating 9: Powerful and sure-handed, Jennifer Saint brings to life a new hero, a woman who knows her value and will not let any man shunt her to the side.

Reader’s Advisory:

“Atalanta” can be found on these Goodreads lists: Feminist Retellings Of Greek Myths and Historical Fiction – Greece.

Kate’s Review: “The Only Survivors”

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Book: “The Only Survivors” by Megan Miranda

Publishing Info: Scribner, April 2023

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: Seven hours in the past. Seven days in the present. Seven survivors remaining. Who would you save?

A decade ago, two vans filled with high school seniors on a school service trip crashed into a Tennessee ravine—a tragedy that claimed the lives of multiple classmates and teachers. The nine students who managed to escape the river that night were irrevocably changed. A year later, after one of the survivors dies by suicide on the anniversary of the crash, the rest of them make a pact: to come together each year to commemorate that terrible night.

To keep one another safe. To hold one another accountable. Or both.

Their annual meeting place, a house on the Outer Banks, has long been a refuge. But by the tenth anniversary, Cassidy Bent has worked to distance herself from the tragedy, and from the other survivors. She’s changed her mobile number. She’s blocked the others’ email addresses. This year, she is determined to finally break ties once and for all. But on the day of the reunion, she receives a text with an obituary attached: another survivor is gone. Now they are seven—and Cassidy finds herself hurling back toward the group, wild with grief—and suspicion.

Almost immediately, something feels off this year. Cassidy is the first to notice when Amaya, annual organizer, slips away, overwhelmed. This wouldn’t raise alarm except for the impending storm. Suddenly, they’re facing the threat of closed roads and surging waters…again. Then Amaya stops responding to her phone. After all they’ve been through, she wouldn’t willfully make them worry. Would she?

And—as they promised long ago—each survivor will do whatever he or she can do to save one another. Won’t they?

Review: Thank you to NetGalley for providing me with an eARC of this book!

It’s mid May, with Summer hurtling towards us ever faster, and I, for one, am looking forward to a couple travel moments coming up with the season and the reading opportunities that generally come with a vacation. I’m not sure I’ll be making it to a beach before Fall sets in (Lake Superior in Fall really is just the best), but I can at least dream of beach houses with friends and relaxation and maybe get my act together to make it happen. I was thinking about the joys of a beach house getaway as I read “The Only Survivors”, Megan Miranda’s newest thriller. While it’s true that a beach house vacation like this one, what with an uneasy group of people who trauma bonded after a terrible accident in high school, and who go to a beach house every year to commemorate the anniversary, isn’t ideal, the house did sound nice. And admittedly, a slow building thriller on a precarious beach in a familiar but uncomfortable house is a GREAT set up for a mystery. I’m also happy to revisit Megan Miranda, because she’s usually doing interesting things with her thrillers.

“The Only Survivors” has a pretty solid cast of characters, most notably Cassidy, our protagonist who has forced herself to attend the annual reunion of fellow high school tragedy survivors at a beach house on the Outer Banks. The reunion is always tense and tenuous, with the friends vis a vis a horrible traumatic event not totally willing to trust each other but also unable to blow it off completely. Cassidy is the one we get to know the best, as it is from her POV for the most part (outside of the flashback moments where each survivor gets a snippet perspective of what happened the night of the accident), and I did like getting into her head and slowly understanding her turmoil. The other characters were a bit of a mixed bag. I was genuinely intrigued by Grace, a therapist who is very serious and a bit removed, and Hollis, a wellness influencer who just seems put together on the outside, but there were others who were kind of broadly brushed. I was invested enough in all of them to be really curious as to what they are being to cagey about, and I thought that when we did get moments of their personas in the flashbacks that we got to see a bit more depth. Characters play such an important role in this kind of thriller that it’s important to make them engaging, and most of them were engaging enough.

In terms of the mystery itself, I thought that it had some well done elements and some elements we’ve seen before. Or at least I have, as I’ve been reading thrillers for so long I am sometimes more likely to be privy to the ins and outs of various reveals and twists. I really liked the slow burn reveal of what exactly it is these survivors are hiding, and what brings them all together each year over everything else in their lives, including significant life changes (it’s mentioned one character almost missed the birth of his child for this reunion one year, and the way I would have dumped his ass so hard, but I digress). I also liked that we slowly get the clues to what Cassidy and the others had to go through in the immediate aftermath of the accident, and how their situation went from dire to more dire to something that needed to be kept close to the vest, through flashbacks to the accident itself. On the other hand, I also was able to find myself a few steps ahead of a couple of the reveals and twists, and there was once again a last moments twist that I felt was a little ‘eh’, but I CAN say that it wasn’t the kind that felt unearned or out of nowhere. So in the end the mystery itself was pretty serviceable and altogether entertaining.

“The Only Survivors” is the kind of thriller that would be the perfect read for the beach this summer. I just hope that it’s the kind of beach vacation that is not with a group of people that you trauma bonded with, but with those that aren’t potentially going to spill some dark secrets.

Rating 7: Entertaining, suspenseful, “The Only Survivors” is a serviceable thriller that’s the perfect read for the beach.

Reader’s Advisory:

“The Only Survivors” is included on the Goodreads list “Mystery & Thriller 2023”.

Blog Tour: “The Late Mrs. Willoughby”

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Book: “The Late Mrs. Willoughby” b y Claudia Gray

Publishing Info: Vintage, May 2023

Where Did I Get this Book: from the marketer!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Catherine and Henry Tilney of Northanger Abbey are not entirely pleased to be sending their eligible young daughter Juliet out into the world again: the last house party she attended, at the home of the Knightleys, involved a murder—which Juliet helped solve. Particularly concerning is that she intends to visit her new friend Marianne Brandon, who’s returned home to Devonshire shrouded in fresh scandal—made more potent by the news that her former suitor, the rakish Mr. Willoughby, intends to take up residence at his local estate with his new bride.

Elizabeth and Fitzwilliam Darcy of Pemberley are thrilled that their eldest son, Jonathan—who, like his father, has not always been the most socially adept—has been invited to stay with his former schoolmate, John Willoughby. Jonathan himself is decidedly less taken with the notion of having to spend extended time under the roof of his old bully, but that all changes when he finds himself reunited with his fellow amateur sleuth, the radiant Miss Tilney. And when shortly thereafter, Willoughby’s new wife—whom he married for her fortune—dies horribly at the party meant to welcome her to town.

With rumors flying and Marianne—known to be both unstable and previously jilted by the dead woman’s newly made widower—under increased suspicion, Jonathan and Juliet must team up once more to uncover the murderer. But as they collect clues and close in on suspects, eerie incidents suggest that the killer may strike again, and that the pair are in far graver danger than they or their families could imagine.

Previously Reviewed: “The Murder of Mr. Wickham”

Review: I really loved “The Murder of Mr. Wickham” when I read it last year. So much so that it became my preferred present for the many readers in my family. Not only was it an excellent mystery, but the author managed to do the near-impossible and accurately depict not one, not two, but a huge cast of Jane Austen’s most popular characters. And on top of that, she created two new characters who were able to hold their own in this very competitive cast. All of this to say, I was incredibly pleased to see that there was a sequel coming out this year!

When Juliet Tilney sets out on another social visit, she’s confident in assuring her parents that there is no possibility of murder this go around. Oh, how wrong she will be. For, when visiting the still-struggling Marianna Brandon, Juliet Tilney is introduced to the Willoughbys, and during one note-worthy dinner party, what should happen but that Mrs. Willoughby drops dead of poison. Now, with the help of her friend Jonathan Darcy, Juliet once again sets out to get to the bottom of the mystery.

I was really excited to see what this book had in store. While I was very impressed with the first book, it was also very much a product of the specific circumstances that made up the plot. Jonathan and Juliet were excellent new characters, but the work of carrying the plot and the interest of the reader, was largely hefted by the sprawling cast of popular Jane Austen heroes and heroines. This book is a much more tightly focused story with a much more limited cast of characters. In this way, Jonathan and Juliet had more work to do to carry the book largely on their own. And I think they were more than capable of the job!

I really liked the continued exploration of Jonathan’s low level autism and how his life has been shaped by the reactions of others and their ability or inability to accept or understand him. Here, we get an insight into Jonathan’s past as a victim of bullying at the hands of none other than Mr. Willoughby himself. We also see Jonathan struggle to understand his changing feelings for Juliet and realizing that he, and not only others, has been placing limitations on himself. It was an interesting and subtle exploration that I thought worked very well. For her part, Juliet’s story is much more straight-forward. But I particularly enjoyed the small commentary that ran through the book that acknowledges the limited choices that young women like Juliet faced. A social visit such as this, where Juliet travels to live with her friends the Brandons for several weeks, would not just be a trip of leisure. No, a large chunk of the expectations and motivation would be that a young woman would gain access to new society and new opportunities for marriage. Juliet reflects several times on the challenges between balancing the very practical concerns of a woman such as herself, one with only limited financial support from her family, with her own romantic preferences.

I also really enjoyed the mystery in this one. I was able to predict a few of the secondary aspects of the mystery, but the author did a great job of laying out believable red herrings and misdirecting the reader effectively from the larger truth behind what had happened and why. The motivation, in particular, was interesting and played into a plotline that I had been thinking of as a completely separate thing up until the end.

I will say, however, that this one did suffer a bit by the loss of the other Jane Austen characters. While I enjoyed Juliet and Jonathan immensely, my own preferences for Austen’s characters would not have me picking a focus on “Sense and Sensibility” and all of the secondary characters that make up this book’s cast. As these characters connect to the first book, I understand why this choice was made, and I also think that, as a whole, they were all done very well. I really liked getting to see Eleanor and Edward, in particular. But Brandon and Marianne just aren’t top choices for me, personally, so I couldn’t help being a bit less interested in their dynamics.

This was a very solid follow-up to the first book! In many ways, Claudia Gray made more a statement with this book than with the first: that wasn’t just a happy chance! No, she’s just that legitimately talented. Fans of the first book will definitely enjoy this, and I recommend both of these books to any fans of historical mysteries or Jane Austen.

Rating 8: With the first book, Gray made a splash as one of the best authors tackling Jane Austen re-imaginings today. With this one, she cements her place in the genre.

Reader’s Advisory:

“The Late Mrs. Willoughby” isn’t on any Goodreads lists, but it should be on Jane Austen Re-tellings.

Kate’s Review: “We’ll Never Tell”

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Book: “We’ll Never Tell” by Wendy Heard

Publishing Info: Little, Brown/Ottaviano, May 2023

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: An ambitious and juicy whodunit doused in Hollywood lore, perfect for readers of sexy summer thrillers like The Twin by Natasha Preston and The Agathas by Kathleen Glasgow and Liz Lawson.

No one at Hollywood High knows who’s behind We’ll Never Tell—a viral YouTube channel where the anonymous creators trespass behind the scenes of LA’s most intriguing locales. The team includes CASEY, quiet researcher and trivia champ; JACOB, voice narrator and video editor, who is secretly dating EDDIE, aspiring filmmaker; and ZOE, coder and breaking-and-entering extraordinaire.

Now senior year is winding down, and with their lives heading in different directions, the YouTubers vow to go out with a bang. Their last episode will be filmed at the infamous Valentini “murder house,” which has been left abandoned, bloodstained, and untouched since a shocking murder/suicide in 1972. When the teens break in, they capture epic footage. But someone trips an alarm, and it’s a mad dash to get out before the police arrive—at which point they realize only three of them escaped instead of four. Jacob is still inside, slain and bleeding out. Is his attack connected to the historic murder, or is one of their crew responsible?

A week of suspicions and cover-ups unfolds as Casey and her remaining friends try to stay alive long enough to solve murder mysteries past and present. If they do, their friendship may not survive. If they don’t, the house will claim more victims.

Review: Thank you to NetGalley for sending me an eARC of this novel!

I had been waiting for a bit (it wasn’t really that long, but anticipation can make things feel long) for a new Wendy Heard book. I had enjoyed “She’s Too Pretty To Burn” so much for it’s weirdness, it’s sapphic love story, and the satire of art as ethos and the ramifications of that. When I read that she had a new YA thriller coming out called “We’ll Never Tell” I was excited, and when I read that the premise involved an abandoned notorious crime scene and four teens caught up in something far more dangerous than they realized, I was practically vibrating with glee. And while there are a lot of great ideas with this book, and while it was a quick read that kept me going, the anticipation leading up to it kind of slammed the breaks with what we got.

But first the good. Wendy Heard is an author I have really enjoyed in the past, and I think that part of it is that she really knows how to bring seedy and shiny aspects of Los Angeles to life. There is so much potential in this story, and I loved seeing four teens with a YouTube channel focus in on what is clearly an homage to the Los Feliz Murder Mansion, a piece of Los Angeles true crime lore as the basis for a book. I also liked that we could get a few different ways to tell the story. These include protagonist Casey, some flashbacks from Jacob leading up to the night he is attacked, and some epistolary pieces of newspaper articles involving the Valentini murder, the fallout, and some other things that involve the family and the victims. I am a huge sucker for books that use newspaper articles or other found footage or information devices. And mystery wise, I did like the twists and turns of the story, as well as the mystery of who attacked Jacob in the house. Heard does a pretty okay job of laying out clues and bringing in various potential motives and means. It’s ultimately a pretty straight forward thriller, and while I didn’t totally guess what was going on, I wasn’t totally blown away by various solutions as the puzzle pieces all started falling into place.

However, I think that one of the things that didn’t quite connect for me was our protagonist, Casey. To me it felt like there were so many things about her that weren’t quite fully explored or elaborated upon. We have her as the cynical, sullen girl with the tragic past, given that her mother was murdered and it went unsolved, and she has been living with her grandmother and they have been barely holding on financially. She has a chip on her shoulder about some of her friends (mostly Zoe; Zoe is wealthy and, while well meaning, is sometimes clueless about her financial situation versus Casey’s), she really hates ‘true crime’, and she doesn’t always feel like she totally fits in with her peer group. It tended to creep a bit towards ‘not like other girls’, as there were a lot of first person perspective reminders about how no one else GETS it. I wasn’t super invested in her as a character, nor was I interested in the potential relationship she has with Dallas, a descendent of the Valentini family whose mother is owner of the Murder House property. I also didn’t quite understand what the purpose of her tragic background was, as it’s there to make her tragic but doesn’t really apply to the plot as a whole. It felt a lot like backstory was trying to do a lot of character development heavy lifting, and that just doesn’t quite work in this book.

I had higher hopes for “We’ll Never Tell”. The set up was pretty great, but the execution didn’t really reinvent any wheels. Certainly not something I regret reading, but I wanted more.

Rating 6: Lots of potential and a great set up, but ultimately it’s pretty run of the mill with a bland main character.

Reader’s Advisory:

“We’ll Never Tell” is included on the Goodreads list “Most Anticipated May 2023 Young Adult Releases”.

Another Take: Spring 2023

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Don’t just take it from us, other readers like these books, too! And we have decided that we would like to showcase other reviewers and bloggers that have their own thoughts and feelings about books that we have loved. Here are a few of the books we’ve enjoyed recently and what other bloggers have to say about them.

“The Foxglove King” by Hannah Whitten

When Lore was thirteen, she escaped a cult in the catacombs beneath the city of Dellaire. And in the ten years since, she’s lived by one rule: don’t let them find you. Easier said than done, when her death magic ties her to the city.

Mortem, the magic born from death, is a high-priced and illicit commodity in Dellaire, and Lore’s job running poisons keeps her in food, shelter, and relative security. But when a run goes wrong and Lore’s power is revealed, she’s taken by the Presque Mort, a group of warrior-monks sanctioned to use Mortem working for the Sainted King. Lore fully expects a pyre, but King August has a different plan. Entire villages on the outskirts of the country have been dying overnight, seemingly at random. Lore can either use her magic to find out what’s happening and who in the King’s court is responsible, or die.

Lore is thrust into the Sainted King’s glittering court, where no one can be believed and even fewer can be trusted. Guarded by Gabriel, a duke-turned-monk, and continually running up against Bastian, August’s ne’er-do-well heir, Lore tangles in politics, religion, and forbidden romance as she attempts to navigate a debauched and opulent society.

But the life she left behind in the catacombs is catching up with her. And even as Lore makes her way through the Sainted court above, they might be drawing closer than she thinks.

Serena’s Review (8 Rating)

The Harvard Crimson (4.5 Stars)

Takes Two to Book Review (5 Stars)

Past Midnight (4 Stars)

“One for My Enemy” by Olivia Blake

In New York City where we lay our scene, two rival witch families fight to maintain control of their respective criminal ventures. On one side of the conflict are the Antonova sisters, each one beautiful, cunning, and ruthless, and their mother, the elusive supplier of premium intoxicants known only as Baba Yaga. On the other side, the influential Fedorov brothers serve their father, the crime boss known as Koschei the Deathless, whose community extortion ventures dominate the shadows of magical Manhattan.

After twelve years of tenuous coexistence, a change in one family’s interests causes a rift in the existing stalemate. When bad blood brings both families to the precipice of disaster, fate intervenes with a chance encounter, and in the aftershocks of a resurrected conflict, everyone must choose a side. As each of the siblings struggles to stake their claim, fraying loyalties threaten to rot each side from the inside out.

If, that is, the enmity between empires doesn’t destroy them first.

Serena’s Review (9 Rating)

Culture Fly (5 Stars)

Utopia State of Mind

Coffee, Stars, Books

“Divine Rivals” by Rebecca Ross

After centuries of sleep, the gods are warring again. But eighteen-year-old Iris Winnow just wants to hold her family together. Her mother is suffering from addiction and her brother is missing from the front lines. Her best bet is to win the columnist promotion at the Oath Gazette.

To combat her worries, Iris writes letters to her brother and slips them beneath her wardrobe door, where they vanish—into the hands of Roman Kitt, her cold and handsome rival at the paper. When he anonymously writes Iris back, the two of them forge a connection that will follow Iris all the way to the front lines of battle: for her brother, the fate of mankind, and love.

Serena’s Review (8 Rating)

One Book More (5 Stars)

Sifa Elizabeth Reads (5 Stars)

Becky’s Book Blog

Book: “Lone Women” by Victor LaValle

Adelaide Henry carries an enormous steamer trunk with her wherever she goes. It’s locked at all times. Because when the trunk opens, people around Adelaide start to disappear.

The year is 1915, and Adelaide is in trouble. Her secret sin killed her parents, forcing her to flee California in a hellfire rush and make her way to Montana as a homesteader. Dragging the trunk with her at every stop, she will become one of the “lone women” taking advantage of the government’s offer of free land for those who can tame it—except that Adelaide isn’t alone. And the secret she’s tried so desperately to lock away might be the only thing that will help her survive the harsh territory.

Crafted by a modern master of magical suspense, Lone Women blends shimmering prose, an unforgettable cast of adventurers who find horror and sisterhood in a brutal landscape, and a portrait of early-twentieth-century America like you’ve never seen. And at its heart is the gripping story of a woman desperate to bury her past—or redeem it.

Kate’s Review (9 Rating)

The Bashful Bookworm (4.5 Pinecones)

Books, Bones, & Buffy (5 Stars)

A Book Wanderer (4 Stars)

Book: “This Delicious Death” by Kayla Cottingham

Three years ago, the melting of arctic permafrost released a pathogen of unknown origin into the atmosphere, causing a small percentage of people to undergo a transformation that became known as the Hollowing. Those impacted slowly became intolerant to normal food and were only able to gain sustenance by consuming the flesh of other human beings. Those who went without flesh quickly became feral, turning on their friends and family. However, scientists were able to create a synthetic version of human meat that would satisfy the hunger of those impacted by the Hollowing. As a result, humanity slowly began to return to normal, albeit with lasting fear and distrust for the people they’d pejoratively dubbed ghouls.

Zoey, Celeste, Valeria, and Jasmine are all ghouls living in Southern California. As a last hurrah before their graduation they decided to attend a musical festival in the desert. They have a cooler filled with hard seltzers and SynFlesh and are ready to party.

But on the first night of the festival Val goes feral, and ends up killing and eating a boy. As other festival guests start disappearing around them the girls soon discover someone is drugging ghouls and making them feral. And if they can’t figure out how to stop it, and soon, no one at the festival is safe.

Kate’s Review (9 Rating)

Courtney Reads Romance (4 Stars)

Carole’s Random Life (4 Stars)

Books, Bones, & Buffy (4 Stars)

Book: “The Haunting of Alejandra” by V. Castro

Alejandra no longer knows who she is. To her husband, she is a wife, and to her children, a mother. To her own adoptive mother, she is a daughter. But they cannot see who Alejandra has become: a woman struggling with a darkness that threatens to consume her. Nor can they see what Alejandra sees. In times of despair, a ghostly vision appears to her, the apparition of a crying woman in a ragged white gown.

When Alejandra visits a therapist, she begins exploring her family’s history, starting with the biological mother she never knew. As she goes deeper into the lives of the women in her family, she learns that heartbreak and tragedy are not the only things she has in common with her ancestors.

Because the crying woman was with them, too. She is La Llorona, the vengeful and murderous mother of Mexican legend. And she will not leave until Alejandra follows her mother, her grandmother, and all the women who came before her into the darkness.

But Alejandra has inherited more than just pain. She has inherited the strength and the courage of her foremothers—and she will have to summon everything they have given her to banish La Llorona forever.

Kate’s Review (9 Rating)

Horror DNA (4.5 Stars)

The Lit Bitch (4 Stars)

Cocoa With Books

Serena’s Review: “Fractal Noise”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Fractal Noise” by Christopher Paolini

Publishing Info: Tor, May 2023

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: July 25th, 2234: The crew of the Adamura discovers the Anomaly.

On the seemingly uninhabited planet Talos VII:a circular pit, 50 kilometers wide.

Its curve not of nature, but design.

Now, a small team must land and journey on foot across the surface to learn who built the hole and why. But they all carry the burdens of lives carved out on disparate colonies in the cruel cold of space. For some the mission is the dream of the lifetime, for others a risk not worth taking, and for one it is a desperate attempt to find meaning in an uncaring universe. Each step they take toward the mysterious abyss is more punishing than the last.

And the ghosts of their past follow.

Review: I was aware that Christopher Paolini had written a science fiction novel in the last few years. I’m pretty sure it’s somewhere on my monstrous Goodreads TBR list. But as is the case so often, once a bit of time has passed, it’s very hard for me to make room in my reading schedule to scour back through these past picks. Instead, I saw this new sci-fi novel coming out by him this spring and decided, ah, yes, here is where I will make up for missing the first one! So let’s see what’s in store!

A small crew, while out on a typical, exploratory mission, comes across something that confounds all explanation: a monstrously huge hole, dug on the surface of an uninhabited planet, and so perfectly circular that it cannot be natural. But with no signs of intelligent life, who or what created this hole and what is its purpose? Alex, a man running from his past, lands on the surface and sets out with a small team to cross the barren wasteland to reach the hole. But as they travel, the constant, resonating “boom” produced by the hole begins to test their sanity and their will.

Before I get into the review itself, I want to address what has happened on the Goodreads page for this book. It came out that the cover art chosen for this book was created using AI technology. In response, many reviewers took to Goodreads to protest this decision, and the loss of livelihood that it represented for illustrators, by review bombing this book with one star ratings. I think there is a very complicated, interesting, and unavoidable conversation to be had about how AI will impact many industries going forward, including this one. By no means do I feel that I have the answers to this. However, one thing I am firmly against is the cognitive dissonance displayed by review bombers tanking the ratings of a book, A WORK OF ART BY AN AUTHOR, to protest the decision of the publisher to forego supporting cover artists by using AI technology. There are places to have this conversation and protest this decision, but to destroy the rating for a book (again, created by an artist, the author) in the name of supporting artists…there’s just something supremely disjointed and misplaced about this. Obviously, Paolini is a big-name author, but I don’t think that should even have a place in the conversation. He’s still an artist who created a work of art and is now being trashed by readers for a decision a publisher made…all in the name of supporting artists. It’s unfortunate in every way and a shame to see. But on to the actual review…

I really enjoyed this book! As I said, I’ve haven’t read anything by Paolini since the “Inheritance Cycle” so many years ago. And while I enjoyed those, I also felt the writing itself lacked a bit of polish. But I can definitely see the improvements that time has played on Paolini’s style. Here, the writing felt confident and tidy, neatly weaving in and out between the events of Alex’s past and the building terror and dread that is his current situation. I also liked the exploration of grief, regret, and the mental barriers that we can create for ourselves. Alex’s journey is one largely of self-destruction and a search for meaning when he has begun to doubt that such a thing will ever exist for him again.

I also really liked the science fiction elements of this story. In many ways, this was a very restrained story, taking place largely on a barren planet with very few alien aspects. Instead, it very much reads as a survival story, with more and more things going wrong for the team and their struggles to continue on in the face of growing dangers. On top of this, the description of the corrosive effects on the mind that are the constant powerful winds the team must walk into and the ever-present, mind-numbing “booms” that are emitted from the hole are excellent. The increasing sense of doom is pervasive and very effective. I also will say that I’ve found that science fiction is a great release for my love of survival stories. With stories set in our own world, all too often I find myself bogged down on the details of survival stories and whether or not I find them believable. But science fiction? Who am I to say what is and isn’t possible? Honestly, it’s kind of a relief, since I really do enjoy survival stories and no one is more annoyed by my obsessive ways with these types of tales than me!

Overall, I thought the pacing was pretty good, but I do think it floundered a bit at the end. For all of the psychological build up, Alex’s experiences and reflections in the end all felt a bit too predictable and trite. I really like the general concept of the end, especially the reflections on the vast unknown that the hole represents, but it did feel a bit clumsy. And then it kind of just ended, which was also a bit jarring. But, still, I really enjoyed this one. I can’t speak to how similar or not this is to his first book, but I think this one will be enjoyable to most science fiction fans, especially those who enjoy survival stories and a slower, carefully paced story.

Rating 8: The brutal and harsh alien terrain perfectly parallels the mental and emotional journey of a protagonist who struggles with grief and finding meaning in a life full of wonder and tragedy.

Reader’s Advisory: Obnoxiously, “Fractal Noise” is mostly on Goodreads lists about AI art which, while an interesting conversation on its own…is not a useful list for readers actually looking for recommendations for similar reads. It is on 52 Book Club 2023: #32 Published By Macmillan.

Kate’s Review: “Warrior Girl Unearthed”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Warrior Girl Unearthed” by Angeline Boulley

Publishing Info: Henry Holt 7 Co. (BYR), May 2023

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: Perry Firekeeper-Birch was ready for her Summer of Slack but instead, after a fender bender that was entirely not her fault, she’s stuck working to pay back her Auntie Daunis for repairs to the Jeep.

Thankfully she has the other outcasts of the summer program, Team Misfit Toys, and even her twin sister Pauline. Together they ace obstacle courses, plan vigils for missing women in the community, and make sure summer doesn’t feel so lost after all.

But when she attends a meeting at a local university, Perry learns about the “Warrior Girl”, an ancestor whose bones and knife are stored in the museum archives, and everything changes. Perry has to return Warrior Girl to her tribe. Determined to help, she learns all she can about NAGPRA, the federal law that allows tribes to request the return of ancestral remains and sacred items. The university has been using legal loopholes to hold onto Warrior Girl and twelve other Anishinaabe ancestors’ remains, and Perry and the Misfits won’t let it go on any longer.

Using all of their skills and resources, the Misfits realize a heist is the only way to bring back the stolen artifacts and remains for good. But there is more to this repatriation than meets the eye as more women disappear and Pauline’s perfectionism takes a turn for the worse. As secrets and mysteries unfurl, Perry and the Misfits must fight to find a way to make things right – for the ancestors and for their community.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

One evening I was perusing NetGalley, looking to see what new books were going to be coming out across my various favorite genres, when I saw something that made me gasp. Like full on gasp. I stumbled upon “Warrior Girl Unearthed”, the new YA thriller from Angeline Boulley. I loved Boulley’s debut “Firekeeper’s Daughter”, naming it my favorite read of 2021, and when I read the description of “Warrior Girl Unearthed” I gasped again. We were going back to Sugar Island, and were going to revisit some of the characters from that book, including main character Daunis. Elation. Pure elation. While I was worried that this follow up may have a lot to live up to, I’m happy to report that overall it was (mostly) everything I hoped it would be!

Given how much I connected to Daunis in “Firekeeper’s Daughter”, I was hopeful that we would have another layered and easy to root for main character, and we absolutely got that with Perry. When we first met Perry and her twin Pauline in “Firekeeper’s Daughter” they were young girls, and now they are two teenagers with very different personalities. Perry is our protagonist, who goes from chill and laid back ‘slacker’ to teen activist who wants to bring Indigenous artifacts and remains back to her community. Perry is both hilarious and brash as well as very vulnerable and passionate, and watching her find her purpose through connection to her culture and identity is a wonderful character arc. Boulley once again brings a lot of aspects of Ojibwe/Anishinaabe culture, be it language, history, or practices, into the story with ease. As Perry digs deeper and gets more invested in bringing these things home, we learn so much about her as a person on an individual level and on a cultural level. She had big shoes to fill with Daunis in the first book, but she fills them with ease.

I also loved how Boulley took a topic like NAGPRA and how it has good intentions but doesn’t go far enough/is too easy to find loopholes within and made it the foundation of the main theme of her novel. As someone who used to work in museums I had a general knowledge of NAGRPA going into this book, but I loved how Boulley explained it in this book in an easily understandable and digestible way for her audience. It also sets the scene for high tension stakes with a very slow build up. I loved seeing Perry reluctantly familiarize herself with the concept of artifacts and museum work with her mentor/boss Cooper, and then become fired up about the injustice of Indigenous artifacts and human remains and sacred objects being held onto by non-Indigenous institutions and people. Repatriation of Indigenous remains and sacred objects is a very important subject when it comes to Indigenous rights and issues, and I loved how Boulley contextualized it in a way that shows the violence inherent in the ways these things were stolen to be put on display, and how there is so much pushback to return them to their descendants. I also thought it was a clever dichotomy to present that along with the subplot of Indigenous women who have been going missing in the community and surrounding communities, as we have overt violence and cultural violence on display as Perry tries to figure out how to bring justice to her community.

I do have vaguely mixed feelings about coming back to see what Daunis is up to. Which is CRAZY because I LOVE DAUNIS. Just LOVE her. On one hand, she is such a formidable character, and having that connection to “Firekeeper’s Daughter” and seeing how her life has progressed and changed since that story (becoming more immersed in her healing skills, raising a son, serving as a mentor to her cousins) is mostly pretty enjoyable and rewarding (I have one qualm but I’m not going to list it here because it’s spoilery, but when it happened I was like ‘wait…. WHAT?’). But on the other hand, while Perry does shine on her own (see above, look at how much I enjoyed her), there was one minor subplot involving Daunis that felt rushed and a bit slapdash. It kind of took away from Perry’s story at hand for a bit and felt like it was a forced wrap up for the sake of wrapping something up. All that said, I do hope that if Boulley keeps writing about the Sugar Island Ojibwe community we get to see how these characters keep progressing as time goes on.

“Warrior Girl Unearthed” is another successful and enjoyable thriller from Angeline Boulley. Her voice is so strong, her characters are so well developed, and her deep dive into Ojibwe culture is detailed and accessible. It all comes together to make a highly enjoyable read and a successful follow up to a game changing young adult novel.

Rating 8: An engaging and important thriller/mystery that not only takes on issues of physical violence in the Indigenous community, but also the cultural violence of artifact theft and struggles over repatriation.

Reader’s Advisory:

“Warrior Girl Unearthed” is included on the Goodreads lists “All Indigenous Peoples List 3”, and “2023 Mystery Thrillers Crime To Be Excited For”.

Serena’s Review: “A Crown of Ivy and Glass”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “A Crown of Ivy and Glass” by Claire Legrand

Publishing Info: Sourcebooks Casablanca, May 2023

Where Did I Get this Book: ARC from the author!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Lady Gemma Ashbourne seemingly has it all. She’s young, gorgeous, and rich. Her family was Anointed by the gods, blessed with incredible abilities. But underneath her glittering façade, Gemma is deeply sad. Years ago, her sister Mara was taken to the Middlemist to guard against treacherous magic. Her mother abandoned the family. Her father and eldest sister, Farrin—embroiled in a deadly blood feud with the mysterious Bask family—often forget Gemma exists.

Worst of all, Gemma is the only Ashbourne to possess no magic. Instead, her body fights it like poison. Constantly ill, aching with loneliness, Gemma craves love and yearns to belong.

Then she meets the devastatingly handsome Talan d’Astier. His family destroyed themselves, seduced by a demon, and Talan, the only survivor, is determined to redeem their honor. Intrigued and enchanted, Gemma proposes a bargain: She’ll help Talan navigate high society if he helps her destroy the Basks. According to popular legend, a demon called The Man With the Three-Eyed Crown is behind the families’ blood feud—slay the demon, end the feud.

But attacks on the Middlemist are increasing. The plot against the Basks quickly spirals out of control. And something immense and terrifying is awakening in Gemma, drawing her inexorably toward Talan and an all-consuming passion that could destroy her—or show her the true strength of her power at last.

Review: First off, thanks so much to Sourcebooks Casablanca for sending me an ARC of this book! I was so excited when I received it in the mail, as it’s been sitting pretty high on my wishlist of books to read in 2023. I wasn’t Legrand’s most ardent fan with her YA trilogy (I found that it began to fall into a few too many YA fantasy tropes for my preference), but there was never any question regarding her overall skill as an author. Her writing always came across as supremely confident and competent. That made me all the more excited to check out her first foray into adult fantasy, especially adult fantasy romance! Let’s dive in!

Gemma has grown up with a very priveleged existence: rich, beautiful, and a member of one of the most powerful families in the land. But, at the same time, Gemma has always felt herself to be on the outside looking in. Not only does she not possess any of the magical talent that her family is known for, and that both of her older sisters excel at in their own ways, but magic actively hurts Gemma, causing her to move through life in a very magical world experiencing constant levels of pain. When Gemma meets Talan, a young man who also feels that he exists outside the strictures of society, she finally begins to see a way forward, teaming up with him to hunt a powerful demon who may be the answer to her struggles with magic. But along the way, she begins to suspect that there is much more going on with Talan and the larger world as a whole.

So, I’ll be honest, I’ve had this post started for a few weeks now and every time I pull it up to actually write my review, I become super intimidated and find excuses to do other things. Mostly this is because I’m still not quite sure how I feel about this book! I have some extremely opposing feelings about almost every part of it. But one thing I think I can confidently start with is one of the things I referred to in my introduction: this author knows how to write. I immediately felt drawn into this world and these characters. As the story progressed, the magic and world itself felt as if it was unrolling before me, presenting more and more insights into the world-building that was on a much more grandiose scale than I had originally thought. Regardless of anything else in this review, the appeal of Legrand’s prose is enough to keep me reading this trilogy going forward.

But where my opinions become more divided is with the characters and the pacing of this story. Let’s start with the pacing and plotting. This book was blurbed as “Bridgerton meets ACOTAR.” Maybe I should have know right from there that I would be conflicted about this book! I mean, I really enjoy Bridgerton and I absolutely loathe ACOTAR. And I can confirm that both of those references feel very on point and accurate to what you’ll get if you pick up this book. I’ll even go as far as to say that the ACOTAR aspects were by no means as frustrating to me as ACOTAR itself. Indeed, I very much liked these parts of the story! No, the problem came in a very unique way. The book almost literally feels as if it has been split down the middle by these two comparisons. The first half is Bridgerton, with fantastical balls, social hierarchies, fancy gowns, and romance. And then, boom! The second half hits and we’re full on ACOTAR with magical barriers and fantasy creatures and magical systems. And, again, I enjoyed this half too! The problem is that, overall, it left the book feeling very disjointed and created a jarring reading experience. I was all down for the regency fantasy, and then it was like a bait and switch to suddenly be dropped down into a much more “traditional” fantasy setting. And due to the fact that much of the plot really takes place in the second half, I was left feeling as if the book could have been edited down quite a bit from the Bridgerton stuff of the beginning, as much as I liked it on its own.

Now, to the characters. First, I think that Legrand did an excellent job of portraying the experiences and life of someone who lives with chronic pain. Gemma is very straight-forward with her struggles while also never becoming self-pitying. She is frustrated with her limitations, while also not belittling herself. I also really like the way this aspect of her character plays out over the entire arc of the book. Unfortunately, that was about all I liked about Gemma. I get that the author was very intentionally writing this character as rather frivolous and selfish; indeed, Gemma herself comments on these aspects of her personality. And I think the book used these traits to also do a great job of diving into self-loathing and self-harm. But over the course of the book, while Gemma does experience growth, I still struggled to really like her or feel invested in her story.

But, here comes the other side of the character issue: I REALLY liked both of her sisters. Honestly, fairly quickly into the book I realized that I was mostly reading on for the glimpses we get of these two and trying to piece together the stories we’ll get from them. I was even more invested into the glimpses of what I can only guess will be the central romance for one of the sisters than I was in Gemma’s own romance. There, too, I struggled with Gemma’s story. Talan felt very one-note when he was first introduced. And then as he went on, he had a few scenes that made him incredibly unlikable. The story does go on to make this a fairly central part of the plot, but it’s hard to recover from on the romance front when the author sets the reader on a path of questioning and disliking the romantic hero from the very start.

So, overall, this was a very mixed bag for me. I think, in the end, I didn’t end up loving this book. But, BUT!, on the other hand, I’m supremely invested in the next book in this series and can’t wait to get my hands on it! Given the nature of my complaints with this book, they all feel of the very specific sort that won’t be a problem in the books going forward. Both sisters seem like much more interesting characters than Gemma. The romantic interest/plot for one of them is already laid out and is incredibly appealing. And I think the world-building is now established enough that we won’t have the same plotting/pacing issue going forward where the tone is unclear between Bridgerton or ACOTAR. So, all of this to say, while I did struggle with this book, I do recommend it for fantasy romance readers based on my faith that the trilogy will turn out to be well worth it as a whole.

Rating 7: A very mixed bag for this book specifically, but I was definitely sold on the concept and anxiously await the next entry in the trilogy!

Reader’s Advisory:

“A Crown of Ivy and Glass” can be found on these Goodreads lists: Novels with “Crown” in the Title and Epic High Fantasy/Romance/Mythology in 2023.