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Book: “Water Moon” by Samantha Otto Yambao
Publishing Info: Del Rey, January 2025
Where Did I Get this Book: ARC from the publisher!
Where Can You Get this Book: WorldCat.org | Amazon | IndieBound
Book Description: On a backstreet in Tokyo lies a pawnshop, but not everyone can find it. Most will see a cozy ramen restaurant. And only the chosen ones—those who are lost—will find a place to pawn their life choices and deepest regrets.
Hana Ishikawa wakes on her first morning as the pawnshop’s new owner to find it ransacked, the shop’s most precious acquisition stolen, and her father missing. And then into the shop stumbles a charming stranger, quite unlike its other customers, for he offers help instead of seeking it.
Together, they must journey through a mystical world to find Hana’s father and the stolen choice—by way of rain puddles, rides on paper cranes, the bridge between midnight and morning, and a night market in the clouds.
But as they get closer to the truth, Hana must reveal a secret of her own—and risk making a choice that she will never be able to take back.
Review: This is one of those cases where a simple concept, if interesting enough, is all it takes to hook readers in. And here, the idea of a pawnshop that deal’s in one’s regrets is just such a hook! I mean, c’mon, who wouldn’t want to read a book about that? Beyond the philosophical angles of regret and how that interacts with life’s ultimate path, there are some fairly basic points of interest. Namely, why does this pawnshop want to purchase regrets? And what do they do with these regrets after they have them?
I’ll say right from the start, while the book does engage with these topics in small ways, there was less of this than I had hoped for. Instead, the book was much more centered around the whimsical nature of this fantasy world that borders our own. Now, we all know that I enjoy whimsical, fairy-tale like fantasy, so, on the whole, I did like a lot of what we got in this area, as we followed the main characters as they travelled from one location to another. The comparisons to Studio Ghibli are well-earned. Be it tattoos that prescribe one’s fate or travelling through puddles, there were so many quirky, yet lovely, pieces of fantasy imagery.
At the same time, however, the book never seem to fully take hold of any of these concepts and really do anything with it. Bear with the analogy, but the book reminded me a bit of travelling through a cloudscape. The clouds were gorgeous to look at and every turn produced a new visually wonderous scene to behold. However, if you ever stop and try to touch one, or stand on one, or interact in any way, you’d find yourself left with a fistful of nothing. Similarly, whenever I stepped back from the sheer creativity of magical elements being described, I’d find myself wanting for more. The plot would begin to feel shaky, the world-building even more so. Yes, this world is made up of amazing ideas, but how do any of these things truly build a society or culture or have history? It just began to feel a bit thin, when one really tried to find a sense of place or a firm footing in the book.
Similarly, the characters were also endearing when I first met them. Hana’s life has been one of fated choices and a known result. Her life has been tattooed on her body for years and how she feels about becoming the next proprietor of the pawnshop is of little regard. This set up, the exploration of fate and choice, was rich with possibility. For his part, Keishin felt like a weaker character from the start. He simply accepts everything around him with an almost laughable ease and the insta-love came in hard from this side as well.
But even with Hana, the character I enjoyed more, as the story dove more into the action (if it can really be called “action” as it felt most of the time as if the story was simply leap-frogging from one whimsy set piece to another as quickly as possible in an attempt to squeeze in all of the author’s ideas), I felt more and more disconnected from the story. In a similar way to the plot and world-building, as the story progressed, I felt like, in reality, there was simply very little “there” there for these characters. They are introduced, and then, for the most part, they remain that way throughout the book, as they quickly fall in love based on…nothing much…almost instantly.
This book left me in a bit of quandary when trying to write this review and rate it. On one hand, in the beginning of the book, I really loved the concept, the world-building, and the characters we were following. I haven’t mentioned it yet, but I also really liked the non-traditional way the story played out, especially in the beginning, with many jumps between various side characters and time periods. However, as the story continued, I increasingly felt myself disconnected from the characters and plot. Things were ostensibly happening on the page, but I found myself becoming bored and inclined towards skimming. It was an odd sensation. I also think the characters were fairly one dimensional, a trait that wasn’t helped by the fast-developing love story. All of this said, if you enjoyed whimsical fantasy stories or Studio Ghibli in particular, this is still probably one to check out!
Rating 7: Solid writing and creative world-building carry a lot of weight, however the book flounders a bit on its weaker characters and plotting.
Reader’s Advisory:
“Water Moon” can be found on these Goodreads lists: Cozy Book Cafe Vibes and Books that inspired or are similar to Studio Ghibli / Hayao Miyazaki films.
The Library Ladies 