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Book: “The Stars are Dying” by Chloe Penaranda
Publishing Info: Bramble, October 2024
Where Did I Get this Book: ARC from the publisher!
Where Can You Get this Book: WorldCat.org | Amazon | IndieBound
Book Description: In a world abandoned by the celestial guardians and left to suffer a tyrant king’s reign, all Astraea knows is safety in seclusion. With fragmented memories of only five years of her life, she’s determined to discover more about her past, even if that means fleeing the cruel arms that hold her safe from the wicked vampires rumored to roam the land.
But when Astraea stumbles upon the mysterious Nyte, she soon realizes determination alone isn’t enough to guard her heart. He lingers like the darkness that expands between the stars, and soon she discovers her captor’s wicked means of control weren’t based on a lie to keep her under locks after all. In her desperation, Astraea accepts Nyte’s help before she can decide if she might have sold her allegiance to one of the bloodthirsty beings the people of her world fear.
Once their bargain is struck, Astraea’s chance to escape comes in the form of accompanying her best friend Cassia to the King’s Central. There on royal territory it’s the centenary of the Libertatem, a succession of trials hosted by the king in which five human lands compete for a cycle of safety from the vampires seeking blood, claiming souls, and savaging after dark. So when tragedy strikes, Astraea must decide if taking the place of a murdered participant for the safety of her kingdom is a ruse is worth dying for, or if protection—and the answers to her past—really are her strongest desires.
Review: I was definitely excited when I saw that this book had been picked up by a traditional publisher, Bramble. I’ve had some good luck with Bramble’s choices (Carissa Broadbent is a new fave by far!), and there was a lot of positive hype around this book, including it being picked by a book box I subscribe to that also has been hitting it out of the park recently. So, with many good signs pointing to a great reading experience, I eagerly dove in once I received my ARC copy!
Unfortunately, all of these positive indicators let me down a bit. But even though the book didn’t work for me, I can see why it has the hype that it does. There is a lot of strong potential here, especially given currently popular tropes and read-alike authors whose names get thrown around a lot as comparisons. The writing would also veer wildly, but when it was at its peak, it could by lyrical and whimsical in a way that I think appeals to a lot of romantasy fans.
It’s also notable that one of my primary gripes with this book has to do with its use of a character type/arc that I’ve read in another book recently that managed to pull it off where this one did not. I didn’t review “When the Moon Hatched” on the blog, but I read it last spring and was, frankly, a bit surprised by how much I liked it. I don’t think it’s much of a spoiler, but the main character’s arc revolves around her identity and who she may have been in a long-lost life. It’s a tricky concept to write, but that book managed to pull it off where this one took a very similar approach and failed. I think the difference all comes down to the execution of this main character and the type of personality/role they are assigned within the story. In WtMH, we had a main character who was action-oriented, violent, a sheer force of nature. The slow reveal of her past is one that is actively pushed against; she has a complete personality and history as it is, and much of her story is trying to reconcile who she is know with who others see her as.
Here, we have…not that. I do think this book set itself up for a much harder challenge by making the main character a victim of abuse as well. This sets her up to be an incredibly passive, withdrawn character for much of the book. Yes, I understand that the author is trying to show the ways in which learned helplessness is a survival technique, but for the story itself, it leaves readers following a character who feels profoundly uncurious and unmotivated to engage with the mysteries swirling around her. Things are ostensibly happening (there was a lot of “plot? what plot?” throughout the first three quarters of this book), but she is such a passive character, that it was incredibly frustrating to feel stuck in the wake of her inaction and seeming uninterest.
I also felt like there was zero chemistry between her and the romantic lead. Again, we have a character here who is aware of her past, so the book neatly side steps the need to create the bond between them. Instead, readers are simply told it’s there. It’s almost like insta-love in that way. Sure, we’re meant to understand that these two have a bond that was established before, but as we never saw it and see no work to re-establish it in a natural way here, it instead feels the same as insta-love: unearned and lacking any true foundation built up on page.
And while there were moments of strength in the writing, I did struggle with it more often than not. Right from the start, I found myself having to re-read pages to try to piece together what the author was trying to convey. Just because words sound beautiful together, doesn’t mean they actually make any sense to read. What am I meant to be picturing? The plotting and pacing also left much to be desired. Due to the passive main character and the lack of any real action, the book feels like a slog to get through for much of the first half. Things do pick up towards the end. But even here, I was incredibly frustrated by what we were given, or, more notably, not given. Almost none of the mysteries surrounding our main character were revealed. I still know next to nothing about who she was five years ago and how she got back.
Overall, this was a fairly frustrating read. I do plan on giving the second book a go as I have already requested it, but this book did set that one up for a steep climb to any sort of enjoyment. Perhaps readers who enjoy more passive main characters in romance novels may enjoy this, but as it stands, I think there are better examples of this sort of story out there. We’ll see how the second book wraps things up I guess!
Rating 7: While there was potential in the basic premise, the passive main character was difficult to follow and the insta-love romance frustrating to read.
Reader’s Advisory:
“The Stars Are Dying” isn’t on any Goodreads lists, but it should be on October 2024 Most Anticipated Romance Releases.

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