Kate’s Review: “Tiny Threads”

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Book: “Tiny Threads” by Lilliam Rivera

Publishing Info: Del Rey, September 2024

Where Did I Get This Book: I received an ARC from the publisher at ALAAC24.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A young woman gets her dream job working for a famous designer—and discovers the dark side of the glamorous world of fashion—in this gorgeously sinister novel of supernatural suspense.

Fashion-obsessed Samara finally has the life she’s always dreamed of: a high-powered job with legendary designer Antonio Mota. A new home in sunny California, far away from those drab Jersey winters. And an intriguing love interest, Brandon, a wealthy investor in Mota’s fashion line.

But it’s not long before Samara’s dream life begins to turn into a living nightmare, as Mota’s big fashion show approaches and the pressure on Samara turns crushing. Perhaps that’s why Samara begins hearing voices in the dark in her room at night—and seeing strange things that can’t be explained away by stress and anxiety, or by the number of drinks she consumes every night.

And it may not only be Samara’s unraveling psyche, because she soon discovers hints that her new city—and the house of Mota—may have been built on a foundation of secrets and lies. Now Samara must uncover what hideous truths lurk in the shadows of this illusory world of glamor and beauty, before those shadows claim her…

Review: Thank you to Del Rey for providing me with an ARC of this novel!

Whenever we go to ALAAC I always come with a list of titles that I am looking for. I resign myself to the fact that my desired titles aren’t always going to overlap with what is available, but this past year I had a pretty good ven diagram of things I wanted and things that were available. One of the books I was on the hunt for was “Tiny Threads” by Lilliam Rivera, partially because Cynthia Pelayo had been singing its praises (and I really enjoy her books), and partially because I LOVE a dramatic interpretation of the fashion industry. If it has horror elements, I’m even more sold. So when it was available I was very, very pleased. I went into it expecting a full on horror story. I found something a little different, but in a positive way.

This wasn’t as scary as I had hoped that it would be, but what it lacked in obvious scares it made up for in a good old fashioned feminine rage story and a psychological spiral of our main character, who keeps hearing ‘rats’ in her new aparment’s walls at 2am. We follow Samara, who has moved from New Jersey to California after she is hired by the iconic (but recently struggling) fashion designer Antonio Mota to work as a fashion promoter in his fashion house. What should be a dream job and an amazing opportunity is not so much, as Samara soon realizes that Mota is an abusive narcissist, there are many divisions in the company, and her new home in Vernon, California, is being disrupted by a hostile work environment and strange noises that keep her awake at night. The pressure and the lack of sleep make Samara more inclined to turn towards a bottle as she desperately tries to help throw together a make or break fashion show, and she has started seeing strange and disturbing images of a woman, as well as the name ‘Piedad’ everywhere. It’s pretty clear to this seasoned horror reader what Rivera was setting up, but the execution of watching Samara spiral into deeper and deeper madness (or is it a horrifying enlightenment?) was intense and nerve wracking. Rivera also examines through Samara, as well as other Latine women characters, a hostile racism and misogyny that is seeping at every turn, whether it’s Antonio’s abuses, or the history of the town and how it has used brown skinned women as worker bodies that are expendable, or how powerful white people take advantage of them in all kinds of ways.

I am also a huge sucker for drama filled stories that take on the fashion industry. I am by no means a fashionista, as you can usually find me wearing jeans, band tees, hoodies, and pajama pants, but I am very fascinated by fashion and beauty and the industries that promote those concepts up (and profit off of them). I enjoyed the way that Rivera portrayed Mota fashion house as a place that creates gorgeous and decadent clothing that is envied and coveted by many, but how how it also rings their employees dry, and how at the end of the day it is a capitalistic machine that is out to make money and to convince the masses that they should be spending their money on their designs. Even the setting of Vernon, California, is the perfect vehicle for this, as it’s a small town that was built on corporate need and greed, and sustains itself through this while also reeking of it (literally; there is a meat processing plant that stinks the community up and is hard to ignore). “Tiny Threads” does a great job of juxtaposing the beauty ideals that the fashion industry pushes forth with the mass production corporate greed that ultimately brings harm to many who work within that system, and how they aren’t so dissimilar be it fashion or meat packing and slaughterhouses. I found it compelling and haunting.

“Tiny Threads” is a great adult debut for Lilliam Rivera, and an incredibly psychological horror tale that has just as many real world scares as it does supernatural ones. Highly recommended!

Rating 8: Intense and angry, “Tiny Threads” is a psychological ghost story that takes on misogyny, violence, racism, and the fashion industry.

Reader’s Advisory:

“Tiny Threads” is included on the Goodreads list “2024 Mystery Thrillers Crime to Be Excited For”.