Serena’s Review: “Asunder”

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Book: “Asunder” by Kerstin Hall

Publishing Info: Tor, August 2024

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: We choose our own gods here.

Karys Eska is a deathspeaker, locked into an irrevocable compact with Sabaster, a terrifying eldritch entity—three-faced, hundred-winged, unforgiving—who has granted her the ability to communicate with the newly departed. She pays the rent by using her abilities to investigate suspicious deaths around the troubled city she calls home. When a job goes sideways and connects her to a dying stranger with dangerous secrets, her entire world is upended.

Ferain is willing to pay a ludicrous sum of money for her help. To save him, Karys inadvertently binds him to her shadow, an act that may doom them both. If they want to survive, they will need to learn to trust one another. Together, they journey to the heart of a faded empire, all the while haunted by arcane horrors and the unquiet ghosts of their pasts.

And all too soon, Karys knows her debts will come due.

Review: I requested this one on a bit of a whim. I was vaguely familiar with the author, knowing that she’d released at least one or two other books, but I hadn’t read any of them. This cover, while excellent, doesn’t really give many clues as to what type of fantasy novel this was. And the book description is wild with talk of various types of magical beings (death speakers), fantasy creatures (eldritch entities) and long-reaching spells (binding someone to a shadow, what?). And man, was this an instance where not knowing going in really paid off! This was a crazy ride of a book and I loved every bit of it!

There’s so much to love about this book that I don’t know where to start. But I think I’ll begin with the general type of fantasy novel that this book is. I’m not sure if this is an “official” subgenre of fantasy, but I’d label this book and books like it as “hard fantasy.” As in, the fantasy version of “hard science fiction.” For example, last year I read and loved Martha Wells’ “Witch King.” I loved it so much that I included it (or tried to? I can’t remember) in one of our “Another Take” list where we link to other reviewers who also enjoyed the same book. Problem was, I kept coming across reviewers who struggled with the book because of the complicated world-building and the fact that the reader is essentially plopped into the story with no explanations or answers in sight, left to piece it together over the course of the book. So, where “hard science fiction” leans heavily on the scientific details of it all, I’d say that “hard fantasy” is the type of fantasy that presents a very foreign world, full of totally unfamiliar elements, cultures, and religions that readers are left to piece together largely on their own.

This book is very much that, and, like “Witch King,” I loved it. For one thing, I think this style of storytelling often makes the most sense for fantasy stories like this. In this book, we’re following one main character, Karys, as she goes on a quest to various locations in various countries and, essentially, has a bunch of mini-adventures while gathering up a party of friends. But because we’re following her so closely, and she’s a member of this world, her explanations of what she sees around her are fairly straightforward and undetailed.

She blasély comments on these enchanted dog-like creatures that essentially operate as a free taxi system in her home city. She mentions the various deity-like beings that have warred over the past decades, with one now practically extinct and a new order in place with beings that are only partially understood. She casually describes cultures and customs where it is understood that one simply climbs within a ensorcelled spider-thing that operates like a train. It’s all incredibly creative, incredibly strange, and incredibly straight-forwardly presented. This is all familiar to Karys; she has no reason to go into long monologues about the how and why of it all. As such, the reader is left to piece together these elements over the course of the book, slowly filling out the broad strokes of this world and the true stakes involved. I enjoy fantasy stories that test the limits of the imagination like this one does. That said, this is definitely not an approachable fantasy story, and I can see some readers being turned off by the complexity of it all.

As I mentioned, while there is a larger mystery and quest involved (Karys’s mission to return the man she bound to her shadow to his rightful body), the plot swings through a multitude of shorter “side quests.” All of these were worked in to the larger plot in small ways, but they also felt like interesting little mini stories in their own right. And, most importantly, they gave the reader more insights into the strangeness of this world and its people.

While I like the plot and the fantasy world, none of this would have worked without a strong leading character, and Karys is exactly the sort of leading lady I enjoy. She’s fiercely independent (often to a problematic level), and much of the story follows her personal arc of coming to trust and rely on the friends she meets along the way. Her past is riddled with trauma, and yet her approach to life is a fierce will to live, even in the face of the most dire of circumstances. Her fairly tightly-wound character is balanced well by her shadow companion, Ferain, who is a more light-hearted and open individual. That said, for a character that spends almost the entire book in a shadow-like state, Ferain’s own story turned out to be more rich than I had expected. Plus, the cherry on the top, I loved the sweet, slow-burn romance that developed between them.

I’m really tempted to give this book a 10 rating. However, I will say that while I enjoyed all of the mini adventures on their own, there were a few points where I felt like these side stories broke up the overall pacing of the story. And there was one that I didn’t really understand the point of, though I may have missed some important detail (like I said, the author doesn’t spoon feed it to you, so if you missed a line, oops!). I also felt like the ending was rather abrupt and felt a bit like a cliffhanger. Normally, this wouldn’t really bother me, but as of writing this, this book seems to be being marketed as a stand-alone, which, if true, makes the ending slightly unsatisfying. That said, I still highly recommend this to fantasy readers, especially those who want to go hard into the crazier side of fantasy world-building and are happy to go along on a mildly confusing, but well worth it, ride!

Rating 9: A perfect example of hard fantasy at its best, with a world that feels completely foreign and rich to be explored, especially alongside a fantastic cast of characters.

Reader’s Advisory:

“Asunder” isn’t on many Goodreads lists, but it is on Can’t Wait Sci-Fi/Fantasy of 2024.