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Book: “Thirst” by Marina Yuszczuk and Heather Cleary (Translation)
Publishing Info: Dutton, March 2024
Where Did I Get This Book: I received an eARC from the publisher via NetGalley.
Where You Can Get This Book: WorldCat.org | Amazon | Indiebound
Book Description: Across two different time periods, two women confront fear, loneliness, mortality, and a haunting yearning that will not let them rest. A breakout, genre-blurring novel from one of the most exciting new voices of Latin America’s feminist Gothic.
It is the twilight of Europe’s bloody bacchanals, of murder and feasting without end. In the nineteenth century, a vampire arrives from Europe to the coast of Buenos Aires and, for the second time in her life, watches as villages transform into a cosmopolitan city, one that will soon be ravaged by yellow fever. She must adapt, intermingle with humans, and be discreet.
In present-day Buenos Aires, a woman finds herself at an impasse as she grapples with her mother’s terminal illness and her own relationship with motherhood. When she first encounters the vampire in a cemetery, something ignites within the two women—and they cross a threshold from which there’s no turning back.
With echoes of Mary Shelley’s Frankenstein and written in the vein of feminist Gothic writers like Shirley Jackson, Daphne du Maurier, and Carmen Maria Machado, Thirst plays with the boundaries of genre while exploring the limits of female agency, the consuming power of desire, and the fragile vitality of even the most immortal of creatures.
Review: Thank you to Dutton for sending me this eARC via NetGalley!
As many people know, I love vampire horror, but along with that loves comes a pretty picky set of standards. I would love to frame it as ‘passionate’ but I’m sure part of it is being a bit of an elitist/a bit bratty when it comes to vampiric tales. But I couldn’t help but have my attention snagged when access to an eARC of Marina Yuszczuk’s “Thirst” arrived in my inbox. The cover is already eye catching, for one. For another, a horror novel about a female vampire that has a historical element, as well as Sapphic themes, just sounds INCREDIBLY tantalizing. I kept thinking about “The Hunger” and the characters of Darla and Drusilla from “Buffy”. I was hopeful going in.
The first half of this book was amazing. I loved the way that we follow our nameless Vampire from her transformation, to her liberation from her sire, to her need to escape once people in Europe start hunting her and her kind down, to her arrival and time in Buenos Aires. It is such a compelling arc and background for her, examining how she became a vampire and how she slowly accepts it and turns into a predator with a shade of seductive longing. The time and place is so well formed and presented, and the eeriness and horror moments are very well done. I LOVE predatory vampires in vampire fiction, and ones that have a little bit of dangerous eroticism is always a great harkening back to the way vampire lore has always had shades of longing and desire within it. And the explorations of feminine longing and feminine power and agency in this section is so interesting as we see her prey on her victims while also feeling a need for connection as she moves through her existence as times change. I also really enjoyed the setting of Buenos Aires during the Yellow Fever plague and how mass death and illness could make for both a good place to fade into the background, but also a dangerous place as hysteria ramps up and her cover could be blown. I found Part One to be so, so interesting and enthralling.
Which made it even more disappointing when Part Two was a bit lackluster. In this part we have Alma, a modern day woman living in Buenos Aires who is grappling with a divorce, her sensitive son Santiago, and now the impending death of her mother. She soon finds out that the family has had a key to a mausoleum passed down for generations, and now she has to figure out if she’s going to sell the mausoleum or what. I’m sure you can guess who is living in that tomb, which is ABSOLUTELY a great set up. But my problem with Alma’s story was that, while it’s a pretty standard examination of an unhappy woman at a crossroads, I didn’t feel like it tied in SUPER well with the Vampire’s story, as when it goes come together there isn’t much exploration of it before the book was done. I appreciated trying to draw a dichotomy between the feminine struggles that the vampire faced, even as a vampire but also before, as well as the struggles that Alma was experiencing as a woman in the modern times. But there wasn’t enough time with the Vampire and Alma actually connecting and interacting, and because of this certain choices made and plot points that shook out didn’t really work for me because not enough time was spent building up to them. I think that had there been a third part from both Alma’s and the Vampire’s perspectives to see a full picture, as well as more interaction and relationship building, would have really fixed this. But as it was it just felt a bit abrupt.
Overall, “Thirst” is fantastic in the first half and ultimately evens out to a still entertaining read, even if I wanted more from it. I will absolutely be checking out more from Marina Yuszczuk in the future if we get more translations of ehr works.
Rating 7: A fabulous first half followed by a not as fleshed out second half made for a meet in the middle read. But I REALLY loved the historical moments and the concept itself.
Reader’s Advisory:
“Thirst” is included on the Goodreads lists “Girly Pop But Make It Insane”, and “Weird Woman Book Club”.
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