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Book: “To Cage a God” by Elizabeth May
Publishing Info: DAW, February 2024
Where Did I Get this Book: ARC from the publisher!
Where Can You Get this Book: WorldCat.org | Amazon | IndieBound
Book Description: To cage a god is divine. To be divine is to rule. To rule is to destroy.
Using ancient secrets, Galina and Sera’s mother grafted gods into their bones. Bound to brutal deities and granted forbidden power no commoner has held in a millennia, the sisters have grown up to become living weapons. Raised to overthrow an empire―no matter the cost.
With their mother gone and their country on the brink of war, it falls to the sisters to take the helm of the rebellion and end the cruel reign of a royal family possessed by destructive gods. Because when the ruling alurea invade, they conquer with fire and blood. And when they clash, common folk burn.
While Sera reunites with her estranged lover turned violent rebel leader, Galina infiltrates the palace. In this world of deception and danger, her only refuge is an isolated princess, whose whip-smart tongue and sharp gaze threaten to uncover Galina’s secret. Torn between desire and duty, Galina must make a choice: work together to expose the lies of the empire―or bring it all down.
Review: Let’s just say, I’m glad this is the cover for the U.S. version of the book. Check out the U.K. one if you don’t believe me! I mean, it’s definitely a statement…but it’s also not the type of cover I’d necessarily want starting out at me from my shelves! However, what truly caught my interest was the promise of a Russian-inspired fantasy world in which two sisters head up a rebel cause. I mean, that checks a pretty decent number of my personal preferences right there. Add in a dash of romance, and yep, I was excited to check this one out!
This book was a very hot and cold affair as far as my changing enjoyment levels throughout the story. It started off great, I will say. I was immediately drawn in to both Sera and Galina’s narration and their different styles. Here, finally, was a case where the two POVs felt distinct but each was enjoyable. I even felt fairly confident that the prickly but powerful Galina was going to be my favorite of the two. However, this strong start didn’t last. Much to my dismay, as the book progressed, we were introduced to a whopping three OTHER POV characters. And five…five is just too many.
And in this case, it was incredibly apparent that at least two of them had no business having POVs at all. We had a fair number of chapters from one of the Queen’s handmaidens, and yet every single chapter we heard from her, she literally went through the same exact story beats: the Queen killed her sister when her sister was a handmaiden, the Queen is violent and may kill her at any moment, she hates the Queen. Rinse and repeat and get ready to hear the same story about six more times, all to conclude in…yeah, nothing really. From there, we also got a handful (maybe three or four? not enough to amount to anything, that’s for sure) of chapters from Sera’s love interest, Vitaly. Again, this character had no arc or story of his own. The entire purpose of his chapters, apparently, was to give readers a glimpse into his mind as he repeated over and over that he was a bad guy, but he’d do anything for Sera. Which…we’d already heard him say aloud several times to Sera herself, thus completely negating any reason to hear directly from this character himself.
Lastly, we also had chapters from the Princess Vasilisa’s perspective. These, at least, were more worthwhile in that Vasilisa has the remnants of an arc to be found, in that she has had a troubled upbringing with her mother, the Queen, and must face the reality of her mother’s violent and unchanging nature. I’ll also say that this character having POV chapters was fairly necessary for this romance. Not for the reasons you’re thinking though! But because if she didn’t, we’d have had about a grand total of three interactions between her and Galina to build up a romance. As it stands, I really struggled with this romance either way. It’s classic instalove, and if you actually add up the time Galina and Vasilisa spend together, it rounds out to a few hours! Total! Before they’re professing love and Galina is insisting to Sera that Vasilisa will turn on her mother and side with the rebels. And she’s right, a few hours was all it did take! It’s all pretty crazy, and the focus on this romance was one of the reasons my interest in Galina’s storyline dropped quickly from my favorite to one I barely cared about.
Sera, instead, became my favorite character and actually took up the bulk of the action of the book. She’s the only one who is truly doing anything much of the time, and almost all of the action scenes come through her storyline. And if we had taken out Vitaly’s unnecessary chapters which I think managed to actually hurt the romance, I would have enjoyed this second chance love story as well.
Honestly, this book was a bit of a hot mess. The world-building and fantasy elements (the idea of gods being caged within people who can then harness their powers) all had a lot of potential. But the story fell apart due to failures of craft. There were moments when the writing was incredibly strong, but others when it felt all over the place. And then, worst of all, the decision to include so many POV characters, especially when so many of them had no real arcs of their own, really hurt the overall book. If things had been kept to just Sera and Galina’s stories, I think the story would have been massively more successful. As it stands, the bones of a good book can be seen in this one, but the author got into her own way too many times for it really come together. If you enjoy large casts of characters, however, you may still want to give this a shot. Sera’s story is still enjoyable, if you go in focusing on that.
Rating 7: I enjoyed one of the main characters a lot; unfortunately, she was one of five POVs, which drastically reduced my overall experience.
Reader’s Advisory:
“To Cage a God” can be found on this Goodreads list: Russian motifs in fantasy
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